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Peligro de Extinción

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505:”), largely letting the reggaetón beat alone in favor of lighter, more swaying cumbia and vallenato. And so what once passed in one ear and out the other when it first leaked back in May now moves me to tears. Of laughter, when she gives the guy that look in the video, and of sentiment, when the harmonies come lushly in." Anthony Easton gave the song a 7 out of 10 stars and said "The accordion is just gorgeous, plus I have always loved Ivy Queen’s voice. In fact, all of this slowed down and stretched out, with less gymnastics required, we have more time to work through what the voice means, and how it sounds — that privilege attached to the accordion just makes it better." Edward Okulicz gave the single a 7 out of 10 stars and said "Well, you’ve got to love the sound of an accordion in its natural environment; Ivy Queen sings with a real, impressive sense of authority, nearly as regal as the name would imply. That authority and presence is undermined slightly by the beat which drown them out to some extent, though if it were quieter it wouldn’t encourage the hips so much. The trade-off wouldn’t have been worth it." Will Adams gave the song a 4 out of 10 stars and commented that his first and only exposure to Ivy Queen was through a funny video. He would go on to say he was expecting something fun. "The music is bright enough to inspire early-hours dancing, but the unfamiliar structure and minor key leaning take away some of the fun." Iain Forrester gave the song a 7 out of 10 stars and said that the opening line “That was then. This is now” was an excellent portentous opening. He would go on to say that the song doesn't end up sounding like the definitive statement that it promises, hanging back too far from embracing dance banger status. The gorgeous squeaky flutter of the accordion is a strong compensation. Josh Langhoff gave the song a 7 out of 10 stars and said "To say a reggaetón song inhabits multiple musical worlds at once is to say precisely nothing, since “blending”, “taking influences” and “Spanish reggae” have always been part of the point. So instead I'll say, man, that accordion solo halfway through sounds like a guitar solo — a single line, triplets, repetitive melodic figures stretching for the notes with maximum yearn impact. Tasty! The notes yearn because of how they fit the chord progression, imported from a million norteamericano pop songs; on top of it, Ms. Queen and her producers build an elaborate vocal structure of multitracked harmonies and shoutouts, even evoking Nelly-style rapstimme at the beginning. Every element seems chosen to sound cool, which is a nice thing about inhabiting multiple musical worlds — you can avoid the tensions you'd find in a Junot Diaz book or, you know, real life." 396:. She explained that "The expectations I have with this album are quite realistic and can not be other than success and this is due to something that I did not think was possible without technology and the Internet". She says the two years away from the media has helped her, not just emotionally but mentally as well. "I like it, I think it is the best way to separate Ivelisse and Ivy Queen". She indicated that the album is "very mature and complete," because even though "her style is urban and the most predominant themes of reggaeton it also features fusions of rhythms and instruments that make their own style." "I did not want to lock in to the reggaeton genre or singing just one genre. I had to address more than just one 'target' or a musical style as such. I love music in general and this, when the album was born of my loins; I let the muse flow and there came my ten issues." "Peligro De Extinción" was composed by Queen herself with the help of Víctor Delgado and one half of the 501:(2013). Jonathan Bogart gave the song a 9 out of 10 stars and said "It took me a while to warm up to “Peligro de Extinción.” With that title, I'd been expecting a reggaetón rager excoriating the systems of oppression and erasure that threaten Puerto Ricans and Latinos everywhere. But what's in danger of extinction is “true romance,” “like in the days of old.” So rather than wait around for a Romeo to find her on her balcony, she's taking the reins and chasing him down herself — which is itself quietly revolutionary, that even in the middle of an old-fashioned love song lamenting the death of old-fashioned love, she's demanding agency. And Edison Rey's sweet accordion skillfully threads between the twin romanticisms at the far ends of Latin America, tango and conjunto norteño. It's perhaps the prettiest single Ivy Queen has ever released (or at least tied with “ 343: 461: 331:"I'm very proud to be a part of Machete Music. They are a young, vibrant company that has created a name for itself in Latin music in the United States and the world. They are a strong and important company that has been recognized for nurturing their artists’ creative talents," said Ivy Queen, regarding the partnership. However even with all this, it was reported that Queen had signed with Siente Music in early 2012. 29: 514: 404:, Francisco Saldaña, known as Luny. The song blends reggaetón with the sounds of cumbia and vallenato. The song is composed in major key tonality and features simple harmonic progressions, an acoustic guitar, accordion (or bandoneon) playing, prominent percussion and romantic lyrics according to the 260:
and released as the lead single off the album on March 24, 2012. The recording gained mainly positive to mixed reviews from critics, many praising the use of Edison Rey's accordion in the song. Lyrically, the song talks about how she doesn't want to be in danger of extinction, and that if there are
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and Machete, Walter Kolm, commented in a press release "It's a privilege to have Ivy Queen a part of our artistic roster. Ivy is an extraordinary woman with incomparable talent, and she's number one in her genre. We're happy to be able to work with her on her new album as well as future projects".
