281:, Humbert unexpectedly receives a letter from a 17-year-old Dolores, telling him that she is married, pregnant, and in desperate need of money. Humbert, armed with a pistol, tracks down her address against her wishes. At Dolores' request, he pretends to be her estranged father and does not mention the details of their past relationship to her husband, Richard. Dolores reveals to Humbert that her abductor was the famous playwright Clare Quilty, who had crossed paths with Humbert and Dolores several times. She explains that Quilty tracked the pair with her assistance, and took her from the hospital because she was in love with him. However, he later kicked her out when she refused to star in one of his pornographic films. Humbert claims to the reader that at this moment, he realized that he was in love with Dolores all along. Humbert implores her to leave with him, but she refuses. Accepting her decision, Humbert gives her the money she is owed from her inheritance. Humbert then goes to the drug-addled Quilty's mansion and shoots him dead.
245:âhe is to either marry her or move out immediately. Initially terrified, Humbert then begins to see the charm in the situation of being Dolores' stepfather, and so marries Charlotte. After the wedding, Humbert experiments with drugging Charlotte with sleeping pills with the intention of later sedating both her and Dolores so that he can sexually assault Dolores. But while Dolores is at summer camp, Charlotte discovers Humbert's diary, in which she learns of his desire for her daughter and the disgust he feels towards Charlotte. Shocked and humiliated, Charlotte announces her plan to leave, taking Dolores with her, having already written a number of letters to her friends warning them of Humbert. Disbelieving his false assurance that the diary is only a sketch for a future novel, Charlotte runs out of the house to send the letters but is hit and killed by a swerving car.
1998:, Steve Smith noted that it stressed Humbert as a moral monster and madman, rather than as a suave seducer, and that it does nothing to "suggest sympathy" on any level of Humbert. Smith also described it as "less an opera in any conventional sense than a multimedia monodrama". The composer described Humbert as "deeply seductive but deeply evil". He expressed his desire to ignore the plot and the novel's elements of parody, and instead to put the audience "in the mind of a madman". He regarded himself as duplicating Nabokov's effect of putting something on the surface and undermining it, an effect for which he thought music was especially suited.
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unreliability, and "a coding in which he gives the narration many marks of bonding unreliability but ultimately marks it as estranging unreliability". In this way, Nabokov persuades the authorial audience towards
Humbert before estranging them from him. Phelan concludes that this process results in two misreadings of the novel: many readers will be taken in by Humbert's narration, missing the marks of estranging unreliability or detecting only some of the narrator's tricks, while other readers, in decoding the estranging unreliability, will conclude that all of Humbert's narration is unreliable.
237:, where he can calmly continue working on his book. The house that he intends to live in is destroyed in a fire. In his search for a new home, he meets the widow Charlotte Haze, who is looking for a lodger. Humbert visits Charlotte's residence out of politeness and initially intends to decline her offer. However, Charlotte leads Humbert to her garden, where her 12-year-old daughter Dolores (also variably known as Dolly, Lo, and Lola) is sunbathing. Humbert sees in Dolores, whom he calls Lolita, the perfect nymphet and the embodiment of his first love Annabel, and quickly decides to move in.
985:, though in a survey of critics Elizabeth Patnoe notes that other interpreters of the novel have been reluctant to use that term, despite Patnoe's observation that Humbert's actions "can only be interpreted as rape". Patnoe finds that many critics "sympathetically incorporate Humbert's language into their own", or believe Lolita seduces Humbert while emphasizing Humbert's responsibility. Of those who claim that Humbert rapes Lolita, Patnoe finds that many "go on to subvert the claim by confounding love and rape".
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play, the title of which is the same as the hotel in which
Humbert met the mysterious man. The day before the premiere of the performance, Dolores runs out of the house following an argument with Humbert. He chases after her and finds her in a nearby drugstore drinking an ice cream soda. She then tells him she wants to leave town for another road trip. Humbert is initially delighted, but as they travel, he becomes increasingly suspicious. He feels that he is being followed by someone Dolores is familiar with.
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Russian text..." He further explains that the "story of this translation is the story of a disappointment. Alas, that 'wonderful
Russian language' which, I imagined, still awaits me somewhere, which blooms like a faithful spring behind the locked gate to which I, after so many years, still possess the key, turned out to be non-existent, and there is nothing beyond that gate, except for some burned out stumps and hopeless autumnal emptiness, and the key in my hand looks rather like a lock pick."
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1948:. Hiroko Mikami notes that the initial sexual encounter between Lolita and Humbert was staged in a way that left this adaptation particularly open to the charge of placing the blame for initiating the relationship on Lolita and normalizing child sexual abuse. Mikami challenged this reading of the production, noting that the ultimate devastation of events on Lolita's life is duly noted in the play.
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becomes a sort of light-headed, seductive, and airy name. The Lolita of our novel is both of these at the same time and in our culture here today we only associate it with one aspect of that little girl and the crassest interpretation of her." Following Nafisi's comments, the NPR interviewer, Madeleine Brand, lists as embodiments of the latter side of Lolita "the
972:, was published on the best ways to teach the novel in a college classroom given that "its particular mix of narrative strategies, ornate allusive prose, and troublesome subject matter complicates its presentation to students". In this book, one author urges teachers to note that Dolores' suffering is noted in the book even if the main focus is on Humbert.
1020:, saying: "This novel, so often condemned as obscene, contains not a single explicit phrase, but instead radiates colour and sensuality throughout, spinning the straw of obscenity into the gold of rapture. Perhaps this is the real reason for the outrage that greeted its publication. Paedophilia is not a subject that should be linked with poetry."
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country, driving all day and staying in motels, where
Dolores often cries at night. Humbert desperately tries to maintain Dolores' interest in travel and himself, increasingly bribing her in exchange for sexual favors. They finally settle in Beardsley, a small New England town. Humbert adopts the role of Dolores' father and enrolls her in a local
2268:, which is always out on loan. He repeatedly asks if it has been returned. When it is eventually returned, there is a commotion amongst the library users who all want the book. This specific incident in the episode is discussed in a 2003 article on the decline of the use of public libraries in Britain by G. K. Peatling.
446:, Humbert is a "monster of incuriosity", dramatizing "the particular form of cruelty about which Nabokov worried most – incuriosity" in that he is "exquisitely sensitive to everything which affects or provides expression for his own obsession, and entirely incurious about anything that affects anyone else."
1194:, the titular poem by fictional John Shade mentions Hurricane Lolita coming up the American east coast in 1958, and narrator Charles Kinbote (in the commentary later in the book) notes it, questioning why anyone would have chosen an obscure Spanish nickname for a hurricane. There were no hurricanes named Lolita
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have no bearing on Lolita whatever. Humbert was fond of "little girls"ânot simply "young girls". Nymphets are girl-children, not starlets and "sex kittens". Lolita was twelve, not eighteen, when
Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress".
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that suspends the possibility of a realistic fiction in which
Humbert's point of view is credible. While superficially allied in his artistic aims with Nabokov's "espousal of esthetic bliss as the foremost criterion in the novel," Humbert separates himself with his contradictory depictions of himself
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Humbert jealously and strictly controls all of
Dolores' social gatherings and forbids her from dating and attending parties. It is only at the instigation of the school headmaster, who regards Humbert as a strict and conservative European parent, that he agrees to Dolores' participation in the school
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In the morning, Dolores reveals to
Humbert that she engaged in sexual activity with an older boy while at camp that summer. Humbert then advances on Dolores, having sex with her. After leaving the hotel, Humbert reveals to Dolores that her mother is dead. In the coming days, the two travel across the
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by saying it is a vitamin. As he waits for the pill to take effect, he wanders through the hotel and meets a mysterious man who seems to be aware of
Humbert's plan for Dolores. Humbert excuses himself from the conversation and returns to the hotel room. There, he discovers that he has been fobbed off
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In
Vladimir Nabokov's 1955 novel, Lolita, the character Lolita is a child who is sexually victimized by the book's narrator. The word Lolita has, however, strayed from its original referent, and has settled into the language as a term we define as 'a precociously seductive girl.'...The definition of
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describes his discovery of a 1916 German short story titled "Lolita" whose middle-aged narrator describes travelling abroad as a student. He takes a room as a lodger and instantly becomes obsessed with the preteen girl (also named Lolita) who lives in the same house. Maar has speculated that Nabokov
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Critics have further noted that, since the novel is a first person narrative by Humbert, the novel gives very little information about what Lolita is like as a person, that in effect she has been silenced by not being the book's narrator. Nomi Tamir-Ghez writes: "Not only is Lolita's voice silenced,
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Nabokov, who famously decried social satire, novels with direct political messages, and those he considered "moralists", avoided providing any overt interpretations to his work. However, when prompted in a 1967 interview with: "Your sense of the immorality of the relationship between Humbert Humbert
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The Russian translation includes a "Postscriptum" in which Nabokov reconsiders his relationship with his native language. Referring to the afterword in the English edition, Nabokov states that only "the scientific scrupulousness led me to preserve the last paragraph of the American afterword in the
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Nabokov concludes the afterword with a reference to his beloved first language, which he abandoned as a writer once he moved to the United States in 1940: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich,
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as intentional and "centrally relevant" to Humbert's unreliable narration. Christina Tekiner views the discrepancies as evidence that the last nine chapters of the novel are a product of Humbert's imagination, and Leona Toker believes that the "crafty handling of dates" exposes Humbert's "cognitive
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by attempting to account for "two especially notable groups of readers": "those who are taken in by Humbert's artful narration" and those who resist "all of his rhetorical appeals". Phelan theorizes that accounting for these two audiences will also account for the relations between two groups often
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Shortly afterward, Humbert is arrested, and in his closing thoughts, he reaffirms his love for Dolores and asks for his memoir to be withheld from public release until after her death. The deaths of Humbert (shortly after his imprisonment) and Dolores (in childbirth on Christmas Day 1952) have been
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s first chapter is outlined to the protagonist, Fyodor Cherdyntsev, by his landlord Shchyogolev as an idea of a novel he would write "if I only had the time": a man marries a widow only to gain access to her young daughter, who resists all his passes. Shchyogolev says it happened "in reality" to a
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make a case for himself" as Nabokov gives him "full and unlimited control of the rhetorical resources". Booth trusts that "skilful and mature" readers will repudiate "Humbert's blandishments", picking up on Nabokov's ironies, clues and "dead giveaway" style, but many readers "will identify Humbert
479:, who played Humbert in a 2009 one-man stage monologue based on the novel, stated that the novel is "not about Lolita as a flesh and blood entity. It's Lolita as a memory." He concluded that a stage monologue would be truer to the book than any film could possibly be. Elizabeth Janeway, writing in
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No, it is not my sense of the immorality of the Humbert HumbertâLolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties
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in 2011. The German version was shortened from four hours to three, but noted Lolita's death at the conclusion, which had been omitted from the earlier longer version. It was considered well-staged but musically monotonous. In 2001, Shchedrin extracted "symphonic fragments" for orchestra from the
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has left me with the most pleasurable afterglowâperhaps because it is the purest of all, the most abstract and carefully contrived. I am probably responsible for the odd fact that people don't seem to name their daughters Lolita any more. I have heard of young female poodles being given that name
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Booth places Humbert in a literary tradition of unreliable narrators that is "full of traps for the unsuspecting reader, some of them not particularly harmful but some of them crippling or even fatal". Booth cites Trilling's inability to decide whether or not Humbert's final indictment of his own
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interview, Nafisi contrasts the sorrowful and seductive sides of Dolores/Lolita's character. She notes: "Because her name is not Lolita, her real name is Dolores which, as you know, in Latin means dolour, so her real name is associated with sorrow and with anguish and with innocence, while Lolita
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writes: "The first 13 chapters of the text, culminating with the oft-cited scene of Lo unwittingly stretching her legs across Humbert's excited lap ... are the only chapters suggestive of the erotic." Nabokov himself observes in the novel's afterword that a few readers were "misled ...
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Near the end of the novel, Humbert states that had he been his own sentencing judge, he "would have given Humbert at least thirty-five years for rape". Nabokov biographer Brian Boyd denies that it was rape "in any ordinary sense", on the grounds that "it is she who suggests that they try out the
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says that she "studied Lolita religiously", and the cover-shot of the album references Lolita's appearance in the earlier Stanley Kubrick film. She identifies with the character, named a guitar of hers "Lolita", and had her fashion sense at a young age influenced by Swain's outfits in the later
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Phelan distinguishes two techniques of unreliable narration – "estranging unreliability", which increases the distance between narrator and audience, and "bonding unreliability", which reduces the distance between narrator and audience – and argues that Nabokov employs both types of
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mountains, Dolores falls ill. Humbert checks her into a local hospital, from where she is discharged one night by her "uncle". Humbert knows she has no living relatives, and he immediately embarks on a frantic search to find Dolores and her abductor, but initially fails. For the next two years,
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in particular is dubbed the ultimate "forbidden" novel and becomes a metaphor for life in Iran. Although Nafisi states that the metaphor is not allegorical (p. 35), she does want to draw parallels between "victim and jailer" (p. 37). She implies that, like the principal character in
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After graduation, Humbert works as a teacher of French literature and begins editing an academic literary textbook, making passing references to repeated stays in mental institutions at this time. He is briefly married to a woman named Valeria before she leaves him for another man. Before the
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at the University of Maryland School of Music with music by doctoral student Elisabeth Mehl Greene and a libretto co-written by Iranian-American poet Mitra Motlagh. Azar Nafisi was closely involved in the development of the project and participated in an audience Q&A session after the
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column "Can This Marriage Be Saved?". Lolita voices her rather mundane complaints in a definite voice of her own, and the marriage counselor holds out some hope for their relationship after Humbert is released from prison at age eighty-five, by which time he may be mature enough for
475:... throughout most of the novel, the reader is absorbed in Humbert's feelings." Similarly Mica Howe and Sarah Appleton Aguiar write that the novel silences and objectifies Lolita. Christine Clegg notes that this is a recurring theme in criticism of the novel in the 1990s. Actor
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naughty trick" which she has already learned at summer camp. This perspective is vigorously disputed by Peter Rabinowitz in his essay "Lolita: Solipsized or Sodomized?". Rabinowitz argues that in seeking metaphorical readings and generalized meaning, academic readers viewing
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and Lolita as literary constructs. Humbert depicts himself as "alternately monstrous, buffoonish ... witty, brutish, tender, malevolent, and kind". He self-consciously casts himself in the buffoonish role of "a combination of urbane satirist, brutish satyr, and sadly gleeful
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on 6 December 1953, five years after starting it. Because of its subject matter, Nabokov intended to publish it pseudonymously (although the anagrammatic character Vivian Darkbloom would tip off the alert reader). The manuscript was turned down, with more or less regret, by
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The impassioned Humbert constantly searches for discreet forms of fulfilling his sexual urges, usually via the smallest physical contact with Dolores. When she is sent to summer camp, Humbert receives a letter from Charlotte, who confesses her love for him and gives him an
2209:, the regime in Iran imposes their "dream upon our reality, turning us into his figments of imagination". In both cases, the protagonist commits the "crime of solipsizing another person's life". February 2011 saw the premiere of a concert performance of an opera based on
1927:
In 2003, Russian director Victor Sobchak wrote a second non-musical stage adaptation, which played at the Lion and Unicorn fringe theater in London. It drops the character of Quilty and updates the story to modern England, and includes long passages of Nabokov's prose in
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has been adapted as two films, a musical, four stage-plays, one completed opera, and two ballets. There is also Nabokov's unfilmed (and re-edited) screenplay, an uncompleted opera based on the work, and an "imagined opera" which combines elements of opera and dance.
