625:, who give different ratings for different components of the albums they review, rated the album four stars out of five based on "Politics" and three stars out of five based on "Entertainment." The magazine said "1991 appears to belong to Carter. They are that rare thing, a band that wholeheartedly addresses its time, that truly belongs to it." They were very favourable towards the band's lyrics, saying "Carter's bluff, seedy ebullience is a welcome antidote to the rather fey self-regard that's dominated indie pop over the last decade, from
697:. Jim’s fringe resembled a front ponytail, Fruitbat wore cycling gear; neither favoured long trousers. They produced a powerpop racket with a punk-rock electric guitar, a rasping voice, a drum machine and backing tapes. Jim’s lyrical puns were enough to make a Sun headline writer retire: 24 Hours from Tulse Hill, 101 Damnations, The Only Living Boy in New Cross, Do Re Me So Far So Good. But mainstream stardom made them cross. Fruitbat rugby-tackled
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693:"Carter USM were typical of the "T-shirt bands" of that epoch: witty, wily and embraced with obsessive devotion by young, gig-going fans. Jim "Jim Bob" Morrison and Leslie "Fruitbat" Carter went from Rough Trade to Chrysalis in 1992. They were unlikely pop stars, who poked fun at their own comparatively ripe old age with their second album
637:
ilk," but did however note that "it has to be said that Carter's musical style is limited in the extreme – for the most part, a ragged thrash that happens to be played largely on sequencers rather than guitars. The music and the rasping vocals give diminishing returns – the real pleasure has to be
375:
track with chainsaw guitars and a David Bowie sample. "My Second to Last Will and
Testament" shows Bob "settling affairs all around, down to organ donation" with the lyrics "They can take my lungs and kidneys/But my heart belongs to Daphne." Melding genres, the song sees a similar aesthetic to the
340:
to traditional football chants, and so forth," as well as "the still cheap-and-cheery sound of the band's keyboards, drum machines and more," but said that the differences show the band "a little more comfortable in the studio here. The two are able to whip up their surging numbers to a higher
38:
284:
The success of the album coincided with the renewed success of the "Sheriff Fatman" single, which generated more sales. It reached number eight in the UK charts on its original release, and number 21 when re-issued in early 1992. The album was certified Gold (100,000 units sold) by the
616:
gave the album 10/10, saying, "This brilliant, bold record will still be among the best ten albums of the year come the end of '91: testimony to how Carter, the unlikely lads of the past two years, have nailed down their instinctive feel for pop with a hookline and a point of view."
332:, but showing "a growing sophistication that fleshed out both sound and lyrics." He said that its primary similarity with the former album is "the typical Carter trappings still running rampant: puns explode everywhere without restraint, musical and lyrical references creep in from
345:
actually makes a little more sense here, while "Billy's Smart Circus" is flawless in its soaring, anthemic power. Meanwhile, their bluer moods get more gently evocative accompaniment, often addressing getting addicted to the bottle and the unfortunate results."
376:
opener, although with "snarling punk vocals from Jim Bob juxtaposing with some lovely harmonising from
Fruitbat. The whole thing builds to a massive chorus before ending abruptly with Jim Bob throatily yelling "...die.""
367:" talking about getting fat with age–described by Raggett as "a great snippet about what growing old really means". It then gives way to a crowd chanting "You Fat Bastard", which Bob said was taken from a gig at the
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as a "brilliant, bold record". It was prefaced with a single "Anytime
Anyplace Anywhere", which was a major indie hit and also included on the album.
2127:
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1810:
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1935:
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The other single from the album, "Bloodsport For All", an attack on racism and bullying in the army, was released at the start of the
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ranked it at number 21 in their own 1991 "End of Year Critic's List" for the top 50 albums of the year.
