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364:; this he refused, not wanting to leave Italy. He chose retirement, which was spent mainly in Italy where he undertook various business interests, including railway projects, and became a director of the Anglo-Italian Bank, and a director of the Italian Lands & Public Works development company, which financed Milan's
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Minister at Turin who had heard of the richness of Hudson's home; she compared it favourably to other Turin legations, mentioning "beautiful things" and Hudson's devotion to paintings. At the end of his tenure Hudson sold the
Legation artworks, but gave a
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were visitors, and all could have been longstanding friends, Layard and Spence being at school together in
Florence during Hudson's visit in 1829. First mention of Hudson's collection at the Legation was in 1856 by a
331:, director of the National Gallery; The Moretto was acquired for the Gallery in 1857. The same year, a description of the Legation was given by the wife of the secretary to the
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380:, after travelling there for an operation, and is buried in Florence. During his diplomatic career he was awarded a CB (1851), a KCB (1855) and a GCB (1863).
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The Paris embassy during the Second Empire;: Selections from the papers of Henry
Richard Charles Wellesley, 1st earl Cowley, ambassador at Paris, 1852–1867
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commented that although he had acted in accordance with the desires of
English people, he had disregarded directions from two successive governments.
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appointed Hudson as secretary to successive
British Legations: Washington (1838), The Hague (1845), and to Rio de Janeiro, where, in 1850, he became
495:; Dictionary of Art Historians. Retrieved 5 May 2012. – mentions Sir James Hudson, Sir Charles Lock Eastlake and Sir Austen Henry Layard with links.
289:, British Ambassador in Paris, Cavour went further, believing Hudson to be a greater revolutionary than any Italian, had encouraged the
132:(1810 – 20 September 1885) was a British diplomat. He is noted for his time as British ambassador to Turin between 1852 and 1863, as an
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168:(1825–1826). For three years during his youth he was sent to Italy, where he returned as part of European travel in the late 1820s.
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The county families of the United
Kingdom; or, Royal manual of the titled and untitled aristocracy of Great Britain and Ireland
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Hudson was a collector of
Italian art. His interest in painting fostered friendships with
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Vol. 115, No. 838 (January 1973), pp. 4–16. The
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and other public works in
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to action, and whose home was the rendezvous for disaffected liberals. The
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Hudson returned to Italy when appointed by the 1852–55 UK
582:, Charles Scribner's Sons, pp. 59, 61. Reprinted 2010.
508:; Adamant Media Corporation (2001), Volume 2, p.169.
356:In 1863 he was offered the ambassadorial post at
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548:Journals & Correspondence of Lady Eastlake
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285:) that could lead to unification According to
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164:(1823–1825) and at
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