228:
the shape of the stern of a ship. Lady
Utterword, Shotover's other daughter, arrives from Australia, but he pretends not to recognise her. Hesione says they are running out of money. Shotover needs to invent a weapon of mass destruction. His last invention, a lifeboat, did not bring in much cash. Ellie intends to marry businessman Boss Mangan, but she really loves a man she met in the National Gallery. Unfortunately, her fiancé is a ruthless scoundrel, her father's a bumbling prig, and it turns out that the man she's in love with is Hector, Hesione's husband, who spends his time telling romantic lies to women. Marriage to Mangan will be the sensible choice.
180:
898:
875:
31:
236:
that the ship of
England will founder, as the captain is drunk and the crew are all gambling. The maid enters with news that an air-raid is about to happen. The lights are switched off, but Hector switches them back on to demonstrate his lack of concern about the threat. A bomb lands in the garden, blowing up Shotover's store of dynamite and killing Mangan and the burglar who were hiding there. When it is over everyone says how bored they are. They hope the bombs will come again tomorrow.
204:
989:
274:
dramatically, not to point the way. As a result some critics have exalted his detachment into an end in itself and attacked Shaw as the perverter of the master. But this is to ignore the fact that
Chekhov himself found the lack of commitment in contemporary writing its greatest failure and contemporary nihilism the age's bane.
267:
home with his message. As Shaw himself put it, "The funny old captain, having lured them into his ship by his sallies, ties them up to the gangway and gives them a moral dozen." The result is
Chekhov reorchestrated, so to speak, with tubas and drums added, to allow for the playing of a Dies Irae at the end.
349:
One of Shaw's most important and evident themes is reality versus appearances. By the end of the play, each character is revealed to be nothing like who they appeared to be in the beginning. Mangan, who was reported to be "a
Napoleon of industry" is revealed in the third act to be virtually penniless
124:
in
November 1920. According to A. C. Ward, the work argues that "cultured, leisured Europe" was drifting toward destruction, and that "Those in a position to guide Europe to safety failed to learn their proper business of political navigation". The "Russian manner" of the subtitle refers to the style
266:
Shaw's avowed literary strategy, as we have seen, was to appeal to the most highly developed taste of the intelligentsia he was attacking. Shaw knew that
Captain Shotover, his spokesman in the play, must first of all, like Coleridge's Ancient Mariner, hold his audience spellbound if he was to strike
258:
there is more than the merest hint or tiny reflection of
Chekhov's true method, none of that pure, pains-taking economy and drawing, none of that humility of vision, none of that shy certainty of intuition. And Mr. Shaw's play has none of the variety in emotional rhythm that Chekhov's has, either in
278:
Thomas
Whitaker says that Shaw differs markedly from Chekhov by presenting his characters as mercurial "rhetorical puppets" which gives them a "surprisingly rich vitality... a heartbroken adolescent can instantly become a cynic on the prowl, a maternal confidante can also be a seductive hostess and
235:
Lady
Utterword says that everything will be put to right if only they get some horses. Every English family should have horses. Mangan declares that he is to head a government department, but Ellie suddenly announces that she cannot marry him as she is now Shotover's "white wife". Shotover predicts
227:
Ellie Dunn, her father, and her fiancé are invited to one of Hesione Hushabye’s infamous dinner parties, to be held at the house of her father, the eccentric Captain Shotover, an inventor in his late eighties who is trying to create a "psychic ray" that will destroy dynamite. The house is built in
231:
A burglar is captured. They say they do not want to prosecute him, but he insists he will turn himself in unless they pay him not to. It turns out that the burglar is one of Shotover's old crewmen. He confesses that he is not a real burglar. He deliberately gets himself captured to get charitable
380:
is not often performed due to its complex structure; however it is argued that the genius of the play cannot be fully appreciated without seeing it in performance. Its subject-matter is the ignorance and indifference exhibited by the upper and upper-middle classes to the First World War and its
273:
Though his characters often talk grandly and eloquently about the future of humanity, it is obvious that they are not going to act on their convictions, and Chekhov records their orations with a sympathy that is undercut with humorous skepticism. His aim is to present men and women to us
369:
The play was first performed in New York at the Garrick Theatre in November 1920, with Albert Perry as Shotover and Elizabeth Risdon as Ellie Dunn. It was first presented in England on 18 October 1921, at the Royal Court, with Ellen O'Malley as Ellie and Brember Wills as Shotover.
