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series depicts "primitive figures seem on their way to work the land, but it is hard to tell where the farmers end and where their tools begin." In a 1982 review of the
National Gallery exhibition,
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series includes other works utilizing old farm equipment. The series of sixteen sculptures, made between 1950 and 1957, represent Smith's concern with farming in upper
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1.87 m × 1.4 m × 0.61 m (6.15 ft × 4.6 ft × 2 ft)
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variant" for the duration of the publication. In 1982, NGA curator E.A. Carmean Jr., stated that the
Hirshhorn's
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was a must have for NGA if the work was ever to be deaccessioned. Art historian and critic
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variation is not an isolated instance in Smith's career," referring to other works such as
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by Smith, which are all variations upon work by another artist. Deemed a "parody" by
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gesture, almost no discernible style, and yet of an extraordinary lyric intensity."
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Smith, David; Krauss, Rosalind (1983). "Review: Changing the Work of David Smith".
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Grace Glueck (28 November 1982). "David Smith seen in his full range and scope".
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Paul
Richard (5 November 1982). "David Smith;Legacy of the Mighty Man of Metal".
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series "elegantly wrought" and as "giving everyday forms a metaphorical unity,"
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image, rigid, frontal, and planar to the point of existing almost solely as a
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The sculpture was originally purchased in 1962 from Park
International in
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153:. The artwork is located on the grounds at and in the collection of the
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work of combined elegance and muscularity..." She also points out that
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Joanne Ostrow (5 November 1982). "Celebrating
Sculptor David Smith".
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The sculpture has been described by curators at the
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781:— from Smith's 2006 retrospective show at the
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439:List of public art in Washington, D.C., Ward 2
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785:shows a picture of Smith welding Agricola I.
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212:. In 1966 the Hirshhorn Museum's namesake,
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579:. David Smith Estate. 2008. Archived from
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986:Sculptures in the Smithsonian Institution
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196:which have been assembled to appear as a
643:The Bulletin of the Museum of Modern Art
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961:Abstract sculptures in Washington, D.C.
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976:Outdoor sculptures in Washington, D.C.
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966:Hirshhorn Museum and Sculpture Garden
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507:Hirshhorn Museum and Sculpture Garden
392:Sculpture from Washington Collections
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155:Hirshhorn Museum and Sculpture Garden
76:Hirshhorn Museum and Sculpture Garden
991:Steel sculptures in Washington, D.C.
738:Twentieth Century American Sculpture
641:Hunter, Sam (1957). "RDavid Smith".
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708:"The First Lady's Sculpture Garden"
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346:series as "an abrasive, unadorned
258:as "making a direct reference" to
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734:"Collections from Washington DC"
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173:. This work is the first in the
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779:"From Concept to Contemplation"
996:Agriculture in popular culture
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216:gave the work to the museum.
200:holding a tool in each hand.
732:Earl A. Powell, III (2006).
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981:Sculptures by David Smith
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775:from David Smith's estate
499:"David Smith -Agricola I"
464:"Agricola I, (sculpture)"
247:in the collection of the
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577:"David Smith Chronology"
16:Sculpture by David Smith
706:Mary Lynn Kotz (1998).
555:College Art Association
472:Smithsonian Institution
386:National Gallery of Art
256:National Gallery of Art
249:National Gallery of Art
108:38.889167°N 77.023056°W
929:Abstract expressionism
509:. 2007. Archived from
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192:sculpture made of old
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113:38.889167; -77.023056
843:Pittsburgh Landscape
651:Museum of Modern Art
431:United States portal
169:" means "farmer" in
971:Modernist sculpture
627:The Washington Post
605:The Washington Post
284:The Washington Post
220:Further information
214:Joseph H. Hirshhorn
104: /
692:The New York Times
583:on 11 October 2011
417:Visual arts portal
398:, Washington, D.C.
388:, Washington, D.C.
376:Exhibition history
366:The New York Times
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78:, Washington, D.C.
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783:Guggenheim Museum
262:as attributed to
177:series by Smith.
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159:Washington, D.C.
127:Hirshhorn Museum
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300:Rosalind Krauss
266:and "that this
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165:. The word "
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902:(1963–1964)
820:David Smith
742:White House
546:Art Journal
396:White House
382:David Smith
368:called the
204:Acquisition
181:Description
151:David Smith
111: /
85:Coordinates
40:David Smith
950:Categories
835:Agricola I
827:Sculptures
772:Agricola I
503:Collection
445:References
340:Sam Hunter
328:Agricola I
314:; whereas
312:silhouette
304:Agricola I
302:describes
296:Agricola I
186:Agricola I
138:is a 1952
135:Agricola I
99:77°01′23″W
96:38°53′21″N
64:Dimensions
22:Agricola I
907:Cubi XXVI
851:Voltri XV
712:Sculpture
557:: 89–95.
334:Reception
320:Mannerist
280:Sentinels
143:sculpture
891:Cubi XII
875:Cubi VII
752:22 April
717:22 April
653:: 3–36.
587:23 April
517:22 April
478:22 April
403:See also
370:Agricola
362:Agricola
349:art brut
344:Agricola
308:hieratic
288:Agricola
226:Agricola
175:Agricola
167:agricola
147:American
140:abstract
72:Location
922:Related
899:Cubi XV
883:Cubi XI
659:4058290
354:laconic
324:Mercury
316:Mercury
292:Mercury
272:Circles
268:Mercury
260:Mercury
245:Mercury
236:Mercury
149:artist
936:(wife)
910:(1965)
894:(1963)
886:(1963)
878:(1963)
867:series
854:(1962)
846:(1954)
838:(1952)
657:
563:776641
561:
474:. 2008
276:Wagons
198:farmer
36:Artist
655:JSTOR
649:(2).
559:JSTOR
553:(1).
318:is a
190:steel
171:Latin
124:Owner
864:Cubi
754:2011
719:2011
589:2011
519:2011
480:2011
278:and
224:The
54:Type
49:1952
46:Year
352:of
157:in
145:by
952::
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647:25
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551:43
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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