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During the late 1950s and early 1960s the courses were charged with a perceived lack of interest on the part of some of its zealot followers in any music not matching the uncompromisingly modern views of Pierre Boulez – the "party subservience" of the "clique orthodoxy" of a "sect", in the words of
338:
A first series were courses, lectures and concerts from 25 August to 21 September. They were followed by public concerts and lectures, titled "Internationale zeitgenössische
Musiktage" (International contemporary music days) from 22 to 29 September, held in collaboration with the city of Darmstadt,
606:
For the organisation of the event, the
Internationales Musikinstitut Darmstadt was founded in 1948. It also keeps an archive of past events and compositions. It holds around 20,000 photographs, 10,000 letters, sound files and other documents, available online since 2016. The event is sponsored by
190:, Germany. It was founded in 1946, under the name "Ferienkurse für Internationale Neue Musik Darmstadt" (Vacation Courses of International New Music in Darmstadt), as a gathering with lectures and concerts over several summer weeks. Composers, performers, theorists and philosophers of
873:, written in 1962 in an effort to "make the public believe that the most advanced music of the day was no more than a fancy cooked up by a bunch of aberrant conspirators conniving at war against music proper." This led to the use of the phrase "
17:
1171:
616:
203:
1125:
226:
450:
It was the first forum of contemporary music in
Germany after World War II, including music theory and philosophy. Lectures were held by instructors such as
819:
263:
The courses were first held annually, lasting for about twelve days. From 1970, they have been held biennially for two to three weeks. The first venue was
198:
er
Musikinstitut, which was renamed Internationales Musikinstitut Darmstadt (IMD). It is regarded as a leading international forum of contemporary and
271:
in
Darmstadt. Beginning in 1949, public buildings in Darmstadt have been used not only for some concerts as in the beginning, but also for courses.
370:
320:
419:
During the first years of the event, a focus was on German premieres of works, sometimes decades after their composition, by composers such as
246:
43:
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visited, presenting their work and aesthetic in composition classes, and contributing to worldwide recognition of the institution.
251:
1461:
1447:
1428:
1388:
963:
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in 1949. That year, a symphony concert was dedicated exclusively to
Schoenberg's works, including the German premiere of his
260:(1981–94), Solf Schaefer (1995–2009), and Thomas Schäfer, who has been artistic director and president of the IMD from 2009.
1043:
1544:
922:
However, although
Messiaen paid "a brief visit" to the courses in 1949, "he neither taught students nor lectured" there.
984:
447:, honouring his 75th birthday. The 70th birthday of Webern was honoured with a concert of his chamber music in 1953.
440:
1529:
1335:
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presented their radical approach and theories. They are sometimes referred to as the "Darmstädter Schule" (
444:
208:
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61:
1011:
955:
436:
299:". During that time, representatives of the modernist movement had been expelled, silenced, or murdered.
1539:
1499:
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being written at that time by himself and composers such as Boulez, Maderna, Stockhausen, Berio, and
783:
279:
The
Ferienkurse were founded to reconnect Germany to the international scene in classical music, as
839:
564:
264:
695:
344:
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728:
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has published recordings, often documenting world premieres and first performances in
Germany.
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520:
512:
49:
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8:
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182:("Darmstadt Summer Course") is a regular summer event of contemporary classical music in
1299:
The
Sanctification of Misapprehension into a Doctrine: Darmstadt Epigones and Xenophobes
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Notable performers instructed in new playing techniques, and works by young composers (
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1126:"70 Jahre Darmstädter Ferienkurse für Neue Musik Stockhausen, Nono und die anderen"
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met first annually until 1970, and then biennially. The event was organised by the
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The courses presented in 70 years around 5,000 world premieres. The record label
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Recipients include performers (with their instrument listed) and composers:
416:'s String Quartet No. 6 (1943) received their first performance in Germany.
870:
851:
677:
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195:
1421:
Von Kranichstein zur Gegenwart 1946–1996. 50 Jahre Darmstädter Ferienkurse
980:"Darmstädter Ferienkurse 2020 / Internationale Ferienkurse für Neue Musik"
470:, offering critical reflection of advanced composition. Composers such as
857:
670:
483:
268:
1312:
799:
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was installed in 1952, first for performers, then also for composers.
885:) as a pejorative term, implying a "mathematical", rule-based music.
878:
487:
357:
292:
242:
183:
89:
1166:
295:) had been systematically suppressed by the Nazis from 1933 as "
388:'s sonata for solo flute, a trio for flute, viola and cello by
355:, "Zeitgenössische deutsche Kunst", and also Carl Orff's opera
241:, then responsible for culture in the municipal government of
1089:"Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946"
187:
1383:. Music since 1900. Cambridge: Cambridge University Press.
1381:
New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez
877:" (coined originally in 1957 by Luigi Nono to describe the
601:
1375:
Includes a photo of Brown and Bruno Maderna in Darmstadt.
307:
The first event in 1946 offered courses in conducting by
245:. He directed them until his death in 1961, succeeded by
1319:(in German). Zürich and Freiburg im Breisgau: Atlantis.
607:
several organisations, especially public broadcasters.
