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Hiroshima mon amour

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Hiroshima. She goes back to the now-closed tea room, and the man finds her and asks her to stay. She weakly says she will, but then tells him again to go away. They walk around the city, together and separately, images of Hiroshima alternating with images of Nevers. The woman goes to a train station, where she lets go of some of her issues surrounding her first love and decides she might like to visit Nevers. She takes a cab to a nightclub, the man following. The place is nearly empty and they sit apart. As the sun rises, a Japanese man sits by the woman and hits on her in English.
1329: 1313: 1297: 1281: 486:, how she stayed with him while he died over the next two days, how the villagers shaved her head when they found out about the relationship, and how her parents locked her alternately in her room and the cellar while her hair grew out and she came out of her madness and then sent her away to Paris just before Hiroshima was bombed. She tries to convey the pain she feels about forgetting the German and their love, and indicates she has been trying to keep her distance from the Japanese man because she does not want any more such heartbreak. 772:. The 85-minute film places Pour-Azar's characters in the same circumstances as Resnais's nearly a half century later. However, the current global tension of today's world is the backdrop instead of post-war Hiroshima. When screening the film, Stuart Alson, who founded the New York International Independent Film and Video Festival, said the piece was "a parallel line of work with the French masterpiece 470:, and she is happy to see him. He takes her back to his house. She asks if he lives alone, and he replies that his wife is out of town for a few days. They both say they are happy in their marriages, though they have had casual affairs before, and make love again. After deciding to spend the woman's remaining time in Hiroshima together, they go to a 41: 489:
The man is elated when he learns the woman never told her husband about the German, but when they leave the tea room, she tells him to go away and that they will probably never see each other again. In her hotel room, she feels guilty about telling the man about the German, but decides to stay in
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In the morning, the woman watches the man sleep. His twitching hand reminds her of her first love, a soldier whose hand moved similarly as he lay dying. The Japanese man wakes, and it becomes clear he and the woman met the previous night at a café. She learns he is an architect who is involved in
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Resnais' first feature-length work, it was a co-production between France and Japan, and documents a series of intensely personal conversations (or one long conversation) over slightly more than a 24-hour period between an unnamed French actress and a Japanese architect. The film is notable for
1046:— dealt with the nature of history and memory, and deviated from traditional notions of narrative time as it recounted a fleeting liaison between a French actress and Japanese architect. Its sexual candor and provocative ideas, wedded to a dazzlingly sophisticated visual style, made 576:
The film was a co-production by companies from both France and Japan. The producers stipulated that one main character must be French and the other Japanese, and also required that the film be shot in both countries employing film crews comprising technicians from each.
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Back in the woman's hotel room, the architect knocks at the door. She lets him in and yells that she is already starting to forget him, but abruptly calms and says his name is "Hiroshima". He responds that it is, and her name is "Nevers".
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are shown. The man calmly says the woman has not seen anything, nor does she know what it is to forget. He is from Hiroshima and his family died in the bombing while he was off fighting in
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Among the film's innovations is the way Resnais intercut very brief flashback sequences into scenes to suggest a brief flash of memory. He later used a similar effect in
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the next day. Neither this nor the revelation that she has children change how he feels, but she, though torn, repeatedly declines to arrange another meeting.
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brought international attention to the new movement in French cinema and is widely considered to be one of the most influential films of the
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he was reluctant to work on it because it was "so nearly the film he wanted to make himself". The film's narrative structure inspired
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The French scenes were shot in Nevers. However, several scenes from the film located in Nevers were, in fact, filmed in
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with the consensus: "Distinguished by innovative technique and Emmanuelle Riva's arresting performance,
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of the backs and arms of a man and woman embracing, amidst falling ash and then covered in sweat. In
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and fictional footage of victims, protests, war memorials, and the streets and buildings of modern
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politics. They discuss the bombing and the end of the war, and he is enchanted by the word "
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said: "I think that in a few years, in ten, twenty, or thirty years, we will know whether
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is a poignant love story as well as a thoughtful meditation on international trauma."
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was the most important film since the war, the first modern film of sound cinema".
