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Pablo Palacio (writer)

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of his mother's absence would be one of the most recurrent motifs in all his literary work. He went to live under the care of his aunt Hortensia Palacio Suárez and was financially supported by his uncle José Ángel Palacio Suárez, who was comfortably wealthy. At the age of six, he was enrolled in the School of the Christian Brothers, where he studied between 1911 and 1917. Upon seeing Palacio's intelligence, his uncle felt motivated to pay for his secondary and university studies. His secondary studies were at the Bernardo Valdivieso School, where he stood apart as one of the best students.
367:, led by a group of young officers of the Ecuadorian Army with progressive tendencies. Palacio, along with other artists of his generation, began to question the social and aesthetic values imposed by the elites on the cultural and literary circles of the time, both in Quito and in the rest of the country. In 1926, the year when the 548:
for a period of convalescence. When he returned, he was tanned and seemingly brimming with health, but strange things started to happen to him that perplexed his friends: mental fugues, sudden amnesia, forgetting words in the middle of a sentence, staying distracted for long periods of time, absences
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His mother's family came from an illustrious line of Spanish nobility. Unfortunately, the family branch to which Palacio belonged had become poor, and what is even worse: his mother died when he was still a young child. This forever left its mark on his personality and psyche, which is why the theme
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His mother, Clementina Palacio Suárez, was unmarried and thus he was registered in the Civil Registry as having an unknown father. Years later when Palacio was already renowned in literary circles, his father Agustín Costa tried to recognize him as his son and give him his surname, but Palacio
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In 1945, as his mental faculties diminished, his wife had to admit him to a psychiatric hospital in Guayaquil, under the care of Dr. Carlos Ayala Cabanilla. There, she worked as a nurse to cover the cost of a treatment that lasted more than a year.
356:  When the time came to receive the prize, Palacio, who was still a teenager, showed his rebellious nature by flatly refusing to kneel in front of the beauty queen from whom he was to receive a bouquet of roses and the award. 318:. The torrent of water swept him for more than half a kilometer. When he was rescued, he was already very beaten up. The tale told about this incident having caused him 77 injuries on his head is an exaggeration. 387:
magazine, although his contemporaries did not really appreciate his talent as a playwright, only as a novelist, short story writer, and sharp-witted critic. According to historian, critic, and linguist
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Lopez, Pierre (1998). "Pablo Palacio y su Comedia Inmortal: sobre el teatro ecuatoriano hasta finales de los años 1940". In Meyran, Daniel; Ortiz, Alejandro; Suréda, Francis (eds.).
820: 412: 153: 45: 550: 389: 560:, the cause of Palacio's progressive madness could have been a result of the injuries he received as a child when he fell in the stream at El Pedestal. For others, like writer 2018: 564:, the cause could have been a venereal disease, like syphilis. This hypothesis, however, has been vehemently refuted by his son, Pablo Alejandro Palacio Palacios. 549:
in which he seemed out of touch with reality, nervousness, unprovoked irritability, constant restlessness, all of that was out of character for him. For some, like
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In 1939, he began to suffer from mental illness and to complain of an "upset stomach." He underwent a miracle cure that ended up poisoning him. He then traveled to
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is a "strange" play, difficult to categorize, since it cannot be compared to anything else that existed at the time. However, Palacio himself referred to it as a
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It is said that in 1909, when he was three years old and while his nanny was washing clothes, Palacio fell into a stream in El Pedestal, near the city of
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irritante, hiriente con un conocimiento de la vida que se parecía al conocimiento que tiene el cirujano de la carne viviente: cortante, ensangrentado.
