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Reed (mouthpiece)

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by shaving or sanding. Some professionals make single reeds from blanks, but this is time-consuming and can require expensive equipment. Among double reed players, advanced and professional players typically make their own reeds, while beginners and students often buy reeds, either from their teachers or from commercial sources.
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Musicians originally crafted reeds from cane using simple tools, a time-consuming and painstaking process. Specialized tools for cutting and trimming reeds by hand reduce the time needed to finish a reed. Today, nearly all single-reed instrument players buy manufactured reeds, though many adjust them
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Manufacturers produce reeds in different strengths, indicated by a number (most commonly 2, 2.5, 3, 3.5, 4, 4.5, and 5). The strength is determined by a machine that presses against the vamp (the part that includes the tip and the "heart" just behind the tip) of the reed and determines how stiff the
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reeds. Double reeds are tied in place with thread. Finishing both bassoon and oboe reeds requires the reed-maker to scrape along the cane section of the reed with a scraping knife to specific dimensions and lengths depending on the reed style and the musician's preference. Bassoon and oboe reeds are
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is grown in the southern coastal regions of France and Spain and, in the last 30 years, in the Cuyo area of Argentina. After the cane is cut it is placed in direct sunlight for about a month to dry. The cane is rotated regularly to ensure even and complete drying. Once dry, the cane is stored in a
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Reeds designed for the same instrument look roughly identical, but vary in thickness ("hardness" or "strength"). Hardness is generally measured on a scale of 1 through 5 from softest to hardest. This is not a standardized scale and reed strengths vary by manufacturer. The thickness of the tip and
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cane is collected, dried, processed, cut to manageable sizes, and separated into various diameters. The most common diameters for American-style oboe reeds are: 9.5–10 mm (0.37–0.39 in), 10–10.5 mm (0.39–0.41 in), and 10.5–11 mm (0.41–0.43 in). Many American oboists
197:. The back of the reed is flat and is placed against the mouthpiece. These reeds are roughly rectangular in shape and taper towards the thin tip, which is rounded to match the curve of the mouthpiece tip. All single reeds are shaped similarly but vary in size to fit each instrument's mouthpiece. 564:
players to each play several different instruments from the single-reed, flute, and double-reed families. In this context, these players are commonly referred to as "reed players". An individual part may call for only one or two instruments, or many more (the "Reed 3" part in Bernstein's
479:), used in some traditional Chinese music ensembles. A leaf or long blade of grass is stretched between the sides of the thumbs and tensioned slightly by bending the thumbs to change the pitch. The tone can be modified by cupping the hands to provide a resonant chamber. 181:, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. 549:
reed is. The machine separates the reeds according to hardness. Individual reeds graded with the same strength/hardness will vary in their playing characteristics. Sections of a reed that is too hard can be adjusted using blades, scrapers, or abrasives.
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heel and the profile in between affect the sound and playability. Pieces of cane of different density or stiffness, even if cut with the same profile, will respond differently due to those differences.
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Finally, the gouged pieces of cane are soaked, shaped on a shaper with razor blades, and allowed to dry before the final steps. The shaped piece of cane is then re-soaked and tied onto a "staple" for
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is an unframed free reed made of a stone or wood board tied to a rope that is swung around through the air to make a whistling sound. Another primitive unframed free-reed instrument is the leaf (the
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consistently on both sides. The split pieces are gouged by machine to remove many layers and drastically decrease thickness, which eases the scraping process for the reed-maker.
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warehouse. As production requires it, cane is taken to a factory's cutting department, where it is cut into tubes graded by diameter and wall density. The tubes are cut into
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The tubes are split into three equal parts and the pieces that are not warped are chosen. A reed made from warped cane will not
673: 877:- an exhibition curated by the Museum of Making Music, Carlsbad, CA - detailing the history and migration of reed instruments. 89: 177:, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using 61: 68: 42: 108: 375:
instruments have four reeds, two on top and two on bottom. Examples of this include an archetypal instrument from
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instruments, and bagpipes. Synthetic reeds are more durable and do not need to be moistened prior to playing.
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The playing characteristics of cane reeds are susceptible to changes in temperature and humidity.
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or synthetics. Musical instruments are classified according to the type and number of reeds.
