245:
96:
230:
287:
275:
20:
118:, and fourteen of his prints were shown that year in a major London exhibition. Already at this stage in his career he had developed a highly distinctive style that was influenced by his training as a painter. He assertively manipulated his negatives with both scratches and brush strokes, creating prints that had the appearance of a blend between painting and photography. When his prints were shown at the Camera Club in New York, one reviewer commented that his work was "unphotographic photography."
263:
387:
198:, No. 25 (January). In 1910, twenty-seven of his photographs were exhibited at a major exhibition in Buffalo, New York. The catalog for this show described Eugene as the first photographer to make successful platinum prints on Japan tissue. Ten more of his gravures published in Camera Work, No.30 (April), and fourteen additional images appear in No.31 (July).
74:
205:
The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and
Stieglitz to admire Eugene's particular touch... created a new syntax for the photographic vocabularity, for no one before
53:
Eugene was born in New York City as Frank Eugene Smith. His father was
Frederick Smith, a German baker who changed his last name from Schmid after moving to America in the late 1850s. His mother was Hermine Selinger Smith, a singer who performed in local German beer halls and theaters.
244:
210:
In 1913, he was appointed Royal
Professor of Pictorial Photography by the Royal Academy of the Graphic Arts of Leipzig. This professorship, created especially for Eugene, is the first chair for pictorial photography anywhere in the world. Two years later Eugene
91:
After graduating from the
Bavarian Academy of Fine Arts, he started a career as a theatrical portraitist, drawing portraits of actors and actresses. He continued his interest in photography, although little is known of his teachers or
111:
wrote a review of the show, saying "It is the first time that a truly artistic temperament, a painter of generally recognized accomplishments and ability asserts itself in
American photography."
201:
More than any other photographer of the early 20th century, Eugene was recognized as the master of the manipulated image. Photographic historian Weston Naef described his style this way:
179:
State
Government Subsidised Educational Institution. At this point, photography rather than painting became his primary interest. He experimented with the new color process of
152:
In 1906, Eugene moved permanently to
Germany. He was recognized there both as a painter and a photographer, but initially he worked primarily with prominent painters such as
215:
and became a citizen of
Germany. He continued teaching for many years and was head of the photography department at the Royal Academy until it closed in 1927.
172:
157:
168:. He photographed many of these and other artists at the same time. He also designed tapestries that he used as backgrounds in his photographs.
427:
212:
432:
417:
422:
229:
286:
391:
274:
62:
41:; 19 September 1865 – 16 December 1936) was an American-born photographer who was a founding member of the
262:
254:
206:
him had hand-worked negatives with such painterly intentions and a skill unsurpassed by his successors.
95:
58:
104:
292:
161:
130:
In early 1901, he traveled to Egypt. He returned a few months later and met with photographer
23:
412:
407:
57:
About 1880, Eugene began to photograph for amusement, possibly while he was attending the
8:
134:
in
Narragansett, R.I., during the summer. In late 1902, Eugene becomes a Founder of the
108:
251:
Keep a Movin'! For Monkey * Fan * Tiger or Dove- Dough or Fame- Same Old Game as Love
188:
184:
138:
and a member of its governing
Council. In 1904, a gravure of his was published in
73:
27:
135:
115:
42:
153:
131:
103:
He returned to the United States, and in 1899, he exhibited photographs at the
19:
45:
and one of the first university-level professors of photography in the world.
401:
123:
78:
127:
was devoted to his art, an honor accorded only a few other photographers.
140:
83:
369:
The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography
180:
165:
171:
A year later he became a lecturer on pictorial photography at the "
176:
386:
175:” (“Teaching and Research Institute for Photography”), a
61:. In 1886, he moved to Munich in order to attend the
194:
In 1909, two more of his gravures were published in
371:. NY: Metropolitan Museum of Art. pp. 345–346.
349:
Reviews of the Exhibition of Prints by Frank Eugene
331:
183:, and three of his color prints are exhibited at
399:
218:Eugene died of heart failure in Munich in 1936.
351:. Camera Notes, No 3, April 1900. p. 207.
346:
65:, where he studied drawing and stage design.
