John Ruskin - Knowledge

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the Vice-Chancellor and his attendants as they forced a passage. All the young women in Oxford and all the girls' schools had got in before us and filled the semi-circular auditorium. Every inch was crowded, and still no lecturer; and it was not apparent how he could arrive. Presently there was a commotion in the doorway, and over the heads and shoulders of tightly packed young men, a loose bundle was handed in and down the steps, till on the floor a small figure was deposited, which stood up and shook itself out, amused and good humoured, climbed on to the dais, spread out papers and began to read in a pleasant though fluting voice. Long hair, brown with grey through it; a soft brown beard, also streaked with grey; some loose kind of black garment (possibly to be described as a frock coat) with a master's gown over it; loose baggy trousers, a thin gold chain round his neck with glass suspended, a lump of soft tie of some finely spun blue silk; and eyes much bluer than the tie: that was Ruskin as he came back to Oxford.

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the hall had been lent for a lecture on art and would certainly not have been made available for preaching Socialism. He stammered a little at all times, and now, finding the ungracious words literally stick in his throat, sat down, leaving the remonstrance incomplete but clearly indicated. The situation was most unpleasant. Morris at any time was choleric and his face flamed red over his white shirt front: he probably thought he had conceded enough by assuming against his usage a conventional garb. There was a hubbub, and then from the audience Ruskin rose and instantly there was quiet. With a few courteous well chosen sentences he made everybody feel that we were an assembly of gentlemen, that Morris was not only an artist but a gentleman and an Oxford man, and had said or done nothing which gentlemen in Oxford should resent; and the whole storm subsided before that gentle authority.

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architecture in which intellect is idle, invention impossible, but in which all luxury is gratified and all insolence fortified." Rejection of mechanisation and standardisation informed Ruskin's theories of architecture, and his emphasis on the importance of the Medieval Gothic style. He praised the Gothic for what he saw as its reverence for nature and natural forms; the free, unfettered expression of artisans constructing and decorating buildings; and for the organic relationship he perceived between worker and guild, worker and community, worker and natural environment, and between worker and God. Attempts in the 19th century to reproduce Gothic forms (such as pointed arches), attempts he had helped inspire, were not enough to make these buildings expressions of what Ruskin saw as true Gothic feeling, faith, and organicism.

5355: 1081:(published April 1846). The volume concentrated on Renaissance and pre-Renaissance artists rather than on Turner. It was a more theoretical work than its predecessor. Ruskin explicitly linked the aesthetic and the divine, arguing that truth, beauty and religion are inextricably bound together: "the Beautiful as a gift of God". In defining categories of beauty and imagination, Ruskin argued that all great artists must perceive beauty and, with their imagination, communicate it creatively by means of symbolic representation. Generally, critics gave this second volume a warmer reception, although many found the attack on the aesthetic orthodoxy associated with 3285: 5260: 8169:, 37.15Ruskin, in a letter to Charles Eliot Norton, 20 August 1870: "I have not yet received so much encouragement from anything as from what you tell me respecting the feelings of other workmen. For up to the present time I have literally felt that, as Carlyle once wrote to me—'We are in a minority of two,' and that, whatever sympathy here and there people might feel either with his genius or with my poor little art-gift, there was no one who would or could believe a word of what we said touching the vital laws and mortal violations of them which regulate and ruin states, and are not doing the first for us in England." 2940:. A communitarian protest against nineteenth-century industrial capitalism, it had a hierarchical structure, with Ruskin as its Master, and dedicated members called "Companions". Ruskin wished to show that contemporary life could still be enjoyed in the countryside, with land being farmed by traditional means, in harmony with the environment, and with the minimum of mechanical assistance. He also sought to educate and enrich the lives of industrial workers by inspiring them with beautiful objects. Toward this end, with a tithe (or personal donation) of £7,000, Ruskin acquired land and a collection of art treasures. 5246: 2646:, are essentially concerned with education and ideal conduct. "Of Kings' Treasuries" (in support of a library fund) explored issues of reading practice, literature (books of the hour vs. books of all time), cultural value and public education. "Of Queens' Gardens" (supporting a school fund) focused on the role of women, asserting their rights and duties in education, according them responsibility for the household and, by extension, for providing the human compassion that must balance a social order dominated by men. This book proved to be one of Ruskin's most popular, and was regularly awarded as a 4493:(1862), Ruskin recommended that the state should underwrite standards of service and production to guarantee social justice. This included the recommendation of government youth-training schools promoting employment, health, and 'gentleness and justice'; government manufactories and workshops; government schools for the employment at fixed wages of the unemployed, with idlers compelled to toil; and pensions provided for the elderly and the destitute, as a matter of right, received honourably and not in shame. Many of these ideas were later incorporated into the 5218: 866: 13167: 12989: 3380: 5393: 3078: 5276: 2669: 4642:"—a statement about the relationships of price and quality as they pertain to manufactured goods, and often summarised as: "The common law of business balance prohibits paying a little and getting a lot." This is the core of a longer statement usually attributed to Ruskin, although Ruskin's authorship is disputed among Ruskin scholars. Fred Shapiro maintains that the statement does not appear anywhere in Ruskin's works, and George Landow is likewise sceptical of the claim of Ruskin's authorship. In a posting of the 505: 3941: 325: 5377: 13312: 5304: 13048: 5339: 635: 4283: 3192: 4683: 5290: 3460: 2562:. Mill formed the Jamaica Committee for the purpose of holding Governor Eyre accountable for what they perceived to be his unlawful, inhumane, and unnecessary quelling of the insurrection. In response, the Eyre Defence and Aid Fund was formed to support Eyre for having fulfilled his duty to defend order and save the white population from danger; Carlyle served as the chairman. Ruskin allied with the Defence, writing a letter which appeared in the 5232: 14873: 5318: 14856: 14890: 2624: 488: 13067: 1289: 3560: 3972:, which traces its origins to the Cambridge School of Art, at the foundation of which Ruskin spoke in 1858. Also, the Ruskin Literary and Debating Society, (founded in 1900 in Toronto, Ontario, Canada), the oldest surviving club of its type, and still promoting the development of literary knowledge and public speaking today; and the Ruskin Art Club in Los Angeles, which still exists. In addition, there is the 14839: 4622:. However, there is no evidence that Ruskin ever engaged in any sexual activity with anyone at all. According to one interpretation, what Ruskin valued most in pre-pubescent girls was their innocence; the fact that they were not (yet) fully sexually developed. However, James L. Spates describes Ruskin's erotic life as simply "idiosyncratic" and concludes that he "was physically and emotionally normal". The 3316:), and he altered the house (adding a dining room, a turret to his bedroom to give him a panoramic view of the lake, and he later extended the property to accommodate his relatives). He built a reservoir and redirected the waterfall down the hills, adding a slate seat that faced the tumbling stream and craggy rocks rather than the lake, so that he could closely observe the fauna and flora of the hillside. 2387:). The reaction of the national press was hostile, and Ruskin was, he claimed, "reprobated in a violent manner". Ruskin's father also strongly disapproved. Others were enthusiastic, including Carlyle, who wrote, "I have read your Paper with exhilaration… Such a thing flung suddenly into half a million dull British heads… will do a great deal of good", declaring that they were "henceforth in a minority of 4638:, he wrote: "So far as I know, there is not in history record of anything so disgraceful to the human intellect as the modern idea that the commercial text, 'Buy in the cheapest market and sell in the dearest,' represents, or under any circumstances could represent, an available principle of national economy." Perhaps due to such passages, Ruskin is frequently identified as the originator of the " 58: 758:, under the pen name "Kata Phusin" (Greek for "According to Nature"). It was a study of cottages, villas, and other dwellings centred on a Wordsworthian argument that buildings should be sympathetic to their immediate environment and use local materials. It anticipated key themes in his later writings. In 1839, Ruskin's "Remarks on the Present State of Meteorological Science" was published in 484:

contrast to his father, took on all debts, settling the last of them in 1832. John James and Margaret were engaged in 1809, but opposition to the union from John Thomas, and the problem of his debts, delayed the couple's wedding. They finally married, without celebration, in 1818. John James died on 3 March 1864 and is buried in the churchyard of St John the Evangelist, Shirley, Croydon.

14436: 1635:. In these lectures, Ruskin spoke about how to acquire art, and how to use it, arguing that England had forgotten that true wealth is virtue, and that art is an index of a nation's well-being. Individuals have a responsibility to consume wisely, stimulating beneficent demand. The increasingly critical tone and political nature of Ruskin's interventions outraged his father and the 3505:, "The Advancement of All". In Japan, Ryuzo Mikimoto actively collaborated in Ruskin's translation. He commissioned sculptures and sundry commemorative items, and incorporated Ruskinian rose motifs in the jewellery produced by his cultured pearl empire. He established the Ruskin Society of Tokyo and his children built a dedicated library to house his Ruskin collection. 383:. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. 1798:, to whom he acknowledged that he "owed more than to any other living writer", Ruskin shifted his emphasis in the late 1850s from art towards social issues. Nevertheless, he continued to lecture on and write about a wide range of subjects including art and, among many other matters, geology (in June 1863 he lectured on the Alps), art practice and judgement ( 4674:

the statement, but the signs gave no information on where or when Ruskin was supposed to have written, spoken, or published the statement. Due to the statement's widespread use as a promotional slogan, and despite questions of Ruskin's authorship, it is likely that many people who are otherwise unfamiliar with Ruskin now associate him with this statement.

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about his first marriage. Ruskin repeated his marriage proposal when Rose became 21, and legally free to decide for herself. She was willing to marry if the union would remain unconsummated, because her doctors had told her she was unfit for marriage; but Ruskin declined to enter another such marriage for fear of its effect on his reputation.

1384:", a charge Ruskin later disputed. Ruskin wrote, "I can prove my virility at once." The annulment was granted in July. Ruskin did not even mention it in his diary. Effie married Millais the following year. The complex reasons for the non-consummation and ultimate failure of the Ruskin marriage are a matter of enduring speculation and debate. 990:. Suddenly Ruskin had found his métier, and in one leap helped redefine the genre of art criticism, mixing a discourse of polemic with aesthetics, scientific observation and ethics. It cemented Ruskin's relationship with Turner. After the artist died in 1851, Ruskin catalogued nearly 20,000 sketches that Turner gave to the British nation. 1216:, because he feared that they would be destroyed by the occupying Austrian troops. One of these troops, Lieutenant Charles Paulizza, became friendly with Effie, apparently with Ruskin's consent. Her brother, among others, later claimed that Ruskin was deliberately encouraging the friendship to compromise her, as an excuse to separate. 854:). A work of Christian sacrificial morality and charity, it is set in the Alpine landscape Ruskin loved and knew so well. It remains the most translated of all his works. Back at Oxford, in 1842 Ruskin sat for a pass degree, and was awarded an uncommon honorary double fourth-class degree in recognition of his achievements. 2825:(1871–84). (The letters were published irregularly after the 87th instalment in March 1878.) These letters were personal, dealt with every subject in his oeuvre, and were written in a variety of styles, reflecting his mood and circumstances. From 1873, Ruskin had full control over all his publications, having established 3312:, paying £1500 for it. Brantwood was Ruskin's main home from 1872 until his death. His estate provided a site for more of his practical schemes and experiments: he had an ice house built, and the gardens comprehensively rearranged. He oversaw the construction of a larger harbour (from where he rowed his boat, the 790:, he enjoyed equal status with his aristocratic peers. Ruskin was generally uninspired by Oxford and suffered bouts of illness. Perhaps the greatest advantage of his time there was in the few, close friendships he made. His tutor, the Rev Walter Lucas Brown, always encouraged him, as did a young senior tutor, 1503:) — which is the closest thing to a model of this style, but still failed to satisfy Ruskin completely. The many twists and turns in the Museum's development, not least its increasing cost, and the University authorities' less than enthusiastic attitude towards it, proved increasingly frustrating for Ruskin. 4654:), an anonymous library staff member briefly mentions the statement and its widespread use, saying that, "This is one of many quotations ascribed to Ruskin, without there being any trace of them in his writings – although someone, somewhere, thought they sounded like Ruskin." In an issue of the journal 4315:

Art is not a matter of taste, but involves the whole man. Whether in making or perceiving a work of art, we bring to bear on it feeling, intellect, morals, knowledge, memory, and every other human capacity, all focused in a flash on a single point. Aesthetic man is a concept as false and dehumanising

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continues to thrive as an educational charity, and has an international membership. The Ruskin Society organises events throughout the year. A series of public celebrations of Ruskin's multiple legacies took place in 2000, on the centenary of his death, and events are planned throughout 2019, to mark

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distanced Ruskin from the modern art world, his ideas on the social utility of art contrasting with the doctrine of "l'art pour l'art" or "art for art's sake" that was beginning to dominate. His later writings were increasingly seen as irrelevant, especially as he seemed to be more interested in book

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There is no wealth but life. Life, including all its powers of love, of joy, and of admiration. That country is the richest which nourishes the greatest number of noble and happy human beings; that man is richest who, having perfected the functions of his own life to the utmost, has always the widest

1756:, "I hear the chink of them at the end of every cadence of the Bible verses." This "loss of faith" precipitated a considerable personal crisis. His confidence undermined, he believed that much of his writing to date had been founded on a bed of lies and half-truths. He later returned to Christianity. 1540:(1857). He had taught several women drawing, by means of correspondence, and his book represented both a response and a challenge to contemporary drawing manuals. The WMC was also a useful recruiting ground for assistants, on some of whom Ruskin would later come to rely, such as his future publisher, 1229:

represented Ruskin's opinion of contemporary England. It served as a warning about the moral and spiritual health of society. Ruskin argued that Venice had degenerated slowly. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of

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Ruskin's health was poor and he never became independent from his family during his time at Oxford. His mother took lodgings on High Street, where his father joined them at weekends. He was devastated to hear that his first love, Adèle Domecq, the second daughter of his father's business partner, had

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John James had hoped to practise law, and was articled as a clerk in London. His father, John Thomas Ruskin, described as a grocer (but apparently an ambitious wholesale merchant), was an incompetent businessman. To save the family from bankruptcy, John James, whose prudence and success were in stark

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ice cream parlours prominently displayed a section of the statement in framed signs: "There is hardly anything in the world that someone cannot make a little worse and sell a little cheaper, and the people who consider price alone are that man's lawful prey." The signs listed Ruskin as the author of

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He alleged various reasons, hatred of children, religious motives, a desire to preserve my beauty, and finally this last year he told me his true reason… that he had imagined women were quite different to what he saw I was, and that the reason he did not make me his Wife was because he was disgusted

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Ruskin argued that one remedy would be to pay work at a fixed rate of wages, because human need is consistent and a given quantity of work justly demands a certain return. The best workmen would remain in employment because of the quality of their work (a focus on quality growing out of his writings

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Ruskin's belief in preservation of ancient buildings had a significant influence on later thinking about the distinction between conservation and restoration. His position at the beginning of his career was very radical and he believed that if no conservation had been done on a building it should be

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by confining women to the domestic sphere. Although indeed subscribing to the Victorian belief in "separate spheres" for men and women, Ruskin was however unusual in arguing for parity of esteem, a case based on his philosophy that a nation's political economy should be modelled on that of the ideal

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in May. Ruskin's own work was very distinctive, and he occasionally exhibited his watercolours: in the United States in 1857–58 and 1879, for example; and in England, at the Fine Art Society in 1878, and at the Royal Society of Painters in Watercolour (of which he was an honorary member) in 1879. He

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We want one man to be always thinking, and another to be always working, and we call one a gentleman, and the other an operative; whereas the workman ought often to be thinking, and the thinker often to be working, and both should be gentlemen, in the best sense. As it is, we make both ungentle, the

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Will you – (it's all for your own good – !) make her stand up and then draw her for me without a cap – and, without her shoes, – (because of the heels) and without her mittens, and without her – frock and frills? And let me see exactly how tall she is – and – how – round. It will be so good of

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Ruskin is not known to have had any sexually intimate relationships. During an episode of mental derangement after Rose died, he wrote a letter in which he insisted that Rose's spirit had instructed him to marry a girl who was visiting him at the time. It is also true that in letters from Ruskin to

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Nay, but I choose my physician and my clergyman, thus indicating my sense of the quality of their work. By all means, also, choose your bricklayer; that is the proper reward of the good workman, to be "chosen." The natural and right system respecting all labour is, that it should be paid at a fixed

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For Ruskin, the "age" of a building was crucially significant as an aspect in its preservation: "For, indeed, the greatest glory of a building is not in its stones, not in its gold. Its glory is in its Age, and in that deep sense of voicefulness, of stern watching, of mysterious sympathy, nay, even

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William Morris had come to lecture on "Art and plutocracy" in the hall of University College. The title did not suggest an exhortation to join a Socialist alliance, but that was what we got. When he ended, the Master of University, Dr Bright, stood up and instead of returning thanks, protested that

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but now occupies premises on High Street. Ruskin endowed the drawing mastership with £5000 of his own money. He also established a large collection of drawings, watercolours and other materials (over 800 frames) that he used to illustrate his lectures. The School challenged the orthodox, mechanical

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to a larger-than-expected audience. It was here that he said, "The art of any country is the exponent of its social and political virtues… she must found colonies as fast and as far as she is able, formed of her most energetic and worthiest men;—seizing every piece of fruitful waste ground she can

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Ruskin's biographers disagree about the allegation of "paedophilia". Tim Hilton, in his two-volume biography, asserts that Ruskin "was a paedophile", alluding by way of explanation to a sensual description by Ruskin of a half-naked girl he saw in Italy and quoting Ruskin's own statements about his

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has written, further, that, "The anthologising of short purple passages, removed from their intended contexts something which Ruskin himself detested and which has bedevilled his reputation from the start." Nevertheless, some aspects of Ruskin's theory and criticism require further consideration.

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election to the second term of the Slade professorship took place in 1884, and he was announced to lecture at the Science Schools, by the park. I went off, never dreaming of difficulty about getting into any professorial lecture; but all the accesses were blocked, and finally I squeezed in between

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For Mr Whistler's own sake, no less for the protection of the purchaser, Sir Coutts Lindsay ought not to have omitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of cockney impudence before

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Ruskin's sense of politics was not confined to theory. On his father's death in 1864, he inherited an estate worth between £120,000 and £157,000 (the exact figure is disputed). This considerable fortune, inherited from the father he described on his tombstone as "an entirely honest merchant", gave

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in 1852. Suffering increasingly from physical illness and acute mental anxiety, Effie was arguing fiercely with her husband and his intense and overly protective parents, and sought solace with her own parents in Scotland. The Ruskin marriage was already undermined as she and Millais fell in love,

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favoured pictorial convention, and not "truth to nature". He explained that he meant "moral as well as material truth". The job of the artist is to observe the reality of nature and not to invent it in a studio—to render imaginatively on canvas what he has seen and understood, free of any rules of

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I to: "go to Nature in all singleness of heart… rejecting nothing, selecting nothing and scorning nothing." By the 1850s. Ruskin was celebrating the Pre-Raphaelites, whose members, he said, had formed "a new and noble school" of art that would provide a basis for a thoroughgoing reform of the art

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The centenary of Ruskin's birth was keenly celebrated in 1919, but his reputation was already in decline and sank further in the fifty years that followed. The contents of Ruskin's home were dispersed in a series of sales at auction, and Brantwood itself was bought in 1932 by the educationist and

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in 1869 was one of the few occasions they came into personal contact. After a long illness, she died on 25 May 1875, at the age of 27. These events plunged Ruskin into despair and led to increasingly severe bouts of mental illness involving breakdowns and delirious visions. The first of these had

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Early in the 20th century, this statement appeared—without any authorship attribution—in magazine advertisements, in a business catalogue, in student publications, and, occasionally, in editorial columns. Later in the 20th century, however, magazine advertisements, student publications, business

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began on 3 January 1858, when she was 10 years old and he was about to turn 39. He was her private art tutor, and the two maintained an educational relationship through correspondence until she was 18. Around that time he asked her to marry him. However, Rose's parents forbade it, after learning

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Ruskin authored several works on political economy. Ruskin's social view broadened from concerns about the dignity of labour to consider issues of citizenship and notions of the ideal community. Just as he had questioned aesthetic orthodoxy in his earliest writings, he now dissected the orthodox

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For Ruskin, the Gothic style in architecture embodied the same moral truths he sought to promote in the visual arts. It expressed the 'meaning' of architecture—as a combination of the values of strength, solidity and aspiration—all written, as it were, in stone. For Ruskin, creating true Gothic

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If there be any one point insisted on throughout my works more frequently than another, that one point is the impossibility of Equality. My continual aim has been to show the eternal superiority of some men to others, sometimes even of one man to all others; and to show also the advisability of

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Ruskin believed in a hierarchical social structure. He wrote "I was, and my father was before me, a violent Tory of the old school." He believed in man's duty to God, and while he sought to improve the conditions of the poor, he opposed attempts to level social differences and sought to resolve

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IV presents the geology of the Alps in terms of landscape painting, and their moral and spiritual influence on those living nearby. The contrasting final chapters, "The Mountain Glory" and "The Mountain Gloom" provide an early example of Ruskin's social analysis, highlighting the poverty of the

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Theoria: Ruskin's 'theoretic' faculty – theoretic, as opposed to aesthetic – enables a vision of the beautiful as intimating a reality deeper than the everyday, at least in terms of the kind of transcendence generally seen as immanent in things of this world. For an example of the influence of

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to allow him to work on the Turner Bequest of nearly 20,000 individual artworks left to the nation by the artist. This involved Ruskin in an enormous amount of work, completed in May 1858, and involved cataloguing, framing and conserving. Four hundred watercolours were displayed in cabinets of

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Ruskin was greatly influenced by the extensive and privileged travels he enjoyed in his childhood. It helped to establish his taste and augmented his education. He sometimes accompanied his father on visits to business clients at their country houses, which exposed him to English landscapes,

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typifies the inextricable mix of aesthetics and morality in his thought: "Pagan in its origin, proud and unholy in its revival, paralysed in its old age… an architecture invented, as it seems, to make plagiarists of its architects, slaves of its workmen, and sybarites of its inhabitants; an

1556:(1866), an imagined conversation with Winnington's girls in which he cast himself as the "Old Lecturer". On the surface a discourse on crystallography, it is a metaphorical exploration of social and political ideals. In the 1880s, Ruskin became involved with another educational institution, 4319:

Even the most superior mind and the most powerful imagination must found itself on facts, which must be recognised for what they are. The imagination will often reshape them in a way which the prosaic mind cannot understand; but this recreation will be based on facts, not on formulas or

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has been seen as foreshadowing environmentalism and related concerns in the 20th and 21st centuries. Ruskin's prophetic writings were also tied to his emotions, and his more general (ethical) dissatisfaction with the modern world with which he now felt almost completely out of sympathy.

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in a plain way." Through the Museum, Ruskin aimed to bring to the eyes of the working man many of the sights and experiences otherwise reserved for those who could afford to travel across Europe. The original Museum has been digitally recreated online. In 1890, the Museum relocated to

4436:... the art of becoming "rich," in the common sense, is not absolutely nor finally the art of accumulating much money for ourselves, but also of contriving that our neighbours shall have less. In accurate terms, it is "the art of establishing the maximum inequality in our own favour." 4452:

rate, but the good workman employed, and the bad workman unemployed. The false, unnatural, and destructive system is when the bad workman is allowed to offer his work at half-price, and either take the place of the good, or force him by his competition to work for an inadequate sum.

4180:. He believed that all great art should communicate an understanding and appreciation of nature. Accordingly, inherited artistic conventions should be rejected. Only by means of direct observation can an artist, through form and colour, represent nature in art. He advised artists in 1186:(1849). It contained 14 plates etched by the author. The title refers to seven moral categories that Ruskin considered vital to and inseparable from all architecture: sacrifice, truth, power, beauty, life, memory and obedience. All would provide recurring themes in his future work. 1242:

one envying, the other despising, his brother; and the mass of society is made up of morbid thinkers and miserable workers. Now it is only by labour that thought can be made healthy, and only by thought that labour can be made happy, and the two cannot be separated with impunity.

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In principle, Ruskin worked out a scheme for different grades of "Companion", wrote codes of practice, described styles of dress and even designed the Guild's own coins. Ruskin wished to see St George's Schools established, and published various volumes to aid its teaching (his

4538:, whom he met when she was 12 and he was 21, and Gray's family encouraged a match between the two when she had matured. The marriage was annulled after six years owing to non-consummation. Effie, in a letter to her parents, claimed that Ruskin found her "person" repugnant: 1551:

in Cheshire. A frequent visitor, letter-writer, and donor of pictures and geological specimens to the school, Ruskin approved of the mixture of sports, handicrafts, music and dancing encouraged by its principal, Miss Bell. The association led to Ruskin's sub-Socratic work,

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It may be thought strange that I could abstain from a woman who to most people was so attractive. But though her face was beautiful, her person was not formed to excite passion. On the contrary, there were certain circumstances in her person which completely checked it.

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understood. It means the most total destruction which a building can suffer: a destruction out of which no remnants can be gathered: a destruction accompanied with false description of the thing destroyed. Do not let us deceive ourselves in this important matter; it is

1074:, but he was alarmed by the combined effects of decay and modernisation on the city: "Venice is lost to me", he wrote. It finally convinced him that architectural restoration was destruction, and that the only true and faithful action was preservation and conservation. 4574:

said to his daughter Mary, "should you ever hear anyone blame Millais or his wife, or Mr. Ruskin , remember that there is no fault; there was misfortune, even tragedy. All three were perfectly blameless." Ruskins' marriage is the subject of a book by Robert Brownell.

4715:: Ruskin gave this title to a series of letters he wrote "to the workmen and labourers of Great Britain" (1871–84). The name was intended to signify three great powers that fashion human destiny, as Ruskin explained at length in Letter 2 (February 1871). These were: 4122: 3033:

The Guild's most conspicuous and enduring achievement was the creation of a remarkable collection of art, minerals, books, medieval manuscripts, architectural casts, coins and other precious and beautiful objects. Housed in a cottage museum high on a hill in the

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III Ruskin argued that all great art is "the expression of the spirits of great men". Only the morally and spiritually healthy are capable of admiring the noble and the beautiful, and transforming them into great art by imaginatively penetrating their essence.

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Ruskin's work has been translated into numerous languages including, in addition to those already mentioned (Russian, French, Japanese): German, Italian, Catalan, Spanish, Portuguese, Hungarian, Polish, Romanian, Swedish, Danish, Dutch, Czech, Chinese, Welsh,

3929:. All three mount regular exhibitions open to the public all the year round. Barony House in Edinburgh is home to a descendant of John Ruskin. She has designed and hand painted various friezes in honour of her ancestor and it is open to the public. Ruskin's 390:. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, 1208:, staying at the Hotel Danieli. Their different personalities are revealed by their contrasting priorities. For Effie, Venice provided an opportunity to socialise, while Ruskin was engaged in solitary studies. In particular, he made a point of drawing the 971:

composition. For Ruskin, modern landscapists demonstrated superior understanding of the "truths" of water, air, clouds, stones, and vegetation, a profound appreciation of which Ruskin demonstrated in his own prose. He described works he had seen at the

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James Spates has written about the effects of this, based on the research work of Helen Viljoen. See James L. Spates, 'John Ruskin's Dark Star: New Lights on His Life Based on the Unpublished Biographical Materials and Research of Helen Gill Viljoen',

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in London and move to Venice. The episode tarnished Ruskin's reputation and may have accelerated his mental decline. It did nothing to mitigate Ruskin's exaggerated sense of failure in persuading his readers to share in his own keenly felt priorities.

4310:, and perhaps owe to this fact a part of their value." Ruskin's accounts of art are descriptions of a superior type that conjure images vividly in the mind's eye. Clark neatly summarises the key features of Ruskin's writing on art and architecture: 3096:

was ten. His first meeting came at a time when Ruskin's own religious faith was under strain. This always caused difficulties for the staunchly Protestant La Touche family who at various times prevented the two from meeting. A chance meeting at the

1752:. He had, however, doubted his Evangelical Christian faith for some time, shaken by Biblical and geological scholarship that was claimed to have undermined the literal truth and absolute authority of the Bible: "those dreadful hammers!" he wrote to 1237:. Praising Gothic ornament, Ruskin argued that it was an expression of the artisan's joy in free, creative work. The worker must be allowed to think and to express his own personality and ideas, ideally using his own hands, rather than machinery. 3328:, according to his wishes. As he had grown weaker, suffering prolonged bouts of mental illness, he had been looked after by his second cousin, Joan(na) Severn (formerly "companion" to Ruskin's mother) and she and her family inherited his estate. 7341: 2951:, but the agricultural scheme established there by local communists met with only modest success after many difficulties. Donations of land from wealthy and dedicated Companions eventually placed land and property in the Guild's care: in the 2765:, instigated by Ruskin in 1874, and continuing into 1875, which involved undergraduates in a road-mending scheme. The scheme was motivated in part by a desire to teach the virtues of wholesome manual labour. Some of the diggers, who included 1618:

In addition to leading more formal teaching classes, from the 1850s Ruskin became an increasingly popular public lecturer. His first public lectures were given in Edinburgh, in November 1853, on architecture and painting. His lectures at the

3387:

In middle age, and at his prime as a lecturer, Ruskin was described as slim, perhaps a little short, with an aquiline nose and brilliant, piercing blue eyes. Often sporting a double-breasted waistcoat, a high collar and, when necessary, a

4560:

speculated that he rejected Effie because he was horrified by the sight of her pubic hair. Lutyens argued that Ruskin must have known the female form only through Greek statues and paintings of nudes which lacked pubic hair. However,

4608:

I like my girls from ten to sixteen—allowing of 17 or 18 as long as they're not in love with anybody but me.—I've got some darlings of 8—12—14—just now, and my Pigwiggina here—12—who fetches my wood and is learning to play my bells.

2742:). His lectures ranged through myth, ornithology, geology, nature-study and literature. "The teaching of Art…", Ruskin wrote, "is the teaching of all things." Ruskin was never careful about offending his employer. When he criticised 1709:

Ruskin's own design. Recent scholarship has argued that Ruskin did not, as previously thought, collude in the destruction of Turner's erotic drawings, but his work on the Bequest did modify his attitude towards Turner. (See below,

3886:(1941) identified Ruskin as a thinker who made Nazism possible, and one 1930s German headmaster told his students that "Carlyle and Ruskin were the first National Socialists." More recently, Ruskin's works have also influenced 9177: 8810: 1536:. Although Ruskin did not share the founders' politics, he strongly supported the idea that through education workers could achieve a crucially important sense of (self-)fulfilment. One result of this involvement was Ruskin's 734:

Ruskin's journeys also provided inspiration for writing. His first publication was the poem "On Skiddaw and Derwent Water" (originally entitled "Lines written at the Lakes in Cumberland: Derwentwater" and published in the

4187:

world. For Ruskin, art should communicate truth above all things. However, this could not be revealed by mere display of skill, and must be an expression of the artist's whole moral outlook. Ruskin rejected the work of

3319:

Although Ruskin's 80th birthday was widely celebrated in 1899 (various Ruskin societies presenting him with an elaborately illuminated congratulatory address), Ruskin was scarcely aware of it. He died at Brantwood from

1515:

was part of a wider plan to improve science provision at Oxford, something the University initially resisted. Ruskin's first formal teaching role came about in the mid-1850s, when he taught drawing classes (assisted by

4569:

and John Batchelor also took the view that menstruation was the more likely explanation, though Batchelor also suggests that body-odour may have been the problem. There is no evidence to support any of these theories.

1132:, once the residence of the Ruskin family. It was the site of the suicide of John Thomas Ruskin (Ruskin's grandfather). Owing to this association and other complications, Ruskin's parents did not attend. The European 10000: 4772:

Modern Atheism: Ruskin applied this label to "the unfortunate persistence of the clerks in teaching children what they cannot understand and employing young consecrated persons to assert in pulpits what they do not

4665:

In the 21st century, and based upon the statement's applicability of the issues of quality and price, the statement continues to be used and attributed to Ruskin—despite the questionable nature of the attribution.

1026:. In 1845, at the age of 26, he undertook to travel without his parents for the first time. It provided him with an opportunity to study medieval art and architecture in France, Switzerland and especially Italy. In 14235: 4155:, the environmental effects of pollution, mythology, travel, political economy and social reform. After his death Ruskin's works were collected in the 39-volume "Library Edition", completed in 1912 by his friends 3166:

was revised, edited and issued in a new "Travellers' Edition" in 1879. Ruskin directed his readers, the would-be traveller, to look with his cultural gaze at the landscapes, buildings and art of France and Italy:

1456:

created many careful studies of natural forms, based on his detailed botanical, geological and architectural observations. Examples of his work include a painted, floral pilaster decoration in the central room of

4658:, Kenneth Bell quotes the statement and mentions that it has been attributed to Ruskin. While Bell believes in the veracity of its content, he adds that the statement does not appear in Ruskin's published works. 4221:. Even its crude and "savage" aspects were proof of "the liberty of every workman who struck the stone; a freedom of thought, and rank in scale of being, such as no laws, no charters, no charities can secure." 3242:

The period from the late 1880s was one of steady and inexorable decline. Gradually it became too difficult for him to travel to Europe. He suffered a complete mental collapse on his final tour, which included

698:. His early notebooks and sketchbooks are full of visually sophisticated and technically accomplished drawings of maps, landscapes and buildings, remarkable for a boy of his age. He was profoundly affected by 11606: 9372: 3355:, the last volume of which, an index, attempts to demonstrate the complex interconnectedness of Ruskin's thought. They all acted together to guard, and even control, Ruskin's public and personal reputation. 833:

become engaged to a French nobleman. In April 1840, whilst revising for his examinations, he began to cough blood, which led to fears of consumption and a long break from Oxford travelling with his parents.

