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despite Basil's warnings, but "eventually recognizes its limitations". Through Lord Henry's dialogue, Wilde is suggesting, as professor
Dominic Manganiello pointed out, that creating art inacts the innate ability to conjure criminal impulses. Dorian's immersion in the elite social circles of Victorian London exposes him to a culture of superficiality and moral hypocrisy. Supporting this idea, Sheldon W. Liebman offered the example of Wilde's inclusion of a great psychological intellect held by Lord Henry. Before Sybil's death, Henry was also a firm believer in vanity as the origin of a human being's irrationality. This concept is broken for Henry after Sybil is found dead, the irony being that Dorian is the cause of her death and his motives are exactly as Lord Henry has taught them to him.
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a person that may "evoke a change of heart" in Dorian. However, at this point in the novel, Dorian has spent far too much time under Lord Henry's wing and brushes Basil off in "appositeness", leading Basil to claim that man has no soul but art does. Dorian's journey serves as a cautionary tale about the dangers of succumbing to the temptations of hedonism and moral relativism, highlighting the importance of personal responsibility and moral accountability in navigating the complexities of human existence.
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and the slow decay of his portrait reflects the deception of societal expectations. Additionally, the few female characters in the story, such as Sybil, are portrayed in ways that critique the limited roles and harsh judgments reserved for women during that era. The novel's exploration of these themes provides commentary on the structures of
Victorian society, revealing the performative side of gender roles that restrict and define both men and women.
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555:. Dorian does not deny his debauchery, and takes Basil to see the portrait. The portrait has become so hideous that Basil can only identify it as his by the signature on it. Horrified, Basil beseeches Dorian to pray for salvation. Furious, Dorian blames his fate on Basil and kills him. Dorian then blackmails an old friend, scientist Alan Campbell, into using his knowledge of chemistry to destroy Basil's body. Alan later kills himself.
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heart of Hetty Merton, his current romantic interest. Dorian wonders if his newly found goodness has rescinded the corruption in the picture but when he looks at it, he sees an even uglier image of himself. From that, Dorian understands that his true motives for the self-sacrifice of moral reformation were the vanity and curiosity of his quest for new experiences, along with the desire to restore beauty to the picture.
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738:. The novel begins with a conversation between Lord Henry and Basil, where Basil reveals his artistic admiration for Dorian, setting the scene for a story with themes such as beauty, art, and the consequences of vanity. The interaction introduces the characters and foreshadows the complicated relationship between the artist and his muse.
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Sibyl Vane character, thus emphasising Dorian's selfishness and foreshadowing James's accurate perception of the essentially immoral character of Dorian Gray; thus, he correctly deduced Dorian's dishonourable intent towards Sibyl. The sub-plot about James Vane's dislike of Dorian gives the novel a
Victorian tinge of class struggle.
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and innocence that Dorian possesses at the start of the story. Throughout, Lord Henry appears unaware of the effect of his actions upon the young man; and so frivolously advises Dorian, that "the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing."
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a temptation (ageless beauty) is placed before the protagonist, which he indulges. In each story, the protagonist entices a beautiful woman to love him, and then destroys her life. In the preface to the novel, Wilde said that the notion behind the tale is "old in the history of literature", but was a
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James begins to stalk Dorian, who starts to fear for his life. During a shooting party, a hunter accidentally kills James, who was lurking in a thicket. On returning to London, Dorian tells Lord Henry that he will live righteously from now on. His new probity begins with deliberately not breaking the
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impressed
Stoddart, but he told the publisher, George Lippincott, "in its present condition there are a number of things an innocent woman would make an exception to." Fearing that the story was indecent, Stoddart deleted around five hundred words without Wilde's knowledge prior to publication. Among
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In
December, 1887, I gave a sitting to a Canadian artist who was staying with some friends of hers and mine in South Kensington. When the sitting was over, and I had looked at the portrait, I said in jest, 'What a tragic thing it is. This portrait will never grow older and I shall. If it was only the
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The novel presents other relationships that influence Dorian's way of life and his perception of the world, proving the influence of society and its values on a person. While Lord Henry is clearly a persona that fascinates and captures Dorian's attention, Manganiello also suggests that Basil is also
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Sibyl Vane – a talented actress and singer, she is a beautiful girl from a poor family with whom Dorian falls in love. Her love for Dorian ruins her acting ability, because she no longer finds pleasure in portraying fictional love as she is now experiencing real love in her life. She commits suicide
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Dorian invites Basil and Lord Henry to see Sibyl perform in a play. Sibyl, too enamoured with Dorian to act, performs poorly, which makes Basil and Lord Henry think Dorian has fallen in love with Sibyl because of her beauty instead of her talent. Embarrassed, Dorian rejects Sibyl, saying that acting
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The reference is in chapter 19. Lord Henry asks "By the way, what has become of that wonderful portrait did of you?" Dorian's response, a few lines later, includes 'I am sorry I sat for it. The memory of the thing is hateful to me. Why do you talk of it? It used to remind me of those curious lines
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influence the relationships between characters and form their expectations and behaviors; in particular, the expectations of masculinity and the critique of the
Victorian ideal of manhood are seen throughout the narrative. Dorian, with his eternal youth and beauty, challenges traditional male roles
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Throughout the novel, Wilde delves into the themes of morality and influence, exploring how societal values, individual relationships, and personal choices intersect to shape one's own moral compass. Dorian initially falls under Lord Henry's influence and "narcissistic perspective on art and life",
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world view corrupts Dorian, who then successfully emulates him. To the aristocrat Harry, the observant artist Basil says, "You never say a moral thing, and you never do a wrong thing." Lord Henry takes pleasure in impressing, influencing, and even misleading his acquaintances (to which purpose he
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references, to simplify the moral message of the story. In the magazine edition (1890), Basil tells Lord Henry how he "worships" Dorian, and begs him not to "take away the one person that makes my life absolutely lovely to me." In the magazine edition, Basil focuses upon love, whereas, in the book
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Wilde's textual additions were about the "fleshing out of Dorian as a character" and providing details of his ancestry that made his "psychological collapse more prolonged and more convincing." The introduction of the James Vane character to the story develops the socio-economic background of the
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James Vane – Sibyl's younger brother, a sailor who leaves for
Australia. He is very protective of his sister, especially as their mother cares only for Dorian's money. Believing that Dorian means to harm Sibyl, James hesitates to leave, and promises vengeance upon Dorian if any harm befalls her.
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Conscience-stricken and lonely, Dorian decides to reconcile with Sibyl, but is too late; she has killed herself. Dorian understands that, where his life is headed, lust and beauty shall suffice. Dorian locks the portrait up, and for eighteen years, he experiments with every vice, influenced by a
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For the fuller 1891 novel, Wilde retained
Stoddart's edits and made some of his own, while expanding the text from thirteen to twenty chapters and added the book's famous preface. Chapters 3, 5, and 15–18 are new, and chapter 13 of the magazine edition was divided into chapters 19 and 20 for the
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His servants awaken on hearing a cry from the locked room; on the street, a passerby who also heard it calls the police. On entering the locked room, the servants find an old man stabbed in the heart, his figure withered and decrepit. They identify the corpse as Dorian only by the rings on the
1022:, the book was called a "perverted novel" and passages (from the magazine version) were read during cross-examination. The book's association with Wilde's trials further hurt the book's reputation. In the decade after Wilde's death in 1900, the authorized edition of the novel was published by
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In response to such criticism, Wilde aggressively defended his novel and the sanctity of art in his correspondence with the
British press. Wilde also obscured the homoeroticism of the story and expanded the personal background of the characters in the 1891 book edition.
1000:, which offended the sensibilities (social, literary, and aesthetic) of Victorian book critics. Most of the criticism was, however, personal, attacking Wilde for being a hedonist with values that deviated from the conventionally accepted morality of Victorian Britain.
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Alan
Campbell – chemist and one-time friend of Dorian who ended their friendship when Dorian's libertine reputation devalued such a friendship. Dorian blackmails Alan into destroying the body of the murdered Basil Hallward; Campbell later shoots himself
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The honest ratepayer and his healthy family have no doubt often mocked at the dome-like forehead of the philosopher, and laughed over the strange perspective of the landscape that lies beneath him. If they really knew who he was, they would tremble. For
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When Dorian tells Lord Henry about his new love Sibyl Vane, he mentions the Shakespeare plays in which she has acted, and refers to her by the name of the heroine of each play. In the 1891 version, Dorian describes his portrait by quoting
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bends his considerable wit and eloquence) but appears not to observe his own hedonistic advice, preferring to study himself with scientific detachment. His distinguishing feature is total indifference to the consequences of his actions.
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him of wrongdoing, Dorian decides to destroy the last vestige of his conscience and the only piece of evidence remaining of his crimes – the portrait. Furious, he takes the knife with which he murdered Basil and stabs the picture.
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In a 2009 review, critic Robin McKie considers the novel to be technically mediocre, saying that the conceit of the plot guaranteed its fame, but the device is never pushed to its full. On the other hand, in March 2014,
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plays in a dingy, working-class theatre. Dorian courts her and soon proposes marriage. The enamoured Sibyl calls him "Prince Charming". Her brother, James, warns that if "Prince Charming" harms her, he will murder him.
