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A first, simple version of
Adelbrecht was presented in 1985. Starting 1988, a second, more powerful version was developed. The successor was able to detect several different 'situations': rolling, bumping, being stuck, being petted etc. Moreover, Adelbrecht was now capable of displaying different
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states of nature: sleep or awake. Combined with variables nicknamed 'lust' and 'fatigue', the situations and states of nature enabled
Adelbrecht to interact with, and respond to its immediate and past environment. In 1992 Adelbrecht received an honourable mentioning at the
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55:. Its last performance, planned at New Year's Eve 2000, never took place because of serious hardware failure. From then on, Spanjaard proclaimed Adelbrecht a 'dead robot'.
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Short bio of Martin
Spanjaard at V2, Institute of the unstable media, the Netherlands
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Page about
Adelbrecht in the Catalogue of the NIMK (Netherlands Media Art Institute)
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Hertzian Tales: Electronic
Products, Aesthetic Experience, and Critical Design
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words, Adel (Good) and Brecht (Nice). Modern versions of this name are
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Article by
Francisco van Jole in the Dutch magazine Blvd (1994)
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Information Arts: Intersections of Art, Science, and
Technology
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186:Ars Electronica Linz, Honorable mentioning (1992)
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181:Article about Atos Origin on the Dutch Knowledge
176:Article by Dirk van Weelden in Mediamatic
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79:The name "Adelbrecht" consists of two
201:Video registration at YouTube (3'40")
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27:was a speaking, interactive
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226:Robots of the Netherlands
112:Wilson, Stephen (2002).
20:Adelbrecht first version
142:Dunne, Anthony (2005).
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231:Spherical orb robots
53:Prix Ars Electronica
70:First design sketch
136:Adelbrecht +robot.
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216:Individual robots
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37:Martin Spanjaard
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221:1985 robots
100:Robotic art
45:Netherlands
210:Categories
105:References
25:Adelbrecht
75:Etymology
95:See also
41:Haarlem
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89:Elbert
85:Albert
29:robot
150:ISBN
126:ISBN
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