768:
348:, a meditation on Jesus as a comforter and helper in distress. The unknown librettist retained the words of stanzas 1, 2 and 18 as movements 1, 2 and 6. In movement 2, stanza 2 is expanded by paraphrases of stanzas 3–5, while movement 3 is a paraphrase of stanza 6; movement 4 incorporates ideas from stanzas 7–14, and movement 5 relies on stanzas 15 and 16. In movement 2, stanza 2 is expanded by paraphrases of stanzas 3–5. Movement 3 is a paraphrase of stanza 6. Movement 4 incorporates ideas from stanzas 7–14. Movement 5 relies on stanzas 15 and 16. The poet did not relate his text to the reading from John 1:2.
63:
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419:. The autograph score bears the title: "Dominica 2 post Epiphanias / Ach Gott! Wie manches Hertzeleyd. / à / 4 Voci. / 2 Hautb: d'Amour / 2 Violini / Viola. / e Continuo / di J. S. Bach", which means "Sunday 2 after Epiphany ... for four voices, 2 oboes d'amore, 2 violins, viola and continuo by J. S. Bach".
935:, which is later picked up by the voices, is played by the oboes d'amore and violin in unison, providing "a new and remarkable tone colour". Bach refers to the Cross, as mentioned in the text, by using a cross-motif in the melody and applying
845:
motif derived from the chorale tune. The musicologist Julian
Mincham writes that the "hybrid recitative provides an excellent example of Bach's experiments of investing long texts with sustained musical interest".
367:. The first recitative is unusual: the chorus sings one line of the hymn's four lines, continued each time by a soloist in words of the poet. The last aria is a duet. Bach scored the work for four vocal soloists (
248:
without evident connection to the prescribed readings. It is a meditation on Jesus as a comforter in distress, based on a medieval model. An unknown librettist reworked the ideas of the 18 stanzas in six
841:" (How difficult it is for flesh and blood), combines the hymn tune sung by the four-part choir, with interpolated text sung by the soloists in turn. The lines of the hymn are separated by a joyful
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writes, the voices are embedded in a "dense quartet texture". He concludes that the movement "banishes human care by means of joyful singing". The Bach scholar
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269:, strings and continuo, with an added trombone to support the bass in the first movement, and a horn to support the soprano in the last movement.
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965:" (If my heart remains pure in faith), is a four-part setting. The choral melody, now in the soprano, is reinforced by a horn.
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Bach structured the cantata in six movements. An opening chorus and a closing chorale frame a sequence of alternating
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860:" (Although I experience the fear and torment of Hell), is accompanied by the continuo. It expresses the contrast of
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2304:
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to express grief. The motif is used for the instrumental opening, each entry of a voice, interludes and conclusion.
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759:, in the second movement, as a four-part setting with interspersed recitatives, and in the closing chorale.
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in the second
Movement (music)|movement, and in the closing chorale. He scored the cantata for two
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50:
41:
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The transition between the second and the third yearly cycle of Bach's
Leipzig cantatas (1725)
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8:
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Ach Gott, wie manches
Herzeleid BWV 3; BC A 33 / Chorale cantata (2nd Sunday of Epiphany)
1778:
1291:
1183:
808:
803:. Its mood of lamentation is supported by "elegiac sounds" of the oboes d'amore, sighing
771:
752:
388:
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1229:
1223:
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81:
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423:
380:
898:" (My body and spirit might despair), expresses trust in Jesus to overcome despair.
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302:
282:
237:
1171:
1522:
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1114:
1063:
J. S. Bach: Das
Kantatenwerk • Complete Cantatas • Les Cantates, Folge / Vol. 1
431:
416:
298:
1598:
435:
193:
4696:
1867:
1645:
1607:(in German). Vol. 1 (4 ed.). Deutscher Taschenbuchverlag. pp.
1514:
1443:
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1378:
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824:
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331:
258:
226:
103:
1784:
Johann
Sebastian Bach (1685-1750) / Cantatas Nos 3, 13, 14, 26, 81 & 155
4613:
3224:
3163:
1852:
1682:
1650:"Ach Gott, wie manches Herzeleid, BWV 3 / Oh God, how many a heartfelt woe"
1109:
1104:
936:
392:
278:
233:
202:
67:
1448:
281:
in
Leipzig as part of his second annual cycle, planned to consist only of
4608:
1461:
1359:
1308:
1250:
1240:
439:
427:
422:
In the following table of the movements, the scoring and keys follow the
1815:
1453:
1383:
360:
262:
973:
The selection is taken from the listing on the Bach-Cantatas website.
929:
62:
3223:
842:
820:
400:
755:. The melody appears in the opening chorus, sung by the bass as a
351:
Bach led the first performance of the cantata on 14 January 1725.
917:
807:
in the strings, and the upper voices reflecting the oboe motifs.
682:
513:
368:
214:
124:
1122:
676:
408:
306:
412:
376:
335:
289:. The prescribed readings for the Sunday were taken from the
1903:
434:
are taken from the book on all cantatas by the Bach scholar
907:
384:
372:
364:
321:
245:
144:
1699:"Chapter 35 Bwv 3 – The Cantatas of Johann Sebastian Bach"
819:
of six notes in chromatic descent, which is often used in
221:
and first performed it on 14 January 1725. It is based on
792:
is in the bass, which is doubled by the trombone, as in
1067:
1288:
939:
marked by a cross. The voices intensify words such as
442:(4/4). The continuo, played throughout, is not shown.
