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Set and Setting (album)

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22: 518:-pulling strains of Set and Setting become utterly more infectious with each new spin The band is at their most effective on instrumental cuts like "Datura" and the violin-based "Cross Current." Here, sounds get their most stretched out and visual. On the whole, is another cohesive step forward, a slow parade of seductive experimentation and noise that crawls on rock's foundation and doesn't care what anyone thinks. Imagine then, 410: 372: 339: 334: 405: 400: 395: 390: 367: 362: 357: 329: 324: 319: 506:
work a decidedly celestial groove, as Bardo Pond has evolved, its grooves have become more scuzzy, vaguely blues-inspired and covered with a sticky layer of big-city grime, creosote and resin. It's space-rock at its stoned and sludgy best."
476:, "this time around it seems that Bardo Pond has got it all right. Basing song structures in heavy blues riffs (the natural beginning to the psychedelic movement anyway), the band moves away from confusing swirls of 1996’s 131: 470:
and smoking a bag of something interesting." "While their last two records have been more concerned with sonic crunch than actual songwriting," wrote Sean Palmerston for
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luminaries, but it also sees the band on a different course from some of its drone-rock colleagues Where bands like
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and streamlines their direction into more direct, harder-hitting songs. Just don’t expect them to be touring with
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bands anytime soon – for my money, they’re still the closest thing left to real
948: 914: 890: 477: 259: 963: 712: 494: 459: 454: 437: 523: 489: 224: 519: 485: 463: 199: 184: 167: 130: 815: 514:'s Matt Kantor gave the album a very positive review, writing that "he 499: 429: 246: 189: 174: 143: 21: 620: 511: 472: 311: 194: 498:
wrote that the album "rightly positions Bardo Pond among today's
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John Gibbons – Synthesizer, Guitar, Percussion, Feedback
526:; Set and Setting probably sounds something like that." 458:
praised the album, describing it as a combination of "
642:"The Boston Phoenix October 1-7, 1999: Vol 28 Iss 40" 46:. Unsourced material may be challenged and removed. 961: 572:Michael Gibbons – Synthesizer, Guitar, Producer 436:. The album's title comes from the writings of 800: 387: 354: 316: 807: 793: 129: 106:Learn how and when to remove this message 432:. It was released on August 10, 1999 on 962: 788: 610: 608: 297: 566:Isobel Sollenberger – Violin, Vocals 424:is the fourth album by the American 44:adding citations to reliable sources 15: 750: 578:Ed Farnsworth – Drums (tracks 1, 3) 118:1999 studio album by Bardo Pond 13: 605: 581:Joe Culver – Drums (tracks 2, 4–8) 14: 991: 751:Inc, CMJ Network (October 1999). 591:Dan Wittels – Harmonica (track 1) 575:Clint Takeda – Bass, Snake Guitar 389: 356: 318: 529: 408: 403: 398: 393: 388: 370: 365: 360: 355: 337: 332: 327: 322: 317: 20: 644:. Boston Phoenix. October 1999. 31:needs additional citations for 814: 744: 720: 708:"Bardo Pond - Set and Setting" 700: 674: 648: 634: 538:"This Time (So Fucked)" – 4:00 1: 598: 162:Lemur House, Philadelphia, PA 728:"Bardo Pond Set and Setting" 560: 522:strewn across the desert on 443: 55:"Set and Setting" album 7: 535:"Walking Stick Man" – 11:01 241:Bardo Pond, Michael Gibbons 10: 996: 448:The critical reception to 941: 866: 822: 305: 302: 253: 245: 235: 223: 207: 166: 158: 150: 137: 128: 123: 594:Jim Salamone – Mastering 510:Despite a mixed score, 980:Matador Records albums 550:"Cross Current" – 6:36 754:CMJ New Music Monthly 837:Isobel Sollenberger 586:Additional personnel 504:Flying Saucer Attack 452:was quite positive. 293:Professional ratings 40:improve this article 757:. CMJ Network, Inc. 686:. C. Parker. 2006. 662:. 