719:
28:
476:
Banham (1998, 552), Bédé and
Edgerton (1980, 396), Benedetti (1999, 310–314), and Hartnoll (1983, 430). The play was first published in Moscow in 1931 and was first published in an English translation in 1933; see Ermolaev (1997, 29) and Ivanov
270:
played
Peklevanov. Of the staging of the crowd scenes, the playwright observed during rehearsals that the MAT actors "want to and can portray the mass and at the same time distinguish each individual within this mass."
344:
307:
486:
Banham (1998, 552), Bédé and
Edgerton (1980, 396), and Hartnoll (1983, 430). His novel was first translated into English in 1933; see Cockrell (1998b, 409).
319:
280:
315:
355:
theatre in Paris, where it opened on 5 November 1932. The production was directed by I. M. Daniel and received favourable reviews in the press.
243:
362:
praised the play as "a good piece that has great revolutionary significance", adding that "its educational significance is indisputable."
190:. Near the end of the play a Chinese revolutionary, Hsing Ping-wu, lies down on the railway tracks to force the armoured train to stop.
298:
At the same time that the MAT performed the play in Moscow, another production opened at the State
Academic Theatre of Drama (now the
358:
The play became one of the most frequently performed of the new Soviet drama and now forms part of the
Russian theatrical repertory.
1015:
Solovyova, Inna. 1999. "The
Theatre and Socialist Realism, 1929–1953." Trans. Jean Benedetti. In Leach and Borovsky (1999, 325–357).
254:
sessions, Stanislavski directed 11, though the staging as performed was principally his). The lead role of
Vershinin was played by
339:
organisation. Opening in
January 1928, its production was publicly acclaimed. The play was performed in France a few years later.
129:. Based on his 1922 novel of the same name, it was the first play that he wrote and remains his most important. In creating his
1027:
1009:
994:
979:
960:
941:
926:
911:
896:
878:
863:
848:
833:
808:
789:
774:
759:
744:
1059:
336:
1064:
1049:
239:
115:
891:. Trans. W. L. Gibson-Cowan and A. T. K. Grant. Reprint ed. Westport, Connecticut: Greenwood P.
1054:
899:. Originally published: New York: International Publishers and London: Martin Lawrence, 1933.
565:
Hartnoll (1983, 449), Leach (2004, 42), Rudnitsky (1988, 188–189), and
Solovyova (1999, 347).
371:
299:
169:
130:
433:
425:
1020:
Theatre as a Weapon: Workers' Theatre in the Soviet Union, Germany and
Britain, 1917–1934.
410:
dance performed by Zaira to select who will sacrifice himself to stop the armoured train.
8:
1044:
179:
farmer, Nikolai Vershinin. It is a four-act play in eight scenes that features almost 50
718:
284:
235:
227:
187:
74:
1023:
1005:
1002:
McGraw-Hill Encyclopedia of World Drama: an International Reference Work in 5 Volumes
990:
975:
956:
937:
922:
907:
892:
874:
859:
844:
829:
804:
785:
770:
755:
740:
713:
457:
417:
375:
292:
230:(MAT) in a production that opened with a gala performance on 8 November 1927. It was
161:
153:
92:
340:
858:. American University Studies ser. 26 Theatre Arts, vol. 29. New York: Peter Lang.
452:
437:
429:
303:
231:
180:
142:
106:
27:
884:
445:
352:
311:
267:
263:
255:
247:
126:
49:
33:
401:
397:
389:
172:
1038:
970:. Trans. Roxane Permar. Ed. Lesley Milne. London: Thames and Hudson. Rpt. as
495:
Banham (1998, 552), Bédé and Edgerton (1980, 396), and Benedetti (1999, 310).
441:
359:
283:. It was the first successful Soviet play that the theatre presented. In the
276:
272:
259:
504:
Banham (1998, 552), Benedetti (1999, 310), and Hartnoll (1983, 430, 449).
138:
134:
769:. Revised edition. Original edition published in 1988. London: Methuen.
707:
329:
165:
400:
called Anzor Cherbbizh and Shanshiashvili removed the presence of the
1004:. Vol. 3. Ed. Stanley Hochman. 2nd ed. New York: McGraw-Hill. 87–89.
251:
146:
821:---. 1998b. "Vsevolod Viacheslavovich." In Cornwell (1998, 409–411).
406:
393:
385:
951:
Trans. George Petrov. Ed. Sydney Schultze. Revised translation of
295:
that would soon dominate dramatic production in the Soviet Union.
1000:
Senelick, Laurence. 1984. "Ivanov, Vsevolod Vyacheslavovich." In
856:
Lear's Daughters: The Studios of the Moscow Art Theatre 1905–1927
421:
184:
176:
157:
332:
784:. London: Croom Helm and Totowa, NJ: Rowman and Littlefield.
