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785:. Upon returning home, the band continued to tour the UK until April 1990, and followed this up with a longer stint in Europe. On the latter trek, some of the crowd in Germany were not fond of the band lacking a drummer, often asking "where's the drummer?", with a few of them thinking the pair were miming the entire time. On one occasion, an attendee tried to go behind the stage, expecting to find a drummer there. The non-album single "Rubbish" was released in June 1990, with the B-sides "Alternative Alf Garnett" and a cover of Pet Shop Boys' "
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418:; the label released their debut single "A Sheltered Life" in October 1988. The band started playing shows further north in early 1989, which was around the time Bob noticed that they were starting to attract a fanbase. The Treworgey Tree Fayre in Cornwall in summer 1989 marked the band's first festival appearance, ending with them not being paid.
635:, discusses a homeless person being set on fire by two strangers. "Sheriff Fatman" was highlighted as displaying the album's characteristic sound; Raggett said "the song itself may be about a total rat-bastard of a slumlord, but the name of the game is energy and fun." Bob said the titular character was a
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said that the album was an "invocative melting pot of samples, ideas and tunes" delivered with "a punk-inspired ethos". Muretich said it was: "Clever, yes. Contrived, yes. And that's where this London bridge between social criticism and music falls down. Not enough melodic muscle, lyrical gusto". The
369:
Jamie
Wednesday was initially billed to play that show, but had broken up shortly before, leaving Bob and Fruitbat with one week to write new material. They composed six songs, namely, "Everytime a Churchbell Rings", "An All American National Sport", "The Taking of Peckham 123", "Good Grief Charlie
237:
formed Bob and played their first show in August 1987, before changing the name to Carter the
Unstoppable Sex Machine. Over the next year, they played various shows across London before signing to Big Cat; with shows further north of the city in early 1989, a fanbase started building. The duo
1034:
writer David Bauder said that the album was the "aural equivalent of a horror movie, an unrelenting series of word pictures of a society gone mad"; however, he noted that there was "only so much of this" he could hear, suggesting that "most listeners will simply shudder and move out of the
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1755:"Tom Waits & the Band of Holy Joy were a big influence on my songwriting. Most noticeable in this song. The opening line could be from a Tom Waits song. Even though it sounds uncannily (and entirely coincidentally) like 'Eveylyn' by Pop Will Eat Itself"
728:(1978), which had left an impression on Bob. Rob Sheridan plays the piano solo in the track; Bob said he was drafted in as the part was a "lot harder to play than it sounds" and he performed it "too well so we had to change it after he’d left the studio".
588:
as being inspirations for his songwriting, in particular "The Taking of
Peckham 123". Explaining the samples, Bob said he would be sat next to a TV or a radio and recording bits using a cassette recorder for useable portions. As Fruitbat owned a copy of
1600:"A lot of the lyrics on this, and on the album are based on real life events. Usually taken from the news. Bostik boys playing chicken in a box I think referred to glue sniffers climbing into boxes on the train tracks and playing chicken with trains"
1904:"A Quadrophenia sample there. I said in an interview the film had such a profound effect on me and I was so unhappy at the time that I went to Brighton to throw myself into the sea. It ended up in the tabloids that I'd attempted to take my own life"
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in the UK on 8 August 1991 and in the United States five days later. Big Cat
Records reissued it in 2004, and then in 2011 with additional tracks; the latter edition was re-printed in 2018. It was re-pressed on vinyl in 2018 as part of the box set
1790:"I used to sit with a cassette recorder in front of the TV and the radio recording stuff, hoping for things to sample. Fruitbat had a VHS of the Monkees film Head. We sampled loads of that on the album. All this Drop the Bomb stuff is from Head"
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1974:"Pre Carter and Jamie Wednesday me and Fruitbat wrote a number of acoustic based songs that we'd rewrite later as Carter songs. 'Chuckles And Smiles' became 'Sheriff Fatman'. It was based on Jonathan Jo has a mouth like an O by AA Milne"
334:. During this time, he formed Jeepster, which went two years before playing their first gig. Although that was the band's only show, Bob left his job to focus on music. While performing with the Ballpoints, Bob came across bassist
1939:"The song was originally called Digging a Hole. It was part of a publishing deal we signed before we recorded it. So we changed the title and sold it to another publisher. At one point the song was called Cardboard City Cut-Out"
1486:"As I remember it we were supposed to be meeting Jah Wobble to talk about him producing the album. I have no memory of why that didn't happen. We co-produced it with Simon Painter instead. He co-produced all the Carter albums"
2297:"I wrote this about John Savage's character in The Deer Hunter. That film had big impact on me. I can't watch the scene where George Dzundza is making eggs and starts crying without joining in. Crying I mean, not making eggs"
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described the lyrics as being adaptive of other media mediums: "the colour and atmospheric backdrops (film), the plot and the dialogue (comics) and the descriptive prowess (if Carter were a book, they'd be a
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2156:"I'm not proud of it now but to get the 'emergency which service' sample, we rang 999 (not the band), recorded it and hung up. I suppose they could trace the call now and arrest us for timewasting"
1683:"The Brothels of Streatham to the taking of Peckham was the original title of the album. When we signed the record deal we told label boss Abbo we wanted to call it 'C***' (No asterisks). Childish"
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in 1979. When the bassist for the
Ballpoints left, Fruitbat took his role. Following a name change to Peter Pan's Playground, the band split and the members pursued different projects, including
429:. The band would regularly cycle to-and-from the building each day; Bob referred to the studio's size as a "garage ... when I say a garage, I doubt you could have kept much more than say, a
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writer Tom
Thornton said "Midnight on the Murder Mile" served as a "depiction of a paranoid, post-nightclub cross-borough trudge home". Its title refers to a length of road dubbed the
1521:"I asked Simon Painter how we could get a megaphone sound for the introduction. I demonstrated the sound we wanted by cupping my hands over my nose and mouth. Simon said: 'Do that.'"
