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270:, while Smith claimed that the recording studio was so appalled by the sound that the group were asked to remove the studio's name from the album sleeve. Bramah did not receive credit for his contributions, and there were several songs that were altered heavily by the group after his departure. Among these was "Before the Moon Falls", which had as its musical backing a song that later became the basis for
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247:, who were Fall roadies, members of support band Staff 9 and friends of Marc Riley's; both were just 18 & 19, respectively, when they joined the group and would form the Fall's musical backbone until the mid-1990s. Riley moved from bass to guitar (his first instrument), and also started to play keyboards following Yvonne Pawlett's departure after recording the "
31:
277:
The album is somewhat self-referential lyrically, with several songs referencing the music industry. At least two tracks, "Printhead" and "Your Heart Out", quote or paraphrase reviews of the band's live shows. "Printhead" even verifies this fact within its own lyrics. "Dice Man" takes its title from
713:
as "the first album where the Fall tap into their powers of hypnosis, locking into the sinister back-alley prowl of 'Before the Moon Falls' and the Morse code, cowbell-clanged pummel of 'Spectre vs Rector,' all while Smith transcends from the realm of mere punk carnival barker to oracle of the
301:, commenting that "its sludge and subliminal menace practically invented post-rock as an afterthought". "Muzorewi's Daughter", with its "slow, relentless acceleration...punctuated by Smith's shrieks," was described as "one of the most terrifying Fall songs of them all".
696:, viewed the music on the album as providing "the blueprint for The Fall's golden age of the early 1980s: paper-thin rockabilly with tinny, meandering guitars and lilting keyboards." In his review of the 2016 reissue, Jason Heller of
689:
contains some of Smith's best songs and noted its crude production, remarking that the album sounds as if it "was recorded on a home cassette recorder in a multi-storey car park." Nicholas
Collias, reviewing the 2004 reissue for the
750:
reviewer Ned
Raggett noted that while several tracks "come across as Fall-by-numbers (even then, already better than plenty of other bands)," the album nonetheless includes "thorough standouts" such as "Spectre Vs Rector".
735:
and felt that "the songs are playful and feel like they were constructed just a few minutes before the tape started rolling, but that doesn't suit this version of The Fall one bit," criticising its lack of "tension".
653:
critic Dave McCullough wrote that "The Fall have never been stronger, the sound is more concise, more assured and Mark Smith's writing has an aura of confidence and direction to it." In his review for
663:
said that the album's "clattering demo-tape production" effectively draws attention to the songs' lyrics: "Odd lines of vocal stick, and it's the odd lines that count."
763:
reissued the album with, for the first time, remastered audio from the original master tapes. The reissue included the contemporaneous singles "Rowche Rumble" and "
211:
established at an early stage two key patterns characteristic of the group's future: that of high productivity and that of a regular turnover of group members.
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quit mid-tour in April 1979, when some of the material intended for the second album had already been written. Smith quickly recruited guitarist
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is "not one of The Fall's best efforts, but contains at least two classic numbers, 'Spectre vs. Rector' and 'A Figure Walks'."
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2011:
771:), but also previously unheard alternate takes and breakdowns from the "Rowche Rumble" recording sessions.
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All tracks arranged by the Fall except "Printhead" (arranged by the Fall and Martin Bramah).
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left soon after recording and was replaced by Mike Leigh, while founder member
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Kay
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Yvonne
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Oz McCormick – production ("Rowche Rumble" single tracks)
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was reissued on vinyl in 2016 on the
Superior Viaduct label.
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described the album as "weighty" and "overwhelmingly dense."
38:
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writer Geeta Dayal ranked it the Fall's fourth best album.
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McCullough, Dave (10 November 1979). "Sounds of reality".
1287:(including "Rowche Rumble" and "Fiery Jack" single tracks)
201:. Appearing less than eight months after its predecessor,
1709:
669:
2152:
The Real New Fall LP (Formerly
Country on the Click)
227:
remained in the lineup from the band's debut album,
1770:"Hey, Student! It's a Beginner's Guide to the Fall"
1541:Rathbone, Oregano (June 2019). "Fall Disclosure".