380:
801:
Soviet Culture and Power: A History in Documents, 1917–1953.
404:
from its action. He also changed its ending, substituting a
291:
has been seen as a turning point, heralding the new form of
149:
605:
Bradby and McCormick (1978, 56–57) and Russell (1988, 57).
513:
Bradby and McCormick (1978, 56) and Rudnitsky (1988, 188).
968:
Russian and Soviet Theatre: Tradition and the Avant-Garde
654:
Bradby and McCormick (1978, 57) and Hartnoll (1983, 430).
750:
Bédé, Jean-Albert, and William B. Edgerton, eds. 1980.
279:, after Stanislavski rejected the initial sketches of
448:
criticised the play for trivialising the revolution.
120:
688:
Rayfield (2000, 246) and Rudnitsky (1988, 268, 288).
538:
Benedetti (1999, 313, 388) and Hartnoll (1983, 430).
752:Columbia Dictionary of Modern European Literature.
455:directed a cinematic version of the story, called
1036:
211:Nezelasov, White commander of the armoured train
1018:Stourac, Richard, and Kathleen McCreery. 1986.
917:Leach, Robert, and Victor Borovsky, eds. 1999.
679:Rayfield (2000, 246) and Rudnitsky (1988, 268).
587:Benedetti (1999, 310–311) and Leach (2004, 42).
578:7 (1929): 111; quoted by Rudnitsky (1988, 189).
803:Annals of Communism ser. New Haven: Yale UP.
889:Armoured Train 14–69: A Play in Eight Scenes
596:Banham (1998, 552) and Hartnoll (1983, 430).
183:; crowd scenes form a prominent part of its
717:
26:
987:Russian Drama of the Revolutionary Period
904:Makers of Modern Theatre: An Introduction
780:Bradby, David, and John McCormick. 1978.
234:to celebrate the 10th anniversary of the
141:ideals; the play charts his journey from
675:
673:
258:(in his first role as a peasant), while
226:was first performed by the world-famous
137:of his novel into an active exponent of
615:
613:
611:
1037:
392:and made his characters Georgians and
214:Nadezhda Lvovna, a refugee White Guard
972:Russian and Soviet Theater, 1905–1932
955:. Moscow: Academy of Sciences, 1969.
934:The Literature of Georgia: A History.
826:Reference Guide to Russian Literature
670:
641:
639:
637:
627:
625:
525:
523:
521:
519:
378:version of the play, which he called
218:
202:Peklevanov, Bolshevik party organiser
989:. Totowa, N.J.: Barnes & Noble.
754:2nd rev. ed. New York: Columbia UP.
608:
444:played Anzor. In a review, the poet
205:Hsing Ping-wu, Chinese revolutionary
871:The Oxford Companion to the Theatre
416:was first performed in 1928 at the
306:). This production was directed by
13:
843:Lanham: Rowman & Littlefield.
634:
622:
516:
328:was performed in (Germany) by the
40:) from the 1927 Moscow production.
14:
1076:
335:group, which originated from the
238:. The production was directed by
175:by a group of partisans led by a
133:, Ivanov transformed the passive
1022:London and New York: Routledge.
841:Censorship in Soviet Literature.
645:Bradby and McCormick (1978, 83).
631:Stourac and McCreery (1986, 91).
936:2nd rev. ed. Surrey: Curzon P.
818:." In Cornwell (1998, 411–412).
737:The Cambridge Guide to Theatre.
700:
691:
682:
657:
648:
599:
590:
581:
568:
559:
345:Theatre of International Action
164:, it dramatises the capture of
767:Stanislavski: His Life and Art
550:
541:
532:
507:
498:
489:
480:
470:
365:
337:League for Proletarian Culture
1:
947:Rudnitsky, Konstantin. 1981.
919:A History of Russian Theatre.
873:. 4th ed. Oxford: Oxford UP.
869:Hartnoll, Phyllis, ed. 1983.
464:
193:
199:Nikolai Vershinin, a peasant
7:
396:. The play's hero became a
125:) is a 1927 Soviet play by
121:
10:
1081:
824:Cornwell, Neil, ed. 1998.
735:Banham, Martin, ed. 1998.
728:
556:Benedetti (1999, 310–313).
921:Cambridge: Cambridge UP.
814:Cockrell, Roger. 1998a. "
739:Cambridge: Cambridge UP.
266:played Vaska Okorok, and
110:
88:
80:
70:
59:8 November 1927
55:
45:
25:
20:
932:Rayfield, Donald. 2000.
854:Gauss, Rebecca B. 1999.
839:Ermolaev, Herman. 1997.
