Knowledge

Dilate (Bardo Pond album)

Source πŸ“

373: 335: 368: 363: 358: 353: 330: 325: 320: 315: 273: 268: 263: 258: 253: 456:
gave the album 4 stars out of 5, praising the band's "predilection for taking potentially horrid elements and dragging them off to a place of rare beauty. In the end, you gleefully submit to random moments of extreme-pressure heaviosity like β€˜Sunrise’: vocalist Isobel Sollenberger repeatedly sighing
524:
wrote that "he band seem no longer to have anything new or interesting to impart. What's more, they have abandoned the melodic ideas that so perfectly crystallised their spaced intentions on previous efforts. With Dilate, one track ambles into the next, with little to distinguish what is being, has
427:
picked the album as the best in the band's discography, with Heather Phares writing that it "cuts through the dense, smoky haze of Set and Setting and Lapsed to deliver its most refined collection to date. Bardo Pond's roaring guitars, trippy flutes, and pummeling drums are all still in place, but
428:
now the group uses them sparingly instead of in heroic doses. Indeed, the album's best moments mix equally vast amounts of noise and space, giving Dilate an appropriately expansive feel." In a similarly positive review,
500:
surpasses Bardo Pond's earlier albums in both beauty and scope and, without resorting to mere studio trickery, features the kind of attention to sonic detail that too few guitar-based groups attempt these days."
525:
been, or will be said. And when you've heard it all before, what reason is there to stick around to hear it again, rehashed and without half the enthusiasm or vigour of days past?"
29: 514:: "sometimes they sound downright clunky, but sometimes their labor pays off: the violin playing of Isobel Sollenberger (whose singing lately sounds nearly as dyspeptic as 518:'s) may be rudimentary at best, but it blends nicely with the acidic wash of electric and acoustic guitars played by John and Michael Gibbons." G.C.Weeks of 442:
than with most heavy rock" & called it "out of step with today's reigning popular culture". Describing the sound of the album as a combination of
849: 1050: 490:." "Equal parts spaced-out folk, riff-heavy psychedelia, and ambient experimentation," wrote Lawrence Daniel Caswell for 1223: 480:, who noted the album's "looser, more spontaneous feel" & praised the band's risk-taking. Sean Palmerston of 984: 686: 439: 282: 1218: 959: 1118: 768: 1043: 1142: 486:
compared the "remarkable" album to "the heavier guitar-based bands of their first wave of German
170: 871: 674: 1213: 700: 429: 294: 8: 1036: 753: 475: 1174: 859: 520: 885: 728: 934: 827: 806: 788: 910: 748: 515: 435: 85: 1166: 1126: 714: 492: 404: 382: 306: 147: 140: 1192: 1158: 1134: 510: 505: 466: 188: 464:
of non sequiturs she unquestionably is." "While it isn't quite as glorious as
1207: 1008: 135: 670: 461: 458: 419:
has received highly positive reviews from critics upon release. It has a
110: 100: 73: 1059: 773: 646:
John Culver – Farfisa organ ("Two Planes", "Inside"), Drums ("Sunrise")
447: 420: 400: 222: 157: 90: 80: 41: 474:
does offer a good deal of interesting material" wrote Brendan Reid of
487: 105: 482: 424: 245: 95: 28: 423:
score of 82 based on 10 reviews indicating "niversal acclaim".