2591:
1456:"The 10 Best Albums by The Fall: Critic's Picks"
2578:Hey! Luciani: The Life and Codex of John Paul I
1314: – production ("Fiery Jack" single tracks)
1308: – production ("Fiery Jack" single tracks)
1251: – guitar, acoustic guitar, backing vocals
347:
297:s Jason Heller, an answer to "Music Scene" on
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1564:(17 November 1979). "Falling in love again".
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311:'s Step-Forward label; the band signed with
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1104:"Psykick Dancehall (No. 2)" (single B-side)
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667:was ranked the 35th best album of 1979 by
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2040:The Wonderful and Frightening World Of...
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731:s Robert Ham was less enthusiastic about
1705:"Albums and Tracks of the Year for 1979"
1679:Pattison, Louis (June 2019). "The Fall:
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2369:The Complete Peel Sessions 1978–2004
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1093:Smith, Riley, Scanlon, Hanley, Leigh
1079:Smith, Riley, Scanlon, Hanley, Leigh
980:Smith, Riley, Scanlon, Hanley, Leigh
952:Smith, Riley, Scanlon, Hanley, Leigh
307:would be the Fall's final album for
1793:
1787:
1736:Collias, Nicholas (4 August 2004).
1420:
1245: – bass guitar, backing vocals
349:
13:
2321:Touch Sensitive... Bootleg Box Set
1768:Berman, Stuart (30 January 2018).
1581:Gross, Joe (2004). "The Fall". In
1320:Brendan Jackson – photography
170:Totale's Turns (It's Now or Never)
14:
2621:
1858:
1592:The New Rolling Stone Album Guide
679:, reviewing the 1999 reissue for
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513:
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387:
18:1979 studio album by the Fall
2610:Albums produced by Grant Showbiz
1794:Ham, Robert (12 February 2015).
1454:Dayal, Geeta (25 January 2018).
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647:have been generally favourable.
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258:, was recorded 2–4 August 1979.
2362:50,000 Fall Fans Can't Be Wrong
2293:A Part of America Therein, 1981
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1672:
1644:Rubin, Mike (1995). "Fall". In
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1044:"Rowche Rumble" (single A-side)
1574:
1534:
1495:. No. 275. pp. 62–67
1482:Harrison, Ian (October 2016).
1475:
1380:Heller, Jason (17 June 2016).
1134:
1090:"2nd Dark Age" (single B-side)
1025:
916:
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262:s sound was notably muddy and
1:
1651:Spin Alternative Record Guide
1327:
1317:Tina Prior – front cover
620:Spin Alternative Record Guide
544:The Rolling Stone Album Guide
2012:Grotesque (After the Gramme)
1906:
1547:. No. 493. p. 103.
1225:
1058:"In My Area" (single B-side)
318:
7:
2422:There's a Ghost in My House
1693:. No. 265. p. 45.
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10:
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2546:Tom Hingley and the Lovers
2145:Are You Are Missing Winner
2047:This Nation's Saving Grace
1016:Bonus tracks on the 2002 (
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2516:Brix & the Extricated
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2473:
2464:Theme from Sparta F.C. #2
2457:Why Are People Grudgeful?
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2335:Last Night at The Palais
1998:Live at the Witch Trials
1681:Live at the Witch Trials
1384:Live at the Witch Trials
1183:"Rowche Rumble" (take 5)
1172:"Rowche Rumble" (take 4)
1161:"Rowche Rumble" (take 3)
1150:"Rowche Rumble" (take 2)
299:Live at the Witch Trials
268:Live at the Witch Trials
229:Live at the Witch Trials
215:Background and recording
204:Live at the Witch Trials
152:Live at the Witch Trials
2355:Hip Priest and Kamerads
2314:The Twenty-Seven Points
2180:Your Future Our Clutter
2117:The Light User Syndrome
1648:; Marks, Craig (eds.).
