72:
757:
715:
673:
412:. He retells the topic of the gospel in the first recitative, and expands it to the journey, suffering and perils of the contemporary Christian, with a focus on the contrast between suffering on Earth and joy in Heaven. The two outer movements are unusually similar, both duets of the Soul and Jesus, using a hymn stanza and free text. The first movements includes the first stanza of "
445:
Bach performed the cantata presumably first on 5 January 1727. He performed it again on 4 January 1733 or 3 January 1734. Only this later version survived, for which Bach had added oboes to the orchestra and wrote a new third movement. The surviving continuo part of the original aria suggests a
806:
The structure of the piece is unusually symmetric. It opens and closes with a duet including a chorale text. Harmonically, the piece begins and ends in C major, and the central movement is in D minor. The second movement modulates from A minor to F major, while the fourth movement mirrors this
904:
movement describes the spirit's confidence in God. The first section includes a "motto theme" transitioning into a "hectic" violin melody. The middle section is characterized by a "muscular" soprano line and "oddly bizarre" solo violin. The first section returns modified and unheralded.
474:, composed for the second Sunday after Epiphany of 1725. According to the Bach scholar Alfred Dürr, the cantata is "to be numbered among the successors of the seventeenth-century dialogue compositions as a 'Dialogue of the Faithful Soul with God'".
343:
ensemble of originally just strings and continuo, probably intended to ease the workload of musicians for the
Christmas season. In a later version, he added a trio of oboes to the outer movements. Bach counted the work as part of his cycle of
881:
and in two sections: the first describes a history of persecution related to the Flight into Egypt with "striding angular phrases", while the second section emphasizes the presence of God using a gentler and smoother melodic line.
522:
in 2000, notes that the scoring for just two voices and strings was probably intended to ease the workload of musicians who had a busy time during the
Christmas season. In the later version, Bach added a trio of two
336:". While the poet wrote the duets to fit the same music, Bach composed them in contrast, even changing the meter of the tune, to fit the different mood: lamenting heartbreak in the beginning, comfort in the end.
442:(around 1455). The poet's own verse for the two movements is also similar, as if the author expected the composer to repeat the music, but Bach set them differently, even contrasting.
1715:
1649:
4048:
1975:
357:
3120:
3328:
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453:, which he had begun in 1724/25. In that year's Christmas season, the Sunday fell between Christmas and New Year, a different occasion with different prescribed readings.
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significantly different character. As only the continuo part of the first version of the central aria movement survived, it is unknown if the text was also changed.
3323:
1970:
1177:
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4347:
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4402:
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1965:
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974:
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1960:
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859:, dominates the music. A figure of lament appears first in the continuo, then also in the upper voices. The ritornello recurs midway through the movement.
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286:, in a structure of unusual symmetry with a duet as the first and last of the five movements. Both duets are dialogues of the Soul, represented by a
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1278:"A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cantata Cycle'"
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Ach Gott, wie manches
Herzeleid (concerto in dialogo) (later version) BWV 58; BC A 26b / Sacred cantata (2nd Sunday of Christmas)
1669:
Ach Gott, wie manches
Herzeleid (concerto in dialogo) (early version) BWV 58; BC A 26a / Sacred cantata (2nd Sunday of Christmas)
76:
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919:" (If the world cannot cease), begins by recounting persecution, but quickly becomes an arioso with a walking continuo.
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Bach structured the cantata in five movements in a symmetrical arrangement of two framing duets surrounding
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fanfare, which the bass voice sings on the words "Nur getrost" (Be comforted). It is similar to a
2998:
1460:
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519:
360:, probably of 1727. This occasion happens only in years with a Sunday between New Year's Day and
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to the melody. The melody is tonal but with a "very chromatic subtext". The movement, marked
252:
63:
53:
1420:
1381:"Johann Sebastian Bach / Cantata No. 58, "Ach Gott, wie manches Herzeleid," BWV 58 (BC A26)"
1028:
256:
1693:
1351:"Chorale Melodies used in Bach's Vocal Works / Herr (or O) Jesu Christ, meins Lebens Licht"
1159:
1046:
550:, using the symbols for common time (4/4). The continuo, playing throughout, is not shown.
1050:
8:
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1306:
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193:
92:
1185:
348:, which he had begun in 1724. It was presumably first performed on 5 January 1727.