369:. Concerts presented several world premieres, such as
1497:
202:
with a focus on composition. The festival awards the
1275:. Darmstadt: Internationales Musikinstitut Darmstadt
1222:
18:
Darmstadt International Summer Courses for New Music
1186:
1159:
1198:
1521:
1210:
947:
1454:MusikKonzepte Sonderband Darmstadt-Dokumente I
1005:
1003:
33:
1044:"Internationale Ferienkurse für Neue Musik"
943:
941:
939:
1153:
1151:
1149:
237:The Ferienkurse were initiated in 1946 by
1456:(Munich: edition text und kritik, 1999),
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1075:
1073:
1071:
1069:
1067:
1065:
1037:
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1000:
948:Applegate, Celia; Potter, Pamela (2002).
1161:"Darmstädter Ferienkurse: Im Fruchtland"
1157:
936:
503:
323:, voice by Elisabeth Delseit, violin by
225:
1293:
1287:
1270:"Kranichsteiner Musikpreis Chronologie"
1249:Internationales Musikinstitut Darmstadt
1146:
1119:
1117:
1115:
1113:
1096:Internationales Musikinstitut Darmstadt
602:Internationales Musikinstitut Darmstadt
351:. Events included an exhibition of the
14:
1522:
1239:
1237:
1062:
1030:
1442:, 4 vols. (Freiburg: Rombach, 1997),
1378:
1340:Earle Brown: Selected Works 1952–1965
1333:
1301:. Translated by Prescod Jokel, Sonia.
1228:
1204:
1192:
1123:
913:literally: Darmstadt Vacation Courses
1406:Darmstädter Beiträge zur Neuen Musik
1349:
1311:
1305:
1216:
1110:
213:for performers and young composers.
1234:
1158:Hagedorn, Volker (13 August 2016).
1041:
1009:
493:
327:, opera direction by Bruno Hey and
24:
1398:
985:Deutsches Musikinformationszentrum
972:
951:Music and German National Identity
396:for flute, piano and strings, and
283:forms of classical music (such as
25:
1561:
1468:
1350:Beal, Amy C. (June–August 2007).
1124:Eckle, Barbara (12 August 2016).
1507:
1423:(Stuttgart: DACO-Verlag, 1996),
1408:(Mainz: Schott Music, 1958ff.),
1174:from the original on Feb 4, 2024
361:, and the award ceremony of the
42:
1352:"An Interview with Earle Brown"
1262:
1098:(in German). pp. 1, 27, 33
916:
1317:Texte, Studien zu seiner Musik
907:
610:
519:Composers such as, initially,
167:.internationales-musikinstitut
27:Festival of contemporary music
13:
1:
1488:Darmstadt in den 90er Jahren?
929:
888:
274:
863:
594:) were offered in so-called
439:was played in 1948, and his
394:Kranichsteiner Kammerkonzert
380:'s string sextet, Fortner's
302:
62:Contemporary classical music
7:
1012:"Kranichsteiner Musikpreis"
956:University of Chicago Press
221:
102:; 78 years ago
10:
1566:
1545:Music festivals in Germany
1327:
1315:(1975). Stenzl, J. (ed.).
497:
353:Neue Darmstädter Sezession
258:Friedrich Ferdinand Hommel
216:
1371:10.1080/07494460701414223
1359:Contemporary Music Review
1048:darmstadt-stadtlexikon.de
1016:darmstadt-stadtlexikon.de
617:Kranichsteiner Musikpreis
331:, and music criticism by
204:Kranichsteiner Musikpreis
159:
147:
124:
114:
96:
85:
68:
57:
41:
34:
32:
900:
565:Gottfried Michael Koenig
265:Jagdschloss Kranichstein
1336:"Earle Brown: A Sketch"
410:Symphonie in einem Satz
343:, and the broadcasters
180:Darmstädter Ferienkurse
64:in courses and concerts
35:Darmstädter Ferienkurse
1419:Rudolf Stephan (ed.):
1379:Iddon, Martin (2013).
1050:(in German). Darmstadt
1018:(in German). Darmstadt
765:Steffen Schleiermacher
516:
289:Second Viennese School
234:
1530:20th century in music
696:Detlev Müller-Siemens
521:Karlheinz Stockhausen
513:Karlheinz Stockhausen
507:
345:Süddeutscher Rundfunk
229:
78:bi-annually from 1972
75:annually 1946 to 1970
50:Karlheinz Stockhausen
1440:Im Zenit der Moderne
958:. pp. 209–210.
846:Simon Steen-Andersen
784:Joël-François Durand
598:(atelier concerts).
592:Nachwuchskomponisten
441:String Quartet No. 4
829:, Seth Wrightington
549:Niccolò Castiglioni
460:Heinz-Klaus Metzger
363:Georg Büchner Prize
313:musical composition
285:expressionist music
151:City of Darmstadt,
818:2002 Nam-Kuk Kim,
553:Franco Evangelisti
517:
309:Carl Mathieu Lange
239:Wolfgang Steinecke
235:
231:Wolfgang Steinecke
200:experimental music
192:contemporary music
119:Wolfgang Steinecke
1540:Modernism (music)
1462:978-3-88377-487-9
1448:978-3-7930-9138-7
1434:Gianmario Borio,
1429:978-3-87135-028-3
1390:978-1-107-03329-0
1344:New World Records
1338:, liner notes to
1042:Krebber, Jürgen.