826:(2000). In addition to those two tracks, "Twenty Four Minutes from Tulse Hill", "Midnight on the Murder Mile", "A Perfect Day to Drop the Bomb" and "G.I. Blues" were included on the
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writer Ira
Robbins called it a "fully realised debut" and "mind-blowing in the most stimulating sense"; Stoke was similarly impressed that the band "had ideas and energy to spare".
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and charged £8 per hour, but by the time the band were making the album, it upgraded to 16-tracks and £16 per hour. They collectively spent £800 recording it; as they did not own a
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wrote that it combined "frantic guitars with samples, hip-hop beats, keyboard blasts and lyrics that namechecked south London haunts with alarming regularity". James
Muretich of
1834:"The song title is inspired by the film It's a Wonderful life. I watched it in a motel room on my own in America one Christmas during a Carter tour. Cried like a maternity ward"
304:. In the first half of 1990, the band toured the UK and mainland Europe twice each, and later tour throughout June and July 1990 to promote their non-album single "Rubbish".
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Carter the
Unstoppable Sex Machine embarked on a four-month long tour of the UK between September and December 1989. During this time, "Sheriff Fatman" was released as the
3323:
2332:"This piano bit is a lot harder to play than it sounds. We had to get a friend Rob to play it but he did it too well so we had to change it after he'd left the studio"
994:. In a retrospective piece, Raggett said in the "duo's own unusual way, Carter were something of a unique and thrilling prospect at its best, which the highlights of
707:
2044:"A song about my parents splitting up. My dad used to send me a ten shilling note every week. Here's a picture of me and my dad. I'm the one without the moustache"
662:. "Crimestoppers A' Go Go" is an instrumental track that is followed by "Good Grief Charlie Brown", which is about Bob's parents divorcing, and sees him reciting
639:
from South London, and was based on two people whom he knew personally. An earlier version of the track was known as "Chuckles and Smiles", and was adapted from "
354:, while Fruitbat used the moniker Cartoon Carter; the pair separately wrote several songs that would later be re-worked for their next project. After obtaining a
631:(1979), which had influenced Bob. "An All-American National Sport", which had gone under the titles "Digging a Hole" and "Cardboard City Cut-Out" with different
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via rough early eighties technology pump-it-up pogoers" and described the heavy usage of puns as "Carter's calling card as much as anything". Gavin Stoker in
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and loud guitars, employing extensive cultural references and puns, while being lyrically concerned with real life events seen in the news. Ned
Raggett of
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Carter the Unstoppable Sex Machine recorded their debut album at Important Notice Studios; the band and Painter acted as producers. They initially wanted
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Jonathan Scott wrote in a 2011 review that the band were the "most interesting" of their contemporaries, saying that their music featured "both a naïve,
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382:, owned by engineer Simon Painter, which they used to make said tracks. The duo then played another show two weeks later, before changing their name to
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Brown", an early version of "A Perfect Day to Drop the Bomb" titled "Will I Go to Hell If I Kiss in Front of Jesus" and "G.I. Blues". The band needed
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Between February and November 1988, Carter the Unstoppable Sex Machine played further shows throughout London; as Fruitbat was unable to pass his
406:, they were forced to use buses to travel to their gigs. During this period, Adrian Boss became their manager, and subsequently, their driver of
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2451:"Attacking TV presenters, ruining Glastonbury and being banned by the BBC: how Carter USM became Britain's unlikeliest chart-toppers"
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748:. The music video for "Sheriff Fatman" consists of live footage of the band with close-up shots of their instruments and the crowd.
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sound for "Sheriff Fatman", he performed what he wanted by cupping his hands over his mouth, to which Painter remarked, "do that".
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to produce it, though Bob could not recall why he did not. The studio was located in the back garden of Painter's residence near a
2079:"At the end of this song I'm reading the marriage vows like a mad vicar. When I finish you can hear me tear them up. Scary stuff"
238:
recorded their debut album with producer Simon Painter at Important Notice Studios, which was a garage on Painter's property, in
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with a UK tour until mid-February 1990, when they embarked on their first tour of mainland Europe, consisting of three shows in
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remarked that it was "weighted with a constant stream of clever touches, a sensible line in cynicism and a streak of humour".
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2226:"The songs starts with the sound of the Atari software loading (I think). It's not my department. I was in charge of cymbals"
834:(2007). In 2009, the band performed their first four albums in their entireties across two shows in London, which included
426:
814:, alongside their other albums. "Sheriff Fatman", "Rubbish" and their respective B-sides were included on the compilation
284:. After recording, Carter the Unstoppable Sex Machine toured the United Kingdom until the end of 1989. During that time, "
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595:(1968), they extensively took samples from it for the album, most prominently on "A Perfect Day to Drop the Bomb".