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in Ottawa, where he visited her studios. In 1887, Richards moved to London where she renewed her acquaintance with Wilde and painted his portrait. Wilde described that incident as being the inspiration for the novel:
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and then, a month later, in the book version of the novel. The content, style, and presentation of the preface made it famous in its own right as a literary and artistic manifesto in support of artists' rights and
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It was published in full as the first 100 pages in both the American and British editions of the July 1890 issue, first printed on 20 June 1890. Later in the year the publisher of Lippincott's Monthly Magazine,
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is her beauty; without that, she no longer interests him. Returning home, Dorian notices that the portrait has changed; his wish came true, and the man in the portrait bears a subtle sneer of cruelty.
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Basil Hallward – a deeply moral man, the painter of the portrait, and infatuated with Dorian, whose patronage realises his potential as an artist. The picture of Dorian Gray is Basil's masterpiece.
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Adrian Singleton – A youthful friend of Dorian's, whom he evidently introduced to opium addiction, which induced him to forge a cheque and made him a total outcast from his family and social set.
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410:, whom Wilde respected, did write several letters to him "and in consequence of what he said I did modify one passage" that was "liable to misconstruction". A number of edits involved obscuring
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Following the criticism of the magazine edition of the novel, Wilde wrote a preface in which he indirectly addressed the criticisms in a series of epigrams. The preface was first published in
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was "first published to some scandal." Such book reviews achieved for the novel a "certain notoriety for being 'mawkish and nauseous', 'unclean', 'effeminate' and 'contaminating'." Such
938:(1826), as "a kind of homage from one outsider to another". The name of Dorian Gray's love interest, Sibyl Vane, may be a modified fusion of the title of Disraeli's best known novel (
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wrote of the book "it is exceptionally good-in fact, one of the strongest and most haunting of English novels", while noting that the reputation of the novel was still questionable.
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859:. In chapter seven, when he goes to look for Sibyl but is instead met by her manager, he writes: "He felt as if he had come to look for Miranda and had been met by Caliban".
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worldview: that beauty and sensual fulfillment are the only things worth pursuing in life. Newly understanding that his beauty will fade, Dorian expresses the desire to
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978:, the book critic said that Wilde's novel contains "one element ... which will taint every young mind that comes in contact with it." In the 5 July 1890 issue of the
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edition (1891), he focuses upon his art, saying to Lord Henry, "the one person who gives my art whatever charm it may possess: my life as an artist depends on him."
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him, but a hunter accidentally kills James. The brother's pursuit of vengeance upon the lover (Dorian Gray), for the death of the sister (Sibyl) parallels that of
1192:(Oxford: Oxford University Press, 2005). Critical edition in the Oxford English Texts edition of Wilde's Complete Works, edited with an introduction and notes by
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contains much of me in it — Basil Hallward is what I think I am; Lord Henry, what the world thinks me; Dorian is what I would like to be — in other ages, perhaps.
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in 1890. For instance, in one scene, Basil Hallward confesses to have worshipped Dorian Gray with a "romance of feeling", and that he had never loved a woman.
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novel. Revisions include changes in character dialogue as well as the addition of the preface, more scenes and chapters, and Sibyl Vane's brother, James Vane.
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by the Belknap Press. This edition includes the roughly 500 words of text deleted by J. M. Stoddart, the story's initial editor, prior to its publication in
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who espouses a philosophy of self-indulgent hedonism. Initially Basil's friend, he neglects him for Dorian's beauty. The character of witty Lord Harry is a
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1115:. In the same decade, it was the subject of several silent film adaptations. Perhaps the best-known and most critically praised film adaptation is 1945's
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the pre-publication deletions were: (i) passages alluding to homosexuality and to homosexual desire; (ii) all references to the fictional book title
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offended the moral sensibilities of British book reviewers, to the extent, in some cases, of saying that Wilde merited prosecution for violating
1258:. Edited with an introduction and notes by Michael Patrick Gillespie. Presents the 1890 magazine edition and the 1891 book edition side by side.
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is subtle yet present by manifesting itself through interactions between male characters in a way that challenges the strict social norms of
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other way!' The moment I had said this it occurred to me what a capital plot the idea would make for a story. The result is 'Dorian Gray.'
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listed it among the 100 best novels ever written in English, calling it "an arresting, and slightly camp, exercise in late-Victorian
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England, Lord Henry Wotton observes artist Basil Hallward painting the portrait of Dorian Gray, a young man who is Basil's ultimate
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has come to attract a great deal of academic and popular interest, and has been the subject of many adaptations to film and stage.
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Plaque commemorating the dinner between Wilde, Doyle and the publisher on 30 August 1889 at 1 Portland Place, Regent Street, London
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to explain the role of the artist in society, the purpose of art, and the value of beauty. It traces Wilde's cultural exposure to
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1236:. Edited with an introduction by Nicholas Frankel. This edition presents the uncensored typescript of the 1890 magazine version.
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held a similarly negative opinion about the novel. Afterwards, critics began to view is it as a masterpiece of Wilde's oeuvre.
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Wilde's only novel, it was subject to much controversy and criticism in its time but has come to be recognized as a classic of
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experiences while staying young and beautiful; all the while, his portrait ages and visually records every one of Dorian's
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As such, the devilish Lord Henry is "leading Dorian into an unholy pact, by manipulating his innocence and insecurity."
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1218:. Edited with an introduction and notes by Joseph Bristow, based on the 1891 text as presented in the 2005 OET edition.
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Under Lord Henry's influence, Dorian fully explores his sensuality. He discovers the actress Sibyl Vane, who performs
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and its author, Catulle Sarrazin; and (iii) all "mistress" references to Gray's lovers, Sibyl Vane and Hetty Merton.
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is the only aspect of life worth pursuing, prompting Dorian to wish that his portrait would age instead of himself.
292:, was in London to solicit novellas to publish in the magazine. On 30 August 1889, Stoddart dined with Oscar Wilde,
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One night, before leaving for Paris, Basil goes to Dorian's house to ask him about rumours of his self-indulgent
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Original manuscript of one of the 1891 novel's new chapters; here labeled chapter 4, it would end up as chapter 5
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944:) and Vivian Grey's love interest Violet Fane, who, like Sibyl Vane, dies tragically. There is also a scene in
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The edits have been construed as having been done in response to criticism, but Wilde denied this in his 1895
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CLAUSSON, NILS (2006). "Lady Alroy's Secret: 'Surface and Symbol' in Wilde's 'The Sphinx without a Secret'".
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It has been noted by scholars that Wilde possibly chose the protagonist's name, Dorian, in reference to the
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spent his life in preaching the great creed of Inaction, and in pointing out the uselessness of all things.
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The novel was considered a poorly written novel and unworthy of critical attention until about the 1980s.
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Though not initially a widely appreciated component of Wilde's body of work following his death in 1900,
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and has been described as "a preliminary sketch of some of its major themes", including homosexuality.
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1177:. The first Dorian Awards were announced in January 2010 (nominees were revealed the previous month).
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Victoria, Lady Henry Wotton – Lord Henry's wife, whom he treats disdainfully; she later divorces him.
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2075:"Greek Love and Love for All Things Greek: Gay Subtext and Greek Intertext in Works by Oscar Wilde"
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The painter Basil Hallward and the aristocrat Lord Henry Wotton observe the picture of Dorian Gray.
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Wilde does not name the book, but at his trial he conceded that it was, or almost , Huysmans's
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The Complete Works of Oscar Wilde, Vol. 3: The Picture of Dorian Gray: The 1890 and 1891 Texts
1609:""The Picture of Dorian Gray" in Context: Intertextuality and "Lippincott's Monthly Magazine""
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The Complete Works of Oscar Wilde, Vol. 3: The Picture of Dorian Gray: The 1890 and 1891 Texts
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The anonymous "poisonous French novel" that leads Dorian to his fall is a thematic variant of
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Lord Fermor – Lord Henry's uncle, who tells his nephew, Lord Henry Wotton, about the family
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Wilde is purported to have said, "in every first novel the hero is the author as Christ or
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with poison on learning that Dorian no longer loves her; at that, Lord Henry likens her to
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227:. Through Basil, Dorian meets Lord Henry Wotton and is soon enthralled by the aristocrat's
1288:'s introduction to the 1986 Penguin Classics edition. It reproduces the 1891 book edition.
984:, a reviewer asked "Why must Oscar Wilde 'go grubbing in muck-heaps?'" The book critic of
430:. In the decade after Wilde's death, the authorized edition of the novel was published by
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626:. He indulges in every pleasure and virtually every 'sin', studying its effect upon him.
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2776:"Party Pics: Hollywood Gay and Lesbian Entertainment Critics Association Winners Toast"
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2522:– a synopsis of the novel and a short biography of Oscar Wilde. (retrieved 6 July 2006)
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1821:"The Picture of Dorian Gray – Oscar Wilde, Nicholas Frankel – Harvard University Press"
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1302:. Edited with an introduction and notes by Norman Page. Based on the 1891 book edition.