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radio stations on March 24, 2012, and premiered that same day on La Nueva 94.FM during the radio show "El Coyote The Show". It was released digitally on June 19, 2012 in the United States and on June 26, 2012 in Spain and Germany. On the
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commented, "See booming single "Peligro de Extinción," which seems pretty unlikely, especially when the Queen starts talking about Juliets taking over for Romeos if the boys can't handle it." Judy Cantor-Navas of
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on August 18, 2012. It was released on September 28, 2012. Queen performed the song at the 2012 Los Angeles LGBT pride parade. The song was included at number thirty-eight on
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The record signing, described as a 360 deal, includes profit sharing in tours, sponsorships and merchandising. Ivy Queen was previously signed to a distribution deal with
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chart, the song debuted at number twenty-one for the week of June 26, 2012. It peaked at number eighteen spending a total of sixteen weeks on the chart. On the
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on August 18, 2012. It was directed by Marlon Pena. It was released on September 28, 2012. The video has over three million views on the video-sharing website
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An 18-second sample of "Peligro De Extinción" featuring Edision Rey's accordion contributing to a reggaeton and cumbia type sound infused with vallenato.
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that the composition process started while she was heartbroken at home. Her emotions then burst out in the recording studio. She wrote 26 songs for
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chart, the song debuted and peaked at number twenty-one for the issue date of July 7, 2012, becoming Queen's third single on that chart after "
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The song is a mixture of reggaetón, cumbia, and vallenato to create a new type of Latin pop sound. It reached number eighteen on the
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in 2008. This would lead up to Queen signing with the label in April 2010 as the label celebrated its fifth anniversary.
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chart, at number eighty-four. The song's accompanying music video was directed by Marlon Peña and filmed in
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The single garnered mostly positive to mixed reviews. On the review for the album, Rachel Devitt of
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commented that "Peligro de Extinción" features the kind of rootsy accordion found on
319: 252:(2012). It was composed by Queen, Francisco Saldaña, and Víctor Delgado, produced by 1923: 438: 2215: 2201: 2153: 2065: 2044: 1991: 1244: 1214: 647: 490: 240: 202: 2261: 1204: 2303: 2289: 2268: 1892: 1861: 779: 472:" saying that the use of the accordion was similar to that of "Ai Se Eu Te Pego". 154: 2114: 261:
no Romeos to sing to Juliets that the Juliets will take the role of the Romeos.
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Ivy Queen and her "Romeo" in the music video for "Peligro De Extinción".
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List of release dates, showing regions, formats, labels and references
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The music video for "Peligro De Extinción" was filmed in
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in which only 16 appear, the lasting ten are used for
