827:
35:
1100:
300:
499:
456:
362:
241:, half domes and carved decoration limited to some strategic areas, evaluating the smooth space as an exponent of this new more pure and harmonious aesthetic. In general, the aspect of Purist architecture is of balance and monumentality, compared to the apparent fragility and decorativism of Plateresque.
221:
In front of the excessive decorate of
Plateresque style, the Purism sought ways simpler and refined, in a sober and classic line, balance and technical perfection, taking more on structural issues and harmonious proportions. The architects have better preparation and training, with the publication of
530:. Remarkably in this work the Sacristy, with double entablature and overlap of arches of Mannerist style, although of great structural simplicity. Other works were: the Chapel of San Francisco (1546), the Torre del Tardón in
343:
314:, but was involved in projects throughout Castile. Also formed in the plateresque, although his most representative works are of purism. In 1539, projected –with Fray Martín de Santiago–, the
269:
483:
influence, is one of the masterpieces of the Purism and the
Spanish Renaissance architecture, example of balance and perfection of classical, with two-story with columns of
100:
are related to the interpretation given to different elements of style, whether intellectual, formal, structural or decorative. Until then, writers of the period termed the
351:
230:(1526), the first Renaissance treaty written outside Italy, which highlights the prevalence of proportion and the proper disposal of the elements over the decoration.
826:
756:
539:
315:
1025:
558:
227:
583:
Azcárate
Ristori, José María de; Pérez Sánchez, Alfonso Emilio; Ramírez Domínguez, Juan Antonio. "Historia del Arte". 1983. Editorial Anaya, Madrid.
389:
648:
409:
835:
180:
forms, gradually took hold and served as the expression of the new political power, linked to the new conception of the
Catholic
58:
617:
17:
939:
373:
934:
641:
397:
355:
716:
1124:
930:
546:. The work of Vandelvira left a strong mark on subsequent architecture, especially in Andalusia, Murcia and Alicante.
1134:
588:
475:(started in 1528 and interrupted to death of the architect in 1550). The palace included a circular courtyard and an
449:
112:, 1526), while the late-Gothic forms were called "the modern". For a more stylistic periodization more common in the
970:
766:
746:
731:
671:
139:
318:, built only in one quarter, but that is a remarkable example of civil architecture, with magnificent towers with
696:
161:
1129:
1103:
915:
711:
634:
323:
39:
985:
860:
78:
326:
in the
University of Alcalá de Henares (1537–1553), decorated with evenly distributed at regular intervals,
885:
845:
791:
781:
554:
307:
69:
architecture in the last third of the 16th century. The name "Prince Philip" refers to the period in which
47:
522:(1536) – project initiated by Siloé, with who Vandelvira worked in its beginning-. His great work was the
875:
736:
250:
535:
955:
905:
189:
980:
562:
925:
910:
413:
965:
920:
865:
148:
coincided with a period of great political, economic and social splendor, after the union between
335:
990:
507:
43:
1060:
203:
806:
701:
441:
265:
895:
706:
657:
550:
527:
515:
425:
405:
293:
285:
8:
900:
468:
381:
181:
173:
145:
105:
433:
27:"Purism (architecture)" redirects here. For another form of purism in architecture, see
1030:
289:
70:
393:
613:
584:
566:
531:
445:
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increased height with small columns on an entablature located in the capital, as had
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82:
62:
1020:
1015:
523:
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960:
751:
726:
437:
200:
149:
127:
74:
870:
796:
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776:
480:
372:
also was initially one of the leading exponents of plateresque (Courtyard of the
339:
296:
built the
Palacio Arzobispal, a monumental facade topped by a gallery of arches.
153:
1080:
741:
681:
281:
165:
816:
721:
177:
1118:
975:
464:
261:
234:
28:
292:(1541), which for its classicism and sobriety aimed for Herrerian style. In
81:(1556). The name "Serlian" is due to the influential architect and treatise
686:
488:
401:
361:
331:
319:
811:
761:
492:
484:
369:
185:
157:
118:
113:
626:
416:
in a round dome shaped, preceded by a large triumphal arch type. In the
130:(reserving the term Low Renaissance for the last third of the century).
34:
1000:
801:
347:
101:
850:
511:
476:
377:
311:
254:
215:
123:
66:
880:
188:, fine and elegant style of decoration, characterized by the use of
1050:
1045:
995:
855:
691:
676:
472:
429:
327:
211:
193:
549:
In
Seville highlights the construction of the Royal Chapel of the
543:
519:
432:. This provision influenced later works such as the cathedrals of
322:
and lookouts drafts. One of his best works would be the façade of
299:
1085:
1065:
1035:
1010:
1005:
498:
385:
126:
phase, while for the
Spanish art is commonly used the expression
97:
890:
417:
196:
1055:
1040:
169:
1070:
526:(begun in 1540), rectangular, with pillars inspired by the
421:
238:
207:
73:(born in 1527) had not yet received the inheritance of the
408:(begun in 1528), continuing the original Gothic design by
288:(rectangular and severe facade flanked by towers) and the
455:
569:
influence, that influence the later
Andalusian altars.
