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said the album was a "sensational, terrifying exercise in abstract sounds, fragmented blues, feedback and slide-guitar splinterings," but also "one of the most effective antidotes to the prim and studiedly dramatic conventional jazz-guitar performances on the circuit" at the time. In the
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melodies. "Throughout all the distortion he avoids the one-dimensional emotion trap and comes up with something intensely warm and human." At the end of 1986, Christgau named it the year's eighth best record in his list for the
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playing "funky and beautiful" but also daring sonically. He said his songs feature expressive melodies, relaxed tempos, and definite song structures, which are sometimes "either counterpointed or strung together in a suite".
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feedback electric guitar sound" in an elaborate overdubbing process that sustained his well–defined guitar lines. Hyder recommended the album to listeners of all genres and said
Sharrock's playing recalled
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changed his perspective on composing and inspired him to pursue more melodic ideas. "You listen to , and it's like a blind man struggling to get out of a room", Sharrock recalled. "
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at RPM Sound
Studios in New York City, with Laswell helping produce. As the sole instrumentalist for the project, Sharrock first recorded his performance of a song's
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epitomized the breadth of the electric instrument, "ranging from impressionistic sound poetry to abstract-expressionist blitzkrieg".
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272:—in 1969, he experimented with different influences during the 1970s. When he recorded "Dance with Me Montana" in 1982, the song's
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appreciated how
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at RPM Sound
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as the first time he was able to play both powerfully and melodically in the same way saxophonists
291:, who had convinced Sharrock to unretire in 1981. With Laswell, Sharrock would also form the band
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was viewed by
Sharrock as the culmination of a period in his career spent developing his sense of
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819:"Excerpts from an Interview with Sonny Sharrock,WKCR-FM, New York City, 1989, by Ben Ratliff"
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Weisbard, Eric; Marks, Craig, eds. (1995). "Sonny
Sharrock", "Top 100 Alternative Albums".
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to positive reviews from critics, who praised
Sharrock's compositions, playing, and use of
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quality, which in the process helped "shine a light into
Sharrock's spiritual depths". In
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during this period and depart from the lyrical jazz guitar he had played with a
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was a crystallization of all of the things that I had discovered in that song."
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was ranked 86th on a list of the "Top 100 Alternative Albums". According to
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onto the finished recording. His compositions on the album included a
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350:"Broken Toys", "Devils Doll Baby"—which featured Sharrock's frenzied
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said it epitomized the electric guitar's range as an instrument.
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Holtje, Steve; Lee, Nancy Ann, eds. (1998). "Sonny
Sharrock".
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In the early 1980s, Sharrock had also worked on projects with
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is the first in his series of "metal–inflected jazz albums".
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1015:(1986). "Modern Music Lovers Will Adore Sonny Sharrock".
1168:"Sonny Sharrock, Ronald Shannon Jackson, Power Tools"
910:"Remembering Sonny Sharrock, The American Guitarist"
608:sounded both "powerful and beautiful". Jazz critic
358:showcasing his range of techniques. Sharrock cited
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765:Credits are adapted from the album's liner notes.
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579:(1987)—could restore any listener's interest in
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266:. After releasing his first record—
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1141:"Pazz & Jop 1986: Dean's List"
586:In a retrospective review for the
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1230:Jazz on CD: The Essential Guide
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964:"The Spirit On Beyond Fusion".
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825:. January 1990. Archived from
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544:Hi-Fi News & Record Review
435:Hi-Fi News & Record Review
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1111:Spin Alternative Record Guide
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616:Spin Alternative Record Guide
492:Spin Alternative Record Guide
878:"Christgau's Consumer Guide"
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7:
528:in September of that year,
370:had late in their careers.
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999:. Retrieved July 13, 2015.
942:. Jazz Discography Project
748:IV. "They Enter the Dream"
573:and Sharrock's next album—
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1077:The Penguin Guide to Jazz
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656:All music is composed by
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243:Composition and recording
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940:"Sonny Sharrock catalog"
518:was released in 1986 by
1264:The Rough Guide to Jazz
1044:Music Sales Corporation
987:Westergaard, Sean.
636:The Rough Guide to Jazz
1499:, and Jan Kazda, 1987)
1302:. Brooklyn, New York:
1197:(September 19, 1993).
309:Gibson Les Paul Custom
256:
253:Gibson Les Paul Custom
1561:Sonny Sharrock albums
876:(September 2, 1986).
790:assistant engineering
374:Release and reception
315:writer Jay Laughton,
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157:Dance with Me Montana
1566:Enemy Records albums
1472:Whatthefuckdoyouwant
1025:(7–12). London: 109.