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painted by Basil Hallward, a friend of Dorian's and an artist infatuated with Dorian's
1415:(Project Gutenberg 20-chapter version), line 3479 et seq. in plain text (Chapter VII).
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in which the eyes in the portrait of a "beautiful being" move when its subject dies.
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In 1913, it was adapted to the stage by writer G. Constant Lounsbery at London's
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786:. Scholars generally accept that Lord Henry is partly inspired by Wilde's friend
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206:-length version was published in the July 1890 issue of the American periodical
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2731:"The 100 best novels: No 27 – The Picture of Dorian Gray by Oscar Wilde (1891)"
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SCHWAB, ARNOLD T. (2010). "Symons, Gray, and Wilde: A Study in Relationships".
1784:. By Wilde, Oscar (Oxford World's Classics ed.). Oxford University Press.
1427:"Oscar Wilde on the Origin of "The Picture of Dorian Gray": A Recovered Letter"
1382:"The 100 best novels: No 27 – The Picture of Dorian Gray by Oscar Wilde (1891)"
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2102:"FEMININITY AND FEMALE PRESENCE IN OSCAR WILDE'S THE PICTURE OF DORIAN GRAY"
318:
on 7 April 1890, seven months after having commissioned the novel from him.
5055:
4917:
4866:
4267:
4160:
4101:
3435:
3352:
3219:
2735:
2715:
1386:
1166:
1153:
1056:
794:, but Gray distanced himself from the rumour. Some believe that Wilde used
619:
407:
216:
883:
5043:
4235:
3860:
3835:
3505:
3440:
2923:
1898:
1486:
1149:
1078:
Music based on the works of Oscar Wilde § The Picture of Dorian Gray
934:
855:
790:. It was purported that Wilde's inspiration for Dorian Gray was the poet
757:
633:
536:
487:
199:
131:
60:
2628:
2604:
2552:"The Picture of Dorian Gray as first published in Lippincott's Magazine"
2466:
2446:(1853 version ed.). London: Longmans, Green and Co. pp. 263–5.
2179:
2040:
2016:
1994:
1970:
1708:
1688:
1632:
1608:
1438:
1426:
562:
A 19th-century London opium den (based on fictional accounts of the day)
43:
4949:
4768:
4744:
3768:
3211:
2682:
2650:
750:
675:
After Sibyl's suicide, James becomes obsessed with killing Dorian, and
552:
529:
525:
411:
380:
304:, and commissioned novellas from each writer. Doyle promptly submitted
297:
228:
224:
171:
1750:
An Inquiry into Oscar Wilde's Revisions of 'The Picture of Dorian Gray
1585:
1553:
3893:
3504:
1008:
655:
567:
558:
240:
236:
2839:
1038:
wrote that "parts of the novel are wooden, padded, self-indulgent";
4882:
3845:
2876:
2854:
2666:
1569:
993:
676:
623:
479:
5062:
490:). Before writing the preface, Wilde had written a book review of
2788:
1662:"Differences between the 1890 and 1891 editions of "Dorian Gray""
1174:
870:
850:
742:
735:
664:
590:
203:
2534:– an introduction and overview the book (retrieved 5 July 2006)
2417:"The 100 best novels: No 11 – Sybil by Benjamin Disraeli (1845)"
869:, in which the eponymous character impels his potential suitor (
2196:
The Belknap Press of Harvard University Press, London 2011, p68
1203:
865:
837:
483:
2892:
1554:"The Context of Invention: Suggested Origins of "Dorian Gray""
325:", a very different story but one that has a similar title to
3813:
813:
637:
606:
494:'s translation of the work of Zhuang Zhou, and in the essay "
195:
125:
5050:
5026:
2761:
2194:
The Picture of Dorian Gray: An Annotated, Uncensored Edition
1903:
The Picture of Dorian Gray: An Annotated, Uncensored Edition
1491:
The Picture of Dorian Gray: An Annotated, Uncensored Edition
452:
The Picture of Dorian Gray: An Annotated, Uncensored Edition
5124:
Works originally published in Lippincott's Monthly Magazine
2651:""The Picture of Dorian Gray": Wilde's Parable of the Fall"
598:
fingers, while the portrait beside him is beautiful again.
447:
2123:"Your handwriting fascinates me and your praise charms me"
654:– of Britain at the end of the 19th century. Lord Harry's
581:
The death of Dorian Gray (Eugène Dété, after Paul Thiriat)
151:
1758:
1525:
A Thousand Words: Portraiture, Style, and Queer Modernism
548:
morally poisonous French novel that Lord Henry gave him.
244:
478:
To communicate how the novel should be read, Wilde used
212:. The novel-length version was published in April 1891.
2772:
2140:
1971:"Ethics and Aesthetics in "The Picture of Dorian Gray""
1138:. In 2009, the novel was loosely adapted into the film
782:
Hallward is supposed to have been formed after painter
2357:
Wilde, Oscar (17 April 2008) . Bristow, Joseph (ed.).
2208:"Ten Famed Literary Figures Based on Real-Life People"
1485:
Frankel, Nicholas (2011) . "Textual Introduction". In
437:
310:, which was published in the February 1890 edition of
5003:
3999:
Exploits and Opinions of Dr. Faustroll, Pataphysician
2315:
825:
thematic subject to which he had "given a new form".
19:"Dorian Gray" redirects here. For the character, see
2794:/ "Single Man, Glee, Grey Gardens Top Dorian Awards"
2327:
1942:
911:, and someday must write it down. The references in
566:
To escape the guilt of his crime, Dorian goes to an
2243:
Whistler and Montesquiou: The Butterfly and the Bat
2827:Replica of the 1890 Edition & Critical Edition
2605:"Character Design in "the Picture of Dorian Gray""
2513:
2303:
2017:"Character Design in "the Picture of Dorian Gray""
1361:
709:
2343:– a summary of and a commentary on Chapter II of
2169:
1780:Bristow, Joseph (12 October 2006). Introduction.
915:to specific chapters are deliberately inaccurate.
722:
5075:
3364:Gross Indecency: The Three Trials of Oscar Wilde
2056:"Homoerotic codes in The Picture of Dorian Gray"
1408:
1406:
1404:
1335:in some play—"Hamlet," I think—how do they run?—
2855:The Picture of Dorian Gray (20-chapter version)
2840:The Picture of Dorian Gray (13-chapter version)
2435:
1938:. Oxford: Oxford University Press. p. lvi.
2456:
1480:
1478:
1476:
1474:
1472:
1470:
961:Even after the removal of controversial text,
919:
849:In the preface, Wilde speaks of the sub-human
3784:
3490:
2908:
2704:"Classics Corner: The Picture of Dorian Gray"
1847:"Uncensored Picture of Dorian Gray published"
1809:. London: T. Werner Laurie. pp. 347–349.
1650:. London: T. Werner Laurie. pp. 108–110.
1552:Lawler, Donald L.; Knott, Charles E. (1976).
1547:
1545:
1401:
1162:, which aired on Showtime from 2014 to 2016.
928:was influenced by the British Prime Minister
5164:British novels adapted into television shows
3021:Lord Arthur Savile's Crime and Other Stories
1934:Wilde, Oscar (2005). Bristow, Joseph (ed.).
1775:
1773:
1169:is named in honor of Wilde, in reference to
1968:
1551:
1528:. Ohio State University Press. p. 40.
1467:
1424:
1280:. Edited with an introduction and notes by
764:
622:young man enthralled by Lord Henry's "new"
332:
314:. Stoddart received Wilde's manuscript for
29:The Picture of Dorian Gray (disambiguation)
3791:
3777:
3497:
3483:
2915:
2901:
2281:
2165:
2163:
2161:
1689:"Paradox and the Preface to "Dorian Gray""
1542:
1459:Wilde, Oscar (1979). R. Hart-Davis (ed.).
42:
2722:
2579:Oscar Wilde: Interviews and Recollections
2488:
1770:
1725:Oscar Wilde: Interviews and Recollections
1098:Academy Award for Best Supporting Actress
1074:Adaptations of The Picture of Dorian Gray
1067:
1015:from its bookstalls in railway stations.
632:Lord Henry "Harry" Wotton – an imperious
48:The story was first published in 1890 in
5209:LGBT-related controversies in literature
4360:2nd movement "Quasi-Faust" (1847, Alkan)
3798:
2525:
2441:
2099:
1873:"Thursday: The Uncensored "Dorian Gray""
1081:
956:
605:
576:
557:
374:
366:
261:
4177:The Black Bonspiel of Wullie MacCrimmon
3285:Music based on the works of Oscar Wilde
2602:
2575:
2387:
2158:
2066:
2014:
1779:
1767:(Penguin Classics) – A Note on the Text
1721:
1484:
1373:
1026:, who specialized in literary erotica.
932:'s (anonymously published) first novel
391:with decorative lettering, designed by
5076:
2792:, January 20, 2010, by Lisa Horowitz,
2728:
2532:CliffsNotes:The Picture of Dorian Gray
2414:
1686:
1606:
1463:. Oxford University Press. p. 95.