403:(Tb) to reinforce the bass in the opening chorus, two
285:
based on
Lutheran hymns. He wrote the cantata for the
1220:
145:
1673:C. S. Terry and D. Litti, Bach's Cantata Libretti,
1151:
1014:
19:For Bach's other cantata with the same title, see
1816:"Cantata BWV 3 Ach Gott, wie manches Herzeleid I"
1421:
4694:
1010:Bach Aria Group – Cantatas, Arias & Choruses
277:Bach composed the cantata in his second year as
257:in the opening chorus with the bass singing the
232:Bach composed the cantata in his second year as
1519:"BWV 3 – Ach Gott, wie manches Herzeleid"
1356:
3209:
2629:Later additions to the chorale cantata cycle:
1889:
2363:Chorale cantatas between Trinity and Easter:
1143:
978:
960:
946:
940:
911:
893:
879:
873:
867:
861:
855:
836:
793:
783:
746:
703:
656:
618:
583:
535:
488:
325:
185:
93:
31:
1002:
872:(heaven of joy), with inestimable sorrows (
339:
261:, as a four-part setting with interspersed
3216:
3202:
1896:
1882:
1773:
1771:
1769:
61:
1845:International Music Score Library Project
1692:
1690:
1640:
1638:
1636:
1634:
1632:
1630:
1628:
916:" (When cares press upon me), in "bright
838:Wie schwerlich läßt sich Fleisch und Blut
815:in 2000, notes that Bach used a repeated
537:Wie schwerlich läßt sich Fleisch und Blut
236:in Leipzig as part of a cantata cycle of
4703:Church cantatas by Johann Sebastian Bach
1777:
1675:Journal of the Royal Musical Association
1509:
1507:
1505:
1503:
1501:
1499:
1497:
1495:
766:
354:
16:Chorale cantata by Johann Sebastian Bach
1766:
1722:"BWV 3 Ach Gott, wie manches Herzeleid"
1696:
1644:
1547:
1545:
1543:
1541:
1539:
1366:Amsterdam Baroque Orchestra & Choir
1284:Bach Cantatas Vol. 19: Greenwich/Romsey
1023:Bach Aria Group Chorus & Orchestra
895:Es mag mir Leib und Geist verschmachten
620:Es mag mir Leib und Geist verschmachten
21:Ach Gott, wie manches Herzeleid, BWV 58
4695:
1841:Ach Gott, wie manches Herzeleid, BWV 3
1750:(in German). s-line.de. Archived from
1713:
1687:
1625:
1604:Die Kantaten von Johann Sebastian Bach
1593:
1591:
1589:
1587:
1585:
1583:
1581:
1579:
1216:Bach Edition Vol. 12 – Cantatas Vol. 5
3197:
1877:
1858:BWV 3 Ach Gott, wie manches Herzeleid
1551:
1492:
1352:J. S. Bach: Complete Cantatas Vol. 15
788:" (Ah, God, how much heartache), the
1807:
1745:
1597:
1536:
748:Herr Jesu Christ, meins Lebens Licht
637:
635:
633:
600:
598:
561:
559:
272:
1739:
1719:
1576:
13:
1513:
334:(1587). It is a paraphrase of the
14:
4724:
2566:Continuation of the second cycle:
2086:Köthen: BWV Anh. 5
1834:
344:", a medieval hymn attributed to
1813:
962:Erhalt mein Herz im Glauben rein
951:(sing) by extended coloraturas.
878:) disappearing into light mist (
857:Empfind ich Höllenangst und Pein
729:
705:Erhalt mein Herz im Glauben rein
688:
641:
585:Empfind ich Höllenangst und Pein
568:
520:
980:Ach Gott, wie manches Herzeleid
785:Ach Gott, wie manches Herzeleid
490:Ach Gott, wie manches Herzeleid
448:Ach Gott, wie manches Herzeleid
327:Ach Gott, wie manches Herzeleid
187:Ach Gott, wie manches Herzeleid
96:Ach Gott, wie manches Herzeleid
33:Ach Gott, wie manches Herzeleid
1667:
1564:. Bach-Cantatas. pp. 2, 4
1060:
990:Conductor / Choir / Orchestra
751:" which appeared first in the
330:" in 18 stanzas attributed to
293:(we have several gifts –
191:(Oh God, how much heartache),
1:
1485:
968:
2677:Other late chorale cantatas:
1417:J. S. Bach: Cantatas Vol. 29
1007:
913:Wenn Sorgen auf mich dringen
658:Wenn Sorgen auf mich dringen
287:Second Sunday after Epiphany
242:second Sunday after Epiphany
217:for the Second Sunday after
7:
3016:Council election (Leipzig):
2108:Between Trinity and Advent:
1281:
797:Ach Herr, mich armen Sünder
10:
4729:
1655:. Bach-Cantatas. p. 9
1349:
1233:Netherlands Bach Collegium
1213:
1140:
18:
4624:
3242:
3159:
2898:
2704:
2344:
2095:
1917:
1415:
1414:
1350:
1282:
1214:
1141:
1061:
1008:
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995:
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989:
986:
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837:
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619:
584:
536:
489:
477:
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465:
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453:
340:
326:
244:. The work is based on a
153:
140:
132:
114:14 January 1725
109:
94:
88:
75:
60:
49:
39:
30:
2733:Liturgical year 1725–26:
1697:Mincham, Julian (2010).