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2009:"Mostly about the North Peckham estate. I think the Pink Label (Jamie Wednesday) had their office in a flat there"
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was met with generally favourable reviews, with critics praising the songwriting; it peaked at number 29 on the
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744:, with the B-sides "R.S.P.C.E.", "Twin Tub with Guitar" and a cover of "Everybody's Happy Nowadays" (1979) by
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359:
1869:"We recorded the train announcer samples on the platform of Tulse Hill station that Fruitbat lived opposite"
554:"while adopting the literary, politically appropriate, socially sarcastic British pop intellectual stance".
442:
793:, it was promoted with a UK tour throughout June and July 1990, ending with a performance at the Astoria.
756:. The artwork consists of 56 black spots against a white background; the title is a reference to the film
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698:(1989) during the instrumental portion. "A Perfect Day to Drop the Bomb", which begins with a clip of an
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debut, a big screen collage on a shoestring budget - rough-edged Rascal Pop with a searching script".
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area of London, where Jamie Wednesday's label The Pink Label was based. Bob has compared the song to "
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might drive in there". When they had used the space to make their earlier demos, it initially had an
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fire. The title of the following track, "Everytime a Church Bell Rings", was influenced by the film
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list of the year's best releases, and would be reissued several times in the ensuing years.
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2191:"I think the fight noise in the instrumental break is from the Gary Oldman film 'The Firm'"
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617:(1946). "Twenty Four Minutes to Tulse Hill" details a train ride through South London; the
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8:
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358:, Bob and Fruitbat played their first show in August 1987 under the name Bob, supporting
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Crook, Darren (10 February 1990). "Carter the Unstoppable Sex Machine: 101 Damnations".
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288:" was released as the album's sole single in November 1989, peaking at number 23 in the
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from their upcoming debut album in November 1989. It was originally released as a
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Other critics were drawn to its sound quality. Lamacq considered it the band's "(
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410:. They recorded demos at Important Notice Studios, which earned them their first
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was released on 15 January 1990 through Big Cat Records, with distribution from
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1721:"Carter the Unstoppable Sex Machine's Jim Bob: 'Noel Gallagher still hates us'"
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in September 1987, and closed out the year with three more gigs across London.
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818:(1990); "Sheriff Fatman" and "Rubbish" were then featured on the compilations
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2651:"Carter The Unstoppable Sex Machine's debut 101 Damnations to be rereleased"
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3266:. Third Ear: The Essential Listening Companion. San Francisco, California:
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766:' scene, Carter were starting a riot down south", and associated with the
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Bob said "The Road to Domestos", the album's opener, was a recording of a
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762:(1961). Stoker said that "as the rest of the country looked towards the '
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625:, which Fruitbat lived across from. It also features a sample taken from
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ranked it at number 29 in their list of the top 50 release of the year.
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Goodnight Jim Bob – On the Road with Carter the Unstoppable Sex Machine
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3102:"Carter (The Unstoppable Sex Machine): 101 Damnations (Chrysalis/MCA)"
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2852:"Carter (The Unstoppable Sex Machine) / full Official Chart History"
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Bauder, David (9 September 1991). "In the Groove: Record Reviews".
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688:. It features samples of the band ringing and hanging up on the
1058:. The reissue of "Sheriff Fatman" peaked at number 23 in the
838:. That performance and the performance of their second album
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38:
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of Dead Clergy at the rehearsal space The Orchestra Pit in
18:
1990 studio album by Carter the Unstoppable Sex Machine
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Anytime, Anyplace, Anywhere ...The Very Best of Carter USM
1084:. Some CD versions combine the first two tracks into one.
824:
Anytime, Anyplace, Anywhere ...The Very Best of Carter USM
801:"Sheriff Fatman" was reissued in 1991 through Big Cat and
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characterised the album's musical style as "brash, quick,
2991:
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1366:
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928:
559:
310:
3066:"Here are some hot tips about last year's coolest music"
350:, children's entertainment and solo careers. Bob formed
3331:
2549:(sleeve). Big Cat/Chrysalis Records. USM CD1/3237382.
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novel - really)". The planned title for the album was
2562:"101 Damnations – Carter the Unstoppable Sex Machine"
1569:"101 Damnations – Carter the Unstoppable Sex Machine"
990:
Reviewers generally praised the songwriting found on
844:(1991) were released as a two-CD set under the title
576:, and later after signing, they attempted to call it
2987:"Carter the Unstoppable Sex Machine: 101 Damnations"
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2388:
574:The Brothels of Streatham to the Taking of Peckham
3502:After the Watershed (Early Learning the Hard Way)
1748:
1746:
714:. The album's closing track, "G.I. Blues", is an
650:"The Taking of Peckham 123" is largely about the
3550:
3164:How to Write Lyrics: Better Words for Your Songs
1714:
1712:
492:has been described as a mixture of the work of
378:in a newspaper for Important Notice Studios in
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390:. The pair debuted this new name at a show at
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453:. When Bob asked Painter on how to achieve a
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1099:"Twenty Four Minutes from Tulse Hill" – 3:26
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777:Carter the Unstoppable Sex Machine promoted
397:
2799:
2797:
2784:The Drum Machine Years Volume 1 (1990–1991)
2782:Carter the Unstoppable Sex Machine (2010).
2731:Carter the Unstoppable Sex Machine (2000).
2716:Carter the Unstoppable Sex Machine (1990).
2697:Carter the Unstoppable Sex Machine (2018).
2682:Carter the Unstoppable Sex Machine (2018).
2635:Carter the Unstoppable Sex Machine (2004).
2545:Carter the Unstoppable Sex Machine (1991).
2512:Carter the Unstoppable Sex Machine (1990).
2374:Carter the Unstoppable Sex Machine (1989).