577:, warned in 1958 of the moral difficulty in interpreting a book with so eloquent and so self-deceived a narrator: "we find ourselves the more shocked when we realize that, in the course of reading the novel, we have come virtually to condone the violation it presents
1667:. She was like the composition of a beautiful puzzleâits composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other worksâat least those I wrote in English:
463:" later in the same interview. When asked about coming up with Humbert's doubled name, he described it as "... a hateful name for a hateful person. It is also a kingly name, and I did need a royal vibration for Humbert the Fierce and Humbert the Humble."
1394:, set in Alaska, was originally set to star Lita Grey. Lolita's first sexual encounter was with a boy named Charlie Holmes, whom Humbert describes as "the silent ... but indefatigable Charlie". Chaplin had an artist paint Lita Grey in imitation of
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contains no references to Charlie Chaplin, others have picked up several oblique references to Chaplin's life in Nabokov's book. Bill Delaney notes that at the end Lolita and her husband move to the fictional Alaskan town of "Gray Star" while Chaplin's
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Poe's phrase "...by the side of my darlingâmy darlingâmy life and my bride:. In the opening of the novel, the phrase "Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied," is a
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Humbert destroys the letters and retrieves Dolores from camp, claiming that her mother has fallen seriously ill and has been hospitalized. He then takes her to a high-end hotel that Charlotte had earlier recommended, where he tricks her into taking a
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Booth conceived of fiction as a rhetorical relation between author and reader; he viewed "fictional narratives not as autonomous objects but as acts of communication whose aesthetic qualities were intertwined with their ethical effects on individual
2404:" inspired by the book. She made a reference saying "sin duda Nabokov, fue el que me escribio pero en realidad fui yo que lo invento" (English: "without a doubt Nabokov, was the one who wrote about me but in reality I'm the one who invented it").
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morality is to be taken seriously, and Trilling's conclusion that "this ambiguity made the novel better, not worse" in its "ability to arouse uneasiness," as evidence of irony's literary triumph over "clarity and simplicity". For Booth, one of
2018:, August 2013. The show was billed as "A one hour stage play, based on the two and a half hour movie by Stanley Kubrick, based on the 5 hour screenplay by Vladimir Nabokov, based on the 300 page novel by Vladimir Nabokov, as told by 3 idiots."
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retells the story from Lolita's point of view, making a few modifications to the story and names. (For example, Lolita does not die, and her last name is now "Maze".) Nabokov's son sued to halt publication of the English translation
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published a short parody of Nabokov's novel called "Granita" in 1959. It presents the story of Umberto Umberto (Umberto being both the author's first name and the Italian form of "Humbert") and his illicit obsession with the elderly
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substantially rewrote Nabokov's script, though neither took credit. The film greatly expanded the character of Clare Quilty, and removed all references to Humbert's obsession with young girls before meeting Dolores. Veteran arranger
1500:, kidnapped in 1948 by 50-year-old mechanic Frank La Salle, who had caught her stealing a five-cent notebook. La Salle traveled with her over various states for 21 months and is believed to have raped her. He claimed that he was an
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separated by rhetorical theory, the "authorial audience" (the hypothetical readers for whom the author writes and who ground the author's rhetorical choices) and the "flesh and blood readers" (the people actually reading the book).
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is "not the corruption of an innocent child by a cunning adult, but the exploitation of a weak adult by a corrupt child. This is no pretty theme, but it is one with which social workers, magistrates and psychiatrists are familiar."
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and Lolita is very strong. In Hollywood and New York, however, relationships are frequent between men of forty and girls very little older than Lolita. They marryâto no particular public outrage; rather, public cooing", he replied:
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is a special favorite of mine. It was my most difficult bookâthe book that treated of a theme which was so distant, so remote, from my own emotional life that it gave me a special pleasure to use my combinational talent to make it
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described the novel as "the engrossing, anguished story of a man, a man of taste and culture, who can love only little girls" and Lolita as "a dreadful little creature, selfish, hard, vulgar, and foul-tempered". In 1959, novelist
500:, answers to other names, "Lo", "Lola", "Dolly", and, least alluring of all, "Dolores". "But in my arms," asserts Humbert, "she was always Lolita." And in his arms or out, "Lolita" was always the creation of Humbert's craven self
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was published in September 1955, as a pair of green paperbacks "swarming with typographical errors". Although the first printing of 5,000 copies sold out, there were no substantial reviews. Eventually, at the very end of 1955,
857:, "three-quarters of list was pornographic trash". Underinformed about Olympia, overlooking hints of Girodias's approval of the conduct of a protagonist Girodias presumed was based on the author, and despite warnings from
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who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage." Neither the article nor the drawing has been recovered.
1185:-like book written by the narrator who, in addition, travels with his teenage daughter Bel from motel to motel after the death of her mother; later, his fourth wife is Bel's look-alike and shares her birthday.
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agent and threatened to "turn her in" for the theft and to send her to "a place for girls like you". The Horner case was not widely reported, but Dolinin notes various similarities in events and descriptions.
1278:, paralleling to the presence of Humbert's own doppelgÀnger, Clare Quilty. Humbert is not, however, his real name, but a chosen pseudonym. The theme of the doppelgÀnger also occurs in Nabokov's earlier novel,
1801:, staged at Dolores' high school, contains a scene that is an exact duplicate of a painting in the front lobby of the hotel, The Enchanted Hunters, at which Humbert begins a sexual relationship with Lolita.
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of two passages of the poem, the "winged seraphs of heaven" (line 11), and "The angels, not half so happy in heaven, went envying her and me" (lines 21â22). Nabokov originally intended Lolita to be called
2143:, partly as a "reply both to the book and to the icon that the character Lolita has become". Prager's novel, set in the 1990s, is narrated by the Lolita character, thirteen-year-old Lucky Lady Linderhoff.
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s morality; he considers the novel "delightful" and "profound", while also condemning Humbert's actions in violating Lolita. Phelan addresses this problem of the relation between technique and ethics in
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In 1928, Nabokov wrote a poem named "Lilith" (ĐОлОŃ), depicting a sexually attractive underage girl who seduces the male protagonist only to leave him humiliated in public. In 1939, he wrote a novella,
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Clegg sees the novel's non-disclosure of Lolita's feelings as directly linked to the fact that her real name is Dolores and only Humbert refers to her as Lolita. Humbert also states he has effectively "
342:. More cautious classifications have included a "novel with erotic motifs" or one of "a number of works of classical erotic literature and art, and to novels that contain elements of eroticism, such as
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Nabokov's own re-edited and condensed version of the screenplay (revised December 1973) he originally submitted for Kubrick's film (before its extensive rewrite by Kubrick and Harris) was published by
2069:, Morrissey complains that in the novel Lolita has "no voice". Morrisey's retelling was adapted into an opera by composer Sid Rabinovitch, and performed at the New Music Festival in Winnipeg in 1993.
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1783:. Critics praised the play for sensitively translating the story to the stage, but it nonetheless closed before it opened in New York. The show was revived in a Musicals in Mufti production at the
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as Humbert. Cox believes that this is truer to the spirit of the book than other stage or film adaptations, since the story is not about Lolita herself but about Humbert's flawed memories of her.
800:". He both caricatures Lolita as commonplace and idealizes her into a solipsized vision entirely different from the real Lolita. Riggan sees Humbert as personifying "the spirit of Harlequin or a
2321:. Graham Vickers describes the female lead in Allen's movie as "a Lolita that is allowed to express her own point of view" and emerges from the relationship "graceful, generous, and optimistic".
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as the record of Nabokov's "love affair with the romantic novel", Nabokov writes that "the substitution of 'English language' for 'romantic novel' would make this elegant formula more correct."
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friend of his; it is made clear to the reader that it concerns himself and his stepdaughter Zina (15 at the time of Shchyogolev's marriage to her mother), who becomes the love of Fyodor's life.
485:, holds: "Humbert is every man who is driven by desire, wanting his Lolita so badly that it never occurs to him to consider her as a human being, or as anything but a dream-figment made flesh."
2463:" and "Lolita lost in the hood". The reviewer notes that "her invocations of Sinatra and Lolita are entirely appropriate to the sumptuous backing tracks" and that one of the album's singles, "
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contains poems which purport to be written by Lolita herself, reflecting on the events in the story, a sort of diary in poetry form. Morrissey portrays Lolita as an innocent, wounded soul. In
1917:. He abandoned it by 2005, but fragments were woven into a seven-minute piece, "Darkbloom: Overture for an Imagined Opera". Vivian Darkbloom, an anagram of Vladimir Nabokov, is a character in
946:, greatly disliked the book, describing it as "dull, dull, dull in a pretentious, florid and archly fatuous fashion". This review failed to influence the book's sales and it is estimated that
1125:, but also has significant differences: it takes place in Central Europe, and the protagonist is unable to consummate his passion with his stepdaughter, leading to his suicide. The theme of
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with the author more than Nabokov intends", unable to dissociate themselves "from a vicious center of consciousness presented ... with all of the seductive self-justification of skilful
1818:, with Nabokov (renamed "A Certain Gentleman" after a threatened lawsuit) onstage as a narrator. The troubled production was a fiasco and was savaged by Albee as well as the critics,
269:
Humbert increasingly displays signs of paranoia and mania, perhaps caused by his growing certainty that he and Dolores are being trailed by someone who wants to separate them. In the
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writes that: "In six pages Martin deftly sketches a woman who has known and used her allure for so longâever since she was 11 and met Humbert Humbertâthat it has become her career."
2415:", about a schoolgirl's crush on her teacher, the final verse states, "It's no use, he sees her/ he starts to shake and cough / just like the old man in / that book by Nabokov."
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209:
by one John Ray Jr., an editor of psychology books. Ray states that he is presenting a memoir written by a man using the pseudonym "Humbert Humbert", who had recently died of
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1974:. It was performed by the Grand Ballet de GenĂšve in Switzerland in November 2003. It earned him the award Premio Danza E Danza in 2004 as "Best Italian Choreographer Abroad".
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122:. The protagonist is a French literature professor who moves to New England and writes under the pseudonym Humbert Humbert. He describes his obsession with a 12-year-old "
2180:(2002) by Tatsuhiko Takimoto, chapter 5 is titled "A Humbert Humbert for the Twenty-First Century" wherein the protagonist, Tatsuhiro SatĆ, becomes obsessed with online
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describes as dominated in the 1980s by fundamentalist "morality squads". Stories about the lives of her book club members are interspersed with critical commentary on
1914:
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should not apply and quotes him as saying: "Literature has always been a huge crucible in which familiar themes are continually recast... Nothing of what we admire in
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in April 2009. While other characters silently dance, Humbert narrates, often with his back to the audience as his image is projected onto video screens. Writing in
1404:. When Humbert visits Lolita in a class at her school, he notes a print of the same painting in the classroom. Delaney's article notes many other parallels as well.
1031:
set out to examine the cultural legacy of the novel, and argued that depictions and adaptations have "twisted" Nabokov's original intention of condemning Humbert in
7204:
1211:, published posthumously, features the character Hubert H. Hubert, an older man preying upon the then-child protagonist, Flora. Unlike those of Humbert Humbert in
254:
with a milder drug, as Dolores is merely drowsy and wakes up frequently, drifting in and out of sleep. He dares not initiate sexual contact with her that night.
3950:
396:
into assuming this was going to be a lewd book ... the rising succession of erotic scenes; when these stopped, the readers stopped, too, and felt bored."
4594:
2039:
wrote a short piece in 1959 called "Can This Romance Be Saved: Lolita and Humbert Consult a Marriage Counselor". It appears as a chapter in her second book,
1934:
Also in 2003, a stage adaptation of Nabokov's unused screenplay was performed in Dublin adapted by Michael West. It was described by Karina Buckley (in the
4526:
5053:
145:
The book has received critical acclaim regardless of the controversy it caused with the public. It has been included in many lists of best books, such as
1426:
In chapter 29 of Part Two, Humbert comments that Lolita looks "like Botticelli's russet Venusâthe same soft nose, the same blurred beauty," referencing
2435:
noted that one summer, the tomboy lifestyle just didn't hold her interest, so she started 'studying Lolita religiously' and noticing guys noticing her.
1822:
even predicting fatal damage to Albee's career. Rich noted that the play's reading of the character of Quilty seemed to be taken from the Kubrick film.
755:
school to Booth's conception of fiction as rhetorical action. Booth acknowledges that Nabokov marks Humbert as unreliable while also complaining about
221:, where he falls in love with his friend Annabel Leigh. This youthful and physically unfulfilled love is interrupted by Annabel's premature death from
570:... Yet she does have a past. Despite Humbert's attempts to orphan Lolita by robbing her of her history, that past is still given to us in glimpses."
1496:
In addition to the possible prototypes of Lewis Carroll and Charlie Chaplin, Alexander Dolinin suggests that the prototype of Lolita was 11-year-old
720:
analysis, some commentators have disregarded his definition to classify Humbert as unreliable based on the dishonesty of his character and motives.
2004:
In 2009 Richard Nelson created a one-man drama, the only character onstage being Humbert speaking from his jail cell. It premiered in London with
997:
are "standing back from the situation â a posture that leads, in this case, to a blame-the-victim reading by turning this victimized child into a
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has "loads of Lolita references", and it has a bonus track entitled "Lolita". She has herself described the album's persona to a reviewer from
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One of the first things Nabokov makes a point of saying is that, despite John Ray Jr.'s claim in the foreword, there is no moral to the story.
2232:
reads: "To the real-life Dolores Hazes and Vanessa Wyes whose stories have not yet been heard, believed, or understood", citing the victim of
2103:); the parties ultimately settled, allowing publication to go forward. "There are only two reasons for such a book: gossip and style," writes
4920:
4737:
5651:"Katy Perry: Not just one of the boys: A minister's daughter turned pop provocateur brings some candy-colored girl power to the Warped Tour"
5347:
3020:
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while in jail awaiting trial for an unspecified crime. The memoir, which addresses the audience as his jury, begins with Humbert's birth in
4837:
2355:'s character comes across an overtly sexualized girl named Lolita. Although Murray's character says it is an "interesting choice of name",
1787:
in New York in March 2019 as adapted from several of Lerner's drafts by Erik Haagensen and a score recovered and directed by Deniz Cordell.
581:... we have been seduced into conniving in the violation, because we have permitted our fantasies to accept what we know to be revolting."
5719:
4118:
Rabinowitz, Peter J. (2004). "Lolita: Solipsized or Sodomized?; or, Against Abstraction General". In Jost, Walter; Olmsted, Wendy (eds.).
1246:" by Poe; this poem is alluded to many times in the novel, and its lines are borrowed to describe Humbert's love. A passage in chapter 11
671:. "Nabokov, in all his fiction, writes with incomparable penetration about delusion and coercion, about cruelty and lies," he says. "Even
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923:
The novel then appeared in Danish and Dutch translations. Two editions of a Swedish translation were withdrawn at the author's request.
7124:
7089:
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5778:
1677:, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet.
3142:
2192:(2003) is a memoir about teaching government-banned Western literary classics to women in the world of an Islamic Iran, which author
1547:
during the 1950s. Maar says that until 1937 Nabokov lived in the same section of Berlin as the author, Heinz von Eschwege (pen name:
1522:: "Had I done to Dolly, perhaps, what Frank Lasalle, a fifty-year-old mechanic, had done to eleven-year-old Sally Horner in 1948?".