82: 464:. The reed is made from cane, willow, brass or steel, and is enclosed in a rigid frame. The 306:. The two reeds vibrate against each other and not against a mouthpiece. In the case of the 1393: 1169: 1123: 956: 597: 8: 1279: 1198: 1009: 488: 417: 411: 149: 1383: 695: 425: 1378: 1284: 1128: 472: 421: 145: 222:
and made into reed blanks. Blanks are tapered and profiled into reeds using blades or
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prefer one diameter at one time of the year and a different diameter at other times.
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finished when the reeds play in tune or can make a sufficient "crow"-like noise.
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Double reed manufacturing begins the same way as that of single reeds.
295: 1428: 1341: 1274: 1269: 1249: 1179: 1113: 1098: 457: 445: 441: 399: 337: 267: 194: 163: 159: 1093: 816: 144:) is a thin strip of material that vibrates to produce a sound on a 24: 1336: 1326: 1254: 1143: 1103: 961: 561: 392: 388: 311: 307: 291: 190: 900: 1321: 1174: 1138: 1108: 994: 615: 572: 380: 365: 348: 299: 275: 244: 240: 1388: 1311: 1118: 1088: 1083: 1049: 1039: 525: 395: 1019: 637:"Oboe Cane Processing Overview | Midwest Musical Imports Blog" 226:
machines. Completed reeds are graded for strength by machine.
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compounds, and from a combination of cane and synthetics.
1014: 495:, but there are synthetic reeds for clarinet, saxophone, 158:("Giant cane") or synthetic material. Tuned reeds (as in 794: 842:"D'Addario Woodwinds : Strength Comparison Chart" 428:, ancient Southeast Asian instruments like the Laotian 696:"Oboe Reed Vibrations - Things Are Shakin' - OboeHobo" 173:The earliest types of single-reed instruments used 49:. Unsourced material may be challenged and removed. 368:is one of the most recognized instruments of India 795:"Premium Synthetic Woodwind Reeds | LĂ©gère Reeds" 1441: 16:Sound producing part of some musical instruments 725:"The Westwind reed knife and sharpening system" 502:Recently, synthetic reeds have been made from 432:, and modern European instruments such as the 916: 896:(11th ed.). Cambridge University Press. 189:Single reeds are used on the mouthpieces of 552: 923: 909: 531: 254:are used on many instruments, such as the 1450:Woodwind instrument parts and accessories 109:Learn how and when to remove this message 880: 359: 239: 120: 817:"The Idea - Harry Hartmann's Fiberreed" 540: 1442: 583:, and tenor and baritone saxophones). 904: 693: 520:, has a distinctive kind of reed (a 47:adding citations to reliable sources 18: 930: 852:from the original on 25 August 2017 524:), which is made from a paper-like 13: 468:of the framed free reed is fixed. 355: 14: 1466: 868: 347:reeds or formed on a mandrel for 321: 23: 764:from the original on 2016-08-16 735:from the original on 2015-12-08 706:from the original on 2016-05-06 676:from the original on 2015-12-08 647:from the original on 2015-12-08 229: 204: 184: 34:needs additional citations for 834: 809: 787: 775: 746: 717: 687: 658: 629: 1: 405: 482: 7: 586: 10: 1471: 846:www.woodwinds.daddario.com 821:Harry Hartmann's Fiberreed 729:Westwind Reed Making Tools 409: 233: 1406: 1242: 1206: 1197: 1152: 1076: 1067: 985: 947: 938: 754:"Reed Help for Beginners" 694:Witt, John (2014-07-03). 