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271:. It was recorded in 20 days on 8-track, costing only £4,000. The album was given a 10/10 review in
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ranked the album at number 8 in their list of the top 50 "Albums of the Year", ahead of
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1879:"British album certifications – Carter The Unstoppable Sex Machine – 30 Something"
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6 from 7" Promo
Giveaway At The Town & Country Club, London (14 December 1990)
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1811:"Farewell, Carter the Unstoppable Sex Machine – forgotten heroes of 90s indie"
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after a misunderstood amp-toppling finale to After the
Watershed at the
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1906:
Goodnight Jim Bob – On the Road with Carter the
Unstoppable Sex Machine
1473:"Village of the Banned: The Music Auntie Beeb Didn't Want You to Hear"
359:
349:
Opening instrumental "Surfin' USM" opens with a sampled monologue of
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included the album in their list "Vox 50 Albums of 1991." In 2014,
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1901:
1612:
Aston, Martin (March 1991). "Carter the
Unstoppable Sex Machine:
1421:"CARTER – THE UNSTOPPABLE SEX MACHINE / Artist / Official Charts"
1228:
Jon ‘Fat’ Beast - cover star (and subject of track ‘Surfing USM’)
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included in their list of "21 1990s Albums NME Has Given 10/10."
634:
45:
25:
1991 studio album by Carter the
Unstoppable Sex Machine
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1-3 from "Anytime
Anyplace Anywhere" Single (October 1990)
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273:
131:
1957:
1181:
7-22 BBC In
Concert: Live At Kilburn - 7 December 1991
722:, except for "Alternate Title", which was composed by
1671:Peacock, Tim (16 February 1991). "Young at Heart".
1175:
4-5 from "Bloodsport For All" Single (January 1991)
1838:"Bubbling Down Under Week Commencing 2 March 1992"
2128:After the Watershed (Early Learning the Hard Way)
1855:
1728:
1726:
1323:
2179:
1633:Crossing, Gary (23 February 1991). "Carter USM:
1540:
1538:
1423:. The Official UK Charts Company. Archived from
1654:Griffiths, Nick (March 1991). "Super-Heroics".
1349:Shipments figures based on certification alone.
1723:
328:as being largely similar to their debut album
1943:
1733:Team, The New Internationalist (5 May 1991).
1535:
1216:Kevin Metcalf – mastering (at the Townhouse)
555:
493:
419:
1787:"21 1990s Albums NME Has Given 10/10 - NME"
1447:"British certificates: searchable database"
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1936:
1862:"Official Independent Albums Chart Top 50"
1688:Dalton, Stephen (June 2023). "Carter USM:
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36:
2193:Carter the Unstoppable Sex Machine albums
2078:The Good, the Bad, the Average and Unique
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1546:"Revisiting: Carter USM's 30 Something"
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629:to the current blissed-out hedonism of
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1559:Fortnam, Ian (May 2023). "Carter USM:
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1035:"My Second To Last Will And Testament"
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767:"My Second to Last Will and Testament"
341:level–the group's stated fondness for
1931:
1709:"Carter the Unstoppable Sex Machine:
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1582:"Carter The Unstoppable Sex Machine:
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1526:
1509:– Carter the Unstoppable Sex Machine"
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1959:Carter the Unstoppable Sex Machine
1767:rocklistmusic.co.uk/mmlists_p2.htm
1439:
1410:
1369:
714:All songs written and composed by
265:Carter the Unstoppable Sex Machine
168:Carter the Unstoppable Sex Machine
51:Carter the Unstoppable Sex Machine
14:
2209:
1308:
900:Disc two - CD bonus tracks (2012)
638:sought in the pun-laden lyrics."
557:
495:
421:
18:Thirty-something (disambiguation)
2135:The Only Living Boy in New Cross
1156:"A Perfect Day To Drop The Bomb"
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324:was described by Ned Raggett of
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371:. The track is an instrumental
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1079:"A Prince In A Pauper's Grave"
980:"Christmas Shoppers' Paradise"
905:
817:
789:"A Prince in a Pauper's Grave"
740:
296:and was denied airplay by the
1:
2064:Starry Eyed and Bollock Naked
1883:British Phonographic Industry
1580:Carey, Wayne (5 March 2023).
1357:
1002:"Midnight On The Murder Mile"
703:Smash Hits Poll Winners Party
287:British Phonographic Industry
1776:rocklistmusic.co.uk/vox.html
1394:. p. 28. Archived from
1301:
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1256:
1242:
1239:
1185:
855:"Sealed With a Glasgow Kiss"
7:
2071:Straw Donkey... The Singles
1868:. Retrieved 17 March 2023.