431:, Palacio's first short story collection sparked quite a scandal, since never before had stories of that nature been written, in a manner that was: 352:
which, according to Carrión, who presided over the jury that awarded the prize, lacked proper syntaxis but was a sort of "intentional nonsense":
2023: 2008: 1406: 451:, a subjective work that stands out due to the way he delved deeply into his characters' psychologies. According to Carrión, the novella is 368: 1952: 1167:: Between disqualifying the bold who was pulling the jury's leg, or awarding him the prize out of curiosity, we opted for the latter. 2003: 1961: 1988: 1203:: Irritating, wounding with such knowledge of life similar to the knowledge that a surgeon has of living flesh: cutting, bloody. 497:. In 1936, he was appointed as professor at the Department of Philosophy of the Central University and published his short story 1912: 1848: 1660: 1382: 825: 493:
appointed Palacio as undersecretary of education. At the time, he also worked as a journalist for socialist newspaper
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to study law. During his stay in Quito, he actively participated in the political and social unrest related to the
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Entre descalificar al audaz que tomaba el pelo al jurado o premiarlo por curiosidad, optamos por lo último.
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He served as dean of the School of Philosophy and Letters, a professor of literature and philosophy when
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was minister of education, and served as deputy secretary of the Constituent Assembly under General
536:. The couple had two children, a boy and a girl. The girl was born with intellectual disabilities. 1344: 571:
Palacio died at noon on 7 January 1947 at the General Hospital in Guayaquil, at the age of 40.
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His first two books are considered characteristic of the Latin American avant-garde movement.
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In 1937, he married sculptor and painter Carmen Palacios Cevallos, who has been described as
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He moved to Quito after graduating from high school and, in October 1924, he enrolled in the
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writers of the time, especially since the predominant trends in fiction then focused more on
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was founded, Palacio started to lean towards a revolutionary socialism of a Marxist nature.
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had brought from the capital to the city of Loja. Pablo won the award for the short story
8: 1843:(in Spanish). Perpignan, France: Presses universitaires de Perpignan. pp. 450–459. 1464: 423:
to the chagrin of his uncle José Ángel Palacio Suárez who, upon reading a review titled
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Palacio published his first work in 1920, when he was 14 years old. It was the poem
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adaptation was published in 2015, with words and drawings by Jorge Cevallos.
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This short story was the first literary work in Ecuador concerned with
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Pablo Palacio: Heraldo de la moderna narrativa ecuatoriana (1906–1947)
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Relato de la muy sensible desgracia acaecida en la persona del joven Z
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Literatura del Ecuador (cuatrocientos años): criítica y selecciones