2257:
2255:
2114:"Ten Early 90s Indie Songs That Say It All"
1647:
1645:
1643:
1469:Carter the Unstoppable Sex Machine (1990).
1453:
1414:Carter the Unstoppable Sex Machine (1995).
1400:
846:The Drum Machine Years Volume 1 (1990–1991)
449:were added to the recordings via a pair of
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3310:
2918:Anon. (13 January 1990). "Advertisement".
1718:
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1296:
607:they had stolen, ending with the sound of
29:
3569:Carter the Unstoppable Sex Machine albums
3452:The Good, the Bad, the Average and Unique
3298:at YouTube (streamed copy where licensed)
2841:
2624:and then click on the first entry listed.
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1253:– the 1989 debut album by contemporaries
546:considered it to be a mix of the work of
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789:" (1987). Preceded by a launch party in
680:where Bob would walk from a bus stop in
292:. The band was also associated with the
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2639:(booklet). Big Cat Records. ABB1009892.
2389:CarterUSMMusicVEVO (12 February 2019).
1324:
1322:
1320:
1289:
1287:
1285:
1133:"A Perfect Day to Drop the Bomb" – 5:42
1102:"An All American National Sport" – 3:55
1048:charm and a rousing anthemic quality".
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3219:
3019:
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2686:(booklet). Big Cat Records. ABBCD101J.
2516:(sleeve). Big Cat Records. ABB 102 CD.
1562:
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1554:
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1473:(booklet). Big Cat Records. ABBCD 101.
712:Grandmaster Flash and the Furious Five
386:after learning of another band called
225:, released on 15 January 1990 through
3305:
3184:
3135:
2962:
2917:
2862:from the original on 27 December 2022
2720:(sleeve). Big Cat Records. ABB103XCD.
2484:
2378:(sleeve). Big Cat Records. ABB 100 T.
1373:
1305:
1096:"Everytime a Churchbell Rings" – 4:13
865:
217:is the debut studio album by English
2894:from the original on 8 February 2017
2276:from the original on 26 October 2016
2264:"Carter the Unstoppable Sex Machine"
1579:from the original on 3 February 2013
1317:
1282:
1257:, known for its heavy use of samples
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1130:"Midnight on the Murder Mile" – 3:30
229:. After playing in different bands,
3207:from the original on 19 August 2020
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1566:
1547:
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886:
460:
13:
3333:Carter the Unstoppable Sex Machine
3246:from the original on 11 March 2023
3185:Scott, Jonathan (Christmas 2011).
3123:from the original on 11 March 2023
3099:Muretich, James (18 August 1991).
3086:from the original on 11 March 2023
3064:Margolls, Lynne (3 January 1992).
3051:from the original on 11 March 2023
2112:Thornton, Tom (24 November 2015).
1189:Simon Painter – producer, engineer
1112:"The Taking of Peckham 123" – 4:22
445:, snippets of TV shows, films and
384:Carter the Unstoppable Sex Machine
223:Carter the Unstoppable Sex Machine
134:Carter the Unstoppable Sex Machine
44:Carter the Unstoppable Sex Machine
14:
3580:
3286:
3030:The Encyclopedia of Popular Music
2763:from the original on 7 March 2023
2663:from the original on 7 March 2023
2568:from the original on 7 March 2023
2463:from the original on 8 March 2023
2399:from the original on 15 July 2022
2126:from the original on 7 March 2023
1731:from the original on 7 March 2023
1127:"Good Grief Charlie Brown" – 3:39
1011:The Encyclopedia of Popular Music
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308:was included at number 29 on the
3509:The Only Living Boy in New Cross
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322:After completing his education,
258:album that merges the styles of
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2699:The Studio Recordings 1988–1998
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2520:
2505:
2496:
2475:
2442:
2433:
2424:
2415:
2382:
2367:
2358:
2323:
2288:
2217:
2182:
2147:
2138:
2105:
2070:
2035:
2000:
1965:
1930:
1895:
1860:
1825:
1816:
1781:
1674:
1591:
1512:
1477:
1444:
1435:
1426:
1391:
1124:"Crimestoppers A' Go Go" – 2:48
812:The Studio Recordings 1988–1998
324:James Robert "Jim Bob" Morrison
274:taken from films and TV shows.
231:James Robert "Jim Bob" Morrison
2592:United States Copyright Office
2449:Hill, Stephen (29 July 2022).
2392:Carter U.S.M. - Sheriff Fatman
1382:
1273:
759:One Hundred and One Dalmatians
621:snippets were recorded at the
1:
3438:Starry Eyed and Bollock Naked
3187:"101 Damnations | Carter USM"
1719:Ryan, Gary (19 August 2020).
1261:
1093:"The Road to Domestos" – 0:46
317:
2739:. 525 7622/7243 5 25762 2 7.
1235:
1140:
855:
520:incorporates drum machines,
7:
3445:Straw Donkey... The Singles
3224:. In Buckley, Peter (ed.).
1416:Straw Donkey... The Singles
1242:
1054:peaked at number 29 on the
820:Straw Donkey... The Singles
797:Reissues and related events
658:" (1987) by contemporaries
512:
10:
3585:
2751:"Carter USM: London Shows"
2330:Bob, Jim (14 July 2020).
2295:Bob, Jim (14 July 2020).
2224:Bob, Jim (14 July 2020).
2189:Bob, Jim (14 July 2020).
2154:Bob, Jim (14 July 2020).