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argues that the two major real-world predecessors of Humbert are Lewis Carroll and Charlie Chaplin. Although Appel's comprehensive
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The novel continues to generate controversy today as modern society has become increasingly aware of the lasting damage created by
3804:
849:. After these refusals and warnings, he finally resorted to publication in France. Via his translator Doussia Ergaz, it reached
467:
her point of view, the way she sees the situation and feels about it, is rarely mentioned and can be only surmised by the reader
225:, which causes Humbert to become sexually obsessed with a specific type of girl, aged 9 to 14, whom he refers to as "nymphets".
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in 1970. (Nabokov was able to comment on Appel's earliest annotations, creating a situation that Appel described as being like
5580:
3540:
Zerweck, Bruno (Spring 2001). "Historicizing unreliable narration: Unreliability and cultural discourse in narrative fiction".
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of 1999, which is a gently humorous look at how Dolores Haze's life might have turned out. She has gone through many husbands.
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in the opening of chapter one, which reads "...had I not loved, one summer, an initial girl-child. In a princedom by the sea".
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5466:, Volume 38, No. 2 (Spring 2003), 'Discipline and the Discipline: Histories of the British Public Library', pp. 121â146.
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508:... To transform Dolores into Lolita, to seal this sad adolescent within his musky self, Humbert must deny her her humanity.
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Newman, Daniel Aureliano (Winter 2018). "Nabokov's Gradual and Dual Blues: Taxonomy, Unreliability, and Ethics in Lolita".
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in 1959, appeared in an Italian anthology of Eco's work in 1963. Published in English for the first time in Eco anthology
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432:, a word that has since had a life of its own and can be found in most dictionaries, and the lesser-used "faunlet". For
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Huffman, James R.; Huffman, Julie L. (Fall 1987). "Sexism and Cultural Lag: The Rise of the Jailbait Song, 1955â1985".
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Despite initial trepidation, there was no official response in the U.S., and the first American edition was issued by
696:, a genre of fictional media in which young (or young-looking) girl characters appear in romantic or sexual contexts.
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for his work on this film's adapted screenplay, although little of this work reached the screen; Stanley Kubrick and
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Earlier accounts of this speak of a musical setting for the poems. Later accounts state it was a full-length opera.
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Nabokov adds that "the initial shiver of inspiration was somehow prompted by a newspaper story about an ape in the
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was later translated into Russian by Nabokov himself and published in New York City in 1967 by Phaedra Publishers.
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4175:
1551:), and was most likely familiar with his work, which was widely available in Germany during Nabokov's time there.
1263:, drawing on the rhyme with Annabel Lee that was used in the first verse of Poe's work. A variant of this line is
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6154:
3586:
2181:
1501:
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744:
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Howard, Jane (20 November 1964). "The master of versatility: Vladimir Nabokov: Lolita, languages, lepidoptery".
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that destroyed the Russia of Nabokov's childhood (though Nabokov states in his afterword that he " symbols and
481:
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clown who annihilates reality, turns life into a game and the world upside down, and ends by creating chaos".
7144:
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6695:
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Lolita reflects the fact that the word is used in contemporary writing without connotations of victimization.
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1480:
6142:â The itineraries of Humbert's and Lolita's two voyages across the U.S.A. 1947â1949, with maps and pictures.
3298:
865:, Nabokov signed a contract with Olympia Press for publication of the book, to come out under his own name.
504:... The Siren-like Humbert sings a song of himself, to himself, and titles that self and that song "Lolita".
7149:
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7002:
6480:
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3648:
3551:
3433:
3384:
1271:
1139:, Margot Peters is 16 and has already had an affair when the middle-aged Albinus becomes attracted to her.
1135:
686:" has been assimilated into popular culture as a description of a young girl who is "precociously seductive
274:
Humbert barely sustains himself in a moderately functional relationship with a young alcoholic named Rita.
138:
in the U.S. (where Nabokov lived) and Britain led to it being first published in Paris, France, in 1955 by
712:
coined the term "unreliable narrator" to describe a narrator whose ethical norms differ from those of the
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5237:
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1847:
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Sweeney, Susan Elizabeth (1999). "Fantasy, Folklore, and Finite Numbers in Nabokov's 'A Nursery Tale'".
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notes that "Neither daughter nor mother seems to know that the name Lolita has literary associations."
1163:: "I am writing ... a short novel about a man who liked little girlsâand it's going to be called
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2942:
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842:
838:
559:
306:
5424:
4058:
Patnoe, Elizabeth (2002). "Discourse, Ideology, and Hegemony". In Larmour, David Henry James (ed.).
882:, called it one of the three best books of 1955. This statement provoked a response from the London
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2188:
1247:
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in London in 1959 was controversial enough to contribute to the end of the political career of the
909:
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566:... To reinvent her, Humbert must take from Lolita her own real history and replace it with his own
522:
166:
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614:
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is already to be found in the tale; the former is in no way deducible from the latter." See also
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1177:
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913:
900:
to seize all copies entering the United Kingdom. In December 1956, France followed suit, and the
622:
20:
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690:... without connotations of victimization". In Japan, the novel gave rise in the early 1980s to
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6805:
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2866:
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2835:
2256:
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1846:. The first performance in Russian was in Moscow in 2004. The opera was nominated for Russia's
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4946:
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2467:", repeatedly quotes from the novel's opening sentence: "light of my life, fire of my loins".
2301:
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1989:
1941:
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1512:
and his victim booking into a hotel as father and daughterâin his then-unpublished 1939 work
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893:
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after becoming her stepfather. Privately, he calls her "Lolita", the Spanish diminutive for
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1379:, whose real name was Lillita and is often misstated as Lolita. Graham Vickers in his book
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792:
259:
131:
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2739:
2733:
2277:(1963), perky Parisian streetwalker Irma has a co-worker named Lolita, who is middle-aged.
2254:
In "The Missing Page", one of the most popular episodes (from 1960) of the British sitcom
1763:
composed the music for the film, whose soundtrack includes the hit single, "Lolita Ya Ya".
1561:
at 50: Did Nabokov take literary liberties?" says that, according to Maar, accusations of
1411:
in regard to another, considerably more outspoken book"âthat is, the decision in the case
1323:
930:
in August 1958. The book was into a third printing within days and became the first since
334:
erotic novel". Books focused on the history of erotic literature such as Michael Perkins'
8:
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6848:
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6667:
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3595:
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1971:
1959:
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1471:
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834:
705:
6160:, 10-episode podcast about the novel, films and information about Lolita in pop-culture.
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1339:
1314:), and as such there are several references to French literature, including the authors
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4921:"Lulu's Erotic Little Sister Lolita, the Latest Operatic Siren, Still Needs a Composer"
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327:
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called it "the filthiest book I have ever read" and "sheer unrestrained pornography".
787:. For Riggan, Humbert's imprisonment in art and solipsism makes his account a parodic
708:, although the nature of his unreliability is a matter of debate. The literary critic
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2005:
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1303:
775:
William Riggan places Humbert in a tradition of unreliable narration embodied by the
476:
459:
Nabokov described Humbert as "a vain and cruel wretch who manages to appear 'touching
378:
369:
distillation of the whole crucial mythology." Samuel Schuman says that Nabokov "is a
297:
278:
1115:(ĐĐŸĐ»ŃĐ”Đ±ĐœĐžĐș), that was published only posthumously in 1986 in English translation as
6938:
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6730:
6420:
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A modern study of all Nabokov's novels, both Russian and English. See chapter 13, '
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2310:
2043:. This is a parody in which Lolita and Humbert's story is told in the style of the
1967:
1936:
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115:
49:
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Chasing Lolita: how popular culture corrupted Nabokov's little girl all over again
4942:
Chasing Lolita: how popular culture corrupted Nabokov's little girl all over again
4803:
1963:
1407:
The foreword refers to "the monumental decision rendered December 6, 1933 by Hon.
1381:
Chasing Lolita: How Popular Culture Corrupted Nabokov's Little Girl All Over Again
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6487:
6466:
6243:
6171:
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5568:
5352:
5163:
5122:
5060:
5012:
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4907:
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4500:
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3849:
3542:
2420:
2285:
2124:
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1981:
1884:
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1731:
1683:
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656:
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331:
300:", not only by some critics but also in a standard reference work on literature,
182:
6992:
6136:
4714:
Duval Smith, Peter (22 November 1962). "Vladimir Nabokov on his life and work".
3589:(May 2007). "Estranging Unreliability, Bonding Unreliability, and the Ethics of
1518:(ĐĐŸĐ»ŃĐ”Đ±ĐœĐžĐș), he mentions the Horner case explicitly in Chapter 33 of Part II of
1367:
books, though overall Nabokov avoided direct allusions to Carroll. In her book,
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from her English teacher, who then sexually abuses her. The dedication page of
2224:'s 2020 debut novel. The protagonist in the novel, Vanessa, receives a copy of
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2066:
1892:
1838:
1751:
1638:
1450:
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917:
884:
713:
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639:
585:
536:
319:
233:, Humbert emigrates to America. In 1947, he moves to Ramsdale, a small town in
218:
5968:
A pioneering study of Nabokov's interest in and literary uses of film imagery.
5226:
Transcribed in Camille Paglia "Vamps and Tramps". The quote is on p. 157.
5213:
5103:
4411:
4232:
3229:
1607:") that first appeared in the first U.S. edition and has appeared thereafter.
1242:
Humbert's first love, Annabel Leigh, is named after the "maiden" in the poem "
217:
in 1910 to an English mother and Swiss father. He spends his childhood on the
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6508:
6378:
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4275:
3852:(November 1960). "The Bournemouth Affair: Britain's First Primary Election".
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2460:
2439:
2370:
2289:
2273:
2090:
2058:
1906:
1812:
1760:
1743:
1687:, Nabokov was asked which of his writings had most pleased him. He answered:
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1319:
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to classical and modern literature. Virtually all of them have been noted in
1160:
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1007:
873:
858:
854:
752:
683:
433:
374:
210:
139:
75:
5481:
2583:
2079:("A Stranger in Lolitaland. An Essay", 1993), first published in English by
1629:
and infinitely docile Russian language for a second-rate brand of English."
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2342:
2313:), she says, "Somewhere Nabokov is smiling." Alan A. Stone speculates that
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2014:
Four Humors created and staged a Minnesota Fringe Festival version called
704:
Literary critics and commentators almost universally regard Humbert as an
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2356:
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2167:, whose heroine's downfall is precipitated in part by stocking copies of
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897:
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540:
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392:
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234:
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19:
This article is about the novel by Vladimir Nabokov. For other uses, see
4297:
Nabokov (2001), "Letter dated 7 April 1947", in Karlinsky, Simon (ed.),
3620:
3430:
PĂcaros, Madmen, NaĂŻfs, and Clowns: The Unreliable First-person Narrator
1954:
In 2003, Italian choreographer Davide Bombana created a ballet based on
6008:
The major study of Nabokov's lepidoptery, frequently mentioning Lolita.
5846:
5834:
5714:
4872:
3875:
3665:
3156:
2431:
2425:
2408:
2288:) reads Lolita in the houseboat at the time of teaching Hindi to Raja (
1945:
1819:
1562:
1475:
1306:(one of his jobs is writing a series of educational works that compare
1126:
813:
716:. While Booth's definition has served as the basis for most subsequent
532:
370:
135:
119:
4283:
7008:
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5851:
5682:
5201:
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3137:
2330:, including their references to rose petals and sports, arguing that
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797:
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635:
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489:
425:
405:
366:
242:
5241:
4862:
The parallel names are in the novel, the picture duplication is not.
3867:
2883:
2378:
2324:
Tracy Lemaster sees many parallels between Lolita and the 1999 film
2139:
that she wrote it mainly as a literary parody of Vladimir Nabokov's
2117:
wrote the short story "Lolita at Fifty", included in his collection
1077:. Statements consisting only of original research should be removed.
908:; the ban lasted for two years. Its eventual British publication by
5437:
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4267:
2095:
1747:
1255:
1224:
994:
737:
660:
652:
544:
389:
is characterized by irony and sarcasm; it is not an erotic novel."
270:
206:
7043:
5592:
2334:
s cheerleading scene is directly derived from the tennis scene in
1359:
into Russian. He even called Carroll the "first Humbert Humbert".
3696:
3101:
Vladimir Nabokov, Lolita: A reader's guide to essential criticism
1984:
and choreographer Johanne Saunier created an "imagined opera" of
1655:
1371:, Joyce Milton claims that a major inspiration for the novel was
1264:
1024:
692:
664:
421:
404:
The novel is narrated by Humbert, who riddles the narrative with
123:
6151:â A detailed and referenced inner chronology of Nabokov's novel.
314:"an experiment in combining an erotic novel with an instructive
5377:
4299:
Dear Bunny, Dear Volodya: The Nabokov Wilson Letters, 1940â1971
3642:
Moore, Anthony R. (Autumn 2001). "How Unreliable Is Humbert in
1902:
1288:
1218:
668:
626:
222:
5845:. Oddly enough, this is exactly the situation Nabokov scholar
5624:"Interview: Katy Perry â Singer, Songwriter and Producer"
3054:. Oxford & New York: Oxford University Press. p. 24.
2940:
Levine, Peter (April 1995) . "Lolita and Aristotle's Ethics".
2794:
Dangerous Pilgrimages: Transatlantic Mythologies and the Novel
2682:
Lanigan, Esther F.; Stineman, Esther; Loeb, Catherine (1979).
1850:
award. Its first performance in German was on 30 April at the
35:
6193:
2584:"Vladimir Nabokov and Lionel Trilling discuss Lolita in 1958"
1508:
While Nabokov had already used the same basic ideaâthat of a
784:
214:
5994:
Nabokov's Blues: The Scientific Odyssey of a Literary Genius
4495:
3259:
Still Seduces Readers â Part 2: Nabokov's Eternal Influence"
2528:
2505:
751:
served as a "flashpoint" for resistance from readers of the
5849:
proposed to resolve the literary complexities of Nabokov's
562:. She writes: "Lolita was given to us as Humbert's creature
134:. The novel was originally written in English, but fear of
5159: â Umberto Eco Tr. William Weaver: Cape, pounds 9.99"
1525:
5926:(paper reissue ed.). Random House Trade Paperbacks.
3262:
2519:
2496:
2309:) discovers Isaac Davis (Allen) is dating a 17-year-old (
527:
417:
5133:
Originally published in the Italian literary periodical
4838:"Lolita Musical Takes the Stage at York Theatre Company"
1423:
was not obscene and could be sold in the United States.
1274:", a tale in which the main character is haunted by his
6078:
The Magician's Doubts: Nabokov and the Risks of Fiction
3720:
3684:
3296:
3189:
Over Her Dead Body: Death, Femininity and the Aesthetic
5678:"Katy Perry on the risqué business of I Kissed a Girl"
4695:
4683:
4671:
4659:
4587:"'Lolita' at 50: Did Nabokov take literary liberties?"
4080:
1491:
1129:
was already touched on by Nabokov in his short story "
7020:
5865:. Princeton, New Jersey: Princeton University Press.
3802:
Capon, Felicity; Scott, Catherine (20 October 2014).
3205:
2908:(1989). "The barber of Kasbeam: Nabokov on cruelty".