4332:

This fulfilment of function depends on all parts of an organism cohering and co-operating. This was what he called the 'Law of Help,' one of Ruskin's fundamental beliefs, extending from nature and art to

4029:

has argued that Ruskin's understanding of the Gothic as a combination of two types of variation, rough savageness and smooth changefulness, opens up a new way of thinking leading to digital and so-called

7381:

The relation between Ruskin, his art and criticism, was explored in the exhibition Ruskin, Turner and the Pre-Raphaelites (Tate Britain, 2000), curated by Robert Hewison, Stephen Wildman and Ian Warrell.

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Good art is done with enjoyment. The artist must feel that, within certain reasonable limits, he is free, that he is wanted by society, and that the ideas he is asked to express are true and important.

555:

She read alternate verses with me, watching at first, every intonation of my voice, and correcting the false ones, till she made me understand the verse, if within my reach, rightly and energetically.

2551:

clean and tidy. Modest as these practical schemes were, they represented a symbolic challenge to the existing state of society. Yet his greatest practical experiments would come in his later years.

902:(whose son, Arthur Severn, later married Ruskin's cousin, Joan). He was galvanised into writing a defence of J. M. W. Turner when he read an attack on several of Turner's pictures exhibited at the 2909:

that was successful, but also acknowledged that he saw marks of great labour and artistic skill in the painting. In the end, Whistler won the case, but the jury awarded damages of only a derisory

551:

from beginning to end, and then to start all over again, committing large portions to memory. Its language, imagery and parables had a profound and lasting effect on his writing. He later wrote:

2531:

who had a well-established interest in literary and artistic matters. In these letters, Ruskin promoted honesty in work and exchange, just relations in employment and the need for co-operation.

2650:

prize. Its reception over time, however, has been more mixed, and twentieth-century feminists have taken aim at "Of Queens' Gardens" in particular, as an attempt to "subvert the new heresy" of

12044: 9857: 9403: 4225:, in contrast, expressed a morally vacuous and repressive standardisation. Ruskin associated Classical values with modern developments, in particular with the demoralising consequences of the 3235:(1885–1889) (meaning, 'Of Past Things'), a highly personalised, selective, eloquent but incomplete account of aspects of his life, the preface of which was written in his childhood nursery at 1151:, secured for them by Ruskin's father (later addresses included nearby 6 Charles Street, and 30 Herne Hill). Effie was too unwell to undertake the European tour of 1849, so Ruskin visited the 4329:

Beauty of form is revealed in organisms which have developed perfectly according to their laws of growth, and so give, in his own words, 'the appearance of felicitous fulfilment of function.'

3485:

described him as "one of the most remarkable men not only of England and of our generation, but of all countries and times" and quoted extensively from him, rendering his ideas into Russian.

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Excrescence: Ruskin defined an "excrescence" as an outgrowth of the main body of a building that does not harmonise well with the main body. He originally used the term to describe certain

4339:

Great art is the expression of epochs where people are united by a common faith and a common purpose, accept their laws, believe in their leaders, and take a serious view of human destiny.

1645:. As the Ruskin scholar Helen Gill Viljoen noted, Ruskin was increasingly critical of his father, especially in letters written by Ruskin directly to him, many of them still unpublished. 4565:

wrote, "It has been said that he was frightened on the wedding night by the sight of his wife's pubic hair; more probably, he was perturbed by her menstrual blood." Ruskin's biographers

4233:, which he criticised. Although Ruskin wrote about architecture in many works over the course of his career, his much-anthologised essay "The Nature of Gothic" from the second volume of 11103: 1672:. (For other addresses and letters, Cook and Wedderburn, vol. 16, pp. 427–87.) The year 1859 also marked his last tour of Europe with his ageing parents, during which they visited 10236: 1347:

during May 1851. Providing Millais with artistic patronage and encouragement, in the summer of 1853 the artist (and his brother) travelled to Scotland with Ruskin and Effie where, at

11371: 2612:

Town Hall, to which he had been invited because of a local debate about the style of a new Exchange building. "I do not care about this Exchange", Ruskin told his audience, "because

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Ruskin embraced the emerging literary forms, the travel guide (and gallery guide), writing new works, and adapting old ones "to give", he said, "what guidance I may to travellers…"

4705:

III (1856) to describe the ascription of human emotions to inanimate objects and impersonal natural forces, as in "Nature must be gladsome when I was so happy" (Charlotte Brontë,

4268: 3690: 9702:, "'The masses are much more sensitive to the perfection of the whole than to any separate details': The Influence of John Ruskin's Political Economy on Pierre de Coubertin", in 2901:

also agreed to give evidence for Whistler, but in the end could not attend as he had to go to Windsor to be knighted. Edward Burne-Jones, representing Ruskin, also asserted that

2420:

social inequalities by abandoning capitalism in favour of a co-operative structure of society based on obedience and benevolent philanthropy, rooted in the agricultural economy.

4614:

liking for young girls, while John Batchelor argues that the term is inappropriate because Ruskin's behaviour does not "fit the profile". Others point to a definite pattern of "

2568:

in December 1865 ("they are for Liberty, and I am for Lordship; they are Mob's men, and I am a King's man"), donating £100 to the Fund, and giving a speech at Waterloo Place on

2465:. Ruskin asserted that the components of the greatest artworks are held together, like human communities, in a quasi-organic unity. Competitive struggle is destructive. Uniting 2277: 3810:, cited Ruskin's principles of beautification, asserting that the games should be "Ruskinised" to create an aesthetic identity that transcended mere championship competitions. 3007:'s publication of some of her tales of peasant life.) In reality, the Guild, which still exists today as a charitable education trust, has only ever operated on a small scale. 2730:

below). He lectured on a wide range of subjects at Oxford, his interpretation of "Art" encompassing almost every conceivable area of study, including wood and metal engraving (

694:

These tours gave Ruskin the opportunity to observe and record his impressions of nature. He composed elegant, though mainly conventional poetry, some of which was published in

15079: 14734: 12491: 10324: 523:. His childhood was shaped by the contrasting influences of his father and mother, both of whom were fiercely ambitious for him. John James Ruskin helped to develop his son's 12149: 2934:, in 1871 (although originally it was called St George's Fund, and then St George's Company, before becoming the Guild in 1878). Its aims and objectives were articulated in 15089: 13149: 12005: 6028:

Laws of Fésole: A Familiar Treatise on the Elementary Principles and Practice of Drawing and Painting as Determined by the Tuscan Masters (arranged for the use of schools)

4326:

The greatest artists and schools of art have believed it their duty to impart vital truths, not only about the facts of vision, but about religion and the conduct of life.

4159:

and Alexander Wedderburn. The range and quantity of Ruskin's writing, and its complex, allusive and associative method of expression, cause certain difficulties. In 1898,

2543:

to aid her philanthropic housing scheme. But Ruskin's endeavours extended to the establishment of a shop selling pure tea in any quantity desired at 29 Paddington Street,

4109:. The centre educates adolescents with developmental differences using Ruskin's "land and craft" ideals, transitioning them so they will succeed as adults in an evolving 6998: 4416:

principally on the grounds that it failed to acknowledge complexities of human desires and motivations (broadly, "social affections"). He began to express such ideas in

3106:, a town and a county that he knew from his boyhood travels, whose flora, fauna, and minerals helped to form and reinforce his appreciation and understanding of nature. 1794:… the central work of my life" the break was not so dramatic or final. Following his crisis of faith, and urged to political and economic work by his professed "master" 10366: 4747:. These three powers (the "fors") together represent human talents and abilities to choose the right moment and then to strike with energy. The concept is derived from 4242:

Ruskin's theories indirectly encouraged a revival of Gothic styles, but Ruskin himself was often dissatisfied with the results. He objected that forms of mass-produced

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appointing such persons or person to guide, to lead, or on occasion even to compel and subdue, their inferiors, according to their own better knowledge and wiser will.

1954: 1432:

published the lines (24 May 1856), "I paints and paints,/hears no complaints/And sells before I'm dry,/Till savage Ruskin/He sticks his tusk in/Then nobody will buy."

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Ruskin's lectures were often so popular that they had to be given twice—once for the students, and again for the public. Most of them were eventually published (see

1692:

death in 1851. Being named an executor to Turner's will was an honour that Ruskin respectfully declined, but later took up. Ruskin's book in celebration of the sea,

916:

in 1836, which had prompted Ruskin to write a long essay. John James had sent the piece to Turner, who did not wish it to be published. It finally appeared in 1903.

870: 10417:

Cook and Wedderburn 12.417–32. Cynthia J. Gamble, "John Ruskin: conflicting responses to Crystal Palace" in Françoise Dassy and Catherine Hajdenko-Marshall (eds.),

3215:(1880) in which, as Seth Reno argues, he describes the devastating effects on the landscape caused by industrialization, a vision Reno sees as a realization of the 15074: 14473: 11640: 8273:

entry for Ruskin, however, states £157,000 plus £10,000 in pictures (section: "A Mid-Life Crisis"). The National Probate Calendar states simply, 'under £200,000.

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and Ruskin had claimed that in 1858 Ruskin burned bundles of erotic paintings and drawings by Turner to protect Turner's posthumous reputation. Ruskin's friend

10595: 7072:

A Marriage of Inconvenience: John Ruskin, Effie Gray, John Everett Millais and the surprising truth about the most notorious marriage of the nineteenth century

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Although critics were slow to react and the reviews were mixed, many notable literary and artistic figures were impressed with the young man's work, including

11014: 8703: 14285: 11290: 10670:

Marriage of Inconvenience: John Ruskin, Effie Gray, John Everett Millais and the surprising truth about the most notorious marriage of the nineteenth century

2354:

to demonstrate the communal and sometimes sacrificial nature of true economics. For Ruskin, all economies and societies are ideally founded on a politics of

1744:. He would later claim (in April 1877) that the discovery of this painting, contrasting starkly with a particularly dull sermon that he had listened to at a 890:

For much of the period from late 1840 to autumn 1842, Ruskin was abroad with his parents, mainly in Italy. His studies of Italian art were chiefly guided by

13001: 6399: 4254:, freehand stone carvers chosen to revive the creative "freedom of thought" of Gothic craftsmen, disappointed him by their lack of reverence for the task. 3392:, he also wore his trademark blue neckcloth. From 1878 he cultivated an increasingly long beard, and took on the appearance of an "Old Testament" prophet. 2913:(the smallest coin of the realm) to the artist. Court costs were split between the two parties. Ruskin's were paid by public subscription organised by the 2535:

him the means to engage in personal philanthropy and practical schemes of social amelioration. One of his first actions was to support the housing work of

1842:

underpinning it. He repudiated his sometimes grandiloquent style, writing now in plainer, simpler language, to communicate his message straightforwardly.

439:(1871–1884). In the course of this complex and deeply personal work, he developed the principles underlying his ideal society. As a result, he founded the 375:, which he considered as "the only book of any value on architecture". Ruskin's writing styles and literary forms were equally varied. He wrote essays and 6577: 4482:

to the alienation of the worker not merely from the process of work itself, but from his fellow workmen and other classes, causing increasing resentment.

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in 1848. The Pre-Raphaelite commitment to 'naturalism' – "paint from nature only", depicting nature in fine detail, had been influenced by Ruskin.

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Government and cooperation are in all things and eternally the laws of life. Anarchy and competition, eternally, and in all things, the laws of death.

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For an exploration of Ruskin's rejection of dominant artistic trends in his later life, see Clive Wilmer, "Ruskin and the Challenge of Modernity" in

4464:

At the root of his theory, was Ruskin's dissatisfaction with the role and position of the worker, and especially the artisan or craftsman, in modern

1161:. He was struck by the contrast between the Alpine beauty and the poverty of Alpine peasants, stirring his increasingly sensitive social conscience. 12118: 11095: 4163:

observed that in attempting to summarise Ruskin's thought, and by extracting passages from across his work, "the spell of his eloquence is broken".

1810:). He continued to draw and paint in watercolours, and to travel extensively across Europe with servants and friends. In 1868, his tour took him to 13464: 13081: 8687: 5784:(1865) (i.e., "Of Queens' Gardens" and "Of Kings' Treasuries" to which was added, in a later edition of 1871, "The Mystery of Life and Its Arts") ( 5047: 3653:

No true disciple of mine will ever be a "Ruskinian"! – he will follow, not me, but the instincts of his own soul, and the guidance of its Creator.

2576:. In addition to this, Ruskin "threw himself into" personal work for the Defence, "enlisting recruits, persuading waverers, combating objections." 1403:

for her medical care). Other artists influenced by the Pre-Raphaelites also received both critical and financial assistance from Ruskin, including

9193: 8521: 6607: 4276: 2346:

failed to consider the social affections that bind communities together. He articulated an extended metaphor of household and family, drawing on

9039: 5887:(1871–84) ("Works" 27–29) (originally collected in 8 vols., vols. 1–7 covering annually 1871–1877, and vol. 8, Letters 85–96, covering 1878–84) 1415:, who became a good friend (he called him "Brother Ned"). His father's disapproval of such friends was a further cause of tension between them. 15084: 14633: 12755: 12629: 10266: 3766:, an educational establishment in Oxford originally intended for working men, was named after him by its American founders, Walter Vrooman and 2889:

represented him. The trial took place on 25 and 26 November, and many major figures of the art world at the time appeared at the trial. Artist

2796:

In 1879, Ruskin resigned from Oxford, but resumed his Professorship in 1883, only to resign again in 1884. He gave his reason as opposition to

2263: 1874: 12324: 6124: 4522:, was said to have colluded in the alleged destruction of Turner's works. In 2005, these works, which form part of the Turner Bequest held at 1225:(1851–53). Developing from a technical history of Venetian architecture from the Byzantine to the Renaissance, into a broad cultural history, 7714: 7601: 10228: 7736: 7725: 4151:

Ruskin wrote over 250 works, initially art criticism and history, but expanding to cover topics ranging over science, geology, ornithology,

456:

Ruskin was the only child of first cousins. His father, John James Ruskin (1785–1864), was a sherry and wine importer, founding partner and

14714: 14215: 7926: 7895: 7402: 4761:: Used by Ruskin as the antithesis of wealth, which he defined as life itself; broadly, where wealth is 'well-being', illth is "ill-being". 14974: 10914: 9626:

and see specifically, Robert Hewison, "'You are doing some of the work that I ought to do': Octavia Hill and Ruskinian values", pp. 57–66.

3834:. Ruskin was discussed in university extension classes, and in reading circles and societies formed in his name. He helped to inspire the 15099: 15044: 14729: 14466: 12082: 11757: 11637:

Proceedings of the 23rd Annual ARCOM Conference, 3-5 September 2007, Belfast, U.K., Association of Researchers in Construction Management

11173: 11138: 10959: 4623: 4247: 3998:—is named after John Ruskin. There is a mural of Ruskin titled "Head, Heart and Hands" on a building across from the Ruskin Post Office. 2383:, was forced to abandon the series by the outcry of the magazine's largely conservative readership and the fears of a nervous publisher ( 1998: 1512: 1496: 12784: 12780: 11792: 6281:) ed. Na Ding, foreword by Tim Kavi, brief literary bio by Kelli M. Webert (TiLu Press, 2013 electronic book version, paper forthcoming) 1341:(1849–50), a painting that was considered blasphemous at the time, but Ruskin wrote letters defending the Pre-Raphaelite Brotherhood to 706:(1830), a copy of which was given to him as a 13th birthday present; in particular, he deeply admired the accompanying illustrations by 14954: 12437: 11040:

Bell, Kenneth J. (1992). "Go Figure: Some Reflections on John Ruskin, Bid Evaluation, and the Accidental Triumph of Good Engineering".

10989: 8205: 6629: 6008:

Proserpina: Studies of Wayside Flowers, While the Air was Yet Pure Among the Alps, and in the Scotland and England Which My Father Knew

5717:

The Elements of Perspective, Arranged for the Use of Schools and Intended to be Read in Connection with the First Three Books of Euclid

2753:

Most controversial, from the point of view of the University authorities, spectators and the national press, was the digging scheme on

10545: 8903: 8262:(Sutton Publishing, 1999) p. 62 as does James S. Dearden (who adds that property, including paintings, was valued at £3000), in idem, 14994: 14949: 12530: 12481: 12376: 10320: 8353: 7352: 5245: 2715: 587:. He had few friends of his own age, but it was not the friendless and joyless experience he later said it was in his autobiography, 12346: 7121: 4662:

books, technical publications, scholarly journals, and business catalogues often included the statement with attribution to Ruskin.

3713:

called Ruskin an inspiration and invoked his ideas in justification of their own social interventions; likewise the founders of the

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Barringer, T. J.; Contractor, Tara; Hepburn, Victoria; Stapleton, Judith; Long, Courtney Skipton; Levy Haskell, Gavriella (2019).

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Alexander MacEwen, who attended Ruskin's lectures at Oxford, reported that the papers described him thus. See David Smith Cairns,

5259: 950:'s critics. Ruskin controversially argued that modern landscape painters—and in particular Turner—were superior to the so-called " 12234: 15109: 5697:

A Joy Forever' and Its Price in the Market: being the substance (with additions) of two lectures on The Political Economy of Art

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For the address itself, see Cook and Wedderburn 16.177–206, and for the wider context: Clive Wilmer, "Ruskin and Cambridge" in

6889: 6764: 3681:. Ruskin's ideas on the preservation of open spaces and the conservation of historic buildings and places inspired his friends 3199:

In the 1880s, Ruskin returned to some literature and themes that had been among his favourites since childhood. He wrote about

1849: 1085:

difficult to accept. In the summer, Ruskin was abroad again with his father, who still hoped his son might become a poet, even

11509:"Chloroform and Halothane in a Precision System: Comparison of Some Cardiovascular, Respiratory and Metabolic Effects in Dogs" 7734:

Ruskin in Milan, 1862": A Chapter from Dark Star, Helen Gill Viljoen's Unpublished Biography of John Ruskin by James L. Spates

7020: 6990: 4396:. Ruskins radical position on restoration was nuanced at the end of his life as he wrote in his last book Preateria in which " 15094: 15019: 13235: 12810: 12731: 12716: 12605: 10714: 10358: 9619: 9555: 4486:

on art and architecture). The best workmen could not, in a fixed-wage economy, be undercut by an inferior worker or product.

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Plantation of Renown: The Story of the La Touche Family of Harristown and the Baptist Church at Brannockstown in Co. Kildare

6539: 6509: 2505:

Ruskin's next work on political economy, redefining some of the basic terms of the discipline, also ended prematurely, when

14989: 13497: 9992: 7574:"Be Like Daisies": John Ruskin and the Cultivation of Beauty at Whitelands College (Guild of St George Ruskin Lecture 1992) 7452: 4062: 3027: 1190:

promoted the virtues of a secular and Protestant form of Gothic. It was a challenge to the Catholic influence of architect

9818: 2877:, and accused Whistler of asking two hundred guineas for "flinging a pot of paint in the public's face". Whistler filed a 14827: 14754: 14628: 10030: 9674: 4967: 4801: 1884: 11896:"illth, n." OED Online, Oxford University Press, December 2021, www.oed.com/view/Entry/91518. Accessed 17 February 2022. 4392:, who promoted the view that "if no conservation had been done a building it should be restored". In fact Ruskin never 1034:, which Ruskin considered the exemplar of Christian sculpture (he later associated it with the then object of his love, 15029: 12406: 11709:

The Complexity Crisis: Why Too Many Products, Markets, and Customers Are Crippling Your Company and What to Do About It

10751: 10155: 7835:

Alan Davis, "Misinterpreting Ruskin: New light on the 'dark clue' in the basement of the National Gallery, 1857–58" in

7474: 4916: 4893: 4855: 3133:

Ruskin continued to travel, studying the landscapes, buildings and art of Europe. In May 1870 and June 1872 he admired

1337: 747:

were published. They show early signs of his skill as a close "scientific" observer of nature, especially its geology.

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For the catalogues, Cook and Wedderburn 19.187–230 and 351–538. For letters, see 13.329-50 and further notes, 539–646.

6835:

James S. Dearden, "The King of the Golden River: A Bio-Bibliographival Study" in Robert E. Rhodes and Del Ivan Janik,

5960:

Val d'Arno: Ten Lectures on the Tuscan Art, directly antecedent to the Florentine Year of Victories, given before the

3400:

The following description of Ruskin as a lecturer was written by an eyewitness, who was a student at the time (1884):

3092:. Maria La Touche, a minor Irish poet and novelist, asked Ruskin to teach her daughters drawing and painting in 1858. 15004: 14999: 12984: 12038: 11751: 11717: 11600: 11396: 10953: 10833: 10805: 10568: 10440: 9962: 9887: 9801: 7055: 4874: 3284: 1164:

The marriage was unhappy, with Ruskin reportedly being cruel to Effie and distrustful of her. The marriage was never

11446: 11068: 10859: 9504:

Masami Kimura, "Japanese Interest in Ruskin: Some Historical Trends" in Robert E. Rhodes and Del Ivan Janik (eds.),

3800:. The Museum has promoted Ruskin's art teaching, utilising the collection for in-person and online drawing courses. 3572:

Theorists and practitioners in a broad range of disciplines acknowledged their debt to Ruskin. Architects including

2839:

now, but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.

840:, whom he later married: the twelve-year-old Effie had asked him to write a fairy story. During a six-week break at 15104: 15054: 12654: 12179: 11221: 11018: 10131: 9547: 8269: 7549:

The Winnington Letters: John Ruskin's correspondence with Margaret Alexis Bell and the children at Winnington Hall,

4054: 3089: 2601: 1648:

Ruskin gave the inaugural address at the Cambridge School of Art in 1858, an institution from which the modern-day

1426:(1855–1859, 1875). They were highly influential, capable of making or breaking reputations. The satirical magazine 433:. In 1871, he began his monthly "letters to the workmen and labourers of Great Britain", published under the title 12856: 6172:

The Winnington Letters: John Ruskin's correspondence with Margaret Alexis Bell and the children at Winnington Hall

4626:

was 12 for females until 1875 and then raised to 16 in 1885, having been 13 in Great Britain between those dates.

4428:), but he gave them full expression in the influential and at the time of publication, very controversial essays, 4385:

of approval or condemnation, which we feel in walls that have long been washed by the passing waves of humanity."

14116: 13809: 13275: 13042: 9341: 8591: 6051: 5570: 4352: 4002: 1182: 844:

to undergo Dr Jephson's (1798–1878) celebrated salt-water cure, Ruskin wrote his only work of fiction, the fable

691:

for the first time, that 'Paradise of cities' that provided the subject and symbolism of much of his later work.

411:

in which he argued that the principal role of the artist is "truth to nature". From the 1850s, he championed the

144: 12898:, sixth edition (1905).) – Note that the title was slightly changed for the 1900 2nd edition and later editions. 5804:(1866) (to a later edition was added a fourth lecture (delivered 1869), called "The Future of England") (1866) ( 4526:, were re-appraised by Turner Curator Ian Warrell, who concluded that Ruskin and Wornum had not destroyed them. 4369:, as impossible as to raise the dead, to restore anything that has ever been great or beautiful in architecture. 4001:

Since 2000, scholarly research has focused on aspects of Ruskin's legacy, including his impact on the sciences;

3750:, and opened it as a permanent Ruskin memorial. Inspired by Ruskin's educational ideals, Whitehouse established 2897:

appeared for Ruskin. Frith said "the nocturne in black in gold is not in my opinion worth two hundred guineas".

618:, where Dale was the first Professor of English Literature. Ruskin went on to enrol and complete his studies at 15039: 14663: 13335: 12708: 10777:, p. 553, "absolutely under her orders I have asked Tenny Watson to marry me and come abroad with her father." 9645: 8746: 8486: 6569: 5217: 5004: 4958: 4639: 4239:(1853) is widely considered to be one of his most important and evocative discussions of his central argument. 2342:

as dehumanising (separating the labourer from the product of his work), and argued that the false "science" of

1909: 1636: 1331:

Ruskin became acquainted with Millais after the artists made an approach to Ruskin through their mutual friend

12213: 11830: 9703: 9009: 2905:

was not a serious work of art. When asked to give reasons, Burne-Jones said he had never seen one painting of

2819:, he began his series of 96 (monthly) "letters to the workmen and labourers of Great Britain" under the title 15069: 15049: 14482: 13794: 13719: 13136: 11743:

Consumer Republic: Using Brands to Get What You Want, Make Corporations Behave, and Maybe Even Save the World

11477: 5275: 4751:'s phrase "There is a tide in the affairs of men/ Which, taken at the flood, leads on to fortune" (Brutus in 4409: 4272: 4021:

argues that Ruskin's notions of craft can be felt today in online communities such as YouTube and throughout

3018:, producing cloth goods. The Guild also encouraged independent but allied efforts in spinning and weaving at 2363: 1857: 1769:

Whenever I look or travel in England or abroad, I see that men, wherever they can reach, destroy all beauty.

1641: 947: 875: 357: 242: 9722: 6761:"Christ Church, Oxford by John Ruskin :: ArtMagick Illustrated Poetry Collection :: Artmagick.com" 5707:

The Two Paths: being Lectures on Art, and Its Application to Decoration and Manufacture, Delivered in 1858–9

2547:(giving employment to two former Ruskin family servants) and crossing-sweepings to keep the area around the 1491:. Such buildings created what has been called a distinctive "Ruskinian Gothic". Through his friendship with 15024: 14418: 14345: 13259: 12849: 7101:

Young Mrs. Ruskin in Venice: Unpublished Letters of Mrs. John Ruskin written from Venice, between 1849–1852

6178:

The Ruskin Family Letters: The Correspondence of John James Ruskin, his wife, and their son John, 1801–1843

5477: 4360:

Neither by the public, nor by those who have the care of public monuments, is the true meaning of the word

4070: 2707:

cherished a long-hand copy of the lecture, believing that it supported his own view of the British Empire.

1983: 1120: 846: 380: 13109: 13097: 11421: 9935: 9909: 9302: 4246:

Gothic did not exemplify his principles, but showed disregard for the true meaning of the style. Even the

15059: 15009: 14739: 13283: 13007: 12104: 7394:, private publication August 2002 & April 2006, for viewing Fareham Library reference Section or the 7143: 6472: 5582: 4235: 4200: 3902:

In 2019, Ruskin200 was inaugurated as a year-long celebration marking the bicentenary of Ruskin's birth.

3879: 2999:), but the schools themselves were never established. (In the 1880s, in a venture loosely related to the 2782: 2687: 2380: 1968: 1230:

revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness.

1220: 851: 422: 152: 13204: 13174: 8676: 7710:

Most of Viljoen's work remains unpublished, but has been explored by Van Akin Burd and James L. Spates.

6954: 5812:

Time and Tide, by Weare and Tyne: Twenty-five Letters to a Working Man of Sunderland on the Laws of Work

4780:

features also for later additions to cathedrals and various other public buildings, especially from the

3677:(of the Guild of Handicraft) were keen disciples, and through them Ruskin's legacy can be traced in the 2746:

in a lecture in June 1871 it was seen as an attack on the large collection of that artist's work in the

15034: 14984: 13944: 13774: 13429: 13351: 13125: 13077: 12788: 11279: 10683: 8510: 8462: 6599: 5392: 5376: 5139: 5054: 5035: 3432: 1325: 600: 520: 412: 12980: 11457:. Berkeley, Ca.: University of California, College of Agriculture, Agricultural Experiment Station: 43 8438: 4755:). Ruskin believed that the letters were inspired by the Third Fors: striking out at the right moment. 3628:, knew Ruskin's work well. Admirers ranged from the British-born American watercolourist and engraver 3010:

Ruskin also wished to see traditional rural handicrafts revived. St. George's Mill was established at

2800:, but he had increasingly been in conflict with the University authorities, who refused to expand his 1580:, which he visited regularly, and was similarly generous to other educational institutions for women. 14582: 13651: 13228: 12838: 10797: 8154: 4973: 4946: 3953: 3823: 3731:'s community in Millthorpe, Derbyshire was partly inspired by Ruskin, and John Kenworthy's colony at 3529: 3525: 2678: 2528: 2023: 1533: 1529: 1219:

Meanwhile, Ruskin was making the extensive sketches and notes that he used for his three-volume work

891: 17: 13929: 9031: 7919:"The Aesthetic and Critical Beliefs of John Ruskin. Chapter Four, Section III. The Return to Belief" 4209:

architecture involved the whole community, and expressed the full range of human emotions, from the

3792:

Ruskin's Drawing Collection, a collection of 1470 works of art he gathered as learning aids for the

2881:

suit against Ruskin, but Ruskin was ill when the case went to trial in November 1878, so the artist

491:

The grave of John James Ruskin, father of John Ruskin, in the churchyard of St John the Evangelist,

14719: 14305: 14089: 13490: 13393: 13199: 13010:

in the Baldwin Library of Historical Children's Literature Digital Collection. Retrieved 2010-10-19

12316: 10081:

Making Is Connecting: The social meaning of creativity from DIY and knitting to YouTube and Web 2.0

5008:(1967), Ken Russell's biopic for television of Rossetti, in which Ruskin is played by Clive Goodwin 4810: 4601: 4264: 3985: 3961: 3778: 3774: 3678: 3517: 3420: 3332:

was the eloquent final chapter of Ruskin's memoir, which he dedicated to her as a fitting tribute.

2826: 2801: 2627:"For all books are divisible into two classes: the books of the hour, and the books of all time" – 2073: 2013: 1649: 1620: 1541: 1521: 1273: 1269: 1213: 619: 615: 480:. She had joined the Ruskin household when she became companion to John James's mother, Catherine. 430: 117: 13844: 11883:

For a full and concise introduction to the work, see Dinah Birch, "Introduction", in John Ruskin,

7711: 7605: 5383: 4389: 638:

10 Rose Terrace, Perth (on the right), where Ruskin spent boyhood holidays with Scottish relatives

415:, who were influenced by his ideas. His work increasingly focused on social and political issues. 364: 15064: 14785: 14744: 14365: 14315: 13739: 7733: 7722: 6334: 5303: 4834: 4815: 4571: 4110: 3640:, Ruskin's editor and biographer, other leading British journalists influenced by Ruskin include 3110: 2589: 2238: 1978: 1136:

meant that the newlyweds' earliest travels together were restricted, but they were able to visit

976: 912: 718:(1833) he also admired. His artistic skills were refined under the tutelage of Charles Runciman, 276: 225: 13869: 11340: 10904:

See James L. Spates, "Ruskin's Sexuality: Correcting Decades of Misperception and Mislabelling"

10857:

Pigwiggina is a nickname Ruskin used for the girl as she looked after (lambs and) piglets; c.f.

7918: 7887: 7399: 4534:

Ruskin's sexuality has been the subject of a great deal of speculation. He was married once, to

15014: 14295: 14245: 14002: 13704: 13570: 13327: 13194: 12238: 10906: 10539: 10258: 6288: 5936:

Ariadne Florentina': Six Lectures on Wood and Metal Engraving, with Appendix, Given before the

4515: 4222: 4188: 4141:

Middle: Ruskin in middle-age, as Slade Professor of Art at Oxford (1869–1879). From 1879 book.

3843: 3743: 3706: 3366:

Brantwood was opened in 1934 as a memorial to Ruskin and remains open to the public today. The

3360: 2864: 1899: 1669: 1517: 1392: 1356: 1321: 1293: 1039: 723: 250: 13200:

Finding aid to John Ruskin letters at Columbia University. Rare Book & Manuscript Library.

12070: 11741: 11707: 11161: 11126: 10943: 10694:. Vol. 35. London: George Allen; New York: Longmans, Green, and Co. pp. lxvi–lxvii. 8799:

For the Guild's original constitution and articles of association: Cook and Wedderburn 30.3–12

14879: 14795: 14521: 14423: 13997: 13972: 13950: 13859: 13684: 13657: 13631: 13565: 13156: 12518: 11780: 10587: 7888:"The Aesthetic and Critical Beliefs of John Ruskin. Chapter Four, Section II. Loss of Belief" 7395: 5083: 4474: 4226: 4106: 3759: 2910: 2384: 2293:

helpful influence, both personal, and by means of his possessions, over the lives of others.