350:and the façades of the cathedralics dependences of
233:The Purism was characterized by the use of oval or
184:. In the first third of the 16th century came the
479:chapel, which was never built. The courtyard, of
85:(in addition to the architectural element called
1116:
268:, launched in the Plateresque (Courtyard of the
61:, which took place between 1530 and 1560, after
506:Another great example of Andalusian purism was
168:. Although in its beginning the new style from
642:
534:(1555), the palaces of Vela-Cobos (1561) and
518:, and in the Sacra Capilla del Salvador in
514:. One of his characteristic was the use of
384:). Subsequently, spent most of his work in
649:
635:
656:
510:, of own style that was directed then to
249:The main signs of the style are found in
497:
454:
412:, who made numerous changes, became the
365:Ground plan of the Cathedral of Granada.
360:
298:
116:, at that point of the 16th century the
33:
14:
1117:
222:several theoretical treatises such as
630:
459:Sacra Capilla del Salvador in Úbeda.
400:, in collaboration with the Italian
374:Colegio Mayor de Santiago el Zebedeo
334:with garlands. Other works were the
276:(1537). Among his buildings are the
356:Cathedral of Santiago de Compostela
24:
25:
1146:
561:, and the top of the Giralda, by
272:), which reached the position of
108:as "the Roman" (Diego de Sagredo
77:by abdication of his father, the
59:Renaissance architecture in Spain
1099:
1098:
825:
140:Spanish Renaissance architecture
577:
344:church of Santa María Magdalena
164:and the coming to power of the
44:University of Alcalá de Henares
602:
324:Colegio Mayor de San Ildefonso
172:lived with the persistence of
133:
40:Colegio Mayor de San Ildefonso
13:
1:
986:Spanish Colonial architecture
572:
555:Hospital de las Cinco Llagas
7:
861:Cantabrian defensive towers
10:
1151:
380:; Golden Staircase of the
137:
26:
1125:17th-century architecture
1094:
948:
834:
823:
664:
398:Monastery of San Jerónimo
270:Hospital de la Santa Cruz
1135:Renaissance architecture
595:
404:. His main work was the
303:Palacio de los Guzmanes.
244:
144:The introduction of the
563:Hernán Ruiz the Younger
463:In Granada also worked
336:Palacio de los Guzmanes
308:Rodrigo Gil de Hontañón
192:on the exterior walls,
57:is an initial phase of
48:Rodrigo Gil de Hontañón
966:Andalusian White Towns
503:
460:
366:
304:
224:Las Medidas del Romano
210:or basket-handle, and
110:Las Medidas del Romano
51:
1130:Architecture in Spain
807:Valencian Art Nouveau
658:Architecture of Spain
501:
458:
364:
302:
266:Alonso de Covarrubias
96:, the purist and the
37:
18:Purism (architecture)
542:(1562–1575), all in
540:Hospital de Santiago
528:Cathedral of Granada
508:Andrés de Vandelvira
442:Guadalajara (Mexico)
406:Cathedral of Granada
388:, where he made the
162:discovery of America
146:Renaissance in Spain
469:Palace of Charles V
382:Cathedral of Burgos
316:Palace of Monterrey
264:developed his work
182:Counter-Reformation
122:had entered in its
106:Italian Renaissance
1031:Corral de comedias
940:Destroyed heritage
504:
502:Torres de Alcaraz.
461:
367:
305:
290:Hospital de Tavera
280:(in the form of a
71:Philip II of Spain
52:
1112:
1111:
971:Aragonese Mudéjar
931:Tallest buildings
618:978-84-218-4021-4
610:Historia del Arte
536:Vázquez de Molina
524:Cathedral of Jaén
310:worked mainly in
294:Alcalá de Henares
278:Puerta de Bisagra
156:, the end of the
83:Sebastiano Serlio
79:Emperor Charles V
65:and prior to the
63:Isabelline Gothic
16:(Redirected from
1142:
1102:
1101:
1026:Casona montañesa
961:Andalusian patio
829:
752:Valencian Gothic
727:First Romanesque
651:
644:
637:
628:
627:
621:
606:
559:Martín de Gainza
467:, author of the
228:Diego de Sagredo
128:High Renaissance
89:in his honor).