12 September 2005 553:"Crawl Away" – 9:26 468:My Bloody Valentine 294: 773:has generic name ( 349:The Boston Phoenix 292: 975:Bardo Pond albums 957: 956: 656:"Set And Setting" 417: 416: 290: 289: 286: 285: 116: 115: 108: 90: 987: 942:Related articles 847:Jason Kourkonis 832:Michael Gibbons 809: 802: 795: 786: 785: 779: 778: 772: 768: 766: 758: 748: 742: 741: 739: 738: 724: 718: 717: 704: 698: 697: 678: 672: 671: 669: 667: 652: 646: 645: 638: 632: 631: 629: 628: 612: 426:psychedelic rock 413: 412: 411: 407: 406: 402: 401: 397: 396: 392: 391: 375: 374: 373: 369: 368: 364: 363: 359: 358: 342: 341: 340: 336: 335: 331: 330: 326: 325: 321: 320: 295: 291: 255: 254: 219: 218: 214: 180:psychedelic rock 133: 121: 120: 111: 104: 100: 97: 91: 89: 48: 24: 16: 995: 994: 990: 989: 988: 986: 985: 984: 960: 959: 958: 953: 937: 923:Ticket Crystals 899:Set and Setting 862: 818: 813: 783: 782: 770: 769: 760: 759: 749: 745: 736: 734: 726: 725: 721: 706: 705: 701: 694: 680: 679: 675: 665: 663: 654: 653: 649: 640: 639: 635: 626: 624: 614: 613: 606: 601: 563: 541:"Datura" – 8:02 532: 450:Set and Setting 446: 434:Matador Records 421:Set and Setting 409: 404: 399: 394: 371: 366: 361: 338: 333: 328: 323: 281: 272: 269:Set and Setting 263: 230:Matador Records 216: 212: 211: 154:August 10, 1999 146: 124:Set and Setting 119: 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 993: 983: 982: 977: 972: 955: 954: 952: 951: 949:Hash Jar Tempo 945: 943: 939: 938: 936: 935: 927: 919: 915:On the Ellipse 911: 903: 895: 887: 879: 870: 868: 864: 863: 861: 860: 857: 854: 850: 849: 844: 839: 834: 829: 823: 820: 819: 812: 811: 804: 797: 789: 781: 780: 743: 719: 699: 692: 673: 647: 633: 603: 602: 600: 597: 596: 595: 592: 588: 587: 583: 582: 579: 576: 573: 570: 567: 562: 559: 558: 557: 554: 551: 548: 545: 544:"Again" – 6:33 542: 539: 536: 531: 528: 445: 442: 415: 414: 385: 377: 376: 352: 344: 343: 314: 308: 307: 304: 300: 299: 288: 287: 284: 283: 274: 265: 251: 250: 243: 242: 239: 233: 232: 227: 221: 220: 209: 205: 204: 203: 202: 197: 192: 187: 182: 177: 170: 164: 163: 160: 156: 155: 152: 148: 147: 142: 135: 134: 126: 125: 117: 114: 113: 28: 26: 19: 9: 6: 4: 3: 2: 992: 981: 978: 976: 973: 971: 968: 967: 965: 950: 947: 946: 944: 940: 933: 932: 928: 925: 924: 920: 917: 916: 912: 909: 908: 904: 901: 900: 896: 893: 892: 888: 885: 884: 880: 877: 876: 875:Bufo Alvarius 872: 871: 869: 865: 858: 856:Ed Farnsworth 855: 852: 851: 848: 845: 843: 842:Clint Takeda 840: 838: 835: 833: 830: 828: 827:John Gibbons 825: 824: 821: 817: 810: 805: 803: 798: 796: 791: 790: 787: 776: 764: 756: 755: 747: 733: 729: 723: 715: 714: 713:Head Heritage 709: 703: 695: 693:9780955154102 689: 685: 684: 677: 661: 657: 651: 643: 637: 623: 622: 617: 611: 609: 604: 593: 590: 589: 585: 584: 580: 577: 574: 571: 568: 565: 564: 555: 552: 549: 547:"Lull" – 2:16 546: 543: 540: 537: 534: 533: 530:Track listing 527: 525: 521: 517: 513: 508: 505: 501: 497: 496: 495:CMJ New Music 491: 487: 483: 479: 475: 474: 469: 465: 461: 457: 456: 455:Head Heritage 451: 441: 439: 438:Timothy Leary 435: 431: 427: 423: 422: 386: 384: 383: 379: 378: 353: 351: 350: 346: 345: 315: 313: 310: 309: 301: 298:Review scores 296: 280: 279: 275: 271: 270: 266: 262: 261: 257: 256: 252: 248: 244: 240: 238: 234: 231: 228: 226: 222: 210: 206: 201: 198: 196: 193: 191: 188: 186: 183: 181: 178: 176: 173: 172: 171: 169: 165: 161: 157: 153: 149: 145: 140: 136: 132: 127: 122: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: β€“  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 929: 921: 913: 905: 898: 897: 889: 881: 873: 846: 841: 836: 831: 826: 753: 746: 735:. Retrieved 731: 722: 711: 702: 682: 676: 664:. Retrieved 659: 650: 636: 625:. 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"Set and Setting" album
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Studio album
Bardo Pond
Genre
Space rock
psychedelic rock
stoner rock
noise rock
shoegaze
drone
Label
Matador Records
Producer
Bardo Pond
Lapsed
Dilate
Allmusic
The Boston Phoenix
NME

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