Knowledge

Theo Schoon

Source 📝

238: 123:. The Bauhaus taught that divisions between art and craft were illusory, and both were equally valid artistic expressions. This idea influenced Schoon for his whole artistic life and gave him the freedom to experiment in many media including drawing, printmaking, painting, wood carving, potting, stone carving, jewellery-making and photography. 33: 270:
in Avondale in 1949 and as a farm worker at the Mt Albert Plant Research Station in 1952. He often relied on the generosity of friends for accommodation and support. He was a flamboyant man and a homosexual. His upbringing in the East Indies continued to influence him throughout his life. He enjoyed
111:
in the East Indies, the son of Dutch parents, Johannes Theodorus Schoon and his wife Barbara Isabella Maria Steegemans. Theo lived in Java with his parents and brother before being sent to the Netherlands for his education. He attended the Rotterdam Academy of Fine Arts and also travelled widely in
233:
geothermal area when it was not as well known, writing: "Theo told me that nature worked in repeating cycles – that was his theory. So, if he wanted a particular design in the mud pools, for example, then he would wait and count them out. That is, a particular form may appear with every seventh
245:
After moving back to Auckland in 1956 Schoon continued his work until he left Auckland for Rotorua in late 1965 to return to photographing mud pools and other geothermic activity. He switched artistic focus again in 1968 when he began to carve greenstone
258:
in 1970. He did some major research into jade carving at this time including a trip to Hong Kong but was dismissed from his employment in 1971. He moved to Sydney in 1972 where he completed a book on jade carving called
282:
He returned to New Zealand in 1982 but went back to Sydney in 1985 where he died on 14 July aged 69. His extensive archive including sketch books, photographic negatives and correspondence was purchased by the
206:, which was never held. He began to grow and carve his own gourds in 1956–57. He moved to the East Coast in 1961 to study traditional carving techniques with the Maori carver 147: 333: 603: 598: 588: 199: 528: 112:
Europe. In 1936 he returned to Java and set up an art studio. In 1939, with the war looming, he and his parents emigrated to New Zealand.
583: 190:
and silica formations around Rotorua and Taupo. He returned to Auckland in 1952 and shifted his artistic focus to Maori designs in
568: 323: 284: 463: 573: 303:
Schoon's work was multidisciplinary, often focusing on abstract forms, surreal landscape photography and minuscule worlds.
593: 266:
Throughout his life he took numerous jobs to make ends meet while he pursued his art including working as a nurse at
234:'plop' so, once he had seen it he would count out how many formations it would take to reappear then photograph it." 533: 422: 138:
in 1941. While in Wellington he came in contact with artists whose work he approved of and influenced including
168: 515:
Theo Schoon, 'Oriental Dancing and the Trance', The Arts in New Zealand, December 1944/January 1945, vol. 17,1
171:
to record the drawings from 1945 to 1948. On several of his trips to these caves he was accompanied by friend
578: 167:. From the mid-1940s He studied the early Māori rock drawings in Canterbury caves and was employed by the 479: 438: 126:
While Schoon was mostly unimpressed with the local art scene in New Zealand he did briefly attend the
288: 251: 538: 267: 131: 504: 275:
and had studied Javanese dance. He was photographed in later life still able to demonstrate the
214:
in 1962 to accompany an article on carved gourds. In 1963 his gourds were the only artwork by a
563: 198:). In the same year, he joined the Mt Albert Plant Research Station, where he met photographer 454:
Clifford, Andrew (2022). "Painting with Light". In Hammond, Catherine; Higgins, Shaun (eds.).
127: 120: 226:. Most of Schoon's gourds were sold to tourists and only a few remain in New Zealand today. 99:(31 July 1915 – 14 July 1985) was a Dutch-born New Zealand artist, photographer and carver. 558: 553: 426: 388:
Crafting Aotearoa: A Cultural History of Making in New Zealand and the wider Moana Oceania
203: 8: 219: 159: 349: 142:– for whom he was one of the main sources of her interest in Buddhist art and culture; 316: 155: 410: 402: 385:
Chitham, Karl; Māhina-Tuai, Kolokesa U.; Skinner, Damian Hugh, eds. (1 January 2019).
492: 459: 292: 272: 151: 60: 254:– the source of the stone – and was employed by the Westland Greenstone Company in 237: 223: 287:. A further major collection of his work is part of the John Money Collection at 210:
and was encouraged to publish an article on growing gourds in the Maori magazine
108: 56: 276: 143: 547: 425:
is on loan to the Museum of New Zealand Te Papa Tongarewa for display in the
32: 505:
See images in the collection of the Museum of New Zealand Te Papa Tongarewa
241:
Schoon posing in Balinese costume in 1943. Photo by Spencer Digby Studios.
164: 207: 202:, who assisted Schoon in developing photographs for an exhibition at the 172: 139: 135: 350:
Works in the collection of the Museum of New Zealand Te Papa Tongarewa
191: 115:
While his art school training was conservative, Schoon knew about the
229:
Martin Rumsby was with Schoon during some of his explorations in the
255: 230: 195: 187: 179: 175:, who was later to become a major patron of both Schoon and Angus. 247: 183: 116: 215: 146:– with whom he shared his interest in non-figurative painting; 78: 194:(facial tattooing), carved gourds, and kowhaiwhai (rafters of 182:
in 1949 and stayed with A. R. D. Fairburn before moving on to
218:(non-Maori) featured in an exhibition of Maori art held at 186:
in 1950 where he began a series of photographic studies of
384: 386: 119:, a German art and design school that revolutionised 411:
http://www.art-newzealand.com/Issues21to30/theo.htm
545: 458:. Auckland University Press. pp. 109–110. 154:. His portrait was painted by Rita Angus and 456:Nature Boy: The Photography of Olaf Petersen 366:. Palmerston North: Massey University Press. 312:1963: Turangawaewae marae, Group Exhibition 31: 482:. Te Ao Hou The Maori Magazine, June 1962 441:. Te Ao Hou The Maori Magazine, June 1962 453: 236: 361: 285:Museum of New Zealand Te Papa Tongarewa 546: 449: 447: 250:or New Zealand jade). He moved to the 604:Dutch people of the Dutch East Indies 599:20th-century New Zealand LGBTQ people 589:20th-century New Zealand male artists 491:Wood, Andrew Paul (19 August 2015). 534:Dictionary of New Zealand Biography 444: 13: 355: 279:and the intricate hand movements. 14: 615: 522: 584:20th-century New Zealand artists 429:exhibition until 5 October 2008. 343: 328:Theo Schoon: Opening the Archive 569:Dutch emigrants to New Zealand 509: 498: 485: 472: 432: 415: 395: 378: 306: 169:Department of Internal Affairs 163:Schoon was very interested in 16:New Zealand artist (1915–1985) 1: 495:. Retrieved 6 September 2007. 439:'The Old Maori Water Bottles' 427:Rita Angus: Life & Vision 102: 7: 574:People from Kebumen Regency 539:Gallery of Schoon's artwork 298: 10: 620: 594:New Zealand LGBTQ artists 409:No. 25, Spring 1982 URL: 289:Eastern Southland Gallery 252:West Coast of New Zealand 97:Theodorus Johannes Schoon 86: 67: 42: 37:Theo Schoon self-portrait 30: 25:Theodorus Johannes Schoon 23: 403:'The Art of Theo Schoon' 371: 364:Theo Schoon: A Biography 362:Skinner, Damian (2018). 