1028: 443: 36: 733: 452: 344: 829:
Dilate - Bardo Pond | Songs, Reviews, Credits | AllMusic
434:
magazine noted that the album "has more in common with
1009:"Albums: Bardo Pond | Dilate (Matador) by G. C. Weeks" 890:
NME | Music, Film, TV, Gaming & Pop Culture News
1205: 637:John Gibbons – Guitars, Synthesizer, Percussion 504:The album received some mixed reviews as well. 250: 1044: 649:Ed Farnsworth – Drums (except "Sunrise) 350: 312: 634:Isobel Sollenberger – Vocals, Flute, Violin 1051: 1037: 848:Inc, Nielsen Business Media (2001-05-12). 27: 982: 403:. It was released on April 24, 2001, on 1206: 570: 1032: 729:"Bardo Pond : Dilate | NME" 231: 208: 957: 847: 640:Michael Gibbons – Guitars, Producer 533: 252: 16:2001 studio album by Bardo Pond 13: 14: 1235: 618:"Summerflux" – 4:19 (bonus track) 352: 314: 68:The Lemur House, Philadelphia, PA 886:"Bardo Pond : Dilate | NME" 528: 371: 366: 361: 356: 351: 333: 328: 323: 318: 313: 271: 266: 261: 256: 251: 1001: 983:Margasak, Peter (24 May 2001). 976: 951: 927: 903: 878: 841: 820: 1058: 854:. Nielsen Business Media, Inc. 799: 781: 761: 741: 721: 707: 693: 679: 663: 457:β€œWatch it haaaappen” like the 152:Michael Gibbons and Bardo Pond 1: 656: 399:is the fifth studio album by 628: 410: 7: 60:October 1998 – October 2000 10: 1240: 958:Caswell, Lawrence Daniel. 1185: 1110: 1066: 585:"Despite the Roar" – 7:07 557:"Despite the Roar" – 7:07 239: 236: 216: 213: 164: 156: 146: 134: 118: 72: 64: 56: 48: 35: 26: 21: 749:"Pitchfork Media review" 718:May 2001 issue, page 100 704:May 2001 issue, page 71 604:"Favorite Uncle" – 5:58 551:"Favorite Uncle" – 5:58 415:Like its predecessors, 1224:Matador Records albums 769:"Dilate by Bardo Pond" 652:Greg Calbi – Mastering 440:contemporary classical 737:. September 12, 2005. 669:Phares, Heather. 1081:Isobel Sollenberger 985:"Mogwai, Bardo Pond" 911:"Bardo Pond: Dilate" 808:Dilate by Bardo Pond 701:Entertainment Weekly 295:Entertainment Weekly 204:Professional ratings 935:"Bardo Pond Dilate" 789:"Bardo Pond Dilate" 690:issue #155, page 68 643:Clint Takeda – Bass 571:Vinyl track listing 205: 870:has generic name ( 579:"Two Planes – 7:26 539:"Two Planes – 7:26 521:Comes with a Smile 450:, Noel Gardner of 203: 1219:Bardo Pond albums 1201: 1200: 687:Alternative Press 392: 391: 283:Alternative Press 201: 200: 197: 196: 1231: 1186:Related articles 1091:Jason Kourkonis 1076:Michael Gibbons 1053: 1046: 1039: 1030: 1029: 1023: 1022: 1020: 1019: 1005: 999: 998: 996: 995: 980: 974: 973: 971: 970: 955: 949: 948: 946: 945: 931: 925: 924: 922: 921: 907: 901: 900: 898: 897: 882: 876: 875: 869: 865: 863: 855: 845: 839: 838: 837: 836: 824: 818: 817: 816: 815: 803: 797: 796: 785: 779: 778: 765: 759: 758: 745: 739: 738: 725: 719: 711: 705: 697: 691: 683: 677: 667: 624:"Ganges" – 11:23 596:"Aphasia" – 6:02 593:"Inside" – 11:43 582:"Sunrise" – 5:26 566:"Ganges" – 11:23 548:"Aphasia" – 6:02 545:"Inside" – 11:43 542:"Sunrise" – 5:26 534:CD track listing 516:Jennifer Herrema 376: 375: 374: 370: 369: 365: 364: 360: 359: 355: 354: 338: 337: 336: 332: 331: 327: 326: 322: 321: 