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Demand for
Federico del Campo's views, particularly from English tourists, was so strong that he painted several views multiple times, and the same can be said of Reyna Manescau, that repeated the same urban landscapes in many occasions with minimal variations.
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as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class. An archetypal example is
378:. These artists responded to the large international market for their city views of Venice, and they made such big names for themselves through this genre that they painted nothing but Italian views.
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In the later 19th century, more personal "impressions" of cityscapes replaced the desire for topographical accuracy, which was satisfied instead by painted, and later photographed,
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anticipated developments during the 18th century, when there was a shift away from the classically oriented Roman landscapes of French
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Christine van
Mulders and Alain Jacobs. "Bloemen, van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 Dec. 2014
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during his residence in Rome in the late 17th century. Cruyl's drawings reproduce the topographical aspects of the urban landscape.
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he executed at the end of the 17th century and beginning of the 18th century, the
Flemish painter
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painters in the first half of the 18th century. Through his more realistic representation in the
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recalled early ventures to the
Continent for aristocratic Englishmen. By the mid-18th century,
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families of Venice. Some of them went to work as painters in major capitals of Europe, e.g.,
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Rome, a view of the Tiber, Castel Sant'Angelo, Ponte Sant'Angleo, Saint Peter's
Basilica
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In other parts of 18th-century Italy, idiosyncratic varieties of the genre evolved.
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morphed into the scenes partly or completely imaginary elements, known as
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Genre of large-scale paintings or prints of a cityscape or other vista
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Federico del Campo, Peruvian, Gondolas by the Doge's Palace, Venice
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Westminster Bridge, with the Lord Mayor's
Procession on the Thames
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The
Quattro Fontane Looking Toward Santa Maria Maggiore
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268:, who would become one of the leading
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190:became renowned as the centre of the
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154:architect, draughtsman and engraver
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500:"Museo Carmen Thyssen Málaga"
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305:In later developments of the
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178:of familiar scenes like the
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504:www.carmenthyssenmalaga.org
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331:was the foremost master of
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374:and the Peruvian painter
284:painters in Rome such as
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387:Santa Maria del Rosario
358:, the Spanish painters
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368:Antonio Reyna Manescau
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266:Hendrik Frans van Lint
242:Giovanni Paolo Pannini
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41:Hendrik Frans van Lint
574:Landscape art by type
460:Edgar Peters Bowron,
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329:Giambattista Piranesi
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278:Jan Frans van Bloemen
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560:at Wikimedia Commons
360:Martín Rico y Ortega
252:. The Dutch painter
60:for 'view';
356:Antonietta Brandeis
86:are referred to as
447:Rudolf Wittkower,
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393:Federico del Campo
376:Federico del Campo
325:veduta di fantasia
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45:private collection
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254:Gaspar van Wittel
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104:View of Bracciano
16:(Redirected from
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508:. Retrieved
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372:Rafael Senet
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184:Grand Canal
180:Roman Forum
568:Categories
510:2018-11-20
421:References
172:Grand Tour
535:Canaletto
530:. (1991)
415:Cityscape
389:in Venice
352:panoramas
234:Canaletto
204:Canaletto
192:vedutisti
133:Paul Bril
125:landscape
109:Paul Bril
88:vedutisti
80:cityscape
404:See also
336:etchings
316:capricci
135:painted
129:Flanders
72:painting
216:Dresden
182:or the
150:. The
94:Origins
58:Italian
557:Veduta
395:, 1899
311:veduta
307:vedute
282:vedute
274:vedute
270:vedute
262:vedute
246:veduta
236:, 1747
220:Warsaw
208:London
200:Guardi
188:Venice
176:vedute
160:vedute
137:vedute
84:vedute
67:vedute
53:veduta
18:Vedute
250:ruins
152:Ghent
121:genre
119:This
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370:and
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218:and
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323:or
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