829:on November 15, 2017
769:Mike Krowiak –
745:III. "Flowers Laugh"
379:Professional ratings
328:introductory passage
235:, while jazz writer
62:RPM Sound (New York)
1312:cite AV media notes
970:(163–67): 44. 2006.
788:Jeff Lippay –
380:
1342:(list of releases)
967:The Absolute Sound
857:. 42–47: 53. 1992.
736:"Princess Sonata"
692:"Devils Doll Baby"
626:The Absolute Sound
378:
322:Sharrock recorded
257:
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1425:Seize the Rainbow
1409:Monkey-Pockie-Boo
1145:The Village Voice
989:"Sonny Sharrock:
883:The Village Voice
874:Christgau, Robert
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576:Seize the Rainbow
532:found Sharrock's
525:The Village Voice
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504:The Village Voice
299:in favor of more
274:chord progression
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174:Seize the Rainbow
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1515:Related articles
1504:Live in New York
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1268:Rough Guides
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1208:. Retrieved
1202:
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1149:. Retrieved
1144:
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1114:. New York:
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993:> Review"
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944:. Retrieved
921:September 7,
919:. Retrieved
913:
888:. Retrieved
881:
852:
851:"Sharrock".
831:. Retrieved
827:the original
813:
801:, production
780:Bill Laswell
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610:John Fordham
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303:-influenced
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197:by American
195:studio album
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132:Bill Laswell
39:Studio album
15:
1556:1986 albums
1484:No Material
1464:Live albums
1441:Faith Moves
1401:Black Woman
1298:(booklet).
581:jazz fusion
336:overdubbing
301:heavy metal
269:Black Woman
264:composition
81:jazz fusion
1550:Categories
1270:. p.
1210:August 15,
1179:August 15,
1151:August 15,
1147:. New York
1013:Hyder, Ken
946:August 15,
915:Reverb.com
890:August 15,
886:. New York
833:August 15,
806:References
784:production
725:"Kula-Mae"
330:and chord
313:Reverb.com
297:Gibson L-5
229:distortion
211:overdubbed
201:guitarist
147:chronology
1522:Last Exit
1254:Carr, Ian
1195:Kot, Greg
771:recording
761:Personnel
539:Ken Hyder
332:statement
293:Last Exit
1528:Sonny II
1433:Highlife
1256:(2004).
1228:(1996).
1074:(1992).
997:AllMusic
797: –
782: –
641:Ian Carr
639:(2004),
619:(1995),
602:AllMusic
594:Greg Kot
398:AllMusic
348:berceuse
307:using a
285:Material
237:Ian Carr
215:sections
124:Producer
51:Released
41: by
1479:, 1987)
1448:, 1991)
1340:Discogs
1306:. 1986.
1173:Playboy
823:WKCR-FM
558:R&B
549:Hendrix
334:before
178:(1987)
169:(1986)
160:(1982)
1536:(wife)
1507:(1989)
1487:(with
1475:(with
1456:(1991)
1444:(with
1436:(1990)
1428:(1987)
1420:(1986)
1417:Guitar
1412:(1970)
1404:(1969)
1335:Guitar
1296:Guitar
1278:
1236:
1122:
1088:
1050:
991:Guitar
854:Option
799:guitar
775:mixing
673:Length
645:Guitar
621:Guitar
606:timbre
598:Guitar
571:Guitar
560:, and
516:Guitar
392:Rating
389:Source
360:Guitar
324:Guitar
317:Guitar
278:Guitar
260:Guitar
221:Guitar
190:Guitar
165:Guitar
95:Length
59:Studio
24:Guitar
753:13:00
670:Title
643:felt
554:blues
541:from
497:10/10
356:suite
344:blues
117:Enemy
112:Label
86:metal
68:Genre
1318:link
1276:ISBN
1234:ISBN
1212:2015
1181:2015
1153:2015
1120:ISBN
1086:ISBN
1048:ISBN
948:2015
923:2020
892:2015
835:2015
728:5:07
717:3:55
706:6:38
695:4:07
684:4:41
631:rock
562:folk
366:and
338:his
199:jazz
54:1986
1338:at
1272:714
995:at
666:No.
452:5/5
1552::
1495:,
1491:,
1314:}}
1310:{{
1274:.
1266:.
1262:.
1201:.
1170:.
1143:.
1118:.
1100:^
1080:.
1070:;
1046:.
1042:.
1023:31
1021:.
1004:^
976:^
956:^
931:^
912:.
900:^
880:.
863:^
843:^
821:.
773:,
733:6.
722:5.
711:4.
700:3.
689:2.
678:1.
592:,
583:.
556:,
251:A
104:25
100:37
1369:e
1362:t
1355:v
1320:)
1284:.
1242:.
1214:.
1183:.
1155:.
1128:.
1094:.
1056:.
950:.
925:.
894:.
837:.
509:A
440:A
102::
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