317: 316: 276: 275: 274: 270: 269: 265: 264: 260: 259: 255: 254: 209:Aggregate scores 206: 202: 166: 165: 130: 129: 125: 86:psychedelic rock 31: 19: 18: 1239: 1238: 1234: 1233: 1232: 1230: 1229: 1228: 1204: 1203: 1202: 1197: 1181: 1167:Ticket Crystals 1143:Set and Setting 1106: 1062: 1057: 1027: 1026: 1017: 1015: 1007: 1006: 1002: 993: 991: 981: 977: 968: 966: 964:Cleveland Scene 956: 952: 943: 941: 933: 932: 928: 919: 917: 909: 908: 904: 895: 893: 884: 883: 879: 867: 866: 857: 856: 846: 842: 834: 832: 826: 825: 821: 813: 811: 805: 804: 800: 787: 786: 782: 767: 766: 762: 747: 746: 742: 727: 726: 722: 712: 708: 698: 694: 684: 680: 668: 664: 659: 631: 573: 536: 531: 493:Cleveland Scene 413: 405:Matador Records 383:Pitchfork Media 372: 367: 362: 357: 334: 329: 324: 319: 272: 267: 262: 257: 192: 183: 174: 171:Set and Setting 141:Matador Records 127: 123: 122: 44: 17: 12: 11: 5: 1237: 1227: 1226: 1221: 1216: 1199: 1198: 1196: 1195: 1193:Hash Jar Tempo 1189: 1187: 1183: 1182: 1180: 1179: 1171: 1163: 1159:On the Ellipse 1155: 1147: 1139: 1131: 1123: 1114: 1112: 1108: 1107: 1105: 1104: 1101: 1098: 1094: 1093: 1088: 1083: 1078: 1073: 1067: 1064: 1063: 1056: 1055: 1048: 1041: 1033: 1025: 1024: 1013:cwas.hinah.com 1000: 989:Chicago Reader 975: 950: 926: 902: 877: 840: 819: 798: 780: 760: 740: 720: 706: 692: 678: 661: 660: 658: 655: 654: 653: 650: 647: 644: 641: 638: 635: 630: 627: 626: 625: 622: 619: 612: 611: 608: 605: 598: 597: 594: 587: 586: 583: 580: 572: 569: 568: 567: 564: 561: 558: 555: 552: 549: 546: 543: 540: 535: 532: 530: 527: 511:Chicago Reader 506:Peter Margasak 412: 409: 390: 389: 386: 378: 377: 348: 340: 339: 310: 302: 301: 298: 290: 289: 286: 278: 277: 248: 242: 241: 238: 234: 233: 229: 228: 225: 219: 218: 215: 211: 210: 199: 198: 195: 194: 189:On the Ellipse 185: 176: 162: 161: 154: 153: 150: 144: 143: 138: 132: 131: 120: 116: 115: 114: 113: 108: 103: 98: 93: 88: 83: 76: 70: 69: 66: 62: 61: 58: 54: 53: 52:April 24, 2001 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1236: 1225: 1222: 1220: 1217: 1215: 1212: 1211: 1209: 1194: 1191: 1190: 1188: 1184: 1177: 1176: 1172: 1169: 1168: 1164: 1161: 1160: 1156: 1153: 1152: 1148: 1145: 1144: 1140: 1137: 1136: 1132: 1129: 1128: 1124: 1121: 1120: 1119:Bufo Alvarius 1116: 1115: 1113: 1109: 1102: 1100:Ed Farnsworth 1099: 1096: 1095: 1092: 1089: 1087: 1086:Clint Takeda 1084: 1082: 1079: 1077: 1074: 1072: 1071:John Gibbons 1069: 1068: 1065: 1061: 1054: 1049: 1047: 1042: 1040: 1035: 1034: 1031: 1014: 1010: 1004: 990: 986: 979: 965: 961: 954: 940: 936: 930: 916: 912: 906: 891: 887: 881: 873: 861: 853: 852: 844: 831: 830: 823: 810: 809: 802: 794: 790: 784: 776: 775: 770: 764: 756: 755: 750: 744: 736: 735: 730: 724: 717: 716: 710: 703: 702: 696: 689: 688: 682: 676: 672: 666: 662: 651: 648: 645: 642: 639: 636: 633: 632: 623: 620: 617: 616: 615: 609: 607:"Swig" – 4:22 606: 603: 602: 601: 595: 592: 591: 590: 584: 581: 578: 577: 576: 565: 562: 559: 556: 554:"Swig" – 4:22 553: 550: 547: 544: 541: 538: 537: 529:Track listing 526: 523: 522: 517: 513: 512: 507: 502: 499: 495: 494: 489: 485: 