2541:
1573:'s essay "The Ecstasy of Influence: A Plagiarism" in
1148:(written in Russian in 1935â37), the similar gist of
807:
Some critics point to chronological discrepancies in
779:
or clown, in particular the disguised insight of the
114:
is a 1955 novel written by Russian-American novelist
6092:
A widely praised monograph dealing extensively with
5547:
Trans: Internet-Zeitschrift fĂŒr Kulturwissenschaften
4375:
4363:
4318:
4034:
3277:
3161:"Summer Reading; Time Has Been Kind to the Nymphet:
2611:
Facts on File: Companion to the American Short Story
2531:
2525:
2508:
2502:
2264:
has read virtually every book in the library except
1621:
In response to an American critic who characterized
1235:
Many are references to Humbert's own favorite poet,
1171:
during the next eight years. Nabokov used the title
1016:
about the enduring controversy and fascination with
302:
Facts on File: Companion to the American Short Story
4092:
3830:
3783:
3771:
3732:
3708:
3672:
2681:
2522:
2516:
2513:
2499:
2493:
2490:
1637:Nabokov rated the book highly. In an interview for
975:Many critics describe Humbert as a rapist, notably
783:and the ironies, variations and ambiguities of the
412:. The novel's flamboyant style is characterized by
6072:: Comedy, Catharsis and Cosmic Crime', pp.165-186.
5949:
5535:"The Nymphet as Consequence in Vladimir Nabokov's
4713:
3803:
3356:. University of Bordeaux Press. pp. 212â214.
2827:
1363:contains a few brief allusions in the text to the
554:For Nafisi, the essence of the novel is Humbert's
4015:
3759:. Antiquarian Booksellers' Association of America
2418:In the title song of her mainstream debut album,
936:to sell 100,000 copies in its first three weeks.
816:, explain the discrepancies as Nabokov's errors.
318:." The same description of the novel is found in
7056:
5398:"How 'Reading Lolita in Tehran' became an opera"
4335:
4333:
4241:(Russian text of "Lilith") (in Russian). Russia.
4120:A Companion to Rhetoric and Rhetorical Criticism
2684:Women's studies: a recommended core bibliography
492:" Lolita early in the novel. Eric Lemay writes:
288:
5395:
5342:
5340:
3122:
3120:
3079:, Fairleigh Dickinson Univ Press, p. 132,
2590:. 26 November 1958. Event occurs at 00:04:24.
1797:in 1974. One new element is that Quilty's play
1769:The book was adapted into a musical in 1971 by
6028:An introduction and study-guide in PDF format.
5825:One of the best guides to the complexities of
5740:
5621:
5475:
4626:. Vol. 314, no. 1881. pp. 59â71
1003:, a cruel mistress, a girl without emotions."
177:. The novel has been twice adapted into film:
6405:
6179:
6054:Ada to Zembla: The Novels of Vladimir Nabokov
5813:(revised ed.). New York: Vintage Books.
5356:, 10 October 1999. Retrieved 8 February 2011.
4800:"Soundtracks to the Films of Stanley Kubrick"
4330:
4113:
4111:
4109:
4107:
3917:
3377:
3328:(October 1958). "SexâWithout the Asterisks".
2982:"Vladimir Nabokov, The Art of Fiction No. 40"
1270:Humbert Humbert's double name recalls Poe's "
6419:
5648:
5337:
5311:"Nabokov's son files suit to block a retold
5155:"Book Review / War games with Sitting Bull:
4761:
4646:Vladimir Nabokov: A Descriptive Bibliography
4148:"Lolita: Joanne Harris's book of a lifetime"
3898:Vladimir Nabokov: A Descriptive Bibliography
3191:. Manchester University Press. p. 379.
3117:
2377:") is the debut single of the French singer
2244:, but as told from the victim's perspective.
2022:
1842:, which premiered in Swedish in 1994 at the
1219:Literary pastiches, allusions and prototypes
1133:", written in 1926. Also, in the 1932 novel
819:
526:about a covert women's reading group. In an
361:writes "at first famous as an erotic novel,
118:that addresses the controversial subject of
7205:Fiction about fatherâdaughter relationships
5773:
3077:He said, she says: an RSVP to the male text
3075:Howe, Mica; Aguiar, Sarah Appleton (2001),
2709:The Secret Record: Modern Erotic Literature
1453:" on Quilty parodies the rhythm and use of
471:... since it is Humbert who tells the story
399:
336:The Secret Record: Modern Erotic Literature
6412:
6398:
6186:
6172:
5583:. Lescharts.com. Retrieved on 4 July 2018.
4871:
4117:
4104:
4020:. Modern Language Association of America.
4016:Kuzmanovich, Zoran; Diment, Galya (2008).
3801:
3744:
3297:de la Durantaye, Leland (28 August 2005).
3074:
3011:
3009:
2484:Nabokov pronounced Humbert Humbert's name
2429:Adrian Lynne film. Charles A. Hohman from
1175:in his 1974 pseudo-autobiographical novel
1105:
365:soon won its way as a literary oneâa late
34:
6080:. Princeton: Princeton University Press.
5976:. Cambridge: Cambridge University Press.
5779:"Screen Shot: Lana Del Rey's fixed image"
5549:16 (May 2006). Retrieved 6 February 2011.
5200:
4060:Discourse and Ideology in Nabokov's Prose
4053:
4051:
4049:
3581:
3579:
3577:
3575:
3573:
3571:
3569:
3455:
3453:
3423:
3421:
3419:
3417:
3415:
3413:
3411:
3409:
2633:
1543:("hidden memory") while he was composing
1093:Learn how and when to remove this message
5152:
5000:
4998:
4618:"The Ecstasy of Influence: A plagiarism"
4394:Delaney, Bill (Winter 1998). "Nabokov's
3750:
3503:
3501:
3499:
3497:
2900:
2898:
2787:
2767:. Indiana University Press. p. 35.
2381:, which was released on her debut album
1940:of London) as playing more like Italian
1913:, which he abandoned in the wake of the
1750:as Lolita; Nabokov was nominated for an
1414:United States v. One Book Called Ulysses
619:and American Morality", 10 February 1998
558:and his erasure of Lolita's independent
496:The human child, the one noticed by non-
5900:
5879:
5502:
4938:
4769:
4749:
4721:
4701:
4689:
4677:
4665:
4393:
4296:
4251:
4203:"Podcast series explores how Nabokov's
4086:
4018:Approaches to teaching Nabokov's Lolita
3539:
3211:
3183:
3015:
3006:
2889:
2825:
2706:
2643:. Vol. 17. Macmillan. p. 292.
2608:
2394:made a song for her third studio album
1681:In the same year, in an interview with
1653:Over a year later, in an interview for
1470:Many other references to classical and
970:Approaches to teaching Nabokov's Lolita
940:, the influential book reviewer of the
812:unreliability". Other critics, such as
699:
357:This classification has been disputed.
7057:
5919:
5675:
5476:Stone, Alan A. (FebruaryâMarch 1995).
5383:
5028:
4908:Culture Reviews Lolita /By R.Schedrin/
4782:"Postscript to the Russian edition of
4615:
4584:
4453:"The forgotten real-life story behind
4424:
4057:
4046:
4040:
3992:"Postscript to the Russian edition of
3848:
3585:
3566:
3459:
3450:
3427:
3406:
3344:
3324:
3283:
3249:
3247:
2939:
2731:
2653:
2147:
1988:. Running 70 minutes, it premiered in
1958:that ran 70 minutes. It used music by
1856:Internationale Maifestspiele Wiesbaden
1700:
1449:In chapter 35 of Part Two, Humbert's "
1417:, in which Woolsey ruled that Joyce's
1375:'s relationship with his second wife,
1215:, Hubert's advances are unsuccessful.
205:The novel is prefaced by a fictitious
7115:Obscenity controversies in literature
7003:Vladimir Dmitrievich Nabokov (father)
6914:The Man from the USSR and Other Plays
6871:Details of a Sunset and Other Stories
6393:
6167:
5992:Johnson, Kurt; Coates, Steve (1999).
5956:. New York: Oxford University Press.
5808:
5445:from the original on 12 November 2023
5422:
5078:"Humbert Humbert (Conjuring Nymphet)"
5075:
5063:, Theater u. Philharmonie ThĂŒringen.
4995:
4969:
4797:
4735:"Playboy interview: Vladimir Nabokov"
4381:
4369:
4339:
4324:
3641:
3635:
3507:
3494:
3352:. In Christine Raguet-Bouvart (ed.).
3126:
3098:
3052:Vladimir Nabokov's Lolita: A casebook
3049:
3021:"Playboy Interview: Vladimir Nabokov"
2904:
2895:
2858:
1859:opera score, which were published as
896:officers were then instructed by the
663:"). Amis interprets it as a story of
621:, presentation by Martin Amis at the
126:", Dolores Haze, whom he kidnaps and
5862:Vladimir Nabokov: The American Years
5858:
5396:Beaujon, Andrew (18 February 2011).
4910:. Expat.ru. Retrieved 13 March 2008.
4802:. The Endless Groove. Archived from
4237:[Vladimir Nabokov: Lilith].
4098:
3953:from the original on 9 October 2011.
3944:
3836:
3818:from the original on 11 January 2022
3789:
3777:
3738:
3726:
3714:
3702:
3690:
3678:
3155:
3129:"Brian Cox plays Humbert Humbert in
2976:
2133:states in the foreword to her novel
2077:Ein Fremder in Lolitaland. Ein Essay
2016:Four Humors Lolita: a Three-Man Show
1915:clergy child abuse scandal in Boston
1582:
1042:
1038:
959:
950:had sold 50 million copies by 2005.
731:s main appeals is "watching Humbert
573:One of the novel's early champions,
6864:Tyrants Destroyed and Other Stories
6036:. New York: Vintage International.
5905:. New York: Vintage International.
5031:Ireland on stage: Beckett and after
4597:from the original on 11 August 2020
4535:. 16 September 2005. Archived from
4519:
3989:
3354:Lolita: un royaume au-delĂ des mers
3244:
2830:Vladimir Nabokov, a reference guide
2762:
2659:The Book of Ages: Who Did What When
1696:since 1956, but of no human beings.
1492:Other possible real-life prototypes
667:told from the point of view of the
13:
7155:American novels adapted into plays
7120:American novels adapted into films
6857:A Russian Beauty and Other Stories
6813:Spring in Fialta and other stories
5974:The Cambridge Companion to Nabokov
5941:
5741:Sheffield, Rob (30 January 2012).
5653:. Katy Perry Forum. Archived from
5609:10.1111/j.0022-3840.1987.2102_65.x
4970:Wakin, Daniel J. (24 March 2005).
4919:Walsh, Michael (13 February 1995)
4616:Lethem, Jonathan (February 2007).
4585:Romano, Carlin (26 October 2005).
4527:"My Sin, My Soul... Whose Lolita?"
4427:"1940s sex kidnap inspired Lolita"
4207:has been 'twisted' over the years"
3751:Rennicks, Rich (8 December 2017).
2970:
2911:Contingency, Irony, and Solidarity
1852:Hessisches Staatstheater Wiesbaden
1369:Tramp: The Life of Charlie Chaplin
1287:Chapter 26 of Part One contains a
443:Contingency, Irony, and Solidarity
14:
7216:
7125:Russian novels adapted into films
7090:Fiction with unreliable narrators
6527:The Real Life of Sebastian Knight
6125:
5676:Harris, Sophie (30 August 2008).
5509:. Chicago Review Press. pp.
4425:Dowell, Ben (11 September 2005),
3223:
3127:Grove, Valerie (29 August 2009).
2635:Prokhorov, Aleksandr Mikhailovich
2055:Poems for Men who Dream of Lolita
2028:The Italian novelist and scholar
1691:I would say that of all my books
1670:The Real Life of Sebastian Knight
1349:Nabokov was fond of the works of
920:, one of the company's partners.
747:notes that Booth's commentary on
285:already related in the foreword.
7042:
7030:
6562:Ada or Ardor: A Family Chronicle
6132:Cover images of various editions
5802:
5767:
5734:
5722:from the original on 1 June 2017
5698:
5669:
5642:
5615:
5586:
5574:
5552:
5527:
5496:
5469:
5457:
5416:
5389:
5359:
5256:
5229:
5220:
5194:
5179:
5146:
5127:
5109:
5097:
5069:
5047:
5022:
4945:. Chicago Review Press. p.
4255:Slavic and East European Journal
3805:"Top 20 books they tried to ban"
3350:"Lolita's Crime: Sex Made Funny"
3027:. Longform Media. Archived from
2711:. Masquerade. pp. 106â108.
2486:
2459:as a combination of a "gangster
2363:
2200:and three other Western novels.
1474:abound, including references to
1302:Humbert's field of expertise is
1202:was published in North America.
1159:In April 1947, Nabokov wrote to
1121:. It bears many similarities to
1047:
609:
194:
171:Modern Library's 100 Best Novels
7170:Novels about child sexual abuse
6878:The Stories of Vladimir Nabokov
5622:Perry, Clayton (18 July 2008).
5480:. Boston Review. Archived from
5238:"Coteau Authors: Kim Morrissey"
4963:
4932:
4913:
4900:
4865:
4856:
4830:
4818:
4791:
4788:, translated by Earl D. Sampson
4775:
4755:
4748:, pp. 35 ff. Reprinted in
4727:
4707:
4638:
4609:
4578:
4562:"Possible Source for Nabokov's
4551:
4489:
4445:
4418:
4387:
4357:, Vladimir Nabokov Centennial,
4345:
4290:
4245:
4225:
4195:
4168:
4140:
4009:
3983:
3957:
3938:
3922:. D-e-zimmer.de. Archived from
3911:
3890:
3842:
3795:
3533:
3338:
3318:
3289:
3217:
3177:
3149:
3092:
3068:
3043:
2932:
2852:
2819:
2781:
2686:. Loeb Libraries. p. 329.
2555:
296:is frequently described as an "
6334:Lolita (trop jeune pour aimer)
6056:. Edinburgh: Endellion Press.
5988:Essays on the life and novels.
5596:The Journal of Popular Culture
5240:. Coteau Books. Archived from
5153:Gaisford, Sue (26 June 1993).
5033:. Peter Lang. pp. 41â42.
4877:"Stage: Albee's Adaptation of
4733:Toffler, Alvin (January 1964)
4303:University of California Press
3945:King, Steve (18 August 2011).
3099:Clegg, Christine (2000). "5".
2756:
2725:
2700:
2675:
2647:
2627:
2602:
2576:
2478:
1836:into a Russian-language opera
1709:
1142:In chapter three of the novel
482:The New York Times Book Review
16:1955 novel by Vladimir Nabokov
1:
6100:
6016:. Tirril: Humanities-Ebooks.
5649:Thill, Scott (16 June 2008).
5423:Lange, Jeva (10 March 2020).
5076:Smith, Steve (7 April 2009).
5004:Stringer-Hye, Suellen (2003)
4906:McGowan, Neil (8 April 2004)
4575:. Retrieved 14 November 2007.
3753:"Collecting Nabokov's Lolita"
3705:, pp. 255, 262â263, 264.
2990:. No. 41. Archived from
2865:. Twayne Publishers. p.
2763:Kon, Igor Semenovich (1993).
2569:
1632:
1526:Heinz von Lichberg's "Lolita"
289:Erotic motifs and controversy
7190:Russian magic realism novels
5972:Connolly, Julian W. (2005).