1698:. No. 313. p. 44.
1569:. No. 313. p. 84.
1449:. bpi.co.uk. Archived from
1274:2023 chart performance for
1057:"Anytime Anyplace Anywhere"
778:"Anytime Anyplace Anywhere"
232:"Anytime Anyplace Anywhere"
10:
2214:
2198:Rough Trade Records albums
1261:
1249:
1222:Flat Earth – sleeve design
1024:"Good Grief Charlie Brown"
958:"2001: A Clockwork Orange"
387:appear on several tracks.
77:Important Notice Studios,
15:
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2002:
1965:
1660:. No. 9. p. 66.
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1586:– deluxe edition review"
1213:Simon Painter – engineer
1210:Simon Painter – producer
627:the Jesus and Mary Chain
316:album heavy on puns and
1866:Official Charts Company
1225:Mark Baker – team photo
1167:Notes (CD bonus tracks)
263:is the second album by
2046:I Blame the Government
2032:Post Historic Monsters
1240:Chart (1992, 2009/10)
1219:Carter – sleeve design
1192:Jim "Jim Bob" Morrison
1145:"This Is How It Feels"
833:"Billy's Smart Circus"
707:
267:, released in 1991 on
244:Released: January 1991
235:Released: October 1990
2025:1992 – The Love Album
1293:UK Independent Albums
1101:"After The Watershed"
1068:"Say It With Flowers"
877:"Falling on a Bruise"
866:"Say It With Flowers"
691:
199:1992 – The Love Album
2142:The Impossible Dream
2103:A World Without Dave
1809:(18 November 2014).
1384:(16 February 1991).
1201:" Carter – performer
1134:"Bloodsport For All"
1112:"Shoppers' Paradise"
888:"The Final Comedown"
844:"Bloodsport for All"
800:"Shoppers' Paradise"
646:At the end of 1991,
622:New Internationalist
396:Professional ratings
241:"Bloodsport For All"
16:For other uses, see
1842:Bubbling Down Under
1692:– Deluxe Edition".
1427:on 3 September 2014
1398:on 13 November 1999
1386:"Awesome Cart...er"
1314:
1278:
1250:Australian Albums (
1046:"Re-Educating Rita"
921:"Re-Educating Rita"
901:
813:
736:
679:Recalling the era,
652:My Bloody Valentine
397:
269:Rough Trade Records
2056:Compilation albums
1757:. 10 October 2016.
1313:
1273:
1123:"The 90's Revival"
899:
811:
734:
395:
391:Critical reception
369:University of Kent
363:Series 3 episode "
277:, which described
2172:
2171:
1548:. 10 August 2012.
1475:. Bubblegum. 2000
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726:and performed by
699:Phillip Schofield
609:
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310:alternative dance
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94:Alternative dance
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2152:Related articles
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1910:Cherry Red Books
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1795:. 10 March 2014.
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1532:Bob 2004, p. 217
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1090:"Sheriff Fatman"
947:"Randy Sarf Git"
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353:in character as
304:Music and lyrics
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61:18 February 1991
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2159:Jamie Wednesday
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2085:You Fat Bastard
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1807:Collins, Andrew
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2014:
2011:101 Damnations
2006:
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1622:. No. 54.
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1503:Raggett, Ned.
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1453:on 11 May 2011
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1309:Certifications
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681:Andrew Collins
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330:101 Damnations
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181:101 Damnations
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2176:
2165:
2162:
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2157:
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2139:
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2043:
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2036:
2034:
2033:
2029:
2027:
2026:
2022:
2020:
2019:
2015:
2013:
2012:
2008:
2007:
2005:
2003:Studio albums
2001:
1995:
1992:
1990:
1987:
1985:
1982:
1980:
1979:
1975:
1973:
1972:
1968:
1967:
1964:
1960:
1953:
1948:
1946:
1941:
1939:
1934:
1933:
1930:
1921:
1919:1-901447-23-5
1915:
1911:
1907:
1903:
1899:
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1719:. March 1991.