250:. He writes that in comparison to himself, Chekhov was "more of a fatalist, had no faith in these charming people extricating themselves. They would, he thought, be sold up and sent adrift by the bailiffs; therefore he had no scruple in exploiting and even flattering their charm."
992:
253:
Critics have taken very different views about Shaw's adaptation of Chekhov. Louis Kronenberger says that Shaw "turns Chekhov into a sort of literary Hyde Park soapbox dialectic for the theatre...We should be brow-beaten indeed to accept the idea that in
232:
assistance from his victims. Shotover laments that the younger generation have lost their romance. Ellie suggests that she should marry Shotover, but he says he's already married to a black Jamaican wife, though it's possible she's now dead.
292:
The house could arguably be a metaphorical reference to a ship which must be guided capably, not only by its crew, but also its passengers. Each character in the house represents to some degree a facet of
358:
Mazzini's belief in fate ruling his life reinforces his feeble ability to control his situation and according to the captain dooms the ship to destruction unless competent navigation can be learned:
579:
as Captain Shotover, Blair Williams as Hector, Patrick McManus as Mazzini, Laurie Paton as Ariadne, Benedict Campbell as Mangan and Robin Evans Willis as Ellie. It also formed part of
911:
1573:
381:
consequences. The self-indulgence and lack of understanding of the high-class characters are central issues in British society at the time that the play illuminates.
1514:
1539:
1528:
1548:
341:
with passivity, equally pointless. Both groups share the delusion that their worlds could continue to travel in tandem forever, which they did until Sarajevo.
1507:
279:
an emasculating wife, a philandering lapdog can be a shrewd judge of character and an offstage hero, and a mad hatter can be a mad Lear and a mad Shaw."
537:
1354:
350:
and incapable of running his own businesses. It is in fact Mazzini who runs Mangan's businesses although he at first appears mild and incompetent.
393:
1025:
389:
1642:
1291:
1498:
271:
is thus a redistillation of Chekhov and at the same time a passing beyond him, for Chekhov's world is static and directionless.
1676:
1452:
1410:
1051:
1043:
1389:
337:
upper middle-class (those of Heartbreak House). The "horsey set" are identified with activity, most of it pointless; the
1144:
1333:
1186:
1060:
1018:
1681:
1621:
1403:
1214:
59:
1628:
1200:
1193:
1123:
1263:
1521:
1249:
1011:
385:
1165:
1137:
1088:
951:
646:
In 2018, the play was staged Off-Broadway from 28 August to 29 September. The production was directed by
580:
404:
1172:
982:
450:
1597:
1228:
1116:
1580:
1459:
1424:
651:
325:
850:
1649:
1151:
733:
474:
1431:
1235:
419:
191:
179:
1566:
1319:
1312:
1256:
710:. With an Introduction and notes by Ward, A.C. London: Longmans Green and Co Ltd. 1961, p.164
490:
361:
Captain Shotover: "Navigation. Learn it and live; or leave it and be damned." (p. 141)
189:
as Ellie Dunn in the original 1920 production. This scene was inspired by Millais' painting
1635:
1438:
1361:
576:
502:
209:
930:
897:
874:
8:
1671:
1382:
1074:
1034:
117:
41:
654:, a New York-Based Theatre Group dedicated to presenting plays that echo Shaw's values.
1480:
1347:
1305:
1109:
662:
506:
246:
1487:
1473:
1417:
1368:
1130:
970:
892:
869:
690:
With an Introduction and notes by Ward. A.C. London: Longmans Green and Co Ltd. 1961.