5841:'s comments on Shade's poem
5348:"Humming along with Nabokov"
3649:Journal of Modern Literature
3552:Northern Illinois University
3434:University of Oklahoma Press
2732:Curtis, Glenn Eldon (1992).
2390:Spanish-born Mexican singer
1854:as the opening night of the
1590:
1198:, but that is the year that
408:and his wry observations of
7:
7200:Literature about hebephilia
7160:Novels adapted into ballets
7110:Counterculture of the 1950s
7105:Literature about pedophilia
5743:"Lana Del Rey: Born to Die"
5206:The Snake Has All the Lines
3605:Ohio State University Press
3517:University of Chicago Press
3472:Eastern Michigan University
3463:Journal of Narrative Theory
3228:. p. 2. Archived from
2041:The Snake Has All the Lines
1073:the claims made and adding
968:. In 2008, an entire book,
436:, in his interpretation of
330:courses describes it as a "
153:List of the 100 Best Novels
10:
7221:
7165:Novels adapted into operas
7130:Novels by Vladimir Nabokov
6900:The Tragedy of Mister Morn
6306:Don't Stand So Close to Me
6032:Nabokov, Vladimir (1955).
5948:Appel, Alfred Jr. (1974).
5901:Nabokov, Vladimir (1997).
5880:Nabokov, Vladimir (1973).
5809:Appel, Alfred Jr. (1991).
5400:. TBD Arts. Archived from
5019:. Retrieved 13 March 2008.
4499:; Anderson, Perry (2005).
2916:Cambridge University Press
2413:Don't Stand So Close to Me
1595:In 1956, Nabokov wrote an
1481:Childe Harold's Pilgrimage
1231:, edited and annotated by
1167:." The work expanded into
679:, is a study in tyranny."
18:
7185:Novels set in New England
6980:
6948:
6923:
6891:
6797:
6765:
6747:
6603:
6596:
6518:
6495:Invitation to a Beheading
6437:
6430:
6357:
6297:
6270:
6235:
6208:
5996:. New York: McGraw-Hill.
5886:. New York: McGraw-Hill.
5116:Minnesota Fringe Festival
4412:10.1080/00144949809595272
3978:Retrieved 2018-07-04.
3920:"List of Lolita Editions"
3103:. Cambridge: Icon Books.
2943:Philosophy and Literature
2707:Perkins, Michael (1992).
2640:Great Soviet Encyclopedia
2613:. Infobase. p. 482.
2023:Derivative literary works
1828:In 1992 Russian composer
1663:No, I shall never regret
1554:The Philadelphia Inquirer
910:Weidenfeld & Nicolson
820:Publication and reception
608:
603:
307:Great Soviet Encyclopedia
99:
91:
81:
71:
63:
55:
45:
33:
6988:Nabokov House and Museum
6373:Reading Lolita in Tehran
6014:Vladimir Nabokov, Lolita
5923:Reading Lolita in Tehran
5581:â AlizĂ©e â Moi... Lolita
5559:Roger Ebert's review of
5503:Vickers, Graham (2008).
5386:, pp. 38, 152, 167.
5368:(1999) Author's note in
5271:"Lolita and the lawyers"
5011:25 December 2008 at the
4939:Vickers, Graham (2008).
4644:Juliar, Michael (1986).
4233:
3896:Juliar, Michael (1986).
3658:Indiana University Press
3428:Riggan, William (1981).
3261:(audio and transcript).
3141:. London. Archived from
2826:Schuman, Samuel (1979).
2661:. J. Cape. p. 200.
2471:
2211:Reading Lolita in Tehran
2189:Reading Lolita in Tehran
2152:
1944:than a dark drama about
1188:In Nabokov's 1962 novel
982:Reading Lolita in Tehran
902:Minister of the Interior
593:wrote that the theme of
523:Reading Lolita in Tehran
400:Style and interpretation
326:. A survey of books for
260:private school for girls
167:Bokklubben World Library
163:100 Books of the Century
7180:Novels set in the 1950s
7175:Novels set in the 1940s
6576:Look at the Harlequins!
6114:), Random House Audio,
5567:14 October 2012 at the
5029:Mikami, Hiroko (2007).
4234:ĐĐ»Đ°ĐŽĐžĐŒĐžŃ ĐĐ°Đ±ĐŸĐșĐŸĐČ: ĐОлОŃ
3855:The Journal of Politics
3513:The Rhetoric of Fiction
2765:Sex and Russian society
2735:Russia: a country study
2387:(2000) when she was 15.
2248:
1297:stream of consciousness
1178:Look at the Harlequins!
1106:Links in Nabokov's work
623:New York Public Library
351:Lady Chatterley's Lover
200:
21:Lolita (disambiguation)
7085:American erotic novels
6781:That in Aleppo Once...
6076:Wood, Michael (1994).
6052:Vernon, David (2022).
6012:Lennard, John (2008).
5121:16 August 2013 at the
3949:. barnesandnoble.com.
3560:10.5325/style.35.1.151
2834:. G. K. Hall. p.
2609:Whelock, Abby (2008).
2222:Kate Elizabeth Russell
1811:adapted the book into
1698:
1679:
1651:
1261:The Kingdom by the Sea
1165:The Kingdom by the Sea
510:
457:
6971:Nabokov's Butterflies
6583:The Original of Laura
5952:Nabokov's Dark Cinema
5920:Nafisi, Azar (2008).
5829:. First published by
5464:Libraries and Culture
5269:(26 September 1999).
5143:(Mariner Books, 1993)
5059:30 April 2011 at the
4740:3 August 2020 at the
4648:. New York: Garland.
3900:. New York: Garland.
3613:10.1353/nar.2007.0012
3480:10.1353/jnt.2018.0002
3050:Pifer, Ellen (2003).
2956:10.1353/phl.1995.0045
2859:Olsen, Lance (1995).
2284:(1965), Rita Khanna (
2240:has been compared to
2177:Welcome to the N.H.K.
2163:(1978) is a novel by
1990:Montclair, New Jersey
1689:
1661:
1643:
1603:("On a Book Entitled
1484:and to the poetry of
1353:, and had translated
1223:The novel abounds in
1208:The Original of Laura
1205:The unfinished novel
916:member of parliament
547:in Stanley Kubrick's
520:published the memoir
494:
452:
195:adapted several times
7145:Novels about orphans
7140:Novels about writers
7100:Metafictional novels
7095:Fiction about incest
7070:1955 American novels
6998:Dmitri Nabokov (son)
6481:Laughter in the Dark
6271:Lolita's perspective
5859:Boyd, Brian (1991).
5811:The Annotated Lolita
5755:on 27 September 2013
4126:. pp. 325â339.
4124:Blackwell Publishing
3968:"Books of the Times"
2980:(SummerâFall 1967).
2892:, Afterword, p. 313.
2862:Lolita: A Janus Text
2046:Ladies' Home Journal
1799:The Hunted Enchanter
1730:was made in 1962 by
1401:The Age of Innocence
1229:The Annotated Lolita
1173:A Kingdom by the Sea
1136:Laughter in the Dark
993:within the frame of
979:in her best-selling
835:Simon & Schuster
793:confessional writing
700:Unreliable narration
7150:Olympia Press books
7075:Fiction set in 1947
6993:VĂ©ra Nabokov (wife)
6907:The Waltz Invention
6849:Cloud, Castle, Lake
6841:Nabokov's Congeries
6647:The Return of Chorb
6633:Details of a Sunset
6048:The original novel.
5777:(6 February 2012).
5657:on 17 December 2010
5484:on 14 December 2010
5433:for the #MeToo era"
5309:(10 October 1998).
4827:. Broadwayworld.com
4462:The Sunday Magazine
3850:Martin, Laurence W.
3729:, pp. 266â267.
3693:, pp. 220â221.
3389:Merriam-Webster.com
3265:. 15 September 2005
3226:"Dolorous Laughter"
2305:(1979), when Mary (
2282:Jab Jab Phool Khile
2257:Hancock's Half Hour
2165:Penelope Fitzgerald
2148:References in media
2065:, a documentary by
2053:Published in 1992,
1972:Salvatore Sciarrino
1960:Dmitri Shostakovich
1844:Royal Swedish Opera
1701:Russian translation
1472:Romantic literature
1356:Alice in Wonderland
928:G. P. Putnam's Sons
706:unreliable narrator
193:. It has also been
40:First edition cover
30:
7080:Black comedy books
6957:Poems and Problems
6626:A Matter of Chance
6569:Transparent Things
6453:King, Queen, Knave
5775:Frere-Jones, Sasha
5404:on 16 October 2011
5320:The New York Times
5276:The New York Times
5244:on 19 January 2013
5083:The New York Times
5054:Profile of Bombana
5006:"VN collation #26"
4981:The New York Times
4972:"Wrestling With a
4886:The New York Times
4844:. 25 February 2019
4213:. 23 November 2020
3973:The New York Times
3947:"Hurricane Lolita"
3918:Zimmer, Dieter E.
3185:Bronfen, Elisabeth
3170:The New York Times
3031:on 21 January 2016
2994:on 19 January 2016
2797:. Viking. p.
2111:"fails both ways".
2073:Gregor von Rezzori
1995:The New York Times
1980:American composer
1942:commedia dell'arte
1909:began an opera of
1641:in 1962, he said:
1615:Jardin des plantes
1557:, in the article "
1549:Heinz von Lichberg
1437:The Birth of Venus
1328:Charles Baudelaire
1058:possibly contains
966:child sexual abuse
933:Gone with the Wind
533:Long Island Lolita
322:'s reference work
28:
7135:Postmodern novels
7018:
7017:
6887:
6886:
6834:Nabokov's Quartet
6774:Signs and Symbols
6738:Tyrants Destroyed
6654:A Guide to Berlin
6592:
6591:
6387:
6386:
6315:" (The Veronicas)
6087:978-0-691-04830-7
6043:978-0-679-72316-5
6023:978-1-84760-097-4
6003:978-0-07-137330-2
5983:978-0-521-53643-1
5963:978-0-19-501834-9
5933:978-0-8129-7930-5
5912:978-0-679-72316-5
5893:978-0-07-045737-9
5872:978-0-691-06797-1
5820:978-0-679-72729-3
5539:and Sam Mendes's
5346:Richard Corliss,
5104:Promotional video
4976:Opera and Losing"
4875:(20 March 1981).
4806:on 9 January 2015
4798:Maygarden, Tony.
4512:978-1-84467-038-3
4312:978-0-520-22080-5
3966:(18 August 1958)
3964:Prescott, Orville
3346:Davies, Robertson
3255:"50 Years Later,
3110:978-1-84046-173-2
3061:978-0-679-72316-5
2808:978-0-670-86625-0
2789:Bradbury, Malcolm
2774:978-0-253-33201-1
2749:978-0-8444-0866-8
2738:. Diane. p.
2718:978-1-56333-039-1
2693:978-0-87287-196-0
2668:978-0-224-02166-1
2182:child pornography
1576:Harper's Magazine
1428:Sandro Botticelli
1344:Pierre de Ronsard
1324:François Rabelais
1304:French literature
1103:
1102:
1095:
1060:original research
1039:Sources and links
960:Present-day views
824:Nabokov finished
743:Literary scholar
632:
631:
338:also so classify
107:
106:
92:Publication place
7212:
7047:
7046:
7035:
7034:
7033:
7026:
6939:Notes on Prosody
6788:The Vane Sisters
6731:Spring in Fialta
6601:
6600:
6435:
6434:
6421:Vladimir Nabokov
6414:
6407:
6400:
6391:
6390:
6348:Eat Me, Drink Me
6329:" (Leah LaBelle)
6195:Vladimir Nabokov
6188:
6181:
6174:
6165:
6164:
6091:
6067:
6047:
6027:
6007:
5987:
5967:
5955:
5937:
5916:
5897:
5876:
5824:
5796:
5795:
5793:
5791:
5771:
5765:
5764:
5762:
5760:
5751:. Archived from
5738:
5732:
5731:
5729:
5727:
5718:. 30 June 2008.
5702:
5696:
5695:
5693:
5691:
5673:
5667:
5666:
5664:
5662:
5646:
5640:
5639:
5637:
5635:
5630:on 30 April 2011
5626:. Archived from
5619:
5613:
5612:
5590:
5584:
5578:
5572:
5571:, 5 August 2005.
5556:
5550:
5533:Tracy Lemaster,
5531:
5525:
5524:
5500:
5494:
5493:
5491:
5489:
5478:"Where's Woody?"
5473:
5467:
5461:
5455:
5454:
5452:
5450:
5420:
5414:
5413:
5411:
5409:
5393:
5387:
5381:
5375:
5363:
5357:
5344:
5335:
5331:
5329:
5327:
5307:Ralph Blumenthal
5299:Evergreen Review
5292:
5290:
5288:
5260:
5254:
5253:
5251:
5249:
5233:
5227:
5224:
5218:
5217:
5198:
5192:
5183:
5177:
5176:
5174:
5172:
5150:
5144:
5131:
5125:
5113:
5107:
5101:
5095:
5094:
5092:
5090:
5073:
5067:
5066:
5051:
5045:
5044:
5026:
5020:
5002:
4993:
4992:
4990:
4988:
4967:
4961:
4960:
4936:
4930:
4917:
4911:
4904:
4898:
4897:
4895:
4893:
4869:
4863:
4860:
4854:
4853:
4851:
4849:
4842:theatermania.com
4834:
4828:
4822:
4816:
4815:
4813:
4811:
4795:
4789:
4779:
4773:
4772:, pp. 46â50
4767:
4759:
4753:
4752:, pp. 20â45
4731:
4725:
4719:
4711:
4705:
4699:
4693:
4687:
4681:
4675:
4669:
4663:
4657:
4642:
4636:
4635:
4633:
4631:
4613:
4607:
4606:
4604:
4602:
4582:
4576:
4560:(25 April 2004)
4555:
4549:
4548:
4546:
4544:
4539:on 4 August 2011
4523:
4517:
4516:
4493:
4487:
4486:
4484:
4482:
4449:
4443:
4442:
4441:
4439:
4432:The Sunday Times
4422:
4416:
4415:
4391:
4385:
4379:
4373:
4367:
4361:
4349:
4343:
4337:
4328:
4322:
4316:
4315:
4294:
4288:
4287:
4249:
4243:
4242:
4229:
4223:
4222:
4220:
4218:
4199:
4193:
4192:
4190:
4188:
4176:"Lolita Podcast"
4172:
4166:
4165:
4163:
4161:
4144:
4138:
4137:
4115:
4102:
4096:
4090:
4084:
4078:
4077:
4055:
4044:
4038:
4032:
4031:
4013:
4007:
4006:
4000:
3987:
3981:
3979:
3961:
3955:
3954:
3942:
3936:
3935:
3933:
3931:
3926:on 29 April 2011
3915:
3909:
3894:
3888:
3887:
3846:
3840:
3834:
3828:
3827:
3825:
3823:
3807:
3799:
3793:
3787:
3781:
3775:
3769:
3768:
3766:
3764:
3748:
3742:
3736:
3730:
3724:
3718:
3712:
3706:
3700:
3694:
3688:
3682:
3676:
3670:
3669:
3639:
3633:
3632:
3583:
3564:
3563:
3537:
3531:
3530:
3515:(2nd ed.).