2994:
1532:
1123:
822:
299:
71:
436:. The melody is the same for both hymns and first appeared in Wolflein Lochamer's
1587:
1454:
1277:
1024:
988:
970:
966:
856:
756:
714:
672:
1456:
The
Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
1245:
The
Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
1524:
Johann
Sebastian Bach (1685-1750) / Cantatas Nos 16, 41, 58, 143, 153 & 171
1329:"Herr (or O) Jesu Christ, meins Lebens Licht / Text and Translation of Chorale"
1155:
843:
543:
511:
1442:
547:
239:
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1618:
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315:
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127:
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1679:
1671:
984:
954:
838:
386:
314:. Both stanzas are sung to the same melody, but come from different hymns,
311:
248:
4428:
1167:
1141:
950:
852:
832:
539:
421:
327:
293:
140:
1494:"BWV 58 Ach Gott, wie manches Herzeleid / Oh God, how much unhappiness"
946:
848:
483:
1658:
897:
878:
3043:
1307:"Ach Gott, wie manches Herzeleid / Text and Translation of Chorale"
459:
is not similar to the early works of that cycle which focus on one
901:
707:
664:
659:
623:
534:
In the following table of the movements, the scoring follows the
491:
287:
260:
188:
165:
408:, a theologian and student of Bach, by Christine Blanken of the
1062:
503:
364:
on 6 January. The prescribed readings for the day are from the
507:
1723:
546:
are taken from the book on all cantatas by the Bach scholar
430:", published in 1610 in the second volume of the collection
278:. He combined the topics of the readings, the gospel of the
1421:"Chapter 35 Bwv 58 – The Cantatas of Johann Sebastian Bach"
524:
487:
303:
896:" (I am cheerful in my sorrow), is a soprano aria with an
420:
in 1587; the last movement includes the second stanza of
390:(director of church music) in Leipzig, Bach had composed
282:
and teaching about the suffering of
Christians from the
945:, BWV 1042. The soprano reprises the chorale melody in
933:" (I have a difficult journey before me), opens with a
825:, with the soprano, representing the Soul, singing the
1059:
877:" (Though the angry world might persecute you), is
829:, reinforced by the taille, while the bass as the
19:For Bach's other cantata with the same title, see
4514:
490:. Bach scored the work for two vocal soloists (
449:Bach counted the work as part of his cycle of
3029:
2449:Later additions to the chorale cantata cycle:
1709:
1343:
837:(voice of Christ) delivers original verse in
2183:Chorale cantatas between Trinity and Easter:
1321:
1164:J. S. Bach: Cantatas Vol. 38 (Solo Cantatas)
928:
914:
891:
872:
816:
770:
728:
686:
639:
598:
555:
464:
454:
425:
391:
331:
319:
231:
134:
119:
31:
1299:
1242:Dürr, Alfred; Jones, Richard D. P. (2006).
1015:Bach Cantatas Vol. 1 – Advent and Christmas
830:
531:(Ot). The duration is given as 17 minutes.
431:
298:(voice of Christ). Both duets are set as a
291:
3036:
3022:
1716:
1702:
1623:"BWV 58 – Ach Gott, wie manches Herzeleid"
1552:
1550:
979:The RIAS Bach Cantatas Project (1949–1952)
70:
1654:International Music Score Library Project
1613:
1611:
1609:
1607:
1605:
1484:
1482:
1480:
1441:
1435:
1271:
1269:
1241:
4523:Church cantatas by Johann Sebastian Bach
1559:"BWV 58 Ach Gott, wie manches Herzeleid"
1517:
1511:
1189:J. S. Bach Dialogkantaten BWV 32, 57, 58
477:
404:The text has been attributed in 2015 to
1659:Ach Gott, wie manches Herzeleid, BWV 58
1650:Ach Gott, wie manches Herzeleid, BWV 58
1547:
1488:
1275:
1237:
1235:
1233:
1231:
1229:
1227:
1146:Amsterdam Baroque Orchestra & Choir
356:Bach composed the dialogue cantata the
16:Church cantata by Johann Sebastian Bach
4515:
1685:BWV 58 Ach Gott, wie manches Herzeleid
1617:
1602:
1477:
1266:
1225:
1223:
1221:
1219:
1217:
1215:
1213:
1211:
1209:
1207:
1110:Bach Edition Vol. 18 – Cantatas Vol. 9
821:" (Ah, God, how much heartache), is a
463:, such as a cantata on Moller's hymn,
21:Ach Gott, wie manches Herzeleid, BWV 3
3017:
1697:
1581:
1579:
1499:. Bach Cantatas Website. pp. 7–8
1414:
1412:
1410:
1408:
1406:
1404:
1402:
1400:
1398:
1150:J. S. Bach: Complete Cantatas Vol. 17
1374:
1372:
1370:
1368:
855:-rhythm figure, characteristic of a
745:
743:
701:
656:
654:
427:Herr Jesu Christ, meins Lebens Licht
333:Herr Jesu Christ, meins Lebens Licht
136:Herr Jesu Christ, meins Lebens Licht
1556:
1418:
1378:
1204:
395:Schau, lieber Gott, wie meine Feind
351:
290:, and Jesus, sung by a bass as the
13:
1665:(video and background information)
1576:
1395:
874:Verfolgt dich gleich die arge Welt
641:Verfolgt dich gleich die arge Welt
14:
4539:
2386:Continuation of the second cycle:
1906:Köthen: BWV Anh. 5
1643:
1585:
1365:
893:Ich bin vergnügt in meinem Leiden
688:Ich bin vergnügt in meinem Leiden
433:Centuria precationum rhythmicarum
339:Bach scored the work for a small
1084:Orchestre de Chambre de Lausanne
981:, Recorded 1952, Published 2012.