2248: 2188: 1665: 1408: 943: 929:

and Turner. Both painters were among occasional guests of the Ruskins at Herne Hill, and 163

807: 783: 596: 592: 112: 31: 13038: 12455: 10985: 10567: 9790: 8213: 6637: 5792:

The Ethics of the Dust: Ten Lectures to Little Housewives on the Elements of Crystallisation

4799:

Ruskin was the inspiration for either the Drawling Master or the Gryphon in Lewis Carroll's

4615: 4398:

he regretted that no one in England had done the work that Viollet le Duc had done in France

817:

His most noteworthy success came in 1839 when, at the third attempt, he won the prestigious

14979: 14944: 14939: 14934: 14805: 14699: 14385: 14265: 14255: 14163: 14136: 14039: 13560: 13454: 13221: 13085: 12862: 8895: 6111: 6083: 6020:(i.e., 'Shepherd's Library', consisting ofmultiple volumes) (ed. John Ruskin) (1876–1888) ( 5975: 5961: 5937: 5919: 5875: 5855: 5833: 5750: 4651: 4251: 3910: 3819: 3714: 3340: 3223:(1884), describing the apparent effects of industrialisation on weather patterns. Ruskin's 3066: 2894: 2559: 2512: 2507: 2400:

in particular, later proved highly influential. The essays were praised and paraphrased in

1573: 1525: 1364: 1313: 1302: 1031: 779: 740: 623: 611: 426: 14567: 13819: 12538: 12384: 10552:

Also see Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica",

7421:, ed. John Dixon Hunt and Faith M. Holland (Manchester University Press, 1982), pp. 65–93. 7360: 5289: 3125:, both for himself and his loved ones, helped to revive his Christian faith in the 1870s. 2815:

In January 1871, the month before Ruskin started to lecture the wealthy undergraduates at

2375:

between August and November 1860 (and published in a single volume in 1862). However, the

836:

Before he returned to Oxford, Ruskin responded to a challenge that had been put to him by

8: 14775: 14770: 14638: 14602: 14577: 14428: 14395: 14370: 14205: 14158: 14153: 13967: 13924: 13914: 13864: 13749: 13601: 13555: 13550: 13545: 13540: 13483: 13367: 13359: 12354: 8870:'Treasuring things of the least': Mary Hope Greg, John Ruskin and Westmill, Hertfordshire 8345: 7647:

Francis O'Gorman, "Ruskin's Mountain Gloom", in Rachel Dickinson and Keith Hanley (eds),

7113: 6312: 6302: 5399: 5231: 5130: 5090: 4781: 4634:

Ruskin was not a fan of buying low and selling high. In the "Veins of Wealth" section of

4257:

Ruskin's distaste for oppressive standardisation led to later works in which he attacked

3957: 3835: 3803: 3537: 3428: 3103: 3004: 2890: 2786: 2593: 2563: 2183: 2178: 2138: 1879: 1827: 1488: 1404: 1388: 1317: 1265: 1141: 1133: 1071: 13884: 13166: 12988: 12972: 11907:"The Fortnightly Review › Ruskin and the distinction between Aesthesis and Theoria" 10110: 7712:

An Introduction to Helen Gill Viljoen's Unpublished Biography of Ruskin by Van Akin Burd

6137:

Dilecta: Correspondence, Diary Notes, and Extracts from Books, Illustrating 'Praeterita'

3324:

on 20 January 1900 at the age of 80. He was buried five days later in the churchyard at

983: 547:

Christian, more cautious and restrained than her husband, taught young John to read the

14915: 14749: 14390: 14380: 14350: 14325: 14111: 14049: 13909: 13839: 13709: 13616: 13535: 13520: 13409: 12770: 12749: 12688: 12678: 12664: 12641: 12623: 12276: 11914: 11688: 10574: 9226: 9198: 8332: 8082: 8035: 7192: 6236: 6097: 5073: 4744: 4479: 4230: 4152: 3930: 3875: 3786: 3686: 3581: 3379: 3367: 3256: 3208: 2931: 2882: 2754: 2699: 2339: 2203: 2198: 2008: 1993: 1696:, revolving around Turner's drawings, was published in 1856. In January 1857, Ruskin's 1577: 1569: 1557: 1473: 1448: 1412: 1257: 826: 822: 787: 663:. Their continental tours became increasingly ambitious in scope: in 1833 they visited 440: 336:(8 February 1819 – 20 January 1900) was an English writer, philosopher, art historian, 235: 14562: 10140:

The Economic Symposium. John Ruskin and the Modern World: Art and Economics, 1860–2010

8625:

Stuart Eagles, "Ruskin the Worker: Hinksey and the Origins of Ruskin Hall, Oxford" in

8471:

The History of the University of Oxford: Volume VII: Nineteenth-Century Oxford, Part 2

7966: 4591:

he asked her to draw her "girlies" (as he called her child figures) without clothing:

2093: 14440: 14400: 14275: 14168: 14142: 13784: 13744: 13679: 13636: 13611: 13530: 13525: 13375: 13033: 12885: 12806: 12737: 12727: 12712: 12611: 12601: 12447: 12280: 12034: 11747: 11713: 11639:. Edinburgh, UK: Association of Researchers in Construction Management. p. 578. 11596: 11571: 11530: 10949: 10801: 10747: 10695: 10579: 10436: 10135: 9797: 9641: 9551: 9522: 8742: 8492: 8482: 8101:

John Ruskin or The Ambiguities of Abundance: A Study in Social and Economic Criticism

8074: 8027: 7996:

On the importance of words and language: Cook and Wedderburn 18.65, 18.64, and 20.75.

7822:

Ian Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica",

7051: 6340: 6328: 6268: 5734: 5338: 5170: 5150: 4954: 4912: 4889: 4870: 4851: 4413: 4263:

capitalism, which he thought was at its root. His ideas provided inspiration for the

4144: 4042: 4031: 3922: 3863: 3847: 3831: 3629: 3625: 3533: 3336: 3325: 3289: 3134: 2898: 2868: 2816: 2774: 2691: 2651: 2569: 2413: 2401: 2371: 2343: 2243: 2043: 1839: 1699: 1500: 1461: 987: 281: 97: 14612: 12255:

Johnson, Chloe (2010). "Presenting the Pre-Raphaelites: From Radio Reminiscences to

11692: 9541: 9085:

Cook and Wedderburn 23.293. For further study, see Keith Hanley and John K. Walton,

8655:, vol. 35, no. 1 (Spring 2008) (Guest Editor, Sharon Aronofsky Weltman), pp. 200–22. 6881: 4844: 3077: 3042:, it opened in 1875, and was curated by Henry and Emily Swan. Ruskin had written in 2785:. It helped to foster a public service ethic that was later given expression in the 2153: 865: 14845: 14810: 14790: 14607: 14587: 14537: 14496: 13904: 13854: 13799: 13714: 13699: 13646: 13424: 13052: 12901: 12268: 12066: 11678: 11561: 11520: 11259:(17). Manhattan, Kansas: Kansas State College of Agriculture and Applied Science: 4 11049: 10687: 10569:"A Censorship Story Goes Up in Smoke – No Bonfire Devoured J.M.W. Turner's Erotica" 8466: 8066: 8019: 7649:

Ruskin's Struggle for Coherence: Self-Representation through Art, Place and Society

7264:

The Order of Release, the story of John Ruskin, Effie Gray and John Everett Millais

7024: 6404: 6322: 6307: 4940: 4698: 4519: 4291: 4156: 4078: 4066: 4017:); the other focuses on Ruskin and the theatre. The sociologist and media theorist 4010: 3945: 3851: 3797: 3782: 3767: 3751: 3728: 3593: 3122: 2917:, but Whistler was bankrupt within six months, and was forced to sell his house on 2914: 2830: 2747: 2719: 2668: 2555: 2369:

The essays were originally published in consecutive monthly instalments of the new

2313: 2103: 2098: 2053: 1934: 1889: 1741: 1705: 1547:

From 1859 until 1868, Ruskin was involved with the progressive school for girls at

1428: 1396: 1332: 972: 803: 540: 516: 386:

Ruskin was hugely influential in the latter half of the 19th century and up to the

299: 12890: 9613: 9064:. Revised and enlarged edition, 1982; "Ruskin's "Wild Rose of Kildare", pp. 29–41. 8918: 8099:

For the sources of Ruskin's social and political analysis: James Clark Sherburne,

7588:

Breaking New Ground: A History of Somerville College as seen through its Buildings

7400:

The stained glass window of the Church of St. Francis. Funtley, Fareham, Hampshire

6416: 5974:

The Aesthetic and Mathematic School of Art in Florence: Lectures Given before the

5428:. The volume in which the following works can be found is indicated in the form: ( 5317: 1668:, Ruskin argued that a 'vital law' underpins art and architecture, drawing on the 683:, places to which Ruskin frequently returned. He developed a lifelong love of the 14597: 14572: 14236:

A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

13789: 13729: 13606: 13444: 13343: 13267: 13207:. General Collection, Beinecke Rare Book and Manuscript Library, Yale University. 13143: 13116: 13104: 13024: 12816: 12000: 10939: 10840: 10791: 10741: 10549: 10077: 9757:

After Ruskin: The social and political legacies of a Victorian prophet, 1870–1920

9729: 9713: 9623: 9277:

After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920

9181: 8814: 8691: 8614:

After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920

8478: 8184:

After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920

7740: 7729: 7718: 7406: 6547: 6517: 5915: 5859: 5765: 5489: 5366: 5155: 5012: 4881: 4619: 4511: 4250:, a building designed with Ruskin's collaboration, met with his disapproval. The 4182: 4177: 4098: 4089: 4046: 4018: 3995: 3991: 3934: 3718: 3549: 3513: 3509: 3058: 3044: 2976: 2673: 2489: 2467: 2462: 2445: 2405: 2223: 1924: 1819: 1777: 1689: 1596: 1548: 1457: 1436: 1418:

During this period Ruskin wrote regular reviews of the annual exhibitions at the

1209: 1157: 1129: 1124:. The couple were engaged in October. They married on 10 April 1848 at her home, 1102: 1082: 938: 921: 818: 771: 719: 707: 652: 509: 504: 492: 408: 403: 387: 136: 14451: 13020: 8301: 7444: 4933:(1999), Ruskin and the Hinksey diggings form the backdrop to Ann Harries' novel. 4877:, is about two cousins who pursue their interest in Ruskin to his Coniston home. 3512:

attempted to put his political ideals into practice. These communities included

3048:

III (1856) that, "the greatest thing a human soul ever does in this world is to

2443:

Ruskin's explorations of nature and aesthetics in the fifth and final volume of

1564:

festival that endures today. (It was also replicated in the 19th century at the

946:

under the anonymous authority of "A Graduate of Oxford", was Ruskin's answer to

591:(1885–89). He was educated at home by his parents and private tutors, including 14689: 14648: 14557: 14547: 14506: 14375: 14355: 14225: 13982: 13934: 13894: 13829: 13779: 13759: 13694: 13439: 13434: 13299: 13291: 12950: 12868: 12762: 12704:

Ruskin’s Ecologies: Figures of Relation from Modern Painters to The Storm-Cloud

12113: 10591: 10455:

Kenneth Clark, "A Note on Ruskin's Writings on Art and Architecture", in idem,

10405: 10287: 10169: 9678: 9438: 8827:

The Lost Companions and John Ruskin's Guild of St George, a revisionary history

6671: 6408: 6394: 5882: 5727: 5187: 5179: 5163: 5072:

about Ruskin's attempt to revive Gothic architecture and his connection to the

5021: 5017: 4777: 4712: 4694:

credits Ruskin with the first quotation in 152 separate entries. Some include:

4670: 4647: 4588: 4579: 4307: 4160: 4026: 3973: 3940: 3906: 3855: 3763: 3710: 3702: 3670: 3645: 3613: 3597: 3585: 3577: 3495: 3490: 3468: 3463: 3424: 3305: 3273: 3265: 3151: 3146: 3093: 2936: 2859: 2847: 2821: 2790: 2548: 2495: 2473: 2454: 2433: 2409: 2396: 2359: 2355: 2334: 2329: 2301: 2218: 2148: 2143: 2063: 2018: 1894: 1835: 1795: 1790: 1749: 1736: 1730: 1298: 1277: 1191: 1177: 1035: 1015: 963: 959: 850:(not published until December 1850 (but imprinted 1851), with illustrations by 841: 799: 435: 417: 391: 368: 168: 160: 14862: 13311: 13029: 12741: 12615: 12512: 12272: 11857:

s III (see Part VI, "Of Many Things", c. XII, "Of the Paethetic Fallacy") see

11053: 10699: 10022: 9699: 6798:

For his winning poem, "Salsette and Elephanata", Cook and Wedderburn 2.90–100.

1264:

in general. This chapter had a profound effect, and was reprinted both by the

543:, in 1838, but Ruskin was disappointed by its appearance. Margaret Ruskin, an 14928: 14780: 14643: 14516: 14405: 14195: 14054: 13977: 13919: 13834: 13814: 13674: 13626: 13449: 12451: 11566: 11549: 10583: 9777:. Madison and Teaneck, NJ: Fairleigh Dickinson University Press. p. 223. 9446: 8738: 8496: 8078: 8031: 6316: 5988:

Mornings in Florence: Simple Studies of Christian Art, for English Travellers

5191: 5175: 5143: 5123: 5113: 4962: 4904: 4829: 4494: 4303: 4259: 4038: 3926: 3918: 3887: 3859: 3807: 3755: 3722: 3641: 3521: 3486: 3309: 3260: 3098: 3023: 2770: 2758: 2647: 2608:, on the relation between taste and morality, was delivered in April 1864 at 2325: 2317: 2233: 2228: 2113: 2048: 1914: 1465: 1419: 1369: 1086: 967: 903: 895: 795: 791: 775: 699: 644: 473: 461: 345: 324: 14552: 13596: 13121: 12414: 9526: 9519:

Catalogue of the Ryuzo Mikimoto Collection : Ruskin Library, Tokyo 2004

8331:

Dearden, James S.(2018)."Why are there so few 'Wars'? A John Ruskin Rarity."

7654: 7478: 2123: 1788:

Although in 1877 Ruskin said that in 1860, "I gave up my art work and wrote

421:(1860, 1862) marked the shift in emphasis. In 1869, Ruskin became the first 14668: 14658: 14009: 13874: 13754: 13734: 13586: 13419: 12919: 12486: 12477: 11683: 11666: 11575: 11534: 11525: 11508: 10787: 10303: 10202: 7221: 6807: 6346: 5109: 5101: 5059: 5043: 5039: 4766: 4562: 4557: 4523: 4164: 4094: 4083: 4006: 3977: 3871: 3839: 3827: 3682: 3674: 3617: 3573: 3297: 3216: 3200: 2743: 2723:

methodology of the government art schools (the "South Kensington System").

2704: 2695: 2585: 2536: 2208: 2128: 1830:). Yet increasingly Ruskin concentrated his energies on fiercely attacking 1753: 1492: 1400: 1348: 1306: 1165: 1055: 930: 926: 811: 711: 710:. Much of Ruskin's own art in the 1830s was in imitation of Turner, and of 668: 584: 536: 12803:

Falling Rocket: James Whistler, John Ruskin, and the Battle for Modern Art

12295: 10083:(Polity, 2011), pp. 25–36, 217–19; specifically on YouTube, see pp. 85–87. 9879: 8178:

For the influence of Ruskin's social and political thought: Gill Cockram,

6127:: Outlines of Scenes and Thoughts Perhaps Worthy of Memory in My Past Life 4394:

criticised Viollet le Duc's restoration work, just the idea of restoration

4210: 3616:

was an enthusiastic Ruskin reader. Art historians and critics, among them

2698:. He delivered his inaugural lecture on his 51st birthday in 1870, at the 925:, John James Ruskin had begun collecting watercolours, including works by 14704: 14592: 14178: 14131: 13987: 13939: 13849: 13641: 9250:

John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters

6864: 6196:

John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters

6096:

The Storm-Cloud of the Nineteenth Century: Two Lectures Delivered at the

5837: 5174:(2014), a biopic about the Ruskin-Gray-Millais love triangle, written by 5094:(1995), a play written by Gregory Murphy, dealing with Ruskin's marriage. 5069: 4997: 4900:

A novel in which Ruskin makes his last visit to Amiens cathedral in 1879.

4748: 4014: 3981: 3605: 3601: 3589: 3482: 3015: 2984: 2952: 2918: 2886: 2797: 2766: 2408:, a wide range of autodidacts cited their positive impact, the economist 2133: 2118: 1973: 1919: 1722: 1677: 1565: 1481: 1155:

with his parents, gathering material for the third and fourth volumes of

1118:, the daughter of family friends. It was for her that Ruskin had written 1002:

Ruskin toured the continent with his parents again during 1844, visiting

955: 951: 907: 544: 532: 524: 476:. His wife, Margaret Cock (1781–1871), was the daughter of a publican in 349: 12175: 11426:(6th ed.). Chicago, Illinois: Mahogany Association, Inc. p. 47 9290:

Ruskin, Bembridge and Brantwood: the Growth of the Whitehouse Collection

8124:

Cook and Wedderburn 4.122n. For the press reaction: J. L. Bradley (ed.)

7672:

Alan Davis, "Ruskin's Dialectic: Mountain Gloom and Mountain Glory", in

6215:

Unto this Last: Four essays on the First Principles of Political Economy

5668:(Annual Reviews of the June Royal Academy Exhibitions) (1855–59, 1875) ( 4388:

It has been thought that he was a strong proponent of his contemporary,

4191:

because he considered it to epitomise a reductive mechanisation of art.

3758:, and ran it along Ruskinian lines. Educationists from William Jolly to 806:. Among his fellow undergraduates, Ruskin's most important friends were 14709: 14673: 14542: 14148: 14126: 14019: 13804: 13764: 13724: 13591: 13506: 13403: 11280:"Advertising in the Barter Basement: Is Pitch More Potent than Payoff?" 10793:

Don't Tell the Grown-Ups: The Subversive Power of Children's Literature

8086: 8054: 8039: 8007: 6693: 6186:

ed. John Lewis Bradley and Ian Ousby (Cambridge University Press, 1987)

6156:

eds. Joan Evans and John Howard Whitehouse (Clarendon Press, 1956–1959)

5478:

The King of the Golden River, or the Black Brothers. A Legend of Stiria

5159: 5025: 4566: 4535: 4469: 4465: 4282: 4195: 4050: 3965: 3952:

Many streets, buildings, organisations and institutions bear his name:

3637: 3609: 3389: 3344: 3248: 3236: 3204: 3118: 2643: 2597: 2544: 2540: 2321: 2158: 2108: 1988: 1929: 1831: 1745: 1721:

In 1858, Ruskin was again travelling in Europe. The tour took him from

1657: 1261: 1125: 1115: 1067: 837: 664: 580: 569: 337: 268: 191: 30:

This article is about the art critic. For the painting by Millais, see

14896: 11887:, ed. Dinah Birch (Edinburgh University Press, 2000), pp. xxxiii–xlix. 9723:

Olympic Perspectives. 3rd International Symposium for Olympic Research

9092: 8587: 8380: 8240: 8228: 7723:

Editor's Introductory Comments on Viljoen's Chapter by James L. Spates

7196: 6817: 5998:

Deucalion: Collected Studies of the Lapse of Waves, and Life of Stones

5200:(2014), is a biographical novel about John Ruskin by Octavia Randolph. 4983:(2014), is a biographical novel about John Ruskin by Octavia Randolph. 4943:

that explores Ruskin's twin obsessions with Venice and Rose La Touche.

4682: 3858:

acknowledged their debt to Ruskin as they helped to found the British

3459: 1568:

High School for Girls.) Ruskin also bestowed books and gemstones upon

1399:, Rossetti's wife, to encourage her art (and paid for the services of 1176:

Ruskin's developing interest in architecture, and particularly in the

634: 14800: 14694: 14501: 14059: 14029: 13824: 13769: 13689: 13621: 13459: 13398: 12724:

John Ruskin's Continental Tour 1835: The Written Records and Drawings

12442: 11951:

Fors Clavigera: Letters to the Workmen and Labourers of Great Britain

9716:, pp. 25–44; Arnd Krüger, "Coubertin's Ruskianism", in: R. K. Barney 9333: 8392: 8313: 8276: 8106: 7759: 7554: 7231: 7151: 6227:

Fors Clavigera: Letters to the Workmen and Labourers of Great Britain

5923: 5183: 4214: 4058: 3969: 3914: 3867: 3773:

Ruskin's innovative publishing experiment, conducted by his one-time

3747: 3736: 3633: 3621: 3545: 3501: 3321: 3301: 3269: 3121:. Ruskin's increasing need to believe in a meaningful universe and a 3062: 3035: 2972: 2948: 2450: 2213: 2193: 2058: 2003: 1811: 1561: 1452: 1440: 1381: 1377: 1343: 1233:

The chapter, "The Nature of Gothic" appeared in the second volume of

1063: 465: 12201: 10508: 9796:. New York: The Modern Language Association of America. p. 78. 9788:

Tennyson, G. B. (1973). "The Carlyles". In DeLaura, David J. (ed.).

9638:

Designing Utopia: John Ruskin's Urban Vision for Britain and America

9144: 8070: 8023: 7795: 7505: 6882:"the electronic edition of John Ruskin's "Modern Painters" Volume I" 3489:

not only admired Ruskin but helped translate his works into French.

3191: 3114: 3088:

Ruskin had been introduced to the wealthy Irish La Touche family by

1256:

This was both an aesthetic attack on, and a social critique of, the

14360: 14094: 14044: 14024: 13889: 13137:

Birmingham Museums & Art Gallery's online biography and gallery

13061: 12858:

The Work of John Ruskin: Its Influence Upon Modern Thought and Life

12595: 11444: 11075:. Princeton, NJ: Donald C. Stuart, Jr. and Dan D. Coyle. p. 11 10400:

John Unrau, "Ruskin, the Workman and the Savageness of Gothic", in

9744:

Ruskin and Social Reform: Ethics and Economics in the Victorian Age

9119: 8180:

Ruskin and Social Reform: Ethics and Economics in the Victorian Age

7679: 6942: 6741: 6279:

The Queen of the Air: A Study of the Greek Myths of Cloud and Storm

5822:

The Queen of the Air: A Study of the Greek Myths of Cloud and Storm

5105: 4724: 4218: 4009:

admired him. Two major academic projects have looked at Ruskin and

3891: 3732: 3244: 3019: 2980: 2960: 2639: 2609: 2362:", characterised by networks of charitable, co-operative and other 2351: 1661: 1137: 1089:, just one among many factors increasing the tension between them. 1047: 1019: 1003: 958:

period. Ruskin maintained that, unlike Turner, Old Masters such as

469: 401:

Ruskin first came to widespread attention with the first volume of

379:, poetry and lectures, travel guides and manuals, letters and even 376: 341: 57: 38: 13057: 12482:"John Ruskin: Mike Leigh and Emma Thompson have got him all wrong" 11351:(8). Ottawa, Ontario, Canada: Carleton College: 6. 12 October 1954 10421:(L'Harmattan et l'Université de Cergy-Pontoise, 2006), pp. 135–49. 9067: 9005: 8658: 8368: 8131: 7783: 7323: 7203: 7077: 6848:

Bradley, Alexander. “Ruskin at Oxford: Pupil and Master”, p. 750,

6729: 6717: 6705: 6681: 3933:

continues his work today, in education, the arts, crafts, and the

3383:

Portrait of John Ruskin, leaning against a wall at Brantwood, 1885

3175:(1880–1885) (a close study of its sculpture and a wider history), 2694:

in August 1869, though largely through the offices of his friend,

2638:(published 1865), delivered in December 1864 at the town halls at 2623: 2554:

In 1865–66, Ruskin became involved in the controversy surrounding

1476:

is reputed to have been designed by him. Originally placed in the

487: 14173: 14121: 14079: 14064: 14034: 10339: 10213:(Hesperus, 2011), pp. vii–xiv. He also appeared on an edition of 10026: 9139:

Ruskin and Environment: The Storm-Cloud of the Nineteenth Century

8986: 8949:

For a short, illustrated history of the Guild: James S. Dearden,

8781: 8555: 8160: 7978: 7954: 7867: 7771: 7493: 6853: 4323:

These facts must be perceived by the senses, or felt; not learnt.

4022: 3559: 3553: 3039: 2964: 2956: 1673: 1288: 1148: 660: 607: 477: 348:. He wrote on subjects as varied as geology, architecture, myth, 11475: 9910:"Museum, Arts Centre & Self Catering Accommodation Coniston" 9660:

For a full discussion of Ruskin and education, see Sara Atwood,

9303:"Museum, Arts Centre & Self Catering Accommodation Coniston" 7842: 6904: 5802:

The Crown of Wild Olive: Three Lectures on Work, Traffic and War

5746:

Munera Pulveris: Six Essays on the Elements of Political Economy

3026:

and elsewhere, producing linen and other goods exhibited by the

1105:. She thought the portrait made her look like "a graceful Doll". 14106: 14084: 14014: 13992: 13150:

Sources for the Study of John Ruskin and the Guild of St George

10526:

Jose Harris, "Ruskin and Social Reform", in Dinah Birch (ed.),

10053:

Constructing Cultural Tourism: John Ruskin and the Tourist Gaze

9939: 9913: 9493:

Proust as Interpreter of Ruskin. The Seven Lamps of Translation

9364: 9310: 9162:

For an illustrated history of Brantwood, see James S. Dearden,

9087:

Constructing Cultural Tourism: John Ruskin and the Tourist Gaze

8474: 7629: 5782:

Sesame and Lilies: Two Lectures delivered at Manchester in 1864

5362: 5345: 4295: 3866:'s earliest MPs acknowledged Ruskin's influence than mentioned 3252: 3156: 3142: 2944: 2762: 2711: 2458: 1823: 1815: 1444: 1352: 1205: 1059: 1051: 1023: 1011: 688: 656: 353: 13213: 13152:. Produced by Sheffield City Council's Libraries and Archives. 9773:

Brockie, Ian (2004). "Hitler, Adolf". In Cumming, Mark (ed.).

9733:(London, Ont.: University of Western Ontario 1996), pp. 31–42. 8651:

Jed Mayer, "Ruskin, Vivisection, and Scientific Knowledge" in

7756:(Newsletter of The Guild of St. George) no.7 (2007), pp.8–10. 3219:. He returned to meteorological observations in his lectures, 14821: 14653: 13879: 13475: 13414: 13002:

UK Museum, Library and Archive collections relating to Ruskin

12176:"Light, Descending, a biographical novel by Octavia Randolph" 11246: 9264:

Bulletin of the John Rylands University Library of Manchester

7183:

Grieve, Alastair (1996). "Ruskin and Millais at Glenfinals".

6202: 4758: 4213:

effects of soaring spires to the comically ridiculous carved

3813: 3011: 2968: 2906: 2878: 2807: 2663: 2347: 1904: 1759: 1726: 1628: 1487:

Ruskin's theories also inspired some architects to adapt the

1027: 1007: 899: 680: 676: 672: 595:

preacher Edward Andrews, whose daughters, Mrs Eliza Orme and

548: 528: 395: 304: 12030:

Alice Beyond Wonderland: Essays for the Twenty-first Century

11507:

Dobkin, Allen B.; Harland, John N.; Fedoruk, Sylvia (1961).

9849: 9602:

Ruskin and the Twentieth Century: The modernity of Ruskinism

9395: 7419:

The Ruskin Polygon: Essays on the Imagination of John Ruskin

7392:

The stained glass window of the Little Church of St. Francis

6180:

ed. Van Akin Burd (2 vols.) (Cornell University Press, 1973)

6166:

A Tour of the Lakes in Cumbria. John Ruskin's Diary for 1830

4618:" behaviour with regard to his interactions with girls at a 4556:

The cause of Ruskin's "disgust" has led to much conjecture.

3588:

incorporated his ideas in their work. Writers as diverse as

14735:

An Introduction to the Three Volumes of Karl Marx's Capital

14100: 14074: 12967: 11500: 8544: 8542: 5854:

Six Lectures on the Elements of Sculpture Given before the

5420:

It is the standard scholarly edition of Ruskin's work, the

1435:

Ruskin was an art-philanthropist: in March 1861 he gave 48

1380:, on grounds of "non-consummation" owing to his "incurable 1355:

rock to which, as had always been intended, he later added

1152: 1043: 684: 12722:

Ruskin, John; Hanley, Keith; Hull, Caroline Susan (2016).

11376:. Chicago, Illinois: Mahogany Association, Inc. p. 24 11321:. Philadelphia, Pa.: Lehman Sprayshield Company. p. 4 11314: 10475:("The Lamp of Memory") c. 6; Cook and Wedderburn 8.233–34. 10321:"Was Ruskin the most important man of the last 200 years?" 8883:

Miss Margaret E. Knight and St George's Field, Sheepscombe

6484:

The Blackwell Companion to the Bible in English Literature

6184:

The Correspondence of John Ruskin and Charles Eliot Norton

5730:: Four Essays on the First Principles of Political Economy 4547:

Ruskin told his lawyer during the annulment proceedings:

3528:

in existence from 1894 to 1899. One of Ruskin's students,

2539:(originally one of his art pupils): he bought property in 1351:, he painted the closely observed landscape background of 993: 802:. He became close to the geologist and natural theologian 651:, was an account of his tour in 1830) and to relatives in 643:

architecture and paintings. Family tours took them to the

14069: 13131: 11630:"TQM in Large Northern Ireland Contracting Organizations" 11066: 8679:

A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin

8443:. New York: National Library Association. pp. 19, 21 8258:

Francis O' Gorman gives the figure as £120,000, in idem,

7103:(Vanguard Press, 1967; new edition: Pallas Athene, 2001). 6261:) ed. Kenneth Clark (Penguin, 1964 and later impressions) 5135: 4691: 4121: 4097:. In 2015, inspired by Ruskin's philosophy of education, 3347:

and Alexander Wedderburn edited the monumental 39-volume

3272:

with increasing violence, although he knew and respected

1560:, a training college for teachers, where he instituted a 1495:, Ruskin supported attempts to establish what became the 829:, who was receiving an honorary degree, at the ceremony. 11289:. Washington, DC: Broadcasting Publications, Inc.: 133. 11287:

Broadcasting: The Businessweekly of Television and Radio

10893:

The Desire of My Eyes: The Life and Work of John Ruskin

10435:. Cambridge, MA: Harvard University Press. p. 245. 10094:

The Sympathy of Things: Ruskin and the Ecology of Design

8539: 5608:

10) – containing the chapter "The Nature of Gothic"

4420:, and increasingly in works of the later 1850s, such as 4290:, 1853. Pen and ink and wash with Chinese ink on paper, 3994:, United States—site of one of the short-lived American 3822:, and his ideas informed the work of economists such as 2777:, were profoundly influenced by the experience: notably 1335:. Initially, Ruskin had not been impressed by Millais's 1010:, studying the geology of the Alps and the paintings of 515:

Ruskin was born on 8 February 1819 at 54 Hunter Street,

12657:(1st supplement). London: Smith, Elder & Co., 1901. 10174:

There is no wealth but life: Ruskin in the 21st Century

9759:(Oxford University Press, 2011) and Dinah Birch (ed.), 6331:, home of the first Ruskin College in the United States 6265:

The Genius of John Ruskin: Selections from his Writings

6192:

ed. George Allen Cate (Stanford University Press, 1982)

5885:: Letters to the Workmen and Labourers of Great Britain 5656:

Lectures on Architecture and Painting (Edinburgh, 1853)

4468:

society. Ruskin believed that the economic theories of

4378:("The Lamp of Memory") c. 6; Cook and Wedderburn 8.242. 4125:

Upper: Steel-plate engraving of Ruskin as a young man,

4093:

have both written about Ruskin, as has the broadcaster

4075:

There is no wealth but life: Ruskin in the 21st Century

3374: 2804:. He was also suffering from increasingly poor health. 1955:

August Strindberg's Little Catechism for the Underclass

1147:

Their early life together was spent at 31 Park Street,

11621: 11373:

How to Identify Genuine Mahogany and Avoid Substitutes

11228:. 1938–1939. Sweet Briar, Va.: Sweet Briar College: ii 11219: 7951:(2 vols., 2nd edn., George Allen, 1912), vol. 2, p. 2. 6168:

eds. Van Akin Burd and James S. Dearden (Scolar, 1990)

5686:

The Elements of Drawing, in Three Letters to Beginners

3838:

in Britain and the United States. Resident workers at

2527:(1867), his letters to Thomas Dixon, a cork-cutter in 1395:. He also provided an annuity of £150 in 1855–1857 to 1077:

Drawing on his travels, he wrote the second volume of

15080:

People associated with the Pre-Raphaelite Brotherhood

14286:

The Work of Art in the Age of Mechanical Reproduction

12566:(ODNB) Oxford University Press, 2004; online edition. 11201:. Pittsburgh, Pa.: Pittsburgh Reflector Co. p. 3 11188: 11093: 10530:(Clarendon Press, 1999), pp. 7–33, specifically p. 8. 8844:

Thirteen Acres: John Ruskin and the Totley Communists

8577:(Pocket Biographies) (Sutton Publishing, 1999) p. 78. 6370:. London: The Journal of the Decorative Arts Society. 6211:

ed. Francis O' Gorman (Oxford University Press, 2012)

6114:, During his Second Tenure of the Slade Professorship 6086:, During his Second Tenure of the Slade Professorship 4814:(1878), a novel by one of his Oxford undergraduates, 2523:(1872)). Ruskin further explored political themes in 1716: 1484:, the window depicts the Ascension and the Nativity. 933:(demolished 1947) to which the family moved in 1842. 14913:

Burd, Van Akin, "Frederick James Sharp: 1880-1957."

12821:

Tragedy and Hope: A History of the World in Our Time

11592:

The Past, Present, and Future of the Business School

11506: 11445:

Woods, Baldwin M.; Raber, Benedict F. (March 1935).