1520:(May 1999). "The Fall:
1344:Myers, Martin (2006). "
1260:Mike Leigh – drums
881:Smith, Riley, Scanlon,
878:"Before the Moon Falls"
714:underground." In 2018,
2605:The Fall (band) albums
709:s Stuart Berman cited
2096:The Infotainment Scan
2033:Perverted by Language
1296:John Brierley –
1205:"In My Area" (take 2)
1194:"In My Area" (take 1)
1107:Smith, Riley, Scanlon
1047:Smith, Riley, Scanlon
935:"Muzorewi's Daughter"
899:Smith, Riley, Scanlon
867:Smith, Riley, Scanlon
2173:Imperial Wax Solvent
2166:Reformation Post TLC
2061:The Frenz Experiment
1597:Simon & Schuster
1484:"Rebellious Jukebox"
1265:Additional musicians
977:"Spectre Vs. Rector"
767:" (and the singles'
324:Professional ratings
199:Step-Forward Records
2286:Live in London 1980
2103:Middle Class Revolt
1742:(Expanded Edition)"
1717:on 14 November 2011
1658:. pp. 142–44.
1130:
1021:
1020:) and 2004 reissues
912:
812:"Psykick Dancehall"
789:
325:
313:Rough Trade Records
2346:Compilation albums
2201:Sub-Lingual Tablet
2131:The Marshall Suite
2068:I Am Kurious Oranj
2019:Hex Enduction Hour
1976:Simon Wolstencroft
1873:(list of releases)
1293: – production
1128:
1015:
938:Smith, Kay Carroll
910:
787:
323:
309:Miles Copeland III
254:The album, titled
2587:
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1427: – The Fall"
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1221:
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1076:" (single A-side)
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182:
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2617:
2560:Related articles
2499:Associated bands
2489:I Am Damo Suzuki
2208:New Facts Emerge
2110:Cerebral Caustic
1901:
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1827:Azerrad, Michael
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1713:. Archived from
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1595:(4th ed.).
1587:Hoard, Christian
1583:Brackett, Nathan
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1544:Record Collector
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2159:Fall Heads Roll
2138:The Unutterable
1985:
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1530:. No. 152.
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70:Cargo Studios,
62:2–4 August 1979
54:26 October 1979
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2506:The Adult Net
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2429:Hit the North
2426:
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2402:
2401:Totally Wired
2398:
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2387:Rowche Rumble
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2089:Code: Selfish
2086:
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2055:
2054:Bend Sinister
2051:
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2037:
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2023:
2021:
2020:
2016:
2014:
2013:
2009:
2007:
2006:
2002:
2000:
1999:
1995:
1994:
1992:
1990:Studio albums
1988:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1961:Martin Bramah
1959:
1957:
1954:
1952:
1949:
1947:
1944:
1942:
1939:
1937:
1936:Craig Scanlon
1934:
1931:
1929:
1926:
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1920:Mark E. Smith
1917:
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1842:
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1840:Trouser Press
1836:
1832:
1831:Wolk, Douglas
1828:
1822:
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1665:0-679-75574-8
1661:
1657:
1656:Vintage Books
1653:
1652:
1647:
1640:
1632:
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1623:
1621:
1612:
1610:0-7432-0169-8
1606:
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1570:. p. 16.
1569:
1568:
1567:Record Mirror
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1356:. No. 9.
