328:
292:
256:
389:
384:
476:, the same question kept nagging at me: With six four-star albums under his belt in six years, what convinced Moran that collecting this music was a good idea? It’s not only that the music doesn’t coalesce; it’s also that it’s full of gimmickry ... Moran, despite some underdeveloped compositions, lays down some beautiful passages on his solo tracks. But ultimately this music doesn’t belong together". In
422:
417:
412:
407:
323:
318:
313:
308:
287:
282:
277:
272:
251:
246:
241:
236:
379:
374:
369:
364:
359:
354:
349:
344:
29:
464:
review by Will Layman observed "this, my friends, is what we need more of in jazz: a great diversity of style and reference coming together through the singular vision of a terrific artist: Jason Moran. And if Major US Arts
Institutions are ready, willing, and able to fund this kind of thing, then
457:, John Fordham wrote "Jason Moran is another contemporary African-American jazz pianist with broad tastes and a strong sense of cultural history. ... he is more inclined to use today's street rhythms, free jazz, and a cut-and-paste attitude to all kinds of material, his own included".
435:
review by Thom Jurek called it "a far-reaching jazz record combining elements of post-bop, New
Orleans jazz, funk, blues and even post-20th century classical music to Moran's array of shades and colors to play with" and stated "People may initially have a hard time with
484:
wrote "This disc doesn't match Moran's recent masterpieces, 2003's "The
Bandwagon" and 2005's "Same Mother," but it confirms that Moran is still pushing jazz into new territory".
450:
may be more or less accepted by the mainstream, but fans familiar with his prodigious exploits should find more than enough here to satisfy them until his next release".
446:
reviewer Mark F. Turner said, "This music is art that can be interpreted on multiple levels, depending upon one's background. Compared to Moran's earlier works,
440:. But it moves so freely and yet so purposely that it draws the listener into its unique soundworld slowly but deliberately, and offers plenty for the effort".
819:
1050:
672:
788:
920:
1026:
1126:
981:
759:
812:
398:
1038:
1086:
1131:
805:
741:
1074:
934:
724:
631:
953:
775:
1002:
856:
746:
737:
521:
619:
912:
161:
828:
708:
541:
198:
182:
130:
41:
888:
655:
525:
1121:
8:
1014:
872:
477:
1066:
465:
all the better. It's the kind of thing that could give music in academia a good name".
194:
1031:
755:
576:
190:
186:
113:
1099:
1079:
966:
973:
120:
961:
684:
481:
443:
264:
647:
28:
1115:
1019:
751:
559:
547:
1007:
945:
599:
580:
565:
553:
454:
300:
108:
1043:
896:
880:
864:
143:
80:
1055:
586:
461:
336:
1059:
469:
432:
228:
1094:
593:
572:
797:
36:
189:
label. The album features compositions commissioned by the
85:
838:
Years given are for the recording(s), not first release,
613:
499:"Milestone" (Alicia Hall Moran, Jason Moran) – 3:34
492:All compositions by Jason Moran except where noted
472:, Steve Greenlee noted "during several listens to
1113:
404:
233:
813:
341:
719:
717:
468:Not all reviewers were united in praise. In
305:
269:
589:– bells, shakers, toy car, claves (track 6)
820:
806:
736:
703:
701:
642:
640:
27:
714:
921:All Rise: A Joyful Elegy for Fats Waller
698:
637:
531:"He Puts on His Coat and Leaves" – 4:52
1114:
730:
801:
666:
664:
214:
185:recorded in 2006 and released on the
747:The Penguin Guide to Jazz Recordings
508:"Artists Ought to Be Writing" – 3:49
399:The Penguin Guide to Jazz Recordings
16:2006 studio album by Jason Moran
406:
235:
13:
670:
661:
602:– sampled voice (tracks 1 & 5)
343:
14:
1143:
307:
271:
67:January 5 & February 16, 2006
487:
420:
415:
410:
405:
387:
382:
377:
372:
367:
362:
357:
352:
347:
342:
326:
321:
316:
311:
306:
290:
285:
280:
275:
270:
254:
249:
244:
239:
234:
181:is an album by pianist/composer
827:
781:
768:
632:Jazzdisco: Jason Moran catalog
625:
1:
1127:Jason Moran (musician) albums
1075:Old Locks and Irregular Verbs
606:
535:
204:
7:
1087:Refraction – Breakin' Glass
10:
1148:
857:Soundtrack to Human Motion
789:The Washington Post Review
514:"Arizona Landscape" – 3:07
992:
931:
846:
835:
658:. Retrieved June 8, 2018.
522:Lift Ev'ry Voice and Sing
222:
219:
137:
129:
119:
107:
91:
79:
75:Systems Two, Brooklyn, NY
71:
63:
48:
35:
26:
21:
1132:Blue Note Records albums
840:unless stated otherwise.