930:Ich hab für mir ein schwere Reis
772:Ich hab für mir ein schwere Reis
755:
713:
671:
270:The text has been attributed to
851:of strings doubled by oboes. A
818:Ach Gott, wie manches Herzeleid
600:Ach Gott, wie manches Herzeleid
557:Ach Gott, wie manches Herzeleid
468:Ach Gott, wie manches Herzeleid
456:Ach Gott, wie manches Herzeleid
414:Ach Gott, wie manches Herzeleid
368:, the suffering of Christians (
322:Ach Gott, wie manches Herzeleid
237:(Ah God, how much heartbreak),
233:Ach Gott, wie manches Herzeleid
122:Ach Gott, wie manches Herzeleid
33:Ach Gott, wie manches Herzeleid
310:, with original poetry set in
1:
1353:. Bach Cantatas Website. 2006
1331:. Bach Cantatas Website. 2006
1287:. Bach Network. pp. 9–30
1198:
1132:Bach Cantatas Vol. 17: Berlin
960:
916:Kann es die Welt nicht lassen
730:Kann es die Welt nicht lassen
306:, sung by the soprano as the
2497:Other late chorale cantatas:
1451:"1.10 Sunday after New Year"
302:, combining a stanza from a
274:by Christine Blanken of the
7:
2836:Council election (Leipzig):
1928:Between Trinity and Advent:
1276:Blanken, Christine (2015).
502:ensemble of originally two
358:Sunday after New Year's Day
10:
4544:
1106:Netherlands Bach Collegium
1073:Ensemble vocal de Lausanne
943:Violin Concerto in E Major
538:of the later version. The
18:
4444:
3062:
2979:
2718:
2524:
2164:
1915:
1737:
1152:. Antoine Marchand, 2003.
957:to complete the chorale.
949:rather than the original
929:
915:
913:The soprano recitative, "
892:
873:
817:
771:
729:
687:
640:
599:
587:
584:
581:
578:
575:
572:
569:
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563:
465:
426:
392:
332:
320:
202:
181:
173:
150:
135:
120:
111:
99:
86:
69:
49:
39:
30:
2553:Liturgical year 1725–26:
1663:Netherlands Bach Society
1128:English Baroque Soloists
1037:Die Bach Kantate Vol. 20
1033:Bach-Collegium Stuttgart
1011:Münchener Bach-Orchester
801:
384:). In his first year as
155:5 January 1727
1687:: English translation,
1461:Oxford University Press
1250:Oxford University Press
1178:Kirchheimer BachConsort
520:Bach Cantata Pilgrimage
382:Matthew 2:13–23
370:1 Peter 4:12–19
2041:From Advent to Trinity
1055:Concentus Musicus Wien
831:
765:
723:
681:
634:
593:
556:
455:
432:
366:First Epistle of Peter
292:
284:First Epistle of Peter
232:
32:
3050:Johann Sebastian Bach
2989:List of Bach cantatas
1730:Johann Sebastian Bach
1689:University of Vermont
1661:: performance by the
1563:University of Alberta
1309:. Bach Cantatas. 2006
927:The final movement, "
890:The third movement, "
815:The first movement, "
763:
721:
679:
632:
591:
478:Scoring and structure
401:, for this occasion.
263:for the Sunday after
253:Johann Sebastian Bach
78:The Flight into Egypt
1519:Gardiner, John Eliot
1447:Jones, Richard D. P.
1252:. pp. 166–167.
1160:Bach Collegium Japan
1047:Nikolaus Harnoncourt
975:RIAS-Kammerorchester
922:
908:
885:
862:
810:
518:, who conducted the
500:Baroque instrumental
341:Baroque instrumental
2535:After Trinity 1725:
1557:Bischof, Walter F.
1120:John Eliot Gardiner
1007:Münchener Bach-Chor
560:
516:John Eliot Gardiner
439:Lochamer-Liederbuch
410:Bach-Archiv Leipzig
276:Bach-Archiv Leipzig
1285:Understanding Bach
1174:Alfredo Bernardini
1114:Brilliant Classics
1102:Holland Boys Choir
1098:Pieter Jan Leusink
1029:Gächinger Kantorei
871:bass recitative, "
553:
406:Christoph Birkmann
272:Christoph Birkmann
255:. He composed the
106:Christoph Birkmann
4528:1726 compositions
4510:
4509:
3011:
3010:
2865:1139.1, 1140–1141
1419:Mincham, Julian.