1379:
924:Some commentators have suggested that
876:
5179:Obscenity controversies in literature
5109:Novels first published in serial form
4818:The Devil's Hands Are Idle Playthings
4054:The Year the Yankees Lost the Pennant
3772:
3636:The League of Extraordinary Gentlemen
3478:
2896:
2888:Internet Speculative Fiction Database
2648:
2356:
2262:
2205:
2192:Wilde, Oscar; Frankel, Nichols (ed.)
2095:
2093:
2091:
2010:
2008:
2006:
2004:
1975:The Canadian Journal of Irish Studies
1964:
1962:
1960:
1958:
1933:
1897:
1844:
1840:
1838:
1804:
1645:
1521:
1458:
1222:The Uncensored Picture of Dorian Gray
1156:portrays Dorian Gray in John Logan's
1089:as Sibyl Vane in the film adaptation
486:and to the philosophy of Chuang Tsǔ (
442:The original typescript submitted to
2491:"Wilde's Portrait of Subtle Control"
2150:. The Modern Library. Archived from
1007:Due to controversy, retailing chain
3267:Memorial triptych sculpture, Dublin
2743:from the original on 12 August 2018
2206:Riess, Jeanie (13 September 2012).
2072:
769:
13:
3028:The Happy Prince and Other Stories
2489:Battersby, Eileen (7 April 2010).
2415:McCrum, Robert (2 December 2013).
2088:
2053:
2001:
1955:
1901:(2011) . Frankel, Nicholas (ed.).
1835:
1029:
683:' vengeance against Prince Hamlet.
14:
5220:
5144:British novels adapted into plays
4681:El extraño caso del doctor Fausto
4523:The Mephistopheles of Los Angeles
4070:The Devil to Pay in the Backlands
2809:
2423:. Guardian News and Media Limited
1370:(Penguin Classics) – Introduction
1135:League of Extraordinary Gentlemen
1096:. Lansbury was nominated for the
972:In the 30 June 1890 issue of the
967:the laws guarding public morality
426:published the revised version of
5061:
5049:
5037:
5025:
5013:
4988:
4987:
4545:The Laboratory of Mephistopheles
4276:Doctor Faustus Lights the Lights
3459:
3458:
2865:
2729:McCrum, Robert (24 March 2014).
2702:McKie, Robin (25 January 2009).
1380:McCrum, Robert (24 March 2014).
832:, the gentleman Dorian makes no
5169:Irish novels adapted into plays
5149:Irish novels adapted into films
4358:Grande sonate 'Les quatre âges'
4169:Will Success Spoil Rock Hunter?
3258:A Conversation with Oscar Wilde
3155:The Importance of Being Earnest
2964:The Soul of Man Under Socialism
2922:
2781:
2766:
2755:
2696:
2642:
2596:
2576:Mikhail, E. H. (17 June 1979).
2569:
2544:
2482:
2473:
2450:
2408:
2381:
2350:
2324:(Penguin Classics) – Chapter II
2256:
2232:
2199:
2186:
2115:
2047:
1927:
1891:
1865:
1845:Flood, Alison (27 April 2011).
1813:
1798:
1742:
1722:Mikhail, E. H. (17 June 1979).
1715:
1680:
1654:
1639:
1425:Scharnhorst, Gary (July 2010).
1347:Yes: that is what it was like.'
1328:
1313:
1180:
1132:played Dorian Gray in the film
996:scandal arose from the novel's
774:Wilde wrote in an 1894 letter:
710:Morality and societal influence
704:
337:
321:In July 1889, Wilde published "
5174:LGBT-related horror literature
4844:When the Devil Calls Your Name
4509:The Devil Went Down to Georgia
4300:Historia von D. Johann Fausten
4126:Johannes Cabal the Necromancer
3878:Historia von D. Johann Fausten
2582:. Springer. pp. 280–281.
2394:. Vintage Books. p. 316.
1600:
1515:
1452:
1418:
1339:Like the painting of a sorrow,
844:
727:The novel's representation of
723:Homoeroticism and gender roles
1:
4969:Mephistopheles and Margaretta
3334:The Importance of Being Oscar
2763:Retrieved February 19th, 2023
1969:Manganiello, Dominic (1983).
1354:
1284:. Included as an appendix is
1013:Lippincott's Monthly Magazine
601:
444:Lippincott's Monthly Magazine
362:
290:Lippincott's Monthly Magazine
209:Lippincott's Monthly Magazine
99:Lippincott's Monthly Magazine
50:Lippincott's Monthly Magazine
5204:British philosophical novels
4609:The Devil and Daniel Webster
4023:The Devil and Daniel Webster
2603:Liebman, Sheldon W. (1999).
2312:(Penguin Classics) – Preface
2148:"The Picture of Dorian Gray"
2015:Liebman, Sheldon W. (1999).
1613:Victorian Periodicals Review
951:
895:(1989), the literary critic
215:The story revolves around a
25:Dorian Gray (disambiguation)
7:
2875:public domain audiobook at
2778:Retrieved November 29, 2017
2649:Oates, Joyce Carol (1980).
2442:Disraeli, Benjamin (1826).
2363:. Oxford World's Classics.
1807:Bibliography of Oscar Wilde
1664:. Github.io. Archived from
1648:Bibliography of Oscar Wilde
920:Possible Disraeli influence
37:The Picture of Dorian Gray
10:
5225:
5199:Novels adapted into comics
5159:Novels adapted into operas
5084:The Picture of Dorian Gray
4836:The Devil and Daniel Mouse
4365:Scenes from Goethe's Faust
3703:The Picture of Dorian Gray
3628:The Picture of Dorian Gray
3599:The Picture of Dorian Gray
3591:The Picture of Dorian Gray
3575:The Picture of Dorian Gray
3559:The Picture of Dorian Gray
3551:The Picture of Dorian Gray
3543:The Picture of Dorian Gray
3535:The Picture of Dorian Gray
3511:The Picture of Dorian Gray
3426:Manuscripts of Oscar Wilde
3420:The Letters of Oscar Wilde
3295:Themes and derivatives of
3290:Biographies of Oscar Wilde
3053:The Ballad of Reading Gaol
2939:The Picture of Dorian Gray
2883:The Picture of Dorian Gray
2872:The Picture of Dorian Gray
2817:The Picture of Dorian Gray
2360:The Picture of Dorian Gray
2345:The Picture of Dorian Gray
2334:The Picture of Dorian Gray
2322:The Picture of Dorian Gray
2310:The Picture of Dorian Gray
2266:The Picture of Dorian Gray
2245:, New York and Paris: The
1782:The Picture of Dorian Gray
1765:The Picture of Dorian Gray
1607:LORANG, ELIZABETH (2010).
1413:The Picture of Dorian Gray
1368:The Picture of Dorian Gray
1292:The Picture of Dorian Gray
1262:The Picture of Dorian Gray
1240:The Picture of Dorian Gray
1200:The Picture of Dorian Gray
1171:The Picture of Dorian Gray
1118:The Picture of Dorian Gray
1106:The Picture of Dorian Gray
1092:The Picture of Dorian Gray
1071:
990:The Picture of Dorian Gray
963:The Picture of Dorian Gray
926:The Picture of Dorian Gray
822:The Picture of Dorian Gray
511:
461:
428:The Picture of Dorian Gray
406:, only ceding that critic
389:The Picture of Dorian Gray
344:The Picture of Dorian Gray
327:The Picture of Dorian Gray
316:The Picture of Dorian Gray
257:
181:The Picture of Dorian Gray
167:The Picture of Dorian Gray
18:
5194:19th-century Irish novels
4983:
4960:
4909:
4858:
4827:
4802:
4795:
4737:Faust: Love of the Damned
4536:
4465:
4421:
4414:
4334:
4318:
4203:
4144:
3929:
3869:
3806:
3736:
3713:
3686:
3677:A Portrait of Dorian Gray
3654:
3617:
3518:
3454:
3406:
3324:The Trials of Oscar Wilde
3275:
3231:
3164:
3090:
3044:
3012:
3003:The Portrait of Mr. W. H.
2987:
2948:
2930:
2388:Ellmann, Richard (1988).
1755:(New York: Garland, 1988)
1728:. Springer. p. 279.
1433:. July 2010 (37): 12–15.
1125:, who played Sibyl Vane.
816:." In both the legend of
784:Charles Haslewood Shannon
438:2011 "uncensored" novella
323:The Portrait of Mr. W. H.
270:In 1882, Oscar Wilde met
161:
149:
137:
123:
115:
105:
92:
74:
66:
56:
41:
16:1890 novel by Oscar Wilde
5134:Fiction about narcissism
4007:The Master and Margarita
3960:The Devil and Tom Walker
3414:Oscar Wilde bibliography
3127:A Woman of No Importance
2347:(retrieved 29 July 2006)
1911:Harvard University Press
1907:Cambridge, Massachusetts
1499:Harvard University Press
1495:Cambridge, Massachusetts
1306:
1294:(Broadview Press, 1998)
1248:Norton Critical Editions
805:
765:Influences and allusions
585:Deciding that only full
333:Publication and versions
4404:Bagatelle sans tonalité
4308:Faustus, the Last Night
3757:Phantom of the Paradise
3744:Dorian Gray (character)
3099:Vera; or, The Nihilists
3035:A House of Pomegranates
2365:Oxford University Press
2339:7 February 2009 at the
2109:University of Barcelona
1343:A face without a heart.