620:Blue Note: album details
199:Jazz at Lincoln Center
791:accessed June 8, 2018
778:accessed June 8, 2018
727:accessed June 8, 2018
711:accessed June 8, 2018
634:accessed June 8, 2018
622:accessed June 8, 2018
526:John Rosamond Johnson
511:"Refraction 1" – 6:16
502:"Refraction 2" – 3:52
592:Alicia Hall Moran –
505:"Cradle Song" – 4:27
210:Professional ratings
1015:A Cloud of Red Dust
905:Artist in Residence
709:The Guardian Review
675:Artist in Residence
650:Artist in Residence
568:– trumpet (track 8)
556:– bass, double bass
496:"Break Down" – 3:17
478:The Washington Post
474:Artist in Residence
448:Artist In Residence
438:Artist in Residence
211:
178:Artist in Residence
153:Artist in Residence
22:Artist in Residence
1067:Banned in New York
209:
195:Dia Art Foundation
1109:
1108:
1070:(Greg Osby, 1997)
1032:Christian McBride
761:978-0-141-03401-0
725:PopMatters Review
429:
428:
191:Walker Art Center
174:
173:
170:
169:
1139:
1100:Cassandra Wilson
1080:Henry Threadgill
967:Maria Farantouri
822:
815:
808:
799:
798:
792:
785:
779:
776:JazzTimes Review
772:
766:
765:
754:. p. 1036.
750:(9th ed.).
734:
728:
721:
712:
705:
696:
695:
693:
691:
671:Turner, Mark F.
668:
659:
646:Jurek, Tom.
644:
635:
629:
623:
617:
425:
424:
423:
419:
418:
414:
413:
409:
408:
392:
391:
390:
386:
385:
381:
380:
376:
375:
371:
370:
366:
365:
361:
360:
356:
355:
351:
350:
346:
345:
331:
330:
329:
325:
324:
320:
319:
315:
314:
310:
309:
295:
294:
293:
289:
288:
284:
283:
279:
278:
274:
273:
259:
258:
257:
253:
252:
248:
247:
243:
242:
238:
237:
212:
208:
139:
138:
103:
102:
98:
59:
57:
31:
19:
18:
1147:
1146:
1142:
1141:
1140:
1138:
1137:
1136:
1112:
1111:
1110:
1105:
1039:Lost in a Dream
994:
988:
936:
933:
927:
916:(released 2010)
848:
842:
839:
831:
826:
796:
795:
786:
782:
773:
769:
762:
735:
731:
722:
715:
706:
699:
689:
687:
681:Musical reviews
669:
662:
645:
638:
630:
626:
618:
614:
609:
571:Abdou M'Boup –
538:
490:
421:
416:
411:
388:
383:
378:
373:
368:
363:
358:
353:
348:
327:
322:
317:
312:
291:
286:
281:
276:
255:
250:
245:
240:
207:
165:
156:
147:
100:
96:
95:
55:
53:
44:
17:
12:
11:
5:
1145:
1135:
1134:
1129:
1124:
1107:
1106:
1104:
1103:
1091:
1090:(Trio 3, 2012)
1083:
1071:
1063:
1047:
1035:
1023:
1011:
998:
996:
990:
989:
987:
986:
978:
977:(co-led, 2012)
970:
962:Athens Concert
958:
950:
941:
939:
929:
928:
926:
925:
917:
909:
901:
893:
885:
877:
869:
861:
852:
850:
844:
843:
836:
833:
832:
825:
824:
817:
810:
802:
794:
793:
780:
767:
760:
729:
713:
697:
685:All About Jazz
673:"Jason Moran:
660:
648:Jason Moran –
636:
624:
611:
610:
608:
605:
604:
603:
597:
590:
584:
569:
563:
557:
551:
545:
537:
534:
533:
532:
529:
518:
517:"Rain" – 11:53
515:
512:
509:
506:
503:
500:
497:
489:
486:
482:Geoffrey Himes
444:All About Jazz
427:
426:
402:
394:
393:
339:
333:
332:
303:
297:
296:
267:
265:All About Jazz
261:
260:
231:
225:
224:
221:
217:
216:
206:
203:
172:
171:
168:
167:
158:
149:
135:
134:
127:
126:
123:
117:
116:
111:
105:
104:
93:
89:
88:
83:
77:
76:
73:
69:
68:
65:
61:
60:
50:
46:
45:
40:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
1144:
1133:
1130:
1128:
1125:
1123:
1120:
1119:
1117:
1101:
1097:
1096:
1092:
1089:
1088:
1084:
1081:
1077:
1076:
1072:
1069:
1068:
1064:
1061:
1057:
1053:
1052:
1051:Friendly Fire
1048:
1045:
1041:
1040:
1036:
1033:
1029:
1028:
1027:Live at Tonic
1024:
1021:
1020:Stefon Harris
1017:
1016:
1012:
1009:
1005:
1004:
1000:
999:
997:
991:
984:
983:
979:
976:
975:
971:
968:
964:
963:
959:
956:
955:
951:
948:
947:
943:
942:
940:
938:
930:
923:
922:
918:
915:
914:
910:
907:
906:
902:
899:
898:
894:
891:
890:
889:The Bandwagon
886:
883:
882:
878:
875:
874:
870:
867:
866:
862:
859:
858:
854:
853:
851:
845:
841:
834:
830:
823:
818:
816:
811:
809:
804:
803:
800:
790:
784:
777:
774:Greenlee, S.