682: 636: 570: 539: 467: 416: 375: 64: 2158: 1216: 1067:"in Michael S. Smith, "Hiroshima Mon Amour", DVD release review in Popmatters.com" 2990: 2691: 2681: 2659: 2323: 2277: 1974: 1552: 1512: 1502: 1472: 1442: 1308: 1168: 809: 736: 714: 678: 670: 569:. He later went to his producer and joked that the film could not be done unless 515: 503: 451:, and the woman is a French actress who is in the city to make an anti-war film. 412: 326: 158: 96: 2853: 2843: 2807: 2782: 2676: 1803: 1793: 674: 163: 80: 2838: 2744: 2686: 2285: 534: 3014: 2928: 2896: 2888: 2777: 2734: 2315: 2221: 2190: 1813: 1592: 1572: 1318: 742: 739: 401: 371: 54: 555:, Resnais was originally commissioned to make a short documentary about the 2772: 2767: 2729: 2724: 2074: 2024: 2004: 1054:
and it deservedly won the Cannes Film Festival International Critics Prize.
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to be one of the top 10 films since 1952, when the magazine was founded.
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This article is about the Alain Resnais film. For the Ultravox song, see
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New York Film Critics Circle Award for Best Foreign Language Film
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The film was shown as part of the Cannes Classics section of the
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in 1960, but was censored for its Canadian theatrical release.
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before he was shot while waiting for her on the day Nevers was
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Hollywood North: Creating the Canadian Motion Picture Industry
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Films about the atomic bombings of Hiroshima and Nagasaki
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International Critics' Prize, and it won the prestigious
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The uncensored version of the film was shown at the
2188: 363:'Twenty-four hour love affair'), is a 1959 1209:"Best French Films Ever. 39. Hiroshima, Mon Amour" 839: 713:The film holds a rating of 96% from 47 reviews on 938:French Cinema: From Its Beginnings to the Present 439:that she has seen on her trip to the city, while 3012: 1201: 635:in 1960. For her work on the film, screenwriter 1176: 943: 2644: 2459: 2174: 1366: 415:. In particular, it was a major catalyst for 386:to suggest flashes of memory, which create a 331: 1336: 1037: 811:World Film Directors – Volume 2: 1945 – 1985 773: 756: 694: 658: 648: 406: 315: 30: 3136:Japanese avant-garde and experimental films 2651: 2637: 2466: 2452: 2181: 2167: 1373: 1359: 1327: 1311: 1295: 1279: 1042:(1959) — in 1946, he made a 16 mm feature 710:between 28 November and 13 December 2014. 435:, the woman recounts the aftermath of the 39: 3111:French avant-garde and experimental films 1784:Women on the Verge of a Nervous Breakdown 951:"Festival de Cannes: Hiroshima Mon Amour" 896:Clanet, Jean-François (9 December 2014). 533:In 1954, while Alain Resnais was editing 3031:1950s avant-garde and experimental films 1164:"Hiroshima, Mon Amour - Rotten Tomatoes" 833: 831: 768:film director Bahman Pour-Azar released 573:was involved in writing the screenplay. 