11194: 10229:"Autism Transition: Returning To Craft And The Land" 8964:

John Ruskin and the Lakeland Arts Revival, 1880–1920

8266:(Shire Publications, 2004), p. 37. Robert Hewison's 8151:

The Correspondence of Thomas Carlyle and John Ruskin

6190:

The Correspondence of Thomas Carlyle and John Ruskin

6162:

ed. Helen Gill Viljoen (Yale University Press, 1971)

3632:

to the sculptor-designer, printmaker and utopianist

2863:, Ruskin launched a scathing attack on paintings by 2616:

don't!" These last three lectures were published in

460:

business manager of Ruskin, Telford and Domecq (see

407:(1843), an extended essay in defence of the work of 15090:

Slade Professors of Fine Art (University of Oxford)

14725:

A Contribution to the Critique of Political Economy

13098:

Ruskin letter to Brantwood at Mount Holyoke College

12079:

The Historic Note-book: With an Appendix on Battles

11220:Art's Beauty Salon (1938). Sweet Briar YWCA (ed.). 9506:

Studies in Ruskin: Essays in Honor of Van Akin Burd

9164:

Brantwood: The Story of John Ruskin's Coniston Home

9113:

Early Anthropocene Literature in Britain, 1750-1884

8642:(Yale University Press, 2000), pp. 399–400, 509–10. 7551:ed. Van Akin Burd (Harvard University Press, 1969) 6837:

Studies in Ruskin: Essays in Honor of Van Akin Burd

3567: 2710:In 1871, John Ruskin founded his own art school at 1984:

For a Critique of the Political Economy of the Sign

739:) (August 1829). In 1834, three short articles for 599:were later credited with introducing Ruskin to the 12835:The Darkening Glass: A Portrait of Ruskin's Genius 11746:. Toronto: McClelland & Stewart. p. 141. 11388: 11017:. Ruskin Library News. 23 May 2011. Archived from 11009: 11007: 9789: 9426:Life and times of Alexander Robertson MacEwen, D.D 7576:(Brentham Press for The Guild of St George, 1992). 6229:ed. Dinah Birch (Edinburgh University Press, 1999) 6174:ed. Van Akin Burd (Harvard University Press, 1969) 5950:Love's Meinie: Lectures on Greek and English Birds 5914:The Eagle's Nest: Ten Lectures on the Relation of 4843: 3395: 614:(1797–1870). Ruskin heard Dale lecture in 1836 at 14481: 12672:The Production and Distribution of John Ruskin's 12250: 12248: 12246: 12065: 11394: 10948:. New Haven: Yale University Press. p. 657. 9912:. Brantwood.org.uk. 14 April 2017. Archived from 4838:series, and had the protagonist meet John Ruskin. 4629: 4073:were among those to contribute to the symposium, 4013:(investigating, for example, Ruskin's links with 3781:, whose business was eventually merged to become 3563:Cannery operation in the Ruskin Cooperative, 1896 3499:and paraphrased the work in Gujarati, calling it 1710: 1373:and Effie left Ruskin, causing a public scandal. 655:, Scotland. As early as 1825, the family visited 519:, London (demolished 1969), south of what is now 14926: 13465:The Ruskin - Library, Museum and Research Centre 13210:Sharp Collection-manuscripts, letters,artifacts. 13082:The Ruskin - Library, Museum and Research Centre 12721: 12598:Unto This Last: Two Hundred Years of John Ruskin 11627: 11438: 9967:BARONY HOUSE - Edinburgh Hotel Edinburgh B&B 9248:For Ruskin's relationship with Joan Severn, see 8977:Ruskin's Faithful Stewards: Henry and Emily Swan 7916: 7910: 7885: 7701:(Routledge & Kegan Paul, 1984), pp. 202–205. 7626:Respectively, Cook and Wedderburn vols. 5 and 6. 6991:"NPG 5160; Effie Gray (Lady Millais) – Portrait" 6787:John Ruskin, Henry James and the Shropshire Lads 6630:"John Ruskin Biography >> Classic Stories" 4403: 3852:Report … on Social Insurance and Allied Services 3268:than in modern art. He also attacked aspects of 3155:. In 1874, on his tour of Italy, Ruskin visited 2584:Ruskin lectured widely in the 1860s, giving the 1748:church in Turin, led to his "unconversion" from 1204:In November 1849, John and Effie Ruskin visited 1054:, he was particularly impressed by the works of 786:in January of the following year. Enrolled as a 15075:People associated with Anglia Ruskin University 13110:Ruskin letter to Simon at Mount Holyoke College 12865:vol. 78, no. 465 (Feb. 1889), pp. 382–418. 11067:Lewis C. Bowers; Sons, Inc. (9–15 March 1952). 11004: 10938: 10514: 10391:, iii, ch. iv, §35; Cook and Wedderburn 11.227. 10345: 9963:"JOHN RUSKIN my famous ancestor, read my story" 9150: 9125: 9098: 9073: 8992: 8924: 8787: 8664: 8561: 8398: 8386: 8374: 8319: 8307: 8282: 8246: 8234: 8166: 8137: 8128:(Routledge & Kegan Paul, 1984), pp. 273–89. 8112: 7984: 7972: 7960: 7873: 7848: 7801: 7789: 7777: 7765: 7685: 7660: 7635: 7560: 7511: 7499: 7329: 7237: 7209: 7157: 7083: 6997:. National Portrait Gallery. 26 December 2016. 6960: 6948: 6910: 6823: 6789:(New European Publications, 2008) chapters 3–4. 6747: 6735: 6723: 6711: 6699: 6687: 6499:(Brentham Press for Guild of St George, 1990) . 6251:ed. Dinah Birch (Oxford University Press, 2009) 6147: 5558:Of Ideas of Relation (2) Of Invention Spiritual 5413: 4277:Society for the Protection of Ancient Buildings 4176:Ruskin's early work defended the reputation of 4037:Notable Ruskin enthusiasts include the writers 3696: 3335:Joan Severn, together with Ruskin's secretary, 2893:appeared as a witness for Whistler, and artist 2789:, and was keenly celebrated by the founders of 1782:(1860): Ruskin, Cook and Wedderburn, 7.422–423. 1038:). He drew inspiration from what he saw at the 750:From September 1837 to December 1838, Ruskin's 12243: 11816:"Price Competition and Expanding Alternatives" 11476:Charles T. Bainbridge's Sons (February 1965). 10979: 10977: 10715:"John Ruskin's marriage: what really happened" 10690:; Wedderburn, Alexander Dundas Ogilvy (eds.). 9543:Byrdcliffe: An American Arts and Crafts Colony 9111:Reno, Seth. "The Cradle of the Anthropocene". 8055:"Ruskin and the Orthodox Political Economists" 6486:. Vol. 36. John Wiley & Sons, 2010. p. 523 4543:with my person the first evening 10th April . 3905:Admirers and scholars of Ruskin can visit the 3742:The most prolific collector of Ruskiniana was 3359:Ruskin enthusiast, collector and memorialist, 3255:, in 1888. The emergence and dominance of the 2874:Nocturne in Black and Gold: The Falling Rocket 2596:on 'Modern Art', the Working Men's Institute, 1688:Ruskin had been in Venice when he heard about 14467: 13491: 13229: 13172: 12875:. New York: Harcourt Brace and Company, 1950. 12701:Freeman, Kelly; Hughes, Thomas, et al., eds. 12407:"Robin Brooks radio drama, plays – Diversity" 12026: 11733: 11699: 11401:. Euclid, Ohio: Shore High School. p. 41 10543:report on the discovery of Turner's drawings. 10419:Sociétés et conflit: enjeux et représentation 8437:Ruskin, John (1887). "Lecture I: Inaugural". 7602:"History of the Library - Somerville College" 7300: 7298: 7228:(Routledge and Kegan Paul, 1949), pp. 137–49. 6980:(Routledge and Kegan Paul, 1984), pp. 88–95. 5050:(Millais). The author played Ruskin's mother. 4650:(a major collection of Ruskiniana located at 3897: 3481:Ruskin's influence reached across the world. 3149:, would haunt him, described in the pages of 2773:and Ruskin's future secretary and biographer 2271: 1583: 568:Ruskin's childhood was spent from 1823 at 28 14715:Economic and Philosophic Manuscripts of 1844 14216:The Literary Mind and the Carving of Dragons 12562:Robert Hewison, "Ruskin, John (1819–1900)", 12139: 11978: 11963: 11213: 11162:"How an Old Masonry Arch Bridge Was Rebuilt" 11060: 9279:(Oxford University Press, 2011), pp. 246–48. 8979:(Ruskin Research Blog, 2024); Janet Barnes, 8829:(Anthem Press, 2014); and Edith Hope Scott, 8616:(Oxford University Press, 2011), pp. 103–09. 7651:(Cambridge Scholars Press, 2006), pp. 76–89. 7070:For the wider context, see Robert Brownell, 6937:Ruskin in Italy: Letters to His Parents 1845 6814:(Routledge and Kegan Paul, 1949), pp. 54–56. 6662:, ed. James S. Dearden (Frank Graham, 1969) 6403:(online ed.). Oxford University Press. 6110:The Pleasures of England: Lectures Given in 5648:on the Pre-Raphaelite Artists (1851, 1854) ( 5554:Of Ideas of Relation (1) Of Invention Formal 4923:A collection of short stories that includes 3762:wrote about and appreciated Ruskin's ideas. 3735:, Essex, which was briefly a refuge for the 3540:, partly inspired by his teacher's beliefs. 3279: 3181:A Guide to the Principal Pictures in… Venice 2959:, Worcestershire, called Ruskin Land today; 2718:. It was originally accommodated within the 1639:, as represented by a hostile review in the 606:From 1834 to 1835 he attended the school in 367:which he taught to all his pupils including 14730:Outlines of a Critique of Political Economy 13157:"Archival material relating to John Ruskin" 12027:Hollingsworth, Cristopher (December 2009). 11953:. Vol. II. George Allen. pp. 6–7. 11667:"Pursuit of Excellence: A Forgotten Quest?" 11658: 11582: 11488:(2). New York: Syndicate Magazines, Inc.: 3 11469: 10974: 10934: 10932: 10138:on Ruskin, 6 February 2010. Stuart Eagles, 9596:Giovanni Cianci and Peter Nicholls (eds.), 9570:Rebecca Daniels and Geoff Brandwood (ed.), 9482:(2nd edn) (Guild of St George, 2016) p. 12. 8774:Cook and Wedderburn 29.469, the passage in 8414:(New York: Doubleday and Co.), 1970, p. 91. 6456: 6454: 6452: 5414:Cook, E. T.; Wedderburn, Alexander (eds.). 5020:series about the Pre-Raphaelites, starring 4505: 4248:Oxford University Museum of Natural History 4171: 3612:felt Ruskin's influence. The American poet 3435:, served to demonstrate Ruskin's charisma: 3231:His last great work was his autobiography, 2703:set her foot on…" It has been claimed that 2686:Ruskin was unanimously appointed the first 2604:on 'War.' Ruskin's widely admired lecture, 2358:. His ideas influenced the concept of the " 1999:Outlines of a Critique of Political Economy 1497:Oxford University Museum of Natural History 1362:Millais had painted a picture of Effie for 857: 14474: 14460: 13498: 13484: 13236: 13222: 13165: 12987: 12754:: CS1 maint: location missing publisher ( 12628:: CS1 maint: location missing publisher ( 11807: 11664: 11159: 11124: 9600:(Palgrave, 2001), and Toni Cerutti (ed.), 9508:(Ohio University Press, 1982), pp. 215–44. 8704:"Turner Whistler Monet: Ruskin v Whistler" 8427:(Yale University Press, 2000), pp. 165–68. 7826:, vol. IV, no. 1 (Spring 2003), pp. 15–46. 7417:J. Mordaunt Crook, "Ruskinian Gothic", in 7295: 6203:Selected editions of Ruskin still in print 5513:Of the Imaginative and Theoretic Faculties 4862:A novel about the marriage of John Ruskin. 3814:Politics and critique of political economy 3493:wrote of the "magic spell" cast on him by 2664:Oxford's first Slade Professor of Fine Art 2278: 2264: 1180:, led to the first work to bear his name, 1168:and was annulled six years later in 1854. 1092: 1030:he saw the Tomb of Ilaria del Carretto by 906:. It recalled an attack by the critic Rev 760:Transactions of the Meteorological Society 499: 363:Ruskin was heavily engaged by the work of 56: 37:. For the Canadian media personality, see 11993: 11682: 11565: 11524: 11333: 10556:, vol. IV, no. 1, Spring 2003, pp. 15–46. 9469:, Thornton Butterworth, 1926, pages 39–41 9461: 9459: 8825:On the origins of the Guild: Mark Frost, 8732: 8629:, vol. 4, no. 3 (Autumn 2008), pp. 19–29. 7590:. Oxford: Somerville College. p. 12. 7353:"Fitzwilliam Museum Collections Explorer" 6839:(Ohio University Press, 1982), pp. 32–59. 6676:Ruskin and Venice: The Paradise of Cities 6233:The Storm-Cloud of the Nineteenth-Century 4961:. A fictionalized account of the life of 4927:, about Ruskin and Effie's wedding night. 4880: 3739:, combined Ruskin's ideas and Tolstoy's. 3665: 3221:The Storm-Cloud of the Nineteenth-Century 2716:The Ruskin School of Drawing and Fine Art 2658: 1109: 894:, to whom the Ruskins were introduced by 527:. They shared a passion for the works of 464:). John James was born and brought up in 446: 27:English writer and art critic (1819–1900) 12879: 12873:The Captain’s Death Bed and Other Essays 12033:. University of Iowa Press. p. 70. 11781:"Paradise Lost Or, Baskin-Robbins Rated" 11705: 10929: 10746:. New York: Haskell House. p. 299. 10659:(George Allen & Unwin, 1950), p. 53. 10359:"Ruskin, Turner and The Pre-Raphaelites" 9787: 9428:(Hodder and Stoughton, 1925), pp. 30–31. 8885:(Guild of St George Publications, 2015). 8872:(Guild of St George Publications, 2017). 8846:(Guild of St George Publications, 2017). 8765:, vol. 38, no. 2 (Fall 2011), pp. 13–34. 8511:"Oxford University Archives | Home" 7839:, vol. 38, no. 2 (Fall 2011), pp. 35–64. 7277:Parallel Lives: Five Victorian Marriages 7048:Parallel Lives: Five Victorian Marriages 6449: 6217:intro. Andrew Hill (Pallas Athene, 2010) 4903: 4841: 4681: 4344: 4281: 4120: 3939: 3796:(which he founded at Oxford), is at the 3558: 3458: 3378: 3283: 3190: 3076: 2930:Ruskin founded his utopian society, the 2727: 2667: 2622: 2579: 2572:in September 1866, also reported in the 1623:, Manchester in 1857, were collected as 1287: 1096: 864: 633: 503: 486: 13073:Liverpool Museums audio files on Ruskin 12912:, vol. 1 of the second edition (1912); 12805:. New York: Pegasus Books, Ltd., 2023. 12564:Oxford Dictionary of National Biography 12435: 12254: 11778: 11712:. Avon, Massachusetts: Platinum Press. 11628:Gunning, J.G.; McCallion, E.M. (2007). 11541: 11447:"Air Conditioning for California Homes" 11413: 11308: 11278:Skoog, Charles V. Jr. (21 April 1958). 11240: 11226:Students' Handbook: Sweet Briar College 11094:Plymouth Cordage, Co. (December 1913). 10834:Ruskin on his sexuality: a lost source. 10712: 9816: 9772: 9266:, vol. 82, no. 1, Spring 2000 , 135–91. 8733:Lambourne, Lionel (1996). "Chapter 5". 8550:Ruskin and Oxford: The Art of Education 8461: 8182:(I.B. Tauris, 2007) and Stuart Eagles, 8005: 7537:Ruskin and Oxford: The Art of Education 6660:Iteriad, or Three Weeks Among the Lakes 6400:Oxford Dictionary of National Biography 6389: 6387: 6385: 6383: 6381: 6379: 6377: 5904:Volume III. Letters 73–96 (1877–1884) ( 5625:Notes on the Construction of Sheepfolds 4788: 4116: 3785:, anticipated the establishment of the 3552:, and several Indian languages such as 3296:In August 1871, Ruskin purchased, from 2320:and competition drawn from the work of 1711:Controversies: Turner's Erotic Drawings 1656:(1859), five lectures given in London, 1506: 1197: 14: 14927: 13014: 12995: 12916:, vol. 2 of the second edition (1912)) 12698:. New York: G. P. Putnam's Sons, 1910. 12293: 12169: 12167: 11948: 11739: 11547: 11271: 10983: 10878:, vol. 1, pp. 253–54; John Batchelor, 10681: 10646:(Chatto & Windus, 1988), pp. 11–12 10499: 10484: 10430: 9616:The Enduring Relevance of Octavia Hill 9456: 9042:from the original on 12 September 2012 8906:from the original on 29 September 2017 8527:from the original on 24 September 2015 8436: 7585: 7432:John Ruskin and Victorian Architecture 7182: 7173:(Faber and Faber, 1994) pp. 69–70, 87. 7001:from the original on 17 September 2017 6852:, 1500-1900 32, no. 4 (1992): 747–64. 6433:(University of Illinois Press, 1956) . 6365: 6082:The Art of England: Lectures Given in 5897:Volume II. Letters 37–72 (1874–1876) ( 5832:Lectures on Art, Delivered before the 5407: 4965:, the inspiration for Lewis Carroll's 3874:, Ruskin was seen as an early British 3061:. The collection is now on display at 2592:in 1867, for example. He spoke at the 2499:: Cook and Wedderburn 7.207 and 17.25. 1814:, and in the following year he was in 1460:in Northumberland, home of his friend 443:, an organisation that endures today. 15085:Romantic critics of political economy 14455: 13479: 13217: 12974:The Eighth Lamp, Ruskin Studies Today 12846:Ruskin's Scottish Heritage: A Prelude 12828:Ruskin's Venice: The Stones Revisited 12476: 12047:from the original on 4 September 2021 11937:Theoria: Art and the Absence of Grace 11813: 11795:from the original on 4 September 2021 11760:from the original on 4 September 2021 11609:from the original on 4 September 2021 11588: 11363: 11296:from the original on 27 December 2014 11277: 11176:from the original on 4 September 2021 11141:from the original on 4 September 2021 11106:from the original on 4 September 2021 11033: 10962:from the original on 4 September 2021 10814:from the original on 4 September 2021 10786: 10739: 10644:Theoria: Art and the Absence of Grace 10565: 10327:from the original on 26 February 2019 10294:(J. Nisbet & Co., 1898), p. viii. 10269:from the original on 4 September 2021 10096:(V2_NAI Publishers, 2011), pp. 65–68. 10066:John Ruskin and the Victorian Theatre 10064:Katherine Newey and Jeffrey Richards 10033:from the original on 4 September 2021 10003:from the original on 4 September 2021 9973:from the original on 26 December 2019 9960: 9860:from the original on 4 September 2021 9829:from the original on 4 September 2021 9539: 9406:from the original on 4 September 2021 9375:from the original on 4 September 2021 9344:from the original on 26 February 2021 9252:ed. Rachel Dickinson (Legenda, 2008). 8714:from the original on 2 September 2021 8195:Cook and Wedderburn 27.167 and 35.13. 7929:from the original on 14 December 2019 7898:from the original on 14 December 2019 7114:"Ruskin's Venetian Notebooks 1849–50" 6446:(University of Illinois Press, 1956) 6431:Ruskin's Scottish Heritage: A Prelude 6116:(delivered 1884, published 1884–85) ( 5469:(written 1840–1845; published 1894) ( 5445:(written 1835–1846; collected 1850) ( 3794:Ruskin School of Drawing and Fine Art 3145:, a vision of which, associated with 2925: 1114:During 1847, Ruskin became closer to 729: 716:Sketches Made in Flanders and Germany 14828: 13091: 12891:The Life and Work of John Ruskin 1–2 12767:John Ruskin: The Argument of the Eye 12327:from the original on 3 February 2019 12182:from the original on 19 October 2017 12173: 12152:from the original on 19 October 2017 12121:from the original on 3 February 2019 12008:from the original on 3 February 2019 11994:Macdonald, Marianne (25 June 1995). 11419: 11369: 11039: 10917:from the original on 23 January 2019 10598:from the original on 19 October 2017 10239:from the original on 3 December 2020 10157:Omnibus. Ruskin: The Last Visionary 9817:Bunting, Madeleine (30 March 2010). 9792:Victorian Prose: A Guide to Research 9635: 9445:(James Nisbet, 1923), pp. 53–55 and 9141:(Manchester University Press, 1995). 8855:See Peter Wardle and Cedric Quayle, 8594:from the original on 19 October 2017 8465:(2000). "Oxford and the Empire". In 8052: 7864:(Cambridge University Press, 1999) . 7455:from the original on 29 October 2012 7045: 6926:(Yale University Press, 1985) p. 73. 6600:"King's College London – John Keats" 6374: 6275:Athena: Queen of the Air (Annotated) 6198:ed. Rachel Dickinson (Legenda, 2008) 5890:Volume I. Letters 1–36 (1871-1873) ( 5418:. (39 vols.). George Allen, 1903–12. 4867:Brantwood: The Story of an Obsession 4624:age of consent in the United Kingdom 4458:Cook and Wedderburn, 17.V.34 (1860). 4063:Chris Smith, Baron Smith of Finsbury 4025:. Similarly, architectural theorist 3375:Note on Ruskin's personal appearance 3028:Home Arts and Industries Association 1251:vol. II: Cook and Wedderburn 10.201. 979:with extraordinary verbal felicity. 798:) and a private tutor, the Reverend 508:Ruskin as a young child, painted by 14629:Abstract labour and concrete labour 12164: 11996:"Who was who in Alice's Wonderland" 11315:Lehman Sprayshield Company (1938). 11015:"On the present economic situation" 10992:from the original on 8 January 2013 10226: 9819:"Red Tory intrigues and infuriates" 8346:"Moral Taste in Ruskin's "Traffic"" 7148:see Cook and Wedderburn vols. 9–11. 7124:from the original on 8 October 2012 6939:(Clarendon Press, 1972), pp.200–01. 6393: 6291:(Creative Media Partners LLC, 2015) 6235:preface by Clive Wilmer and intro. 5770:1864–64, incorporated (revised) in 4909:The Woman Who Gave Birth to Rabbits 3818:Ruskin was an inspiration for many 3466:was inspired by Ruskin's 1860 work 2943:Ruskin purchased land initially in 2734:), the relation of science to art ( 2391:", a notion which Ruskin seconded. 1610:peasants living in the lower Alps. 1376:During April 1854, Effie filed her 610:run by the progressive evangelical 24: 15100:Critics of work and the work ethic 15045:English people of Scottish descent 13021:Works by John Ruskin in eBook form 12667:(1964) 13 no. 3 (autumn): 335–339. 12584: 12436:Marlowe, Sam (20 September 2003). 12413:. 15 February 2014. Archived from 12216:from the original on 10 March 2007 12085:from the original on 3 August 2020 11983:. Dover Publications. p. 396. 11968:. Dover Publications. p. 210. 11646:from the original on 2 August 2020 11595:. Palgrave Macmillan. p. 92. 10984:Landow, George P. (27 July 2007). 10891:Wolfgang Kemp and Jan Van Heurck, 10713:Prodger, Michael (29 March 2013). 10217:on BBC Radio 4 on 20 January 2019. 10055:(Channel View Publications, 2010). 9890:from the original on 12 March 2013 9453:(Cassell & Co., 1927), p. 192. 9089:(Channel View Publications, 2010). 8356:from the original on 23 March 2011 8012:The Quarterly Journal of Economics 7434:(Thames and Hudson, 1991), p. 127. 7099:(John Murray, 1965); reprinted as 7023:. Perthshire Diary. Archived from 6892:from the original on 18 March 2013 6510:"Edward Andrews (1787–1841) | ERM" 6160:The Brantwood Diary of John Ruskin 5502:Of General Principles and of Truth 5436: 4143:Bottom: John Ruskin in old age by 3842:such as the future civil servants 3339:, and his eminent American friend 3159:, the furthest he ever travelled. 1613: 1338:Christ in the House of His Parents 1283: 25: 15121: 14955:19th-century British philosophers 13078:The Complete Works of John Ruskin 12985:National Portrait Gallery, London 12961: 12494:from the original on 24 June 2015 10721:. Guardian News and Media Limited 10528:Ruskin and the Dawn of the Modern 10459:(John Murray, 1964) (reissued as 10433:The History of English Literature 10369:from the original on 5 April 2017 10308:Unto This Last and Other Writings 10051:Keith Hanley and John K. Walton, 9961:House, Barony (23 January 2019). 9761:Ruskin and the Dawn of the Modern 8008:"Ruskin as a Political Economist" 7917:George P. Landow (25 July 2005). 7886:George P. Landow (25 July 2005). 6610:from the original on 1 April 2020 6580:from the original on 1 April 2020 6221:Unto This Last And Other Writings 5459:1837–38; authorised book, 1893) ( 5252:Self Portrait with Blue Neckcloth 5082:(1995), an opera about Ruskin by 5042:(Ruskin), Bridget McCann (Gray), 4987: 4765:Ruskin's concept of theoria, see 4596:and for you – And to and for me. 4578:Ruskin's later relationship with 4229:, resulting in buildings such as 3854:), and the future Prime Minister 3186: 3072: 2871:. He found particular fault with 1683: 1637:"Manchester School" of economists 14995:Arts and Crafts movement artists 14950:19th-century British journalists 14907: 14888: 14871: 14854: 14837: 14434: 13310: 13177:The Life and Work of John Ruskin 13065: 12681:(1968)17 no 2 (summer): 151–167. 12655:Dictionary of National Biography 12571:John Ruskin (Pocket Biographies) 12523: 12506: 12470: 12429: 12399: 12369: 12339: 12309: 12294:Morgan, Elizabeth (2 May 1983). 12287: 12228: 12194: 12133: 12097: 12059: 12020: 11987: 11972: 11957: 11942: 11929: 11899: 11890: 11877: 11864: 11848: 11772: 11318:Shower Bath Enclosures by Lehman 11153: 11118: 11096:"Mississippi River Improvements" 11087: 10898: 10885: 10868: 10851: 10826: 10780: 10767: 10733: 10706: 10675: 10662: 10649: 10636: 10623: 10610: 10566:Lyall, Sarah (13 January 2005). 10559: 10533: 10520: 10504:. London: George Allen editions. 10493: 10478: 10466: 10449: 10424: 10411: 10394: 10381: 10351: 10313: 10297: 10281: 10251: 10220: 10196: 10193:(Pallas Athene, 2010), pp. 9–16. 10179: 10163: 10149: 10125: 10099: 10086: 10071: 10058: 10045: 10015: 9985: 9954: 9928: 9902: 9872: 9841: 9810: 9781: 9766: 9763:(Oxford University Press, 1999). 9749: 9736: 9693: 9667: 9654: 9629: 9607: 9590: 9577: 9564: 9548:Herbert F. Johnson Museum of Art 9533: 9511: 9498: 9485: 9472: 9431: 9418: 9387: 9356: 9325: 9295: 9282: 9269: 9255: 9242: 9214: 9186: 9169: 9156: 9131: 9110: 9104: 9079: 9054: 9024: 9012:from the original on 6 July 2017 8998: 8969: 8956: 8951:John Ruskin's Guild of St George 8943: 8930: 8888: 8875: 8862: 8849: 8836: 8819: 8802: 8793: 8768: 8755: 8726: 8696: 8685:, January 1993, by Wendy Steiner 8670: 8645: 8632: 8619: 8606: 8580: 8567: 8503: 8455: 8430: 8417: 8404: 8338: 8325: 8288: 8270:Dictionary of National Biography 8252: 8198: 8189: 8186:(Oxford University Press, 2011). 8172: 8149:Cate, George Allen, ed. (1982). 8143: 8118: 8103:(Harvard University Press, 1972 8093: 8046: 7999: 7990: 7676:, no. 25 (January 2001), pp. 6–8 7539:(Clarendon Press, 1996), p. 226. 7390:Malcolm Low & Julie Graham, 6463:(2004) "Childhood and education" 6223:ed. Clive Wilmer (Penguin, 1986) 5481:(written 1841; published 1850) ( 5391: 5375: 5353: 5337: 5316: 5302: 5288: 5274: 5258: 5244: 5230: 5216: 5000:about Ruskin, Effie and Millais. 4968:Alice's Adventures in Wonderland 4808:Ruskin figures as Mr Herbert in 4802:Alice's Adventures in Wonderland 4793: 4510:Until 2005, biographies of both 4500: 4288:Study of Gneiss Rock, Glenfinlas 3568:Art, architecture and literature 3476: 3300:, the then somewhat dilapidated 3128: 3090:Louisa, Marchioness of Waterford 2887:Attorney General Sir John Holker 2602:Royal Military Academy, Woolwich 2412:and many of the founders of the 1704:was published. He persuaded the 1214:Doge's Palace, or Palazzo Ducale 936:What became the first volume of 323: 207: 14975:Alumni of King's College London 14970:Alumni of Christ Church, Oxford 14960:19th-century British economists 14919:44 (no 4) Winter 1995: 543-573. 14755:Who cooked Adam Smith's dinner? 13276:The Seven Lamps of Architecture 13243: 13004:at Cornucopia.org.uk. Retrieved 12945:John Ruskin: No Wealth But Life 12691:(1969) 18.no.1 (spring): 45-56. 11981:The Seven Lamps of Architecture 11966:The Seven Lamps of Architecture 10880:John Ruskin: No Wealth but Life 9938:. Ruskin Museum. Archived from 9309:. 14 April 2017. Archived from 7941: 7879: 7854: 7829: 7816: 7807: 7746: 7704: 7691: 7666: 7641: 7620: 7594: 7579: 7566: 7542: 7529: 7517: 7467: 7437: 7424: 7411: 7384: 7375: 7345: 7335: 7310: 7307:: "Critic of Contemporary Art". 7282: 7269: 7256: 7243: 7215: 7176: 7163: 7136: 7106: 7089: 7064: 7039: 7013: 6983: 6970: 6935:Q. in Harold I. Shapiro (ed.), 6929: 6916: 6874: 6858: 6842: 6829: 6801: 6792: 6779: 6753: 6665: 6652: 6622: 6592: 6562: 6532: 5571:The Seven Lamps of Architecture 5500:Vol. I (1843) (Parts I and II) 5126:dealing with Ruskin's marriage. 4731:titude, symbolised by the key ( 4353:The Seven Lamps of Architecture 3522:Ruskin Commonwealth Association 3396:Ruskin in the eyes of a student 3052:something, and to tell what it 2416:credited them as an influence. 1698:Notes on the Turner Gallery at 1183:The Seven Lamps of Architecture 1171: 203: 145:The Seven Lamps of Architecture 14664:Socially necessary labour time 13505: 13263:(written 1842, published 1851) 13173:Lewin, Walter (15 July 1893). 11913:. 7 April 2009. Archived from 11548:Walker, J. (5 December 2014). 11513:British Journal of Anaesthesia 7975:, 14.288, 24.347, 34.355, 590. 6678:(Yale University Press, 2009) 6502: 6489: 6476: 6466: 6436: 6423: 6397:. "Ruskin, John (1819–1900)". 6368:An appraisal of Viollet le Duc 6359: 6271:(George Allen and Unwin, 1963) 4739:tune, symbolised by the nail ( 4677: 4640:common law of business balance 4630:Common law of business balance 4604:on 15 May 1886, Ruskin wrote: 3806:, the innovator of the modern 3508:A number of utopian socialist 3371:the bicentenary of his birth. 3343:, were executors to his will. 2519:(1862–63) (later collected as 2394:Ruskin's political ideas, and 2364:non-governmental organisations 2312:political economy espoused by 1910:Socially necessary labour time 13: 1: 14965:19th-century English painters 14634:Capitalist mode of production 14483:Critique of political economy 13049:Works by or about John Ruskin 12823:. GSG & Associates, 1966. 12347:"Modern Painters (the Opera)" 11779:Falcone, Marc (3 July 1973). 11198:Permaflector Lighting Catalog 10848:, Fall, 2007 by Van Akin Burd 10463:, Penguin, 1991), pp. 133–34. 9614:Download Samuel Jones (ed.), 9540:Green, Nancy E., ed. (2004). 9467:Experiences of a Literary Man 9451:Life, Journalism and Politics 8212:. 6 July 2002. Archived from 8126:Ruskin: The Critical Heritage 7699:Ruskin: The Critical Heritage 7398:Ref: section Fareham, hants; 6978:Ruskin: The Critical Heritage 6850:Studies in English Literature 6482:Lemon, Rebecca, et al., eds. 6353: 6088:(delivered 1883, book 1884) ( 5878:in , 1871 (1898) ("Works" 22) 5024:(Ruskin), Anne Kidd (Effie), 4701:: Ruskin coined this term in 4646:, a blog associated with the 4600:In a letter to his physician 4410:critique of political economy 4404:Critique of political economy 4302:Ruskin's views on art, wrote 4273:National Art Collections Fund 4194:Ruskin's strong rejection of 4133: 4126: 3447:Experiences of a Literary Man 3412:Experiences of a Literary Man 2305:: Cook and Wedderburn, 17.105 1963:Critique of Political Economy 1875:Capitalist mode of production 1859:Critique of political economy 1642:Manchester Examiner and Times 881: 573: 539:. They visited Scott's home, 472:and a father originally from 468:, Scotland, to a mother from 15095:Critics of political economy 15020:English architecture writers 14346:Aestheticization of politics 13260:The King of the Golden River 12938:John Ruskin: The Later Years 12931:John Ruskin: The Early Years 12926:(Routledge & Kegan Paul) 12850:University of Illinois Press 12317:"The Passion of John Ruskin" 11665:Wertheimer, Mark B. (2018). 11166:Railway Maintenance Engineer 10775:John Ruskin: The Later Years 10655:Q. in J. Howard Whitehouse, 10292:John Ruskin: Social Reformer 9585:Life and Work of John Ruskin 9230:. 26 January 1900. p. 7 9202:. 21 January 1900. p. 7 8983:(Guild of St Georgel, 2018). 8966:(Merton Priory Press, 2004) 8940:(Ashgate, 2011), pp. 151–64. 8640:John Ruskin: The Later Years 8469:; Curthoys, Mark C. (eds.). 8425:John Ruskin: The Later Years 7318:Life and Work of John Ruskin 6924:John Ruskin: The Early Years 6417:UK public library membership 6148:Selected diaries and letters 5209: 4832:, was the first in the 1924 4529: 4422:The Political Economy of Art 4306:, "cannot be made to form a 3697:Society, education and sport 3659:Cook and Wedderburn, 24.357. 3644:, and the war correspondent 2634:The lectures that comprised 1760:Social critic and reformer: 1625:The Political Economy of Art 1387:Ruskin continued to support 1121:The King of the Golden River 847:The King of the Golden River 451: 7: 14990:Architectural theoreticians 14740:Critique of Economic Reason 13064:(public domain audiobooks) 12924:Ruskin: The Great Victorian 12906:The Life of John Ruskin 1–2 11829:(8): 467–76. Archived from 11814:North, Gary (August 1974). 11671:APOS Trends in Orthodontics 11247:F.E.C. (8 February 1933). 10945:The Yale Book of Quotations 10310:(Penguin, 1985), pp. 36–37. 10068:(Palgrave Macmillan, 2010). 9662:Ruskin's Educational Ideals 9495:(Summa Publications, 2002) 8953:(Guild of St George, 2010). 8938:Ruskin's Educational Ideals 8831:Ruskin's Guild of St George 7475:"The Working Men's College" 7292:(John Murray, 1968) p. 192. 7253:(John Murray, 1968) p. 236. 7226:Ruskin: The Great Victorian 7050:. . pp. 52–71, 82–89. 6812:Ruskin: The Great Victorian 6295: 5467:Letters to a College Friend 5330: 5266:River Seine and its Islands 5058:(1994), a film directed by 3956:in Grantham, Lincolnshire; 3880:William Montgomery McGovern 3746:, who saved Ruskin's home, 3030:and similar organisations. 2857:In the July 1877 letter of 2829:as his sole publisher (see 2811:and the Whistler libel case 2783:Alexander Robertson MacEwen 2688:Slade Professor of Fine Art 2517:Essays on Political Economy 2477:is Ruskin's "Law of Help": 2437:: Cook and Wedderburn 17.34 2381:William Makepeace Thackeray 1969:Critique of Economic Reason 1885:Concrete and abstract labor 1600:were published in 1856. In 1594:Both volumes III and IV of 1470:Little Church of St Francis 1140:, where Ruskin admired the 754:was serialised in Loudon's 745:Magazine of Natural History 429:, where he established the 423:Slade Professor of Fine Art 371:, notably Viollet-le-Duc's 10: 15126: 15110:English children's writers 13430:Pre-Raphaelite Brotherhood 13352:The Passion of John Ruskin 12789:Cambridge University Press 12589: 12556: 12531:"The Works of John Ruskin" 11939:(Chatto and Windus, 1988). 11706:Mariotti, John L. (2008). 11395:Shore High School (1934). 11249:"Progress of Kansas Press" 11125:Anonymous. (August 1917). 