2077:Bob, Jim (14 July 2020).
2042:Bob, Jim (14 July 2020).
2007:Bob, Jim (14 July 2020).
1972:Bob, Jim (14 July 2020).
1937:Bob, Jim (14 July 2020).
1902:Bob, Jim (14 July 2020).
1867:Bob, Jim (14 July 2020).
1832:Bob, Jim (14 July 2020).
1788:Bob, Jim (14 July 2020).
1753:Bob, Jim (14 July 2020).
1681:Bob, Jim (14 July 2020).
1598:Bob, Jim (14 July 2020).
1519:Bob, Jim (14 July 2020).
1484:Bob, Jim (14 July 2020).
1230:
1171:Rob Sheridan – piano solo
805:. The two labels reissued
731:
690:emergency phone number 999
623:Tulse Hill railway station
360:the Men They Couldn't Hang
266:, alongside loud guitars,
128:Sex Machine, Simon Painter
3525:
3486:
3468:
3429:
3376:
3339:
1223:
1220:
1207:
873:
870:
774:and Pop Will Eat Itself.
598:
398:Development and recording
374:for the show; they saw a
206:
185:
174:
170:
140:
132:
122:
110:
94:
73:
58:
50:
37:
28:
23:
3033:(5th concise ed.).
3226:The Rough Guide to Rock
3162:Rooksby, Rikky (2021).
2856:Official Charts Company
1195:Dee Eff – sleeve design
1145:Personnel per booklet.
1123:
702:booting up, reuses the
538:The Rough Guide to Rock
198:Released: November 1989
3564:Big Cat Records albums
3420:I Blame the Government
3406:Post Historic Monsters
3220:Stoker, Gavin (2003).
3141:Encyclopedia of Albums
2821:Noyer ed. 1998, p. 162
1213:Chart performance for
1192:Carter – sleeve design
1186:Sex Machine – producer
1076:All tracks written by
1062:. At the end of 1990,
692:and fight sounds from
3399:1992 – The Love Album
2718:Handbuilt by Perverts
2659:. 20 September 2011.
2502:Bob 2004, pp. 199–200
1342:Thompson 2000, p. 241
1302:Thompson 2000, p. 240
1181:Production and design
816:Handbuilt by Perverts
614:It's a Wonderful Life
336:Les "Fruitbat" Carter
235:Les "Fruitbat" Carter
3516:The Impossible Dream
3477:A World Without Dave
3268:Miller Freeman Books
2439:Rooksby 2021, p. 240
2430:Margolls 1992, p. B1
1651:Muretich 1991, p. E4
1369:. 50999 5 06408 2 9.
1314:Larkin 2007, p. 3099
861:Professional ratings
772:Ned's Atomic Dustbin
742:12-inch vinyl record
684:to his residence in
586:the Band of Holy Joy
439:eight-track recorder
392:The Sir George Robey
298:Ned's Atomic Dustbin
2985:(20 January 1990).
2890:. 10 October 2016.
2759:. 13 January 2009.
2535:Bob 2004, pp. 200–1
2481:Bob 2004, pp. 198–9
2421:Anon. 1990, pp. 4–5
1637:Stoker 2003, p. 175
1388:Bob 2004, pp. 196–7
1217:
1136:"G.I. Blues" – 3:57
862:
754:Rough Trade Records
670:by its conclusion.
660:Pop Will Eat Itself
376:local advertisement
302:Pop Will Eat Itself
3430:Compilation albums
2703:Cherry Red Records
1671:Lamacq 1990, p. 21
1212:
860:
666:in the style of a
412:recording contract
62:Important Notice,
3559:1990 debut albums
3546:
3545:
3239:978-1-84353-105-0
3071:Observer–Reporter
3044:978-0-85712-595-8
3007:on 17 August 2000
2812:Crook 1990, p. 15
2803:Scott 2011, p. 87
2338:). Archived from
2303:). Archived from
2232:). Archived from
2197:). Archived from
2162:). Archived from
2085:). Archived from
2050:). Archived from
2015:). Archived from
1980:). Archived from
1945:). Archived from
1910:). Archived from
1875:). Archived from
1840:). Archived from
1796:). Archived from
1761:). Archived from
1689:). Archived from
1606:). Archived from
1527:). Archived from
1492:). Archived from
1420:Chrysalis Records
1361:Bob, Jim (2007).
1240:
1239:
1204:
1203:
1174:
988:
987:
803:Chrysalis Records
366:venue in London.
210:
209:
166:
165:
3576:
3526:Related articles
3326:
3319:
3312:
3303:
3302:
3281:
3264:Alternative Rock
3255:
3253:
3251:
3216:
3214:
3212:
3195:. No. 396.
