400:, John Fordham called it "a balanced, varied, and very rewarding set" and wrote "This album has no guiding concept beyond his long-acquainted virtuoso trio's powers to listen and play together. It's also about how traditionally bluesy or gospel-rooted themes can be led through a contemporary world of probing, busily improvised bass counterpoint, bumpy street-groove rhythms and the occasional sampled effect".
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stated, "The piano trio is a mainstay in the jazz tradition, and here the
Bandwagon does a characteristically great job of being firmly in that tradition while also blazing a new trail … A sense of joy is evident in every note the group plays. Let's hope we get another 10 years, and see where they
385:
review by Matt Collar said it "features more of the jazz pianist's smart and forward-thinking jazz" and that "Moran reveals himself once again to be a nimble improviser with an ear toward atmospheric and often fractured hypnotic post-bop jazz".
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review by Justin Cober-Lake called it "one of the year’s best releases" and observed "the versatility wouldn’t be remarkable if the trio wasn’t so successful in every venture. Since they are,
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label in 2010. It was titled to celebrate the tenth year of Moran’s trio (The
Bandwagon), and also refers to the year the album was released.
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coheres as a remarkable unit, embracing an array of styles and eras of influence into something uniquely compelling".
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Years given are for the recording(s), not first release,
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is the eighth album by
American pianist and composer
419:All compositions by Jason Moran except where noted
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466:"Play to Live" (Andrew Hill, Jason Moran) – 4:21
528:Jonathan Altschuler – assistant mixing engineer
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822:All Rise: A Joyful Elegy for Fats Waller
552:Vision Arts Management Inc. – management
157:All Rise: A Joyful Elegy for Fats Waller
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546:Antwon Jackson – A&R administration
531:Rick Kwan – assistant tracking engineer
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469:"The Subtle One" (Tarus Mateen) – 5:35
702:
426:"RFK in the Land of Apartheid" – 4:10
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626:
558:Burton Yount – art direction, design
555:Shanieka D. Brooks – product manager
525:Sascha Von Oertzen – mixing engineer
16:2010 studio album by Jason Moran
450:"Pas De Deux - Lines Ballet" – 3:31
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567:Clay Patrick McBride – photography
456:"Gangsterism Over 10 Years" – 6:56
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561:Gordon H Jee – creative direction
512:Malcolm Moran – vocals (track 13)
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453:"Study No. 6" (Nancarrow) – 4:04
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564:Adam Pendleton – design (cover)
509:Jonas Moran – vocals (track 13)
597:Jazzdisco: Jason Moran catalog
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1028:Jason Moran (musician) albums
976:Old Locks and Irregular Verbs
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988:Refraction – Breakin' Glass
549:Louise Holland – management
432:"Crespuscule with Nellie" (
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758:Soundtrack to Human Motion
540:Jamie – mastering engineer
393:take the Bandwagon next".
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623:. Retrieved June 8, 2018.
472:"To Bob Vatel of Paris" (
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1033:Blue Note Records albums
741:unless stated otherwise.
585:Blue Note: album details
429:"Feedback Pt. 2" – 4:54
52:June 22, 2010
522:Jason Moran – producer
692:accessed June 8, 2018
676:accessed June 8, 2018
599:accessed June 8, 2018
587:accessed June 8, 2018
537:– mastering engineer
423:"Blue Blocks" – 4:36
193:Professional ratings
916:A Cloud of Red Dust
806:Artist in Residence
674:The Guardian Review
494:Jason Moran – piano
479:"Old Babies" – 5:56
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139:Artist in Residence
968:Banned in New York
611:Collar, Matt.
543:Eli Wolf – A&R
192:
180:, released on the
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971:(Greg Osby, 1997)
933:Christian McBride
690:PopMatters Review
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817:(released 2010)
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650:All About Jazz
638:"Jason Moran:
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613:Jason Moran –
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790:The Bandwagon
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504:Nasheet Waits
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459:"Big Stuff" (
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415:Track listing
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198:Review scores
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909:Ralph Alessi
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883:Passin' Thru
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875:Hagar's Song
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847:Rabo de Nube
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672:Fordham, J.
653:. Retrieved
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515:
498:Tarus Mateen
488:
487:
418:
408:
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398:The Guardian
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284:The Guardian
172:
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155:
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137:
37:Studio album
1023:2010 albums
945:Paul Motian
798:Same Mother
782:Modernistic
774:Black Stars
766:Facing Left
730:Jason Moran
688:Layman, W.
617:> Review
441:Study No. 6
178:Jason Moran
126:Jason Moran
120:Jason Moran
42:Jason Moran
1017:Categories
957:Joe Lovano
572:References
517:Production
474:Jaki Byard
405:PopMatters
320:PopMatters
128:chronology
56:2010-06-22
961:Greg Osby
535:Gene Paul
489:Musicians
484:Personnel
188:Reception
182:Blue Note
109:Blue Note
621:AllMusic
476:) – 6:06
463:) – 5:17
447:) – 3:17
436:) – 5:58
383:AllMusic
212:Allmusic
116:Producer
49:Released
39: by
1003:, 2007)
996:Loverly
983:, 2015)
963:, 1998)
947:, 2009)
935:, 2005)
923:, 1997)
911:, 2012)
870:, 2010)
836:Charles
655:June 8,
506:– drums
161:(2014)
152:(2010)
143:(2006)
54: (
896:others
886:(2016)
858:(2009)
855:Mirror
850:(2007)
825:(2014)
809:(2006)
801:(2004)
793:(2002)
785:(2002)
777:(2001)
769:(2000)
761:(1998)
750:leader
500:– bass
206:Rating
203:Source
87:Length
68:Avatar
64:Studio
904:Baida
866:(and
838:Lloyd
104:Label
76:Genre
959:and
894:With
833:With
657:2018
403:The
381:The
81:Jazz
814:Ten
640:Ten
619:at
615:Ten
443:" (
409:Ten
396:In
173:Ten
148:Ten
22:Ten
1019::
748:As
681:^
665:^
648:.
644:.
628:^
604:^
96:20
92:64
999:(
979:(
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722:e
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642:"
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94::
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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