524:Pierre Barbaud as le père ("The Father") 1241: 1109:"Cannes Classics 2013 line-up unveiled" 924: 807: 614: 521:Stella Dassas as la mère ("The Mother") 3013: 2603:Her Venetian Name in Deserted Calcutta 1004: 895: 868: 837: 789:List of avant-garde films of the 1950s 2632: 2447: 2162: 1354: 848:. New York: Oxford University Press. 828: 724: 478:fell in love and planned to elope to 325: 2473: 609:Montreal International Film Festival 2658: 1248:. Cantos International Publishing. 1011:Leonard Maltin's Movie Encyclopedia 814:. Hw Wilson Company. p. 1142. 706:and was screened nine times at the 13: 1764:The Decline of the American Empire 14: 3162: 1263: 1098:DVD release. Accessed 23 May 2007 801: 382:Resnais' innovative use of brief 370:film directed by French director 3076:Films produced by Anatole Dauman 2434:("Claude Ridder" segment) (1967) 869:Robert, Sylvie (2 August 2021). 681:described its inventiveness as " 639:was nominated for the award for 633:Belgian Film Critics Association 466:The man visits the woman at the 3081:Films scored by Georges Delerue 3071:Films directed by Alain Resnais 3061:Films about interracial romance 1156: 1126: 1101: 1085: 1059: 3141:Japanese black-and-white films 3086:Films scored by Giovanni Fusco 2332:Private Fears in Public Places 1235: 1044:Ouvert pour cause d'inventaire 1036:Resnais's first 35 mm feature 998: 968: 930: 889: 862: 1: 3151:Japanese romantic drama films 3131:Japan in non-Japanese culture 3051:1950s Japanese-language films 2125:The Worst Person in the World 1184:"Festival de Cannes: H Story" 1092:Kent Jones, "Time Indefinite" 794: 528: 374:and written by French author 3116:French black-and-white films 3106:Films shot in Saône-et-Loire 2504:Ten-Thirty on a Summer Night 2391:Pictura: An Adventure in Art 1995:4 Months, 3 Weeks and 2 Days 1344:– an essay by Kent Jones at 903:Le Journal de Saône-et-Loire 755:about his attempt to remake 518:as l'Allemand ("The German") 7: 3126:French romantic drama films 3041:1950s French-language films 2348:You Ain't Seen Nothin' Yet! 982:(in French). 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164:Giovanni Fusco 161: 155: 153: 149: 148: 146: 145: 142: 139: 133: 131: 127: 126: 124: 123: 120: 114: 112: 111:Cinematography 108: 107: 105: 104: 99: 93: 91: 87: 86: 84: 83: 81:Anatole Dauman 78: 74: 72: 68: 67: 62: 58: 57: 52: 48: 47: 44: 36: 35: 15: 9: 6: 4: 3: 2: 3163: 3152: 3149: 3147: 3144: 3142: 3139: 3137: 3134: 3132: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3109: 3107: 3104: 3102: 3099: 3097: 3094: 3092: 3089: 3087: 3084: 3082: 3079: 3077: 3074: 3072: 3069: 3067: 3064: 3062: 3059: 3057: 3054: 3052: 3049: 3047: 3044: 3042: 3039: 3037: 3034: 3032: 3029: 3027: 3024: 3022: 3019: 3018: 3016: 3001: 3000: 2996: 2993: 2992: 2988: 2986: 2983: 2981: 2978: 2976: 2975: 2971: 2969: 2966: 2964: 2961: 2960: 2958: 2954: 2947: 2946: 2942: 2939: 2938: 2934: 2931: 2930: 2929:Jules and Jim 2926: 2923: 2922: 2918: 2915: 2914: 2910: 2907: 2906: 2902: 2899: 2898: 2897:The 400 Blows 2894: 2891: 2890: 2889:Le Beau Serge 2886: 2883: 2882: 2878: 2877: 2875: 2871: 2865: 2862: 2860: 2857: 2855: 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2408: 2407:Night and Fog 2404: 2401: 2400: 2396: 2393: 2392: 2388: 2385: 2384: 2380: 2377: 2376: 2372: 2371: 2369: 2365: 2358: 2357: 2356:Life of Riley 2353: 2350: 2349: 2345: 2342: 2341: 2337: 2334: 2333: 