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Educated as one of the literati and skilled as a painter, he worked mainly in
Nanjing about 1590–1610. He became a devout follower of Buddhism and lived and worked in a Buddhist temple. In Nanjing, he often depicted Buddhist arhats behaving as magicians, performing superstitious rituals and healing
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It is uncertain whether he worked for the vice imperial government in
Nanjing. Mi Wanzong (1570－1628), a high ranking government officer, calligrapher, and painter, was his patron from about ACE1600. Wu Bin moved to Beijing with Mi Wanzong's support in about 1610, where he produced several
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The
Beijing imperial court assigned him the status for a professional technocrat as painter. There are no records of him after 1626, with some sources indicating that he was purged by the powerful and notorious eunuch
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masterpieces such as a landscape of Mi's Garden and ten portraits of a marvelous rock which Mi had appreciated. The latter, "Ten Views of Lingbi Rock", is one of the world's most expensive paintings.
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practices to satisfy requests made by religious men and women. These are colorful portraits where irony and sarcasm prevail. The 1591 handscroll entitled
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119:"Zhiyin Toutuo" means "Mendicant monk at the temple hidden by tree branches". His specific dates of birth and death are unknown. Wu was born in
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Chen Yunru, Fantasic and
Extraordinary The Realm of Wu bin's Painting. (Chinese and English text) National Palace Museum, Taipei, Taiwan, 2013
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James Cahill, Wu Pin and His
Landscape Painting." Paper for International Conference on Chinese Painting, Palace Museum, Taipei, 1970
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Howard Rogers and
Sherman Lee, Masterworks of Ming and Qing Paintings from the Forbidden city, International Art Council, USA, 1988
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Biography of Wu Bin was controversial among scholars. This refers to the latest and very modest description of Chen Yunru 2013
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James Cahill: Fantastic and
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exemplifies such work. He also produced 500 arhat hanging scrolls in
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Buddhism sect, having painted a large
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Detail of landscape by Wu Bin, ink and color on paper, 1610;
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Journey in San Yin, handscroll, Ink and color on Paper
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in
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Greeting the Spring (Landscape
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