657:
608:
1612:
1602:
1466:
1284:
1277:
1270:
1158:
1095:
621:
560:
517:
486:
439:
415:
244:
In the preface to the play Shaw acknowledges his debt to Chekhov, in particular to
186:
625:
583:'s 50th Anniversary Season in 2012 and cast Derek Jacobi as Captain Shotover. The
1207:
1081:
956:
632:
603:
572:
564:
529:
494:
464:
217:
121:
30:
1396:
1375:
1298:
1221:
1102:
1067:
613:
568:
468:
1665:
1617:
1445:
1179:
647:
640:
556:
548:
498:
482:
458:
443:
435:
431:
397:
126:
1607:
1326:
617:
595:
591:
541:
521:
454:
408:
213:
976:
551:
in Niagara-on-the-Lake, Ontario, Canada: most notably in 1968 directed by
524:
as Shotover (a role for which he was nominated for a Tony), and featuring
1242:
912:"Photos: Meet the Company of Gingold Theatrical Group's HEARTBREAK HOUSE"
552:
478:
427:
423:
371:
321:
309:
305:
103:
89:
886:
863:
590:
It is available on VHS based on the 1985 television version directed by
203:
599:
525:
332:
301:
86:
1003:
481:, brought the play back to prominence in England. The cast was led by
688:
Heartbreak House: A Fantasia in the Russian Manner on English Themes.
533:
510:
313:
294:
965:
120:, first published in 1919. The English language premiere was at the
113:
Heartbreak House: A Fantasia in the Russian Manner on English Themes
998:
737:
708:
Heartbreak House A Fantasia in the Russian Manner on English Themes
636:
520:
revival was mounted in 1984, with an all star cast headed by Sir
99:
838:
The Twelve Seasons of the Edinburgh Gateway Company, 1953 - 1965
317:
681:
Heartbreak House, Great Catherine, and playlets about the war.
575:); then in summer 2011 directed by Christopher Newton with
316:
upper-class into two facets: the traditional country-based
259:
tone or in profound self-revelation among the characters."
78:
A dinner party at an eccentric household during World War I
1574:
The Intelligent Woman's Guide to Socialism and Capitalism
788:, University of Nebraska Press, Lincoln, NE., 1969, p.155
801:, Princeton: Princeton University Press, 1977, pp.90-1.
1549:
The Adventures of the Black Girl in Her Search for God
762:, Volume: 1, Wiley-Blackwell, Chichester, 2012, p.187.
723:, Pennsylvania State University Press, 1989, p. 34.
812:Dictionary to the Plays and Novels of Bernard Shaw
606:as Hesione. Also available on DVD is the 1977 BBC
1355:A Glimpse of the Domesticity of Franklyn Barnabas
547:The play has been performed several times at the
1663:
827:, Los Angeles: Dorleac-MacLeish, 1984, p. 142.
721:Bernard Shaw on the London art scene, 1885–1950
587:staged it for a run 30 March to 29 April 2012.
775:, World Publishing, Cleveland, OH, 1953, p.234
643:, Dublin from 14 August to 13 September 2014.
571:(this production was recorded and released by
473:An uncut, star-studded production at London's
1019:
384:A prominent production in America was at the
1026:
1012:
896:
873:
400:(then George Bessolo) as Hector Hushabye.
29:
1643:SHAW: The Annual of Bernard Shaw Studies
814:, A. & C. Black, London, 1929, p.221
262:Louis Crompton, in contrast, says that,
1033:
888:BBC Play of the Month: Heartbreak House
810:Violet M. Broad & C. Lewis Broad ,
1664:
773:George Bernard Shaw: A Critical Survey
364:
239:
1411:The Simpleton of the Unexpected Isles
1007:
865:Great Performances: Heartbreak House
1390:How These Doctors Love One Another!