1718:
1717:
1712:
1705:
1697:
1696:
1691:
1684:
1677:. p. 40.
1676:
1675:
1667:
1659:
1658:
1650:
1643:. p. 16.
1642:
1641:
1640:Record Mirror
1636:
1629:
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1426:
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1416:
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1397:
1393:
1392:
1387:
1383:
1382:Lamacq, Steve
1377:
1375:
1373:
1368:
1365:
1364:
1351:
1345:
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1321:Certification
1316:
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1282:Chart (2023)
1280:
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1037:
1034:
1030:
1026:
1023:
1019:
1015:
1012:
1008:
1004:
1001:
997:
993:
991:"Surfin' USM"
990:
986:
982:
979:
975:
971:
968:
964:
960:
957:
953:
949:
946:
942:
938:
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927:
923:
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916:
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872:
868:
865:
861:
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843:
839:
835:
832:
828:
815:
802:
799:
795:
791:
788:
784:
780:
777:
773:
769:
766:
762:
758:
756:"Surfin' USM"
755:
751:
738:
731:
729:
725:
721:
717:
710:Track listing
706:
704:
700:
696:
690:
688:
687:
682:
677:
675:
671:
670:
665:
664:
659:
658:
653:
649:
639:
636:
632:
631:Happy Mondays
628:
624:
623:
618:
615:
614:
604:
602:
601:
597:
596:
592:
590:
589:
585:
584:
554:
552:
551:
547:
546:
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527:
526:Record Mirror
523:
522:
492:
490:
489:
485:
484:
480:
478:
477:
473:
472:
468:
466:
465:
461:
460:
456:
454:
453:
449:
448:
418:
416:
413:
412:
404:
401:Review scores
399:
388:
386:
383:'s character
382:
381:Michael Caine
377:
374:
370:
366:
362:
361:
356:
352:
347:
344:
339:
335:
331:
327:
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288:
282:
280:
276:
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270:
266:
262:
261:
251:
238:
229:
228:
225:
222:
221:30 Something
218:
214:
210:
201:
200:
196:
192:
191:
187:
183:
182:
178:
177:
173:
169:
165:
159:Simon Painter
158:
156:
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152:
150:
148:
144:
138:
135:
133:
130:
128:
125:
123:
120:
119:
117:
115:
111:
105:
102:
100:
97:
95:
92:
91:
89:
87:
83:
80:
76:
72:
68:
64:
60:
56:
52:
47:
43:
39:
34:
29:
23:
19:
2174:
2164:Abdoujaparov
2101:
2083:
2076:
2069:
2062:
2044:
2037:
2030:
2023:
2018:30 Something
2017:
2016:
2009:
1993:
1988:
1983:
1976:
1969:
1905:
1893:
1892:
1873:
1857:
1845:. Retrieved
1841:
1832:
1820:. Retrieved
1816:The Guardian
1814:
1801:
1790:
1781:
1772:
1763:
1752:
1749:"1991 - NME"
1743:
1714:
1711:30 Something
1710:
1704:
1693:
1690:30 Something
1689:
1683:
1672:
1666:
1655:
1649:
1638:
1635:30 Something
1634:
1628:
1617:
1614:30 Something
1613:
1607:
1595:. Retrieved
1589:
1584:30 Something
1583:
1575:
1566:Classic Rock
1564:
1561:30 Something
1560:
1554:
1528:
1516:. Retrieved
1507:30 Something
1506:
1477:. Retrieved
1467:
1455:. Retrieved
1451:the original
1441:
1429:. Retrieved
1425:the original
1400:. Retrieved
1396:the original
1389:
1362:
1361:
1347:
1276:30 Something
1275:
724:Micky Dolenz
713:
702:
695:30 Something
694:
692:
686:The Guardian
684:
678:
673:
667:
663:Melody Maker
661:
655:
647:
645:
620:
619:
611:
610:
598:
586:
548:
536:
524:
486:
474:
462:
452:Classic Rock
450:
378:
358:
351:Chris Barrie
348:
329:
322:30 Something
321:
307:
291:
283:
279:30 Something
278:
272:
260:30 Something
259:
258:
257:
220:
197:
190:30 Something
189:
188:
179:
79:South London
46:Studio album
31:30 Something
22:
2188:1991 albums
1994:Ben Lambert
1205:Sex Machine
1194:– performer
969:"Bedsitter"
728:The Monkees
379:Samples of
373:indie dance
338:David Bowie
155:Sex Machine
122:Rough Trade
2182:Categories
2039:Worry Bomb
1908:. London:
1563:box set".