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published by the Society of Literary Studies of the Lojano School.
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Later, in 1931, he began to publish some fragments of his novella
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His literary work is not very extensive, and consists of the play
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In 1921, he obtained second prize (an honorable mention) at the
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Historical Dictionary of Latin American Literature and Theater
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Visión jurídico-crítica de la obra literaria de Pablo Palacio
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and one of the most controversial members of the so-called
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Palacio, Pablo (2008). Fernández, María del Carmen (ed.).
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Biografías y Vidas. La enciclopedia biográfica en línea.
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Academic staff of the Central University of Ecuador
1319: 1191:: The man who was kicked to death by Pablo Palacio 1718: 453:Un libro desconcertante, dislocado como un puzzle 410:In 1927, he published the short story collection 1970: 1215:: A disconcerting book, dislocated like a puzzle 1900: 1706: 1694: 1682: 1597: 1573: 1561: 1537: 1501: 1489: 1458: 1456: 1454: 1452: 1443: 1431: 1342: 1298: 1259: 425:Un hombre muerto a puntapiés, por Pablo Palacio 1955:, complete bibliography at the website of the 1818: 1650: 1585: 1513: 1372: 1271: 1921: 1313: 598:(Quito, January 1927): short story collection 1449: 438:Also in 1927, Palacio published the novella 244:His work is very different from that of the 751:Magazine of the Bernardo Valdivieso School 588:(Quito, February 1926): play, published in 489:, which was waged on the streets of Quito, 1886:(in Spanish). Quito: Editorial Abya Yala. 1608: 1606: 1404: 1368: 1366: 1364: 1362: 1360: 1358: 1338: 1336: 1334: 43: 522:la reina del mundo intelectual capitalino 1922:Young, Richard; Cisneros, Odile (2011). 1901:Salazar Estrada, Yovany (October 2006). 1789:"Un hombre muerto a puntapiés, el cómic" 1719:Artieda Santacruz, Pedro (2 July 2017). 1343:Fernández, Tomás; Tamaro, Elena (2004). 757:Una carta, un hombre y algunas cosas más 379:In February 1926, he published the play 1857: 1832:: Private Technical University of Loja. 1638: 1603: 1549: 1525: 1355: 1331: 1971: 1462: 1876: 1836: 1747: 1325: 1286: 2024:Central University of Ecuador alumni 2009:20th-century Ecuadorian male writers 1405:Borrero E., Efraín (28 March 2024). 539: 225:. He was one of the founders of the 857:, and according to literary critic 267:(1926), the short story collection 13: 1828:(Law degree thesis) (in Spanish). 1819:Íñiguez Granda, José Luis (2019). 1661:Biographical Dictionary of Ecuador 1383:Biographical Dictionary of Ecuador 778:Un nuevo caso de marriage en trois 579: 374: 19:For the argentine footballer, see 14: 2040: 1946: 1953:Obras completas de Pablo Palacio 861:, is one of the masterpieces of 632: 574: 2004:20th-century Ecuadorian writers 1957:Simón Bolívar Andean University 1811: 1781: 1753: 1712: 1644: 1230: 1218: 1206: 1194: 1182: 1170: 1158: 931:Las mujeres miran las estrellas 628:(Quito, November 1932): novella 532: , by her friend, author 1989:Ecuadorian short story writers 1769:(in Spanish). 19 November 2015 1398: 613:(Quito, October 1927): novella 524:,  by Ecuadorian author 119:Central University of Ecuador 16:20th-century Ecuadorian writer 1: 1246: 1087:Una mujer y luego pollo frito 361:Central University of Ecuador 1463:Avilés, Efrén (3 May 2016). 