2329: 2326: 2325: 2321: 2318: 2317: 2316:Same Old Song 2313: 2310: 2309: 2305: 2302: 2299: 2296: 2295: 2291: 2288: 2287: 2283: 2280: 2279: 2275: 2272: 2271: 2267: 2264: 2263: 2259: 2256: 2255: 2251: 2248: 2247: 2243: 2240: 2239: 2235: 2232: 2231: 2227: 2224: 2223: 2219: 2216: 2215: 2211: 2208: 2207: 2203: 2202: 2200: 2198:Feature films 2196: 2192: 2191:Alain Resnais 2184: 2179: 2177: 2172: 2170: 2165: 2164: 2161: 2147: 2146: 2141: 2137: 2136: 2131: 2127: 2126: 2121: 2117: 2116: 2111: 2107: 2106: 2101: 2097: 2096: 2091: 2087: 2086: 2081: 2077: 2076: 2071: 2067: 2066: 2061: 2057: 2056: 2051: 2047: 2046: 2041: 2037: 2036: 2031: 2027: 2026: 2021: 2017: 2016: 2011: 2007: 2006: 2001: 1997: 1996: 1991: 1987: 1986: 1981: 1977: 1976: 1971: 1967: 1966: 1961: 1957: 1956: 1955:Bad Education 1951: 1947: 1946: 1941: 1937: 1936: 1931: 1927: 1926: 1921: 1920: 1918: 1914: 1906: 1905: 1900: 1896: 1895: 1890: 1886: 1885: 1880: 1876: 1875: 1870: 1866: 1865: 1860: 1856: 1855: 1850: 1846: 1845: 1840: 1836: 1835: 1830: 1826: 1825: 1820: 1816: 1815: 1814:Europa Europa 1810: 1806: 1805: 1800: 1796: 1795: 1790: 1786: 1785: 1780: 1776: 1775: 1770: 1766: 1765: 1760: 1756: 1755: 1750: 1746: 1745: 1740: 1736: 1735: 1730: 1726: 1725: 1720: 1716: 1715: 1710: 1706: 1705: 1700: 1696: 1695: 1690: 1686: 1685: 1680: 1679: 1677: 1673: 1664: 1660: 1659: 1658:War and Peace 1654: 1650: 1649: 1644: 1640: 1639: 1634: 1630: 1629: 1624: 1620: 1619: 1614: 1610: 1609: 1604: 1599: 1595: 1594: 1589: 1585: 1584: 1579: 1575: 1574: 1573:The 400 Blows 1569: 1565: 1564: 1559: 1555: 1554: 1549: 1545: 1544: 1539: 1535: 1534: 1529: 1525: 1524: 1519: 1515: 1514: 1509: 1505: 1504: 1499: 1495: 1494: 1489: 1485: 1484: 1479: 1475: 1474: 1469: 1465: 1464: 1459: 1455: 1454: 1449: 1445: 1444: 1439: 1434: 1430: 1429: 1424: 1420: 1419: 1414: 1410: 1409: 1404: 1400: 1399: 1394: 1393: 1391: 1387: 1383: 1376: 1371: 1369: 1364: 1362: 1357: 1356: 1353: 1347: 1343: 1342: 1339: 1333: 1330: 1326: 1322: 1321: 1317: 1314: 1310: 1306: 1305: 1301: 1298: 1294: 1290: 1289: 1285: 1282: 1277: 1273: 1272: 1268: 1267: 1257: 1251: 1247: 1246: 1240: 1239: 1218: 1214: 1210: 1204: 1189: 1185: 1179: 1171: 1170: 1165: 1159: 1143: 1139: 1135: 1129: 1114: 1110: 1104: 1097: 1093: 1088: 1072: 1068: 1062: 1055: 1053: 1049: 1045: 1040: 1026: 1020: 1016: 1012: 1008: 1001: 985: 981: 977: 971: 956: 952: 946: 939: 933: 927:, p. 15. 926: 921: 905: 904: 899: 892: 876: 872: 865: 857: 855:0-19-520037-3 851: 846: 845: 843:Alain Resnais 842: 834: 832: 823: 821:9780824207632 817: 813: 812: 804: 800: 790: 787: 786: 776: 771: 770:Where or When 767: 763: 759: 754: 750: 749: 744: 743:Nobuhiro Suwa 741: 740:film director 738: 734: 733: 722: 720: 716: 711: 709: 705: 700: 697: 692: 688: 684: 680: 676: 672: 668: 667: 661: 656: 653: 652: 646: 642: 638: 634: 630: 626: 622: 612: 610: 600: 598: 597: 592: 591: 585: 583: 578: 574: 572: 568: 567: 566:Night and Fog 562: 558: 554: 551:According to 549: 547: 543: 541: 536: 523: 520: 517: 514: 511: 508: 505: 502: 501: 495: 491: 487: 485: 481: 477: 473: 469: 464: 462: 458: 452: 450: 446: 442: 438: 434: 430: 420: 418: 414: 409: 404: 403: 402:The 400 Blows 398: 397: 391: 389: 385: 379: 377: 373: 372:Alain Resnais 369: 366: 360: 354: 348: 339: 328: 320: 318: 305: 301: 294: 291: 290: 288: 284: 280: 274: 259: 257: (France) 248: 245: 