75:Spanish Monarchy
21:
1150:
1149:
1145:
1144:
1143:
1141:
1140:
1139:
1115:
1114:
1113:
1108:
1090:
981:Gaudí buildings
944:
837:
830:
821:
787:Churrigueresque
660:
655:
625:
624:
607:
603:
598:
580:
575:
538:(1562) and the
394:El Gran Capitán
274:arquitecto real
247:
214:decorated with
142:
136:
32:
23:
22:
15:
12:
11:
5:
1148:
1138:
1137:
1132:
1127:
1110:
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1107:
1106:
1095:
1092:
1091:
1089:
1088:
1083:
1081:Spanish garden
1078:
1073:
1068:
1063:
1058:
1053:
1048:
1043:
1038:
1033:
1028:
1023:
1021:Casa montañesa
1018:
1016:Cabaña pasiega
1013:
1008:
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998:
993:
988:
983:
978:
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903:
898:
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873:
868:
863:
858:
853:
848:
842:
840:
838:and structures
832:
831:
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820:
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804:
799:
794:
789:
784:
779:
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769:
764:
759:
754:
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742:Catalan Gothic
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594:
593:
592:
579:
576:
574:
571:
370:Diego de Siloé
282:triumphal arch
246:
243:
138:Main article:
135:
132:
38:Facade of the
9:
6:
4:
3:
2:
1147:
1136:
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1007:
1004:
1002:
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989:
987:
984:
982:
979:
977:
976:Catalan vault
974:
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951:
947:
941:
938:
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929:
927:
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917:
916:Indoor arenas
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589:84-207-1408-9
586:
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560:
556:
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547:
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
500:
496:
494:
490:
486:
482:
478:
474:
470:
466:
465:Pedro Machuca
457:
453:
451:
447:
443:
440:, as well as
439:
435:
431:
427:
423:
419:
415:
411:
407:
403:
399:
395:
391:
387:
383:
379:
375:
371:
363:
359:
357:
353:
352:das Platerías
349:
345:
341:
337:
333:
332:crenellations
329:
325:
321:
320:crenellations
317:
313:
309:
301:
297:
295:
291:
287:
283:
279:
275:
271:
267:
263:
258:
256:
252:
242:
240:
236:
235:barrel vaults
231:
229:
225:
219:
217:
213:
209:
205:
202:
198:
195:
191:
187:
183:
179:
175:
171:
167:
163:
159:
155:
151:
147:
141:
131:
129:
125:
121:
120:
115:
111:
107:
104:forms of the
103:
99:
95:
90:
88:
84:
80:
76:
72:
68:
64:
60:
56:
49:
45:
41:
36:
30:
29:Purism (arts)
19:
792:Neoclassical
771:
609:
604:
578:Bibliography
548:
505:
491:(lower) and
489:Tuscan order
462:
450:Cuzco (Peru)
426:Brunelleschi
410:Enrique Egas
402:Jacopo Torni
368:
306:
273:
259:
248:
232:
223:
220:
143:
117:
109:
91:
86:
54:
53:
50:(1537–1553).
901:Royal sites
896:Monasteries
886:Lighthouses
846:Roman sites
817:Neo-Mudéjar
812:Noucentisme
767:Renaissance
762:Plateresque
717:Repoblación
687:Celtiberian
608:Maroto, J.
330:and top of
190:rustication
186:Plateresque
158:Reconquista
134:Description
119:Cinquecento
114:art history
94:Greco-Roman
1119:Categories
1001:Artesonado
956:Architects
935:structures
876:Cathedrals
802:Modernisme
747:Isabelline
732:Romanesque
697:Visigothic
672:Megalithic
612:, Casals,
573:References
414:presbytery
348:Valladolid
216:grotesques
201:Corinthian
194:balustered
102:classicist
991:Alhóndiga
906:Windmills
856:Alcazabas
836:Buildings
777:Herrerian
712:Mozarabic
620:, pg. 195
551:cathedral
512:Mannerism
495:(upper).
477:octagonal
378:Salamanca
312:Salamanca
255:Andalusia
212:pilasters
166:Habsburgs
124:Mannerist
98:casticist
67:Herrerian
1104:Category
1051:Hacienda
1046:Estipite
996:Alqueria
926:Stadiums
911:Airports
851:Alcázars
757:Cisneros
707:Andalusi
702:Asturian
553:and the
481:Bramante
473:Alhambra
430:Florence
390:pantheon
358:(1540).
328:pediment
204:capitals
1086:Yeseria
1066:Palloza
1061:Mirador
1036:Cortijo
1011:Baserri
1006:Azulejo
921:Museums
891:Llotjes
881:Hórreos
871:Castros
866:Castles
782:Baroque
722:Mudéjar
677:Iberian
567:Serlian
532:Alcaraz
471:at the
420:of the
418:pillars
396:in the
386:Granada
354:in the
286:Alcázar
284:), the
251:Castile
197:columns
178:Mudéjar
150:Castile
87:Serlian
797:Rococo
772:Purism
737:Gothic
682:Celtic
665:Styles
616:
587:
516:vaults
438:Guadix
434:Málaga
342:, the
262:Toledo
239:arches
208:arches
174:Gothic
160:, the
154:Aragon
55:Purism
1056:Masia
1041:Finca
949:Other
692:Roman
596:Notes
565:, of
557:, by
544:Úbeda
520:Úbeda
493:Ionic
485:Doric
422:naves
245:Works
199:with
170:Italy
46:, by
1076:Real
1071:Pazo
933:and
614:ISBN
585:ISBN
448:and
446:Lima
436:and
392:for
340:León
253:and
176:and
152:and
92:The
428:in
346:in
338:in
260:In
226:by
1121::
452:.
444:,
376:,
257:.
237:,
218:.
206:,
42:,
650:e
643:t
636:v
591:.
487:-
31:.
20:)
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