771:
763:
757:
753:
749:
748:
743:
742:Morton, Brian
739:
738:Cook, Richard
733:
726:
720:
718:
710:
704:
702:
686:
682:
678:
676:
667:
665:
657:
653:
651:
643:
641:
633:
628:
621:
616:
612:
601:
598:
595:
591:
588:
585:
582:
578:
574:
570:
567:
564:
561:
560:Nasheet Waits
558:
555:
552:
549:
548:Marvin Sewell
546:
543:
540:
539:
530:
527:
523:
519:
516:
513:
510:
507:
504:
501:
498:
495:
494:
493:
488:Track listing
485:
483:
479:
475:
471:
466:
463:
458:
456:
451:
449:
445:
441:
439:
434:
403:
401:
400:
396:
395:
340:
338:
335:
334:
304:
302:
299:
298:
268:
266:
263:
262:
232:
230:
227:
226:
218:
215:Review scores
213:
202:
200:
196:
192:
188:
184:
180:
179:
164:
163:
159:
155:
154:
150:
146:
145:
141:
140:
136:
132:
128:
124:
122:
118:
115:
112:
110:
106:
94:
90:
87:
84:
82:
78:
74:
70:
66:
62:
51:
47:
43:
38:
34:
30:
25:
20:
1093:
1085:
1073:
1065:
1049:
1037:
1025:
1013:
1008:Ralph Alessi
1001:
982:Passin' Thru
980:
974:Hagar's Song
972:
960:
952:
946:Rabo de Nube
944:
919:
911:
904:
903:
895:
887:
879:
871:
863:
855:
837:
783:
770:
745:
732:
707:Fordham, J.
688:. Retrieved
680:
674:
649:
627:
615:
600:Adrian Piper
581:talking drum
566:Ralph Alessi
554:Tarus Mateen
491:
473:
467:
459:
455:The Guardian
452:
447:
442:
437:
430:
397:
301:The Guardian
177:
176:
175:
160:
152:
151:
142:
37:Studio album
1122:2006 albums
1044:Paul Motian
897:Same Mother
881:Modernistic
873:Black Stars
865:Facing Left
829:Jason Moran
723:Layman, W.
652:> Review
542:Jason Moran
183:Jason Moran
144:Same Mother
131:Jason Moran
125:Jason Moran
42:Jason Moran
1116:Categories
1056:Joe Lovano
787:Himes, G.
607:References
587:Joan Jonas
462:PopMatters
337:PopMatters
133:chronology
1060:Greg Osby
596:(track 2)
583:(track 8)
536:Personnel
470:JazzTimes
205:Reception
187:Blue Note
114:Blue Note
744:(2008).
656:AllMusic
550:– guitar
528:) – 4:53
433:AllMusic
229:Allmusic
121:Producer
64:Recorded
49:Released
39: by
1102:, 2007)
1095:Loverly
1082:, 2015)
1062:, 1998)
1046:, 2009)
1034:, 2005)
1022:, 1997)
1010:, 2012)
969:, 2010)
935:Charles
752:Penguin
690:June 8,
594:soprano
562:– drums
544:– piano
166:(2010)
157:(2006)
148:(2005)
54: (
995:others
985:(2016)
957:(2009)
954:Mirror
949:(2007)
924:(2014)
908:(2006)
900:(2004)
892:(2002)
884:(2002)
876:(2001)
868:(2000)
860:(1998)
849:leader
758:
573:djembe
223:Rating
220:Source
193:, the
92:Length
72:Studio
1003:Baida
965:(and
937:Lloyd
109:Label
81:Genre
1058:and
993:With
932:With
756:ISBN
692:2018
577:kora
460:The
431:The
197:and
86:Jazz
56:2006
52:2006
913:Ten
654:at
524:" (
453:In
162:Ten
1118::
847:As
740:;
716:^
700:^
683:.
679:.
663:^
639:^
579:,
575:,
480:,
201:.
101:00
97:50
1098:(
1078:(
1054:(
1042:(
1030:(
1018:(
1006:(
821:e
814:t
807:v
764:.
694:.
677:"
520:"
99::
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)