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Se (instrument)

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35: 299: 584:" that had half the strings (14). The number of strings and length of the instrument differs from place to place, with archaeological finds of examples with 25, 24, 23, or 19 strings. To string the instrument, one needs to tie a butterfly knot at the head of the string, strung through a bamboo rod, over the bridge at the head and over the main body of the instrument and over into the tail-end bridge into the instrument, out of the sound hole at the bottom of the instrument, over the tail-end, and wrapped around the posts in four or three groups. 524:
were built with a wooden sound board that curved slightly in the center, and had three bridges at the end, and one bridge at the head. Usually, four posts are built into one end to anchor the strings, although some instruments only had two or three posts. The board and posts are often
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using nylon-wrapped metal strings, though the instrument needs to be properly researched using modern materials for it to be fully accepted as a playable instrument for general musical purposes. Sometimes electric guitar–style magnetic pickups are attached to a regular
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board with four string posts, dated to the 5th–3rd centuries BC. Made of wood painted in black and red lacquer, and carved with decorative patterns. The strings no longer exist.
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origin. It varied in size and construction, but generally had 25–50 strings with moveable bridges and a range of up to five
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player. There are also very few surviving examples of musical tablature for the instrument, a majority existing in
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was considered an instrument of elites, and was used to play ritualistic music for sacrificial offerings.
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came to power, he added eight strings, so it became twenty-three." Another view suggests that the
1220: 44: 826: 609:, which largely became extinct in ancient times, although it is conceptually survived by the 547: 397: 1353: 546:(3rd century BC) states that: "A five stringed se, then became a fifteen stringed se. When 941: 8: 1124: 1074: 754: 676:, and is still used in Confucian ritual music, which is performed twice per year at the 664:, allowing the instrument to be amplified through an instrument amplifier or PA system. 1376: 1348: 1184: 1535: 1338: 1282: 1251: 1164: 1154: 1069: 1028: 877: 830: 775: 695: 371: 119: 111: 1576: 1550: 1469: 1448: 655:, with some musicians studying it. There are also a few factories that make modern 247: 233: 76: 53: 542: 266:. It was one of the most important stringed instruments in China, along with the 1485: 1417: 798:, Odes of South Zhou, "Guan ju": The fair and good lady, befriend her with the 634: 577: 177: 170: 97: 858: 1565: 1510: 685: 629: 620: 1490: 1266: 505: 498: 414:
is sometimes considered to be a smaller and more simplified version of the
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in its inventory of historical instruments, mostly from the 8th century.
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generally do not have posts, and are instead strung a bit like the
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The Institute of music of the Chinese Academy of Arts collects the
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has a long, arch-shaped opening for the strings to pass through.
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period (1045–771 BC), and was a popular instrument during the
