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Instrumental Tourist

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and sounds," later saying that "we wanted to take those sounds, scrub away the cliché and see if they were salvageable." Hecker noted that "we didn't cut a path in advance. It sort of took shape very quickly in a non-contrived, almost unconscious level through joking around and talking in the
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wrote that "despite scattered flashes of brilliance, too often it's an album that feels unambitious, as though it's content to dwell in the middle ground where the two producers' back catalogs intersect rather than forge something new."
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wrote that "the strength of this record comes from their disregard for coherence and disinterest in finding common ground. Their warring improvisations are intriguing, unsettling and often exquisite." In a less positive review,
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wrote that "Lopatin and Hecker take the sounds in their intentionally limited palette to places they may never have been expected to go, and the journey is intriguing and frequently lovely."
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Lopatin stated that "I'm not sure how it emerged, but we pretty quickly got into this idea that we could paint an extended portrait of a sonic world that is filled with
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Lopatin and Hecker were admirers of each other's work but had no formal connection when Lopatin suggested a collaboration between the two in 2012. They met at
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received generally favorable reviews from critics, with an aggregate score of 73 out of 100 on
1366: 570: 256: 45: 1657: 1388: 1245: 1224: 1074: 791: 8: 1622: 1158: 743: 89: 939: 1567: 573:, of a real sonic engagement or play, and struggles to exceed the sum of its parts." 275:, with recording sessions occurring over several days in the form of improvisational 757:), performer (Monks), lap steel guitar (Ur-Do Lapsteel), koto, electronics (Fm Wand) 1628: 1416: 1395: 1106: 968: 795: 510: 448: 386: 1606: 1238: 1231: 125: 881:"Daniel Lopatin Discusses the Origins of 'Instrumental Tourist' with Tim Hecker" 1599: 1593: 1305: 750: 561: 472: 272: 184: 152: 64: 1651: 1455: 1052: 857: 739: 460: 79: 1617: 1509: 1409: 1025: 547: 410: 295: 284: 240: 215: 115: 288: 276: 260: 84: 71: 1335: 1635: 1203: 1181: 824: 754: 538: 326: 280: 248: 139: 41: 28: 1612: 244: 1048:"Tim Hecker & Daniel Lopatin, 'Instrumental Tourist' (Software)" 1266: 994: 943: 913: 885: 746:), saxophone (Vapour), effects (Lexicon Unity, amplifier expansion) 542: 398: 349: 291:
in the late-1960s/early-1970s as an inspiration for the sessions.
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Music for Reliquary House / In 1980 I Was a Blue Square
259:). The album was recorded over several improvisational 990:"Tim Hecker and Daniel Lopatin - Instrumental Tourist" 792:"Tim Hecker and Daniel Lopatin - Instrumental Tourist" 16:
2012 studio album by Tim Hecker and Daniel Lopatin
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which were later edited down. Lopatin cited producer
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Carmichael – graphic design 623:"Vaccination (For Thomas Mann)" 1554:Chuck Person's Eccojams Vol. 1 1197:Haunt Me, Haunt Me Do It Again 1180: 956: 585: 1: 1292:My Love Is Rotten to the Core 1019:Hoby, Hermione (2012-11-18). 821:"Instrumental Tourist review" 773: 576: 266: 1668:Oneohtrix Point Never albums 732: 302: 7: 1431:Magic Oneohtrix Point Never 790:Clarke, Paul (2012-11-15). 10: 1684: 130:Tim Hecker, Daniel Lopatin 1576: 1544: 1519: 1501: 1483: 1465: 1447: 1373: 1315: 1276: 1188: 769:James Plotkin – mastering 612:"Scene from a French Zoo" 592: 589: 584: 343: 340: 320: 317: 228: 198:Music for Reliquary House 191: 183: 146: 138: 134: 124: 114: 98: 70: 60: 52: 35: 26: 21: 1285:Trade Winds, White Noise 1129:Truss, Si (2012-11-19). 711:"Ritual for Consumption" 1382:Betrayed in the Octagon 1218:Harmony in Ultraviolet 1131:"Instrumental Tourist" 700:"Instrumental Tourist" 273:Mexican Summer Studios 120:Software Recording Co. 65:Mexican Summer Studios 1367:Oneohtrix Point Never 760:Al Carlson – engineer 257:Oneohtrix Point Never 1562:Instrumental Tourist 1389:Zones Without People 1324:Instrumental Tourist 1225:An Imaginary Country 1075:Brown, DeForrest Jr. 645:"Whole Earth Tascam" 601:"Uptown Psychedelia" 567:Instrumental Tourist 535:Instrumental Tourist 308:Professional ratings 296:stock musical motifs 236:Instrumental Tourist 207:Instrumental Tourist 162:Instrumental Tourist 22:Instrumental Tourist 1046:Sherburne, Philip. 744:Clavia Nord Modular 722:"Vaccination No. 2" 309: 239:is a collaborative 1568:Ford & Lopatin 1484:Compilation albums 1101:Troussé, Stephen. 1080:. tinymixtapes.com 988:Pollard, Vincent. 907:Pollard, Vincent. 879:Pollard, Vincent. 307: 1663:Tim Hecker albums 1645: 1644: 1520:Soundtrack albums 1333: 1332: 963:McAuliffe, Colm. 938:Phares, Heather. 729: 728: 532: 531: 232: 231: 224: 223: 179: 178: 56:November 19, 2012 1675: 1577:Related articles 1417:Garden of Delete 1360: 1353: 1346: 1337: 1336: 1175: 1168: 1161: 1152: 1151: 1145: 1144: 1142: 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Index


Studio album
Tim Hecker
Daniel Lopatin
Mexican Summer Studios
Genre
Ambient
drone
experimental
Label
Producer
Tim Hecker
Dropped Pianos
Virgins
Daniel Lopatin
Music for Reliquary House
R Plus Seven
studio album
Canadian
Tim Hecker
American
Oneohtrix Point Never
jam sessions
Mexican Summer Studios
jam sessions
Teo Macero
tape editing
Miles Davis
stock musical motifs
Metacritic

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