1208:Oxford World's Classics
528:Lord Henry thinks that
342:The literary merits of
21:Dorian Gray (character)
5184:Novels with gay themes
4561:The Damnation of Faust
4488:Sympathy for the Devil
4449:Beethoven's Last Night
2831:University of Victoria
2479:Disraeli (1853) p101-2
1805:Mason, Stuart (1914).
1646:Mason, Stuart (1914).
1101:
1068:Legacy and adaptations
917:
780:
611:
582:
563:
509:
468:The Fortnightly Review
424:Ward, Lock and Company
395:
372:
357:Ward, Lock and Company
294:Sir Arthur Conan Doyle
282:
267:
23:. For other uses, see
5104:British Gothic novels
4761:Shortcut to Happiness
4753:I Was a Teenage Faust
4641:Marguerite de la nuit
4593:The Student of Prague
4577:The Student of Prague
4343:Gretchen am Spinnrade
4220:La damnation de Faust
4078:That Hell-Bound Train
3188:Vyvyan Wilde Holland
3113:Lady Windermere's Fan
2996:The Canterville Ghost
2886:title listing at the
2538:19 March 2012 at the
2263:Wilde, Oscar (1969).
2100:Brias Aliaga, Nuria.
1687:PUDNEY, ERIC (2012).
1522:Hovey, Jaime (2006).
1085:
957:Contemporary response
901:
796:Robert de Montesquiou
776:
609:
580:
561:
500:
498:", Oscar Wilde said:
378:
370:
277:
265:
186:philosophical fiction
79:Philosophical fiction
5139:Novels about suicide
5119:Works by Oscar Wilde
4875:Randy Newman's Faust
4633:Beauty and the Devil
4569:Faust and Marguerite
4553:Faust and Marguerite
4252:Faust and Marguerite
4110:The Devil's Own Work
4086:For a Breath I Tarry
3991:The Sorrows of Satan
3952:Melmoth the Wanderer
3945:Daniel and the Devil
3800:Works based on Faust
3670:Dorian, an Imitation
3527:Dorian Grays Portræt
3180:Cyril Wilde Holland
3141:La Sainte Courtisane
3120:A Florentine Tragedy
3106:The Duchess of Padua
2971:The Critic as Artist
2799:7 March 2016 at the
2709:24 June 2013 at the
2609:Studies in the Novel
2461:(28). JSTOR: 24–32.
2213:Smithsonian Magazine
2021:Studies in the Novel
1950:The Artist as Critic
1100:for her performance.
828:Unlike the academic
496:The Critic as Artist
307:The Sign of the Four
5154:British LGBT novels
5129:Novels about ageing
5094:1890 fantasy novels
5089:1890 British novels
4625:The Legend of Faust
4495:Friend of the Devil
4284:The Rake's Progress
4271:(1916–1925, Busoni)
4046:The Devil in Velvet
3841:Theophilus of Adana
3824:Deal with the Devil
3663:The Happy Hypocrite
3431:Lord Alfred Douglas
3247:Merrion Square home
3239:Oscar Wilde Centre
2174:(36). JSTOR: 2–27.
2154:on 31 January 2013.
1877:The Washington Post
1748:Lawler, Donald L.,
1668:on 26 December 2013
1501:). pp. 38–64.
1319:More specifically,
891:. In the biography
889:Joris-Karl Huysmans
877:Joris-Karl Huysmans
834:deal with the Devil
87:decadent literature
38:
4705:Oh, God! You Devil
4383:(1854–1857, Liszt)
4287:(1951, Stravinsky)
4094:The Damnation Game
3829:in popular culture
3819:Johann Georg Faust
3750:Look Back in Anger
3261:(London sculpture)
3252:Tomb and gravesite
3067:The Harlot's House
2957:The Decay of Lying
2520:The Modern Library
2220:on 5 December 2013
2082:Utrecht University
1185:Editions include:
1113:Vaudeville Theatre
1102:
1024:Charles Carrington
612:
583:
564:
473:art for art's sake
432:Charles Carrington
396:
385:Ward Lock & Co
373:
349:Le Secret de Raoul
268:
36:
5189:1890 debut novels
5099:1890s LGBT novels
5001:
5000:
4854:
4853:
4585:Rapsodia satanica
4532:
4531:
4502:Bohemian Rhapsody
4375:(1906–07, Mahler)
3766:
3765:
3727:The Oval Portrait
3694:Matthew Bourne's
3472:
3471:
3398:
3388:
3378:
3368:
3358:
3348:
3347:(1985 miniseries)
3338:
3328:
3318:
3308:
3262:
3242:
3241:(academic centre)
3223:
3215:
3212:Jane Elgee Wilde
3207:
3199:
3191:
3183:
3175:
2860:Project Gutenberg
2845:Project Gutenberg
2589:978-1-349-03926-5
2501:on 5 October 2018
2054:Muriqi, Luljeta.
1920:978-0-674-05792-0
1909:: Belknap Press (
1823:. Hup.harvard.edu
1735:978-1-349-03926-5
1535:978-0-8142-1014-7
1508:978-0-674-05792-0
1497:: Belknap Press (
1300:978-1-55111-126-1
1044:Joyce Carol Oates
930:Benjamin Disraeli
788:Lord Ronald Gower
646:Victorian culture
252:Gothic literature
177:
176:
106:Publication place
5216:
5114:Victorian novels
5066:
5065:
5054:
5053:
5042:
5041:
5040:
5030:
5029:
5018:
5017:
5016:
5009:
4991:
4990:
4800:
4799:
4481:Cross Road Blues
4419:
4418:
4388:Mephisto Waltzes
4368:(1853, Schumann)
4346:(1814, Schubert)
4260:Faust up to Date
4030:None but Lucifer
3793:
3786:
3779:
3770:
3769:
3499:
3492:
3485:
3476:
3475:
3462:
3461:
3396:
3394:The Happy Prince
3386:
3376:
3366:
3356:
3346:
3336:
3326:
3316:
3306:
3276:Based on Wilde's
3260:
3240:
3221:
3213:
3205:
3197:
3189:
3181:
3173:
3172:Constance Wilde
3148:An Ideal Husband
2917:
2910:
2903:
2894:
2893:
2869:
2868:
2862:
2847:
2803:
2785:
2779:
2770:
2764:
2759:
2753:
2752:
2750:
2748:
2726:
2720:
2700:
2694:
2693:
2691:
2689:
2655:Critical Inquiry
2646:
2640:
2639:
2637:
2635:
2600:
2594:
2593:
2573:
2567:
2566:
2564:
2562:
2548:
2542:
2529:
2523:
2517:
2511:
2510:
2508:
2506:
2497:. Archived from
2486:
2480:
2477:
2471:
2470:
2454:
2448:
2447:
2439:
2433:
2432:
2430:
2428:
2412:
2406:
2405:
2385:
2379:
2378:
2354:
2348:
2331:
2325:
2319:
2313:
2307:
2301:
2300:
2298:
2296:
2289:"Shaw and Wilde"
2285:
2279:
2278:
2276:
2274:
2260:
2254:
2247:Frick Collection
2236:
2230:
2229:
2227:
2225:
2216:. Archived from
2203:
2197:
2190:
2184:
2183:
2167:
2156:
2155:
2144:
2138:
2137:
2135:
2133:
2119:
2113:
2112:
2106:
2097:
2086:
2085:
2079:
2073:Campman, Lotte.