928:
840:, St. Giles Press, Edinburgh, p. 55
403:In 1965 the play was staged by the
344:
308:, Ellie a struggling member of the
13:
1453:In Good King Charles's Golden Days
851:"Heartbreak House at Theatricalia"
836:Edinburgh Gateway Company (1965),
324:(those of Horseback Hall) and the
297:British society, Mangan being the
14:
1693:
1334:Annajanska, the Bolshevik Empress
1187:Passion, Poison, and Petrifaction
944:
909:
463:During their 1982–83 season, the
1598:Charlotte Payne-Townshend (wife)
987:
966:Heartbreak House by Bernard Shaw
453:directed by Jonathon Hales with
202:
178:
1215:The Shewing-Up of Blanco Posnet
1145:Captain Brassbound's Conversion
922:
903:
880:
857:
843:
830:
449:In 1981 it was produced at the
282:
169:
1629:George Bernard Shaw: His Plays
1201:The Interlude at the Playhouse
978:Heartbreak House
817:
804:
799:Fields of Play in Modern Drama
791:
778:
765:
752:
726:
713:
700:
1:
694:
635:25–27 July 2014, produced by
585:Denver Center Theatre Company
185:Albert Perry as Shotover and
132:
1677:Plays by George Bernard Shaw
1250:The Dark Lady of the Sonnets
386:Pasadena Community Playhouse
312:and so on. Shaw divides the
7:
997:public domain audiobook at
683:New York, Brentano's (1919)
673:
581:Chichester Festival Theatre
16:Play by George Bernard Shaw
10:
1698:
1173:How He Lied to Her Husband
983:Internet Broadway Database
631:The play was performed at
467:had a production starring
451:Royal Exchange, Manchester
287:
1590:
1558:
1538:
1522:Cashel Byron's Profession
1497:
1229:The Fascinating Foundling
1050:
1041:
910:Keddy, Genevieve Rafter.
660:'s loose film adaptation
405:Edinburgh Gateway Company
95:
82:
74:
66:
55:
47:
37:
28:
23:
1581:Quintessence of Ibsenism
1460:The British Party System
1166:John Bull's Other Island
1089:Mrs. Warren's Profession
935:Gingold Theatrical Group
652:Gingold Theatrical Group
396:as Captain Shotover and
374:played Lady Utterword.
1682:Plays about World War I
1650:Twain and Shaw Do Lunch
1152:The Admirable Bashville
760:History of Modern Drama
668:Skorbnoye beschuvstviye
418:in a production by the
353:
1515:Love Among the Artists
1432:Arthur and the Acetone
1264:Androcles and the Lion
1236:The Glimpse of Reality
304:, Hesione the flighty
276:
192:The North-West Passage
1567:The Perfect Wagnerite
1529:An Unsocial Socialist
1320:Augustus Does His Bit
1313:The Inca of Perusalem
477:in 1982, directed by
388:in 1938, directed by
264:
129:, which Shaw adapts.
116:is a play written by
1636:Great Contemporaries
1439:Cymbeline Refinished
1194:The Doctor's Dilemma
1138:Caesar and Cleopatra
1124:The Devil's Disciple
771:Louis Kronenberger,
670:) was made in 1987.
612:version directed by
210:Geraldine Fitzgerald
165:Burglar (Billy Dunn)
1383:Too True to Be Good
1035:George Bernard Shaw
719:Stanley Weintraub,
414:It was directed by
365:Play in performance
240:Relation to Chekhov
118:George Bernard Shaw
42:George Bernard Shaw
1622:production history
1481:Shakes versus Shav
1348:Back to Methuselah
1257:Fanny's First Play
1117:You Never Can Tell
1110:The Man of Destiny
931:"Heartbreak House"
823:Alexander, Diane,
786:Shaw the Dramatist
734:"Heartbreak House"
663:Mournful Unconcern
507:Oliver Ford Davies
247:The Cherry Orchard
159:Boss Alfred Mangan
1659:
1658:
1488:Why She Would Not
1474:Farfetched Fables
1425:The Millionairess
1418:The Six of Calais
1362:Jitta's Atonement
971:Project Gutenberg
916:BroadwayWorld.com
658:Aleksandr Sokurov
609:Play of the Month
513:as the Burglar.
475:Haymarket Theatre
256:Heartbreak House
162:Randall Utterword
109:
108:
67:Original language
1689:
1613:Shavian alphabet
1467:Buoyant Billions
1341:Heartbreak House
1159:Man and Superman
1096:Arms and the Man
1075:Widowers' Houses
1028:
1021:
1014:
1005:
1004:
994:Heartbreak House
991:
990:
973:
952:Heartbreak House
939:
938:
929:Staller, David.
