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Hugo de Lantins

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138: 87:, which was to become the prevailing musical device for the next hundred years and more; indeed, imitation is more prevalent in the music of Lantins than in the music of any other composer of the early 15th century. Most of Hugo's music is for three voices, though occasionally he added a fourth. 139: 76:, since both composers wrote music for some of the same events, and Dufay mentioned him in the text to one of the compositions he wrote during his stay in 168: 432: 158:
Pièces polyphoniques profanes de provenance liégeoise (XVe siècle), ed. C. van den Borren. Bruxelles, 1950 (edn. of all secular compositions)
240: 447: 184: 422: 442: 213: 437: 233: 72:, in 1421, since precise topical details occur in the text to the music. He almost certainly was known to 64:; his music appears in several collections from that city. Evidently he wrote music for the wedding of 427: 293: 226: 323: 288: 401: 27: 8: 298: 333: 328: 178: 124: 396: 313: 268: 249: 209: 84: 61: 47: 35: 375: 359: 283: 120: 65: 318: 278: 273: 110: 104: 73: 380: 303: 58: 31: 416: 201: 163: 338: 263: 91: 46:, and wrote both sacred and secular music; he may have been a relative of 308: 83:
Hugo's music is more forward looking than that of Arnold, making use of
99: 218: 172:. Vol. x (1st ed.). London: Macmillan. pp. 457–458. 115: 23: 77: 69: 54: 53:
Little is known about his life, except that he was probably in
43: 95: 50:, another composer active at the same time in the same area. 39: 162:
Schoop, Hans (1980). "Lantins, de: (5) Hugo de Lantins". In
57:
during the 1420s, for he wrote ceremonial music for the
94:have survived, but none complete, as well as five 152: 414: 169:The New Grove Dictionary of Music and Musicians 123:(almost certainly for the royal wedding of the 102:. In the secular music category he wrote many 234: 208:. New York, W.W. Norton & Co., 1954. 241: 227: 80:with the Malatesta family (1420–1424). 415: 161: 433:15th-century Franco-Flemish composers 248: 222: 68:and Theodore Palaiologos, Prince of 177:Allsen, J. Michael. L. Macy (ed.). 13: 176: 14: 459: 180:Lantins, de: (5) Hugo de Lantins 448:French male classical composers 153:References and further reading 1: 7: 423:Burgundian school composers 10: 464: 443:French classical composers 389: 368: 347: 256: 206:Music in the Renaissance 130: 438:Medieval male composers 197:(subscription required) 16:Franco-Flemish composer 402:Franco-Flemish School 30:composer of the late 90:Several sections of 38:. He was active in 299:Hayne van Ghizeghem 334:Johannes Tapissier 329:Guillaume le Rouge 185:Grove Music Online 113:, as well as some 98:, one of which is 428:Flemish composers 410: 409: 397:Music of Burgundy 314:Reginaldus Libert 269:Arnold de Lantins 250:Burgundian School 62:Francesco Foscari 48:Arnold de Lantins 26:1420–1430) was a 455: 376:Guillaume Du Fay 360:Johannes Legrant 284:Johannes Cesaris 243: 236: 229: 220: 219: 198: 195: 193: 191: 173: 148: 147: 146: 144: 142:Jo sum tuo servo 66:Cleofe Malatesta 463: 462: 458: 457: 456: 454: 453: 452: 413: 412: 411: 406: 385: 364: 355:Hugo de Lantins 343: 319:Clement Liebert 294:Pierre Fontaine 279:Antoine Busnois 274:Gilles Binchois 252: 247: 196: 189: 187: 155: 140: 137: 136: 133: 20:Hugo de Lantins 17: 12: 11: 5: 461: 451: 450: 445: 440: 435: 430: 425: 408: 407: 405: 404: 399: 393: 391: 387: 386: 384: 383: 381:John Dunstaple 378: 372: 370: 366: 365: 363: 362: 357: 351: 349: 345: 344: 342: 341: 336: 331: 326: 321: 316: 311: 306: 304:Nicolas Grenon 301: 296: 291: 286: 281: 276: 271: 266: 260: 258: 254: 253: 246: 245: 238: 231: 223: 217: 216: 199: 174: 164:Sadie, Stanley 159: 154: 151: 150: 149: 132: 129: 34:era and early 28:Franco-Flemish 15: 9: 6: 4: 3: 2: 460: 449: 446: 444: 441: 439: 436: 434: 431: 429: 426: 424: 421: 420: 418: 403: 400: 398: 395: 394: 392: 388: 382: 379: 377: 374: 373: 371: 367: 361: 358: 356: 353: 352: 350: 346: 340: 337: 335: 332: 330: 327: 325: 324:Robert Morton 322: 320: 317: 315: 312: 310: 307: 305: 302: 300: 297: 295: 292: 290: 287: 285: 282: 280: 277: 275: 272: 270: 267: 265: 262: 261: 259: 255: 251: 244: 239: 237: 232: 230: 225: 224: 221: 215: 214:0-393-09530-4 211: 207: 203: 202:Gustave Reese 200: 186: 182: 181: 175: 171: 170: 165: 160: 157: 156: 145: 143: 135: 134: 128: 126: 122: 118: 117: 112: 108: 106: 101: 97: 93: 88: 86: 81: 79: 75: 71: 67: 63: 60: 56: 51: 49: 45: 42:, especially 41: 37: 33: 29: 25: 21: 354: 339:Jacobus Vide 264:Adrien Basin 205: 188:. Retrieved 179: 167: 141: 114: 103: 89: 82: 52: 19: 18: 309:Gilles Joye 289:Jean Cousin 100:isorhythmic 36:Renaissance 417:Categories 369:Influences 190:29 October 348:Uncertain 257:Composers 127:family). 125:Malatesta 85:imitation 105:rondeaux 32:Medieval 390:Related 166:(ed.). 121:Italian 116:ballate 109:all in 212:  111:French 96:motets 92:masses 78:Rimini 70:Sparta 55:Venice 44:Venice 131:Media 74:Dufay 40:Italy 210:ISBN 192:2010 59:Doge 119:in 24:fl. 419:: 204:, 183:. 242:e 235:t 228:v 194:. 107:, 22:(

Index

fl.
Franco-Flemish
Medieval
Renaissance
Italy
Venice
Arnold de Lantins
Venice
Doge
Francesco Foscari
Cleofe Malatesta
Sparta
Dufay
Rimini
imitation
masses
motets
isorhythmic
rondeaux
French
ballate
Italian
Malatesta
Jo sum tuo servo
Sadie, Stanley
The New Grove Dictionary of Music and Musicians
Lantins, de: (5) Hugo de Lantins
Grove Music Online
Gustave Reese
ISBN

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