233: 232: 230: 227:Release dates 224: 218:Daiei (Japan) 217: 214: 211: 210: 208: 204: 197: 194: 192: 189: 186: 183: 182: 179: 171: 165: 162: 160: 157: 156: 154: 150: 144:Anne Sarraute 143: 140: 138: 135: 134: 132: 128: 121: 119: 116: 115: 113: 109: 103: 100: 98: 95: 94: 92: 88: 82: 79: 76: 75: 73: 69: 66: 63: 59: 56: 55:Alain Resnais 53: 49: 42: 37: 33: 28: 25: 22: 2997: 2989: 2972: 2943: 2935: 2927: 2919: 2911: 2904: 2903: 2895: 2887: 2879: 2773:Jean Douchet 2768:Jacques Demy 2730:Chris Marker 2725:Armand Gatti 2667: 2617:The Children 2615: 2608: 2601: 2594: 2587: 2580: 2573: 2556: 2555: 2537: 2530: 2523: 2516: 2509: 2502: 2495: 2490:The Sea Wall 2488: 2429: 2421: 2413: 2405: 2397: 2389: 2381: 2373: 2354: 2346: 2338: 2330: 2322: 2314: 2306: 2300: 2292: 2284: 2276: 2268: 2260: 2252: 2244: 2236: 2228: 2220: 2212: 2205: 2204: 2143: 2133: 2123: 2113: 2103: 2093: 2083: 2075:Toni Erdmann 2073: 2063: 2053: 2043: 2033: 2025:A Separation 2023: 2013: 2005:Summer Hours 2003: 1993: 1983: 1973: 1963: 1953: 1943: 1933: 1923: 1916:2001–present 1902: 1892: 1882: 1872: 1862: 1852: 1842: 1832: 1822: 1812: 1802: 1792: 1782: 1772: 1762: 1752: 1742: 1732: 1722: 1712: 1702: 1692: 1682: 1656: 1646: 1636: 1626: 1616: 1606: 1591: 1582: 1581: 1571: 1561: 1551: 1541: 1531: 1523:Gate of Hell 1521: 1511: 1501: 1491: 1481: 1471: 1461: 1451: 1441: 1426: 1416: 1406: 1396: 1335: 1319: 1303: 1287: 1270: 1244: 1221:. Retrieved 1217:the original 1212: 1203: 1191:. Retrieved 1187: 1178: 1167: 1158: 1146:. Retrieved 1142:the original 1137: 1128: 1116:. Retrieved 1113:Screen Daily 1112: 1103: 1087: 1075:. Retrieved 1071:the original 1061: 1051: 1047: 1043: 1035: 1028:. Retrieved 1010: 1000: 988:. Retrieved 984:the original 979: 970: 958:. Retrieved 954: 945: 937: 932: 925:Spencer 2003 920: 908:. Retrieved 901: 891: 879:. Retrieved 874: 864: 844: 841: 810: 803: 769: 746: 718: 712: 701: 664: 657: 618: 606: 594: 588: 586: 579: 575: 564: 563:documentary 553:James Monaco 550: 545: 538: 532: 492: 488: 465: 453: 427:A series of 426: 400: 394: 392: 380: 314: 313: 277:Running time 268: (Japan) 118:Sacha Vierny 24: 2839:André Bazin 2818:Roger Vadim 2803:Luc Moullet 2793:Louis Malle 2788:Pierre Kast 2745:Agnès Varda 2715:Henri Colpi 2687:Éric Rohmer 2549:Screenplays 2367:Short films 1945:City of God 1236:Works cited 1223:12 December 1030:2 September 960:14 February 910:29 February 906:(in French) 881:29 February 877:(in French) 753:docufiction 691:Eric Rohmer 593:(1961) and 557:atomic bomb 535:Agnès Varda 399:(1960) and 184:Argos Films 137:Henri Colpi 77:Samy Halfon 71:Produced by 51:Directed by 21:Ha!-Ha!-Ha! 3021:1959 films 3015:Categories 2913:Breathless 2864:Jean Rouch 2596:India Song 2532:La Douleur 2340:Wild Grass 2303:(TV, 1992) 2254:Providence 1854:Wild Reeds 1533:Umberto D. 1255:289594007X 1193:19 October 1148:28 January 795:References 687:Stravinsky 629:Grand Prix 529:Production 510:Eiji Okada 396:Breathless 384:flashbacks 281:90 minutes 264:1959-06-20 253:1959-06-10 238:1959-05-08 187:Como Films 174:Production 102:Eiji Okada 61:Written by 2968:Auteurism 2873:Key films 2707:Left Bank 2670:Directors 2610:The Lorry 2575:La Musica 2525:The Lover 1675:1978–2000 1398:Mayerling 1389:1937–1977 764:In 2003, 745:directed 735:In 2001, 631:from the 561:Holocaust 484:liberated 445:Hiroshima 433:voiceover 347:romanized 303:Languages 286:Countries 176:companies 130:Edited by 2985:Jump cut 2945:La Jetée 2383:Guernica 2375:Van Gogh 2301:Gershwin 2246:Stavisky 2105:Parasite 2095:Cold War 2065:Timbuktu 1563:My Uncle 1553:Gervaise 1543:The Road 1293:AllMovie 1118:30 April 783:See also 737:Japanese 683:Faulkner 625:FIPRESCI 599:(1966). 