1051:Tölzer Knabenchor
1019:Archiv Produktion
900:solo violin. The
799:
798:
536:Neue Bach-Ausgabe
378:Flight into Egypt
374:Gospel of Matthew
280:Flight into Egypt
228:
227:
80:(Rembrandt, 1627)
4535:
4502:Secular cantatas
4463:Chorale cantatas
4437:
3052:
3038:
3031:
3024:
3015:
3014:
2995:Monteverdi Choir
2837:
2779:
2732:
2692:
2554:
2536:
2498:
2450:
2387:
2184:
2042:
1929:
1732:
1718:
1711:
1704:
1695:
1694:
1652:: Scores at the
1638:
1637:
1635:
1633:
1627:pameladellal.com
1615:
1600:
1599:
1597:
1595:
1590:. Emmanuel Music
1588:"Cantata BWV 58"
1583:
1574:
1573:
1571:
1569:
1554:
1545:
1544:
1542:
1540:
1533:Hyperion Records
1515:
1509:
1508:
1506:
1504:
1498:
1486:
1475:
1474:
1439:
1433:
1432:
1430:
1428:
1423:. jsbachcantatas
1416:
1393:
1392:
1390:
1388:
1379:Leonard, James.
1376:
1363:
1362:
1360:
1358:
1347:
1341:
1340:
1338:
1336:
1325:
1319:
1318:
1316:
1314:
1303:
1297:
1296:
1294:
1292:
1282:
1273:
1264:
1263:
1239:
1124:Monteverdi Choir
1081:
932:
931:
918:
917:
895:
894:
876:
875:
847:, begins with a
836:
823:chorale fantasia
820:
819:
774:
773:
760:
759:
751:
732:
731:
718:
717:
690:
689:
676:
675:
667:
643:
642:
626:
616:
602:
601:
561:
559:
552:
473:
472:
458:
451:chorale cantatas
435:
429:
428:
416:", published by
400:
399:
372:), and from the
352:History and text
346:chorale cantatas
335:
334:
325:
324:
300:chorale fantasia
297:
257:dialogue cantata
244:
241:
235:
169:
168:
162:
160:
138:
137:
125:
124:
95:
74:
58:Dialogue cantata
35:
28:
27:
4543:
4542:
4538:
4537:
4536:
4534:
4533:
4532:
4513:
4512:
4511:
4506:
4459:Church cantatas
4440:
4426:
4425:— discography;
3058:
3048:
3042:
3012:
3007:
2975:
2974:
2835:
2774:
2728:
2720:
2714:
2713:
2690:
2552:
2534:
2520:
2519:
2496:
2448:
2385:
2182:
2172:
2168:
2160:
2159:
2040:
1927:
1918:
1911:
1910:
1767:1138.1 & .2
1739:
1733:
1728:
1725:Church cantatas
1722:
1646:
1641:
1631:
1629:
1616:
1603:
1593:
1591:
1584:
1577:
1567:
1565:
1555:
1548:
1538:
1536:
1529:Soli Deo Gloria
1527:(Media notes).
1516:
1512:
1502:
1500:
1496:
1487:
1478:
1471:
1463:. p. 162.
1440:
1436:
1426:
1424:
1417:
1396:
1386:
1384:
1377:
1366:
1356:
1354:
1349:
1348:
1344:
1334:
1332:
1327:
1326:
1322:
1312:
1310:
1305:
1304:
1300:
1290:
1288:
1280:
1274:
1267:
1260:
1240:
1205:
1201:
1136:Soli Deo Gloria
1075:
1025:Helmuth Rilling
993:Bach Aria Group
989:Bach Aria Group
971:RIAS Kammerchor
967:Karl Ristenpart
963:
925:
911:
888:
865:
857:French overture
813:
804:
780:Chorale + Aria
754:
749:
712:
670:
663:
622:
614:
608:Chorale + Aria
605:Moller + anon.
544:time signatures
480:
354:
242:
224:
198:
164:
158:
156:
154:
146:
90:
82:
61:
45:
24:
17:
12:
11:
5:
4541:
4531:
4530:
4525:
4508:
4507:
4505:
4504:
4495:
4493:Picander cycle
4490:
4485:
4480:
4475:
4470:
4465:
4452:
4445:
4442:
4441:
4439:
4438:
4420:
4415:
4410:
4405:
4400:
4395:
4390:
4385:
4380:
4375:
4370:
4365:
4360:
4355:
4350:
4345:
4340:
4335:
4330:
4325:
4320:
4313:
4306:
4299:
4292:
4285:
4278:
4273:
4268:
4263:
4258:
4253:
4248:
4243:
4238:
4233:
4228:
4223:
4218:
4213:
4208:
4203:
4198:
4193:
4188:
4183:
4178:
4173:
4168:
4163:
4158:
4153:
4148:
4143:
4138:
4133:
4128:
4123:
4118:
4113:
4108:
4103:
4096:
4091:
4086:
4081:
4076:
4071:
4066:
4061:
4056:
4051:
4046:
4041:
4036:
4031:
4026:
4021:
4016:
4011:
4006:
4001:
3996:
3991:
3986:
3981:
3976:
3971:
3966:
3961:
3956:
3951:
3944:
3939:
3934:
3929:
3924:
3919:
3914:
3909:
3904:
3899:
3894:
3889:
3884:
3879:
3874:
3869:
3864:
3859:
3854:
3847:
3840:
3835:
3830:
3825:
3820:
3815:
3810:
3805:
3800:
3795:
3790:
3783:
3778:
3773:
3768:
3763:
3758:
3753:
3748:
3743:
3738:
3733:
3728:
3723:
3718:
3713:
3708:
3698:
3693:
3688:
3683:
3678:
3673:
3668:
3663:
3658:
3653:
3648:
3643:
3638:
3633:
3628:
3623:
3618:
3613:
3608:
3603:
3598:
3593:
3588:
3583:
3578:
3573:
3568:
3563:
3558:
3553:
3548:
3543:
3538:
3533:
3528:
3523:
3518:
3513:
3508:
3503:
3498:
3493:
3488:
3483:
3478:
3473:
3468:
3463:
3458:
3453:
3448:
3443:
3438:
3433:
3428:
3423:
3418:
3413:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3356:
3351:
3346:
3341:
3336:
3331:
3326:
3321:
3316:
3311:
3306:
3301:
3296:
3291:
3286:
3281:
3276:
3271:
3266:
3261:
3256:
3251:
3246:
3241:
3236:
3231:
3226:
3221:
3216:
3211:
3206:
3201:
3196:
3191:
3186:
3181:
3176:
3171:
3166:
3161:
3156:
3151:
3146:
3139:
3134:
3129:
3124:
3114:
3109:
3104:
3099:
3094:
3089:
3084:
3079:
3074:
3069:
3063:
3060:
3059:
3041:
3040:
3033:
3026:
3018:
3009:
3008:
3006:
3005:
2991:
2986:
2980:
2977:
2976:
2973:
2972:
2967:
2962:
2957:
2952:
2947:
2942:
2937:
2931:
2926:
2921:
2916:
2911:
2906:
2900:
2895:
2889:
2884:
2879:
2874:
2868:
2861:
2856:
2851:
2846:
2841:
2833:
2828:
2798:
2793:
2788:
2783:
2772:
2767:
2762:
2757:
2752:
2747:
2742:
2737:
2730:Picander cycle
2725:
2724:
2722:
2716:
2715:
2712:
2711:
2706:
2701:
2696:
2688:
2683:
2678:
2673:
2668:
2663:
2658:
2653:
2648:
2643:
2638:
2633:
2628:
2623:
2618:
2613:
2608:
2603:
2598:
2593:
2588:
2583:
2578:
2573:
2568:
2563:
2558:
2550:
2545:
2540:
2531:
2530:
2528:
2522:
2521:
2518:
2517:
2512:
2507:
2502:
2494:
2489:
2484:
2479:
2474:
2469:
2464:
2459:
2454:
2446:
2441:
2436:
2431:
2426:
2421:
2416:
2411:
2406:
2401:
2396:
2391:
2383:
2378:
2373:
2368:
2363:
2358:
2353:
2348:
2343:
2338:
2333:
2328:
2323:
2318:
2313:
2308:
2303:
2298:
2293:
2288:
2283:
2278:
2273:
2268:
2263:
2258:
2253:
2248:
2243:
2238:
2233:
2228:
2223:
2218:
2213:
2208:
2203:
2198:
2193:
2188:
2179:
2178:
2176:
2162:
2161:
2158:
2157:
2152:
2147:
2142:
2137:
2132:
2127:
2122:
2117:
2112:
2107:
2102:
2097:
2092:
2087:
2082:
2077:
2072:
2067:
2062:
2057:
2052:
2047:
2038:
2033:
2028:
2023:
2018:
2013:
2008:
2003:
1998:
1993:
1988:
1983:
1978:
1973:
1968:
1963:
1958:
1953:
1948:
1943:
1938:
1933:
1924:
1923:
1921:
1913:
1912:
1909:
1908:
1903:
1898:
1893:
1888:
1883:
1878:
1873:
1868:
1863:
1858:
1853:
1848:
1843:
1838:
1833:
1828:
1823:
1818:
1813:
1808:
1803:
1798:
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1754:
1744:
1743:
1741:
1735:
1734:
1721:
1720:
1713:
1706:
1698:
1692:
1691:
1682:
1674:
1666:
1656:
1645:
1644:External links
1642:
1640:
1639:
1619:Dellal, Pamela
1601:
1586:Smith, Craig.