1301:English Baroque Soloists
1164:Bach-Collegium Stuttgart
1145:Die Bach Kantate Vol. 22
782:In the opening chorus, "
740:
399:in the closing chorale,
920:", as the Bach scholar
910:for soprano and alto, "
813:Bach Cantata Pilgrimage
776:Bach Cantata Pilgrimage
745:Bach uses a melody of "
554:Recitative and chorale
438:, using the symbol for
2221:From Advent to Trinity
1178:Gabriele Schreckenbach
1144:
1091:Concentus Musicus Wien
979:
959:The closing chorale, "
947:
941:
880:
874:
868:
862:
779:
698:
651:
613:
578:
530:
483:
295:Romans 12:6–16
186:
32:
3230:Johann Sebastian Bach
3169:List of Bach cantatas
1910:Johann Sebastian Bach
1862:University of Vermont
1860:English translation.
1746:Grob, Jochen (2014).
1726:University of Alberta
1189:Philippe Huttenlocher
892:A tenor recitative, "
875:unermessnen Schmerzen
866:(hell's anguish) and
770:
696:
649:
611:
576:
528:
481:
355:Scoring and structure
291:Epistle to the Romans
207:Johann Sebastian Bach
1779:Gardiner, John Eliot
1701:. jsbachcantatas.com
1683:10.1093/jrma/44.1.71
1431:Bach Collegium Japan
1071:Nikolaus Harnoncourt
954:
901:
887:
849:
830:
811:, who conducted the
774:, who conducted the
762:
389:Baroque instrumental
346:Bernard of Clairvaux
80:Second Sunday after
2715:After Trinity 1725:
1720:Bischof, Walter F.
1677:1917 44(1):71–125;
1314:Richard Wyn Roberts
1292:John Eliot Gardiner
1184:Lutz-Michael Harder
1100:Wiener Sängerknaben
1080:Wiener Sängerknaben
983:
809:John Eliot Gardiner
772:John Eliot Gardiner
753:Lochamer-Liederbuch
450:
395:(Co) to double the
341:Jesu dulcis memoria
311:John 2:1–11
1264:Brilliant Classics
1230:Holland Boys Choir
1224:Pieter Jan Leusink
1161:Gächinger Kantorei
976:
780:
445:
209:. He composed the
149:soloists and choir
4708:1725 compositions
4690:
4689:
3191:
3190:
3045:1139.1, 1140–1141
1870:bach-chorales.com
1748:"BWV 3 / BC A 33"
1483:
1482:
1085:Chorus Viennensis
1035:Maureen Forrester
835:The recitative, "
738:
737:
424:Neue Bach-Ausgabe
316:The cantata is a
273:History and words
182:
181:
4720:
4682:Secular cantatas
4643:Chorale cantatas
4617:
3232:
3218:
3211:
3204:
3195:
3194:
3175:Monteverdi Choir
3017:
2959:
2912:
2872:
2734:
2716:
2678:
2630:
2567:
2364:
2222:
2109:
1912:
1898:
1891:
1884:
1875:
1874:
1843:: Scores at the
1828:
1827:
1825:
1823:
1811:
1805:
1804:
1802:
1800:
1793:Hyperion Records
1775:
1764:
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1654:
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1595:
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1569:
1563:
1553:Wolff, Christoph
1549:
1534:
1533:
1531:
1529:
1511:
1473:
1471:
1429:
1428:
1427:
1408:
1406:
1397:Antoine Marchand
1364:
1363:
1362:
1343:
1341:
1298:Monteverdi Choir
1296:
1295:
1294:
1275:
1273:
1228:
1227:
1226:
1208:
1206:
1180:
1159:
1158:
1157:
1147:
1134:
1132:
1075:
1074:
1073:
1022:
1021:
1020:
1004:
984:
982:
975:
964:
963:
950:
944:
915:
914:
897:
896:
883:
877:
871:
865:
859:
858:
854:The bass aria, "
840:
839:
802:
801:
787:
786:
750:
749:
734:
733:
707:
706:
693:
692:
660:
659:
646:
645:
622:
621:
587:
586:
573:
572:
539:
538:
525:
524:
516:
506:
492:
491:
451:
444:
343:
342:
329:
328:
283:chorale cantatas
255:chorale fantasia
238:chorale cantatas
198:
195:
189:
147:
128:
127:
121:
119:
99:
98:
84:
65:
35:
28:
27:
4728:
4727:
4723:
4722:
4721:
4719:
4718:
4717:
4713:Wedding at Cana
4693:
4692:
4691:
4686:
4639:Church cantatas
4620:
4606:
4605:— discography;
3238:
3228:
3222:
3192:
3187:
3155:
3154:
3015:
2954:
2908:
2900:
2894:
2893:
2870:
2732:
2714:
2700:
2699:
2676:
2628:
2565:
2362:
2352:
2348:
2340:
2339:
2220:
2107:
2098:
2091:
2090:
1947:1138.1 & .2
1919:
1913:
1908:
1905:Church cantatas
1902:
1837:
1832:
1831:
1821:
1819:
1818:. Bach-Cantatas
1812:
1808:
1798:
1796:
1789:Soli Deo Gloria
1787:(Media notes).