366:
173:Lehr- und Versuchsanstalt fĂĽr Photographie
121:In the summer of 1900, an entire issue of
336:. Photographic Times, No 31. p. 556.
321:. Munich: Nazraeli Press. pp. 15–25.
316:
94:
72:
18:
400:
362:
360:
358:
332:Sadakichi Hartmann (December 1899).
312:
310:
107:under name Frank Eugene. The critic
428:19th-century American photographers
355:
13:
334:Frank Eugene: Painter-Photographer
147:
14:
444:
379:
319:Frank Eugene: The Dream of Beauty
307:
16:American photographer (1865–1936)
433:Photographers from New York City
385:
285:
273:
261:
243:
228:
114:A year later he was elected to
340:
325:
1:
418:American emigrants to Germany
300:
63:Bavarian Academy of Fine Arts
48:
213:gave up his U.S. citizenship
7:
81:, taken 1898, published in
10:
449:
255:Metropolitan Museum of Art
423:Photographers from Munich
317:Pohlmann, Ulrich (1995).
68:
221:
59:City College of New York
191:Galleries in New York.
105:Camera Club of New York
208:
100:
88:
31:
203:
98:
76:
22:
394:at Wikimedia Commons
367:Weston Naef (1978).
347:J. Wells Champney.
280:Nude study, c. 1908
268:Nude study, c. 1900
144:, No. 5 (January).
99:Self-portrait, 1924
109:Sadakichi Hartmann
101:
89:
39:Frank Eugene Smith
32:
390:Media related to
158:Hendrik Heyligers
440:
389:
373:
372:
364:
353:
352:
344:
338:
337:
329:
323:
322:
314:
289:
277:
265:
247:
232:
185:Alfred Stieglitz
28:Alfred Stieglitz
448:
447:
443:
442:
441:
439:
438:
437:
398:
397:
382:
377:
376:
365:
356:
345:
341:
330:
326:
315:
308:
303:
296:
290:
281:
278:
269:
266:
257:
248:
239:
233:
224:
189:Photo-Secession
150:
148:Move to Germany
136:Photo-Secession
116:The Linked Ring
71:
51:
43:Photo-Secession
17:
12:
11:
5:
446:
436:
435:
430:
425:
420:
415:
410:
396:
395:
381:
380:External links
378:
375:
374:
354:
339:
324:
305:
304:
302:
299:
298:
297:
291:
284:
282:
279:
272:
270:
267:
260:
258:
249:
242:
240:
234:
227:
223:
220:
154:Fritz von Uhde
149:
146:
132:F. Holland Day
77:Frank Eugene:
70:
67:
50:
47:
15:
9:
6:
4:
3:
2:
445:
434:
431:
429:
426:
424:
421:
419:
416:
414:
411:
409:
406:
405:
403:
393:
388:
384:
383:
370:
363:
361:
359:
350:
343:
335:
328:
320:
313:
311:
306:
294:
288:
283:
276:
271:
264:
259:
256:
252:
246:
241:
237:
231:
226:
225:
219:
216:
214:
207:
202:
199:
197:
192:
190:
186:
182:
178:
174:
169:
167:
163:
159:
155:
145:
143:
142:
137:
133:
128:
126:
125:
119:
117:
112:
110:
106:
97:
93:
86:
85:
80:
75:
66:
64:
60:
55:
46:
44:
40:
36:
29:
26:of Eugene by
25:
21:
392:Frank Eugene
368:
348:
342:
333:
327:
318:
293:Willi Geiger
250:
235:
217:
209:
204:
200:
195:
193:
170:
162:Willi Geiger
151:
139:
129:
124:Camera Notes
122:
120:
113:
102:
90:
87:no. 30, 1910
82:
79:Adam and Eve
56:
52:
38:
35:Frank Eugene
34:
33:
413:1936 deaths
408:1865 births
196:Camera Work
181:Autochromes
141:Camera Work
92:influences.
84:Camera Work
402:Categories
301:References
49:Early life
24:Autochrome
236:Male Nude
166:Franz Roh
177:Bavarian
253:at the
295:, 1910
238:, 1897
164:, and
69:Career
37:(Born
30:, 1907
222:Works
187:'s
404::
357:^
309:^
160:,
156:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