3192:Record Collector
3181:
3158:
3132:
3130:
3128:
3104:
3095:
3093:
3091:
3060:
3058:
3056:
3016:
3014:
3012:
3003:. Archived from
2978:
2959:
2946:Cherry Red Books
2933:
2904:
2903:
2901:
2899:
2878:
2872:
2871:
2869:
2867:
2848:
2839:
2838:
2834:Associated Press
2828:
2822:
2819:
2813:
2810:
2804:
2801:
2792:
2791:
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2713:
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2679:
2673:
2672:
2670:
2668:
2656:God Is in the TV
2647:
2641:
2640:
2632:
2626:
2622:Date (ascending)
2602:
2600:
2598:
2588:"Public Catalog"
2584:
2578:
2577:
2575:
2573:
2557:
2551:
2550:
2547:"Sheriff Fatman"
2542:
2536:
2533:
2527:
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2500:
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2413:
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2406:
2404:
2386:
2380:
2379:
2376:"Sheriff Fatman"
2371:
2365:
2364:Bob 2004, p. 198
2362:
2356:
2355:
2349:
2347:
2327:
2321:
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2314:
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2004:
1998:
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1991:
1989:
1969:
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1956:
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1934:
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1893:
1892:
1886:
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1864:
1858:
1857:
1851:
1849:
1829:
1823:
1822:Bob 2004, p. 216
1820:
1814:
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1807:
1805:
1785:
1779:
1778:
1772:
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1750:
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1509:
1503:
1501:
1481:
1475:
1474:
1466:
1451:
1448:
1442:
1439:
1433:
1432:Bob 2004, p. 197
1430:
1424:
1423:
1411:
1398:
1395:
1389:
1386:
1380:
1379:Bob 2004, p. 196
1377:
1371:
1370:
1358:
1343:
1340:
1329:
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1315:
1312:
1303:
1300:
1294:
1291:
1280:
1277:
1218:
1211:
1172:
1149:
1060:UK Singles Chart
1043:
1038:Record Collector
1032:Associated Press
972:
971:
970:
966:
965:
961:
960:
956:
955:
951:
950:
941:Record Collector
910:
909:
908:
904:
903:
899:
898:
894:
893:
889:
888:
863:
859:
770:scene alongside
722:'s character in
557:In a review for
482:
473:
461:Music and lyrics
328:advertising firm
326:got a job at an
296:scene alongside
290:UK Singles Chart
199:
196:
142:
141:
106:
105:
101:
33:
21:
20:
3584:
3583:
3579:
3578:
3577:
3575:
3574:
3573:
3549:
3548:
3547:
3542:
3533:Jamie Wednesday
3521:
3482:
3464:
3459:You Fat Bastard
3425:
3372:
3335:
3330:
3296:(bonus edition)
3289:
3284:
3278:
3249:
3247:
3240:
3210:
3208:
3178:
3155:
3126:
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3089:
3087:
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3010:
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2880:
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2863:
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2807:
2802:
2795:
2780:
2776:
2766:
2764:
2749:
2748:
2744:
2729:
2725:
2714:
2710:
2695:
2691:
2680:
2676:
2666:
2664:
2649:
2648:
2644:
2633:
2629:
2606:101 Damnations
2596:
2594:
2586:
2585:
2581:
2571:
2569:
2558:
2554:
2543:
2539:
2534:
2530:
2526:Bob 2004, p. 49
2525:
2521:
2510:
2506:
2501:
2497:
2493:Bob 2004, p. 39
2492:
2485:
2480:
2476:
2466:
2464:
2447:
2443:
2438:
2434:
2429:
2425:
2420:
2416:
2402:
2400:
2387:
2383:
2372:
2368:
2363:
2359:
2345:
2343:
2342:on 14 July 2020
2328:
2324:
2310:
2308:
2307:on 14 July 2020
2293:
2289:
2279:
2277:
2260:
2253:
2239:
2237:
2236:on 14 July 2020
2222:
2218:
2204:
2202:
2201:on 14 July 2020
2187:
2183:
2169:
2167:
2166:on 14 July 2020
2152:
2148:
2144:Bob 2004, p. 47
2143:
2139:
2129:
2127:
2110:
2106:
2092:
2090:
2089:on 14 July 2020
2075:
2071:
2057:
2055:
2054:on 14 July 2020
2040:
2036:
2022:
2020:
2019:on 14 July 2020
2005:
2001:
1987:
1985:
1984:on 14 July 2020
1970:
1966:
1952:
1950:
1949:on 14 July 2020
1935:
1931:
1917:
1915:
1914:on 14 July 2020
1900:
1896:
1882:
1880:
1879:on 14 July 2020
1865:
1861:
1847:
1845:
1844:on 14 July 2020
1830:
1826:
1821:
1817:
1803:
1801:
1800:on 14 July 2020
1786:
1782:
1768:
1766:
1765:on 14 July 2020
1751:
1744:
1734:
1732:
1717:
1710:
1696:
1694:
1693:on 14 July 2020
1679:
1675:
1670:
1655:
1650:
1641:
1636:
1627:
1613:
1611:
1610:on 14 July 2020
1596:
1592:
1582:
1580:
1565:
1548:
1534:
1532:
1531:on 14 July 2020
1517:
1513:
1499:
1497:
1496:on 14 July 2020
1482:
1478:
1467:
1454:
1450:Bob 2004, p. 32
1449:
1445:
1441:Bob 2004, p. 20
1440:
1436:
1431:
1427:
1412:
1401:
1397:Bob 2004, p. 17
1396:
1392:
1387:
1383:
1378:
1374:
1363:You Fat Bastard
1359:
1346:
1341:
1332:
1328:Bob 2004, p. 15
1327:
1318:
1313:
1306:
1301:
1297:
1293:Bob 2004, p. 14
1292:
1283:
1279:Bob 2004, p. 13
1278:
1274:
1264:
1245:
1232:UK Albums Chart
1225:
1210:
1205:
1143:
1074:
1056:UK Albums Chart
1041:
1035:neighborhood".