10861:Letters to M. G. and H. G. 10489:. Columbia University, NY. 10160:, tx. BBC1, 13 March 2000. 9604:(Edizioni Mercurio, 2000). 9166:(Ruskin Foundation, 2009). 8627:Ruskin Review and Bulletin 8588:"John Ruskin green plaque" 7445:"John Ruskin on education" 6444:Ruskin's Scottish Heritage 6154:The Diaries of John Ruskin 5940:, in Michaelmas Term, 1872 5522:Vol. III (1856) (Part IV) 5511:Vol. II (1846) (Part III) 5457:The Architectural Magazine 5453:The Poetry of Architecture 5424:, sometimes called simply 5204: 5140:Pre-Raphaelite Brotherhood 5055:The Passion of John Ruskin 4719:, symbolised by the club ( 4412:of orthodox, 19th-century 3898:Ruskin in the 21st century 3433:University College, Oxford 2903:Nocturne in Black and Gold 2511:, under the editorship of 1447:, and a further 25 to the 1365:The Order of Release, 1746 1326:Pre-Raphaelite Brotherhood 752:The Poetry of Architecture 601:Pre-Raphaelite Brotherhood 521:St Pancras railway station 29: 15030:English environmentalists 14763: 14682: 14621: 14530: 14489: 14414: 14338: 14187: 13960: 13667: 13579: 13513: 13386: 13319: 13308: 13251: 12957:(Oxford University Press) 12839:Columbia University Press 12796:The Worlds of John Ruskin 12662:John Ruskin's Bookplates. 12576:James S. Dearden (2004), 12569:Francis O'Gorman (1999), 12273:10.1080/14714780903509847 12261:Visual Culture in Britain 11589:Miles, Edward W. (2016). 11195:Pittsburgh Reflector Co. 11054:10.1080/01457639208939784 11042:Heat Transfer Engineering 10487:The great flaw in the man 10431:Fowler, Alastair (1989). 9675:"The Elements of Drawing" 9636:Lang, Michael H. (1999). 9194:"JOHN RUSKIN PASSES AWAY" 8927:, 28.417–38 and 28.13–29. 8481:. pp. 689–716, 691. 8155:Stanford University Press 8059:Southern Economic Journal 8053:Fain, John Tyree (1943). 7674:Ruskin Programme Bulletin 7405:30 September 2007 at the 6976:See J. L. Bradley (ed.), 6056:1880–81, incorporated in 5918:to Art, Given before the 5162:with Ruskin portrayed by 4974:Through the Looking Glass 4939:(2007), a short story by 4656:Heat Transfer Engineering 3954:The Priory Ruskin Academy 3530:Ralph Radcliffe Whitehead 3526:Dickson County, Tennessee 3454: 3427:had aroused the anger of 3288:Grave of John Ruskin, in 3280:Brantwood and final years 2781:, Leonard Montefiore and 2529:Sunderland, Tyne and Wear 2024:We Have Never Been Modern 1802:), botany and mythology ( 1534:Frederick Denison Maurice 1530:Frederick James Furnivall 1480:Duntisbourne Abbots near 782:, taking up residence at 765: 629: 352:, literature, education, 322: 317: 313: 290: 259: 241: 231: 221: 217: 185: 126: 105: 86: 67: 55: 48: 15005:British male journalists 15000:British anti-capitalists 14720:The Mirror of Production 13455:Ruskin School of Drawing 13394:Arts and Crafts movement 13195:Leeds University Library 13142:18 November 2009 at the 13115:13 December 2013 at the 13103:13 December 2013 at the 12981:Portraits of John Ruskin 12305:– via Archive.org. 11567:10.1038/sj.bdj.2014.1059 11160:Anonymous. (July 1919). 10839:27 November 2021 at the 10692:The works of John Ruskin 10548:4 September 2021 at the 10485:Travis, Kennedy (2018). 10402:New Approaches to Ruskin 10146:no. 10 (2010), pp. 7–10. 10023:"Ruskin Community Mural" 9775:The Carlyle Encyclopedia 9334:"The Guild of St George" 9036:Museums-sheffield.org.uk 8900:Utopia-britannica.org.uk 8763:Nineteenth-Century Prose 8653:Nineteenth-Century Prose 8552:(Clarendon Press, 1996) 8153:. Stanford, California: 7837:Nineteenth-Century Prose 7739:12 February 2011 at the 7728:14 February 2011 at the 7717:14 February 2011 at the 6570:"UCL Bloomsbury Project" 6497:John Ruskin's Camberwell 6100:, 4 and 11 February 1884 6072:Our Fathers Have Told Us 5980:(first published 1906) ( 5978:in Michaelmas Term, 1874 5964:in Michaelmas Term, 1873 5544:Vol. V (1860) (Part VI) 5533:Vol. IV (1856) (Part V) 5416:The Works of John Ruskin 5100:(1998), a radio play by 5068:(1994), a radio play by 5034:(1983), a radio play by 4963:Alice Liddell Hargreaves 4686:John Ruskin in the 1850s 4669:For many years, various 4518:, who was Keeper of the 4506:Turner's erotic drawings 4265:Arts and Crafts Movement 4172:Art and design criticism 3986:University of Pittsburgh 3962:Anglia Ruskin University 3679:Arts and Crafts movement 3518:Ruskin, British Columbia 3304:house, on the shores of 3022:, in other parts of the 2087:20th–21st-century people 2074:Carl Jonas Love Almqvist 2037:18th–19th-century people 2014:The Mirror of Production 1826:(where he was joined by 1818:(studying tombs for the 1750:Evangelical Christianity 1717:Religious "unconversion" 1650:Anglia Ruskin University 1621:Art Treasures Exhibition 622:, where he prepared for 431:Ruskin School of Drawing 15105:English fantasy writers 15055:English watercolourists 14786:Criticism of capitalism 14745:Discourse on Inequality 14366:Evolutionary aesthetics 14316:The Aesthetic Dimension 12940:(Yale University Press) 12933:(Yale University Press) 12914:The Life of John Ruskin 12910:The Life of John Ruskin 12896:The Life of John Ruskin 12781:Encyclopædia Britannica 12204:The Love of John Ruskin 11911:Fortnightlyreview.co.uk 11420:Lamb, George N (1947). 11341:"Don't You be the Goat" 10631:Millais and the Ruskins 10618:Millais and the Ruskins 9587:(Methuen, 1900) p. 260. 9572:Ruskin and Architecture 9222:"BURIAL OF JOHN RUSKIN" 9137:Michael Wheeler (ed.), 8859:(Brentham Press, 2007). 8778:printed in "blood-red". 8335:67 no.1 (spring):79-82. 8310:, 18.xlv–xlvi, 550–554. 8006:Stimson, F. J. (1888). 7949:The Life of John Ruskin 7320:(Methuen, 1900) p. 402. 7290:Millais and the Ruskins 7251:Millais and the Ruskins 7185:The Burlington Magazine 6335:Charles Augustus Howell 6325:, a bridleway in Oxford 6129:(3 vols.) (1885–1889) ( 5676:The Harbours of England 5493:(5 vols.) (1843–1860) ( 5138:drama serial about the 4994:The Love of John Ruskin 4572:William Ewart Gladstone 4356:, (1849) Ruskin wrote: 4111:post-industrial society 4087:and Andrew Hill at the 3084:, as sketched by Ruskin 2618:The Crown of Wild Olive 2590:University of Cambridge 2316:, based on theories of 2239:Post-autistic economics 1979:Discourse on Inequality 1694:The Harbours of England 1093:Middle life (1847–1869) 977:Dulwich Picture Gallery 871:Henry Sigismund Uhlrich 869:Engraving of Ruskin by 626:under Dale's tutelage. 579:), near the village of 500:Childhood and education 226:19th-century philosophy 14296:Avant-Garde and Kitsch 14246:Lectures on Aesthetics 13205:John Ruskin Collection 13146:. Retrieved 2010-10-19 12943:John Batchelor (2000) 12798:. Pallas Athene, 2010. 12239:British Film Institute 11874:27.27–44 and 28.106–7. 11740:Philip, Bruce (2011). 11684:10.4103/apos.apos_3_18 11554:British Dental Journal 10846:Philological Quarterly 10672:(Pallas Athene, 2013). 10176:(Ruskin To-Day, 2006). 9728:19 August 2020 at the 9712:17 August 2020 at the 9338:guildofstgeorge.org.uk 9288:See James S. Dearden, 8735:The Aesthetic Movement 8690:27 August 2006 at the 7074:(Pallas Athene, 2013). 7046:Rose, Phyllis (1984). 6540:"Andrews Family | ERM" 6409:10.1093/ref:odnb/24291 6366:Barker, James (1992). 6289:Mary Augusta Wakefield 6245:(Pallas Athene, 2011) 6048:Fiction, Fair and Foul 6040:(1877–84, book 1884) ( 5142:. Ruskin is played by 4886:The Invention of Truth 4842:McDonald, Eva (1979). 4687: 4611: 4598: 4554: 4545: 4516:Ralph Nicholson Wornum 4454: 4447: 4382: 4342: 4299: 4267:, the founders of the 4223:Classical architecture 4148: 4045:, and the politicians 3949: 3944:John Ruskin Street in 3844:Hubert Llewellyn Smith 3744:John Howard Whitehouse 3707:Thomas Coglan Horsfall 3666:Craft and conservation 3655: 3564: 3473: 3452: 3419:An incident where the 3417: 3384: 3361:John Howard Whitehouse 3293: 3213:Fiction, Fair and Foul 3196: 3085: 2983:in Hertfordshire; and 2865:James McNeill Whistler 2841: 2787:university settlements 2683: 2659:Later life (1869–1900) 2631: 2558:'s suppression of the 2503: 2441: 2385:Smith, Elder & Co. 2338:, Ruskin rejected the 2295: 1771: 1670:labour theory of value 1554:The Ethics of the Dust 1518:Dante Gabriel Rossetti 1322:Dante Gabriel Rossetti 1310: 1309:, Scotland, (1853–54). 1276:pioneer and socialist 1254: 1110:Marriage to Effie Gray 1106: 1101:Effie Gray painted by 944:Smith, Elder & Co. 887: 756:Architectural Magazine 687:, and in 1835 visited 647:(his first long poem, 639: 616:King's College, London 566: 512: 496: 447:Early life (1819–1846) 251:Continental philosophy 15040:English male painters 14796:Economic anthropology 14522:Erik Johan Stagnelius 14441:Philosophy portal 13193:Archival material at 13179:by W. G. Collingwood" 12947:(Chatto & Windus) 12880:Biographies of Ruskin 12844:Viljoen, Helen Gill. 12801:Murphy, Paul Thomas. 12696:Ruskin and His Circle 11979:Ruskin, John (1989). 11964:Ruskin, John (1989). 11949:Ruskin, John (1872). 11131:Northwestern Druggist 10986:"A Ruskin Quotation?" 10682:Ruskin, John (1909). 10668:See Robert Brownell, 10657:Vindication of Ruskin 10500:Ruskin, John (1903). 9180:24 March 2012 at the 9008:. Ruskin at Walkley. 8842:See Sally Goldsmith, 8813:24 March 2012 at the 7697:J. L. Bradley (ed.), 7586:Manuel, Anne (2013). 7396:Westbury Manor Museum 6239:(Pallas Athene, 2012) 5872:Lectures on Landscape 5754:1862–63, book 1872) ( 5384:Aiguille de Blaitière 5282:Falls of Schaffhausen 4865:Peter Hoyle's novel, 4685: 4606: 4593: 4549: 4540: 4478:had led, through the 4475:The Wealth of Nations 4466:industrial capitalist 4449: 4434: 4390:Eugène Viollet-le-Duc 4358: 4345:Historic preservation 4312: 4285: 4227:Industrial Revolution 4124: 4107:Fair Oaks, California 3960:, South Croydon; and 3943: 3884:From Luther to Hitler 3830:, and the positivist 3775:Working Men's College 3760:Michael Ernest Sadler 3651: 3562: 3462: 3437: 3402: 3382: 3287: 3264:illustrators such as 3194: 3080: 2836: 2671: 2626: 2580:Lectures in the 1860s 2479: 2422: 2332:. In his four essays 2290: 2249:Market fundamentalism 2189:Economic anthropology 1961:A Contribution to the 1832:industrial capitalism 1767: 1524:, established by the 1522:Working Men's College 1409:John William Inchbold 1291: 1270:Working Men's College 1262:industrial capitalism 1239: 1116:Euphemia "Effie" Gray 1100: 942:(1843), published by 868: 825:came second). He met 808:Charles Thomas Newton 794:(later the father of 696:Friendship's Offering 637: 597:Emily Augusta Patmore 553: 507: 490: 118:King's College London 113:Christ Church, Oxford 15070:Painters from London 15050:English philosophers 14806:Mainstream economics 14700:The Right to Be Lazy 14386:Philosophy of design 14266:In Praise of Shadows 14256:The Critic as Artist 13284:The Stones of Venice 13161:UK National Archives 13086:Lancaster University 13058:Works by John Ruskin 13039:Works by John Ruskin 13030:Works by John Ruskin 12776:Hugh, Chriholm, ed. 12580:(Shire Publications) 12321:Canadian Film Centre 12212:. 20 February 1912. 11917:on 29 September 2017 11526:10.1093/bja/33.5.239 11370:Lamb, Geo N (1940). 11253:Kansas Industrialist 11127:"Ain't it the Truth" 11069:"Construction Costs" 10740:Evans, Joan (1970). 10389:The Stones of Venice 9681:on 14 September 2017 9640:. Black Rose Books. 9622:18 June 2012 at the 9598:Ruskin and Modernism 9574:(Spire Books, 2003) 9369:theruskinsociety.com 9365:"The Ruskin Society" 8981:Ruskin and Sheffield 8710:. 2 September 2021. 8573:Francis O' Gorman, 8548:See Robert Hewison, 8352:. 13 November 2006. 8296:Octavia Hill: A Life 7663:, 5.385–417, 418–68. 7357:Fitzmuseum.cam.ac.uk 7145:The Stones of Venice 6442:Helen Gill Viljoen, 6429:Helen Gill Viljoen, 6243:The Nature of Gothic 6139:(1886, 1887, 1900) ( 6018:Bibliotheca Pastorum 5976:University of Oxford 5962:University of Oxford 5938:University of Oxford 5920:University of Oxford 5856:University of Oxford 5834:University of Oxford 5762:The Cestus of Aglaia 5583:The Stones of Venice 5154:(2014), a biopic of 5098:The Order of Release 4789:Fictional portrayals 4652:Lancaster University 4418:The Stones of Venice 4236:The Stones of Venice 4201:The Stones of Venice 4117:Theory and criticism 3911:Lancaster University 3864:British Labour Party 3820:Christian socialists 3715:garden city movement 3341:Charles Eliot Norton 3169:Mornings in Florence 3164:The Stones of Venice 3102:occurred in 1871 at 2993:Bibliotheca Pastorum 2895:William Powell Frith 2560:Morant Bay rebellion 2513:James Anthony Froude 2414:British Labour party 1808:The Queen of the Air 1800:The Cestus of Aglaia 1735:Presentation of the 1526:Christian socialists 1507:Ruskin and education 1466:stained glass window 1324:had established the 1314:John Everett Millais 1303:John Everett Millais 1249:The Stones of Venice 1222:The Stones of Venice 1199:The Stones of Venice 1032:Jacopo della Quercia 1022:among others at the 919:Before Ruskin began 913:Blackwood's Magazine 780:University of Oxford 427:University of Oxford 206: 1848; 153:The Stones of Venice 98:Coniston, Lancashire 15025:English art critics 14776:Classical economics 14771:Assume a can opener 14603:Claus Peter Ortlieb 14578:Hans-Georg Backhaus 14396:Philosophy of music 14371:Mathematical beauty 13368:Desperate Romantics 13015:Electronic editions 12996:Library collections 12573:(Sutton Publishing) 12174:Randolph, Octavia. 10876:John Ruskin: A Life 10554:British Art Journal 10515:Cook and Wedderburn 10346:Cook and Wedderburn 10259:"Ruskin MP I Notes" 9993:"The Ruskin Museum" 9583:W. G. Collingwood, 9491:Cynthia J. Gamble, 9443:Changes and Chances 9151:Cook and Wedderburn 9126:Cook and Wedderburn 9099:Cook and Wedderburn 9074:Cook and Wedderburn 9006:"Ruskin at Walkley" 8993:Cook and Wedderburn 8925:Cook and Wedderburn 8881:See Stuart Eagles, 8788:Cook and Wedderburn 8665:Cook and Wedderburn 8562:Cook and Wedderburn 8399:Cook and Wedderburn 8387:Cook and Wedderburn 8375:Cook and Wedderburn 8320:Cook and Wedderburn 8308:Cook and Wedderburn 8283:Cook and Wedderburn 8247:Cook and Wedderburn 8235:Cook and Wedderburn 8206:"Ruskin MP I Notes" 8167:Cook and Wedderburn 8138:Cook and Wedderburn 8113:Cook and Wedderburn 7985:Cook and Wedderburn 7973:Cook and Wedderburn 7961:Cook and Wedderburn 7874:Cook and Wedderburn 7849:Cook and Wedderburn 7824:British Art Journal 7802:Cook and Wedderburn 7790:Cook and Wedderburn 7778:Cook and Wedderburn 7766:Cook and Wedderburn 7686:Cook and Wedderburn 7661:Cook and Wedderburn 7636:Cook and Wedderburn 7561:Cook and Wedderburn 7512:Cook and Wedderburn 7500:Cook and Wedderburn 7363:on 3 September 2014 7330:Cook and Wedderburn 7316:W. G. Collingwood, 7262:Sir William James, 7238:Cook and Wedderburn 7210:Cook and Wedderburn 7158:Cook and Wedderburn 7084:Cook and Wedderburn 6961:Cook and Wedderburn 6949:Cook and Wedderburn 6911:Cook and Wedderburn 6824:Cook and Wedderburn 6748:Cook and Wedderburn 6736:Cook and Wedderburn 6724:Cook and Wedderburn 6712:Cook and Wedderburn 6700:Cook and Wedderburn 6688:Cook and Wedderburn 6303:John Henry Devereux 6070:(the first part of 6068:The Bible of Amiens 5586:(3 vols) (1851–53) 5426:Cook and Wedderburn 5408:Select bibliography 5134:(2009), a six-part 5131:Desperate Romantics 4644:Ruskin Library News 4196:Classical tradition 3958:John Ruskin College 3836:settlement movement 3804:Pierre de Coubertin 3538:Woodstock, New York 3195:John Ruskin in 1882 3173:The Bible of Amiens 3104:Matlock, Derbyshire 3005:Francesca Alexander 2987:, Gloucestershire. 2791:Ruskin Hall, Oxford 2728:Select Bibliography 2594:British Institution 2184:Classical economics 2179:Assume a can opener 2139:Claus Peter Ortlieb 1828:William Holman Hunt 1585:Modern Painters III 1538:Elements of Drawing 1368:, exhibited at the 1318:William Holman Hunt 1266:Christian socialist 1260:in particular, and 1142:Gothic architecture 1134:Revolutions of 1848 1072:Scuola di San Rocco 1064:St Mark's Cathedral 178:3 vols. (1885–1889) 156:3 vols. (1851–1853) 140:5 vols. (1843–1860) 15060:Guild of St George 15010:Burials in Cumbria 14916:The Book Collector 14750:The Accursed Share 14391:Philosophy of film 14381:Patterns in nature 14351:Applied aesthetics 14326:Why Beauty Matters 14112:Life imitating art 13973:Art for art's sake 13410:Guild of St George 12936:Tim Hilton (2000) 12929:Tim Hilton (1985) 12689:The Book Collector 12679:The Book Collector 12665:The Book Collector 12660:Dearden, James S. 12519:TCM Movie Database 12480:(7 October 2014). 12458:on 3 February 2019 12387:on 19 October 2017 12357:on 19 October 2017 12142:"Sesame and Roses" 12140:Grace Andreacchi. 10575:The New York Times 10365:. 7 January 2000. 10227:Bernick, Michael. 10215:Broadcasting House 10113:on 12 October 2011 9550:. pp. 16–33. 9480:Ruskin and Tolstoy 9227:The New York Times 9199:The New York Times 8868:See Liz Mitchell, 8857:Ruskin and Bewdley 8333:The Book Collector 8298:(Constable, 1990) 7027:on 19 October 2017 6965:Modern Painters II 6767:on 17 October 2011 6237:Peter Brimblecombe 6098:London Institution 6053:Nineteenth Century 5738:1860, book 1862) ( 5122:(2003), a play by 4925:Come, Gentle Night 4846:John Ruskin's Wife 4735:) of Ulysses; and 4688: 4489:In the preface to 4480:division of labour 4300: 4231:The Crystal Palace 4153:literary criticism 4149: 4065:, Raficq Abdulla, 3950: 3931:Guild of St George 3876:National Socialist 3787:Net Book Agreement 3689:to help found the 3687:Hardwicke Rawnsley 3582:Frank Lloyd Wright 3565: 3474: 3385: 3368:Guild of St George 3294: 3257:Aesthetic movement 3197: 3086: 3067:Millennium Gallery 2997:Shepherd's Library 2932:Guild of St George 2926:Guild of St George 2883:Edward Burne-Jones 2755:Ferry Hinksey Road 2732:Ariadne Florentina 2700:Sheldonian Theatre 2684: 2632: 2600:on "Work" and the 2340:division of labour 2204:Orthodox economics 2199:Feminist economics 2009:The Accursed Share 1994:Hard Times (novel) 1570:Somerville College 1558:Whitelands College 1478:St. Peter's Church 1474:Fareham, Hampshire 1449:Fitzwilliam Museum 1413:Edward Burne-Jones 1311: 1258:division of labour 1107: 996:Modern Painters II 962:(Gaspar Poussin), 888: 827:William Wordsworth 823:Arthur Hugh Clough 788:gentleman-commoner 730:First publications 640: 513: 497: 441:Guild of St George 236:Western philosophy 15035:English essayists 14985:Anti-consumerists 14819: 14818: 14568:Neue Marx-Lektüre 14531:20th–21st-century 14490:18th–19th-century 14449: 14448: 14401:Psychology of art 14276:Art as Experience 13473: 13472: 13371:(2009 miniseries) 13347:(1975 miniseries) 13092:Archival material 13034:Project Gutenberg 13008:John Ruskin texts 12908:. George Allen. ( 12886:W. G. Collingwood 12863:Harper's magazine 12833:Rosenberg, J. G. 12811:978-1-63936-491-6 12771:Thames and Hudson 12733:978-1-78188-301-3 12717:978-1-907485-13-8 12636:Conner, Patrick. 12607:978-0-300-24641-4 12600:. New Haven, CT. 12411:Suttonelms.org.uk 12067:Brewer, E. Cobham 11423:The Mahogany Book 11100:Plymouth Products 10988:. Victorian Web. 10688:Cook, Edward Tyas 10461:Selected Writings 10408:, 1981, pp. 33–50 10136:Art Workers Guild 9557:978-0-9646042-0-9 8776:Sesame and Lilies 8681:. – book review, 8467:Brock, Michael G. 8216:on 8 October 2012 7923:The Victorian Web 7892:The Victorian Web 7860:Michael Wheeler, 7608:on 8 January 2015 7191:(1117): 228–234. 7169:Fiona MacCarthy, 7120:. 20 March 2008. 6640:on 14 August 2017 6415:(Subscription or 6341:The English House 6329:Trenton, Missouri 6269:John D. Rosenberg 6255:Selected Writings 6249:Selected Writings 5751:Fraser's Magazine 5735:Cornhill Magazine 5361:Sunset seen from 5198:Light, Descending 4981:Light, Descending 4951:Alice I Have Been 4947:Benjamin, Melanie 4620:Winnington school 4459: 4414:political economy 4408:Ruskin wielded a 4379: 4145:Frederick Hollyer 4043:Charles Tomlinson 4032:parametric design 3913:, Ruskin's home, 3870:or the Bible. In 3848:William Beveridge 3832:Frederic Harrison 3783:Allen & Unwin 3660: 3630:John William Hill 3626:Wilhelm Worringer 3534:Byrdcliffe Colony 3337:W. G. Collingwood 3308:, in the English 3109:Ruskin turned to 2899:Frederic Leighton 2869:Grosvenor Gallery 2867:exhibited at the 2852: 2831:Allen & Unwin 2817:Oxford University 2775:W. G. Collingwood 2738:) and sculpture ( 2692:Oxford University 2636:Sesame and Lilies 2629:Sesame and Lilies 2508:Fraser's Magazine 2500: 2438: 2372:Cornhill Magazine 2344:political economy 2306: 2288: 2287: 2244:Time-use research 2044:August Strindberg 1840:political economy 1783: 1700:Marlborough House 1501:Benjamin Woodward 1462:Pauline Trevelyan 1357:Ruskin's portrait 1272:and later by the 988:Elizabeth Gaskell 859:Modern Painters I 593:Congregationalist 358:political economy 331: 330: 282:political economy 16:(Redirected from 15117: 14920: 14911: 14901: 14893: 14892: 14891: 14884: 14876: 14875: 14874: 14867: 14859: 14858: 14857: 14850: 14842: 14841: 14840: 14830: 14791:Critique of work 14608:Georges Bataille 14588:Michael Heinrich 14538:Jean Baudrillard 14497:Friedrich Engels 14476: 14469: 14462: 14453: 14452: 14439: 14438: 14437: 14331: 14321: 14311: 14301: 14291: 14281: 14271: 14261: 14251: 14241: 14231: 14221: 14211: 14201: 13500: 13493: 13486: 13477: 13476: 13425:Pathetic fallacy 13314: 13238: 13231: 13224: 13215: 13214: 13190: 13169: 13164: 13069: 13068: 13053:Internet Archive 12991: 12977:. Ruskin journal 12830:. Ashgate, 2000. 12817:Quigley, Carroll 12794:Jackson, Kevin. 12759: 12753: 12745: 12686:Wise and Ruskin. 12633: 12627: 12619: 12551: 12550: 12548: 12546: 12537:. Archived from 12527: 12521: 12510: 12504: 12503: 12501: 12499: 12474: 12468: 12467: 12465: 12463: 12454:. Archived from 12433: 12427: 12426: 12424: 12422: 12403: 12397: 12396: 12394: 12392: 12383:. Archived from 12377:"Gregory Murphy" 12373: 12367: 12366: 12364: 12362: 12353:. Archived from 12351:Victorianweb.org 12343: 12337: 12336: 12334: 12332: 12313: 12307: 12306: 12304: 12302: 12291: 12285: 12284: 12252: 12241: 12232: 12226: 12225: 12223: 12221: 12198: 12192: 12191: 12189: 12187: 12171: 12162: 12161: 12159: 12157: 12146:Sites.google.com 12137: 12131: 12130: 12128: 12126: 12117:. 1 March 1999. 12101: 12095: 12094: 12092: 12090: 12063: 12057: 12056: 12054: 12052: 12024: 12018: 12017: 12015: 12013: 11991: 11985: 11984: 11976: 11970: 11969: 11961: 11955: 11954: 11946: 11940: 11933: 11927: 11926: 11924: 11922: 11903: 11897: 11894: 11888: 11881: 11875: 11868: 11862: 11852: 11846: 11845: 11843: 11841: 11835: 11820: 11811: 11805: 11804: 11802: 11800: 11776: 11770: 11769: 11767: 11765: 11737: 11731: 11730: 11728: 11726: 11703: 11697: 11696: 11686: 11662: 11656: 11655: 11653: 11651: 11645: 11634: 11625: 11619: 11618: 11616: 11614: 11586: 11580: 11579: 11569: 11545: 11539: 11538: 11528: 11504: 11498: 11497: 11495: 11493: 11473: 11467: 11466: 11464: 11462: 11442: 11436: 11435: 11433: 11431: 11417: 11411: 11410: 11408: 11406: 11392: 11386: 11385: 11383: 11381: 11367: 11361: 11360: 11358: 11356: 11337: 11331: 11330: 11328: 11326: 11312: 11306: 11305: 11303: 11301: 11295: 11284: 11275: 11269: 11268: 11266: 11264: 11244: 11238: 11237: 11235: 11233: 11217: 11211: 11210: 11208: 11206: 11192: 11186: 11185: 11183: 11181: 11157: 11151: 11150: 11148: 11146: 11122: 11116: 11115: 11113: 11111: 11091: 11085: 11084: 11082: 11080: 11064: 11058: 11057: 11037: 11031: 11030: 11028: 11026: 11011: 11002: 11001: 10999: 10997: 10981: 10972: 10971: 10969: 10967: 10936: 10927: 10926: 10924: 10922: 10902: 10896: 10889: 10883: 10872: 10866: 10865: 10855: 10849: 10830: 10824: 10823: 10821: 10819: 10790:(20 July 1998). 10784: 10778: 10771: 10765: 10764: 10762: 10760: 10737: 10731: 10730: 10728: 10726: 10710: 10704: 10703: 10679: 10673: 10666: 10660: 10653: 10647: 10640: 10634: 10627: 10621: 10614: 10608: 10607: 10605: 10603: 10571: 10563: 10557: 10537: 10531: 10524: 10518: 10512: 10506: 10505: 10497: 10491: 10490: 10482: 10476: 10470: 10464: 10453: 10447: 10446: 10428: 10422: 10415: 10409: 10398: 10392: 10385: 10379: 10378: 10376: 10374: 10355: 10349: 10343: 10337: 10336: 10334: 10332: 10317: 10311: 10301: 10295: 10285: 10279: 10278: 10276: 10274: 10255: 10249: 10248: 10246: 10244: 10224: 10218: 10209:in John Ruskin, 10200: 10194: 10189:in John Ruskin, 10183: 10177: 10167: 10161: 10153: 10147: 10129: 10123: 10122: 10120: 10118: 10109:. Archived from 10103: 10097: 10092:Lars Spuybroek, 10090: 10084: 10075: 10069: 10062: 10056: 10049: 10043: 10042: 10040: 10038: 10029:. 4 March 2009. 10019: 10013: 10012: 10010: 10008: 9997:www.facebook.com 9989: 9983: 9982: 9980: 9978: 9958: 9952: 9951: 9949: 9947: 9942:on 9 August 2006 9932: 9926: 9925: 9923: 9921: 9906: 9900: 9899: 9897: 9895: 9880:"Ruskin Library" 9876: 9870: 9869: 9867: 9865: 9845: 9839: 9838: 9836: 9834: 9814: 9808: 9807: 9795: 9785: 9779: 9778: 9770: 9764: 9753: 9747: 9740: 9734: 9697: 9691: 9690: 9688: 9686: 9677:. Archived from 9671: 9665: 9664:(Ashgate, 2011). 9658: 9652: 9651: 9633: 9627: 9611: 9605: 9594: 9588: 9581: 9575: 9568: 9562: 9561: 9537: 9531: 9530: 9521:. 1 April 2017. 9515: 9509: 9502: 9496: 9489: 9483: 9476: 9470: 9463: 9454: 9435: 9429: 9422: 9416: 9415: 9413: 9411: 9391: 9385: 9384: 9382: 9380: 9360: 9354: 9353: 9351: 9349: 9329: 9323: 9322: 9320: 9318: 9307:Brantwood.org.uk 9299: 9293: 9286: 9280: 9273: 9267: 9259: 9253: 9246: 9240: 9239: 9237: 9235: 9218: 9212: 9211: 9209: 9207: 9190: 9184: 9173: 9167: 9160: 9154: 9148: 9142: 9135: 9129: 9123: 9117: 9116: 9108: 9102: 9096: 9090: 9083: 9077: 9071: 9065: 9058: 9052: 9051: 9049: 9047: 9028: 9022: 9021: 9019: 9017: 9002: 8996: 8990: 8984: 8973: 8967: 8962:Sara E. Haslam, 8960: 8954: 8947: 8941: 8934: 8928: 8922: 8916: 8915: 8913: 8911: 8892: 8886: 8879: 8873: 8866: 8860: 8853: 8847: 8840: 8834: 8833:(Methuen, 1931). 8823: 8817: 8806: 8800: 8797: 8791: 8785: 8779: 8772: 8766: 8759: 8753: 8752: 8730: 8724: 8723: 8721: 8719: 8700: 8694: 8674: 8668: 8662: 8656: 8649: 8643: 8636: 8630: 8623: 8617: 8610: 8604: 8603: 8601: 8599: 8590:. Open Plaques. 8584: 8578: 8571: 8565: 8559: 8553: 8546: 8537: 8536: 8534: 8532: 8526: 8515: 8507: 8501: 8500: 8463:Symonds, Richard 8459: 8453: 8452: 8450: 8448: 8434: 8428: 8421: 8415: 8408: 8402: 8396: 8390: 8384: 8378: 8372: 8366: 8365: 8363: 8361: 8350:Victorianweb.org 8342: 8336: 8329: 8323: 8317: 8311: 8305: 8299: 8294:Gillian Darley, 8292: 8286: 8280: 8274: 8256: 8250: 8244: 8238: 8232: 8226: 8225: 8223: 8221: 8202: 8196: 8193: 8187: 8176: 8170: 8164: 8158: 8147: 8141: 8135: 8129: 8122: 8116: 8110: 8104: 8097: 8091: 8090: 8050: 8044: 8043: 8003: 7997: 7994: 7988: 7982: 7976: 7970: 7964: 7958: 7952: 7945: 7939: 7938: 7936: 7934: 7914: 7908: 7907: 7905: 7903: 7883: 7877: 7871: 7865: 7858: 7852: 7846: 7840: 7833: 7827: 7820: 7814: 7811: 7805: 7799: 7793: 7787: 7781: 7775: 7769: 7763: 7757: 7750: 7744: 7708: 7702: 7695: 7689: 7683: 7677: 7670: 7664: 7658: 7652: 7645: 7639: 7633: 7627: 7624: 7618: 7617: 7615: 7613: 7604:. Archived from 7598: 7592: 7591: 7583: 7577: 7570: 7564: 7558: 7552: 7546: 7540: 7535:Robert Hewison, 7533: 7527: 7521: 7515: 7509: 7503: 7497: 7491: 7490: 7488: 7486: 7481:on 5 August 2011 7477:. Archived from 7471: 7465: 7464: 7462: 7460: 7441: 7435: 7430:Michael Brooks, 7428: 7422: 7415: 7409: 7388: 7382: 7379: 7373: 7372: 7370: 7368: 7359:. Archived from 7349: 7343: 7339: 7333: 7327: 7321: 7314: 7308: 7302: 7293: 7286: 7280: 7273: 7267: 7260: 7254: 7247: 7241: 7235: 7229: 7219: 7213: 7207: 7201: 7200: 7180: 7174: 7167: 7161: 7155: 7149: 7140: 7134: 7133: 7131: 7129: 7110: 7104: 7093: 7087: 7081: 7075: 7068: 7062: 7061: 7043: 7037: 7036: 7034: 7032: 7017: 7011: 7010: 7008: 7006: 6987: 6981: 6974: 6968: 6958: 6952: 6946: 6940: 6933: 6927: 6920: 6914: 6908: 6902: 6901: 6899: 6897: 6888:. 28 June 2002. 6878: 6872: 6871:(Cassell, 1990) 6869:Ruskin on Turner 6862: 6856: 6846: 6840: 6833: 6827: 6821: 6815: 6805: 6799: 6796: 6790: 6785:Cynthia Gamble, 6783: 6777: 6776: 6774: 6772: 6763:. Archived from 6757: 6751: 6745: 6739: 6733: 6727: 6721: 6715: 6709: 6703: 6697: 6691: 6685: 6679: 6669: 6663: 6656: 6650: 6649: 6647: 6645: 6636:. Archived from 6626: 6620: 6619: 6617: 6615: 6596: 6590: 6589: 6587: 6585: 6566: 6560: 6559: 6557: 6555: 6550:on 19 April 2021 6546:. Archived from 6536: 6530: 6529: 6527: 6525: 6520:on 24 April 2021 6516:. Archived from 6506: 6500: 6493: 6487: 6480: 6474: 6470: 6464: 6458: 6447: 6440: 6434: 6427: 6421: 6420: 6412: 6391: 6372: 6371: 6363: 6313:Ruskin's diggers 6308:Ruskin, Nebraska 5850:Aratra Pentelici 5635:Pre-Raphaelitism 5419: 5395: 5379: 5357: 5341: 5320: 5306: 5292: 5278: 5262: 5248: 5234: 5220: 5182:, and featuring 5066:Parrots and Owls 5046:(Old Mr Ruskin) 5036:Elizabeth Morgan 4941:Grace Andreacchi 4937:Sesame and Roses 4922: 4899: 4882:Morazzoni, Marta 4861: 4849: 4811:The New Republic 4699:Pathetic fallacy 4520:National Gallery 4460: 4457: 4445: 4380: 4374: 4350:left to die. In 4316:as economic man. 4292:Ashmolean Museum 4157:Edward Tyas Cook 4138: 4135: 4131: 4128: 4079:Jonathan Glancey 4067:Jonathon Porritt 4011:cultural tourism 3798:Ashmolean Museum 3768:Charles A. Beard 3752:Bembridge School 3729:Edward Carpenter 3661: 3658: 3594:G. K. Chesterton 3450: 3415: 3270:Darwinian theory 3179:(1877–1884) and 3123:life after death 2915:Fine Art Society 2853: 2844: 2748:Ashmolean Museum 2740:Aratra Pentelici 2736:The Eagle's Nest 2720:Ashmolean Museum 2556:Edward John Eyre 2515:, cut short his 2501: 2486: 2439: 2430: 2314:John Stuart Mill 2307: 2298: 2280: 2273: 2266: 2104:Jean Baudrillard 2099:Georges Bataille 2054:Friedrich Engels 1890:Critique of work 1860: 1845: 1844: 1784: 1774: 1742:Galleria Sabauda 1706:National Gallery 1627:and later under 1578:women's colleges 1439:drawings to the 1397:Elizabeth Siddal 1333:Coventry Patmore 1268:founders of the 1252: 984:Charlotte Brontë 973:National Gallery 886: 883: 879: 804:William Buckland 578: 575: 564: 517:Brunswick Square 327: 300:Pathetic fallacy 211: 209: 205: 129: 93: 77: 75: 60: 46: 45: 21: 15125: 15124: 15120: 15119: 15118: 15116: 15115: 15114: 14925: 14924: 14923: 14912: 14908: 14904: 14894: 14889: 14887: 14883:from Wikisource 14877: 14872: 14870: 14860: 14855: 14853: 14843: 14838: 14836: 14833: 14829:sister projects 14826:at Knowledge's 14820: 14815: 14759: 14678: 14617: 14598:Roman Rozdolsky 14573:Helmut Reichelt 14563:Étienne Balibar 14526: 14485: 14480: 14450: 14445: 14435: 14433: 14410: 14334: 14329: 14319: 14309: 14306:Critical Essays 14299: 14289: 14279: 14269: 14259: 14249: 14239: 14229: 14219: 14209: 14199: 14183: 13956: 13870:Ortega y Gasset 13663: 13575: 13509: 13504: 13474: 13469: 13445:Ruskin Monument 13382: 13344:The Love School 13336:Dante's Inferno 13331:(1854 painting) 13315: 13306: 13268:Modern Painters 13247: 13242: 13155: 13144:Wayback Machine 13117:Wayback Machine 13105:Wayback Machine 13094: 13066: 13025:Standard Ebooks 13017: 12998: 12964: 12882: 12871:, "Ruskin", in 12869:Woolf, Virginia 12763:Hewison, Robert 12747: 12746: 12734: 12684:Dearden, J. S. 12670:Dearden, J. S. 12642:Macmillan Press 12621: 12620: 12608: 12592: 12587: 12585:Further reading 12559: 12554: 12544: 12542: 12541:on 29 July 2013 12529: 12528: 12524: 12511: 12507: 12497: 12495: 12475: 12471: 12461: 12459: 12434: 12430: 12420: 12418: 12417:on 18 July 2017 12405: 12404: 12400: 12390: 12388: 12375: 12374: 12370: 12360: 12358: 12345: 12344: 12340: 12330: 12328: 12315: 12314: 12310: 12300: 12298: 12296:"Dear Countess" 12292: 12288: 12253: 12244: 12235:Dante's Inferno 12233: 12229: 12219: 12217: 12200: 12199: 12195: 12185: 12183: 12172: 12165: 12155: 12153: 12138: 12134: 12124: 12122: 12109:by Ann Harries" 12103: 12102: 12098: 12088: 12086: 12081:. p. 616. 