1355:
1351:
1347:
1340:
1338:
1333:
1322:
1319:
1316:
1313:
1312:Mayo Thompson
1310:
1307:
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1301:
1299:
1295:
1292:
1291:Grant Showbiz
1289:
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1277:
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1272:
1269:
1268:
1264:
1263:
1259:
1256:
1255:Craig Scanlon
1253:
1250:
1247:
1244:
1241:
1238:
1237:Mark E. Smith
1235:
1234:
1230:
1229:
1217:
1214:Total length:
1211:
1207:
1204:
1200:
1196:
1193:
1189:
1185:
1182:
1178:
1174:
1171:
1167:
1163:
1160:
1156:
1152:
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1145:
1132:
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1116:Total length:
1113:
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1103:
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1003:Total length:
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845:
841:
838:
835:
831:
827:
825:
824:Craig Scanlon
821:
817:
816:Mark E. Smith
814:
811:
807:
791:
784:
779:Track listing
776:
774:
770:
766:
762:
752:
749:
745:
741:
740:
739:Trouser Press
734:
727:
726:
721:
719:
718:
712:
708:
706:
701:
700:
695:
694:
688:
685:, found that
684:
683:
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658:
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656:Record Mirror
652:
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506:Record Mirror
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502:
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384:
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329:Review scores
327:
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300:
293:
292:
287:
283:
282:
275:
273:
269:
265:
261:
257:
252:
250:
249:Rowche Rumble
246:
242:
241:Craig Scanlon
238:
237:Martin Bramah
234:
230:
226:
222:
221:Mark E. Smith
212:
210:
207:
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196:
192:
188:
187:
172:
171:
167:
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158:
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136:
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129:Grant Showbiz
127:
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105:
93:
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86:
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81:
77:
73:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2576:
2572:Band members
2551:Von Südenfed
2531:Imperial Wax
2521:The Creepers
2511:Blue Orchids
2474:Album tracks
2415:Hey! Luciani
2367:
2360:
2353:
2333:
2326:
2319:
2312:
2307:Seminal Live
2305:
2298:
2291:
2284:
2277:
2272:Liverpool 78
2270:
2263:
2247:Wise Ol' Man
2245:
2238:
2231:
2224:
2206:
2199:
2192:
2185:
2178:
2171:
2164:
2157:
2150:
2143:
2136:
2129:
2122:
2115:
2108:
2101:
2094:
2087:
2080:
2073:
2066:
2059:
2052:
2045:
2038:
2031:
2026:Room to Live
2024:
2017:
2010:
2004:
2003:
1996:
1971:Simon Rogers
1928:Steve Hanley
1918:
1864:
1844:. Retrieved
1838:
1821:
1809:. Retrieved
1803:
1797:
1789:
1777:. Retrieved
1763:
1751:. Retrieved
1747:Boise Weekly
1745:
1739:
1731:
1719:. Retrieved
1715:the original
1708:
1699:
1688:
1684:
1680:
1674:
1650:
1639:
1628:
1591:
1576:
1565:
1542:
1536:
1525:
1521:
1497:. Retrieved
1490:
1477:
1465:. Retrieved
1459:
1434:. Retrieved
1424:
1399:. Retrieved
1393:
1387:
1383:
1353:
1349:
1345:
1306:Geoff Travis
1243:Steve Hanley
1017:
963:"Choc-Stock"
885:, Mike Leigh
883:Steve Hanley
782:
772:
761:Castle Music
758:
743:
742:opined that
737:
732:
723:
722:
715:
710:
703:
697:
693:Boise Weekly
691:
686:
680:
675:
668:
664:
654:
648:
644:
643:Reviews for
642:
630:
618:
580:
542:
504:
466:
428:
416:
378:
304:
303:
298:
289:
281:The Dice Man
279:
276:
267:
259:
255:
253:
245:Steve Hanley
243:and bassist
228:
218:
208:
202:
185:
184:
183:
168:
160:
159:
150:
112:Step-Forward
39:Studio album
15:
2600:1979 albums
2567:Discography
2536:The Passage
2257:Live albums
1981:Julia Nagle
1932:Paul Hanley
1846:23 February
1738:"The Fall:
1599:. pp.
1436:23 February
1382:"The Fall:
1350:Dub Housing
1298:engineering
850:"Printhead"
2594:Categories
2482:Paint Work
2450:Free Range
2394:Fiery Jack
2082:Shift-Work
1966:Una Baines
1956:Tony Friel
1951:Karl Burns
1946:Marc Riley
1941:Brix Smith
1721:5 November
1499:2 November
1328:References
1285:production
1249:Marc Riley
1074:Fiery Jack
991:"Put Away"
864:"Dice Man"
820:Marc Riley
765:Fiery Jack
278:the novel
274:' "Work".
251:" single.