887:"Reed instruments"  622: 893:Encyclopædia Britannica 670:Midwest Musical Imports 641:Midwest Musical Imports 532:Commercial vs. handmade 416:There are two types of 215:single-reed instruments 213:used to make reeds for 369: 248: 133: 58:"Reed" mouthpiece 603:Mouthpiece (woodwind) 363: 243: 124: 1170:Heckelphone-clarinet 598:Free-reed instrument 560:orchestras call for 541:Care and maintenance 491:reeds are made from 152:reeds are made from 43:improve this article 489:woodwind instrument 412:Free reed aerophone 179:heteroglottal reeds 150:woodwind instrument 1129:Reclam de xeremies 875:The Roots of Reeds 797:. LĂ©gère Reeds LTD 370: 249: 146:musical instrument 134: 1437: 1436: 1402: 1401: 1302:Gourd mouth organ 1193: 1192: 1063: 1062: 504:synthetic polymer 383:, as well as the 175:idioglottal reeds 119: 118: 111: 93: 1462: 1367:Orthotonophonium 1362:Indian harmonium 1204: 1203: 1077:Cylindrical bore 1074: 1073: 949:Cylindrical bore 945: 944: 925: 918: 911: 902: 901: 897: 889: 862: 861: 859: 857: 838: 832: 831: 829: 827: 813: 807: 806: 804: 802: 791: 785: 779: 773: 772: 770: 769: 758:www.fredonia.edu 750: 744: 743: 741: 740: 721: 715: 714: 712: 711: 691: 685: 684: 682: 681: 662: 656: 655: 653: 652: 633: 518:transverse flute 114: 107: 103: 100: 94: 92: 51: 27: 19: 1470: 1469: 1465: 1464: 1463: 1461: 1460: 1459: 1455:Reed aerophones 1440: 1439: 1438: 1433: 1398: 1238: 1189: 1148: 1059: 981: 934: 932:Reed aerophones 929: 871: 866: 865: 855: 853: 840: 839: 835: 825: 823: 815: 814: 810: 800: 798: 793: 792: 788: 782:Henry Doktorski 780: 776: 767: 765: 752: 751: 747: 738: 736: 723: 722: 718: 709: 707: 692: 688: 679: 677: 664: 663: 659: 650: 648: 635: 634: 630: 625: 593:Reed aerophones 589: 575:, flute, oboe, 568:West Side Story 558:Musical theatre 555: 543: 534: 485: 440:(consisting of 414: 408: 358: 356:Quadruple reeds 324: 238: 232: 207: 187: 130:tenor saxophone 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 1468: 1458: 1457: 1452: 1435: 1434: 1432: 1431: 1426: 1421: 1419:Quadruple reed 1416: 1410: 1408: 1404: 1403: 1400: 1399: 1397: 1396: 1391: 1386: 1381: 1376: 1371: 1370: 1369: 1364: 1359: 1349: 1344: 1339: 1334: 1329: 1324: 1319: 1314: 1309: 1304: 1299: 1298: 1297: 1292: 1287: 1282: 1272: 1267: 1262: 1257: 1252: 1246: 1244: 1240: 1239: 1237: 1236: 1231: 1226: 1221: 1216: 1210: 1208: 1201: 1195: 1194: 1191: 1190: 1188: 1187: 1182: 1177: 1172: 1167: 1165:Heckel-clarina 1162: 1156: 1154: 1150: 1149: 1147: 1146: 1141: 1136: 1131: 1126: 1121: 1116: 1111: 1106: 1101: 1096: 1091: 1086: 1080: 1078: 1071: 1065: 1064: 1061: 1060: 1058: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1022: 1017: 1012: 1007: 1002: 997: 991: 989: 983: 982: 980: 979: 974: 969: 964: 959: 953: 951: 942: 936: 935: 928: 927: 920: 913: 905: 899: 898: 884:, ed. (1911). 882:Chisholm, Hugh 878: 870: 869:External links 867: 864: 863: 833: 808: 786: 774: 745: 716: 686: 657: 627: 626: 624: 621: 620: 619: 608:Uilleann pipes 605: 600: 595: 588: 585: 554: 553:"Reed players" 551: 542: 539: 533: 530: 484: 481: 460:, and Russian 407: 404: 373:Quadruple reed 364:The four reed 357: 354: 323: 320: 231: 228: 206: 203: 186: 183: 166:) are made of 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 1467: 1456: 1453: 1451: 1448: 1447: 1445: 1430: 1427: 1425: 1422: 1420: 1417: 1415: 1412: 1411: 1409: 1405: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1372: 1368: 1365: 1363: 1360: 1358: 1355: 1354: 1353: 1350: 1348: 1347:Physharmonica 1345: 1343: 1340: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1313: 1310: 1308: 1305: 1303: 1300: 1296: 1293: 1291: 1290:Richter-tuned 1288: 1286: 1283: 1281: 1278: 1277: 1276: 1273: 1271: 1268: 1266: 1263: 1261: 1258: 1256: 1253: 1251: 1248: 1247: 1245: 1241: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1211: 1209: 1205: 1202: 1200: 1196: 1186: 1183: 1181: 1178: 1176: 1173: 1171: 1168: 1166: 1163: 1161: 1158: 1157: 1155: 1151: 1145: 1142: 1140: 1137: 1135: 1132: 1130: 1127: 1125: 1122: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1081: 1079: 1075: 1072: 1070: 