1575:
1546:
1510:
1490:Hofmann, Klaus
1476:
1469:
1434:
1394:
1364:
1342:
1320:
1298:
1265:
1258:
1202:
1200:
1197:
1196:
1195:
1186:Dominik Wörner
1182:Hana Blažíková
1171:
1156:Masaaki Suzuki
1153:
1139:
1117:
1095:
1066:
1044:
1022:
1000:
982:
962:
959:
924:
921:
910:
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884:
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861:
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612:
609:
606:
603:
596:
590:
589:
586:
583:
580:
577:
574:
571:
568:
565:
512:basso continuo
486:and a central
479:
476:
353:
350:
265:New Year's Day
249:church cantata
226:
225:
223:
222:
219:
216:
213:
210:
206:
204:
200:
199:
197:
196:
191:
185:
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170:
152:
148:
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131:
115:
113:
109:
108:
103:
97:
96:
93:New Year's Day
88:
84:
83:
75:
67:
66:
60:
59:
56:
54:Church cantata
50:
47:
46:
40:
37:
36:
15:
9:
6:
4:
3:
2:
4540:
4529:
4526:
4524:
4521:
4520:
4518:
4503:
4499:
4496:
4494:
4491:
4489:
4486:
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4479:
4476:
4474:
4471:
4469:
4466:
4464:
4460:
4456:
4453:
4451:
4447:
4446:
4443:
4436:
4435:
4430:
4424:
4421:
4419:
4416:
4414:
4411:
4409:
4406:
4404:
4401:
4399:
4398:1138.1–1139.1
4396:
4394:
4391:
4389:
4386:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
4359:
4356:
4354:
4351:
4349:
4346:
4344:
4341:
4339:
4336:
4334:
4331:
4329:
4326:
4324:
4321:
4319:
4318:
4314:
4311:
4307:
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4300:
4298:
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4279:
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4264:
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4259:
4257:
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4232:
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4209:
4207:
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4199:
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4184:
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4179:
4177:
4174:
4172:
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4159:
4157:
4154:
4152:
4149:
4147:
4144:
4142:
4139:
4137:
4134:
4132:
4129:
4127:
4124:
4122:
4119:
4117:
4114:
4112:
4109:
4107:
4104:
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4097:
4095:
4092:
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4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4000:
3997:
3995:
3992:
3990:
3987:
3985:
3982:
3980:
3977:
3975:
3972:
3970:
3967:
3965:
3962:
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3925:
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3829:
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3824:
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3819:
3816:
3814:
3811:
3809:
3806:
3804:
3801:
3799:
3796:
3794:
3791:
3788:
3784:
3782:
3779:
3777:
3774:
3772:
3769:
3767:
3764:
3762:
3759:
3757:
3754:
3752:
3749:
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3742:
3739:
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3734:
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3729:
3727:
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3722:
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3627:
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3617:
3614:
3612:
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3607:
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3599:
3597:
3594:
3592:
3589:
3587:
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3579:
3577:
3574:
3572:
3569:
3567:
3564:
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3559:
3557:
3554:
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3539:
3537:
3534:
3532:
3529:
3527:
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3517:
3514:
3512:
3509:
3507:
3504:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3484:
3482:
3479:
3477:
3474:
3472:
3469:
3467:
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3459:
3457:
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3437:
3434:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3412:
3409:
3407:
3404:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3367:
3364:
3361:
3357:
3355:
3352:
3350:
3347:
3345:
3342:
3340:
3337:
3335:
3332:
3330:
3327:
3325:
3322:
3320:
3317:
3315:
3312:
3310:
3307:
3305:
3302:
3300:
3297:
3295:
3292:
3290:
3287:
3285:
3282:
3280:
3277:
3275:
3272:
3270:
3267:
3265:
3262:
3260:
3257:
3255:
3252:
3250:
3247:
3245:
3242:
3240:
3237:
3235:
3232:
3230:
3227:
3225:
3222:
3220:
3217:
3215:
3212:
3210:
3207:
3205:
3202:
3200:
3197:
3195:
3192:
3190:
3187:
3185:
3182:
3180:
3177:
3175:
3172:
3170:
3167:
3165:
3162:
3160:
3157:
3155:
3152:
3150:
3147:
3145:
3144:
3140:
3138:
3135:
3133:
3130:
3128:
3125:
3122:
3118:
3115:
3113:
3110:
3108:
3105:
3103:
3100:
3098:
3095:
3093:
3090:
3088:
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3075:
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3070:
3068:
3065:
3064:
3061:
3056:
3051:
3046:
3039:
3034:
3032:
3027:
3025:
3020:
3019:
3016:
3004:
3000:
2996:
2993:Discography:
2992:
2990:
2987:
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1107:
1103:
1099:
1096:
1093:
1089:
1088:Bach Cantatas
1085:
1079:
1074:
1070:
1069:Michel Corboz
1067:
1064:
1060:
1056:
1052:
1048:
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835:
834:
828:
827:cantus firmus
824:
808:
794:
791:
788:
785:
782:
779:
777:Behm + anon.