1776:
1767:
1757:
1755:
1754:on 4 March 2016
1744:
1740:
1730:
1728:
1718:
1714:
1704:
1702:
1695:
1688:
1672:
1668:
1658:
1656:
1652:
1643:
1626:
1619:
1596:
1577:
1567:
1565:
1561:
1550:
1537:
1527:
1525:
1512:
1493:
1488:
1478:
1469:
1467:
1458:
1439:Dorothee Mields
1423:
1422:
1404:
1402:
1393:
1358:
1357:
1339:
1337:
1332:Soli Deo Gloria
1328:
1290:
1289:
1271:
1269:
1260:
1222:
1221:
1204:
1202:
1193:
1176:
1155:Helmuth Rilling
1153:
1152:
1130:
1128:
1119:
1098:soloist of the
1089:
1069:
1068:
1049:
1018:Brian Priestman
1016:
1015:
971:
957:
928:notes that the
922:Christoph Wolff
904:
890:
852:
833:
765:
743:
728:
687:
640:
567:
551:
519:
512:
504:
432:time signatures
385:four-part choir
357:
318:chorale cantata
303:Wedding at Cana
297:) and from the
275:
211:chorale cantata
196:
178:
166:2 oboes d'amore
123:
117:
115:
113:
101:
79:
71:
51:Chorale cantata
45:
24:
17:
12:
11:
5:
4726:
4716:
4715:
4710:
4705:
4688:
4687:
4685:
4684:
4675:
4673:Picander cycle
4670:
4665:
4660:
4655:
4650:
4645:
4632:
4625:
4622:
4621:
4619:
4618:
4600:
4595:
4590:
4585:
4580:
4575:
4570:
4565:
4560:
4555:
4550:
4545:
4540:
4535:
4530:
4525:
4520:
4515:
4510:
4505:
4500:
4493:
4486:
4479:
4472:
4465:
4458:
4453:
4448:
4443:
4438:
4433:
4428:
4423:
4418:
4413:
4408:
4403:
4398:
4393:
4388:
4383:
4378:
4373:
4368:
4363:
4358:
4353:
4348:
4343:
4338:
4333:
4328:
4323:
4318:
4313:
4308:
4303:
4298:
4293:
4288:
4283:
4276:
4271:
4266:
4261:
4256:
4251:
4246:
4241:
4236:
4231:
4226:
4221:
4216:
4211:
4206:
4201:
4196:
4191:
4186:
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4176:
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4166:
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4124:
4119:
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4069:
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4027:
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4015:
4010:
4005:
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3963:
3958:
3953:
3948:
3943:
3938:
3933:
3928:
3923:
3918:
3913:
3908:
3903:
3898:
3893:
3888:
3878:
3873:
3868:
3863:
3858:
3853:
3848:
3843:
3838:
3833:
3828:
3823:
3818:
3813:
3808:
3803:
3798:
3793:
3788:
3783:
3778:
3773:
3768:
3763:
3758:
3753:
3748:
3743:
3738:
3733:
3728:
3723:
3718:
3713:
3708:
3703:
3698:
3693:
3688:
3683:
3678:
3673:
3668:
3663:
3658:
3653:
3648:
3643:
3638:
3633:
3628:
3623:
3618:
3613:
3608:
3603:
3598:
3593:
3588:
3583:
3578:
3573:
3568:
3563:
3558:
3553:
3548:
3543:
3536:
3531:
3526:
3521:
3516:
3511:
3506:
3501:
3496:
3491:
3486:
3481:
3476:
3471:
3466:
3461:
3456:
3451:
3446:
3441:
3436:
3431:
3426:
3421:
3416:
3411:
3406:
3401:
3396:
3391:
3386:
3381:
3376:
3371:
3366:
3361:
3356:
3351:
3346:
3341:
3336:
3331:
3326:
3319:
3314:
3309:
3304:
3294:
3289:
3284:
3279:
3274:
3269:
3264:
3259:
3254:
3249:
3243:
3240:
3239:
3221:
3220:
3213:
3206:
3198:
3189:
3188:
3186:
3185:
3171:
3166:
3160:
3157:
3156:
3153:
3152:
3147:
3142:
3137:
3132:
3127:
3122:
3117:
3111:
3106:
3101:
3096:
3091:
3086:
3080:
3075:
3069:
3064:
3059:
3054:
3048:
3041:
3036:
3031:
3026:
3021:
3013:
3008:
2978:
2973:
2968:
2963:
2952:
2947:
2942:
2937:
2932:
2927:
2922:
2917:
2910:Picander cycle
2905:
2904:
2902:
2896:
2895:
2892:
2891:
2886:
2881:
2876:
2868:
2863:
2858:
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2753:
2748:
2743:
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2725:
2720:
2711:
2710:
2708:
2702:
2701:
2698:
2697:
2692:
2687:
2682:
2674:
2669:
2664:
2659:
2654:
2649:
2644:
2639:
2634:
2626:
2621:
2616:
2611:
2606:
2601:
2596:
2591:
2586:
2581:
2576:
2571:
2563:
2558:
2553:
2548:
2543:
2538:
2533:
2528:
2523:
2518:
2513:
2508:
2503:
2498:
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2468:
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2378:
2373:
2368:
2359:
2358:
2356:
2342:
2341:
2338:
2337:
2332:
2327:
2322:
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2312:
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2302:
2297:
2292:
2287:
2282:
2277:
2272:
2267:
2262:
2257:
2252:
2247:
2242:
2237:
2232:
2227:
2218:
2213:
2208:
2203:
2198:
2193:
2188:
2183:
2178:
2173:
2168:
2163:
2158:
2153:
2148:
2143:
2138:
2133:
2128:
2123:
2118:
2113:
2104:
2103:
2101:
2093:
2092:
2089:
2088:
2083:
2078:
2073:
2068:
2063:
2058:
2053:
2048:
2043:
2038:
2033:
2028:
2023:
2018:
2013:
2008:
2003:
1998:
1993:
1988:
1983:
1978:
1969:
1964:
1959:
1954:
1949:
1944:
1939:
1934:
1924:
1923:
1921:
1915:
1914:
1901:
1900:
1893:
1886:
1878:
1872:
1871:
1864:
1855:
1847:
1836:
1835:External links
1833:
1830:
1829:
1806:
1765:
1738:
1712:
1686:
1666:
1646:Hofmann, Klaus
1624:
1617:
1575:
1535:
1523:Emmanuel Music
1515:Dellal, Pamela
1490:
1489:
1487:
1484:
1481:
1480:
1474:
1464:
1459:
1457:
1456:
1451:
1446:
1441:
1435:
1433:
1425:Masaaki Suzuki
1419:
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1412:
1409:
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1199:
1194:
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1191:
1186:
1181:
1174:
1168:
1166:
1149:
1139:
1138:
1135:
1125:
1120:
1118:
1117:
1115:Max van Egmond
1112:
1107:
1102:
1095:
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1088:
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1058:
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1024:
1012:
1006:
1005:
1000:
997:
994:
991:
988:
977:Recordings of
970:
967:
956:
953:
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900:
889:
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851:
848:
832:
829:
764:
761:
742:
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502:
499:
496:
493:
486:
480:
479:
476:
473:
470:
467:
464:
461:
458:
455:
417:basso continuo
356:
353:
299:Gospel of John
274:
271:
203:church cantata
180:
179:
177:
176:
173:
170:
167:
164:
161:
157:
155:
151:
150:
142:
138:
137:
134:
130:
129:
111:
107:
106:
90:
86:
85:
77:
73:
72:
70:, Leipzig 1885
66:
58:
57:
47:
46:
40:
37:
36:
15:
9:
6:
4:
3:
2:
4725:
4714:
4711:
4709:
4706:
4704:
4701:
4700:
4698:
4683:
4679:
4676:
4674:
4671:
4669:
4666:
4664:
4661:
4659:
4656:
4654:
4651:
4649:
4646:
4644:
4640:
4636:
4633:
4631:
4627:
4626:
4623:
4616:
4615:
4610:
4604:
4601:
4599:
4596:
4594:
4591:
4589:
4586:
4584:
4581:
4579:
4578:1138.1–1139.1
4576:
4574:
4571:
4569:
4566:
4564:
4561:
4559:
4556:
4554:
4551:
4549:
4546:
4544:
4541:
4539:
4536:
4534:
4531:
4529:
4526:
4524:
4521:
4519:
4516:
4514:
4511:
4509:
4506:
4504:
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4487:
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4463:
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4427:
4424:
4422:
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4414:
4412:
4409:
4407:
4404:
4402:
4399:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4377:
4374:
4372:
4369:
4367:
4364:
4362:
4359:
4357:
4354:
4352:
4349:
4347:
4344:
4342:
4339:
4337:
4334:
4332:
4329:
4327:
4324:
4322:
4319:
4317:
4314:
4312:
4309:
4307:
4304:
4302:
4299:
4297:
4294:
4292:
4289:
4287:
4284:
4281:
4277:
4275:
4272:
4270:
4267:
4265:
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
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4240:
4237:
4235:
4232:
4230:
4227:
4225:
4222:
4220:
4217:
4215:
4212:
4210:
4207:
4205:
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4197:
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4140:
4137:
4135:
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4125:
4123:
4120:
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4110:
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3390:
3387:
3385:
3382:
3380:
3377:
3375:
3372:
3370:
3367:
3365:
3362:
3360:
3357:
3355:
3352:
3350:
3347:
3345:
3342:
3340:
3337:
3335:
3332:
3330:
3327:
3325:
3324:
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3302:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3278:
3275:
3273:
3270:
3268:
3265:
3263:
3260:
3258:
3255:
3253:
3250:
3248:
3245:
3244:
3241:
3236:
3231:
3226:
3219:
3214:
3212:
3207:
3205:
3200:
3199:
3196:
3184:
3180:
3176:
3173:Discography:
3172:
3170:
3167:
3165:
3162:
3161:
3158:
3151:
3148:
3146:
3143:
3141:
3138:
3136:
3133:
3131:
3128:
3126:
3123:
3121:
3118:
3116:
3112:
3110:
3107:
3105:
3102:
3100:
3097:
3095:
3092:
3090:
3087:
3085:
3081:
3079:
3076:
3074:
3070:
3068:
3065:
3063:
3060:
3058:
3055:
3053:
3049:
3046:
3042:
3040:
3037:
3035:
3032:
3030:
3027:
3025:
3022:
3020:
3014:
3012:
3009:
3006:
3002:
2998:
2994:
2990:
2986:
2982:
2979:
2977:
2974:
2972:
2969:
2967:
2964:
2962:
2957:
2956:Late parodies
2953:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2923:
2921:
2918:
2916:
2911:
2907:
2906:
2903:
2897:
2890:
2887:
2885:
2882:
2880:
2877:
2875:
2869:
2867:
2864:
2862:
2859:
2857:
2854:
2852:
2849:
2847:
2844:
2842:
2839:
2837:
2834:
2832:
2829:
2827:
2824:
2822:
2819:
2817:
2814:
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2809:
2807:
2804:
2802:
2799:
2797:
2794:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2772:
2769:
2767:
2764:
2762:
2759:
2757:
2754:
2752:
2749:
2747:
2744:
2742:
2739:
2737:
2731:
2729:
2726:
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2721:
2719:
2713:
2712:
2709:
2707:
2703:
2696:
2693:
2691:
2688:
2686:
2683:
2681:
2675:
2673:
2670:
2668:
2665:
2663:
2660:
2658:
2655:
2653:
2650:
2648:
2645:
2643:
2640:
2638:
2635:
2633:
2627:
2625:
2622:
2620:
2617:
2615:
2612:
2610:
2607:
2605:
2602:
2600:
2597:
2595:
2592:
2590:
2587:
2585:
2582:
2580:
2577:
2575:
2572:
2570:
2564:
2562:
2559:
2557:
2554:
2552:
2549:
2547:
2544:
2542:
2539:
2537:
2534:
2532:
2529:
2527:
2524:
2522:
2519:
2517:
2514:
2512:
2509:
2507:
2504:
2502:
2499:
2497:
2494:
2492:
2489:
2487:
2484:
2482:
2479:
2477:
2474:
2472:
2469:
2467:
2464:
2462:
2459:
2457:
2454:
2452:
2449:
2447:
2444:
2442:
2439:
2437:
2434:
2432:
2429:
2427:
2424:
2422:
2419:
2417:
2414:
2412:
2409:
2407:
2404:
2402:
2399:
2397:
2394:
2392:
2389:
2387:
2384:
2382:
2379:
2377:
2374:
2372:
2369:
2367:
2361:
2360:
2357:
2354:
2347:
2343:
2336:
2333:
2331:
2328:
2326:
2323:
2321:
2318:
2316:
2313:
2311:
2308:
2306:
2303:
2301:
2298:
2296:
2293:
2291:
2288:
2286:
2283:
2281:
2278:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2253:
2251:
2248:
2246:
2243:
2241:
2238:
2236:
2233:
2231:
2228:
2226:
2219:
2217:
2214:
2212:
2209:
2207:
2204:
2202:
2199:
2197:
2194:
2192:
2189:
2187:
2184:
2182:
2179:
2177:
2174:
2172:
2169:
2167:
2164:
2162:
2159:
2157:
2154:
2152:
2149:
2147:
2144:
2142:
2139:
2137:
2134:
2132:
2129:
2127:
2124:
2122:
2119:
2117:
2114:
2112:
2106:
2105:
2102:
2100:
2094:
2087:
2084:
2082:
2079:
2077:
2074:
2072:
2069:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1973:
1970:
1968:
1965:
1963:
1960:
1958:
1955:
1953:
1950:
1948:
1945:
1943:
1940:
1938:
1935:
1933:
1929:
1926:
1925:
1922:
1916:
1911:
1906:
1899:
1894:
1892:
1887:
1885:
1880:
1879:
1876:
1869:
1865:
1863:
1859:
1856:
1854:
1851:
1848:
1846:
1842:
1839:
1838:
1817:
1814:Oron, Aryeh.