1345:"Biografia de Pablo Palacio" 1056:Un hombre muerto a puntapiés 1035:Un hombre muerto a puntapiés 1014:Un hombre muerto a puntapiés 993:Un hombre muerto a puntapiés 821:Un hombre muerto a puntapiés 596:Un hombre muerto a puntapiés 487:Ecuadorian Civil War of 1932 413:Un hombre muerto a puntapiés 333:, a section of the magazine 305: 300: 269:Un hombre muerto a puntapiés 154:Un hombre muerto a puntapiés 7: 1129: 515: 204:Pablo Arturo Palacio Suárez 55:Pablo Arturo Palacio Suárez 10: 2045: 1656:"Palacios Cevallos Carmen" 1146:LGBT literature in Ecuador 369:Ecuadorian Socialist Party 96:Guayaquil General Cemetery 25: 21:Pablo Palacio (footballer) 18: 1314:Young & Cisneros 2011 526:Alejandro Carrión Aguirre 429:Alejandro Carrión Aguirre 365:Julian Revolution of 1925 214:, 7 January 1947) was an 145: 124: 114: 100: 92: 72: 51: 42: 35: 1999:Spanish-language writers 1840:Théâtre, public, société 1469:Enciclopedia del Ecuador 1351:(in Spanish). Barcelona. 1239:: Sculptor and sculpture 1151: 551:Hernán Rodríguez Castelo 528:and, due to her beauty, 390:Hernán Rodríguez Castelo 26:Not to be confused with 1652:Pérez Pimentel, Rodolfo 1374:Pérez Pimentel, Rodolfo 1058:short story collection 1037:short story collection 1016:short story collection 995:short story collection 331:La tribuna de los niños 241:of Ecuadorian authors. 1112:October–November 1930 1001:La doble y única mujer 803:January–February 1926 510:Alberto Enríquez Gallo 271:(1927) and the novels 2014:Ecuadorian socialists 1793:Jorge Cevallos Cómics 1618:Ecuadorian Literature 1136:Ecuadorian literature 1121:Revista Universitaria 953:avant-garde magazine 925:avant-garde magazine 897:avant-garde magazine 863:Ecuadorian literature 646:Place of Publication 530:escultora y escultura 2029:Deaths from syphilis 1994:Ecuadorian novelists 1926:. Lanham, Maryland: 1707:Salazar Estrada 2006 1695:Salazar Estrada 2006 1683:Salazar Estrada 2006 1598:Salazar Estrada 2006 1574:Salazar Estrada 2006 1562:Salazar Estrada 2006 1538:Salazar Estrada 2006 1502:Salazar Estrada 2006 1490:Salazar Estrada 2006 1444:Salazar Estrada 2006 1432:Salazar Estrada 2006 1299:Salazar Estrada 2006 1260:Salazar Estrada 2006 851:avant-garde magazine 643:Year of Publication 329:, which appeared in 1697:, pp. 104–106. 1586:Íñiguez Granda 2019 1514:Íñiguez Granda 2019 1289:, pp. 450–459. 1272:Íñiguez Granda 2019 1064:Novela guillotinada 799:Gente de provincias 1179:: Comedy of errors 210:, 25 January 1906– 1914:978-9978-45-402-2 1850:978-2-908912-61-6 1620:. 19 October 2020 1540:, pp. 68–70. 1528:, pp. 18–19. 1446:, pp. 62–63. 1127: 1126: 1078:Revista de Avance 855:homosexual themes 722:March–April 1923 618:Vida del ahorcado 540:Illness and death 534:José de la Cuadra 461:Vida del ahorcado 405:comedia de enredo 287:Vida del ahorcado 201: 200: 184:Vida del ahorcado 2036: 1965: 1941: 1918: 1897: 1878:Pérez, Galo René 1873: 1854: 1833: 1827: 1805: 1804: 1802: 1800: 1785: 1779: 1778: 1776: 1774: 1757: 1751: 1745: 1739: 1738: 1736: 1734: 1716: 1710: 1704: 1698: 1692: 1686: 1680: 1674: 1673: 1671: 1669: 1654:(7 March 2021). 1648: 1642: 1636: 1630: 1629: 1627: 1625: 1610: 1601: 1595: 1589: 1583: 1577: 1571: 1565: 1559: 1553: 1547: 1541: 1535: 1529: 1523: 1517: 1511: 1505: 1499: 1493: 1487: 1481: 1480: 1478: 1476: 1460: 1447: 1441: 1435: 1429: 1423: 1422: 1420: 1418: 1402: 1396: 1395: 1393: 1391: 1378:"Palacio, Pablo" 1376:(7 March 2021). 