268:Auckland Mental Hospital 132:Ilam School of Fine Arts 107:Theo Schoon was born at 529:Portrait of Theo Schoon 480:'Growing Maori Gourds' 242: 240: 128:Canterbury University 121:twentieth-century art 204:Auckland Art Gallery 148:Dennis Knight Turner 579:New Zealand carvers 391:. pp. 241–243. 220:Turangawaewae marae 317:New Vision Gallery 263:, published 1973. 243: 156:Douglas MacDiarmid 465:978-1-86940-950-0 293:Gore, New Zealand 273:Balinese clothing 152:A. R. D. Fairburn 134:before moving to 94: 93: 61:Dutch East Indies 611: 516: 513: 507: 502: 496: 489: 483: 476: 470: 469: 451: 442: 436: 430: 419: 413: 399: 393: 392: 382: 367: 74: 52: 50: 35: 21: 20: 619: 618: 614: 613: 612: 610: 609: 608: 544: 543: 525: 520: 519: 514: 510: 503: 499: 490: 486: 477: 473: 466: 452: 445: 437: 433: 420: 416: 407:Art New Zealand 401:Dunn, Michael. 400: 396: 383: 379: 374: 358: 356:Further reading 346: 334:Bowerbank Ninow 319:Solo Exhibition 309: 301: 271:dressing up in 105: 82: 76: 72: 63: 57:Kebumen Regency 54: 48: 46: 38: 26: 17: 12: 11: 5: 617: 607: 606: 601: 596: 591: 586: 581: 576: 571: 566: 561: 556: 542: 541: 536: 531: 524: 523:External links 521: 518: 517: 508: 497: 484: 478:Schoon, Theo. 471: 464: 443: 431: 414: 394: 376: 375: 373: 370: 369: 368: 357: 354: 353: 352: 345: 342: 341: 340: 330: 320: 313: 308: 305: 300: 297: 277:lotus position 196:meeting houses 144:Gordon Walters 104: 101: 92: 91: 88: 84: 83: 77: 75:(aged 69) 69: 65: 64: 55: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 616: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 580: 577: 575: 572: 570: 567: 565: 564:Dutch artists 562: 560: 557: 555: 552: 551: 549: 540: 537: 535: 532: 530: 527: 526: 512: 506: 501: 494: 493:'Theo Schoon' 488: 481: 475: 467: 461: 457: 450: 448: 440: 435: 428: 424: 418: 412: 408: 404: 398: 390: 389: 381: 377: 365: 360: 359: 351: 348: 347: 344:List of works 339: 335: 331: 329: 325: 321: 318: 314: 311: 310: 304: 296: 294: 290: 286: 280: 278: 274: 269: 264: 262: 257: 253: 249: 239: 235: 232: 227: 225: 221: 217: 213: 209: 205: 201: 197: 193: 189: 185: 181: 176: 174: 170: 166: 161: 160: 157: 153: 149: 145: 141: 137: 133: 129: 124: 122: 118: 113: 110: 109:Kebumen, Java 100: 98: 89: 85: 80: 70: 66: 62: 58: 45: 41: 34: 29: 22: 19: 511: 500: 487: 474: 455: 434: 417: 406: 397: 387: 380: 363: 337: 327: 302: 281: 265: 261:Jade Country 260: 244: 228: 211: 200:Steve Rumsey 178:He moved to 177: 162: 125: 114: 106: 96: 95: 90:Photographer 73:(1985-07-14) 71:14 July 1985 53:31 July 1915 18: 559:1985 deaths 554:1915 births 338:Theo Schoon 307:Exhibitions 224:Ngāruawāhia 208:Pine Taiapa 81:, Australia 548:Categories 173:John Money 140:Rita Angus 136:Wellington 87:Occupation 49:1915-07-31 212:Te Ao Hou 165:Māori art 103:Biography 299:Artistry 256:Hokitika 231:Waiotapu 188:mudpools 180:Auckland 130:College 324:Te Papa 248:pounamu 192:Tā moko 184:Rotorua 117:Bauhaus 462:  332:2015: 322:2008: 315:1965: 216:Pakeha 150:; and 79:Sydney 421:This 372:Notes 460:ISBN 423:work 68:Died 43:Born 291:in 550:: 446:^ 405:. 336:, 326:, 295:. 222:, 59:, 468:. 246:( 158:. 51:) 47:(

Index


Kebumen Regency
Dutch East Indies
Sydney
Kebumen, Java
Bauhaus
twentieth-century art
Canterbury University
Ilam School of Fine Arts
Wellington
Rita Angus
Gordon Walters
Dennis Knight Turner
A. R. D. Fairburn
Douglas MacDiarmid

Māori art
Department of Internal Affairs
John Money
Auckland
Rotorua
mudpools
Tā moko
meeting houses
Steve Rumsey
Auckland Art Gallery
Pine Taiapa
Pakeha
Turangawaewae marae
Ngāruawāhia

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.