776:
769:
767:
764:
758:
753:
747:
740:
737:
734:
727:
725:
722:
716:
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636:
633:
628:
625:
621:
618:
613:
610:
607:
604:
597:
595:
592:
562:
558:
554:Movements of
551:
549:
545:
541:
537:
532:
530:
526:
521:
517:
513:
509:
505:
501:
497:
493:
489:
485:
475:
471:
469:
462:
461:Lutheran hymn
457:
452:
447:
443:
441:
440:
434:
423:
419:
418:Martin Moller
415:
411:
407:
402:
398:
396:
389:
388:
383:
379:
375:
371:
367:
363:
359:
349:
347:
342:
337:
329:
323:
317:
316:Martin Moller
313:
309:
308:cantus firmus
305:
301:
296:
295:
289:
285:
281:
277:
273:
268:
266:
262:
258:
254:
250:
246:
236:
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220:
217:
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208:
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201:
195:
192:
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187:
186:
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180:
176:
172:
167:
153:
149:
142:
132:
129:
123:
117:
116:
114:
110:
107:
104:
102:
98:
94:
91:Sunday after
89:
85:
81:
79:
73:
68:
65:
57:
55:
52:
51:
48:
43:
38:
34:
29:
26:
22:
4450:Compositions
4432:
4315:
4294:
4287:
3946:
3842:
3385:
3141:
2984:Bach cantata
2872:BWV 34a
2839:BWV 119
2735:BWV 149
2556:BWV 110
2538:BWV 168
2500:BWV 117
2466:
2166:Second cycle
1680:Bach Digital
1672:Bach Digital
1630:. Retrieved
1626:
1592:. Retrieved
1566:. Retrieved
1537:. Retrieved
1523:
1513:
1501:. Retrieved
1455:
1443:Dürr, Alfred
1437:
1425:. Retrieved
1385:. Retrieved
1355:. Retrieved
1345:
1333:. Retrieved
1323:
1311:. Retrieved
1301:
1289:. Retrieved
1284:
1244:
1188:
1163:
1149:
1131:
1109:
1087:
1058:
1036:
1014:
1003:Karl Richter
992:
985:Frank Brieff
978:
955:counterpoint
926:
912:
889:
866:
842:
839:counterpoint
814:
805:
533:
498:(B)), and a
481:
467:
448:
444:
437:
403:
394:
387:Thomaskantor
385:
355:
338:
312:counterpoint
269:
238:
230:
229:
203:Instrumental
101:Cantata text
77:
25:
2781:BWV 36
2694:BWV 82
2526:Third cycle
2452:BWV 80
2186:BWV 20
2045:BWV 40
1931:BWV 75
1917:First cycle
1796:BWV 61
1632:23 December
1539:31 December
1503:28 December
1335:29 December
1291:29 December
1142:Ton Koopman
1076: [
951:triple time
833:vox Christi
738:Recitative
649:Recitative
548:Alfred Dürr
484:recitatives
422:Martin Behm
328:Martin Behm
294:vox Christi
4517:Categories
2933:Doubtful:
2389:BWV 6
1752:BWV 4
1383:. Allmusic
1357:14 January
1313:14 January
1199:References
961:Recordings
941:in Bach's
849:ritornello
748:F major –
510:(Va), and
159:1727-01-05
64:J. S. Bach
4488:3rd cycle
4483:2nd cycle
4478:1st cycle
4403:1140–1141
2891:Funeral:
2870:Wedding:
2721:and other
1919:(1723–24)
1594:21 August
1427:21 August
898:obbligato
879:chromatic
527:(Ob) and
397:, BWV 153
218:(2 oboes)
209:2 violins
174:Movements
151:Performed
4500: ;
4457: ;
4455:Cantatas
4434:spurious
4429:doubtful
3121:oratorio
3045:Cantatas
2173:cantatas
1621:(2021).
1568:3 August
1535:website)
1521:(2008).
1492:(2010).
1449:(2005).
1387:8 August
1041:Hänssler
807:motion.
792:C major
704:Vl solo
582:Strings
494:(S) and
362:Epiphany
221:(taille)
215:continuo
87:Occasion
4448:Lists:
4423:Anh. 18
4418:Anh. 11
4348:248 III
2999:Koopman
2902:Other:
2863:(lost:
2171:chorale
1740:Leipzig
1170:, 2006.
1138:, 2000.
1116:, 2000.
1094:, 1976.
1065:, 1976.
1043:, 1971.
1021:, 1970.
999:, 1960.
902:da capo
789:2Vl Va
786:2Ob Ot
750:A minor
708:D minor
665:F major
660:a minor
624:C major
619:2Vl Va
504:violins
492:soprano
470:, BWV 3
326:", and
288:soprano
261:Leipzig
247:, is a
189:soprano
166:Leipzig
157: (
112:Chorale
4473:Weimar
4413:Anh. 9
4408:Anh. 5
4363:248 VI
4353:248 IV
4343:248 II
3057:number
3003:Teldec
1792:Weimar
1738:Before
1467:
1256:
1063:Teldec
853:dotted
844:Adagio
735:anon.
693:anon.
646:anon.
615:2Ob Ot
529:taille
506:(Vl),
376:, the
243:
128:Moller
4468:Early
4358:248 V
4338:248 I
3705:motet
2719:Later
2691:1727:
2169:(and
1748:Early
1497:(PDF)
1281:(PDF)
1092:Erato
1080:]
997:Decca
947:duple
939:motif
935:triad
869:secco
802:Music
696:Aria
588:Time
579:Winds
576:Vocal
570:Text
567:Title
525:oboes
508:viola
212:viola
182:Vocal
4498:Late
4393:1127
4388:1083
4383:1045
4378:1040
4373:249b
4368:249a
4333:244a
4276:216a
4241:210a
4226:208a
4216:207a
4201:205a
4156:197a
4131:193a
4111:190a
4019:173a
3882:147a
3808:134a
3787:131a
3726:120b
3721:120a
2914:120b
2909:190a
2898:244a
2882:120a
2831:1083
2745:197a
1816:147a
1806:186a
1634:2021
1596:2022
1570:2013
1541:2018
1531:(at
1505:2015
1465:ISBN
1429:2022
1389:2013
1359:2013
1337:2015
1315:2013
1293:2015
1254:ISBN
867:The
795:2/4
783:S B
629:3/4
611:S B
585:Key
573:Type
564:No.