3505:
3492:
3491:
3457:
3448:
3447:
3425:
3404:
3403:
3397:
3395:
3381:
3375:
3374:
3372:
3370:
3342:
3336:
3335:
3322:
3316:
3315:
3313:
3311:
3304:The Boston Globe
3293:
3287:
3281:
3275:
3274:
3272:
3270:
3251:
3242:
3241:
3239:
3237:
3221:
3215:
3209:
3203:
3202:
3181:
3175:
3174:
3153:
3147:
3146:
3145:on 15 June 2011.
3124:
3115:
3114:
3096:
3090:
3089:
3072:
3066:
3065:
3047:
3041:
3040:
3038:
3036:
3019:(January 1964).
3013:
3004:
3003:
3001:
2999:
2987:The Paris Review
2974:
2968:
2967:
2936:
2930:
2929:
2902:
2893:
2887:
2881:
2880:
2876:978-0-80578355-1
2856:
2850:
2849:
2833:
2823:
2817:
2816:
2813:Internet Archive
2785:
2779:
2778:
2760:
2754:
2753:
2729:
2723:
2722:
2704:
2698:
2697:
2679:
2673:
2672:
2651:
2645:
2644:
2631:
2625:
2624:
2606:
2600:
2599:
2596:CBC/Radio-Canada
2580:
2563:
2559:
2553:
2548:
2544:
2538:
2537:
2534:
2533:
2530:
2527:
2524:
2521:
2518:
2515:
2511:
2510:
2507:
2504:
2501:
2498:
2495:
2492:
2482:
2465:Off to the Races
2392:Belinda PeregrĂn
2311:Mariel Hemingway
2063:Lolita Unclothed
1968:Alfred Schnittke
1905:-based composer
1889:Melanie Griffith
1875:was directed by
1830:Rodion Shchedrin
1777:under the title
1530:German academic
1430:'s depiction of
1385:Annotated Lolita
1340:Honoré de Balzac
1316:Gustave Flaubert
1233:Alfred Appel Jr.
1154:
1098:
1091:
1087:
1084:
1078:
1075:inline citations
1051:
1050:
1043:
938:Orville Prescott
876:, in the London
861:, his friend at
851:Maurice Girodias
761:
730:
689:
651:is an elaborate
634:In his essay on
613:
612:
601:
600:
591:Robertson Davies
580:
569:
565:
507:
503:
474:
470:
462:
414:double entendres
410:American culture
359:Malcolm Bradbury
324:The Book of Ages
316:novel of manners
162:
152:
116:Vladimir Nabokov
83:Publication date
50:Vladimir Nabokov
38:
31:
27:
7220:
7219:
7215:
7214:
7213:
7211:
7210:
7209:
7055:
7054:
7053:
7041:
7031:
7029:
7021:
7019:
7014:
6976:
6944:
6919:
6883:
6827:Nabokov's Dozen
6793:
6761:
6743:
6696:Terra Incognita
6612:The Wood-Sprite
6588:
6514:
6426:
6418:
6388:
6383:
6353:
6293:
6266:
6244:Lolita, My Love
6231:
6204:
6192:
6128:
6103:
6088:
6075:
6064:
6051:
6044:
6031:
6024:
6011:
6004:
5991:
5984:
5971:
5964:
5947:
5944:
5942:Further reading
5934:
5913:
5894:
5883:Strong Opinions
5873:
5839:Charles Kinbote
5821:
5805:
5800:
5799:
5789:
5787:
5772:
5768:
5758:
5756:
5739:
5735:
5725:
5723:
5708:One of the Boys
5704:
5703:
5699:
5689:
5687:
5674:
5670:
5660:
5658:
5647:
5643:
5633:
5631:
5620:
5616:
5591:
5587:
5579:
5575:
5569:Wayback Machine
5557:
5553:
5541:American Beauty
5532:
5528:
5521:
5501:
5497:
5487:
5485:
5474:
5470:
5462:
5458:
5448:
5446:
5427:My Dark Vanessa
5421:
5417:
5407:
5405:
5394:
5390:
5382:
5378:
5364:
5360:
5345:
5338:
5334:
5325:
5323:
5305:
5286:
5284:
5265:
5261:
5257:
5247:
5245:
5236:
5234:
5230:
5225:
5221:
5199:
5195:
5184:
5180:
5170:
5168:
5164:The Independent
5151:
5147:
5132:
5128:
5123:Wayback Machine
5114:
5110:
5102:
5098:
5088:
5086:
5074:
5070:
5064:
5061:Wayback Machine
5052:
5048:
5041:
5027:
5023:
5013:Wayback Machine
5003:
4996:
4986:
4984:
4968:
4964:
4957:
4937:
4933:
4918:
4914:
4905:
4901:
4891:
4889:
4870:
4866:
4861:
4857:
4847:
4845:
4836:
4835:
4831:
4825:Lolita, My Love
4823:
4819:
4809:
4807:
4796:
4792:
4780:
4776:
4768:. Reprinted in
4760:
4756:
4742:Wayback Machine
4732:
4728:
4724:, pp. 9â19
4720:. Reprinted in
4712:
4708:
4700:
4696:
4688:
4684:
4676:
4672:
4664:
4660:
4643:
4639:
4629:
4627:
4614:
4610:
4600:
4598:
4583:
4579:
4571:Weekend Edition
4556:
4552:
4542:
4540:
4525:
4524:
4520:
4513:
4502:The Two Lolitas
4494:
4490:
4480:
4478:
4477:. 13 July 2019
4471:The Real Lolita
4451:
4450:
4446:
4437:
4435:
4423:
4419:
4392:
4388:
4380:
4376:
4368:
4364:
4350:
4346:
4338:
4331:
4323:
4319:
4313:
4305:, p. 215,
4295:
4291:
4250:
4246:
4235:
4231:
4230:
4226:
4216:
4214:
4211:news.avclub.com
4201:
4200:
4196:
4186:
4184:
4174:
4173:
4169:
4159:
4157:
4153:The Independent
4146:
4145:
4141:
4134:
4116:
4105:
4097:
4093:
4085:
4081:
4074:
4062:. Vol. 7.
4056:
4047:
4039:
4035:
4028:
4014:
4010:
3998:
3990:Sampson, Earl.
3988:
3984:
3977:
3962:
3958:
3943:
3939:
3929:
3927:
3916:
3912:
3895:
3891:
3868:10.2307/2126927
3847:
3843:
3835:
3831:
3821:
3819:
3800:
3796:
3788:
3784:
3776:
3772:
3762:
3760:
3749:
3745:
3737:
3733:
3725:
3721:
3713:
3709:
3701:
3697:
3689:
3685:
3677:
3673:
3640:
3636:
3584:
3567:
3538:
3534:
3527:
3509:Booth, Wayne C.
3506:
3495:
3458:
3451:
3444:
3426:
3407:
3393:
3391:
3383:
3382:
3378:
3368:
3366:
3364:
3343:
3339:
3326:Parker, Dorothy
3323:
3319:
3309:
3307:
3299:"The seduction"
3294:
3290:
3282:
3278:
3268:
3266:
3253:
3252:
3245:
3235:
3233:
3232:on 16 July 2012
3222:
3218:
3210:
3206:
3199:
3182:
3178:
3165:30 Years Later"
3159:(5 June 1988).
3154:
3150:
3125:
3118:
3111:
3097:
3093:
3087:
3073:
3069:
3062:
3048:
3044:
3034:
3032:
3014:
3007:
2997:
2995:
2975:
2971:
2937:
2933:
2926:
2903:
2896:
2888:
2884:
2877:
2857:
2853:
2846:
2824:
2820:
2809:
2786:
2782:
2775:
2761:
2757:
2750:
2730:
2726:
2719:
2705:
2701:
2694:
2680:
2676:
2669:
2655:Morris, Desmond
2652:
2648:
2632:
2628:
2621:
2607:
2603:
2582:
2581:
2577:
2572:
2567:
2566:
2560:
2556:
2546:
2542:
2512:
2489:
2485:
2483:
2479:
2474:
2443:has noted that
2421:One of the Boys
2366:
2327:American Beauty
2251:
2238:My Dark Vanessa
2230:My Dark Vanessa
2218:My Dark Vanessa
2155:
2150:
2125:Richard Corliss
2105:Richard Corliss
2088:The 1995 novel
2025:
1982:Joshua Fineberg
1885:Dominique Swain
1861:Lolita-Serenade
1780:Lolita, My Love
1771:Alan Jay Lerner
1740:Shelley Winters
1732:Stanley Kubrick
1712:
1703:
1635:
1593:
1588:
1579:on this story.
1571:Jonathan Lethem
1536:The Two Lolitas
1528:
1498:Florence Horner
1494:
1486:Laurence Sterne
1409:John M. Woolsey
1396:Joshua Reynolds
1373:Charlie Chaplin
1332:Prosper Mérimée
1312:English writers
1237:Edgar Allan Poe
1221:
1152:
1108:
1099:
1088:
1082:
1079:
1064:
1052:
1048:
1041:
1013:The Independent
962:
894:British Customs
888:, whose editor
822:
759:
728:
702:
687:
657:totalitarianism
610:
604:External videos
578:
575:Lionel Trilling
567:
563:
505:
501:
472:
468:
460:
416:, multilingual
402:
332:tongue-in-cheek
328:women's studies
291:
203:
197:for the stage.
183:Stanley Kubrick
160:
150:
128:sexually abuses
84:
41:
24:
17:
12:
11:
5:
7218:
7208:
7207:
7202:
7197:
7195:Censored books
7192:
7187:
7182:
7177:
7172:
7167:
7162:
7157:
7152:
7147:
7142:
7137:
7132:
7127:
7122:
7117:
7112:
7107:
7102:
7097:
7092:
7087:
7082:
7077:
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7067:
7052:
7051:
7039:
7016:
7015:
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7005:
7000:
6995:
6990:
6984:
6982:
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6895:
6893:
6889:
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6881:
6874:
6867:
6860:
6853:
6844:
6837:
6830:
6823:
6816:
6809:
6801:
6799:
6795:
6794:
6792:
6791:
6784:
6777:
6769:
6767:
6763:
6762:
6760:
6759:
6756:Mademoiselle O
6751:
6749:
6745:
6744:
6742:
6741:
6734:
6727:
6720:
6713:
6706:
6699:
6692:
6685:
6682:The Potato Elf
6678:
6671:
6664:
6661:A Nursery Tale
6657:
6650:
6643:
6636:
6629:
6622:
6615:
6607:
6605:
6598:
6594:
6593:
6590:
6589:
6587:
6586:
6579:
6572:
6565:
6558:
6551:
6544:
6537:
6530:
6522:
6520:
6516:
6515:
6513:
6512:
6505:
6498:
6491:
6484:
6477:
6470:
6463:
6456:
6449:
6441:
6439:
6432:
6428:
6427:
6417:
6416:
6409:
6402:
6394:
6385:
6384:
6382:
6381:
6376:
6369:
6361:
6359:
6355:
6354:
6352:
6351:
6344:
6337:
6330:
6323:
6316:
6309:
6301:
6299:
6295:
6294:
6292:
6291:
6287:Roger Fishbite
6283:
6274:
6272:
6268:
6267:
6265:
6264:
6256:
6248:
6247:(1971 musical)
6239:
6237:
6233:
6232:
6230:
6229:
6221:
6212:
6210:
6206:
6205:
6191:
6190:
6183:
6176:
6168:
6162:
6161:
6152:
6143:
6134:
6127:
6126:External links
6124:
6123:
6122:
6120:978-0739322062
6102:
6099:
6098:
6097:
6086:
6073:
6063:978-1739136109
6062:
6049:
6042:
6029:
6022:
6009:
6002:
5989:
5982:
5969:
5962:
5943:
5940:
5939:
5938:
5932:
5917:
5911:
5898:
5892:
5877:
5871:
5856:
5819:
5804:
5801:
5798:
5797:
5784:The New Yorker
5766:
5733:
5697:
5668:
5641:
5614:
5585:
5573:
5561:Broken Flowers
5551:
5526:
5519:
5495:
5468:
5456:
5415:
5388:
5376:
5371:Roger Fishbite
5358:
5336:
5333:
5332:
5303:
5294:Also available
5262:
5255:
5228:
5219:
5193:
5178:
5145:
5126:
5108:
5096:
5068:
5046:
5039:
5021:
4994:
4962:
4955:
4931:
4912:
4899:
4864:
4855:
4829:
4817:
4790:
4774:
4754:
4726:
4706:
4704:, p. 317.
4694:
4692:, p. 316.
4682:
4680:, p. 311.
4670:
4668:, p. 314.
4658:
4637:
4608:
4577:
4550:
4518:
4511:
4488:
4444:
4417:
4400:The Explicator
4386:
4384:, p. 381.
4374:
4372:, p. 379.
4362:
4352:Brian Boyd on
4344:
4329:
4327:, p. 360.
4317:
4311:
4289:
4268:10.2307/309868
4262:(3): 511â529.
4244:
4239:nabokov.niv.ru
4224:
4194:
4181:The New Yorker
4167:
4139:
4132:
4103:
4101:, p. 230.
4091:
4089:, p. 308.
4079:
4072:
4045:
4033:
4026:
4008:
3982:
3956:
3937:
3910:
3889:
3862:(4): 654â681.
3841:
3839:, p. 301.
3829:
3794:
3792:, p. 295.
3782:
3780:, p. 293.
3770:
3743:
3741:, p. 292.
3731:
3719:
3717:, p. 266.
3707:
3695:
3683:
3681:, p. 226.
