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merges fiction and memoir formats to explore the writer's psycho-sexual obsession with the eponymous "Dick", a media theorist and sociologist whose last name is never given over the course of the text, despite other art world personalities appearing as themselves. Critics hailed it as both "radical"
135:. Hebdige described the novel as a violation of his privacy. "Dick"'s sporadic presence in "Chris Kraus"'s life changes her thinking about her marriage (to philosopher and Semiotext(e) founder "
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and "gossipy". The book announced Kraus' particular brand of "confessional literature" that she herself described as "lonely girl phenomenology". American writer
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is written as a series of love letters written to an addressee who is derived from the real-life cultural critic
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called it "one of the most explosive, revealing, lacerating and unusual memoirs ever committed to the page".
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Was credited as Jill
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classic" despite its poor reception on release in 1997.
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