12071:"New Republic ( 12064: 12060: 12050: 12048: 12041: 12025: 12021: 12011: 12009: 12001:The Independent 11992: 11988: 11977: 11973: 11962: 11958: 11947: 11943: 11934: 11930: 11920: 11918: 11905: 11904: 11900: 11895: 11891: 11882: 11878: 11869: 11865: 11853: 11849: 11839: 11837: 11836:on 29 July 2013 11833: 11818: 11812: 11808: 11798: 11796: 11777: 11773: 11763: 11761: 11754: 11738: 11734: 11724: 11722: 11720: 11704: 11700: 11663: 11659: 11649: 11647: 11643: 11632: 11626: 11622: 11612: 11610: 11603: 11587: 11583: 11546: 11542: 11505: 11501: 11491: 11489: 11478:"Advertisement" 11474: 11470: 11460: 11458: 11443: 11439: 11429: 11427: 11418: 11414: 11404: 11402: 11393: 11389: 11379: 11377: 11368: 11364: 11354: 11352: 11339: 11338: 11334: 11324: 11322: 11313: 11309: 11299: 11297: 11293: 11282: 11276: 11272: 11262: 11260: 11245: 11241: 11231: 11229: 11222:"Advertisement" 11218: 11214: 11204: 11202: 11193: 11189: 11179: 11177: 11158: 11154: 11144: 11142: 11123: 11119: 11109: 11107: 11092: 11088: 11078: 11076: 11065: 11061: 11038: 11034: 11024: 11022: 11021:on 15 June 2013 11013: 11012: 11005: 10995: 10993: 10982: 10975: 10965: 10963: 10956: 10940:Fred R. Shapiro 10937: 10930: 10920: 10918: 10911:victoriaweb.com 10905: 10903: 10899: 10890: 10886: 10873: 10869: 10858: 10856: 10852: 10841:Wayback Machine 10831: 10827: 10817: 10815: 10808: 10785: 10781: 10772: 10768: 10758: 10756: 10754: 10738: 10734: 10724: 10722: 10711: 10707: 10680: 10676: 10667: 10663: 10654: 10650: 10641: 10637: 10628: 10624: 10615: 10611: 10601: 10599: 10578:. pp. E1. 10564: 10560: 10550:Wayback Machine 10538: 10534: 10525: 10521: 10513: 10509: 10498: 10494: 10483: 10479: 10471: 10467: 10454: 10450: 10443: 10429: 10425: 10416: 10412: 10399: 10395: 10386: 10382: 10372: 10370: 10357: 10356: 10352: 10344: 10340: 10330: 10328: 10319: 10318: 10314: 10302: 10298: 10286: 10282: 10272: 10270: 10257: 10256: 10252: 10242: 10240: 10225: 10221: 10201: 10197: 10184: 10180: 10168: 10164: 10154: 10150: 10130: 10126: 10116: 10114: 10105: 10104: 10100: 10091: 10087: 10078:David Gauntlett 10076: 10072: 10063: 10059: 10050: 10046: 10036: 10034: 10021: 10020: 10016: 10006: 10004: 9991: 9990: 9986: 9976: 9974: 9959: 9955: 9945: 9943: 9936:"Ruskin Museum" 9934: 9933: 9929: 9919: 9917: 9908: 9907: 9903: 9893: 9891: 9878: 9877: 9873: 9863: 9861: 9848: 9846: 9842: 9832: 9830: 9815: 9811: 9804: 9786: 9782: 9771: 9767: 9755:Stuart Eagles, 9754: 9750: 9746:(Tauris, 2007) 9741: 9737: 9730:Wayback Machine 9714:Wayback Machine 9698: 9694: 9684: 9682: 9673: 9672: 9668: 9659: 9655: 9648: 9634: 9630: 9624:Wayback Machine 9612: 9608: 9595: 9591: 9582: 9578: 9569: 9565: 9558: 9538: 9534: 9517: 9516: 9512: 9503: 9499: 9490: 9486: 9478:Stuart Eagles, 9477: 9473: 9465:Stephen Gwynn, 9464: 9457: 9436: 9432: 9423: 9419: 9409: 9407: 9394: 9392: 9388: 9378: 9376: 9363: 9361: 9357: 9347: 9345: 9332: 9330: 9326: 9316: 9314: 9301: 9300: 9296: 9292:(Ryburn, 1994). 9287: 9283: 9275:Stuart Eagles, 9274: 9270: 9260: 9256: 9247: 9243: 9233: 9231: 9220: 9219: 9215: 9205: 9203: 9192: 9191: 9187: 9182:Wayback Machine 9174: 9170: 9161: 9157: 9149: 9145: 9136: 9132: 9124: 9120: 9109: 9105: 9097: 9093: 9084: 9080: 9072: 9068: 9060:Robert Dunlop, 9059: 9055: 9045: 9043: 9030: 9029: 9025: 9015: 9013: 9004: 9003: 8999: 8991: 8987: 8975:Stuart Eagles, 8974: 8970: 8961: 8957: 8948: 8944: 8935: 8931: 8923: 8919: 8909: 8907: 8894: 8893: 8889: 8880: 8876: 8867: 8863: 8854: 8850: 8841: 8837: 8824: 8820: 8815:Wayback Machine 8807: 8803: 8798: 8794: 8786: 8782: 8773: 8769: 8760: 8756: 8749: 8731: 8727: 8717: 8715: 8702: 8701: 8697: 8692:Wayback Machine 8677:Linda Merrill, 8675: 8671: 8663: 8659: 8650: 8646: 8637: 8633: 8624: 8620: 8612:Stuart Eagles, 8611: 8607: 8597: 8595: 8586: 8585: 8581: 8572: 8568: 8560: 8556: 8547: 8540: 8530: 8528: 8524: 8513: 8509: 8508: 8504: 8489: 8479:Clarendon Press 8460: 8456: 8446: 8444: 8440:Lectures on Art 8435: 8431: 8422: 8418: 8412:Sexual Politics 8409: 8405: 8397: 8393: 8385: 8381: 8373: 8369: 8359: 8357: 8344: 8343: 8339: 8330: 8326: 8318: 8314: 8306: 8302: 8293: 8289: 8281: 8277: 8257: 8253: 8245: 8241: 8233: 8229: 8219: 8217: 8204: 8203: 8199: 8194: 8190: 8177: 8173: 8165: 8161: 8148: 8144: 8136: 8132: 8123: 8119: 8111: 8107: 8098: 8094: 8071:10.2307/1053391 8051: 8047: 8024:10.2307/1879386 8004: 8000: 7995: 7991: 7983: 7979: 7971: 7967: 7959: 7955: 7946: 7942: 7932: 7930: 7915: 7911: 7901: 7899: 7884: 7880: 7872: 7868: 7859: 7855: 7847: 7843: 7834: 7830: 7821: 7817: 7812: 7808: 7800: 7796: 7788: 7784: 7776: 7772: 7764: 7760: 7751: 7747: 7741:Wayback Machine 7730:Wayback Machine 7719:Wayback Machine 7709: 7705: 7696: 7692: 7684: 7680: 7671: 7667: 7659: 7655: 7646: 7642: 7634: 7630: 7625: 7621: 7611: 7609: 7600: 7599: 7595: 7584: 7580: 7571: 7567: 7559: 7555: 7547: 7543: 7534: 7530: 7522: 7518: 7510: 7506: 7498: 7494: 7484: 7482: 7473: 7472: 7468: 7458: 7456: 7443: 7442: 7438: 7429: 7425: 7416: 7412: 7407:Wayback Machine 7389: 7385: 7380: 7376: 7366: 7364: 7351: 7350: 7346: 7340: 7336: 7328: 7324: 7315: 7311: 7303: 7296: 7287: 7283: 7274: 7270: 7261: 7257: 7248: 7244: 7236: 7232: 7220: 7216: 7208: 7204: 7181: 7177: 7168: 7164: 7156: 7152: 7141: 7137: 7127: 7125: 7112: 7111: 7107: 7097:Effie in Venice 7094: 7090: 7082: 7078: 7069: 7065: 7058: 7044: 7040: 7030: 7028: 7019: 7018: 7014: 7004: 7002: 6989: 6988: 6984: 6975: 6971: 6959: 6955: 6947: 6943: 6934: 6930: 6921: 6917: 6909: 6905: 6895: 6893: 6880: 6879: 6875: 6863: 6859: 6847: 6843: 6834: 6830: 6822: 6818: 6806: 6802: 6797: 6793: 6784: 6780: 6770: 6768: 6759: 6758: 6754: 6746: 6742: 6734: 6730: 6722: 6718: 6710: 6706: 6702:, Introduction. 6698: 6694: 6686: 6682: 6670: 6666: 6657: 6653: 6643: 6641: 6634:Pookpress.co.uk 6628: 6627: 6623: 6613: 6611: 6598: 6597: 6593: 6583: 6581: 6568: 6567: 6563: 6553: 6551: 6538: 6537: 6533: 6523: 6521: 6508: 6507: 6503: 6495:J. S. Dearden, 6494: 6490: 6481: 6477: 6471: 6467: 6459: 6450: 6441: 6437: 6428: 6424: 6414: 6395:Hewison, Robert 6392: 6375: 6364: 6360: 6356: 6351: 6298: 6285:Ruskin on Music 6205: 6150: 6058:On the Old Road 5916:Natural science 5874:, Delivered at 5860:Michaelmas term 5772:On the Old Road 5644:Letters to the 5602:The Sea–Stories 5591:The Foundations 5550:Of Cloud Beauty 5535:Mountain Beauty 5490:Modern Painters 5439: 5437:Works by Ruskin 5422:Library Edition 5410: 5403: 5396: 5387: 5380: 5371: 5367:J. M. W. Turner 5358: 5349: 5342: 5333: 5326: 5321: 5312: 5310:Fribourg Suisse 5307: 5298: 5296:Rocks in Unrest 5293: 5284: 5279: 5268: 5263: 5254: 5249: 5240: 5235: 5226: 5221: 5212: 5207: 5156:J. M. W. Turner 5112:) and Millais ( 5080:Modern Painters 5074:O'Shea brothers 5013:The Love School 5005:Dante's Inferno 4990: 4919: 4896: 4858: 4816:William Mallock 4796: 4791: 4703:Modern Painters 4680: 4632: 4532: 4512:J. M. W. Turner 4508: 4503: 4472:, expressed in 4462: 4456: 4446: 4440: 4406: 4381: 4373: 4347: 4252:O'Shea brothers 4183:Modern Painters 4178:J. M. W. Turner 4174: 4142: 4140: 4136: 4129: 4119: 4099:Marc Turtletaub 4090:Financial Times 4071:Nicholas Wright 4047:Patrick Cormack 4019:David Gauntlett 3996:Ruskin Colleges 3992:Ruskin, Florida 3925:in the English 3900: 3850:(author of the 3816: 3719:Ebenezer Howard 3699: 3668: 3663: 3657: 3570: 3514:Ruskin, Florida 3510:Ruskin Colonies 3479: 3457: 3451: 3445:Stephen Gwynn, 3444: 3421:Arts and Crafts 3416: 3410:Stephen Gwynn, 3409: 3398: 3377: 3349:Library Edition 3282: 3189: 3131: 3075: 3059:Meersbrook Park 3045:Modern Painters 3003:, he supported 2977:North Yorkshire 2928: 2855: 2843: 2813: 2674:Adriano Cecioni 2666: 2661: 2582: 2565:Daily Telegraph 2521:Munera Pulveris 2502: 2490:Modern Painters 2485: 2468:Modern Painters 2446:Modern Painters 2440: 2429: 2406:Mohandas Gandhi 2309: 2297: 2284: 2255: 2254: 2253: 2224:Status quo bias 2173: 2165: 2164: 2163: 2094:Étienne Balibar 2088: 2080: 2079: 2078: 2038: 2030: 2029: 2028: 1965: 1962: 1949: 1941: 1940: 1939: 1925:Value criticism 1869: 1858: 1820:Arundel Society 1786: 1778:Modern Painters 1773: 1765: 1729:, where he saw 1719: 1686: 1666:Tunbridge Wells 1616: 1614:Public lecturer 1597:Modern Painters 1592: 1549:Winnington Hall 1509: 1458:Wallington Hall 1422:with the title 1378:suit of nullity 1297:painted by the 1286: 1284:Pre-Raphaelites 1274:Arts and Crafts 1253: 1246: 1202: 1174: 1158:Modern Painters 1112: 1103:Thomas Richmond 1095: 1083:Joshua Reynolds 1079:Modern Painters 1000: 939:Modern Painters 922:Modern Painters 892:George Richmond 884: 873: 863: 819:Newdigate Prize 768: 737:Spiritual Times 732: 720:Copley Fielding 708:J. M. W. Turner 632: 576: 565: 559: 535:and especially 510:James Northcote 502: 454: 449: 413:Pre-Raphaelites 409:J. M. W. Turner 404:Modern Painters 388:First World War 309: 293: 286: 262: 255: 213: 210: 1854) 201: 197: 194: 181: 137:Modern Painters 127: 122: 106:Alma mater 101: 95: 91: 90:20 January 1900 82: 81:London, England 79: 78:8 February 1819 73: 71: 63: 51: 42: 28: 23: 22: 15: 12: 11: 5: 15123: 15113: 15112: 15107: 15102: 15097: 15092: 15087: 15082: 15077: 15072: 15067: 15065:Male essayists 15062: 15057: 15052: 15047: 15042: 15037: 15032: 15027: 15022: 15017: 15012: 15007: 15002: 14997: 14992: 14987: 14982: 14977: 14972: 14967: 14962: 14957: 14952: 14947: 14942: 14937: 14922: 14921: 14905: 14903: 14902: 14885: 14868: 14866:from Wikiquote 14851: 14822: 14817: 14816: 14814: 14813: 14808: 14803: 14798: 14793: 14788: 14783: 14778: 14773: 14767: 14765: 14761: 14760: 14758: 14757: 14752: 14747: 14742: 14737: 14732: 14727: 14722: 14717: 14712: 14707: 14702: 14697: 14692: 14690:Unto This Last 14686: 14684: 14680: 14679: 14677: 14676: 14671: 14666: 14661: 14656: 14651: 14649:Dismal Science 14646: 14641: 14636: 14631: 14625: 14623: 14619: 14618: 14616: 14615: 14613:Katrine Marçal 14610: 14605: 14600: 14595: 14590: 14585: 14580: 14575: 14570: 14565: 14560: 14558:Moishe Postone 14555: 14550: 14548:Mahatma Gandhi 14545: 14540: 14534: 14532: 14528: 14527: 14525: 14524: 14519: 14514: 14509: 14507:Thomas Carlyle 14504: 14499: 14493: 14491: 14487: 14486: 14479: 14478: 14471: 14464: 14456: 14447: 14446: 14444: 14443: 14431: 14426: 14421: 14415: 14412: 14411: 14409: 14408: 14403: 14398: 14393: 14388: 14383: 14378: 14376:Neuroesthetics 14373: 14368: 14363: 14358: 14356:Arts criticism 14353: 14348: 14342: 14340: 14336: 14335: 14333: 14332: 14322: 14312: 14302: 14292: 14282: 14272: 14262: 14252: 14242: 14232: 14226:On the Sublime 14222: 14212: 14202: 14191: 14189: 14185: 14184: 14182: 14181: 14176: 14171: 14166: 14161: 14156: 14151: 14146: 14139: 14134: 14129: 14124: 14119: 14114: 14109: 14104: 14097: 14092: 14090:Interpretation 14087: 14082: 14077: 14072: 14067: 14062: 14057: 14052: 14047: 14042: 14037: 14032: 14027: 14022: 14017: 14012: 14007: 14006: 14005: 14000: 13990: 13985: 13983:Artistic merit 13980: 13975: 13970: 13964: 13962: 13958: 13957: 13955: 13954: 13947: 13942: 13937: 13932: 13927: 13922: 13917: 13912: 13907: 13902: 13897: 13892: 13887: 13882: 13877: 13872: 13867: 13862: 13857: 13852: 13847: 13842: 13837: 13832: 13827: 13822: 13817: 13812: 13807: 13802: 13797: 13792: 13787: 13782: 13777: 13772: 13767: 13762: 13757: 13752: 13747: 13742: 13737: 13732: 13727: 13722: 13717: 13712: 13707: 13702: 13697: 13692: 13687: 13682: 13677: 13671: 13669: 13665: 13664: 13662: 13661: 13654: 13649: 13644: 13639: 13634: 13632:Psychoanalysis 13629: 13624: 13619: 13614: 13609: 13604: 13599: 13594: 13589: 13583: 13581: 13577: 13576: 13574: 13573: 13568: 13563: 13558: 13553: 13548: 13543: 13538: 13533: 13528: 13523: 13517: 13515: 13511: 13510: 13503: 13502: 13495: 13488: 13480: 13471: 13470: 13468: 13467: 13462: 13457: 13452: 13447: 13442: 13440:Ruskin Gallery 13437: 13435:Rose La Touche 13432: 13427: 13422: 13417: 13412: 13407: 13401: 13396: 13390: 13388: 13384: 13383: 13381: 13380: 13372: 13364: 13356: 13348: 13340: 13332: 13323: 13321: 13317: 13316: 13309: 13307: 13305: 13304: 13300:Fors Clavigera 13296: 13292:Unto This Last 13288: 13280: 13272: 13264: 13255: 13253: 13249: 13248: 13241: 13240: 13233: 13226: 13218: 13212: 13211: 13208: 13202: 13197: 13191: 13189:(1106): 45–46. 13170: 13153: 13147: 13134: 13119: 13107: 13093: 13090: 13089: 13088: 13075: 13070: 13055: 13046: 13036: 13027: 13016: 13013: 13012: 13011: 13005: 12997: 12994: 12993: 12992: 12978: 12970: 12963: 12962:External links 12960: 12959: 12958: 12951:Robert Hewison 12948: 12941: 12934: 12927: 12917: 12899: 12881: 12878: 12877: 12876: 12866: 12855:Waldstein, C. 12853: 12842: 12831: 12826:Quill, Sarah. 12824: 12814: 12799: 12792: 12774: 12760: 12732: 12719: 12699: 12694:Earland, Ada. 12692: 12682: 12668: 12658: 12645: 12634: 12606: 12591: 12588: 12586: 12583: 12582: 12581: 12574: 12567: 12558: 12555: 12553: 12552: 12522: 12505: 12469: 12428: 12398: 12368: 12338: 12308: 12286: 12242: 12227: 12193: 12163: 12132: 12114:Kirkus Reviews 12107:Manly Pursuits 12096: 12058: 12039: 12019: 11986: 11971: 11956: 11941: 11935:Peter Fuller, 11928: 11898: 11889: 11885:Fors Clavigera 11876: 11863: 11855:Modern Painter 11847: 11806: 11771: 11752: 11732: 11718: 11698: 11657: 11620: 11601: 11581: 11540: 11499: 11468: 11437: 11412: 11387: 11362: 11332: 11307: 11270: 11239: 11212: 11187: 11152: 11117: 11086: 11059: 11032: 11003: 10973: 10954: 10928: 10907:"victoriaweb0" 10897: 10884: 10867: 10850: 10825: 10806: 10779: 10766: 10753:978-0838310533 10752: 10732: 10705: 10684:"Introduction" 10674: 10661: 10648: 10642:Peter Fuller, 10635: 10622: 10616:Mary Lutyens, 10609: 10558: 10532: 10519: 10507: 10492: 10477: 10465: 10448: 10441: 10423: 10410: 10406:Robert Hewison 10393: 10380: 10350: 10338: 10312: 10296: 10280: 10250: 10219: 10195: 10191:Unto This Last 10178: 10170:Robert Hewison 10162: 10148: 10124: 10098: 10085: 10070: 10057: 10044: 10014: 9984: 9953: 9927: 9916:on 4 July 2017 9901: 9871: 9840: 9809: 9802: 9780: 9765: 9748: 9742:Gill Cockram, 9735: 9692: 9666: 9653: 9646: 9628: 9606: 9589: 9576: 9563: 9556: 9532: 9510: 9497: 9484: 9471: 9455: 9439:H. W. Nevinson 9430: 9417: 9386: 9355: 9324: 9313:on 4 July 2017 9294: 9281: 9268: 9254: 9241: 9213: 9185: 9168: 9155: 9143: 9130: 9118: 9103: 9091: 9078: 9066: 9053: 9023: 8997: 8985: 8968: 8955: 8942: 8929: 8917: 8887: 8874: 8861: 8848: 8835: 8818: 8801: 8792: 8780: 8767: 8754: 8747: 8725: 8695: 8683:Art in America 8669: 8657: 8644: 8631: 8618: 8605: 8579: 8566: 8554: 8538: 8502: 8487: 8454: 8429: 8416: 8410:Kate Millett, 8403: 8391: 8379: 8367: 8337: 8324: 8312: 8300: 8287: 8275: 8251: 8239: 8227: 8197: 8188: 8171: 8159: 8142: 8130: 8117: 8105: 8092: 8045: 8018:(4): 414–445. 7998: 7989: 7977: 7965: 7953: 7940: 7909: 7878: 7866: 7853: 7841: 7828: 7815: 7806: 7794: 7782: 7770: 7758: 7745: 7703: 7690: 7678: 7665: 7653: 7640: 7628: 7619: 7593: 7578: 7572:Malcolm Cole, 7565: 7553: 7541: 7528: 7516: 7504: 7492: 7466: 7436: 7423: 7410: 7383: 7374: 7344: 7334: 7322: 7309: 7294: 7288:Mary Lutyens, 7281: 7275:Phyllis Rose, 7268: 7266:, 1946, p. 237 7255: 7249:Mary Lutyens, 7242: 7230: 7214: 7202: 7175: 7171:William Morris 7162: 7150: 7135: 7105: 7095:Mary Lutyens, 7088: 7076: 7063: 7056: 7038: 7021:"May 7th 1828" 7012: 6982: 6969: 6953: 6941: 6928: 6915: 6903: 6873: 6857: 6841: 6828: 6826:, 1.VI.305-54. 6816: 6800: 6791: 6778: 6752: 6740: 6728: 6716: 6704: 6692: 6680: 6672:Robert Hewison 6664: 6651: 6621: 6591: 6561: 6531: 6501: 6488: 6475: 6465: 6448: 6435: 6422: 6373: 6357: 6355: 6352: 6350: 6349: 6344: 6337: 6332: 6326: 6320: 6310: 6305: 6299: 6297: 6294: 6293: 6292: 6282: 6272: 6262: 6252: 6246: 6240: 6230: 6224: 6218: 6212: 6204: 6201: 6200: 6199: 6193: 6187: 6181: 6175: 6169: 6163: 6157: 6149: 6146: 6145: 6144: 6134: 6121: 6107: 6093: 6079: 6065: 6045: 6038:St Mark's Rest 6035: 6025: 6015: 6005: 5995: 5985: 5971: 5957: 5947: 5933: 5911: 5910: 5909: 5902: 5895: 5883:Fors Clavigera 5879: 5869: 5847: 5829: 5819: 5809: 5799: 5789: 5779: 5759: 5743: 5728:Unto This Last 5724: 5714: 5704: 5699:(1857, 1880) ( 5693: 5683: 5673: 5663: 5653: 5642: 5632: 5622: 5621: 5620: 5609: 5598: 5579: 5567: 5566: 5565: 5546:Of Leaf Beauty 5542: 5531: 5524:Of Many Things 5520: 5509: 5486: 5474: 5464: 5450: 5438: 5435: 5434: 5433: 5409: 5406: 5405: 5404: 5397: 5390: 5388: 5381: 5374: 5372: 5359: 5352: 5350: 5343: 5336: 5332: 5329: 5328: 5327: 5322: 5315: 5313: 5308: 5301: 5299: 5294: 5287: 5285: 5280: 5273: 5270: 5269: 5264: 5257: 5255: 5250: 5243: 5241: 5238:View of Amalfi 5236: 5229: 5227: 5224:Lion's profile 5222: 5215: 5211: 5208: 5206: 5203: 5202: 5201: 5195: 5188:Dakota Fanning 5180:Richard Laxton 5178:, directed by 5167: 5164:Joshua McGuire 5147: 5127: 5117: 5104:about Ruskin ( 5095: 5087: 5077: 5063: 5051: 5048:Michael Fenner 5029: 5022:David Collings 5009: 5001: 4989: 4988:In other media 4986: 4985: 4984: 4978: 4944: 4934: 4931:Manly Pursuits 4928: 4918:978-1860499548 4917: 4905:Donoghue, Emma 4901: 4895:978-0880013765 4894: 4878: 4863: 4857:978-0745113005 4856: 4839: 4819: 4806: 4795: 4792: 4790: 4787: 4786: 4785: 4778:Gothic Revival 4774: 4770: 4762: 4756: 4713:Fors Clavigera 4710: 4679: 4676: 4671:Baskin-Robbins 4648:Ruskin Library 4636:Unto This Last 4631: 4628: 4589:Kate Greenaway 4580:Rose La Touche 4531: 4528: 4507: 4504: 4502: 4499: 4491:Unto This Last 4448: 4443:Unto This Last 4438: 4430:Unto This Last 4426:A Joy for Ever 4405: 4402: 4371: 4346: 4343: 4341: 4340: 4337: 4334: 4330: 4327: 4324: 4321: 4317: 4308:logical system 4286:John Ruskin's 4269:National Trust 4173: 4170: 4161:John A. Hobson 4118: 4115: 4027:Lars Spuybroek 3980:, Croydon and 3974:Ruskin Pottery 3907:Ruskin Library 3899: 3896: 3862:. More of the 3856:Clement Attlee 3815: 3812: 3764:Ruskin College 3711:Patrick Geddes 3698: 3695: 3691:National Trust 3671:William Morris 3667: 3664: 3650: 3646:H. W. Nevinson 3614:Marianne Moore 3598:Hilaire Belloc 3586:Walter Gropius 3578:Louis Sullivan 3569: 3566: 3532:, founded the 3524:, a colony in 3496:Unto This Last 3478: 3475: 3469:Unto This Last 3464:Mahatma Gandhi 3456: 3453: 3442: 3425:William Morris 3407: 3397: 3394: 3376: 3373: 3306:Coniston Water 3281: 3278: 3266:Kate Greenaway 3188: 3187:Final writings 3185: 3177:St Mark's Rest 3147:Rose La Touche 3130: 3127: 3113:. He attended 3094:Rose La Touche 3082:Rose La Touche 3074: 3073:Rose La Touche 3071: 2937:Fors Clavigera 2927: 2924: 2860:Fors Clavigera 2848:Fors Clavigera 2835: 2822:Fors Clavigera 2812: 2809:Fors Clavigera 2806: 2802:Drawing School 2779:Arnold Toynbee 2672:Caricature by 2665: 2662: 2660: 2657: 2652:women's rights 2581: 2578: 2549:British Museum 2496:Unto This Last 2483: 2474:Unto This Last 2434:Unto This Last 2427: 2410:John A. Hobson 2397:Unto This Last 2360:social economy 2356:social justice 2335:Unto This Last 2330:Thomas Malthus 2302:Unto This Last 2289: 2286: 2285: 2283: 2282: 2275: 2268: 2260: 2257: 2256: 2252: 2251: 2246: 2241: 2236: 2231: 2226: 2221: 2219:Socioeconomics 2216: 2211: 2206: 2201: 2196: 2191: 2186: 2181: 2175: 2174: 2172:Related topics 2171: 2170: 2167: 2166: 2162: 2161: 2156: 2154:Katrine Marçal 2151: 2149:Mahatma Gandhi 2146: 2144:Moishe Postone 2141: 2136: 2131: 2126: 2121: 2116: 2111: 2106: 2101: 2096: 2090: 2089: 2086: 2085: 2082: 2081: 2077: 2076: 2071: 2066: 2064:Thomas Carlyle 2061: 2056: 2051: 2046: 2040: 2039: 2036: 2035: 2032: 2031: 2027: 2026: 2021: 2019:Unto This Last 2016: 2011: 2006: 2001: 1996: 1991: 1986: 1981: 1976: 1971: 1959: 1958: 1957: 1951: 1950: 1947: 1946: 1943: 1942: 1938: 1937: 1932: 1927: 1922: 1917: 1912: 1907: 1902: 1897: 1895:Dismal Science 1892: 1887: 1882: 1877: 1871: 1870: 1867: 1866: 1863: 1862: 1854: 1853: 1796:Thomas Carlyle 1791:Unto This Last 1766: 1764: 1762:Unto This Last 1758: 1737:Queen of Sheba 1731:Paolo Veronese 1718: 1715: 1685: 1684:Turner Bequest 1682: 1652:has grown. In 1633:A Joy For Ever 1615: 1612: 1591: 1582: 1508: 1505: 1299:Pre-Raphaelite 1285: 1282: 1278:William Morris 1244: 1201: 1196: 1192:A. W. N. Pugin 1173: 1170: 1111: 1108: 1094: 1091: 1036:Rose La Touche 999: 994:1845 tour and 992: 960:Gaspard Dughet 954:" of the post- 898:, a friend of 862: 856: 842:Leamington Spa 800:Osborne Gordon 767: 764: 731: 728: 631: 628: 620:King's College 557: 501: 498: 453: 450: 448: 445: 436:Fors Clavigera 418:Unto This Last 392:sustainability 369:William Morris 365:Viollet-le-Duc 329: 328: 320: 319: 315: 314: 311: 310: 308: 307: 302: 296: 294: 291: 288: 287: 285: 284: 279: 274: 271: 265: 263: 261:Main interests 260: 257: 256: 254: 253: 247: 245: 239: 238: 233: 229: 228: 223: 219: 218: 215: 214: 199: 195: 190: 189: 187: 183: 182: 180: 179: 173: 169:Fors Clavigera 165: 161:Unto This Last 157: 149: 141: 132: 130: 124: 123: 121: 120: 115: 109: 107: 103: 102: 96: 94:(aged 80) 88: 84: 83: 80: 69: 65: 64: 62:Ruskin in 1863 61: 53: 52: 49: 26: 9: 6: 4: 3: 2: 15122: 15111: 15108: 15106: 15103: 15101: 15098: 15096: 15093: 15091: 15088: 15086: 15083: 15081: 15078: 15076: 15073: 15071: 15068: 15066: 15063: 15061: 15058: 15056: 15053: 15051: 15048: 15046: 15043: 15041: 15038: 15036: 15033: 15031: 15028: 15026: 15023: 15021: 15018: 15016: 15015:Conchologists 15013: 15011: 15008: 15006: 15003: 15001: 14998: 14996: 14993: 14991: 14988: 14986: 14983: 14981: 14978: 14976: 14973: 14971: 14968: 14966: 14963: 14961: 14958: 14956: 14953: 14951: 14948: 14946: 14943: 14941: 14938: 14936: 14933: 14932: 14930: 14918: 14917: 14910: 14906: 14900:from Wikidata 14899: 14898: 14886: 14882: 14881: 14869: 14865: 14864: 14852: 14848: 14847: 14835: 14834: 14831: 14825: 14812: 14811:Occam's razor 14809: 14807: 14804: 14802: 14799: 14797: 14794: 14792: 14789: 14787: 14784: 14782: 14781:Chrematistics 14779: 14777: 14774: 14772: 14769: 14768: 14766: 14762: 14756: 14753: 14751: 14748: 14746: 14743: 14741: 14738: 14736: 14733: 14731: 14728: 14726: 14723: 14721: 14718: 14716: 14713: 14711: 14708: 14706: 14703: 14701: 14698: 14696: 14693: 14691: 14688: 14687: 14685: 14683:Written works 14681: 14675: 14672: 14670: 14667: 14665: 14662: 14660: 14657: 14655: 14652: 14650: 14647: 14645: 14644:Chrematistics 14642: 14640: 14637: 14635: 14632: 14630: 14627: 14626: 14624: 14620: 14614: 14611: 14609: 14606: 14604: 14601: 14599: 14596: 14594: 14591: 14589: 14586: 14584: 14581: 14579: 14576: 14574: 14571: 14569: 14566: 14564: 14561: 14559: 14556: 14554: 14551: 14549: 14546: 14544: 14541: 14539: 14536: 14535: 14533: 14529: 14523: 14520: 14518: 14517:Paul Lafargue 14515: 14513: 14510: 14508: 14505: 14503: 14500: 14498: 14495: 14494: 14492: 14488: 14484: 14477: 14472: 14470: 14465: 14463: 14458: 14457: 14454: 14442: 14432: 14430: 14427: 14425: 14422: 14420: 14417: 14416: 14413: 14407: 14406:Theory of art 14404: 14402: 14399: 14397: 14394: 14392: 14389: 14387: 14384: 14382: 14379: 14377: 14374: 14372: 14369: 14367: 14364: 14362: 14359: 14357: 14354: 14352: 14349: 14347: 14344: 14343: 14341: 14337: 14328: 14327: 14323: 14318: 14317: 14313: 14308: 14307: 14303: 14297: 14293: 14287: 14283: 14278: 14277: 14273: 14268: 14267: 14263: 14257: 14253: 14248: 14247: 14243: 14238: 14237: 14233: 14228: 14227: 14223: 14218: 14217: 14213: 14208: 14207: 14203: 14198: 14197: 14196:Hippias Major 14193: 14192: 14190: 14186: 14180: 14177: 14175: 14172: 14170: 14167: 14165: 14162: 14160: 14157: 14155: 14152: 14150: 14147: 14145: 14144: 14140: 14138: 14135: 14133: 14130: 14128: 14125: 14123: 14120: 14118: 14115: 14113: 14110: 14108: 14105: 14103: 14102: 14098: 14096: 14093: 14091: 14088: 14086: 14083: 14081: 14078: 14076: 14073: 14071: 14068: 14066: 14063: 14061: 14058: 14056: 14055:Entertainment 14053: 14051: 14048: 14046: 14043: 14041: 14038: 14036: 14033: 14031: 14028: 14026: 14023: 14021: 14018: 14016: 14013: 14011: 14008: 14004: 14001: 13999: 13996: 13995: 13994: 13991: 13989: 13986: 13984: 13981: 13979: 13978:Art manifesto 13976: 13974: 13971: 13969: 13968:Appropriation 13966: 13965: 13963: 13959: 13953: 13952: 13948: 13946: 13943: 13941: 13938: 13936: 13933: 13931: 13928: 13926: 13923: 13921: 13918: 13916: 13913: 13911: 13908: 13906: 13903: 13901: 13898: 13896: 13893: 13891: 13888: 13886: 13883: 13881: 13878: 13876: 13873: 13871: 13868: 13866: 13863: 13861: 13860:Merleau-Ponty 13858: 13856: 13853: 13851: 13848: 13846: 13843: 13841: 13838: 13836: 13833: 13831: 13828: 13826: 13823: 13821: 13818: 13816: 13813: 13811: 13808: 13806: 13803: 13801: 13798: 13796: 13793: 13791: 13788: 13786: 13783: 13781: 13778: 13776: 13773: 13771: 13768: 13766: 13763: 13761: 13758: 13756: 13753: 13751: 13748: 13746: 13743: 13741: 13738: 13736: 13733: 13731: 13728: 13726: 13723: 13721: 13718: 13716: 13713: 13711: 13708: 13706: 13703: 13701: 13698: 13696: 13693: 13691: 13688: 13686: 13683: 13681: 13678: 13676: 13675:Abhinavagupta 13673: 13672: 13670: 13666: 13660: 13659: 13655: 13653: 13650: 13648: 13645: 13643: 13640: 13638: 13635: 13633: 13630: 13628: 13627:Postmodernism 13625: 13623: 13620: 13618: 13615: 13613: 13610: 13608: 13605: 13603: 13600: 13598: 13595: 13593: 13590: 13588: 13585: 13584: 13582: 13578: 13572: 13569: 13567: 13564: 13562: 13559: 13557: 13554: 13552: 13549: 13547: 13544: 13542: 13539: 13537: 13534: 13532: 13529: 13527: 13524: 13522: 13519: 13518: 13516: 13512: 13508: 13501: 13496: 13494: 13489: 13487: 13482: 13481: 13478: 13466: 13463: 13461: 13458: 13456: 13453: 13451: 13450:Ruskin Museum 13448: 13446: 13443: 13441: 13438: 13436: 13433: 13431: 13428: 13426: 13423: 13421: 13418: 13416: 13413: 13411: 13408: 13405: 13402: 13400: 13397: 13395: 13392: 13391: 13389: 13385: 13378: 13377: 13373: 13370: 13369: 13365: 13362: 13361: 13357: 13354: 13353: 13349: 13346: 13345: 13341: 13338: 13337: 13333: 13330: 13329: 13325: 13324: 13322: 13318: 13313: 13302: 13301: 13297: 13294: 13293: 13289: 13286: 13285: 13281: 13278: 13277: 13273: 13270: 13269: 13265: 13262: 13261: 13257: 13256: 13254: 13250: 13246: 13239: 13234: 13232: 13227: 13225: 13220: 13219: 13216: 13209: 13206: 13203: 13201: 13198: 13196: 13192: 13188: 13184: 13180: 13178: 13171: 13168: 13162: 13158: 13154: 13151: 13148: 13145: 13141: 13138: 13135: 13133: 13129: 13128: 13123: 13120: 13118: 13114: 13111: 13108: 13106: 13102: 13099: 13096: 13095: 13087: 13083: 13079: 13076: 13074: 13071: 13063: 13059: 13056: 13054: 13050: 13047: 13044: 13040: 13037: 13035: 13031: 13028: 13026: 13022: 13019: 13018: 13009: 13006: 13003: 13000: 12999: 12990: 12986: 12982: 12979: 12976: 12975: 12971: 12969: 12968:Ruskin To-Day 12966: 12965: 12956: 12952: 12949: 12946: 12942: 12939: 12935: 12932: 12928: 12925: 12921: 12918: 12915: 12911: 12907: 12903: 12900: 12897: 12893: 12892: 12887: 12884: 12883: 12874: 12870: 12867: 12864: 12860: 12859: 12854: 12851: 12847: 12843: 12840: 12836: 12832: 12829: 12825: 12822: 12818: 12815: 12812: 12808: 12804: 12800: 12797: 12793: 12790: 12786: 12782: 12779: 12778:Ruskin, John. 12775: 12772: 12768: 12764: 12761: 12757: 12751: 12743: 12739: 12735: 12729: 12726:. Cambridge. 12725: 12720: 12718: 12714: 12710: 12709:The Courtauld 12706: 12705: 12700: 12697: 12693: 12690: 12687: 12683: 12680: 12677: 12673: 12669: 12666: 12663: 12659: 12656: 12653: 12651: 12646: 12643: 12639: 12638:Savage Ruskin 12635: 12631: 12625: 12617: 12613: 12609: 12603: 12599: 12594: 12593: 12579: 12575: 12572: 12568: 12565: 12561: 12560: 12540: 12536: 12532: 12526: 12520: 12516: 12515: 12509: 12493: 12489: 12488: 12483: 12479: 12478:Hoare, Philip 12473: 12457: 12453: 12449: 12445: 12444: 12439: 12432: 12416: 12412: 12408: 12402: 12386: 12382: 12378: 12372: 12356: 12352: 12348: 12342: 12326: 12322: 12318: 12312: 12297: 12290: 12282: 12278: 12274: 12270: 12266: 12262: 12258: 12251: 12249: 12247: 12240: 12236: 12231: 12215: 12211: 12207: 12205: 12197: 12181: 12177: 12170: 12168: 12151: 12147: 12143: 12136: 12120: 12116: 12115: 12110: 12108: 12100: 12084: 12080: 12076: 12074: 12068: 12062: 12046: 12042: 12040:9781587298196 12036: 12032: 12031: 12023: 12007: 12003: 12002: 11997: 11990: 11982: 11975: 11967: 11960: 11952: 11945: 11938: 11932: 11916: 11912: 11908: 11902: 11893: 11886: 11880: 11873: 11867: 11860: 11856: 11851: 11832: 11828: 11824: 11817: 11810: 11794: 11790: 11786: 11782: 11775: 11759: 11755: 11753:9780771070068 11749: 11745: 11744: 11736: 11721: 11719:9781605508535 11715: 11711: 11710: 11702: 11694: 11690: 11685: 11680: 11676: 11672: 11668: 11661: 11642: 11638: 11631: 11624: 11608: 11604: 11602:9783319336398 11598: 11594: 11593: 11585: 11577: 11573: 11568: 11563: 11559: 11555: 11551: 11544: 11536: 11532: 11527: 11522: 11519:(5): 239–57. 11518: 11514: 11510: 11503: 11487: 11483: 11479: 11472: 11456: 11452: 11448: 11441: 11425: 11424: 11416: 11400: 11399: 11391: 11375: 11374: 11366: 11350: 11346: 11342: 11336: 11320: 11319: 11311: 11292: 11288: 11281: 11274: 11258: 11254: 11250: 11243: 11227: 11223: 11216: 11200: 11199: 11191: 11175: 11172:(7): 228–30. 11171: 11167: 11163: 11156: 11140: 11136: 11132: 11128: 11121: 11105: 11101: 11097: 11090: 11074: 11070: 11063: 11055: 11051: 11047: 11043: 11036: 11020: 11016: 11010: 11008: 10991: 10987: 10980: 10978: 10961: 10957: 10955:9780300107982 10951: 10947: 10946: 10941: 10935: 10933: 10916: 10912: 10908: 10901: 10894: 10888: 10881: 10877: 10871: 10863: 10862: 10854: 10847: 10843: 10842: 10838: 10835: 10829: 10813: 10809: 10807:9780316246255 10803: 10799: 10798:Little, Brown 10795: 10794: 10789: 10788:Lurie, Alison 10783: 10776: 10770: 10755: 10749: 10745: 10744: 10736: 10720: 10716: 10709: 10701: 10697: 10693: 10689: 10685: 10678: 10671: 10665: 10658: 10652: 10645: 10639: 10632: 10629:Lutyens, M., 10626: 10619: 10613: 10597: 10593: 10589: 10585: 10581: 10577: 10576: 10570: 10562: 10555: 10551: 10547: 10544: 10542: 10536: 10529: 10523: 10516: 10511: 10503: 10496: 10488: 10481: 10474: 10469: 10462: 10458: 10452: 10444: 10442:0-674-39664-2 10438: 10434: 10427: 10420: 10414: 10407: 10403: 10397: 10390: 10384: 10368: 10364: 10360: 10354: 10347: 10342: 10326: 10322: 10316: 10309: 10305: 10300: 10293: 10289: 10284: 10268: 10264: 10260: 10254: 10238: 10234: 10230: 10223: 10216: 10212: 10208: 10204: 10199: 10192: 10188: 10185:Andrew Hill, 10182: 10175: 10171: 10166: 10159: 10158: 10152: 10145: 10144:The Companion 10141: 10137: 10134:spoke at the 10133: 10128: 10112: 10108: 10102: 10095: 10089: 10082: 10079: 10074: 10067: 10061: 10054: 10048: 10032: 10028: 10024: 10018: 10002: 9998: 9994: 9988: 9972: 9968: 9964: 9957: 9941: 9937: 9931: 9915: 9911: 9905: 9889: 9885: 9881: 9875: 9859: 9855: 9854:ruskin200.com 9851: 9844: 9828: 9824: 9820: 9813: 9805: 9803:9780873522502 9799: 9794: 9793: 9784: 9776: 9769: 9762: 9758: 9752: 9745: 9739: 9732: 9731: 9727: 9724: 9719: 9715: 9711: 9708: 9707:, 1996 Vol. V 9706: 9701: 9696: 9680: 9676: 9670: 9663: 9657: 9649: 9643: 9639: 9632: 9625: 9621: 9618: 9617: 9610: 9603: 9599: 9593: 9586: 9580: 9573: 9567: 9559: 9553: 9549: 9545: 9544: 9536: 9528: 9524: 9520: 9514: 9507: 9501: 9494: 9488: 9481: 9475: 9468: 9462: 9460: 9452: 9448: 9447:J. A. Spender 9444: 9440: 9434: 9427: 9421: 9405: 9401: 9400:ruskin200.com 9397: 9390: 9374: 9370: 9366: 9359: 9343: 9339: 9335: 9328: 9312: 9308: 9304: 9298: 9291: 9285: 9278: 9272: 9265: 9258: 9251: 9245: 9229: 9228: 9223: 9217: 9201: 9200: 9195: 9189: 9183: 9179: 9176: 9172: 9165: 9159: 9152: 9147: 9140: 9134: 9127: 9122: 9114: 9107: 9101:, 34.265–397. 