3671:
3634:
3565:
3532:
3525:
3493:
3449:
3443:978-0806117140
3442:
3405:
3376:
3362:
3337:
3317:
3288:
3276:
3243:
3216:
3204:
3198:978-0719038273
3197:
3176:
3148:
3116:
3109:
3091:
3086:978-0838639153
3085:
3067:
3060:
3042:
3017:Toffler, Alvin
3005:
2969:
2931:
2924:
2906:Rorty, Richard
2894:
2882:
2875:
2851:
2844:
2818:
2807:
2780:
2773:
2755:
2748:
2724:
2717:
2699:
2692:
2674:
2667:
2646:
2626:
2620:978-1438127439
2619:
2601:
2592:CBC Television
2574:
2573:
2571:
2568:
2565:
2564:
2554:
2476:
2475:
2473:
2470:
2469:
2468:
2456:The New Yorker
2447:'s 2012 album
2436:
2416:
2405:
2388:
2365:
2362:
2361:
2360:
2348:Broken Flowers
2339:
2322:
2293:
2278:
2269:
2250:
2247:
2246:
2245:
2215:
2185:
2172:
2154:
2151:
2149:
2146:
2145:
2144:
2136:Roger Fishbite
2128:
2112:
2107:, adding that
2086:
2070:
2067:Camille Paglia
2051:
2034:
2024:
2021:
2020:
2019:
2009:
1999:
1975:
1949:
1929:
1922:
1896:
1893:Frank Langella
1869:The 1997 film
1864:
1823:
1802:
1788:
1764:
1734:, and starred
1711:
1708:
1702:
1699:
1639:BBC Television
1634:
1631:
1592:
1589:
1587:
1581:
1527:
1524:
1510:child molester
1493:
1490:
1451:death sentence
1443:Venus and Mars
1308:French writers
1272:William Wilson
1220:
1217:
1131:A Nursery Tale
1107:
1104:
1101:
1100:
1055:
1053:
1046:
1040:
1037:
961:
958:
943:New York Times
918:Nigel Nicolson
885:Sunday Express
843:Farrar, Straus
839:New Directions
821:
818:
718:narratological
714:implied author
710:Wayne C. Booth
701:
698:
647:proposes that
640:Koba the Dread
630:
629:
606:
605:
586:Dorothy Parker
537:Britney Spears
401:
398:
320:Desmond Morris
290:
287:
219:French Riviera
202:
199:
105:
104:
101:
97:
96:
93:
89:
88:
85:
82:
79:
78:
73:
69:
68:
65:
61:
60:
57:
53:
52:
47:
43:
42:
39:
15:
9:
6:
4:
3:
2:
7217:
7206:
7203:
7201:
7198:
7196:
7193:
7191:
7188:
7186:
7183:
7181:
7178:
7176:
7173:
7171:
7168:
7166:
7163:
7161:
7158:
7156:
7153:
7151:
7148:
7146:
7143:
7141:
7138:
7136:
7133:
7131:
7128:
7126:
7123:
7121:
7118:
7116:
7113:
7111:
7108:
7106:
7103:
7101:
7098:
7096:
7093:
7091:
7088:
7086:
7083:
7081:
7078:
7076:
7073:
7071:
7068:
7066:
7063:
7062:
7060:
7050:
7045:
7040:
7038:
7028:
7027:
7024:
7011:
7010:
7006:
7004:
7001:
6999:
6996:
6994:
6991:
6989:
6986:
6985:
6983:
6979:
6973:
6972:
6968:
6966:
6965:
6961:
6959:
6958:
6954:
6953:
6951:
6947:
6941:
6940:
6936:
6934:
6933:
6932:Speak, Memory
6929:
6928:
6926:
6922:
6916:
6915:
6911:
6909:
6908:
6904:
6902:
6901:
6897:
6896:
6894:
6890:
6880:
6879:
6875:
6873:
6872:
6868:
6866:
6865:
6861:
6859:
6858:
6854:
6852:
6850:
6845:
6843:
6842:
6838:
6836:
6835:
6831:
6829:
6828:
6824:
6822:
6821:
6820:Speak, Memory
6817:
6815:
6814:
6810:
6808:
6807:
6803:
6802:
6800:
6796:
6789:
6785:
6782:
6778:
6775:
6771:
6770:
6768:
6764:
6757:
6753:
6752:
6750:
6746:
6739:
6735:
6732:
6728:
6725:
6721:
6718:
6714:
6711:
6707:
6704:
6700:
6697:
6693:
6690:
6686:
6683:
6679:
6676:
6675:The Passenger
6672:
6669:
6665:
6662:
6658:
6655:
6651:
6648:
6644:
6641:
6637:
6634:
6630:
6627:
6623:
6620:
6616:
6613:
6609:
6608:
6606:
6602:
6599:
6597:Short stories
6595:
6585:
6584:
6580:
6578:
6577:
6573:
6571:
6570:
6566:
6564:
6563:
6559:
6557:
6556:
6552:
6550:
6549:
6545:
6543:
6542:
6538:
6536:
6535:
6534:Bend Sinister
6531:
6529:
6528:
6524:
6523:
6521:
6517:
6511:
6510:
6509:The Enchanter
6506:
6504:
6503:
6499:
6497:
6496:
6492:
6490:
6489:
6485:
6483:
6482:
6478:
6476:
6475:
6471:
6469:
6468:
6464:
6462:
6461:
6457:
6455:
6454:
6450:
6448:
6447:
6443:
6442:
6440:
6436:
6433:
6429:
6425:
6422:
6415:
6410:
6408:
6403:
6401:
6396:
6395:
6392:
6380:
6377:
6375:
6374:
6370:
6368:
6367:
6366:The Enchanter
6363:
6362:
6360:
6356:
6350:
6349:
6345:
6342:
6341:Moi... Lolita
6338:
6335:
6331:
6328:
6324:
6321:
6317:
6314:
6310:
6307:
6303:
6302:
6300:
6296:
6289:
6288:
6284:
6281:
6280:
6276:
6275:
6273:
6269:
6262:
6261:
6257:
6254:
6253:
6249:
6246:
6245:
6241:
6240:
6238:
6234:
6227:
6226:
6222:
6219:
6218:
6214:
6213:
6211:
6207:
6202:
6201:
6196:
6189:
6184:
6182:
6177:
6175:
6170:
6169:
6166:
6159:
6157:
6153:
6150:
6148:
6144:
6141:
6139:
6135:
6133:
6130:
6129:
6121:
6117:
6113:
6109:
6105:
6104:
6095:
6089:
6083:
6079:
6074:
6071:
6065:
6059:
6055:
6050:
6045:
6039:
6035:
6030:
6025:
6019:
6015:
6010:
6005:
5999:
5995:
5990:
5985:
5979:
5975:
5970:
5965:
5959:
5954:
5953:
5946:
5945:
5935:
5929:
5925:
5924:
5918:
5914:
5908:
5904:
5899:
5895:
5889:
5885:
5884:
5878:
5874:
5868:
5864:
5863:
5857:
5854:
5853:
5848:
5844:
5840:
5836:
5832:
5828:
5822:
5816:
5812:
5807:
5806:
5803:Cited sources
5786:
5785:
5780:
5776:
5770:
5754:
5750:
5749:
5748:Rolling Stone
5744:
5737:
5721:
5717:
5716:
5711:
5709:
5701:
5685:
5684:
5679:
5672:
5656:
5652:
5645:
5629:
5625:
5618:
5610:
5606:
5602:
5598:
5597:
5589:
5582:
5577:
5570:
5566:
5563:
5562:
5555:
5548:
5544:
5542:
5538:
5530:
5522:
5520:9781556526824
5516:
5512:
5508:
5507:
5499:
5483:
5479:
5472:
5465:
5460:
5444:
5440:
5439:
5434:
5432:
5428:
5419:
5403:
5399:
5392:
5385:
5380:
5373:
5372:
5367:
5366:Prager, Emily
5362:
5355:
5354:
5349:
5343:
5341:
5322:
5321:
5316:
5314:
5308:
5304:
5301:
5300:
5295:
5282:
5278:
5277:
5272:
5268:
5267:Martin Garbus
5264:
5263:
5259:
5243:
5239:
5232:
5223:
5215:
5211:
5208:. Doubleday.
5207:
5203:
5197:
5190:
5189:
5185:Published in
5182:
5166:
5165:
5160:
5158:
5149:
5142:
5138:
5137:
5130:
5124:
5120:
5117:
5112:
5105:
5100:
5085:
5084:
5079:
5072:
5062:
5058:
5055:
5050:
5042:
5040:9781904505235
5036:
5032:
5025:
5018:
5014:
5010:
5007:
5001:
4999:
4983:
4982:
4977:
4975:
4966:
4958:
4956:9781556526824
4952:
4948:
4944:
4943:
4935:
4928:
4927:
4922:
4916:
4909:
4903:
4888:
4887:
4882:
4880:
4874:
4868:
4859:
4843:
4839:
4833:
4826:
4821:
4805:
4801:
4794:
4787:
4785:
4778:
4771:
4766:. p. 61.
4765:
4758:
4751:
4747:
4743:
4739:
4736:
4730:
4723:
4717:
4710:
4703:
4698:
4691:
4686:
4679:
4674:
4667:
4662:
4655:
4654:0-8240-8590-6
4651:
4647:
4641:
4625:
4624:
4619:
4612:
4596:
4592:
4588:
4581:
4574:
4572:
4567:
4565:
4559:
4558:Hansen, Liane
4554:
4538:
4534:
4533:
4528:
4522:
4514:
4508:
4504:
4503:
4498:
4497:Maar, Michael
4492:
4476:
4475:CBC Radio One
4472:
4469:'s 2018 book
4468:
4467:Sarah Weinman
4464:
4463:
4458:
4456:
4448:
4434:
4433:
4428:
4421:
4413:
4409:
4406:(2): 99â100.
4405:
4401:
4397:
4390:
4383:
4378:
4371:
4366:
4360:
4356:
4355:
4354:Speak, Memory
4348:
4342:, p. 334
4341:
4336:
4334:
4326:
4321:
4314:
4308:
4304:
4300:
4293:
4285:
4281:
4277:
4273:
4269:
4265:
4261:
4257:
4256:
4248:
4240:
4236:
4228:
4212:
4208:
4206:
4198:
4183:
4182:
4177:
4171:
4156:. 14 May 2015
4155:
4154:
4149:
4143:
4135:
4133:9781405101127
4129:
4125:
4121:
4114:
4112:
4110:
4108:
4100:
4095:
4088:
4083:
4075:
4073:9780415286589
4069:
4065:
4061:
4054:
4052:
4050:
4043:, p. 51.
4042:
4037:
4029:
4027:9780873529426
4023:
4019:
4012:
4004:
3997:
3995:
3986:
3975:
3974:
3969:
3965:
3960:
3952:
3948:
3941:
3925:
3921:
3914:
3907:
3906:0-8240-8590-6
3903:
3899:
3893:
3885:
3881:
3877:
3873:
3869:
3865:
3861:
3857:
3856:
3851:
3845:
3838:
3833:
3817:
3813:
3812:
3811:The Telegraph
3806:
3798:
3791:
3786:
3779:
3774:
3758:
3754:
3747:
3740:
3735:
3728:
3723:
3716:
3711:
3704:
3699:
3692:
3687:
3680:
3675:
3667:
3663:
3659:
3655:
3651:
3650:
3645:
3638:
3630:
3626:
3622:
3618:
3614:
3610:
3606:
3602:
3598:
3597:
3592:
3588:
3587:Phelan, James
3582:
3580:
3578:
3576:
3574:
3572:
3570:
3561:
3557:
3553:
3549:
3545:
3544:
3536:
3528:
3526:0-226-06558-8
3522:
3518:
3514:
3510:
3504:
3502:
3500:
3498:
3489:
3485:
3481:
3477:
3473:
3469:
3465:
3464:
3456:
3454:
3445:
3439:
3435:
3431:
3424:
3422:
3420:
3418:
3416:
3414:
3412:
3410:
3402:
3390:
3386:
3380:
3365:
3363:9782867811739
3359:
3355:
3351:
3347:
3341:
3333:
3332:
3327:
3321:
3306:
3305:
3300:
3292:
3286:, p. 36.
3285:
3280:
3264:
3260:
3258:
3250:
3248:
3231:
3227:
3224:Lemay, Eric.
3220:
3214:, p. 60.
3213:
3208:
3200:
3194:
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3112:
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3018:
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2978:Gold, Herbert
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2944:
2935:
2927:
2925:0-521-35381-5
2921:
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2899:
2891:
2886:
2878:
2872:
2868:
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2845:9780816181346
2841:
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2575:
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2481:
2477:
2466:
2462:
2461:Nancy Sinatra
2458:
2457:
2452:
2451:
2446:
2442:
2441:
2440:Rolling Stone
2437:
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2427:
2423:
2422:
2417:
2414:
2410:
2406:
2403:
2399:
2398:
2393:
2389:
2386:
2385:
2380:
2376:
2373:" (English: "
2372:
2371:Moi... Lolita
2368:
2367:
2364:Popular music
2358:
2354:
2350:
2349:
2344:
2340:
2337:
2333:
2329:
2328:
2323:
2320:
2317:had inspired
2316:
2312:
2308:
2304:
2303:
2298:
2294:
2291:
2290:Shashi Kapoor
2287:
2283:
2280:In the movie
2279:
2276:
2275:
2274:Irma la Douce
2271:In the movie
2270:
2267:
2263:
2259:
2258:
2253:
2252:
2243:
2239:
2235:
2231:
2227:
2223:
2219:
2216:
2212:
2208:
2203:
2199:
2195:
2191:
2190:
2186:
2183:
2179:
2178:
2174:In the novel
2173:
2170:
2166:
2162:
2161:
2157:
2156:
2142:
2138:
2137:
2132:
2129:
2126:
2122:
2121:
2116:
2113:
2110:
2106:
2102:
2097:
2093:
2092:
2087:
2084:
2083:
2078:
2074:
2071:
2068:
2064:
2060:
2059:Kim Morrissey
2056:
2052:
2048:
2047:
2042:
2038:
2035:
2031:
2027:
2026:
2017:
2013:
2010:
2007:
2003:
2000:
1997:
1996:
1991:
1987:
1983:
1979:
1976:
1973:
1969:
1965:
1964:György Ligeti
1961:
1957:
1953:
1950:
1947:
1943:
1939:
1938:
1933:
1930:
1926:
1923:
1920:
1916:
1912:
1908:
1907:John Harbison
1904:
1901:In 1999, the
1900:
1897:
1894:
1890:
1886:
1882:
1878:
1874:
1873:
1868:
1865:
1862:
1857:
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1841:
1840:
1835:
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1827:
1824:
1821:
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1810:
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1803:
1800:
1796:
1792:
1789:
1786:
1782:
1781:
1776:
1772:
1768:
1765:
1762:
1761:Nelson Riddle
1757:
1753:
1752:Academy Award
1749:
1745:
1744:Peter Sellers
1741:
1737:
1733:
1729:
1728:
1724:
1721:
1720:
1719:
1716:
1707:
1697:
1694:
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1675:
1674:Bend Sinister
1671:
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1640:
1630:
1626:
1624:
1619:
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1611:
1608:
1606:
1602:
1598:
1586:
1580:
1578:
1577:
1572:
1568:
1564:
1560:
1556:
1555:
1550:
1546:
1542:
1539:may have had
1537:
1533:
1523:
1521:
1517:
1516:
1515:The Enchanter
1511:
1506:
1503:
1499:
1489:
1487:
1483:
1482:
1477:
1473:
1468:
1467:
1465:
1464:Ash Wednesday
1460:
1456:
1452:
1447:
1445:
1444:
1439:
1438:
1434:in, perhaps,
1433:
1429:
1424:
1422:
1421:
1416:
1415:
1410:
1405:
1403:
1402:
1397:
1393:
1392:
1391:The Gold Rush
1386:
1382:
1378:
1374:
1370:
1366:
1362:
1358:
1357:
1352:
1351:Lewis Carroll
1347:
1345:
1341:
1337:
1333:
1329:
1325:
1321:
1320:Marcel Proust
1317:
1313:
1309:
1305:
1300:
1298:
1294:
1290:
1285:
1283:
1282:
1277:
1273:
1268:
1266:
1262:
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1234:
1230:
1226:
1216:
1214:
1210:
1209:
1203:
1201:
1197:
1193:
1192:
1186:
1184:
1180:
1179:
1174:
1170:
1166:
1162:
1161:Edmund Wilson
1157:
1151:
1147:
1146:
1140:
1138:
1137:
1132:
1128:
1124:
1120:
1119:
1118:The Enchanter
1114:
1097:
1094:
1086:
1083:November 2016
1076:
1072:
1068:
1062:
1061:
1056:This article
1054:
1045:
1044:
1036:
1034:
1030:
1026:
1021:
1019:
1015:
1014:
1009:
1008:Joanne Harris
1004:
1002:
1001:
996:
992:
986:
984:
983:
978:
973:
971:
967:
957:
955:
951:
949:
945:
944:
939:
935:
934:
929:
924:
921:
919:
915:
911:
907:
903:
899:
895:
891:
887:
886:
881:
880:
875:
874:Graham Greene
870:
866:
864:
860:
859:Morris Bishop
856:
855:Olympia Press
852:
848:
844:
840:
836:
832:
827:
817:
815:
810:
805:
803:
799:
794:
790:
786:
782:
778:
773:
769:
766:
758:
754:
753:New Criticism
750:
746:
741:
739:
734:
727:
721:
719:
715:
711:
707:
697:
695:
694:
685:
680:
678:
675:, especially
674:
670:
666:
662:
658:
654:
650:
646:
642:
641:
637:
628:
624:
620:
618:
607:
602:
599:
596:
592:
587:
582:
576:
571:
561:
557:
552:
550:
546:
542:
538:
534:
529:
525:
524:
519:
515:
509:
499:
498:nymphomaniacs
493:
491:
486:
484:
483:
478:
464:
456:
451:
447:
445:
444:
439:
435:
434:Richard Rorty
431:
427:
423:
419:
415:
411:
407:
397:
394:
390:
388:
384:
380:
376:
372:
368:
364:
360:
355:
353:
352:
347:
346:
341:
337:
333:
329:
325:
321:
317:
313:
309:
308:
303:
299:
295:
286:
282:
280:
275:
272:
267:
263:
261:
255:
252:
246:
244:
238:
236:
232:
226:
224:
220:
216:
212:
211:heart disease
208:
198:
196:
192:
188:
187:later in 1997
184:
180:
179:first in 1962
176:
172:
168:
164:
159:
154:
149:
143:
141:
140:Olympia Press
137:
133:
129:
125:
121:
117:
113:
112:
102:
98:
94:
90:
86:
80:
77:
76:Olympia Press
74:
70:
66:
62:
58:
54:
51:
48:
44:
37:
32:
26:
22:
7007:
6969:
6962:
6955:
6937:
6930:
6912:
6905:
6898:
6876:
6869:
6862:
6855:
6846:
6839:
6832:
6825:
6818:
6811:
6806:Nine Stories
6804:
6724:The Leonardo
6703:Lips to Lips
6689:The Aurelian
6581:
6574:
6567:
6560:
6553:
6546:
6540:
6539:
6532:
6525:
6507:
6500:
6493:
6486:
6479:
6472:
6465:
6458:
6451:
6444:
6371:
6364:
6346:
6290:(1999 novel)
6285:
6282:(1995 novel)
6277:
6263:(1992 opera)
6258:
6250:
6242:
6223:
6215:
6199:
6198:
6155:
6146:
6137:
6112:Jeremy Irons
6107:
6093:
6077:
6069:
6053:
6033:
6013:
5993:
5973:
5951:
5922:
5902:
5882:
5861:
5850:
5842:
5826:
5810:
5788:. Retrieved
5782:
5769:
5757:. Retrieved
5753:the original
5746:
5736:
5724:. Retrieved
5713:
5707:
5700:
5688:. Retrieved
5681:
5671:
5659:. Retrieved
5655:the original
5644:
5632:. Retrieved
5628:the original
5617:
5603:(2): 65â83.