1391:"Ivy Queen presenta su video "Peligro de extincion"" 946: 311:(RIAA), a substantial live album was distributed by 1511:"Latin Rhythm Songs: Year-end 2012 - Chart Archive" 1091:"Ivy Queen - Chart History: Latin Rhythm Airplay" 1017:. El Colombiano S.A. & CIA. S.C.A. 2012-08-16 980: 978: 976: 974: 867: 2328: 411: 971: 1660: 1412:"Ivy Queen - Peligro De Extincion - YouTube" 1182: 464:"Peligro De Extinción" has been compared to 1139:"Ivy Queen - Chart History: Tropical Songs" 911: 278:chart. The song also managed a week on the 1667: 1653: 1383: 878:. Vol. 120, no. 28. p. 21. 334: 27: 1347: 920:. Vocus PRW Holdings, LLC. Archived from 907: 905: 903: 901: 899: 824:Recording Industry Association of America 309:Recording Industry Association of America 512: 459: 1463:"Latin Rhythm Digital Songs 2012-07-07" 1368: 1305: 353:Ivy Queen "Peligro De Extinción" (2012) 2329: 1284: 1263: 1185:"Musa: Ivy Queen - Album Introduction" 1161: 896: 1674: 1648: 1326: 942: 940: 938: 589: 559: 455: 301:After the success of her 2007 effort 1072:. Apex Technologies, Inc. 2012-03-27 914:"Ivy Queen Signs With Machete Music" 607: 1565:Universal Music Latin Entertainment 1393:. Apex Technologies Inc. 2010-09-28 947:Jorge J. Muñiz Ortiz (2010-04-09). 836: 324:Universal Music Latin Entertainment 271:chart and number twenty-one on the 13: 2362:Songs written by Francisco Saldaña 1535:"Ivy Queen tiene nuevo disco Musa" 1371:"Ivy Queen – Peligro de Extinción" 1350:"Ivy Queen – Peligro de Extinción" 1329:"Ivy Queen – Peligro de Extinción" 1308:"Ivy Queen – Peligro de Extinción" 1287:"Ivy Queen – Peligro de Extinción" 1266:"Ivy Queen – Peligro de Extinción" 1066:"Ivy Queen estrena nuevo sencillo" 986:"Ivy Queen Comes Back With "Musa"" 935: 728: 493:." According to David Jeffries of 341: 14: 2383: 1439:"Latin Rhythm Airplay 2012-10-20" 1183:Cantor-Navas, Judy (2012-08-21). 2189:Noche de Entierro (Nuestro Amor) 868:Ben-Yehuda, Ayala (2008-07-12). 685: 612: 532: 375:Problems playing this file? See 357: 246:, from her eighth studio album, 1612: 1582: 1552: 1527: 1503: 1479: 1455: 1431: 1404: 1362: 1341: 1320: 1299: 1278: 1264:Bogart, Jonathan (2012-10-05). 1257: 1227: 1197: 1176: 1155: 1131: 1107: 1083: 2237:Las Que Se Ponen Bien La Falda 1348:Forrester, Iain (2012-10-05). 1306:Okulicz, Edward (2012-10-05). 1285:Easton, Anthony (2012-10-05). 1058: 1028: 1003: 861: 800:Universal Music International 541: 508: 1: 2147:Magdalena, Mi Amor (Quimbara) 1162:Devitt, Rachel (2012-08-21). 806: 412:Release and chart performance 296: 1855:Te He Querido, Te He Llorado 1541:. EspectaculosMX. 2012-03-24 1369:Langoff, Josh (2012-10-05). 7: 1487:"Tropical/Salsa 2012-11-24" 10: 2388: 2372:Songs with feminist themes 2357:Songs written by Ivy Queen 1327:Adams, Will (2012-10-05). 912:Carla Lopez (2010-04-07). 648:Latin Rhythm Digital Songs 435:Latin Rhythm Digital Songs 276:Latin Rhythm Digital Songs 2246: 2131: 2001: 1979: 1941: 1910: 1872: 1834: 1803: 1765: 1741: 1710: 1703: 1685: 799: 791: 788: 774: 771: 764:Siente Music, Venevision 763: 758: 755: 700: 695: 692: 663: 645: 627: 622: 619: 602: 554: 551: 548: 545: 540: 416:The song was released to 400:reggaetón production duo 178: 170: 152: 132: 120: 104: 80: 72: 56: 46: 35: 26: 21: 850:(in Spanish). 2009-02-17 489:'s worldwide sensation " 16:2012 single by Ivy Queen 335:Writing and composition 227:: Danger Of Extinction) 2297:La Vida Es Un Carnaval 2140:Se Necesita Un Milagro 1744:The Original Rude Girl 1695:Awards and nominations 792:Universal Music Spain 563:"Peligro De Extinción" 518: 473: 346: 328:Universal Music Latino 326:in 2008. President of 256:alongside the help of 22:"Peligro De Extinción" 1570:Universal Music Group 924:on September 27, 2013 516: 463: 345: 1955:Peligro de Extinción 703:Latin Rhythm Airplay 630:Latin Rhythm Airplay 428:Latin Rhythm Airplay 406:Music Genome Project 269:Latin Rhythm Airplay 219:Peligro De Extinción 194:Peligro De Extinción 1539:Las Noticias Mexico 735: 293:' Top 100 of 2012. 2283:Ella Se Hizo Deseo 1046:Pandora Media, Inc 733: 519: 474: 456:Critical reception 347: 174:singles chronology 2324: 2323: 2320: 2319: 2196:Lo Nuestro Se Fue 2161:Los 12 Discípulos 2024:Dime Si Recuerdas 1164:"Musa: Ivy Queen" 804: 803: 725: 724: 718: 717: 681: 680: 599: 598: 571:Francisco Saldaña 470:Ai Se Eu Te Pego! 362: 320:Univision Records 215: 214: 211: 210: 145:Francisco Saldaña 68: 63: 2379: 2347:Songs in Spanish 2216:Amantes o Amigos 2202:Te Regalo Amores 2132:Featured singles 2073:Yo Quiero Bailar 2066:A Forgotten Spot 2045:Vamos a Celebrar 1708: 1707: 1669: 1662: 1655: 1646: 1645: 1640: 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Index


Single
Ivy Queen
Musa
Genre
Latin pop
reggaetón
vallenato
cumbia
Label
Siente Music
Songwriter(s)
Martha Pesante
Francisco Saldaña
Producer(s)
Noriega
Predikador
Ivy Queen
Amor Puro
Vamos A Celebrar
English
Latin pop
Puerto Rican
reggaetón
recording artist
Ivy Queen
Musa
Noriega
Predikador
Billboard Latin Rhythm Airplay

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