2070:
2064:
2063:
2051:
2045:
2044:
2012:
1999:
1998:
1966:
1953:
1946:
1940:
1939:
1931:
1925:
1924:
1895:
1889:
1888:
1886:
1884:
1869:
1863:
1862:
1860:
1858:
1842:
1833:
1832:
1830:
1828:
1817:
1811:
1810:
1802:
1796:
1795:
1777:
1768:
1762:
1756:
1753:
1746:
1740:
1739:
1719:
1713:
1712:
1684:
1678:
1677:
1675:
1673:
1658:
1652:
1651:
1643:
1637:
1636:
1604:
1598:
1597:
1558:Modern Philology
1549:
1540:
1539:
1519:
1513:
1512:
1482:
1465:
1464:
1461:Selected Letters
1456:
1450:
1449:
1447:
1445:
1422:
1416:
1410:
1399:
1398:
1396:
1394:
1377:
1371:
1365:
1348:
1332:
1326:
1322:Romeo and Juliet
1317:
1270:Penguin Classics
1018:At Wilde's 1895
770:Wilde's own life
393:Charles Ricketts
387:1891 edition of
288:, an editor for
272:Frances Richards
198:by Irish writer
153:
127:
46:
39:
35:
5224:
5223:
5219:
5218:
5217:
5215:
5214:
5213:
5074:
5073:
5072:
5060:
5048:
5038:
5036:
5024:
5014:
5012:
5004:
5002:
4997:
4979:
4956:
4936:(comics) (1968)
4905:
4850:
4823:
4811:Printer's Devil
4791:
4617:Alias Nick Beal
4528:
4516:Faustian Echoes
4461:
4456:The Black Rider
4410:
4396:Gothic Symphony
4335:Classical music
4330:
4314:
4223:(1846, Berlioz)
4199:
4193:Il Dottor Faust
4140:
3925:
3918:Faust, Part Two
3911:Faust, Part One
3881:(1587 chapbook)
3865:
3802:
3797:
3767:
3762:
3732:
3709:
3682:
3650:
3613:
3567:Az élet királya
3514:
3503:
3473:
3468:
3450:
3402:
3277:
3271:
3227:
3196:Merlin Holland
3160:
3086:
3040:
3008:
2983:
2944:
2926:
2921:
2866:
2852:
2837:
2822:Standard Ebooks
2812:
2807:
2806:
2801:Wayback Machine
2786:
2782:
2771:
2767:
2760:
2756:
2746:
2744:
2727:
2723:
2711:Wayback Machine
2701:
2697:
2687:
2685:
2647:
2643:
2633:
2631:
2601:
2597:
2590:
2574:
2570:
2560:
2558:
2550:
2549:
2545:
2540:Wayback Machine
2530:
2526:
2518:
2514:
2504:
2502:
2487:
2483:
2478:
2474:
2455:
2451:
2440:
2436:
2426:
2424:
2413:
2409:
2402:
2386:
2382:
2375:
2367:. p. 180.
2355:
2351:
2341:Wayback Machine
2332:
2328:
2320:
2316:
2308:
2304:
2294:
2292:
2287:
2286:
2282:
2272:
2270:
2261:
2257:
2237:
2233:
2223:
2221:
2204:
2200:
2191:
2187:
2168:
2159:
2146:
2145:
2141:
2131:
2129:
2121:
2120:
2116:
2104:
2098:
2089:
2077:
2071:
2067:
2060:Lund University
2052:
2048:
2013:
2002:
1967:
1956:
1947:
1943:
1932:
1928:
1921:
1896:
1892:
1882:
1880:
1871:
1870:
1866:
1856:
1854:
1843:
1836:
1826:
1824:
1819:
1818:
1814:
1803:
1799:
1792:
1778:
1771:
1763:
1759:
1751:
1747:
1743:
1736:
1720:
1716:
1695:(41): 118–123.
1685:
1681:
1671:
1669:
1660:
1659:
1655:
1644:
1640:
1605:
1601:
1550:
1543:
1536:
1520:
1516:
1509:
1483:
1468:
1457:
1453:
1443:
1441:
1423:
1419:
1411:
1402:
1392:
1390:
1378:
1374:
1366:
1362:
1357:
1352:
1351:
1346:
1341:
1336:
1333:
1329:
1318:
1314:
1309:
1183:
1152:as Lord Henry.
1130:Stuart Townsend
1123:Angela Lansbury
1087:Angela Lansbury
1080:
1072:Main articles:
1070:
1036:Richard Ellmann
1032:
1030:Modern response
986:The Irish Times
975:Daily Chronicle
959:
954:
922:
897:Richard Ellmann
879:
853:character from
847:
810:
772:
767:
725:
712:
707:
694:of Dorian Gray.
636:and a decadent
604:
514:
464:
440:
365:
340:
335:
260:
239:life of varied
142:
116:Media type
52:
32:
17:
12:
11:
5:
5222:
5212:
5211:
5206:
5201:
5196:
5191:
5186:
5181:
5176:
5171:
5166:
5161:
5156:
5151:
5146:
5141:
5136:
5131:
5126:
5121:
5116:
5111:
5106:
5101:
5096:
5091:
5086:
5071:
5070:
5058:
5046:
5034:
5022:
4999:
4998:
4996:
4995:
4984:
4981:
4980:
4978:
4977:
4972:
4964:
4962:
4958:
4957:
4955:
4954:
4946:
4937:
4934:Doctor Faustus
4931:
4922:
4913:
4911:
4907:
4906:
4904:
4903:
4895:
4887:
4879:
4871:
4862:
4860:
4856:
4855:
4852:
4851:
4849:
4848:
4840:
4831:
4829:
4825:
4824:
4822:
4821:
4814:
4806:
4804:
4797:
4793:
4792:
4790:
4789:
4785:The Last Faust
4781:
4773:
4765:
4757:
4749:
4741:
4733:
4725:
4717:
4709:
4701:
4697:Doctor Faustus
4693:
4685:
4677:
4673:Doctor Faustus
4669:
4661:
4653:
4645:
4637:
4629:
4621:
4613:
4605:
4597:
4589:
4581:
4573:
4565:
4557:
4549:
4540:
4538:
4534:
4533:
4530:
4529:
4527:
4526:
4519:
4512:
4505:
4498:
4491:
4484:
4477:
4474:Mephisto Polka
4469:
4467:
4463:
4462:
4460:
4459:
4452:
4445:
4444:
4443:
4440:The Black Halo
4436:
4425:
4423:
4416:
4412:
4411:
4409:
4408:
4400:
4392:
4384:
4380:Faust Symphony
4376:
4373:Symphony No. 8
4369:
4361:
4355:
4354:(1840, Wagner)
4351:Faust Overture
4347:
4338:
4336:
4332:
4331:
4329:
4328:
4322:
4320:
4316:
4315:
4313:
4312:
4304:
4296:
4292:Reuben, Reuben
4288:
4280:
4272:
4264:
4256:
4248:
4244:Le petit Faust
4240:
4232:
4231:(1859, Gounod)
4224:
4216:
4207:
4205:
4201:
4200:
4198:
4197:
4189:
4181:
4173:
4165:
4157:
4148:
4146:
4142:
4141:
4139:
4138:
4134:The Last Faust
4130:
4122:
4114:
4106:
4098:
4090:
4082:
4074:
4066:
4062:Gimmicks Three
4058:
4050:
4042:
4038:Doktor Faustus
4034:
4026:
4019:
4011:
4003:
3995:
3987:
3983:Chasse-galerie
3979:
3971:
3967:St. John's Eve
3963:
3956:
3948:
3941:
3933:
3931:
3927:
3926:
3924:
3923:
3922:
3921:
3914:
3898:
3890:
3886:Doctor Faustus
3882:
3873:
3871:
3867:
3866:
3864:
3863:
3858:
3856:Pan Twardowski
3853:
3851:Mephistopheles
3848:
3843:
3838:
3833:
3832:
3831:
3821:
3816:
3810:
3808:
3804:
3803:
3796:
3795:
3788:
3781:
3773:
3764:
3763:
3761:
3760:
3753:
3746:
3740:
3738:
3734:
3733:
3731:
3730:
3723:
3717:
3715:
3711:
3710:
3708:
3707:
3699:
3690:
3688:
3684:
3683:
3681:
3680:
3673:
3666:
3658:
3656:
3652:
3651:
3649:
3648:
3644:Penny Dreadful
3640:
3632:
3623:
3621:
3615:
3614:
3612:
3611:
3603:
3595:
3587:
3579:
3571:
3563:
3555:
3547:
3539:
3531:
3522:
3520:
3516:
3515:
3502:
3501:
3494:
3487:
3479:
3470:
3469:
3467:
3466:
3455:
3452:
3451:
3449:
3448:
3446:Robert Sherard
3443:
3438:
3433:
3428:
3423:
3416:
3410:
3408:
3404:
3403:
3401:
3400:
3390:
3380:
3374:The Judas Kiss
3370:
3360:
3350:
3340:
3330:
3320:
3310:
3300:
3292:
3287:
3281:
3279:
3278:life and works
3273:
3272:
3270:
3269:
3264:
3254:
3249:
3244:
3235:
3233:
3229:
3228:
3226:
3225:
3217:
3209:
3204:William Wilde
3201:
3193:
3185:
3177:
3168:
3166:
3162:
3161:
3159:
3158:
3151:
3144:
3137:
3130:
3123:
3116:
3109:
3102:
3094:
3092:
3088:
3087:
3085:
3084:
3077:
3074:Poems in Prose
3070:
3063:
3056:
3048:
3046:
3042:
3041:
3039:
3038:
3031:
3024:
3016:
3014:
3010:
3009:
3007:
3006:
2999:
2991:
2989:
2985:
2984:
2982:
2981:
2974:
2967:
2960:
2952:
2950:
2946:
2945:
2943:
2942:
2934:
2932:
2928:
2927:
2920:
2919:
2912:
2905:
2897:
2891:
2890:
2879:
2863:
2850:
2848:
2835:
2833:
2824:
2811:
2810:External links
2808:
2805:
2804:
2780:
2765:
2754:
2721:
2695:
2667:10.1086/448106
2661:(2): 419–428.
2641:
2615:(3): 296–316.
2595:
2588:
2568:
2543:
2524:
2512:
2481:
2472:
2449:
2434:
2407:
2400:
2380:
2373:
2349:
2326:
2314:
2302:
2280:
2269:. Magnum Books
2255:
2253:, 1995, p. 13.