537:'s film 472:tea room 441:newsreel 429:closeups 405:(1959), 365:romantic 342:二十四時間の情事 338:Japanese 308:Japanese 215:(France) 152:Music by 90:Starring 2956:Related 2115:Bacurau 1874:Ponette 1483:L'Amore 1418:Harvest 1323:at the 990:22 July 766:Iranian 748:H Story 669:of the 651:Positif 643:at the 619:At the 603:Release 480:Bavaria 449:the war 361:  349::  330:, lit. 262: ( 251: ( 236: ( 213:Cocinor 2948:(1962) 2940:(1962) 2932:(1962) 2924:(1961) 2916:(1960) 2908:(1959) 2900:(1959) 2892:(1958) 2884:(1956) 2426:(1958) 2418:(1956) 2410:(1956) 2402:(1953) 2386:(1950) 2378:(1948) 2359:(2014) 2351:(2012) 2343:(2009) 2335:(2006) 2327:(2003) 2319:(1997) 2311:(1993) 2297:(1989) 2289:(1986) 2281:(1984) 2273:(1983) 2265:(1980) 2257:(1977) 2249:(1974) 2241:(1968) 2233:(1966) 2225:(1963) 2222:Muriel 2217:(1961) 2209:(1959) 2148:(2023) 2138:(2022) 2128:(2021) 2118:(2020) 2108:(2019) 2098:(2018) 2088:(2017) 2078:(2016) 2068:(2015) 2058:(2014) 2048:(2013) 2038:(2012) 2028:(2011) 2018:(2010) 2015:Carlos 2008:(2009) 1998:(2008) 1988:(2007) 1978:(2006) 1968:(2005) 1958:(2004) 1948:(2003) 1938:(2002) 1928:(2001) 1907:(2000) 1897:(1999) 1887:(1998) 1877:(1997) 1867:(1996) 1857:(1995) 1847:(1994) 1837:(1993) 1827:(1992) 1817:(1991) 1807:(1990) 1797:(1989) 1787:(1988) 1777:(1987) 1767:(1986) 1757:(1985) 1747:(1984) 1737:(1983) 1727:(1982) 1717:(1981) 1714:Pixote 1707:(1980) 1697:(1979) 1687:(1978) 1661:(1968) 1651:(1967) 1641:(1966) 1631:(1965) 1621:(1964) 1611:(1963) 1596:(1961) 1586:(1960) 1576:(1959) 1566:(1958) 1556:(1957) 1546:(1956) 1536:(1955) 1526:(1954) 1516:(1953) 1506:(1952) 1496:(1951) 1486:(1950) 1476:(1949) 1466:(1948) 1463:Paisan 1456:(1947) 1446:(1946) 1431:(1940) 1421:(1939) 1411:(1938) 1401:(1937) 1278:  1252:  1077:1 July 1021:  980:rtl.be 852:  818:  457:Nevers 306:French 292:France 244:Cannes 242: ( 2035:Amour 1904:Yi Yi 685:plus 582:Autun 461:Paris 368:drama 295:Japan 191:Daiei 2286:Mélo 1965:2046 1276:IMDb 1250:ISBN 1225:2014 1195:2009 1150:2015 1120:2013 1079:2006 1032:2011 1019:ISBN 992:2012 962:2009 912:2024 883:2024 850:ISBN 816:ISBN 751:, a 730:Film 498:Cast 423:Plot 359:lit. 2055:Ida 1754:Ran 1307:at 1291:at 1274:at 1015:744 3017:: 2135:EO 1608:8½ 1211:. 1186:. 1166:. 1136:. 1111:. 1034:. 1017:. 1009:. 978:. 953:. 900:. 873:. 830:^ 778:". 584:. 548:. 419:. 390:. 378:. 356:, 344:, 340:: 336:, 2652:e 2645:t 2638:v 2467:e 2460:t 2453:v 2182:e 2175:t 2168:v 1374:e 1367:t 1360:v 1258:. 1227:. 1197:. 1172:. 1152:. 1122:. 1081:. 994:. 964:. 914:. 885:. 858:. 824:. 761:. 542:, 321:( 266:) 255:) 246:) 240:)

Index

Ha!-Ha!-Ha!

Alain Resnais
Marguerite Duras
Anatole Dauman
Emmanuelle Riva
Eiji Okada
Sacha Vierny
Henri Colpi
Georges Delerue
Giovanni Fusco
Daiei
Pathé Overseas Productions
Cocinor
Cannes
[iʁoʃimamɔ̃n‿amuʁ]
Japanese
romanized
lit.
romantic
drama
Alain Resnais
Marguerite Duras
flashbacks
nonlinear storyline
Breathless
The 400 Blows
French New Wave
Left Bank Cinema
closeups

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