1010:Krebber, Jürgen.
988:(in German). 2020
965:978-0-22-602131-7
741:Robert H.P. Platz
581:Brian Ferneyhough
577:Helmut Lachenmann
452:Theodor W. Adorno
177:
176:
16:(Redirected from
1557:
1512:
1511:
1510:
1503:
1480:
1479:
1477:Official website
1394:
1374:
1365:(3–4): 341–356.
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1131:Der Tagesspiegel
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875:Darmstadt School
828:
820:Martin Schüttler
772:Luca Francesconi
689:Suzanne Stephens
649:Jerome Lowenthal
642:Marion Zarzeczna
635:Karlheinz Zöller
625:
585:Darmstadt School
557:Karel Goeyvaerts
500:Darmstadt School
494:Darmstadt School
476:Olivier Messiaen
421:Arnold Schönberg
398:Hölderlin-Lieder
392:(1923), Henze's
379:
317:Wolfgang Fortner
297:degenerate music
255:
212:
173:
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110:
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103:
92:, many locations
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1514:Classical music
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1490:(in German) in
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1436:Hermann Danuser
1401:
1399:Further reading
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840:Tatjana Kozlova
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814:Jennifer Walshe
794:Chaya Czernowin
753:Richard Barrett
747:Bernardo Kuczer
723:Clarence Barlow
664:Wolfgang Gayler
619:
613:
604:
596:Atelierkonzerte
569:Giacomo Manzoni
545:Franco Donatoni
502:
496:
445:Violin Concerto
435:. Schoenberg's
429:Igor Stravinsky
402:Hermann Reutter
373:
349:Radio Frankfurt
329:Walter Jockisch
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206:
163:
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137:Music theorists
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81:
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5:
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1550:Music in Hesse
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1496:
1495:
1484:Karlheinz Essl
1481:
1470:
1469:External links
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700:Moya Henderson
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561:Mauricio Kagel
498:Main article:
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468:Rudolf Stephan
456:René Leibowitz
437:Piano Concerto
406:Willy Burkhard
386:Günter Raphael
371:Erich Sehlbach
321:Georg Kuhlmann
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1195:, p. 31.
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525:Pierre Boulez
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472:Edgard Varèse
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367:Fritz Usinger
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1334:Anon. 2006.
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1277:. Retrieved
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1176:. Retrieved
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1052:. Retrieved
1047:
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974:
950:
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909:
894:
892:
879:serial music
871:Kurt Honolka
867:
852:Stefan Prins
790:James Clarke
737:Michael Bach
729:James Dillon
678:Bruno Canino
628:
614:
605:
595:
591:
589:
535:, and later
518:
480:Ernst Krenek
462:, and later
449:
425:Anton Webern
418:
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381:
356:
337:
306:
278:
262:
247:Ernst Thomas
236:
196:Kranichstein
179:
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171:/ferienkurse
140:Philosophers
125:Participants
48:Course with
1404:IMD (ed.):
1313:Nono, Luigi
1245:"Our Story"
1134:(in German)
858:Ashley Fure
823: [
671:Erika Haase
660:Gábor Gabos
620: [
611:Music prize
484:Earle Brown
433:Béla Bartók
412:(1944) and
382:für Klavier
374: [
325:Günter Kehr
319:, piano by
256:(1962–81),
250: [
207: [
97:Inaugurated
86:Location(s)
1524:Categories
1492:MusikTexte
1229:Iddon 2013
1205:Anon. 2006
1193:Iddon 2013
1102:6 February
930:References
889:Recordings
800:Mark Andre
706:(clarinet)
691:(clarinet)
656:Otto Zykan
529:Luigi Nono
509:Luigi Nono
333:Fred Hamel
275:Background
267:, a rural
134:Performers
1535:Darmstadt
1414:0418-3878
1217:Beal 2007
895:col legno
864:Criticism
739:(cello),
662:(piano),
658:(piano),
488:John Cage
414:Hindemith
358:Die Kluge
303:Beginning
293:serialism
281:modernist
243:Darmstadt
184:Darmstadt
148:Patron(s)
131:Composers
90:Darmstadt
69:Frequency
1438:(eds.):
1297:(1987).
1279:13 March
1254:12 March
1178:12 March
1172:Archived
1167:Die Zeit
1138:12 March
1054:12 March
1022:12 March
992:12 March
883:Pousseur
222:Overview
1328:Sources
767:(piano)
680:(piano)
673:(piano)
666:(piano)
651:(piano)
644:(piano)
637:(flute)
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233:in 1957
217:History
160:Website
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1355:(PDF)
1273:(PDF)
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856:2014
850:2010
844:2008
838:2006
832:2004
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812:2000
798:1996
788:1992
770:1990
751:1986
745:1984
727:1982
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676:1960
669:1959
654:1958
647:1957
640:1955
633:1952
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188:Hesse
58:Genre
1458:ISBN
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