1370: 1353: 1352: 1340: 1329: 1323: 1317: 1311: 1302: 1296: 1290: 1284: 1275: 1269: 1263: 1257: 1240: 1234: 1228: 1222: 1216: 1210: 1204: 1198: 1192: 1186: 1180: 1174: 1168: 1162: 952: 924: 896: 850: 829: 637: 636: 626: 611: 586:Comedia inmortal 559: 506:Benjamín Carrión 491:Benjamín Carrión 469: 449: 421: 401:Comedia inmortal 398: 381:Comedia inmortal 346:Benjamín Carrión 295: 282: 265:Comedia Inmortal 239:1930s generation 192: 177: 162: 79: 64:January 25, 1906 63: 61: 47: 33: 32: 2044: 2043: 2039: 2038: 2037: 2035: 2034: 2033: 1969: 1968: 1959: 1949: 1944: 1938: 1928:Scarecrow Press 1915: 1894: 1870: 1860:Obras completas 1851: 1825: 1814: 1809: 1808: 1798: 1796: 1787: 1786: 1782: 1772: 1770: 1759: 1758: 1754: 1746: 1742: 1732: 1730: 1717: 1713: 1705: 1701: 1693: 1689: 1681: 1677: 1667: 1665: 1649: 1645: 1637: 1633: 1623: 1621: 1614:"Pablo Palacio" 1612: 1611: 1604: 1596: 1592: 1584: 1580: 1572: 1568: 1560: 1556: 1548: 1544: 1536: 1532: 1524: 1520: 1512: 1508: 1500: 1496: 1488: 1484: 1474: 1472: 1465:"Pablo Palacio" 1461: 1450: 1442: 1438: 1430: 1426: 1416: 1414: 1403: 1399: 1389: 1387: 1371: 1356: 1341: 1332: 1324: 1320: 1312: 1305: 1297: 1293: 1285: 1278: 1270: 1266: 1258: 1254: 1249: 1244: 1243: 1235: 1231: 1223: 1219: 1211: 1207: 1199: 1195: 1187: 1183: 1175: 1171: 1163: 1159: 1154: 1141:Guayaquil Group 1132: 1068:September 1927 946: 935:September 1926 918: 890: 859:Galo René Pérez 852: 844: 823: 635: 620: 605: 582: 580:Published works 577: 553: 542: 518: 463: 443: 415: 392: 377: 375:Literary career 308: 303: 289: 276: 196: 186: 171: 156: 141: 115:Alma mater 81: 77: 76:January 7, 1947 65: 59: 57: 56: 38: 31: 24: 17: 12: 11: 5: 2042: 2032: 2031: 2026: 2021: 2016: 2011: 2006: 2001: 1996: 1991: 1986: 1981: 1967: 1966: 1948: 1947:External links 1945: 1943: 1942: 1936: 1919: 1913: 1898: 1892: 1874: 1868: 1855: 1849: 1834: 1815: 1813: 1810: 1807: 1806: 1780: 1752: 1750:, p. 249. 1740: 1711: 1709:, p. 108. 1699: 1687: 1675: 1643: 1631: 1602: 1590: 1578: 1566: 1554: 1552:, p. 286. 1542: 1530: 1518: 1506: 1494: 1482: 1448: 1436: 1424: 1397: 1354: 1330: 1328:, p. 248. 1318: 1316:, p. 349. 1303: 1301:, p. 152. 1291: 1276: 1264: 1251: 1250: 1248: 1245: 1242: 1241: 1229: 1217: 1205: 1193: 1181: 1169: 1156: 1155: 1153: 1150: 1149: 1148: 1143: 1138: 1131: 1128: 1125: 1124: 1118: 1113: 1110: 1104: 1103: 1097: 1092: 1089: 1083: 1082: 1074: 1069: 1066: 1060: 1059: 1053: 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1995: 1992: 1990: 1987: 1985: 1982: 1980: 1977: 1976: 1974: 1963: 1958: 1954: 1951: 1950: 1939: 1937:9780810874985 1933: 1929: 1925: 1920: 1916: 1910: 1906: 1905: 1899: 1895: 1889: 1885: 1884: 1879: 1875: 1871: 1869:9789978491027 1865: 1861: 1856: 1852: 1846: 1842: 1841: 1835: 1831: 1824: 1823: 1817: 1816: 1794: 1790: 1784: 1768: 1767: 1762: 1756: 1749: 1744: 1728: 1727: 1722: 1715: 1708: 1703: 1696: 1691: 1685:, p. 91. 1684: 1679: 1663: 1662: 1657: 1653: 1647: 1641:, p. 32. 1640: 1635: 1619: 1615: 1609: 1607: 1600:, p. 78. 1599: 1594: 1588:, p. 56. 1587: 1582: 1576:, p. 74. 1575: 1570: 1564:, p. 72. 1563: 1558: 1551: 1546: 1539: 1534: 1527: 1522: 1516:, p. 53. 1515: 1510: 1504:, p. 65. 1503: 1498: 1492:, p. 64. 1491: 1486: 1470: 1466: 1459: 1457: 1455: 1453: 1445: 1440: 1434:, p. 62. 1433: 1428: 1412: 1408: 1401: 1385: 1384: 1379: 1375: 1369: 1367: 1365: 1363: 1361: 1359: 1350: 1346: 1339: 1337: 1335: 1327: 1322: 1315: 1310: 1308: 1300: 1295: 1288: 1283: 1281: 1274:, p. 85. 1273: 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place 91: 88: 84: 75: 71: 68: 67:Loja, Ecuador 54: 50: 46: 41: 37:Pablo Palacio 34: 29: 22: 1923: 1903: 1882: 1859: 1839: 1821: 1812:Bibliography 1797:. 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Index

Pablo Palacio (footballer)
Pablo Palacios

Loja, Ecuador
Guayaquil
Ecuador
Writer
lawyer
Central University of Ecuador
Avant-garde
Social realism
Un hombre muerto a puntapiés
es
Débora
es
Vida del ahorcado
es
Loja
Guayaquil
Ecuadorian
writer
lawyer
avant-garde
Ecuador
Latin America
1930s generation
costumbrismo
indigenismo
social realism
Débora

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