542:and
540:keys
496:bass
488:aria
424:'s "
330:'s "
318:'s "
304:hymn
194:bass
141:Behm
4431:);
4328:224
4323:223
4317:222
4310:221
4303:220
4296:219
4289:218
4282:217
4271:216
4266:215
4261:214
4256:213
4251:212
4246:211
4236:210
4231:209
4221:208
4211:207
4206:206
4196:205
4191:204
4186:203
4181:202
4176:201
4171:200
4166:199
4161:198
4151:197
4146:196
4141:195
4136:194
4126:193
4121:192
4116:191
4106:190
4100:189
4094:188
4089:187
4084:186
4079:185
4074:184
4069:183
4064:182
4059:181
4054:180
4049:179
4044:178
4039:177
4034:176
4029:175
4024:174
4014:173
4009:172
4004:171
3999:170
3994:169
3989:168
3984:167
3979:166
3974:165
3969:164
3964:163
3959:162
3954:161
3948:160
3942:159
3937:158
3932:157
3927:156
3922:155
3917:154
3912:153
3907:152
3902:151
3897:150
3892:149
3887:148
3877:147
3872:146
3867:145
3862:144
3857:143
3851:142
3844:141
3838:140
3833:139
3828:138
3823:137
3818:136
3813:135
3803:134
3798:133
3793:132
3781:131
3776:130
3771:129
3766:128
3761:127
3756:126
3751:125
3746:124
3741:123
3736:122
3731:121
3716:120
3711:119
3701:118
3696:117
3691:116
3686:115
3681:114
3676:113
3671:112
3666:111
3661:110
3656:109
3651:108
3646:107
3641:106
3636:105
3631:104
3626:103
3621:102
3616:101
3611:100
3511:80a
3451:69a
3431:66a
3274:36c
3269:36b
3264:36a
3249:34a
3224:30a
3055:BWV
3053:by
3047:by
2970:224
2965:223
2960:221
2955:220
2950:217
2945:189
2940:142
2924:158
2904:194
2893:157
2887:197
2877:195
2854:120
2844:193
2813:III
2801:248
2796:200
2791:191
2770:174
2765:145
2760:159
2755:156
2750:171
2740:188
2709:173
2661:169
2631:102
2621:187
2616:170
2596:146
2566:151
2543:164
2510:100
2505:192
2482:177
2477:140
2472:112
2462:129
2457:137
2444:176
2439:175
2424:183
2419:128
2409:108
2404:103
2376:127
2371:126
2366:125
2356:111
2346:124
2341:123
2331:122
2326:133
2321:121
2306:116
2296:139
2291:115
2281:180
2266:114
2261:130
2236:113
2231:101
2221:178
2216:107
2201:135
2155:184
2130:166
2125:104
2115:134
2095:181
2090:144
2070:154
2060:153
2055:190
2016:109
2006:148
1996:138
1981:69a
1976:179
1966:105
1961:136
1956:186
1951:147
1946:167
1901:163
1896:162
1891:161
1886:199
1881:185
1871:165
1866:172
1851:182
1846:80a
1831:155
1826:152
1811:132
1801:70a
1787:143
1782:150
1777:196
1772:106
1757:131
1727:by
1193:cpo
1168:BIS
259:in
251:by
240:BWV
139:" (
126:" (
62:by
42:BWV
4519::
4461::
3606:99
3601:98
3596:97
3591:96
3586:95
3581:94
3576:93
3571:92
3566:91
3561:90
3556:89
3551:88
3546:87
3541:86
3536:85
3531:84
3526:83
3521:82
3516:81
3506:80
3501:79
3496:78
3491:77
3486:76
3481:75
3476:74
3471:73
3466:72
3461:71
3456:70
3446:69
3441:68
3436:67
3426:66
3421:65
3416:64
3411:63
3406:62
3401:61
3396:60
3391:59
3386:58
3381:57
3376:56
3371:55
3366:54
3360:53
3354:52
3349:51
3344:50
3339:49
3334:48
3329:47
3324:46
3319:45
3314:44
3309:43
3304:42
3299:41
3294:40
3289:39
3284:38
3279:37
3259:36
3254:35
3244:34
3239:33
3234:32
3229:31
3219:30
3214:29
3209:28
3204:27
3199:26
3194:25
3189:24
3184:23
3179:22
3174:21
3169:20
3164:19
3159:18
3154:17
3149:16
3143:15
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