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gradually faded out of use, having evolved into the similar
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and is used in a limited context in ancient Chinese music.
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music, but not in modern performances. A fourteen-stringed
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In recent times, there has been a revived interest in the
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has 25." It also says that Fuxi created the 50 stringed
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contained a wealth of musical instruments, including a
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region of China. The instrument has also been found at
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It is said that the word for music, 118: 945: 722:In Vietnam, the instrument is called 871: 765: 755:"Se" at Yale University Art Gallery 701:In Japan, the instrument is called 672:In Korea, the instrument is called 385:(5th–3rd centuries BC). During the 13: 14: 1588: 937: 554:started out with 50 strings. The 536:The strings were made of twisted 369:, the famous first poem from the 326:), is composed of the characters 357:(771–476 BC). Together with the 619:player in the 20th century was 560:later changes it to 25. "A big 515: 206: 183: 162: 141: 916: 903:Encyclopedia of Korean Culture 890: 865: 843: 788: 759: 748: 600: 433: 117: 103: 89: 59: 1: 375:(11th–7th centuries BC). The 540:in varying thicknesses. The 508:storehouse in Japan has one 422:was very popular in the pre 7: 1572:Chinese musical instruments 729: 345:Historical accounts of the 10: 1593: 855:Sarnia Concert Association 772:Cambridge University Press 468:Tomb of Marquis Yi of Zeng 446:provinces, as well as the 293: 1528: 1478: 1462: 1426: 1405: 1369: 1362: 1327: 1296: 1275: 1244: 1233: 1208: 1052: 986: 979: 597:, to which it resembles. 564:has 50 strings, a middle 470:(late 5th century BC) in 382:The Analects of Confucius 363:, it is mentioned in the 310:According to legend, the 282:. Modern versions of the 251: 237: 220: 199: 192: 176: 169: 155: 148: 134: 127: 110: 96: 82: 75: 70: 66: 52: 32: 28: 21: 741: 355:Spring and Autumn period 254:) is an ancient plucked 827:McFarland & Company 705:, and was once used in 314:was created by the god 45:Tainan Confucian Temple 794:《詩·周南·關雎》: 窈窕淑女,琴瑟友之。 623:, who was primarily a 418:, with fewer strings. 400:(5th century BC), the 307: 694:is the largest among 398:Warring States period 379:is also mentioned in 301: 898:"슬(瑟) – 한국민족문화대백과사전" 876:. 保育社. p. 117. 587:Modern forms of the 478:, a complete set of 201:Baxter–Sagart (2014) 821:Sharron Gu (2011). 668:Similar instruments 615:. The only notable 286:often resemble the 696:string instruments 635:tablature for the 484:(bronze bells), a 308: 43:on display at the 16:Musical instrument 1559: 1558: 1524: 1523: 1323: 1322: 1229: 1228: 796:Classic of Poetry 372:Classic of Poetry 224: 223: 216: 215: 136:Yale Romanization 77:Standard Mandarin 1584: 1367: 1366: 1242: 1241: 984: 983: 966: 959: 952: 943: 942: 931: 929: 920: 914: 913: 911: 910: 894: 888: 887: 869: 863: 862: 857:. Archived from 847: 841: 840: 818: 807: 792: 786: 785: 763: 757: 752: 253: 239: 212: 211: 210: 188: 187: 186: 165: 164: 144: 143: 123: 122: 121: 106: 105: 92: 91: 68: 67: 62: 61: 37: 19: 18: 1592: 1591: 1587: 1586: 1585: 1583: 1582: 1581: 1562: 1561: 1560: 1555: 1520: 1474: 1458: 1422: 1401: 1358: 1332: 1330: 1319: 1303: 1301: 1299: 1292: 1271: 1238: 1236: 1225: 1204: 1048: 975: 970: 940: 935: 934: 922: 921: 917: 908: 906: 896: 895: 891: 884: 870: 866: 849: 848: 844: 837: 819: 810: 793: 789: 782: 764: 760: 753: 749: 744: 732: 684:. According to 670: 640:) in which the 603: 518: 436: 