2239:Munhall, Edgar
2231:
2198:
2185:
2157:
2139:
2127:natlib.govt.nz
2114:
2087:
2065:
2046:
2027:(3): 296–316.
2000:
1954:
1941:
1926:
1919:
1890:
1879:. 4 April 2011
1864:
1834:
1812:
1797:
1790:
1769:
1757:
1741:
1734:
1714:
1679:
1653:
1638:
1599:
1570:10.1086/390676
1564:(4): 389–398.
1541:
1534:
1514:
1507:
1466:
1451:
1417:
1400:
1372:
1359:
1358:
1356:
1353:
1350:
1349:
1327:
1311:
1310:
1308:
1305:
1304:
1303:
1289:
1282:Robert Mighall
1259:
1237:
1219:
1197:
1194:Joseph Bristow
1182:
1179:
1159:Penny Dreadful
1148:as Dorian and
1069:
1066:
1040:Édouard Roditi
1031:
1028:
981:Scots Observer
958:
955:
953:
950:
921:
918:
878:
875:
846:
843:
809:
804:
771:
768:
766:
763:
747:ancient Greece
724:
721:
711:
708:
706:
703:
702:
701:
698:
695:
688:
684:
672:
660:
630:
627:
618:– a handsome,
603:
600:
513:
510:
463:
460:
439:
436:
422:In April 1891
364:
361:
339:
336:
334:
331:
286:J. M. Stoddart
259:
256:
175:
174:
163:
159:
158:
155:
147:
146:
143:
138:
135:
134:
129:
121:
120:
117:
113:
112:
110:United Kingdom
107:
103:
102:
94:
90:
89:
83:Gothic fiction
76:
72:
71:
68:
64:
63:
58:
54:
53:
47:
15:
9:
6:
4:
3:
2:
5221:
5210:
5207:
5205:
5202:
5200:
5197:
5195:
5192:
5190:
5187:
5185:
5182:
5180:
5177:
5175:
5172:
5170:
5167:
5165:
5162:
5160:
5157:
5155:
5152:
5150:
5147:
5145:
5142:
5140:
5137:
5135:
5132:
5130:
5127:
5125:
5122:
5120:
5117:
5115:
5112:
5110:
5107:
5105:
5102:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5081:
5079:
5069:
5064:
5059:
5057:
5052:
5047:
5045:
5035:
5033:
5028:
5023:
5021:
5011:
5010:
5007:
4994:
4986:
4985:
4982:
4976:
4973:
4971:
4970:
4966:
4965:
4963:
4959:
4952:
4951:
4947:
4944:
4942:
4938:
4935:
4932:
4929:
4927:
4923:
4920:
4919:
4915:
4914:
4912:
4908:
4901:
4900:
4899:Disco Inferno
4896:
4893:
4892:
4888:
4885:
4884:
4880:
4877:
4876:
4872:
4869:
4868:
4864:
4863:
4861:
4857:
4846:
4845:
4841:
4838:
4837:
4833:
4832:
4830:
4826:
4819:
4815:
4812:
4808:
4807:
4805:
4801:
4798:
4794:
4787:
4786:
4782:
4779:
4778:
4774:
4771:
4770:
4766:
4763:
4762:
4758:
4755:
4754:
4750:
4747:
4746:
4742:
4739:
4738:
4734:
4731:
4730:
4726:
4723:
4722:
4718:
4715:
4714:
4710:
4707:
4706:
4702:
4699:
4698:
4694:
4691:
4690:
4686:
4683:
4682:
4678:
4675:
4674:
4670:
4667:
4666:
4662:
4659:
4658:
4654:
4651:
4650:
4646:
4643:
4642:
4638:
4635:
4634:
4630:
4627:
4626:
4622:
4619:
4618:
4614:
4611:
4610:
4606:
4603:
4602:
4598:
4595:
4594:
4590:
4587:
4586:
4582:
4579:
4578:
4574:
4571:
4570:
4566:
4563:
4562:
4558:
4555:
4554:
4550:
4547:
4546:
4542:
4541:
4539:
4535:
4524:
4520:
4517:
4513:
4510:
4506:
4503:
4499:
4496:
4492:
4489:
4485:
4482:
4478:
4476:" (1859–1885)
4475:
4471:
4470:
4468:
4464:
4458:
4457:
4453:
4451:
4450:
4446:
4442:
4441:
4437:
4435:
4434:
4430:
4429:
4427:
4426:
4424:
4420:
4417:
4413:
4406:
4405:
4401:
4398:
4397:
4393:
4390:
4389:
4385:
4382:
4381:
4377:
4374:
4370:
4367:
4366:
4362:
4359:
4356:
4353:
4352:
4348:
4345:
4344:
4340:
4339:
4337:
4333:
4327:
4326:Faust ballets
4324:
4323:
4321:
4317:
4310:
4309:
4305:
4302:
4301:
4297:
4294:
4293:
4289:
4286:
4285:
4281:
4278:
4277:
4273:
4270:
4269:
4265:
4262:
4261:
4257:
4254:
4253:
4249:
4247:(1869, Hervé)
4246:
4245:
4241:
4239:(1868, Boito)
4238:
4237:
4233:
4230:
4229:
4225:
4222:
4221:
4217:
4215:(1816, Spohr)
4214:
4213:
4209:
4208:
4206:
4202:
4195:
4194:
4190:
4187:
4186:
4182:
4179:
4178:
4174:
4171:
4170:
4166:
4163:
4162:
4158:
4155:
4154:
4150:
4149:
4147:
4143:
4136:
4135:
4131:
4128:
4127:
4123:
4120:
4119:
4115:
4112:
4111:
4107:
4104:
4103:
4099:
4096:
4095:
4091:
4088:
4087:
4083:
4080:
4079:
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1286:Peter Ackroyd
1283:
1279:
1278:9780141442037
1275:
1271:
1267:
1266:Harmondsworth
1263:
1260:
1257:
1256:9780393927542
1253:
1249:
1245:
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1238:
1235:
1234:9780674066311
1231:
1227:
1226:Belknap Press
1223:
1220:
1217:
1216:9780199535989
1213:
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1052:Robert McCrum
1047:
1045:
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1014:
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998:homoeroticism
995:
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983:
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729:homoeroticism
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652:
651:Fin de siècle
647:
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492:Herbert Giles
489:
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302:Langham Hotel
299:
295:
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287:
281:
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264:
255:
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233:sell his soul
230:
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152:LC Class
148:
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140:Dewey Decimal
136:
133:
130:
128:
122:
118:
114:
111:
108:
104:
101:
100:
95:
91:
88:
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62:
59:
55:
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45:
40:
34:
30:
26:
22:
4967:
4948:
4940:
4925:
4916:
4897:
4889:
4881:
4873:
4867:Damn Yankees
4865:
4842:
4834:
4783:
4775:
4767:
4759:
4751:
4743:
4735:
4727:
4719:
4711:
4703:
4695:
4687:
4679:
4671:
4663:
4655:
4649:Damn Yankees
4647:
4639:
4631:
4623:
4615:
4607:
4599:
4591:
4583:
4575:
4567:
4559:
4551:
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4454:
4447:
4438:
4431:
4402:
4394:
4386:
4378:
4363:
4349:
4341:
4306:
4298:
4290:
4282:
4274:
4268:Doktor Faust
4266:
4263:(1888, Lutz)
4258:
4255:(1855, Lutz)
4250:
4242:
4234:
4226:
4218:
4210:
4191:
4183:
4175:
4167:
4161:Damn Yankees
4159:
4151:
4132:
4124:
4116:
4108:
4100:
4092:
4084:
4076:
4068:
4060:
4052:
4044:
4036:
4028:
4013:
4005:
3997:
3989:
3981:
3973:
3965:
3950:
3916:
3909:
3906:(1808 play)
3902:
3897:(1602, play)
3892:
3884:
3876:
3755:
3714:Inspirations
3701:
3695:
3675:
3668:
3661:
3642:
3634:
3626:
3605:
3597:
3589:
3581:
3573:
3565:
3557:
3549:
3541:
3533:
3525:
3510:
3509:
3436:Ada Leverson
3418:
3393:
3387:(2013 opera)
3383:
3373:
3363:
3353:
3343:
3333:
3323:
3313:
3303:
3296:
3257:
3153:
3146:
3139:
3132:
3125:
3118:
3111:
3104:
3097:
3079:
3072:
3058:
3051:
3033:
3026:
3019:
2978:De Profundis
2938:
2937:
2882:
2871:
2853:
2838:
2815:
2787:
2783:
2768:
2757:
2745:. Retrieved
2736:The Guardian
2734:
2724:
2716:The Guardian
2714:
2698:
2686:. Retrieved
2658:
2654:
2644:
2632:. Retrieved
2612:
2608:
2598:
2578:
2571:
2559:. Retrieved
2555:
2546:
2527:
2515:
2503:. Retrieved
2499:the original
2494:
2484:
2475:
2458:
2452:
2443:
2437:
2425:. Retrieved
2421:The Guardian
2420:
2410:
2390:
2383:
2359:
2352:
2344:
2329:
2321:
2317:
2309:
2305:
2293:. Retrieved
2291:. Britannica
2283:
2271:. Retrieved
2265:
2258:
2242:
2234:
2222:. Retrieved
2218:the original
2211:
2201:
2193:
2188:
2171:
2152:the original
2142:
2130:. Retrieved
2126:
2117:
2108:
2081:
2068:
2059:
2049:
2024:
2020:
1981:(2): 25–33.