1358:References
1207:– producer
633:and their
170:chronology
1735:"Reviews"
1479:9 January
1457:1 October
1431:28 August
1363:Citations
1287:position
1245:position
1186:Personnel
1013:"Rubbish"
660:, whilst
360:Red Dwarf
334:the Clash
104:punk rock
1978:Fruitbat
1904:(2004).
1902:Bob, Jim
1518:30 April
1513:AllMusic
1342:100,000
1199:Fruitbat
812:Side two
735:Side one
716:Morrison
657:Loveless
415:AllMusic
365:Bodyswap
326:AllMusic
318:sampling
294:Gulf War
147:Producer
137:Nettwerk
66:Recorded
58:Released
48: by
2113:Singles
1971:Jim Bob
1894:Sources
1847:4 March
1597:17 June
1402:17 June
1327:/sales
1318:Region
289:(BPI).
217:Singles
203:(1992)
194:(1991)
185:(1990)
127:Capitol
1916:
1822:7 June
1674:Sounds
1657:Select
1233:Charts
1159:
1148:
1137:
1126:
1115:
1104:
1093:
1082:
1071:
1060:
1049:
1038:
1027:
1016:
1005:
994:
983:
972:
961:
950:
939:
924:
913:Length
825:Length
748:Length
720:Carter
689:said:
642:Legacy
550:Sounds
538:Select
409:Rating
406:Source
355:Rimmer
74:Studio
1989:Steve
1695:Uncut
1339:Gold
1197:Les "
910:Title
822:Title
745:Title
635:baggy
588:Uncut
481:10/10
385:Alfie
343:Queen
314:grebo
312:and
219:from
114:Label
99:grebo
86:Genre
1914:ISBN
1849:2023
1824:2016
1599:2024
1520:2011
1481:2007
1459:2011
1433:2014
1404:2024
1285:Peak
1257:138
1252:ARIA
1243:Peak
891:2:05
880:5:56
869:3:18
858:2:04
847:5:05
836:4:05
803:4:54
792:4:25
781:4:10
770:2:38
759:3:14
718:and
605:9/10
593:6/10
531:9/10
457:9/10
336:and
69:1990
1984:Wez
1792:NME
1754:NME
1716:Vox
1713:".
1637:".
1616:".
1391:NME
1334:BPI
1302:13
1297:OCC
1153:22.
1142:21.
1131:20.
1120:19.
1109:18.
1098:17.
1087:16.
1076:15.
1065:14.
1054:13.
1043:12.
1032:11.
1021:10.
906:No.
885:11.
874:10.
818:No.
741:No.
730:,
683:in
674:NME
669:Vox
654:'s
648:NME
613:NME
600:Vox
543:3/5
476:NME
469:5/5
357:in
308:An
298:BBC
274:NME
132:EMI
2184::
1912:.
1881:.
1864:.
1840:.
1813:.
1789:.
1751:.
1725:^
1588:.
1537:^
1511:.
1489:^
1412:^
1388:.
1371:^
1336:)
1299:)
1267:8
1254:)
1010:9.
999:8.
988:7.
977:6.
966:5.
955:4.
944:3.
929:2.
918:1.
863:9.
852:8.
841:7.
830:6.
797:5.
786:4.
775:3.
764:2.
753:1.
320:,
300:.
2144:"
2140:"
2137:"
2133:"
2130:"
2126:"
2123:"
2119:"
1951:e
1944:t
1937:v
1922:.
1885:.
1851:.
1826:.
1737:.
1619:Q
1601:.
1522:.
1505:"
1483:.
1461:.
1435:.
1406:.
1295:(
936:"
932:"
488:Q
20:.
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