296: 48: 17: 12: 11: 5: 1590: 1580: 1579: 1574: 1557: 1556: 1554: 1553: 1548: 1543: 1538: 1532: 1530: 1526: 1525: 1522: 1521: 1519: 1518: 1513: 1508: 1503: 1498: 1493: 1488: 1486:Alligator drum 1482: 1480: 1476: 1475: 1473: 1472: 1466: 1464: 1460: 1459: 1457: 1456: 1451: 1446: 1441: 1436: 1430: 1428: 1424: 1423: 1421: 1420: 1415: 1409: 1407: 1403: 1402: 1400: 1399: 1394: 1389: 1384: 1379: 1373: 1371: 1364: 1360: 1359: 1357: 1356: 1351: 1346: 1341: 1335: 1333: 1328: 1325: 1324: 1321: 1320: 1318: 1317: 1312: 1306: 1304: 1297: 1294: 1293: 1291: 1290: 1285: 1279: 1277: 1273: 1272: 1270: 1269: 1264: 1259: 1254: 1248: 1246: 1239: 1234: 1231: 1230: 1227: 1226: 1224: 1223: 1218: 1212: 1210: 1206: 1205: 1203: 1202: 1197: 1192: 1187: 1182: 1177: 1172: 1167: 1162: 1157: 1152: 1147: 1142: 1137: 1132: 1127: 1122: 1117: 1112: 1107: 1102: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1056: 1054: 1050: 1049: 1047: 1046: 1041: 1036: 1031: 1026: 1021: 1016: 1011: 1006: 1001: 996: 990: 988: 981: 977: 976: 969: 968: 961: 954: 946: 939: 938:External links 936: 933: 932: 915: 889: 882: 864: 861:on 2011-08-04. 842: 835: 829:. p. 14. 808: 787: 780: 774:. p. 52. 758: 746: 745: 743: 740: 739: 738: 731: 728: 669: 666: 602: 599: 578:Yellow Emperor 517: 514: 435: 432: 295: 292: 222: 221: 218: 217: 214: 213: 203: 197: 196: 190: 189: 180: 178:Middle Chinese 174: 173: 171:Middle Chinese 167: 166: 159: 153: 152: 146: 145: 138: 132: 131: 129:Yue: Cantonese 125: 124: 114: 108: 107: 100: 94: 93: 86: 80: 79: 73: 72: 71:Transcriptions 64: 63: 56: 50: 49: 38: 30: 29: 26: 25: 15: 9: 6: 4: 3: 2: 1589: 1578: 1575: 1573: 1570: 1569: 1567: 1552: 1549: 1547: 1544: 1542: 1539: 1537: 1534: 1533: 1531: 1527: 1517: 1514: 1512: 1509: 1507: 1504: 1502: 1499: 1497: 1494: 1492: 1489: 1487: 1484: 1483: 1481: 1477: 1471: 1468: 1467: 1465: 1461: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1437: 1435: 1432: 1431: 1429: 1425: 1419: 1416: 1414: 1411: 1410: 1408: 1404: 1398: 1395: 1393: 1390: 1388: 1385: 1383: 1380: 1378: 1375: 1374: 1372: 1368: 1365: 1361: 1355: 1352: 1350: 1347: 1345: 1342: 1340: 1337: 1336: 1334: 1326: 1316: 1313: 1311: 1308: 1307: 1305: 1295: 1289: 1286: 1284: 1281: 1280: 1278: 1274: 1268: 1265: 1263: 1260: 1258: 1255: 1253: 1250: 1249: 1247: 1243: 1240: 1232: 1222: 1219: 1217: 1214: 1213: 1211: 1207: 1201: 1198: 1196: 1193: 1191: 1188: 1186: 1183: 1181: 1178: 1176: 1173: 1171: 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1151: 1148: 1146: 1143: 1141: 1138: 1136: 1133: 1131: 1128: 1126: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1057: 1055: 1051: 1045: 1042: 1040: 1037: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 991: 989: 985: 982: 980:Silk (string) 978: 974: 967: 962: 960: 955: 953: 948: 947: 944: 927: 926: 919: 905: 904: 899: 893: 885: 879: 875: 872:関根眞隆 (1988). 868: 860: 856: 852: 846: 838: 836:0-7864-6649-9 832: 828: 824: 817: 815: 813: 805: 801: 797: 791: 783: 781:0-521-18691-9 777: 773: 769: 762: 756: 751: 747: 737: 734: 733: 727: 725: 720: 718: 714: 710: 709: 704: 699: 697: 693: 689: 688: 687:Akhak Gwebeom 683: 679: 675: 665: 663: 658: 654: 649: 647: 643: 639: 638: 632: 631: 626: 622: 618: 614: 613: 608: 598: 596: 595: 590: 585: 583: 579: 576:, whilst the 575: 571: 567: 563: 559: 558: 553: 549: 545: 544: 543:Lüshi Chunqiu 539: 534: 532: 528: 523: 513: 511: 507: 502: 500: 497:of the early 496: 491: 489: 488: 483: 482: 477: 473: 469: 465: 461: 457: 453: 449: 445: 441: 431: 429: 425: 421: 417: 413: 409: 408: 403: 399: 394: 392: 388: 384: 383: 378: 374: 373: 368: 367: 362: 361: 356: 352: 349:begin in the 348: 343: 341: 337: 333: 329: 325: 321: 317: 313: 305: 300: 291: 289: 285: 281: 280: 275: 271: 270: 265: 261: 257: 249: 245: 244: 235: 231: 230: 219: 204: 202: 198: 195: 191: 181: 179: 175: 172: 168: 160: 