926:
920:
919:
907:
901:
900:
884:
878:
877:
861:
855:
854:
847:
841:
834:
828:
821:
815:
808:
802:
795:
789:
784:Louis Crompton,
782:
776:
769:
763:
756:
750:
749:
747:
745:
730:
724:
717:
711:
704:
650:and produced by
622:Lesley-Anne Down
561:Paxton Whitehead
538:George N. Martin
489:(Hesione), with
487:Vanessa Redgrave
440:Patience Collier
420:National Theatre
416:John Schlesinger
378:Heartbreak House
345:Character traits
336:
269:Heartbreak House
206:
187:Elisabeth Risdon
182:
150:Hesione Hushabye
144:Captain Shotover
33:
24:Heartbreak House
21:
20:
1697:
1696:
1692:
1691:
1690:
1688:
1687:
1686:
1662:
1661:
1660:
1655:
1586:
1554:
1534:
1493:
1306:O'Flaherty V.C.
1292:Great Catherine
1208:Getting Married
1082:The Philanderer
1046:
1037:
1032:
988:
963:
957:Standard Ebooks
947:
942:
927:
923:
908:
904:
885:
881:
862:
858:
849:
848:
844:
835:
831:
822:
818:
809:
805:
796:
792:
783:
779:
770:
766:
758:David Krasner,
757:
753:
743:
741:
732:
731:
727:
718:
714:
706:Shaw, Bernard.
705:
701:
697:
686:Shaw, Bernard.
679:Shaw, Bernard.
676:
604:Rosemary Harris
573:Caedmon Records
565:Tony Van Bridge
530:Rosemary Harris
505:(Boss Mangan),
495:Felicity Kendal
485:(Shotover) and
465:Guthrie Theater
367:
356:
347:
330:
290:
285:
272:
242:
225:
224:
223:
222:
221:
218:Mercury Theatre
207:
198:
197:
196:
183:
172:
156:Hector Hushabye
135:
122:Garrick Theatre
60:Garrick Theatre
56:Place premiered
17:
12:
11:
5:
1695:
1685:
1684:
1679:
1674:
1657:
1656:
1654:
1653:
1646:
1639:
1632:
1625:
1615:
1610:
1605:
1600:
1594:
1592:
1588:
1587:
1585:
1584:
1577:
1570:
1562:
1560:
1556:
1555:
1553:
1552:
1544:
1542:
1536:
1535:
1533:
1532:
1525:
1518:
1511:
1503:
1501:
1495:
1494:
1492:
1491:
1484:
1477:
1470:
1463:
1456:
1449:
1442:
1435:
1428:
1421:
1414:
1407:
1400:
1397:Village Wooing
1393:
1386:
1379:
1376:The Apple Cart
1372:
1365:
1358:
1351:
1344:
1337:
1330:
1323:
1316:
1309:
1302:
1299:The Music Cure
1295:
1288:
1281:
1274:
1267:
1260:
1253:
1246:
1239:
1232:
1225:
1222:Press Cuttings
1218:
1211:
1204:
1197:
1190:
1183:
1176:
1169:
1162:
1155:
1148:
1141:
1134:
1127:
1120:
1113:
1106:
1099:
1092:
1085:
1078:
1071:
1068:Un Petit Drame
1064:
1056:
1054:
1048:
1047:
1042:
1039:
1038:
1031:
1030:
1023:
1016:
1008:
1002:
1001:
985:
974:
961:
959:
946:
945:External links
943:
941:
940:
921:
902:
879:
856:
842:
829:
816:
803:
790:
777:
764:
751:
725:
712:
698:
696:
693:
692:
691:
684:
675:
672:
637:Michael Friend
614:Cedric Messina
569:Frances Hyland
469:Julianne Moore
407:, directed by
366:
363:
355:
352:
346:
343:
289:
286:
284:
281:
241:
238:
208:
201:
200:
199:
184:
177:
176:
175:
174:
173:
171:
168:
167:
166:
163:
160:
157:
154:
151:
148:
147:Lady Utterword
145:
142:
141:Nurse Guinness
139:
134:
131:
107:
106:
97:
93:
92:
84:
80:
79:
76:
72:
71:
68:
64:
63:
57:
53:
52:
49:
48:Date premiered
45:
44:
39:
35:
34:
26:
25:
15:
9:
6:
4:
3:
2:
1694:
1683:
1680:
1678:
1675:
1673:
1670:
1669:
1667:
1652:
1651:
1647:
1645:
1644:
1640:
1638:
1637:
1633:
1631:
1630:
1626:
1623:
1619:
1618:Shaw Festival
1616:
1614:
1611:
1609:
1606:
1604:
1603:Shaw's Corner
1601:
1599:
1596:
1595:
1593:
1589:
1583:
1582:
1578:
1576:
1575:
1571:
1569:
1568:
1564:
1563:
1561:
1557:
1551:
1550:
1546:
1545:
1543:
1541:
1540:Short stories
1537:
1531:
1530:
1526:
1524:
1523:
1519:
1517:
1516:
1512:
1510:
1509:
1505:
1504:
1502:
1500:
1496:
1490:
1489:
1485:
1483:
1482:
1478:
1476:
1475:
1471:
1469:
1468:
1464:
1462:
1461:
1457:
1455:
1454:
1450:
1448:
1447:
1443:
1441:
1440:
1436:
1434:
1433:
1429:
1427:
1426:
1422:
1420:
1419:
1415:
1413:
1412:
1408:
1406:
1405:
1401:
1399:
1398:
1394:
1392:
1391:
1387:
1385:
1384:
1380:
1378:
1377:
1373:
1371:
1370:
1366:
1364:
1363:
1359:
1357:
1356:
1352:
1350:
1349:
1345:
1343:
1342:
1338:
1336:
1335:
1331:
1329:
1328:
1324:
1322:
1321:
1317:
1315:
1314:
1310:
1308:
1307:
1303:
1301:
1300:
1296:
1294:
1293:
1289:
1287:
1286:
1282:
1280:
1279:
1278:Beauty's Duty
1275:
1273:
1272:
1268:
1266:
1265:
1261:
1259:
1258:
1254:
1252:
1251:
1247:
1245:
1244:
1240:
1238:
1237:
1233:
1231:
1230:
1226:
1224:
1223:
1219:
1217:
1216:
1212:
1210:
1209:
1205:
1203:
1202:
1198:
1196:
1195:
1191:
1189:
1188:
1184:
1182:
1181:
1180:Major Barbara
1177:
1175:
1174:
1170:
1168:
1167:
1163:
1161:
1160:
1156:
1154:
1153:
1149:
1147:
1146:
1142:
1140:
1139:
1135:
1133:
1132:
1128:
1126:
1125:
1121:
1119:
1118:
1114:
1112:
1111:
1107:
1105:
1104:
1100:
1098:
1097:
1093:
1091:
1090:
1086:
1084:
1083:
1079:
1077:
1076:
1072:
1070:
1069:
1065:
1063:
1062:
1058:
1057:
1055:
1053:
1049:
1045:
1040:
1036:
1029:
1024:
1022:
1017:
1015:
1010:
1009:
1006:
1000:
996:
995:
986:
984:
980:
979:
975:
972:
968:
967:
962:
960:
958:
954:
953:
949:
948:
936:
932:
925:
917:
913:
906:
899:
894:
890:
889:
883:
876:
871:
867:
866:
860:
852:
846:
839:
833:
826:
820:
813:
807:
800:
797:T. Whitaker,
794:
787:
781:
774:
768:
761:
755:
740:, May 2, 1938
739:
735:
729:
722:
716:
709:
703:
699:
689:
685:
682:
678:
677:
671:
669:
665:
664:
659:
655:
653:
649:
648:David Staller
644:
642:
641:Abbey Theatre
638:
634:
633:Shaw's Corner
629:
627:
626:Siân Phillips
624:as Ellie and
623:
620:as Shotover,
619:
615:
611:
610:
605:
602:as Ellie and
601:
598:as Shotover,
597:
593:
588:
586:
582:
578:
574:
570:
566:
562:
558:
557:Jessica Tandy
554:
550:
549:Shaw Festival
545:
543:
539:
535:
531:
527:
523:
519:
514:
512:
508:
504:
500:
499:Imogen Stubbs
496:
492:
491:Daniel Massey
488:
484:
483:Paul Scofield
480:
476:
471:
470:
466:
461:
460:
459:Lynsey Baxter
456:
452:
447:
445:
444:Kate Nelligan
441:
437:
436:Eileen Atkins
433:
432:Colin Blakely
429:
426:in 1975 with
425:
421:
417:
412:
410:
406:
401:
399:
398:George Reeves
395:
391:
387:
382:
379:
375:
373:
362:
359:
351:
342:
340:
334:
329:
328:
323:
319:
315:
311:
307:
303:
300:
299:nouveau riche
296:
280:
275:
270:
263:
260:
257:
251:
249:
248:
237:
233:
229:
219:
215:
211:
205:
194:
193:
188:
181:
164:
161:
158:
155:
152:
149:
146:
143:
140:
137:
136:
130:
128:
127:Anton Chekhov
123:
119:
115:
114:
105:
101:
98:
94:
91:
88:
85:
81:
77:
73:
69:
65:
61:
58:
54:
51:November 1920
50:
46:
43:
40:
36:
32:
27:
22:
19:
1648:
1641:
1634:
1627:
1608:Shaw Theatre
1579:
1572:
1565:
1547:
1527:
1520:
1513:
1506:
1486:
1479:
1472:
1465:
1458:
1451:
1444:
1437:
1430:
1423:
1416:
1409:
1404:On the Rocks
1402:
1395:
1388:
1381:
1374:
1367:
1360:
1353:
1346:
1340:
1339:
1332:
1327:Macbeth Skit
1325:
1318:
1311:
1304:
1297:
1290:
1283:
1276:
1269:
1262:
1255:
1248:
1241:
1234:
1227:
1220:
1213:
1206:
1199:
1192:
1185:
1178:
1171:
1164:
1157:
1150:
1143:
1136:
1129:
1122:
1115:
1108:
1101:
1094:
1087:
1080:
1073:
1066:
1061:Passion Play
1059:
1044:Bibliography
993:
977:
964:
950:
934:
924:
915:
905:
887:
882:
864:
859:
845:
837:
832:
824:
819:
811:
806:
798:
793:
785:
780:
772:
767:
759:
754:
742:. Retrieved
728:
720:
715:
707:
702:
687:
680:
667:
661:
656:
645:
630:
628:as Hesione.
618:John Gielgud
607:
596:Rex Harrison
592:Anthony Page
589:
584:
577:Michael Ball
546:
542:Tom Aldredge
522:Rex Harrison
515:
503:David Calder
472:
462:
455:Eleanor Bron
448:
413:
409:Victor Carin
402:
394:Gilmor Brown
383:
377:
376:
368:
360:
357:
348:
338:
326:
298:
291:
283:Major themes
277:
268:
265:
261:
255:
252:
245:
243:
234:
230:
226:
216:in the 1938
214:Orson Welles
190:
170:Plot summary
153:Mazzini Dunn
112:
111:
110:
18:
1559:Non-fiction
1243:Misalliance
744:2 September
639:and by the
553:Val Gielgud
509:(Dunn) and
497:(Ariadne),
479:Trevor Nunn
428:Anna Massey
390:Hale McKeen
372:Edith Evans
331: [
322:aristocracy
310:bourgeoisie
104:World War I
90:tragicomedy
1672:1919 plays
1666:Categories
1508:Immaturity
1369:Saint Joan
1131:The Gadfly
825:Playhouse!
695:References
600:Amy Irving
526:Amy Irving
493:(Hector),
302:capitalist
220:production
138:Ellie Dunn
133:Characters
87:Chekhovian
62:, New York
38:Written by
1285:Pygmalion
1271:Overruled
555:and with
534:Dana Ivey
511:Joe Melia
501:(Ellie),
314:Edwardian
295:Edwardian
999:LibriVox
738:Playbill
674:Editions
518:Broadway
516:A major
339:rentiers
306:Bohemian
1591:Related
1103:Candida
981:at the
616:, with
594:, with
424:Old Vic
422:at the
392:, with
327:rentier
288:Society
100:England
96:Setting
75:Subject
70:English
1499:Novels
1446:Geneva
895:
872:
318:gentry
1052:Plays
335:]
83:Genre
893:IMDb
870:IMDb
746:2015
567:and
540:and
457:and
442:and
354:Fate
320:and
212:and
969:at
955:at
891:at
868:at
125:of
1668::
933:.
914:.
736:.
563:,
559:,
544:.
536:,
532:,
528:,
446:.
438:,
434:,
430:,
411:.
333:fr
102:,
1624:)
1620:(
1027:e
1020:t
1013:v
937:.
918:.
853:.
748:.
666:(
195:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