1810:
1794:
1790:
1786:
1785:
1780:
1774:
1772:
1770:
1753:
1749:
1742:
1727:
1723:
1716:
1700:
1693:
1691:
1684:
1680:
1676:
1670:
1651:
1647:
1641:
1639:
1637:
1635:
1633:
1631:
1629:
1620:
1618:3-423-04080-7
1614:
1610:
1606:
1605:
1600:
1594:
1592:
1590:
1588:
1586:
1584:
1582:
1580:
1560:
1559:
1554:
1548:
1546:
1544:
1542:
1540:
1524:
1520:
1516:
1510:
1508:
1506:
1504:
1502:
1500:
1498:
1496:
1491:
1479:
1475:
1465:
1463:
1460:
1455:
1452:
1450:
1447:
1445:
1444:Pascal Bertin
1442:
1440:
1437:
1436:
1434:
1432:
1426:
1420:
1418:
1410:
1400:
1398:
1395:
1390:
1389:Klaus Mertens
1387:
1385:
1382:
1380:
1379:Bogna Bartosz
1377:
1375:
1374:Sandrine Piau
1372:
1371:
1369:
1367:
1361:
1355:
1353:
1345:
1335:
1333:
1330:
1325:
1324:Gerald Finley
1322:
1320:
1319:Julian Podger
1317:
1315:
1312:
1310:
1307:
1306:
1304:
1302:
1299:
1293:
1287:
1285:
1277:
1267:
1265:
1262:
1257:
1256:Bas Ramselaar
1254:
1252:
1249:
1247:
1246:Sytse Buwalda
1244:
1242:
1239:
1238:
1236:
1234:
1231:
1225:
1219:
1217:
1210:
1200:
1198:
1195:
1190:
1187:
1185:
1182:
1179:
1175:
1173:
1170:
1169:
1167:
1165:
1162:
1156:
1150:
1148:
1146:
1136:
1126:
1124:
1121:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1097:
1096:
1094:
1092:
1086:
1083:
1081:
1078:
1077:
1072:
1066:
1064:
1057:
1054:
1051:
1046:
1045:Norman Farrow
1043:
1041:
1040:Richard Lewis
1038:
1036:
1033:
1031:
1030:Lois Marshall
1028:
1027:
1025:
1019:
1013:
1011:
985:
981:
974:
966:
952:
949:
943:
938:
934:
931:
927:
926:Klaus Hofmann
923:
919:
909:
899:
885:
882:
881:leichte Nebel
876:
870:
869:Freudenhimmel
864:
847:
844:
828:
826:
825:Baroque opera
822:
818:
814:
810:
806:
800:
798:
791:
790:cantus firmus
777:
773:
769:
760:
758:
757:cantus firmus
754:
732:
727:
724:
721:
718:
715:
712:
709:
702:
700:
697:
691:
686:
684:
681:
678:
674:
671:
668:
665:
662:
655:
653:
650:
644:
639:
630:
627:
624:
617:
615:
612:
607:
605:
604:F-sharp minor
602:
595:
592:
589:
582:
580:
577:
571:
566:
563:
556:
553:
547:
544:
543:
541:
534:
532:
529:
523:
518:
515:
511:
508:
503:
500:
497:
494:
487:
485:
482:
452:
449:
446:Movements of
443:
441:
437:
433:
429:
425:
420:
418:
414:
410:
406:
405:oboes d'amore
402:
398:
397:cantus firmus
394:
390:
386:
382:
378:
374:
370:
366:
362:
352:
349:
347:
337:
333:
332:Martin Moller
323:
320:based on the
319:
314:
312:
308:
304:
300:
296:
292:
288:
284:
280:
270:
268:
267:oboes d'amore
264:
260:
259:cantus firmus
256:
252:
247:
243:
239:
235:
230:
228:
227:Martin Moller
225:published by
224:
220:
216:
212:
208:
204:
200:
190:
188:
174:
171:
168:
165:
162:
159:
158:
156:
152:
148:
143:
139:
135:
131:
126:
112:
108:
105:
104:Martin Moller
97:
91:
87:
83:
78:
74:
69:
64:
59:
56:
52:
48:
43:
38:
34:
29:
26:
22:
4630:Compositions
4612:
4495:
4474:
4467:
4126:
4022:
3321:
3256:
3164:Bach cantata
3052:BWV 34a
3019:BWV 119
2915:BWV 149
2736:BWV 110
2718:BWV 168
2680:BWV 117
2530:
2346:Second cycle
1853:Bach Digital
1820:. Retrieved
1809:
1797:. Retrieved
1783:
1756:. Retrieved
1752:the original
1741:
1729:. Retrieved
1715:
1703:. Retrieved
1669:
1657:. Retrieved
1603:
1599:Dürr, Alfred
1566:. Retrieved
1557:
1526:. Retrieved
1477:
1416:
1351:
1283:
1215:
1172:Arleen Augér
1142:
1110:Kurt Equiluz
1105:Paul Esswood
1062:
1009:
972:
958:
945:(press) and
937:double sharp
905:
891:
853:
834:
796:
781:
744:
666:Aria Duetto
447:
421:
391:ensemble of
358:
350:
315:
279:Thomaskantor
276:
234:Thomaskantor
231:
192:
184:
183:
154:Instrumental
68:Thomaskirche
25:
2961:BWV 36
2874:BWV 82
2706:Third cycle
2632:BWV 80
2366:BWV 20
2225:BWV 40
2111:BWV 75
2097:First cycle
1976:BWV 61
1866:Luke Dahn:
1758:23 December
1360:Ton Koopman
1309:Joanne Lunn
1251:Knut Schoch
1241:Ruth Holton
863:Höllenangst
628:Recitative
440:common time
436:Alfred Dürr
361:recitatives
263:recitatives
4697:Categories
3113:Doubtful:
2569:BWV 6
1932:BWV 4
1799:19 January
1659:17 January
1568:17 January
1486:References
1454:Peter Kooy
1384:Paul Agnew
969:Recordings
415:(Va), and
407:(Oa), two
240:, for the
118:1725-01-14
55:J. S. Bach
4668:3rd cycle
4663:2nd cycle
4658:1st cycle
4583:1140–1141
3071:Funeral:
3050:Wedding:
2901:and other
2099:(1723–24)
1822:4 January
1731:4 January
1705:16 August
1528:20 August
1449:Gerd Türk
993:Soloists
930:obbligato
821:chaconnes
799:, BWV 135
778:, in 2007
251:movements
229:in 1587.
169:2 violins
133:Movements
110:Performed
4680: ;
4637: ;
4635:Cantatas
4614:spurious
4609:doubtful
3301:oratorio
3225:Cantatas
2353:cantatas
1795:website)
1781:(2006).
1648:(2005).