968:
963:
958:
953:
906:
901:
896:
891:
858:
848:(2010) through
832:You Fat Bastard
799:
734:
725:The Deer Hunter
619:train announcer
601:
515:
510:
509:
508:
507:
485:
484:
483:
475:
474:
463:
447:news broadcasts
416:Big Cat Records
400:
352:Jamie Wednesday
320:
282:UK Albums Chart
227:Big Cat Records
202:
197:
190:
189:
180:101 Damnations
161:
152:
103:
99:
98:
54:15 January 1990
46:
19:
12:
11:
5:
3582:
3572:
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3566:
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3540:
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3529:
3527:
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3520:
3519:
3512:
3505:
3498:
3495:Sheriff Fatman
3490:
3488:
3484:
3483:
3481:
3480:
3472:
3470:
3469:Extended plays
3466:
3465:
3463:
3462:
3455:
3448:
3441:
3433:
3431:
3427:
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3424:
3423:
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3395:
3388:
3385:101 Damnations
3380:
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3355:
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3329:
3328:
3321:
3314:
3306:
3300:
3299:
3294:101 Damnations
3288:
3287:External links
3285:
3283:
3282:
3276:
3260:Thompson, Dave
3256:
3238:
3217:
3182:
3176:
3168:Backbeat Books
3159:
3153:
3139:, ed. (1998).
3137:Noyer, Paul Du
3133:
3108:Calgary Herald
3096:
3061:
3043:
3017:
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2708:
2689:
2684:101 Damnations
2674:
2642:
2637:101 Damnations
2627:
2612:field, select
2579:
2560:Raggett, Ned.
2552:
2537:
2528:
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2504:
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2483:
2474:
2441:
2432:
2423:
2414:
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2322:
2287:
2262:Robbins, Ira.
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1567:Raggett, Ned.
1546:
1511:
1476:
1471:101 Damnations
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1173:("G.I. Blues")
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1107:Sheriff Fatman
1103:
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1078:James Morrison
1073:
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1052:101 Damnations
992:101 Damnations
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807:101 Damnations
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686:Crystal Palace
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543:Calgary Herald
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514:
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490:101 Damnations
487:
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451:cassette decks
427:council estate
399:
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372:backing tracks
319:
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306:101 Damnations
286:Sheriff Fatman
278:101 Damnations
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1072:Track listing
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716:anti-war song
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664:marriage vows
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552:Pet Shop Boys
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501:Pet Shop Boys
498:
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3392:30 Something
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3293:
3263:
3248:. Retrieved
3230:Rough Guides
3225:
3222:"Carter USM"
3209:. Retrieved
3190:
3163:
3145:Dempsey Parr
3140:
3125:. Retrieved
3106:
3088:. Retrieved
3069:
3053:. Retrieved
3029:
3025:"Carter USM"
3009:. Retrieved
3005:the original
2990:
2964:
2941:
2921:Melody Maker
2919:
2910:
2909:
2896:. Retrieved
2885:
2882:"1990 - NME"
2876:
2864:. Retrieved
2832:
2826:
2817:
2808:
2788:Concert Live
2783:
2777:
2765:. Retrieved
2754:
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2698:
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2665:. Retrieved
2654:
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2619:
2618:begin search
2615:
2611:
2607:
2603:
2595:. Retrieved
2582:
2570:. Retrieved
2564:. AllMusic.
2555:
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2522:
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2465:. Retrieved
2454:
2444:
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2407:– via
2401:. Retrieved
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2164:the original
2149:
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2052:the original
2037:
2027:– via
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2017:the original
2002:
1992:– via
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1982:the original
1967:
1957:– via
1951:. Retrieved
1947:the original
1932:
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1529:the original
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1494:the original
1479:
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1422:. CDCHR6110.
1415:
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1006:Colin Larkin
999:
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989:
977:
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850:Concert Live
845:
841:30 Something
839:
835:
831:
830:compilation
823:
819:
815:
811:
806:
800:
791:Kentish Town
778:
776:
757:
749:
735:
723:
718:inspired by
710:" (1982) by
693:
682:West Norwood
671:
649:
643:" (1924) by
628:Quadrophenia
626:
612:
602:
590:
580:. Bob cites
577:
573:
565:Steve Lamacq
558:
556:
541:
537:
517:
516:
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496:
489:
420:
401:
368:
356:drum machine
344:South London
330:in London's
321:
309:
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277:
276:
247:
244:South London
213:
212:
211:
179:
158:30 Something
156:
148:
147:
68:South London
39:Studio album
15:
3368:Ben Lambert
3143:. Bristol:
2735:(booklet).
2705:. CRUSMBOX.
1418:(booklet).
1365:(booklet).
1255:Jesus Jones
1168:– performer
1162:– performer
822:(1995) and
738:lead single
720:John Savage
708:The Message
678:Murder Mile
645:A. A. Milne
641:Jonathan Jo
609:machine gun
548:David Bowie
494:David Bowie
260:David Bowie
3553:Categories
3413:Worry Bomb
3228:. London:
2944:. London:
2790:. CLCD431.
2786:(sleeve).
2701:(sleeve).
2610:Search for
1262:References
1250:Liquidizer
1082:Les Carter
996:Damnations
764:Madchester
633:publishers
423:Jah Wobble
408:hired cars
318:Background
136:chronology
3201:0261-250X
3117:1197-2823
3080:0891-0693
3001:0028-6362
2975:0144-5804
2930:0025-9012
2620:. Sort by
2616:and then
2514:"Rubbish"
1267:Citations
1226:position
1154:Musicians
1141:Personnel
1015:staff at
856:Reception
828:anthology
746:Buzzcocks
582:Tom Waits
455:megaphone
431:Smart car
340:Streatham
256:glam rock
252:punk rock
87:glam rock
82:Punk rock
3352:Fruitbat
3262:(2000).