9100: 9095: 9088: 9082: 9075: 9070: 9063: 9057: 9041: 9037: 9033: 9027: 9011: 9007: 9001: 8994: 8989: 8982: 8978: 8972: 8965: 8959: 8952: 8946: 8939: 8936:Sara Atwood, 8933: 8926: 8921: 8905: 8901: 8897: 8891: 8884: 8878: 8871: 8865: 8858: 8852: 8845: 8839: 8832: 8828: 8822: 8816: 8812: 8809: 8805: 8796: 8789: 8784: 8777: 8771: 8764: 8758: 8750: 8744: 8740: 8739:Phaidon Press 8736: 8729: 8713: 8709: 8705: 8699: 8693: 8689: 8686: 8684: 8680: 8673: 8666: 8661: 8654: 8648: 8641: 8635: 8628: 8622: 8615: 8609: 8593: 8589: 8583: 8576: 8570: 8563: 8558: 8551: 8545: 8543: 8523: 8519: 8512: 8506: 8498: 8494: 8490: 8484: 8480: 8476: 8472: 8468: 8464: 8458: 8442: 8441: 8433: 8426: 8420: 8413: 8407: 8400: 8395: 8389:, 18.383–533. 8388: 8383: 8376: 8371: 8355: 8351: 8347: 8341: 8334: 8328: 8321: 8316: 8309: 8304: 8297: 8291: 8284: 8279: 8272: 8271: 8265: 8261: 8255: 8249:, 17.309–484. 8248: 8243: 8237:, 17.129–298. 8236: 8231: 8215: 8211: 8207: 8201: 8192: 8185: 8181: 8175: 8168: 8163: 8156: 8152: 8146: 8139: 8134: 8127: 8121: 8114: 8109: 8102: 8096: 8088: 8084: 8080: 8076: 8072: 8068: 8064: 8060: 8056: 8049: 8041: 8037: 8033: 8029: 8025: 8021: 8017: 8013: 8009: 8002: 7993: 7986: 7981: 7974: 7969: 7962: 7957: 7950: 7944: 7928: 7924: 7920: 7913: 7897: 7893: 7889: 7882: 7875: 7870: 7863: 7857: 7850: 7845: 7838: 7832: 7825: 7819: 7810: 7803: 7798: 7791: 7786: 7779: 7774: 7768:, 16.251–426. 7767: 7762: 7755: 7754:The Companion 7749: 7742: 7738: 7735: 7731: 7727: 7724: 7720: 7716: 7713: 7707: 7700: 7694: 7687: 7682: 7675: 7669: 7662: 7657: 7650: 7644: 7637: 7632: 7623: 7607: 7603: 7597: 7589: 7582: 7575: 7569: 7563:, 18.197–372. 7562: 7557: 7550: 7545: 7538: 7532: 7525: 7520: 7513: 7508: 7501: 7496: 7480: 7476: 7470: 7454: 7450: 7446: 7440: 7433: 7427: 7420: 7414: 7408: 7404: 7401: 7397: 7393: 7387: 7378: 7362: 7358: 7354: 7348: 7342: 7338: 7331: 7326: 7319: 7313: 7306: 7301: 7299: 7291: 7285: 7279:, 1983, p. 87 7278: 7272: 7265: 7259: 7252: 7246: 7240:, 12.319–335. 7239: 7234: 7227: 7223: 7218: 7211: 7206: 7198: 7194: 7190: 7186: 7179: 7172: 7166: 7160:, 10.180–269. 7159: 7154: 7147: 7146: 7139: 7123: 7119: 7115: 7109: 7102: 7098: 7092: 7085: 7080: 7073: 7067: 7059: 7057:0-394-52432-2 7053: 7049: 7042: 7026: 7022: 7016: 7000: 6996: 6992: 6986: 6979: 6973: 6966: 6962: 6957: 6950: 6945: 6938: 6932: 6925: 6919: 6912: 6907: 6891: 6887: 6883: 6877: 6870: 6866: 6861: 6855: 6851: 6845: 6838: 6832: 6825: 6820: 6813: 6809: 6804: 6795: 6788: 6782: 6766: 6762: 6756: 6749: 6744: 6737: 6732: 6725: 6720: 6713: 6708: 6701: 6696: 6689: 6684: 6677: 6673: 6668: 6661: 6658:John Ruskin, 6655: 6639: 6635: 6631: 6625: 6609: 6605: 6601: 6595: 6579: 6575: 6571: 6565: 6549: 6545: 6541: 6535: 6519: 6515: 6511: 6505: 6498: 6492: 6485: 6479: 6473: 6469: 6462: 6457: 6455: 6453: 6445: 6439: 6432: 6426: 6418: 6410: 6406: 6402: 6401: 6396: 6390: 6388: 6386: 6384: 6382: 6380: 6378: 6369: 6362: 6358: 6348: 6345: 6343: 6342: 6338: 6336: 6333: 6330: 6327: 6324: 6323:Ruskin's Ride 6321: 6318: 6317:Ferry Hinksey 6314: 6311: 6309: 6306: 6304: 6301: 6300: 6290: 6286: 6283: 6280: 6276: 6273: 6270: 6266: 6263: 6260: 6256: 6253: 6250: 6247: 6244: 6241: 6238: 6234: 6231: 6228: 6225: 6222: 6219: 6216: 6213: 6210: 6207: 6206: 6197: 6194: 6191: 6188: 6185: 6182: 6179: 6176: 6173: 6170: 6167: 6164: 6161: 6158: 6155: 6152: 6151: 6142: 6138: 6135: 6132: 6128: 6126: 6122: 6119: 6115: 6113: 6108: 6105: 6101: 6099: 6094: 6091: 6087: 6085: 6080: 6077: 6074:) (1880–85) ( 6073: 6069: 6066: 6063: 6059: 6055: 6054: 6049: 6046: 6043: 6039: 6036: 6033: 6029: 6026: 6023: 6019: 6016: 6013: 6010:(1875–1886) ( 6009: 6006: 6003: 6000:(1875–1883) ( 5999: 5996: 5993: 5990:(1875–1877) ( 5989: 5986: 5983: 5979: 5977: 5972: 5969: 5965: 5963: 5958: 5955: 5952:(1873–1881) ( 5951: 5948: 5945: 5941: 5939: 5934: 5931: 5927: 5925: 5921: 5917: 5912: 5907: 5903: 5900: 5896: 5893: 5889: 5888: 5886: 5884: 5880: 5877: 5873: 5870: 5867: 5863: 5861: 5857: 5851: 5848: 5845: 5841: 5839: 5835: 5830: 5827: 5823: 5820: 5817: 5813: 5810: 5807: 5803: 5800: 5797: 5793: 5790: 5787: 5783: 5780: 5777: 5773: 5769: 5768: 5763: 5760: 5757: 5753: 5752: 5747: 5744: 5741: 5737: 5736: 5731: 5729: 5725: 5722: 5718: 5715: 5712: 5708: 5705: 5702: 5698: 5694: 5691: 5687: 5684: 5681: 5677: 5674: 5671: 5667: 5666:Academy Notes 5664: 5661: 5657: 5654: 5651: 5647: 5643: 5640: 5636: 5633: 5630: 5626: 5623: 5618: 5614: 5610: 5607: 5603: 5599: 5596: 5592: 5588: 5587: 5585: 5584: 5580: 5577: 5573: 5572: 5568: 5563: 5559: 5555: 5551: 5547: 5543: 5540: 5536: 5532: 5529: 5525: 5521: 5518: 5514: 5510: 5507: 5503: 5499: 5498: 5496: 5492: 5491: 5487: 5484: 5480: 5479: 5475: 5472: 5468: 5465: 5462: 5458: 5454: 5451: 5448: 5444: 5441: 5440: 5431: 5427: 5423: 5417: 5412: 5411: 5402: 5401: 5394: 5389: 5386: 5385: 5378: 5373: 5370: 5368: 5364: 5356: 5351: 5348: 5347: 5340: 5335: 5334: 5325: 5319: 5314: 5311: 5305: 5300: 5297: 5291: 5286: 5283: 5277: 5272: 5271: 5267: 5261: 5256: 5253: 5247: 5242: 5239: 5233: 5228: 5225: 5219: 5214: 5213: 5199: 5196: 5193: 5192:Tom Sturridge 5189: 5185: 5181: 5177: 5176:Emma Thompson 5173: 5172: 5168: 5165: 5161: 5157: 5153: 5152: 5148: 5145: 5144:Tom Hollander 5141: 5137: 5133: 5132: 5128: 5125: 5124:Kim Morrissey 5121: 5118: 5115: 5114:David Tennant 5111: 5107: 5103: 5099: 5096: 5093: 5092: 5088: 5085: 5081: 5078: 5075: 5071: 5067: 5064: 5061: 5057: 5056: 5052: 5049: 5045: 5041: 5037: 5033: 5032:Dear Countess 5030: 5027: 5023: 5019: 5015: 5014: 5010: 5007: 5006: 5002: 4999: 4995: 4992: 4991: 4982: 4979: 4976: 4975: 4970: 4969: 4964: 4960: 4956: 4952: 4948: 4945: 4942: 4938: 4935: 4932: 4929: 4926: 4920: 4914: 4910: 4906: 4902: 4897: 4891: 4887: 4883: 4879: 4876: 4875:9780856356377 4872: 4868: 4864: 4859: 4853: 4848: 4847: 4840: 4837: 4836: 4831: 4830:Edith Wharton 4828:a novella by 4827: 4823: 4820: 4817: 4813: 4812: 4807: 4804: 4803: 4798: 4797: 4794:In literature 4783: 4779: 4775: 4771: 4768: 4763: 4760: 4757: 4754: 4753:Julius Caesar 4750: 4746: 4742: 4738: 4734: 4730: 4726: 4722: 4718: 4714: 4711: 4708: 4704: 4700: 4697: 4696: 4695: 4693: 4684: 4675: 4672: 4667: 4663: 4659: 4657: 4653: 4649: 4645: 4641: 4637: 4627: 4625: 4621: 4617: 4610: 4605: 4603: 4597: 4592: 4590: 4584: 4581: 4576: 4573: 4568: 4564: 4559: 4553: 4548: 4544: 4539: 4537: 4527: 4525: 4521: 4517: 4513: 4501:Controversies 4498: 4496: 4495:welfare state 4492: 4487: 4483: 4481: 4477: 4476: 4471: 4467: 4461: 4453: 4444: 4437: 4433: 4431: 4427: 4423: 4419: 4415: 4411: 4401: 4399: 4395: 4391: 4386: 4377: 4370: 4368: 4363: 4357: 4355: 4354: 4338: 4335: 4331: 4328: 4325: 4322: 4318: 4314: 4313: 4311: 4309: 4305: 4304:Kenneth Clark 4297: 4293: 4289: 4284: 4280: 4278: 4274: 4270: 4266: 4262: 4261: 4260:laissez-faire 4255: 4253: 4249: 4245: 4240: 4238: 4237: 4232: 4228: 4224: 4220: 4216: 4212: 4206: 4203: 4202: 4197: 4192: 4190: 4185: 4184: 4179: 4169: 4166: 4162: 4158: 4154: 4147:. 1894 print. 4146: 4132:, print made 4123: 4114: 4112: 4108: 4104: 4100: 4096: 4092: 4091: 4086: 4085: 4080: 4076: 4072: 4068: 4064: 4060: 4056: 4052: 4048: 4044: 4040: 4039:Geoffrey Hill 4035: 4033: 4028: 4024: 4020: 4016: 4012: 4008: 4004: 3999: 3997: 3993: 3989: 3987: 3983: 3979: 3975: 3971: 3967: 3963: 3959: 3955: 3947: 3942: 3938: 3936: 3935:rural economy 3932: 3928: 3927:Lake District 3924: 3920: 3919:Ruskin Museum 3916: 3912: 3908: 3903: 3895: 3893: 3889: 3888:Phillip Blond 3885: 3881: 3877: 3873: 3869: 3865: 3861: 3860:welfare state 3857: 3853: 3849: 3845: 3841: 3837: 3833: 3829: 3825: 3824:William Smart 3821: 3811: 3809: 3808:Olympic Games 3805: 3801: 3799: 3795: 3790: 3788: 3784: 3780: 3776: 3771: 3769: 3765: 3761: 3757: 3756:Isle of Wight 3753: 3749: 3745: 3740: 3738: 3734: 3730: 3726: 3724: 3723:Raymond Unwin 3720: 3716: 3712: 3708: 3704: 3703:town planning 3694: 3692: 3688: 3684: 3680: 3676: 3672: 3662: 3654: 3649: 3647: 3643: 3642:J. A. Spender 3639: 3636:. Aside from 3635: 3631: 3627: 3623: 3619: 3615: 3611: 3607: 3603: 3599: 3595: 3591: 3587: 3583: 3579: 3575: 3561: 3557: 3555: 3551: 3547: 3541: 3539: 3535: 3531: 3527: 3523: 3519: 3515: 3511: 3506: 3504: 3503: 3498: 3497: 3492: 3488: 3484: 3477:International 3471: 3470: 3465: 3461: 3448: 3441: 3436: 3434: 3430: 3426: 3422: 3413: 3406: 3401: 3393: 3391: 3381: 3372: 3369: 3364: 3362: 3356: 3354: 3350: 3346: 3342: 3338: 3333: 3331: 3330:Joanna's Care 3327: 3323: 3317: 3315: 3314:Jumping Jenny 3311: 3310:Lake District 3307: 3303: 3299: 3291: 3286: 3277: 3275: 3271: 3267: 3262: 3261:Impressionism 3258: 3254: 3250: 3246: 3240: 3238: 3234: 3229: 3226: 3222: 3218: 3214: 3210: 3206: 3202: 3193: 3184: 3182: 3178: 3174: 3171:(1875–1877), 3170: 3165: 3160: 3158: 3154: 3153: 3148: 3144: 3140: 3136: 3129:Travel guides 3126: 3124: 3120: 3116: 3112: 3107: 3105: 3100: 3099:Royal Academy 3095: 3091: 3083: 3079: 3070: 3068: 3064: 3060: 3055: 3051: 3047: 3046: 3041: 3037: 3031: 3029: 3025: 3024:Lake District 3021: 3017: 3013: 3008: 3006: 3002: 2998: 2994: 2988: 2986: 2982: 2978: 2974: 2970: 2967:, north-west 2966: 2962: 2958: 2954: 2950: 2946: 2941: 2939: 2938: 2933: 2923: 2920: 2916: 2912: 2908: 2904: 2900: 2896: 2892: 2888: 2884: 2880: 2876: 2875: 2870: 2866: 2862: 2861: 2854: 2850: 2849: 2845:John Ruskin, 2840: 2834: 2832: 2828: 2824: 2823: 2818: 2810: 2805: 2803: 2799: 2794: 2792: 2788: 2784: 2780: 2776: 2772: 2771:Alfred Milner 2768: 2764: 2760: 2759:North Hinksey 2756: 2751: 2749: 2745: 2741: 2737: 2733: 2729: 2724: 2721: 2717: 2713: 2708: 2706: 2701: 2697: 2693: 2689: 2681: 2680: 2676:published in 2675: 2670: 2656: 2653: 2649: 2648:Sunday School 2645: 2641: 2637: 2630: 2625: 2621: 2619: 2615: 2611: 2607: 2603: 2599: 2595: 2591: 2587: 2577: 2575: 2571: 2567: 2566: 2561: 2557: 2552: 2550: 2546: 2542: 2538: 2532: 2530: 2526: 2525:Time and Tide 2522: 2518: 2514: 2510: 2509: 2498: 2497: 2492: 2491: 2487:John Ruskin, 2482: 2478: 2476: 2475: 2470: 2469: 2464: 2460: 2456: 2452: 2448: 2447: 2436: 2435: 2431:John Ruskin, 2426: 2421: 2417: 2415: 2411: 2407: 2403: 2399: 2398: 2392: 2390: 2386: 2382: 2378: 2374: 2373: 2367: 2365: 2361: 2357: 2353: 2349: 2345: 2341: 2337: 2336: 2331: 2327: 2326:David Ricardo 2323: 2319: 2318:laissez-faire 2315: 2308: 2304: 2303: 2299:John Ruskin, 2294: 2281: 2276: 2274: 2269: 2267: 2262: 2261: 2259: 2258: 2250: 2247: 2245: 2242: 2240: 2237: 2235: 2234:Systemic bias 2232: 2230: 2229:Stylized fact 2227: 2225: 2222: 2220: 2217: 2215: 2212: 2210: 2207: 2205: 2202: 2200: 2197: 2195: 2192: 2190: 2187: 2185: 2182: 2180: 2177: 2176: 2169: 2168: 2160: 2157: 2155: 2152: 2150: 2147: 2145: 2142: 2140: 2137: 2135: 2132: 2130: 2127: 2125: 2122: 2120: 2117: 2115: 2114:David Graeber 2112: 2110: 2107: 2105: 2102: 2100: 2097: 2095: 2092: 2091: 2084: 2083: 2075: 2072: 2070: 2067: 2065: 2062: 2060: 2057: 2055: 2052: 2050: 2049:Paul Lafargue 2047: 2045: 2042: 2041: 2034: 2033: 2025: 2022: 2020: 2017: 2015: 2012: 2010: 2007: 2005: 2002: 2000: 1997: 1995: 1992: 1990: 1987: 1985: 1982: 1980: 1977: 1975: 1972: 1970: 1967: 1966: 1964: 1956: 1953: 1952: 1945: 1944: 1936: 1933: 1931: 1928: 1926: 1923: 1921: 1918: 1916: 1915:Socialization 1913: 1911: 1908: 1906: 1903: 1901: 1898: 1896: 1893: 1891: 1888: 1886: 1883: 1881: 1878: 1876: 1873: 1872: 1865: 1864: 1861: 1856: 1855: 1851: 1847: 1846: 1843: 1841: 1837: 1833: 1829: 1825: 1821: 1817: 1813: 1809: 1805: 1801: 1797: 1793: 1792: 1785: 1781: 1779: 1775:John Ruskin, 1770: 1763: 1757: 1755: 1751: 1747: 1743: 1739: 1738: 1732: 1728: 1724: 1714: 1712: 1707: 1703: 1701: 1695: 1691: 1681: 1679: 1675: 1671: 1667: 1663: 1659: 1655: 1654:The Two Paths 1651: 1646: 1644: 1643: 1638: 1634: 1630: 1626: 1622: 1611: 1608: 1603: 1599: 1598: 1590: 1586: 1581: 1579: 1576:'s first two 1575: 1571: 1567: 1563: 1559: 1555: 1550: 1545: 1543: 1539: 1535: 1531: 1527: 1523: 1519: 1514: 1504: 1502: 1499:(designed by 1498: 1494: 1490: 1485: 1483: 1479: 1475: 1471: 1467: 1463: 1459: 1454: 1450: 1446: 1442: 1438: 1433: 1431: 1430: 1425: 1424:Academy Notes 1421: 1420:Royal Academy 1416: 1414: 1410: 1406: 1402: 1398: 1394: 1390: 1385: 1383: 1379: 1374: 1371: 1370:Royal Academy 1367: 1366: 1360: 1358: 1354: 1350: 1346: 1345: 1340: 1339: 1334: 1329: 1327: 1323: 1319: 1315: 1308: 1304: 1300: 1296: 1295: 1290: 1281: 1279: 1275: 1271: 1267: 1263: 1259: 1250: 1247:John Ruskin, 1243: 1238: 1236: 1231: 1228: 1224: 1223: 1217: 1215: 1211: 1207: 1200: 1195: 1193: 1189: 1185: 1184: 1179: 1169: 1167: 1162: 1160: 1159: 1154: 1150: 1145: 1143: 1139: 1135: 1131: 1127: 1123: 1122: 1117: 1104: 1099: 1090: 1088: 1087:poet laureate 1084: 1080: 1075: 1073: 1069: 1065: 1061: 1057: 1053: 1049: 1045: 1041: 1037: 1033: 1029: 1025: 1021: 1017: 1013: 1009: 1005: 997: 991: 989: 985: 980: 978: 974: 969: 968:Salvator Rosa 965: 961: 957: 953: 949: 945: 941: 940: 934: 932: 928: 924: 923: 917: 915: 914: 909: 905: 904:Royal Academy 901: 897: 896:Joseph Severn 893: 877: 872: 867: 860: 855: 853: 852:Richard Doyle 849: 848: 843: 839: 834: 830: 828: 824: 820: 815: 813: 809: 805: 801: 797: 796:Alice Liddell 793: 792:Henry Liddell 789: 785: 784:Christ Church 781: 777: 774:1836, Ruskin 773: 763: 761: 757: 753: 748: 746: 742: 738: 727: 725: 724:J. D. Harding 721: 717: 713: 709: 705: 701: 700:Samuel Rogers 697: 692: 690: 686: 682: 678: 674: 670: 666: 662: 658: 654: 650: 646: 645:Lake District 636: 627: 625: 621: 617: 613: 609: 604: 602: 598: 594: 590: 586: 582: 571: 562: 556: 552: 550: 546: 542: 538: 534: 530: 526: 522: 518: 511: 506: 494: 489: 485: 481: 479: 475: 474:Hertfordshire 471: 467: 463: 462:Allied Domecq 459: 444: 442: 438: 437: 432: 428: 424: 420: 419: 414: 410: 406: 405: 399: 397: 393: 389: 384: 382: 378: 374: 370: 366: 361: 359: 355: 351: 347: 346:Victorian era 343: 339: 335: 326: 321: 316: 312: 306: 303: 301: 298: 297: 295: 292:Notable ideas 289: 283: 280: 278: 275: 272: 270: 267: 266: 264: 258: 252: 249: 248: 246: 244: 240: 237: 234: 230: 227: 224: 220: 216: 193: 188: 184: 177: 174: 171: 170: 166: 163: 162: 158: 155: 154: 150: 147: 146: 142: 139: 138: 134: 133: 131: 125: 119: 116: 114: 111: 110: 108: 104: 99: 89: 85: 70: 66: 59: 54: 47: 44: 40: 36: 34: 19: 14914: 14909: 14895: 14878: 14861: 14849:from Commons 14844: 14823: 14669:Valorisation 14659:Law of value 14511: 14324: 14314: 14304: 14274: 14264: 14244: 14234: 14224: 14214: 14204: 14194: 14141: 14117:Magnificence 14099: 13949: 13915:Schopenhauer 13899: 13750:Coomaraswamy 13668:Philosophers 13656: 13587:Aestheticism 13420:Mount Ruskin 13374: 13366: 13360:The Countess 13358: 13350: 13342: 13334: 13326: 13298: 13290: 13282: 13274: 13266: 13258: 13244: 13186: 13182: 13176: 13126: 12973: 12954: 12944: 12937: 12930: 12923: 12920:Derrick Leon 12913: 12909: 12905: 12895: 12894:. Methuen. ( 12889: 12872: 12857: 12845: 12834: 12827: 12820: 12802: 12795: 12777: 12766: 12723: 12703: 12695: 12685: 12675: 12671: 12661: 12650:Ruskin, John 12648: 12647:Cook, E. T. 12640:. New York: 12637: 12597: 12577: 12570: 12563: 12543:. Retrieved 12539:the original 12534: 12525: 12513: 12508: 12496:. Retrieved 12487:The Guardian 12485: 12472: 12460:. Retrieved 12456:the original 12441: 12438:"Mrs Ruskin" 12431: 12419:. Retrieved 12415:the original 12410: 12401: 12389:. Retrieved 12385:the original 12380: 12371: 12359:. Retrieved 12355:the original 12350: 12341: 12329:. Retrieved 12320: 12311: 12299:. Retrieved 12289: 12264: 12260: 12259:Romantics". 12256: 12230: 12218:. Retrieved 12209: 12203: 12196: 12184:. Retrieved 12154:. Retrieved 12145: 12135: 12123:. Retrieved 12112: 12106: 12099: 12087:. Retrieved 12078: 12072: 12061: 12049:. Retrieved 12029: 12022: 12010:. Retrieved 11999: 11989: 11980: 11974: 11965: 11959: 11950: 11944: 11936: 11931: 11919:. 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Retrieved 7922: 7912: 7900:. Retrieved 7891: 7881: 7869: 7862:Ruskin's God 7861: 7856: 7844: 7836: 7831: 7823: 7818: 7809: 7804:, 13.95–186. 7797: 7785: 7773: 7761: 7753: 7748: 7706: 7698: 7693: 7681: 7673: 7668: 7656: 7648: 7643: 7631: 7622: 7612:15 September 7610:. Retrieved 7606:the original 7596: 7587: 7581: 7573: 7568: 7556: 7548: 7544: 7536: 7531: 7523: 7519: 7514:, 15.23-232. 7507: 7495: 7483:. Retrieved 7479:the original 7469: 7457:. Retrieved 7448: 7439: 7431: 7426: 7418: 7413: 7391: 7386: 7377: 7365:. Retrieved 7361:the original 7356: 7347: 7337: 7325: 7317: 7312: 7304: 7289: 7284: 7276: 7271: 7263: 7258: 7250: 7245: 7233: 7225: 7222:Derrick Leon 7217: 7205: 7188: 7184: 7178: 7170: 7165: 7153: 7144: 7138: 7126:. Retrieved 7117: 7108: 7100: 7096: 7091: 7079: 7071: 7066: 7047: 7041: 7029:. Retrieved 7025:the original 7015: 7003:. Retrieved 6994: 6985: 6977: 6972: 6964: 6956: 6944: 6936: 6931: 6923: 6922:Tim Hilton, 6918: 6906: 6894:. 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A. Hobson 3817: 3802: 3791: 3779:George Allen 3772: 3741: 3727: 3701:Pioneers of 3700: 3683:Octavia Hill 3675:C. R. Ashbee 3669: 3656: 3652: 3618:Herbert Read 3574:Le Corbusier 3571: 3542: 3507: 3500: 3494: 3480: 3467: 3446: 3438: 3431:, Master of 3418: 3411: 3403: 3399: 3386: 3365: 3357: 3352: 3351:of Ruskin's 3348: 3334: 3329: 3318: 3313: 3298:W. J. Linton 3295: 3276:personally. 3241: 3232: 3230: 3224: 3220: 3217:Anthropocene 3212: 3198: 3180: 3176: 3172: 3168: 3163: 3161: 3150: 3138: 3132: 3111:spiritualism 3108: 3087: 3081: 3053: 3049: 3043: 3038:district of 3032: 3009: 3000: 2996: 2992: 2989: 2942: 2935: 2929: 2902: 2891:Albert Moore 2873: 2858: 2856: 2846: 2842: 2837: 2827:George Allen 2820: 2814: 2808: 2795: 2752: 2744:Michelangelo 2739: 2735: 2731: 2725: 2709: 2705:Cecil Rhodes 2696:Henry Acland 2685: 2677: 2635: 2633: 2628: 2617: 2613: 2605: 2586:Rede lecture 2583: 2573: 2564: 2553: 2537:Octavia Hill 2533: 2524: 2520: 2516: 2506: 2504: 2494: 2488: 2480: 2472: 2466: 2444: 2442: 2432: 2423: 2418: 2395: 2393: 2388: 2376: 2370: 2368: 2333: 2310: 2300: 2296: 2291: 2209:Mercantilism 2129:Bruno Latour 2068: 1900:Exploitation 1838:theories of 1807: 1803: 1799: 1789: 1787: 1776: 1772: 1768: 1761: 1754:Henry Acland 1734: 1720: 1697: 1693: 1687: 1653: 1647: 1640: 1632: 1624: 1617: 1606: 1601: 1595: 1593: 1588: 1584: 1553: 1546: 1542:George Allen 1537: 1510: 1493:Henry Acland 1489:Gothic style 1486: 1477: 1469: 1434: 1427: 1423: 1417: 1401:Henry Acland 1386: 1375: 1363: 1361: 1349:Glen Finglas 1342: 1336: 1330: 1312: 1307:Glen Finglas 1305:standing at 1292: 1255: 1248: 1240: 1234: 1232: 1226: 1221: 1218: 1203: 1198: 1187: 1181: 1175: 1172:Architecture 1163: 1156: 1146: 1119: 1113: 1078: 1076: 1056:Fra Angelico 1001: 995: 981: 937: 935: 931:Denmark Hill 927:Samuel Prout 920: 918: 911: 889: 858: 845: 835: 831: 821:for poetry ( 816: 812:Henry Acland 776:matriculated 769: 759: 755: 751: 749: 744: 736: 733: 715: 712:Samuel Prout 703: 695: 693: 669:Schaffhausen 648: 641: 605: 588: 585:South London 572:(demolished 567: 560: 554: 537:Walter Scott 514: 482: 457: 455: 434: 416: 402: 400: 385: 381:a fairy tale 372: 362: 333: 332: 175: 167: 164:(1860, 1862) 159: 151: 143: 135: 128:Notable work 92:(1900-01-20) 43: 32: 14980:Anglo-Scots 14945:1900 deaths 14940:1819 births 14935:John Ruskin 14824:John Ruskin 14705:Das Kapital 14593:Mark Fisher 14583:Robert Kurz 14512:John Ruskin 14210:(c. 335 BC) 14200:(c. 390 BC) 14179:Work of art 14132:Picturesque 13988:Avant-garde 13945:Winckelmann 13820:Kierkegaard 13745:Collingwood 13715:Baudrillard 13642:Romanticism 13612:Historicism 13546:Mathematics 13379:(2014 film) 13363:(1999 play) 13355:(1994 film) 13339:(1967 film) 13328:John Ruskin 13287:(1851–1853) 13271:(1843–1860) 13245:John Ruskin 13183:The Academy 13175:"Review of 13127:In Our Time 13122:John Ruskin 12955:John Ruskin 12578:John Ruskin 12535:Lancs.ac.uk 12381:Doollee.com 12051:14 November 11823:The Freeman 11560:(11): 612. 11482:Today's Art 11073:Town Topics 10759:20 December 10743:John Ruskin 10725:20 December 10517:, 17.17–24. 10473:Seven Lamps 10363:Tate.org.uk 10331:24 February 10263:Lancs.ac.uk 10132:Frank Field 10107:"Lord Judd" 10007:26 December 9977:26 December 9884:Lancs.ac.uk 9850:"Ruskin200" 9833:11 December 9700:Arnd Krüger 9396:"Ruskin200" 9153:, 35.5-562. 9115:. Palgrave. 8718:2 September 8575:John Ruskin 8264:John Ruskin 8260:John Ruskin 8210:Lancs.ac.uk 8065:(1): 1–13. 7933:15 December 7902:15 December 7688:, 16.9-174. 7485:5 September 7118:Lancs.ac.uk 6951:, 4.25-218. 6886:Lancs.ac.uk 6865:Dinah Birch 6771:5 September 6750:, 1.206-10. 6030:(1877–78) ( 5838:Hilary term 5767:Art Journal 5548:(Part VII) 5190:(Gray) and 5070:John Purser 4888:. Ecco Pr. 4850:. Chivers. 4749:Shakespeare 4678:Definitions 4376:Seven Lamps 4362:restoration 4137: 1895 4130: 1845 4061:. In 2006, 4055:Frank Field 4015:Thomas Cook 3982:Ruskin Hall 3606:W. B. Yeats 3602:T. S. Eliot 3590:Oscar Wilde 3225:Storm-Cloud 3016:Isle of Man 3001:Bibliotheca 2985:Sheepscombe 2953:Wyre Forest 2919:Tite Street 2798:vivisection 2767:Oscar Wilde 2679:Vanity Fair 2655:household. 2449:focused on 2134:Robert Kurz 2119:Mark Fisher 2069:John Ruskin 1974:Das Kapital 1920:Wage labour 1836:utilitarian 1723:Switzerland 1678:Switzerland 1631:'s phrase, 1482:Cirencester 1294:John Ruskin 1188:Seven Lamps 1166:consummated 1040:Campo Santo 956:Renaissance 952:Old Masters 908:John Eagles 885: 1860 874: [ 612:Thomas Dale 577: 1912 545:evangelical 533:Shakespeare 525:Romanticism 350:ornithology 334:John Ruskin 172:(1871–1884) 50:John Ruskin 33:John Ruskin 14929:Categories 14863:Quotations 14710:Grundrisse 14674:Value-form 14553:André Gorz 14543:Guy Debord 14149:Recreation 14127:Perception 14020:Creativity 13720:Baumgarten 13710:Baudelaire 13592:Classicism 13507:Aesthetics 13404:Effie Gray 13376:Effie Gray 13320:Depictions 13043:Faded Page 12902:E. T. Cook 12742:1096234806 12616:1089484724 12514:Effie Gray 12490:. London. 12462:2 February 12331:2 February 12301:2 February 12125:2 February 12089:2 February 12012:2 February 11861:5.201–220. 11840:23 January 11799:22 January 11764:1 February 11725:6 February 11180:23 January 11145:23 January 11025:28 January 10921:23 January 10700:1097357632 10502:Praeterita 9864:21 January 9647:1551641313 9410:23 January 9379:23 January 9348:23 January 9234:17 October 9206:17 October 9128:, 34.7–80. 8748:0714830003 8737:. London: 8488:0191559660 7792:, 13.9–80. 7332:, vol. 14. 7212:, 12.357n. 7086:, 8.3-274. 6995:Npg.org.uk 6738:, 1.4-188. 6726:, 1.191-6. 6714:, 2.265-8. 6690:, 1.453n2. 6419:required.) 6354:References 6209:Praeterita 5611:Vol. III. 5556:(Part IX) 5194:(Millais). 5186:(Ruskin), 5171:Effie Gray 5160:Mike Leigh 5151:Mr. Turner 5120:Mrs Ruskin 5108:), Effie ( 5084:David Lang 5028:(Millais). 5026:Peter Egan 5016:(1975), a 4996:(1912), a 4959:0385344139 4911:. Virago. 4822:False Dawn 4602:John Simon 4567:Tim Hilton 4536:Effie Gray 4470:Adam Smith 4367:impossible 4320:illusions. 4298:, England. 4275:, and the 4215:grotesques 4051:Frank Judd 3966:Chelmsford 3921:, both in 3917:, and the 3894:movement. 3737:Doukhobors 3638:E. T. Cook 3610:Ezra Pound 3390:frock coat 3345:E. T. Cook 3292:churchyard 3249:Sallanches 3237:Herne Hill 3233:Praeterita 3209:Wordsworth 3119:Broadlands 2644:Manchester 2598:Camberwell 2545:Paddington 2541:Marylebone 2379:s editor, 2322:Adam Smith 2159:E. K. Hunt 2124:André Gorz 2109:Guy Debord 1989:Grundrisse 1930:Value-form 1834:, and the 1804:Proserpina 1746:Waldensian 1658:Manchester 1405:John Brett 1126:Bowerswell 1068:Tintoretto 838:Effie Gray 772:Michaelmas 665:Strasbourg 589:Praeterita 581:Camberwell 570:Herne Hill 563:, XXXV, 40 561:Praeterita 541:Abbotsford 373:Dictionary 338:art critic 269:Aesthetics 192:Effie Gray 176:Praeterita 74:1819-02-08 14801:Economics 14695:Sarvodaya 14639:Commodity 14502:Karl Marx 14154:Reverence 14060:Eroticism 14030:Depiction 14003:Masculine 13905:Santayana 13865:Nietzsche 13810:Hutcheson 13800:Heidegger 13785:Greenberg 13740:Coleridge 13705:Balthasar 13690:Aristotle 13652:Theosophy 13647:Symbolism 13622:Modernism 13607:Formalism 13460:Sarvodaya 13399:Brantwood 12750:cite book 12624:cite book 12452:0140-0460 12443:The Times 12281:194023142 12267:: 67–92. 12257:Desperate 11677:(1): 12. 11492:2 January 11461:2 January 11430:2 January 11405:2 January 11380:2 January 11355:2 January 11325:2 January 11300:2 January 11263:2 January 11232:2 January 11205:2 January 11137:(8): 53. 11110:7 January 11079:2 January 10996:7 January 10966:7 January 10895:, p. 288. 10882:, p. 202. 10584:0362-4331 10243:22 August 10211:On Genius 9076:, 27.344. 9032:"eMuseum" 8667:, 29.160. 8497:893971998 8377:, 18.433. 8140:, 36.415. 8079:0038-4038 8032:0033-5533 7987:, 12.507. 7963:, 17.lxx. 7876:, 36.115. 7780:, 16.251. 7502:, 13.553. 7449:Infed.org 6604:Kcl.ac.uk 6574:Ucl.ac.uk 6125:Præterita 6060:(1885)) ( 5924:Lent term 5600:Vol. II. 5210:Paintings 5184:Greg Wise 4707:Jane Eyre 4530:Sexuality 4219:gargoyles 4059:Tony Benn 3970:Cambridge 3915:Brantwood 3868:Karl Marx 3754:, on the 3748:Brantwood 3634:Eric Gill 3622:Roger Fry 3546:Esperanto 3502:Sarvodaya 3429:Dr Bright 3322:influenza 3302:Brantwood 3139:St Ursula 3135:Carpaccio 3063:Sheffield 3036:Sheffield 2973:Cloughton 2949:Sheffield 2574:Telegraph 2570:Pall Mall 2451:Giorgione 2377:Cornhill' 2214:Mathiness 2194:Economics 2059:Karl Marx 2004:Sarvodaya 1880:Commodity 1812:Abbeville 1572:, one of 1562:May Queen 1520:) at the 1472:Funtley, 1453:Cambridge 1441:Ashmolean 1382:impotency 1344:The Times 1210:Ca' d'Oro 1046:, and in 495:, Croydon 466:Edinburgh 452:Genealogy 377:treatises 318:Signature 277:education 100:, England 35:(Millais) 18:Ruskinian 14622:Concepts 14429:Category 14361:Axiology 14230:(c. 500) 14220:(c. 100) 14095:Judgment 14050:Emotions 14045:Elegance 14025:Cuteness 13998:Feminine 13961:Concepts 13930:Tanizaki 13910:Schiller 13895:Richards 13885:Rancière 13855:Maritain 13790:Hanslick 13730:Benjamin 13602:Feminism 13571:Theology 13551:Medieval 13541:Japanese 13536:Internet 13140:Archived 13113:Archived 13101:Archived 13062:LibriVox 13045:(Canada) 12785:11th ed. 12711:, 2021. 12492:Archived 12325:Archived 12214:Archived 12210:IMDb.com 12180:Archived 12150:Archived 12119:Archived 12083:Archived 12069:(1909). 12045:Archived 12006:Archived 11793:Archived 11785:New York 11758:Archived 11693:79704514 11641:Archived 11607:Archived 11576:25476615 11535:13723251 11451:Bulletin 11291:Archived 11174:Archived 11139:Archived 11104:Archived 11048:(4): 5. 10990:Archived 10960:Archived 10942:(2006). 10915:Archived 10837:Archived 10812:Archived 10719:Guardian 10633:, p. 156 10620:, p. 191 10596:Archived 10592:92999604 10588:ProQuest 10546:Archived 10387:Ruskin, 10367:Archived 10348:, 3.624. 10325:Archived 10267:Archived 10237:Archived 10207:Foreword 10031:Archived 10001:Archived 9971:Archived 9888:Archived 9858:Archived 9827:Archived 9726:Archived 9710:Archived 9705:Olympika 9685:4 August 9620:Archived 9527:56923207 9404:Archived 9373:Archived 9342:Archived 9178:Archived 9040:Archived 9010:Archived 8995:, 5.333. 8904:Archived 8811:Archived 8790:, 27–29. 8712:Archived 8688:Archived 8592:Archived 8564:, 29.86. 8522:Archived 8354:Archived 8157:. p. 89. 7927:Archived 7896:Archived 7851:, 29.89. 7737:Archived 7726:Archived 7715:Archived 7453:Archived 7403:Archived 7122:Archived 6999:Archived 6963:, 4.47 ( 6913:, 3.104. 6890:Archived 6608:Archived 6578:Archived 6554:24 April 6524:24 April 6296:See also 6102:(1884) ( 5966:(1874) ( 5942:(1876) ( 5928:(1872) ( 5864:(1872) ( 5824:(1869) ( 5814:(1867) ( 5794:(1866) ( 5774:(1882) ( 5719:(1859) ( 5709:(1859) ( 5688:(1857) ( 5678:(1856) ( 5658:(1854) ( 5637:(1851) ( 5627:(1851) ( 5615:(1853) ( 5613:The Fall 5604:(1853) ( 5593:(1851) ( 5589:Vol. I. 5574:(1849) ( 5331:Drawings 5106:Bob Peck 4949:(2010), 4907:(2002). 4884:(1995). 4869:(1986), 4745:Lycurgus 4725:Hercules 4441:Ruskin, 4439:— 4372:— 4333:society. 4189:Whistler 4103:Meristem 4101:founded 3948:, London 3946:Walworth 3923:Coniston 3892:Red Tory 3890:and the 3733:Purleigh 3705:such as 3520:and the 3443:— 3408:— 3326:Coniston 3290:Coniston 3245:Beauvais 3183:(1877). 3020:Langdale 2981:Westmill 2961:Barmouth 2911:farthing 2640:Rusholme 2620:(1866). 2610:Bradford 2484:— 2455:Veronese 2428:— 2402:Gujarati 2352:Xenophon 1868:Concepts 1850:a series 1848:Part of 1690:Turner's 1662:Bradford 1393:Rossetti 1245:— 1212:and the 1138:Normandy 1048:Florence 1020:Perugino 1016:Veronese 1004:Chamonix 714:, whose 702:'s poem 558:— 470:Glenluce 458:de facto 342:polymath 39:Nardwuar 14764:Related 14424:Outline 14339:Related 14206:Poetics 14174:Tragedy 14164:Sublime 14137:Quality 14122:Mimesis 14080:Harmony 14065:Fashion 14040:Ecstasy 14035:Disgust 13951:more... 13920:Scruton 13845:Lyotard 13780:Goodman 13760:Deleuze 13695:Aquinas 13685:Alberti 13658:more... 13637:Realism 13617:Marxism 13597:Fascism 13580:Schools 13566:Science 13521:Ancient 13387:Related 13303:(1870s) 13130:at the 13051:at the 12983:at the 12953:(2007) 12922:(1949) 12904:(1911) 12888:(1893) 12852:, 1956. 12841:, 1961. 12791:, 1911. 12773:, 1976. 12644:, 1979. 12590:General 12557:Sources 12545:18 July 12517:at the 12498:24 June 12421:18 July 12391:18 July 12361:18 July 12237:at the 12220:18 July 12186:16 July 12156:18 July 11921:18 July 11398:The Log 10602:18 July 10373:18 July 10306:(ed.), 10273:18 July 10117:22 July 10037:18 July 10027:YouTube 9946:18 July 9920:18 July 9894:18 July 9720:(eds): 9317:18 July 9046:18 July 9016:18 July 8910:18 July 8598:18 July 8531:18 July 8447:14 June 8360:18 July 8268:Oxford 8220:18 July 8087:1053391 8040:1879386 7638:, 5.69. 7459:18 July 7367:18 July 7128:18 July 7031:18 July 7005:18 July 6896:18 July 6644:18 July 6614:18 July 6584:18 July 5365:(after 5324:Zermatt 5205:Gallery 5038:, with 4805:(1865). 4784:period. 4211:sublime 4023:Web 2.0 3984:at the 3554:Kannada 3483:Tolstoy 3423:master 3115:séances 3040:Walkley 2965:Gwynedd 2957:Bewdley 2955:, near 2947:, near 2761:, near 2682:in 1872 2606:Traffic 2588:at the 1740:at the 1674:Germany 1468:in the 1301:artist 1149:Mayfair 1070:in the 778:at the 661:Belgium 649:Iteriad 608:Peckham 493:Shirley 478:Croydon 425:at the 344:of the 212: 200: 196: 14330:(2009) 14320:(1977) 14310:(1946) 14300:(1939) 14290:(1935) 14280:(1934) 14270:(1933) 14260:(1891) 14250:(1835) 14240:(1757) 14107:Kitsch 14085:Humour 14015:Comedy 13993:Beauty 13935:Vasari 13925:Tagore 13900:Ruskin 13840:Lukács 13830:Langer 13775:Goethe 13700:Balázs 13680:Adorno 13561:Nature 13526:Africa 13406:(wife) 13295:(1860) 13279:(1849) 12809: 12740: 12730: 12715: 12614: 12604: 12450: 12279: 12037: 11791:(27). 11750: 11716: 11691: 11650:10 May 11613:10 May 11599: 11574: 11533: 11102:(21). 10952: 10804: 10750: 10698: 10590: 10582: 10439: 10233:Forbes 10172:(ed.) 9800: 9718:et al. 9644: 9554: 9525: 8745: 8495: 8485: 8475:Oxford 8085: 8077: 8038: 8030: 7197:886970 7195: 7054: 6867:(ed.) 6413: 6319:(1874) 6112:Oxford 6084:Oxford 6024:31–32) 5926:, 1872 5876:Oxford 5862:, 1870 5840:, 1870 5363:Goldau 5346:Naples 5018:BBC TV 4957: 4915: 4892: 4873: 4854: 4824:(1924) 4782:Gothic 4773:know." 4741:clavus 4733:clavis 4296:Oxford 4271:, the 3777:pupil 3550:Gikuyu 3491:Gandhi 3487:Proust 3455:Legacy 3449:(1926) 3414:(1926) 3274:Darwin 3253:Venice 3157:Sicily 3143:Venice 2945:Totley 2851:(1877) 2763:Oxford 2712:Oxford 2493:V and 2471:V and 2463:Turner 2459:Titian 1824:Venice 1822:) and 1816:Verona 1702:, 1856 1574:Oxford 1513:Museum 1464:. 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