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for a couple of weeks, and then moved to the Hotel
Britannia, where they stayed until December. According to Mme. Monet, the Britannia had a view, "if such a thing were possible, even more beautiful than that of Palazzo Barbaro..." Monet painted looking out from this hotel, but not, it seems, in the
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Monet painted the church of San
Giorgio Maggiore in six lighting conditions. With this varied approach, the paintings focused on the ânature of experience.â He was particularly impressed by the Venetian sunsets, âthese splendid sunsets which are unique in the world.â He had previously been inspired
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is approximately two-by-three feet and painted in oil on canvas. It depicts mysterious buildings that seem to magically appear from the surrounding landscape, they almost seem to float in the background. The forms are gently inserted, though not enough to disguise their identity. The painting
261:, where the island forms a focal point of the view. Monet was reportedly reluctant to paint from the waterfront. He disliked crowds of tourists and he was also worried about conforming to other artists who were drawn to Venice, such as
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case of this particular painting. Although the view from the hotel included the church of San
Giorgio Maggiore, the painting at dusk appears to have been viewed from the waterfront known as the
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417:"The Duck Pond That Grew into a 'French' Lake; How Did Claude Monet's Famous Paintings of Water Lilies Inspire Wales' Greatest Art-Collecting Sisters?"
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This photo separates the campanile and dome of San
Giorgio Maggiore, as it is taken from a position nearer the Grand Canal than the dusk paintings.
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In 1912 the Venice paintings were mainly dispersed as a result of a successful exhibition of twenty-nine canvases. This exhibition, entitled
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with its bell tower rising to the top of the painting. To the right are the faintly visible domes of
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in Paris. The same gallery had hosted exhibitions of the Rouen and London series.
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65.2 cm Ă 92.4 cm (25.7 in Ă 36.4 in)
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Newcomb, Molly. "San
Giorgio Maggiore at Dusk: Claude Monet." (2 April 2012)
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National Museum Wales, "San
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Tucker, Paul Hayes and George T.M. Shackleford and Mary Anne
Stevens,
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Venice: San
Giorgio Maggiore at Sunset, from the Hotel Europa 1840
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The hotel's name has since changed to the Hotel Europa and Regina
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Brownjohn, John and
Stephan Koja and Galerie Osterreichische,
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The painting became familiar in 1999 after its appearance in
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in 1911 seems to have been a factor in their completion.
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Version owned by the
Bridgestone Museum of Art in Tokyo.
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which Monet began in 1908 during his only visit there.
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Fondation Monet â Giverny home, studio, and gardens
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1418:Claude Monet Painting in His Garden at Argenteuil
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937:Woman with a Parasol â Madame Monet and Her Son
167:. The painting is normally on display there.
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334:. In the film the picture is stolen from the
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155:. She bequeathed it to the Art Gallery (now
454:. Bridgestone Museum of Art. Archived from
435:: CS1 maint: numeric names: authors list (
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905:Argenteuil Basin with a Single Sailboat
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1426:Claude Monet Painting in his Studio
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567:Koja, Stephan and Katja Miksovsky,
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1442:Monet: The Mystery of the Orangery
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390:"San Giorgio Maggiore by Twilight"
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186:San Giorgio Maggiore al Crepuscolo
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31:Saint-Georges Majeur au Crépuscule
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181:: Description of the painting
143:Versions in Cardiff and Tokyo
16:1908 painting by Claude Monet
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730:The Beach at Sainte-Adresse
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913:The Grand Quai at Le Havre
881:Resting Under a Lilac Bush
587:, New York: Rizzoli, 1997.
571:. New York: Prestel, 1997.
564:. New York: Prestel, 1996.
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415:Williams, Sally (2010).
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889:The Seine at Argenteuil
857:Boulevard des Capucines
677:Le DĂ©jeuner sur l'herbe
331:The Thomas Crown Affair
157:National Museum Cardiff
88:National Museum Cardiff
1323:Blanche Hoschedé Monet
1145:Le Bassin Aux Nymphéas
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1057:Study of Rocks; Creuse
778:Interior, after Dinner
536:Claude Monet in Venice
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133:San Giorgio Maggiore
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810:Windmill at Zaandam
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706:Women in the Garden
307:Claude Monet Venise
248:Monet and his wife
1450:The Impressionists
985:Beach in Pourville
921:Snow at Argenteuil
849:The Seine at Rouen
669:View from Rouelles
482:2014-02-18 at the
458:on 2 February 2014
452:"Twilight, Venice"
396:: Amgueddfa Cymru)
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127:painting by
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54:Claude Monet
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1214:(1892â1894)
1129: 1914
834: 1872
199:Grand Canal
33:, Italian:
1488:Categories
1394:Portrayals
1305:Jean Monet
841:Springtime
770:The Magpie
462:2 February
400:31 January
373:References
327:heist film
236:Viewpoints
174:in Tokyo.
76:Dimensions
1343:(teacher)
1337:(teacher)
1198:(1890â91)
1195:Haystacks
789:(1868â73)
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660:Paintings
431:cite news
301:Dispersal
223:Haystacks
63:1908â1912
1355:(dealer)
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480:Archived
348:See also
212:Normandy
84:Location
29:French:
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1363:Museums
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698:Camille
283:Giverny
161:Cardiff
94:, Wales
92:Cardiff
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1286:People
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683:Moscow
679:(Paris
672:(1858)
363:series
271:Turner
263:Renoir
137:Venice
105:(Eng:
68:Medium
50:Artist
1313:(son)
1307:(son)
394:Welsh
287:Alice
267:Manet
250:Alice
165:Wales
159:) in
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464:2014
437:link
402:2014
220:and
214:(in
60:Year
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