484: 479: 478: 473: 469: 468: 463: 460: 455: 454: 449: 445: 441: 437: 433: 432: 426: 422: 418: 408: 406: 402: 398: 397: 387: 385: 384: 380: 379: 349: 347: 346: 342: 341: 311: 309: 308: 304: 303: 299: 297: 296: 292: 291: 287: 285: 284: 280: 279: 249: 247: 244: 243: 235: 232:Review scores 230: 226: 224: 221: 220: 212: 207: 191: 190: 186: 182: 181: 177: 173: 172: 168: 167: 163: 159: 155: 151: 149: 145: 142: 139: 137: 133: 121: 117: 112: 109: 107: 104: 102: 99: 97: 94: 92: 89: 87: 84: 82: 79: 78: 77: 75: 71: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1173: 1165: 1157: 1150: 1149: 1141: 1133: 1125: 1117: 1090: 1085: 1080: 1075: 1070: 1016:. Retrieved 1012: 1003: 992:. Retrieved 988: 978: 967:. Retrieved 963: 960:"Bardo Pond" 953: 942:. Retrieved 938: 929: 918:. Retrieved 914: 905: 894:. Retrieved 892:. 2005-09-12 889: 880: 850: 843: 833:, retrieved 828: 822: 812:, retrieved 807: 801: 792: 783: 772: 763: 752: 743: 732: 723: 713: 709: 699: 695: 685: 681: 665: 621:"Hum" – 3:43 613: 610:"Lb." – 8:31 599: 588: 574: 563:"Hum" – 3:43 560:"Lb." – 8:31 519: 509: 503: 497: 491: 481: 476: 471: 465: 451: 430: 416: 414: 395: 394: 393: 381: 343: 305: 293: 281: 187: 179: 178: 169: 37:Studio album 1214:2001 albums 1103:Aaron Igler 868:|last= 462:Grace Slick 101:stoner rock 1208:Categories 1175:Bardo Pond 1097:Joe Culver 1060:Bardo Pond 1018:2021-01-03 994:2021-01-03 969:2021-01-03 944:2021-01-03 939:exclaim.ca 920:2021-01-03 896:2021-01-03 835:2021-01-03 814:2021-01-03 793:exclaim.ca 774:Metacritic 657:References 508:wrote for 459:millennial 448:Spacemen 3 436:avant-jazz 421:Metacritic 401:Bardo Pond 223:Metacritic 160:chronology 158:Bardo Pond 91:noise rock 81:Space rock 42:Bardo Pond 915:Pitchfork 860:cite book 851:Billboard 754:Pitchfork 629:Personnel 488:Krautrock 477:Pitchfork 431:Billboard 411:Reception 106:post-rock 675:AllMusic 483:Exclaim! 425:AllMusic 246:AllMusic 148:Producer 96:shoegaze 57:Recorded 49:Released 39: by 1127:Amanita 614:Side D 600:Side C 589:Side B 575:Side A 193:(2003) 184:(2001) 175:(1999) 1178:(2010) 1170:(2006) 1162:(2003) 1154:(2001) 1151:Dilate 1146:(1999) 1138:(1997) 1135:Lapsed 1130:(1996) 1122:(1995) 1111:Albums 671:Dilate 498:Dilate 472:Dilate 467:Lapsed 417:Dilate 396:Dilate 388:7.5/10 240:Rating 237:Source 227:82/100 217:Rating 214:Source 180:Dilate 119:Length 65:Studio 22:Dilate 444:Kyuss 136:Label 111:drone 74:Genre 872:help 715:Mojo 446:and 438:and 307:Mojo 734:NME 673:at 496:, " 453:NME 345:NME 288:4/5 1210:: 1011:. 987:. 962:. 937:. 913:. 888:. 864:: 862:}} 858:{{ 791:. 771:. 751:. 731:. 470:, 407:. 300:B+ 128:41 124:71 1052:e 1045:t 1038:v 1021:. 997:. 972:. 947:. 923:. 899:. 874:) 795:. 777:. 757:. 126::

Index


Studio album
Bardo Pond
Genre
Space rock
psychedelic rock
noise rock
shoegaze
stoner rock
post-rock
drone
Label
Matador Records
Producer
Bardo Pond
Set and Setting
On the Ellipse
Metacritic
AllMusic
Alternative Press
Entertainment Weekly
Mojo
NME
Pitchfork Media
Bardo Pond
Matador Records
Metacritic
AllMusic
Billboard
avant-jazz

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