1066: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 992: 990: 988: 984: 978: 975: 973: 970: 968: 965: 963: 960: 958: 955: 954: 952: 950: 946: 943: 941: 937: 933: 926: 921: 919: 914: 912: 907: 906: 903: 895: 894: 888: 883: 879: 876: 873: 872: 851: 847: 843: 837: 822: 818: 812: 796: 790: 783: 778: 763: 759: 755: 749: 734: 730: 726: 720: 705: 701: 697: 690: 675: 671: 667: 661: 646: 642: 638: 632: 628: 617: 613: 609: 606: 604: 601: 599: 596: 594: 591: 590: 584: 582: 581:bass clarinet 578: 574: 570: 569: 563: 559: 550: 546: 538: 529: 527: 523: 519: 516: 512: 507: 505: 500: 498: 494: 490: 480: 478: 474: 469: 467: 463: 459: 455: 451: 447: 443: 439: 435: 431: 427: 424:and Japanese 423: 419: 413: 403: 401: 397: 394: 390: 386: 382: 378: 374: 367: 362: 353: 350: 346: 341: 339: 334: 331: 330: 322:Manufacturing 319: 317: 313: 309: 305: 301: 297: 293: 289: 285: 281: 280:contrabassoon 277: 273: 269: 265: 261: 257: 253: 247:double reeds. 246: 242: 237: 227: 225: 221: 216: 212: 202: 198: 196: 192: 182: 180: 176: 171: 169: 165: 161: 157: 156: 151: 147: 143: 139: 131: 127: 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 1265:Couesnophone 1153:Conical bore 1030:Oboe d'amore 1005:English horn 987:Conical bore 891: 854:. 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Retrieved 640: 631: 610:reed-making 579:, clarinet, 577:English horn 566: 556: 547: 544: 535: 508: 501: 486: 476: 471:The ancient 470: 415: 371: 342: 335: 329:Arundo donax 327: 325: 316:Rauschpfeife 284:sarrusophone 264:English horn 260:oboe d'amore 252:Double reeds 250: 230:Double reeds 219: 208: 205:Construction 199: 188: 185:Single reeds 178: 174: 172: 155:Arundo donax 153: 141: 137: 135: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 1357:Guide-chant 1332:Martinshorn 1069:Single reed 1055:Taepyeongso 940:Double reed 497:double reed 272:heckelphone 236:Double reed 1444:Categories 1374:Saenghwang 1352:Pump organ 1307:Hornophone 1260:Concertina 1229:Pitch pipe 1224:Party horn 1219:Bullroarer 1160:Aulochrome 826:5 December 801:5 December 768:2016-05-28 739:2015-12-03 710:2015-12-03 680:2015-12-04 651:2015-12-03 571:calls for 528:membrane. 473:bullroarer 450:concertina 442:reed pipes 438:reed organ 418:free reeds 410:See also: 406:Free reeds 391:, and the 296:nadaswaram 234:See also: 195:saxophones 164:accordions 160:harmonicas 69:newspapers 1429:Tone hole 1342:Organetto 1280:Chromatic 1275:Harmonica 1270:Harmoneon 1250:Accordion 1199:Free reed 1180:Saxophone 1114:Launeddas 1099:Chalumeau 612:workshops 483:Materials 458:accordion 454:bandoneĂłn 446:harmonica 434:harmonium 400:harmonics 393:Cambodian 268:bass oboe 191:clarinets 1337:Melodica 1327:Mangtong 1285:Diatonic 1255:Claviola 1185:TárogatĂł 1144:Zhaleika 1104:Clarinet 962:Chirimia 856:21 March 850:Archived 762:Archived 733:Archived 704:Archived 700:OboeHobo 674:Archived 645:Archived 587:See also 562:woodwind 389:Thailand 312:bagpipes 308:crumhorn 292:bagpipes 99:May 2020 1322:Lusheng 1295:Tremolo 1175:Octavin 1139:Xaphoon 1124:Pibgorn 1109:Diplica 1000:Bombard 995:Bassoon 957:Balaban 616:Ireland 573:piccolo 515:Chinese 381:shehnai 366:shehnai 349:bassoon 338:vibrate 300:shehnai 276:bassoon 245:Bassoon 148:. 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Index


verification
improve this article
adding citations to reliable sources
"Reed" mouthpiece
news
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scholar
JSTOR
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Alto
tenor saxophone
musical instrument
woodwind instrument
Arundo donax
harmonicas
accordions
metal
clarinets
saxophones
cane
single-reed instruments
CNC
Double reed

Bassoon
Double reeds
oboe

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