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Carpa Valentina

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Moreno began courting Valentina Ivanova, the daughter for which the troupe was named, but her father never approved of the relationship and refused to increase the comic's salary despite his success. Fed up with the abuse, Moreno left the troupe, bringing his writer with him.
185:") joined the troupe. Shilinsky coached the comedian, then eighteen years of age, and helped him refine his style. Together, the two turned the Carpa Valentina into the hottest ticket in town. 163:
in 1923. The troupe consisted of Gregor Ivanoff, the father of the family, who Hispanicized his name to Gregorio Ivanova, his three daughters, his son-in-law Estanislao Shilinsky, a
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who wrote the material, and native Mexican performers. They set up their act in the
270: 213: 133: 313: 175: 182: 164: 21: 149: 266: 205: 130: 152: 137: 141: 258: 145:(traveling tent) circuit during the 1920s and 1930s. 212:This article about an organization in Mexico is a 311: 294: 237: 155:performers who fled the turmoil of the 1919 50:. Unsourced material may be challenged and 301: 287: 244: 230: 114:Learn how and when to remove this message 312: 253: 200: 48:adding citations to reliable sources 15: 13: 14: 341: 257: 204: 20: 148:It was founded by a family of 1: 192: 273:. You can help Knowledge by 216:. You can help Knowledge by 7: 10: 346: 325:Mexican organization stubs 252: 199: 159:, arriving in the port of 181:In 1929, Mario Moreno (" 269:-related article is a 44:improve this article 320:Theatre in Mexico 282: 281: 225: 224: 157:Russian Civil War 124: 123: 116: 98: 63:"Carpa Valentina" 337: 303: 296: 289: 261: 254: 246: 239: 232: 208: 201: 119: 112: 108: 105: 99: 97: 56: 24: 16: 345: 344: 340: 339: 338: 336: 335: 334: 310: 309: 308: 307: 251: 250: 197: 195: 127:Carpa Valentina 120: 109: 103: 100: 57: 55: 41: 25: 12: 11: 5: 343: 333: 332: 327: 322: 306: 305: 298: 291: 283: 280: 279: 262: 249: 248: 241: 234: 226: 223: 222: 209: 194: 191: 122: 121: 28: 26: 19: 9: 6: 4: 3: 2: 342: 331: 330:Theatre stubs 328: 326: 323: 321: 318: 317: 315: 304: 299: 297: 292: 290: 285: 284: 278: 276: 272: 268: 263: 260: 256: 255: 247: 242: 240: 235: 233: 228: 227: 221: 219: 215: 210: 207: 203: 202: 198: 190: 186: 184: 179: 177: 173: 170: 166: 162: 158: 154: 151: 146: 144: 143: 139: 135: 132: 128: 118: 115: 107: 104:February 2009 96: 93: 89: 86: 82: 79: 75: 72: 68: 65: –  64: 60: 59:Find sources: 53: 49: 45: 39: 38: 34: 29:This article 27: 23: 18: 17: 275:expanding it 264: 218:expanding it 211: 196: 187: 180: 171: 147: 140: 126: 125: 110: 101: 91: 84: 77: 70: 58: 42:Please help 30: 176:Mexico City 314:Categories 193:References 183:Cantinflas 172:delegación 165:Lithuanian 161:Manzanillo 74:newspapers 31:does not 267:theatre 150:Russian 138:Mexican 136:of the 131:theatre 88:scholar 52:removed 37:sources 169:Tacuba 153:circus 134:troupe 129:was a 90:  83:  76:  69:  61:  265:This 142:carpa 95:JSTOR 81:books 271:stub 214:stub 67:news 35:any 33:cite 174:of 46:by 316:: 178:. 302:e 295:t 288:v 277:. 245:e 238:t 231:v 220:. 117:) 111:( 106:) 102:( 92:· 85:· 78:· 71:· 54:. 40:.

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