1978:
1974:
1949:
1944:
1935:
1929:
1902:
1899:Wilde, Oscar
1893:
1881:. Retrieved
1876:
1867:
1855:. Retrieved
1851:The Guardian
1850:
1825:. Retrieved
1815:
1806:
1800:
1781:
1764:
1760:
1749:
1744:
1724:
1717:
1692:
1682:
1670:. Retrieved
1666:the original
1656:
1647:
1641:
1619:(1): 19–41.
1616:
1612:
1602:
1561:
1557:
1524:
1517:
1490:
1487:Wilde, Oscar
1460:
1454:
1442:. Retrieved
1430:
1420:
1391:. Retrieved
1387:The Guardian
1385:
1375:
1367:
1363:
1342:
1338:
1330:
1320:
1315:
1291:
1261:
1239:
1221:
1199:
1189:
1184:
1181:Bibliography
1170:
1167:Dorian Award
1164:
1157:
1154:Reeve Carney
1140:
1133:
1127:
1116:
1110:
1105:
1103:
1091:
1057:The Guardian
1055:
1048:
1033:
1017:
1012:
1006:
1002:
989:
985:
979:
973:
971:
962:
960:
945:
939:
933:
925:
923:
912:
908:
904:
902:
892:
882:
880:
864:
861:
854:
848:
829:
827:
821:
817:
811:
806:
799:
798:in creating
781:
777:
773:
758:gender roles
755:
740:
726:
717:
713:
705:Major themes
668:
649:
620:narcissistic
596:
584:
572:
565:
550:
546:
542:
534:
515:
501:
477:
467:
465:
456:Lippincott's
455:
451:
446:, housed at
443:
441:
427:
421:
417:
408:Walter Pater
401:
397:
388:
353:
348:
343:
341:
338:1890 novella
326:
320:
315:
312:Lippincott's
311:
305:
289:
283:
278:
269:
249:
214:
207:
202:. A shorter
180:
179:
178:
165:
97:
49:
33:
4428:Epica Saga
4415:Other music
4371:Part II of
4236:Mefistofele
4010:(1929–1940)
3889:(1592 play)
3861:Stingy Jack
3836:Simon Magus
3807:Folk legend
3696:Dorian Gray
3647:(2014–2016)
3619:Adaptations
3607:Dorian Gray
3583:Dorian Gray
3506:Oscar Wilde
3441:Robbie Ross
3397:(2018 film)
3377:(1998 play)
3367:(1997 play)
3357:(1997 film)
3337:(1960 play)
3327:(1960 film)
3317:(1960 film)
3314:Oscar Wilde
3307:(1936 play)
3304:Oscar Wilde
3013:Collections
2924:Oscar Wilde
2688:29 February
2634:29 February
2561:19 November
2495:Irish Times
2459:The Wildean
2444:Vivian Grey
2391:Oscar Wilde
2295:8 September
2172:The Wildean
1693:The Wildean
1672:25 December
1431:The Wildean
1150:Colin Firth
1144:, starring
1141:Dorian Gray
946:Vivian Grey
935:Vivian Grey
913:Dorian Gray
893:Oscar Wilde
887:(1884), by
856:The Tempest
845:Shakespeare
800:Dorian Gray
756:Similarly,
616:Dorian Gray
537:Shakespeare
488:Zhuang Zhou
221:Dorian Gray
200:Oscar Wilde
61:Oscar Wilde
5078:Categories
5020:Literature
4950:Frau Faust
4796:Television
4769:Goat Story
4745:Fausto 5.0
4713:Crossroads
4185:Temptation
4118:Jack Faust
3655:Literature
3198:(grandson)
3081:The Sphinx
2251:Flammarion
2132:24 October
1355:References
1146:Ben Barnes
994:moralistic
751:Greek love
634:aristocrat
602:Characters
587:confession
553:sensualism
526:hedonistic
505:Chuang Tsǔ
412:homoerotic
381:title page
363:1891 novel
298:T. P. Gill
229:hedonistic
172:Wikisource
4975:Paintings
4918:Gods' Man
4729:Bedazzled
4665:Bedazzled
3901:Goethe's
3894:Cenodoxus
3721:John Gray
3222:(brother)
3060:Charmides
2747:11 August
2719:(London).
2675:0093-1896
2621:0039-3827
2556:www.bl.uk
2224:3 October
2033:0039-3827
1987:0703-1459
1948:Ellmann,
1701:1357-4949
1625:0709-4698
1594:162007929
1578:0026-8232
1393:11 August
1272:, 2006),
1128:In 2003,
1009:W H Smith
952:Reactions
909:À rebours
905:À rebours
884:À rebours
792:John Gray
733:Victorian
656:libertine
568:opium den
518:Victorian
480:aphorisms
284:In 1889,
237:libertine
157:PR5819.A2
93:Published
4993:Category
4943:(comics)
4883:Success!
4859:Musicals
4820:" (2003)
4813:" (1963)
4803:Episodes
4689:Mephisto
4525:" (2015)
4518:" (2012)
4511:" (1979)
4504:" (1975)
4497:" (1970)
4490:" (1968)
4483:" (1936)
4153:Gretchen
4025:" (1937)
4015:Mephisto
3962:" (1824)
3938:Bearskin
3846:Erdgeist
3464:Category
3214:(mother)
3206:(father)
2877:LibriVox
2797:Archived
2741:Archived
2707:Archived
2629:29533343
2536:Archived
2467:45269274
2337:Archived
2180:45270165
2041:29533343
1995:25512571
1853:. London
1709:45270321
1633:25732085
1439:45270175
1250:, 2006)
1244:New York
1228:, 2011)
1210:, 2008)
642:critique
624:hedonism
217:portrait
132:53071567
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5032:Theatre
5006:Portals
4928:(manga)
4407:(Liszt)
4399:(Brian)
4391:(Liszt)
4319:Ballets
3737:Related
3706:(opera)
3407:Related
2789:TheWrap
2683:1343135
2505:9 March
1952:p. 222.
1489:(ed.).
1175:bow tie
871:Ophelia
851:Caliban
820:and in
743:Dorians
736:England
692:lineage
681:Laertes
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648:at the
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300:at the
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70:English
5068:Novels
4953:(2014)
4945:(1987)
4930:(1950)
4921:(1929)
4910:Comics
4902:(2004)
4894:(2003)
4886:(1993)
4878:(1995)
4870:(1955)
4847:(2019)
4839:(1978)
4788:(2019)
4780:(2011)
4772:(2008)
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4572:(1904)
4564:(1903)
4556:(1900)
4548:(1897)
4422:Albums
4311:(2006)
4303:(1994)
4295:(1955)
4279:(1938)
4204:Operas
4196:(2018)
4188:(1986)
4180:(1965)
4172:(1955)
4164:(1955)
4156:(1879)
4137:(2019)
4129:(2009)
4121:(1997)
4113:(1991)
4105:(1990)
4097:(1986)
4089:(1966)
4081:(1958)
4073:(1956)
4065:(1956)
4057:(1954)
4049:(1951)
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4018:(1936)
4002:(1898)
3994:(1896)
3986:(1892)
3978:(1844)
3975:Auriol
3970:(1830)
3955:(1820)
3639:(2003)
3631:(1969)
3610:(2009)
3602:(2004)
3594:(1976)
3586:(1970)
3578:(1945)
3570:(1918)
3562:(1917)
3554:(1916)
3546:(1915)
3538:(1913)
3530:(1910)
3297:Salome
3232:Places
3174:(wife)
3165:Family
3134:Salome
2949:Essays
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2178:
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1857:30 May
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1062:gothic
1020:trials
988:said,
899:said:
866:Hamlet
838:virtue
677:stalks
669:Hamlet
530:beauty
524:. The
484:Taoism
404:trials
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225:beauty
193:horror
190:gothic
57:Author
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4941:Faust
4926:Faust
4891:Faust
4828:Other
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4657:Faust
4601:Faust
4537:Films
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4433:Epica
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4212:Faust
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3930:Prose
3903:Faust
3814:Faust
3687:Stage
3519:Films
3384:Oscar
3354:Wilde
3344:Oscar
3190:(son)
3182:(son)
3091:Plays
3045:Poems
2931:Novel
2679:JSTOR
2625:JSTOR
2463:JSTOR
2176:JSTOR
2105:(PDF)
2078:(PDF)
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1991:JSTOR
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1705:JSTOR
1629:JSTOR
1590:S2CID
1582:JSTOR
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1307:Notes
941:Sybil
830:Faust
818:Faust
814:Faust
807:Faust
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667:, in
638:dandy
589:will
196:novel
184:is a
145:823.8
119:Print
96:1890
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