3244:Archived
3205:Archived
3127:10 March
3121:Archived
3084:Archived
3049:Archived
3023:(2007).
2940:(2004).
2938:Bob, Jim
2898:21 April
2892:Archived
2866:11 March
2860:Archived
2761:Archived
2737:EMI Gold
2661:Archived
2566:Archived
2461:Archived
2397:Archived
2346:10 March
2311:10 March
2274:Archived
2240:10 March
2205:10 March
2170:10 March
2124:Archived
2119:HuffPost
2093:10 March
2058:10 March
2023:10 March
1988:10 March
1953:10 March
1918:10 March
1883:10 March
1848:10 March
1804:10 March
1769:10 March
1729:Archived
1697:10 March
1614:10 March
1583:30 April
1577:Archived
1573:AllMusic
1535:10 March
1500:10 March
1243:See also
1166:Fruitbat
1117:Side two
1109:" – 4:43
1088:Side one
1028:Broadway
880:AllMusic
700:Atari ST
695:The Firm
673:HuffPost
637:landlord
526:AllMusic
513:Overview
332:West End
124:Producer
51:Released
41: by
3487:Singles
3345:Jim Bob
3250:8 March
3090:9 March
3055:8 March
2911:Sources
2767:8 March
2667:8 March
2608:in the
2597:7 March
2572:7 March
2467:8 March
2409:YouTube
2403:8 March
2352:Twitter
2317:Twitter
2280:8 March
2246:Twitter
2211:Twitter
2176:Twitter
2130:7 March
2099:Twitter
2064:Twitter
2029:Twitter
1994:Twitter
1959:Twitter
1924:Twitter
1889:Twitter
1854:Twitter
1810:Twitter
1775:Twitter
1735:8 March
1703:Twitter
1620:Twitter
1541:Twitter
1506:Twitter
1160:Jim Bob
1024:Tooting
998:show."
783:Holland
732:Release
652:Peckham
522:samples
504:(right)
443:sampler
380:Mitcham
364:Astoria
362:at the
348:busking
272:samples
240:Mitcham
176:Singles
162:(1991)
153:(1990)
117:Big Cat
64:Mitcham
3274:
3236:
3199:
3174:
3151:
3115:
3078:
3041:
2999:
2973:
2952:
2928:
2456:Louder
1208:Charts
1199:
1042:'s
874:Rating
871:Source
706:from "
656:Evelyn
599:Tracks
497:(left)
95:Length
59:Studio
3363:Steve
3211:6 May
3011:6 May
2756:Clash
2614:Title
2604:Enter
2336:Tweet
2301:Tweet
2230:Tweet
2195:Tweet
2160:Tweet
2083:Tweet
2048:Tweet
2013:Tweet
1978:Tweet
1943:Tweet
1908:Tweet
1873:Tweet
1838:Tweet
1794:Tweet
1759:Tweet
1687:Tweet
1604:Tweet
1525:Tweet
1490:Tweet
768:grebo
668:vicar
563:, DJ
435:Noddy
414:with
294:grebo
250:is a
221:band
178:from
112:Label
75:Genre
3272:ISBN
3252:2023
3234:ISBN
3213:2020
3197:ISSN
3172:ISBN
3149:ISBN
3129:2023
3113:ISSN
3092:2023
3076:ISSN
3057:2023
3039:ISBN
3013:2020
2997:ISSN
2971:ISSN
2950:ISBN
2926:ISSN
2900:2020
2868:2023
2769:2023
2669:2023
2599:2023
2574:2023
2469:2023
2405:2023
2348:2023
2313:2023
2282:2023
2242:2023
2207:2023
2172:2023
2132:2023
2095:2023
2060:2023
2025:2023
1990:2023
1955:2023
1920:2023
1885:2023
1850:2023
1806:2023
1771:2023
1737:2023
1699:2023
1616:2023
1585:2011
1537:2023
1502:2023
1224:Peak
1080:and
934:8/10
787:Rent
704:hook
605:hymn
592:Head
584:and
578:Cunt
550:and
534:glam
530:punk
499:and
300:and
270:and
262:and
254:and
233:and
219:rock
3358:Wez
2992:NME
2887:NME
1725:NME
1367:EMI
1236:29
1065:NME
1046:DIY
1017:NME
1008:in
984:4/5
929:NME
560:NME
388:Bob
311:NME
3555::
3270:.
3242:.
3232:.
3203:.
3189:.
3170:.
3166:.
3147:.
3119:.
3111:.
3105:.
3082:.
3074:.
3068:.
3047:.
3037:.
3027:.
2995:.
2989:.
2969:.
2948:.
2924:.
2884:.
2858:.
2854:.
2843:^
2796:^
2753:.
2653:.
2590:.
2486:^
2459:.
2453:.
2395:.
2272:.
2266:.
2254:^
2122:.
2116:.
1745:^
1727:.
1723:.
1711:^
1656:^
1642:^
1628:^
1575:.
1571:.
1549:^
1455:^
1402:^
1347:^
1333:^
1319:^
1307:^
1284:^
1026:)
922:C+
852:.
647:.
342:,
246:.
242:,
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100:41
66:,
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2081:(
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2046:(
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1976:(
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1941:(
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1906:(
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1871:(
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1543:.
1523:(
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1488:(
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532:/
506:.
195:"
191:"
102::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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