1601:(1981).
1555:(2001).
1197:Hänssler
843:ostinato
725:A major
713:Chorale
564:A major
557:T S A B
472:Strings
401:trombone
383:(B)), a
309:(
223:the hymn
219:Epiphany
175:continuo
163:trombone
82:Epiphany
76:Occasion
4628:Lists:
4603:Anh. 18
4598:Anh. 11
4528:248 III
3179:Koopman
3082:Other:
3043:(lost:
2351:chorale
1920:Leipzig
1868:BWV 3.6
1609:181–183
1476:Period
1468: (
1411:Period
1403: (
1346:Period
1338: (
1278:Period
1270: (
1203: (
1137:Period
1129: (
1055:1960s?
942:dringen
918:E major
906:In the
823:of the
722:2Vl Va
719:Co 2Ob
710:Moller
683:E major
514:A major
509:2Vl Va
498:Chorus
495:Moller
409:violins
369:soprano
215:Leipzig
201:, is a
125:Leipzig
116: (
89:Chorale
4653:Weimar
4593:Anh. 9
4588:Anh. 5
4543:248 VI
4533:248 IV
4523:248 II
3237:number
3183:Teldec
1972:Weimar
1918:Before
1615:
1123:Teldec
1003:Instr.
996:Label
987:Title
948:singen
805:motifs
663:anon.
625:anon.
590:anon.
545:Moller
505:Tb 2Oa
426:. The
411:(Vl),
387:and a
307:John 2
197:
4648:Early
4538:248 V
4518:248 I
3885:motet
2899:Later
2871:1727:
2349:(and
1928:Early
1653:(PDF)
1562:(PDF)
933:motif
817:motif
741:Music
716:SATB
677:unis.
593:Aria
548:anon.
501:SATB
478:Time
469:Winds
466:Vocal
460:Text
457:Title
413:viola
379:(T),
377:tenor
375:(A),
371:(S),
365:arias
336:Latin
305:from
301:(the
172:viola
141:Vocal
4678:Late
4573:1127
4568:1083
4563:1045
4558:1040
4553:249b
4548:249a
4513:244a
4456:216a
4421:210a
4406:208a
4396:207a
4381:205a
4336:197a
4311:193a
4291:190a
4199:173a
4062:147a
3988:134a
3967:131a
3906:120b
3901:120a
3094:120b
3089:190a
3078:244a
3062:120a
3011:1083
2925:197a
1996:147a
1986:186a
1824:2016
1801:2019
1791:(at
1760:2015
1733:2016
1707:2022
1661:2013
1613:ISBN
1570:2013
1530:2022
1470:1996
1466:1996
1405:2001
1401:2001
1340:2000
1336:2000
1272:1999
1268:1999
1205:1980
1201:1980
1131:1970
1127:1970
1052:Vox
999:Year
908:duet
675:Vl (
672:2Oa
669:S A
608:3/4
475:Key
463:Type
454:No.
430:and
428:keys
393:horn
381:bass
373:alto
363:and
322:hymn
313:)).
246:hymn
160:horn
146:SATB
4611:);
4508:224
4503:223
4497:222
4490:221
4483:220
4476:219
4469:218
4462:217
4451:216
4446:215
4441:214
4436:213
4431:212
4426:211
4416:210
4411:209
4401:208
4391:207
4386:206
4376:205
4371:204
4366:203
4361:202
4356:201
4351:200
4346:199
4341:198
4331:197
4326:196
4321:195
4316:194
4306:193
4301:192
4296:191
4286:190
4280:189
4274:188
4269:187
4264:186
4259:185
4254:184
4249:183
4244:182
4239:181
4234:180
4229:179
4224:178
4219:177
4214:176
4209:175
4204:174
4194:173
4189:172
4184:171
4179:170
4174:169
4169:168
4164:167
4159:166
4154:165
4149:164
4144:163
4139:162
4134:161
4128:160
4122:159
4117:158
4112:157
4107:156
4102:155
4097:154
4092:153
4087:152
4082:151
4077:150
4072:149
4067:148
4057:147
4052:146
4047:145
4042:144
4037:143
4031:142
4024:141
4018:140
4013:139
4008:138
4003:137
3998:136
3993:135
3983:134
3978:133
3973:132
3961:131
3956:130
3951:129
3946:128
3941:127
3936:126
3931:125
3926:124
3921:123
3916:122
3911:121
3896:120
3891:119
3881:118
3876:117
3871:116
3866:115
3861:114
3856:113
3851:112
3846:111
3841:110
3836:109
3831:108
3826:107
3821:106
3816:105
3811:104
3806:103
3801:102
3796:101
3791:100
3691:80a
3631:69a
3611:66a
3454:36c
3449:36b
3444:36a
3429:34a
3404:30a
3235:BWV
3233:by
3227:by
3150:224
3145:223
3140:221
3135:220
3130:217
3125:189
3120:142
3104:158
3084:194
3073:157
3067:197
3057:195
3034:120
3024:193
2993:III
2981:248
2976:200
2971:191
2950:174
2945:145
2940:159
2935:156
2930:171
2920:188
2889:173
2841:169
2811:102
2801:187
2796:170
2776:146
2746:151
2723:164
2690:100
2685:192
2662:177
2657:140
2652:112
2642:129
2637:137
2624:176
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1991:132
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