5600:
5594:
5588:
5576:
5560:
5554:
5546:
5540:
5536:
5529:
5505:
5498:
5486:. Retrieved
5482:the original
5471:
5463:
5459:
5447:. Retrieved
5436:
5430:
5426:
5418:
5406:. Retrieved
5402:the original
5391:
5379:
5369:
5361:
5351:
5324:. Retrieved
5318:
5312:
5297:
5285:. Retrieved
5280:
5274:
5258:
5246:. Retrieved
5242:the original
5231:
5222:
5205:
5196:
5186:
5181:
5169:. Retrieved
5162:
5156:
5148:
5140:
5134:
5129:
5111:
5099:
5087:. Retrieved
5081:
5071:
5049:
5030:
5024:
5016:
4985:. Retrieved
4979:
4973:
4965:
4941:
4934:
4924:
4915:
4902:
4890:. Retrieved
4884:
4878:
4867:
4858:
4848:16 September
4846:. Retrieved
4841:
4832:
4820:
4808:. Retrieved
4804:the original
4793:
4783:
4777:
4770:Nabokov 1973
4763:
4757:
4750:Nabokov 1973
4745:
4729:
4722:Nabokov 1973
4716:The Listener
4715:
4709:
4702:Nabokov 1997
4697:
4690:Nabokov 1997
4685:
4678:Nabokov 1997
4673:
4666:Nabokov 1997
4661:
4645:
4640:
4628:. Retrieved
4621:
4611:
4599:. Retrieved
4590:
4580:
4569:
4563:
4553:
4541:. Retrieved
4537:the original
4532:On the Media
4530:
4521:
4501:
4491:
4479:. Retrieved
4470:
4460:
4454:
4447:
4436:, retrieved
4430:
4420:
4403:
4399:
4395:
4389:
4377:
4365:
4359:Random House
4353:
4347:
4320:
4301:, Berkeley:
4298:
4292:
4259:
4253:
4247:
4238:
4227:
4215:. Retrieved
4210:
4204:
4197:
4185:. Retrieved
4179:
4170:
4158:. Retrieved
4151:
4142:
4119:
4094:
4087:Nabokov 1997
4082:
4059:
4036:
4017:
4011:
4003:www.csus.edu
4002:
3993:
3985:
3971:
3959:
3940:
3928:. Retrieved
3924:the original
3913:
3897:
3892:
3859:
3853:
3844:
3832:
3820:. Retrieved
3809:
3797:
3785:
3773:
3761:. Retrieved
3756:
3746:
3734:
3722:
3710:
3698:
3686:
3674:
3653:
3647:
3643:
3637:
3600:
3594:
3590:
3547:
3541:
3535:
3512:
3467:
3461:
3429:
3399:
3392:. Retrieved
3388:
3379:
3367:. Retrieved
3353:
3340:
3329:
3320:
3308:. Retrieved
3302:
3291:
3279:
3267:. Retrieved
3256:
3234:. Retrieved
3230:the original
3219:
3212:Nabokov 1997
3207:
3188:
3179:
3168:
3162:
3151:
3143:the original
3136:
3130:
3100:
3094:
3076:
3070:
3051:
3045:
3033:. Retrieved
3029:the original
3024:
2996:. Retrieved
2992:the original
2985:
2972:
2947:
2941:
2934:
2909:
2890:Nabokov 1997
2885:
2861:
2854:
2829:
2821:
2811:– via
2793:
2783:
2764:
2758:
2734:
2727:
2708:
2702:
2683:
2677:
2658:
2649:
2638:
2629:
2610:
2604:
2594:– via
2587:
2578:
2557:
2480:
2454:
2448:
2445:Lana Del Rey
2438:
2430:
2419:
2396:
2384:Gourmandises
2382:
2375:Me... Lolita
2374:
2346:
2343:Jim Jarmusch
2335:
2331:
2325:
2318:
2314:
2307:Diane Keaton
2300:
2272:
2265:
2262:Tony Hancock
2255:
2241:
2237:
2233:
2229:
2225:
2217:
2210:
2206:
2201:
2197:
2187:
2175:
2168:
2160:The Bookshop
2158:
2140:
2134:
2131:Emily Prager
2118:
2115:Steve Martin
2108:
2100:
2091:Diario di Lo
2089:
2080:
2076:
2062:
2054:
2044:
2040:
2015:
2011:
2001:
1993:
1985:
1977:
1955:
1951:
1937:Sunday Times
1935:
1931:
1924:
1918:
1910:
1898:
1881:Jeremy Irons
1870:
1866:
1860:
1837:
1833:
1825:
1814:
1809:Edward Albee
1804:
1798:
1790:
1785:York Theatre
1778:
1766:
1756:James Harris
1725:
1722:
1714:
1713:
1704:
1692:
1690:
1682:
1680:
1668:
1664:
1662:
1654:
1652:
1645:
1644:
1636:
1627:
1622:
1620:
1612:
1609:
1604:
1600:
1594:
1584:
1574:
1566:
1558:
1552:
1544:
1541:cryptomnesia
1535:
1532:Michael Maar
1529:
1519:
1513:
1507:
1495:
1479:
1469:
1462:
1448:
1441:
1435:
1425:
1418:
1412:
1406:
1399:
1398:'s painting
1389:
1384:
1380:
1368:
1364:
1360:
1354:
1348:
1336:RĂ©my Belleau
1301:
1286:
1279:
1276:doppelgÀnger
1269:
1260:
1241:
1228:
1222:
1212:
1206:
1204:
1199:
1189:
1187:
1182:
1176:
1172:
1168:
1164:
1158:
1149:
1143:
1141:
1134:
1122:
1116:
1112:
1109:
1089:
1080:
1057:
1032:
1029:Jamie Loftus
1022:
1017:
1011:
1005:
1000:femme fatale
998:
990:
987:
980:
974:
969:
963:
953:
952:
947:
941:
931:
925:
922:
914:Conservative
905:
883:
879:Sunday Times
877:
868:
867:
825:
823:
808:
806:
801:
774:
770:
764:
756:
748:
745:James Phelan
742:
732:
725:
722:
703:
691:
681:
676:
672:
648:
638:
633:
616:
594:
583:
572:
553:
548:
521:
511:
495:
487:
480:
465:
458:
453:
448:
441:
437:
429:
403:
391:
386:
373:, linked to
362:
356:
349:
343:
339:
335:
323:
311:
305:
301:
298:erotic novel
293:
292:
283:
276:
268:
264:
256:
247:
239:
231:World War II
229:outbreak of
227:
204:
175:The Big Read
157:
147:
144:
110:
109:
108:
25:
6949:Miscellanea
6924:Non-fiction
6798:Collections
6460:The Defense
6322:" (Belinda)
6255:(1981 play)
5831:McGraw-Hill
5488:18 December
5449:12 November
5384:Nafisi 2008
5279:(review of
5157:Misreadings
5141:Misreadings
5065:(in German)
4892:14 November
4465:(review of
4438:14 November
4217:27 February
4187:27 February
4041:Nafisi 2008
3822:21 December
3607:: 222â238.
3554:: 151â176.
3284:Nafisi 2008
3157:Jong, Erica
2450:Born to Die
2357:Roger Ebert
2353:Bill Murray
2297:Woody Allen
2194:Azar Nafisi
2120:Pure Drivel
2082:Vanity Fair
2030:Umberto Eco
1879:, starring
1877:Adrian Lyne
1848:Golden Mask
1795:McGraw-Hill
1791:Screenplay:
1736:James Mason
1710:Adaptations
1659:, he said:
1583:Nabokov on
1459:T. S. Eliot
1244:Annabel Lee
1023:In 2020, a
977:Azar Nafisi
898:Home Office
890:John Gordon
645:Martin Amis
541:Olsen twins
518:Azar Nafisi
516:expatriate
393:Lance Olsen
235:New England
191:Adrian Lyne
7059:Categories
6279:Lo's Diary
6101:Audiobooks
5847:Brian Boyd
5835:John Shade
5726:9 February
5715:PopMatters
5661:8 February
5634:8 February
5374:. Vintage.
5281:Lo's Diary
5248:8 February
5214:1036873330
5106:, YouTube.
5089:2 December
4873:Frank Rich
4718:: 856â858.
4591:philly.com
4382:Appel 1991
4370:Appel 1991
4340:Appel 1991
4325:Appel 1991
3930:11 October
3814:. London.
3369:11 October
3310:5 February
3295:Quoted in
3035:31 January
2998:31 January
2938:Quoted in
2570:References
2432:PopMatters
2426:Katy Perry
2409:The Police
2397:Carpe Diem
2109:Lo's Diary
2101:Lo's Diary
2033:"Granita".
1946:pedophilia
1928:voiceover.
1820:Frank Rich
1775:John Barry
1633:Estimation
1563:plagiarism
1476:Lord Byron
1127:hebephilia
1113:Volshebnik
1067:improve it
1027:hosted by
1010:wrote for
814:Brian Boyd
682:The term "
661:allegories
490:solipsized
379:Dostoevsky
371:surrealist
136:censorship
120:hebephilia
7009:Nabokovia
6964:Carrousel
6555:Pale Fire
6110:(read by
5852:Pale Fire
5843:Pale Fire
5837:revising
5683:The Times
5202:Jean Kerr
4656:. p. 221.
4630:20 August
4601:11 August
4505:. Verso.
4276:0037-6752
4099:Boyd 1991
4064:Routledge
3908:. p. 541.
3884:153545031
3837:Boyd 1991
3790:Boyd 1991
3778:Boyd 1991
3739:Boyd 1991
3727:Boyd 1991
3715:Boyd 1991
3703:Boyd 1991
3691:Boyd 1991
3679:Boyd 1991
3629:145311749
3596:Narrative
3488:165695026
3474:: 53â83.
3394:31 August
3236:2 October
3138:The Times
2964:170557284
2950:(1): 47.
2562:readers".
2319:Manhattan
2302:Manhattan
2214:premiere.
2037:Jean Kerr
2006:Brian Cox
1597:afterword
1591:Afterword
1377:Lita Grey
1225:allusions
1196:that year
1191:Pale Fire
1071:verifying
1006:In 2015,
847:Doubleday
798:Harlequin
789:burlesque
781:wise fool
636:Stalinism
584:In 1958,
556:solipsism
512:In 2003,
477:Brian Cox
406:word play
367:modernist
279:depressed
243:ultimatum
72:Publisher
6640:Bachmann
6502:The Gift
6149:Calendar
5720:Archived
5686:. London
5565:Archived
5443:Archived
5438:The Week
5326:19 March
5287:19 March
5204:(1960).
5167:. London
5136:Il Verri
5119:Archived
5057:Archived
5009:Archived
4987:13 March
4738:Archived
4623:Harper's
4595:Archived
4481:22 April
3951:Archived
3816:Archived
3757:abaa.org
3621:30219252
3511:(1983).
3385:"Lolita"
3348:(1996).
3187:(1992).
3025:Longform
2791:(1996).
2657:(1983).
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2588:Close-Up
2400:titled "
2096:Pia Pera
1832:adapted
1813:a play,
1807:In 1981
1767:Musical:
1748:Sue Lyon
1534:'s book
1461:'s poem
1455:anaphora
1265:reprised
1256:pastiche
1251:verbatim
1145:The Gift
995:high art
738:rhetoric
655:for the
653:metaphor
560:identity
545:Sue Lyon
428:such as
426:coinages
422:anagrams
271:Colorado
251:sedative
207:foreword
158:Le Monde
56:Language
7023:Portals
6981:Related
6766:English
6604:Russian
6519:English
6488:Despair
6467:The Eye
6438:Russian
6424:(works)
6358:Related
6158:podcast
5690:2 March
5408:18 June
5191:, 1959.
5188:Esquire
5171:5 March
4746:Playboy
4543:17 July
3876:2126927
3763:26 June
3666:3831867
3331:Esquire
3269:10 June
2341:In the
2332:Beauty'
2295:In the
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1281:Despair
1065:Please
1025:podcast
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863:Cornell
693:lolicon
665:tyranny
514:Iranian
430:nymphet
345:Ulysses
310:called
277:Deeply
132:Dolores
124:nymphet
59:English
29:Lolita
7065:Lolita
7049:Novels
6748:French
6710:Orache
6619:Sounds
6541:Lolita
6431:Novels
6379:Lolita
6327:Lolita
6320:Lolita
6313:Lolita
6260:Lolita
6252:Lolita
6228:(1997)
6225:Lolita
6220:(1962)
6217:Lolita
6203:(1955)
6200:Lolita
6156:Lolita
6147:Lolita
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