158: 154: 151: 147: 139: 137: 133: 130: 126: 120: 115: 113: 109: 101: 99: 95: 87: 85: 81: 78: 74: 69: 65: 57: 55: 51: 46: 42: 36: 31: 27: 24: 20: 1038: 924: 918: 907:. Retrieved 901: 892: 873: 867: 859:the original 854: 845: 822: 803: 799: 795: 790: 767: 761: 750: 723: 721: 716: 712: 706: 702: 700: 691: 686: 673: 671: 661: 656: 652: 650: 645: 641: 636: 628: 624: 616: 610: 606: 604: 592: 588: 586: 581: 573: 569: 565: 561: 555: 551: 541: 535: 530: 521: 519: 516:Construction 509: 503: 499:Qing dynasty 494: 492: 485: 479: 475: 437: 419: 415: 411: 405: 401: 395: 390: 387:Zhou dynasty 380: 376: 370: 364: 358: 351:Western Zhou 346: 344: 335: 327: 319: 311: 309: 303: 287: 283: 277: 273: 267: 242: 241: 228: 227: 225: 150:Southern Min 84:Hanyu Pinyin 40: 22: 1065:Daguangxian 715:is used in 601:Performance 572:, called a 434:Archaeology 428:Han dynasty 424:Qin dynasty 302:An ancient 194:Old Chinese 1566:Categories 1363:Percussion 1331:(woodwind) 1237:(woodwind) 909:2021-06-02 883:4586507632 680:Shrine in 621:Wu Jinglüe 338:for wood ( 330:for silk ( 98:Wade–Giles 1439:Fangxiang 1434:Bianzhong 1339:Hulusheng 1120:Jing erhu 1085:Diyingehu 994:Duxianqin 930:(宮内庁書陵部蔵) 766:Jin Jie. 527:lacquered 481:bianzhong 90:sè, gǔ sè 39:A modern 1496:Bolanggu 1413:Bianqing 1315:Mangtong 1140:Matouqin 802:and the 730:See also 520:Ancient 464:Liaoning 460:Shandong 448:Jiangnan 426:and the 1577:Zithers 1546:Lusheng 1541:Kouxian 1262:Paixiao 1216:Yangqin 1200:Zhuiqin 1190:Zhonghu 1180:Yazheng 1034:Sanxian 1009:Konghou 1004:Guzheng 987:Plucked 719:music. 717:mingaku 506:Shōsōin 452:Jiangsu 396:By the 366:Guan Ju 294:History 264:octaves 260:Chinese 248:Chinese 234:Chinese 54:Chinese 1529:Others 1516:Zhangu 1511:Tanggu 1454:Yunluo 1387:Paiban 1344:Hulusi 1245:Flutes 1235:Bamboo 1209:Struck 1195:Zhuihu 1145:Maguhu 1135:Leiqin 1130:Laruan 1125:Jinghu 1115:Jiaohu 1095:Erxian 1075:Datong 1044:Yueqin 1024:Qinqin 1014:Liuqin 880:  874:正倉院の宝物 833:  778:  713:shitsu 708:gagaku 703:shitsu 690:, the 678:Munmyo 557:Shiban 466:. The 462:, and 389:, the 334:) and 272:. The 256:zither 250:: 236:: 157:Tâi-lô 1506:Paigu 1501:Jiegu 1491:Bangu 1427:Metal 1406:Stone 1377:Guban 1349:Sheng 1329:Gourd 1302:pipes 1298:Free- 1288:Suona 1276:Oboes 1257:Koudi 1185:Xiqin 1160:Tiqin 1150:Sanhu 1110:Huqin 1100:Gaohu 1060:Banhu 1053:Bowed 999:Guqin 925:魏氏楽器図 742:Notes 682:Seoul 637:guqin 630:qinpu 625:guqin 612:zheng 594:zheng 487:guqin 472:Hubei 456:Anhui 444:Hunan 440:Hubei 412:zheng 407:zheng 288:zheng 279:zheng 269:guqin 240:) or 207:* 1536:Gudi 1479:Hide 1463:Clay 1444:Gong 1418:Qing 1382:Muyu 1370:Wood 1310:Bawu 1300:reed 1283:Guan 1267:Xiao 1252:Dizi 1175:Yehu 1170:Tuhu 1165:Tihu 1155:Sihu 1105:Gehu 1090:Erhu 1080:Dihu 1070:Dahu 1029:Ruan 1019:Pipa 878:ISBN 831:ISBN 776:ISBN 692:seul 674:seul 548:Shun 538:silk 504:The 442:and 316:Fuxi 243:guse 226:The 60:瑟,古瑟 1551:Xun 1470:Fou 1449:Luo 1397:Zhu 1221:Zhu 800:qin 724:sắt 646:qin 574:sha 360:qin 320:yue 258:of 185:ʂit 163:sit 142:sāt 112:IPA 1568:: 1392:Yu 1354:Yu 1039:Se 900:. 853:. 825:. 811:^ 804:se 770:. 662:se 657:se 653:se 648:. 642:se 617:se 607:se 589:se 582:se 570:se 566:se 562:se 552:se 531:se 522:se 510:se 495:se 476:se 458:, 454:, 430:. 420:Se 416:se 402:se 391:se 377:se 347:se 336:mu 328:si 312:se 304:se 284:se 274:se 252:古瑟 229:se 209:ri 104:se 41:se 23:Se 965:e 958:t 951:v 928:. 912:. 886:. 839:. 806:. 784:. 633:( 340:木 332:絲 324:樂 322:( 246:( 238:瑟 232:( 47:.

Index


Tainan Confucian Temple
Chinese
Standard Mandarin
Hanyu Pinyin
Wade–Giles
IPA

Yue: Cantonese
Yale Romanization
Southern Min
Tâi-lô
Middle Chinese
Middle Chinese
Old Chinese
Baxter–Sagart (2014)
Chinese
Chinese
zither
Chinese
octaves
guqin
zheng

Fuxi



Western Zhou
Spring and Autumn period

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