233:Karl Burns
231:. Drummer
225:Marc Riley
141:chronology
2431:" (1987)
2265:Live 1977
2187:Ersatz GB
2075:Extricate
1805:Stereogum
1461:Billboard
1395:Pitchfork
1354:Pseud Mag
1278:Technical
1226:Personnel
1033:Writer(s)
1018:Dragnet +
924:Writer(s)
801:Writer(s)
759:In 2004,
725:Stereogum
717:Billboard
699:Pitchfork
418:Pitchfork
319:Reception
291:Pitchfork
191:post-punk
85:Post-punk
74:, England
2491:" (1985)
2484:" (1985)
2466:" (2004)
2459:" (1992)
2452:" (1992)
2445:" (1990)
2438:" (1988)
2436:Victoria
2424:" (1987)
2417:" (1986)
2410:" (1985)
2403:" (1980)
2396:" (1980)
2389:" (1979)
2124:Levitate
1908:The Fall
1589:(eds.).
1431:AllMusic
1231:The Fall
755:Reissues
748:AllMusic
343:AllMusic
260:Dragnet'
195:the Fall
139:The Fall
125:The Fall
118:Producer
72:Rochdale
59:Recorded
51:Released
44:the Fall
41: by
2379:Singles
2005:Dragnet
1871:Discogs
1866:Dragnet
1811:6 March
1800:(1979)"
1798:Dragnet
1779:6 March
1774:Vulture
1753:6 March
1740:Dragnet
1685:Dragnet
1522:Dragnet
1467:6 March
1425:Dragnet
1401:21 June
1388:Dragnet
1346:Dragnet
773:Dragnet
769:B-sides
744:Dragnet
733:Dragnet
711:Dragnet
705:Vulture
687:Dragnet
665:Dragnet
645:Dragnet
305:Dragnet
256:Dragnet
209:Dragnet
186:Dragnet
174:(1980)
165:(1979)
161:Dragnet
156:(1979)
24:Dragnet
2233:Slates
2194:Re-Mit
1835:"Fall"
1662:
1630:Sounds
1607:
1601:292–95
1142:Length
1036:Length
927:Length
911:Side B
804:Length
788:Side A
650:Sounds
582:Sounds
423:8.7/10
337:Rating
334:Source
91:Length
67:Studio
1690:Uncut
1487:(PDF)
1218:79:56
1139:Title
1120:63:56
1030:Title
1007:45:42
994:Smith
921:Title
853:Smith
839:Smith
798:Title
729:'
632:Uncut
295:'
264:lo-fi
219:Only
193:band
108:Label
80:Genre
2328:2G+2
1848:2013
1813:2018
1781:2018
1755:2018
1723:2020
1660:ISBN
1605:ISBN
1501:2020
1492:Mojo
1469:2018
1438:2013
1403:2016
1348:vs.
1208:5:06
1197:0:48
1186:1:35
1175:3:53
1164:0:33
1153:4:05
1110:3:26
1096:1:59
1082:4:43
1064:4:05
1050:4:01
997:3:26
983:7:56
969:2:37
955:4:55
941:3:43
902:3:07
888:4:31
870:1:45
856:3:15
842:6:08
828:3:48
637:8/10
625:8/10
380:Mojo
223:and
2218:EPs
1869:at
1710:NME
1687:".
1524:".
1352:".
1202:22.
1191:21.
1180:20.
1169:19.
1158:18.
1147:17.
1135:No.
1101:16.
1087:15.
1069:14.
1055:13.
1041:12.
1026:No.
917:No.
794:No.
670:NME
284:by
2596::
1837:.
1829:;
1802:.
1772:.
1744:.
1707:.
1683:/
1654:.
1619:^
1603:.
1585:;
1553:^
1509:^
1489:.
1458:.
1446:^
1429:.
1411:^
1392:.
1386:/
1362:^
1336:^
988:5.
974:4.
960:3.
946:2.
932:1.
893:6.
875:5.
861:4.
847:3.
833:2.
822:,
818:,
809:1.
673:.
659:,
100:42
96:45
2487:"
2480:"
2462:"
2455:"
2448:"
2441:"
2434:"
2427:"
2420:"
2413:"
2406:"
2399:"
2392:"
2385:"
1900:e
1893:t
1886:v
1850:.
1815:.
1796:"
1783:.
1757:.
1725:.
1668:.
1633:.
1613:.
1527:Q
1503:.
1471:.
1440:.
1423:"
1405:.
1390:"
1072:"
707:'
682:Q
430:Q
206:,
98::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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