384:. He set his version in
287:, the MAT production of
262:played Nadezhda Lvovna,
985:Russell, Robert. 1988.
949:Meyerhold the Director.
765:Benedetti, Jean. 1999.
428:production directed by
318:played Peklevanov, and
240:Constantin Stanislavski
697:Rudnitsky (1988, 269).
619:Rudnitsky (1988, 189).
143:political indifference
1060:Socrealist literature
953:Rezhisser Meierkhol'd
906:. London: Routledge.
902:Leach, Robert. 2004.
828:. London: Routledge.
529:Rayfield (2000, 246).
451:Soviet film director
372:Sandro Shanshiashvili
300:Alexandrinsky Theatre
170:counter-revolutionary
1065:Works set in Siberia
974:. New York: Abrams.
816:Armoured Train 14–69
326:Armoured Train 14–69
302:) in Leningrad (now
289:Armoured Train 14–69
224:Armoured Train 14–69
102:Armoured Train 14–69
21:Armoured Train 14–69
547:Banham (1998, 552).
351:) staged it at the
1050:Moscow Art Theatre
322:played Nezelasov.
314:played Vershinin,
285:history of theatre
236:October Revolution
228:Moscow Art Theatre
219:Production history
188:dramatic structure
75:Moscow Art Theatre
576:Sovremennyi teatr
436:scenic design by
418:Rustaveli Theatre
390:Northern Caucasus
293:Socialist realism
119:
98:
97:
93:Socialist realism
81:Original language
1072:
885:Ivanov, Vsevolod
795:Clark, Katerina
782:People's Theatre
723:
721:
704:
698:
695:
689:
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677:
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496:
493:
487:
484:
478:
474:
453:Yakov Protazanov
438:Irakli Gamrekeli
430:Sandro Akhmeteli
349:Théâtre d'Action
320:Illarion Pevtsov
304:Saint Petersburg
281:Leonid Chupiatov
124:
122:Bronepoezd 14–69
114:
112:
111:Бронепоезд 14–69
66:
64:
30:
18:
17:
1080:
1079:
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475:
471:
467:
446:Simon Chikovani
370:The playwright
368:
353:Bouffes du Nord
316:Boris Zhukovsky
312:Nikolai Simonov
268:Nikolai Khmelev
264:Nikolai Batalov
256:Vasili Kachalov
248:Nina Litovtseva
221:
196:
127:Vsevolod Ivanov
71:Place premiered
62:
60:
50:Vsevolod Ivanov
41:
12:
11:
5:
1078:
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531:
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434:constructivist
367:
364:
341:Léon Moussinac
308:Nikolai Petrov
220:
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173:armoured train
96:
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68:
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57:
56:Date premiered
53:
52:
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43:
42:
32:Photograph of
31:
23:
22:
9:
6:
4:
3:
2:
1077:
1066:
1063:
1061:
1058:
1056:
1055:Russian plays
1053:
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1046:
1043:
1042:
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1029:
1028:0-7100-9770-0
1025:
1021:
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1011:
1010:0-07-079169-4
1007:
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995:0-389-20757-8
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988:
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980:0-500-28195-5
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961:0-88233-313-5
958:
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942:0-7007-1163-5
939:
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927:0-521-43220-0
924:
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913:
912:0-415-31241-8
909:
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901:
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897:0-313-24132-5
894:
890:
886:
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880:
879:0-19-211546-4
876:
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868:
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864:0-8204-4155-4
861:
857:
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849:0-8476-8322-2
846:
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838:
835:
834:1-884964-10-9
831:
827:
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820:
817:
813:
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809:0-300-10646-7
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790:0-8476-6073-7
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775:0-413-52520-1
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760:0-231-03717-1
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745:0-521-43437-8
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442:Akaki Khorava
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360:Joseph Stalin
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277:scenic design
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800:
799:, ed. 2007.
796:
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450:
426:naturalistic
413:
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405:
379:
369:
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348:
325:
324:
297:
288:
275:created the
273:Viktor Simov
260:Olga Knipper
244:Ilya Sudakov
232:commissioned
223:
222:
208:Vaska Okorok
101:
100:
99:
37:
15:
966:---. 1988.
667:(2007, 65).
461:, in 1931.
366:Adaptations
160:during the
156:in Eastern
139:proletarian
135:protagonist
1045:1927 plays
1039:Categories
465:References
402:White Army
330:Proletkult
194:Characters
181:characters
166:ammunition
131:adaptation
63:1927-11-08
46:Written by
432:, with a
424:in a non-
252:rehearsal
162:Civil War
147:Bolshevik
116:romanized
887:. 1983.
407:lezginka
394:Lezghins
386:Dagestan
376:Georgian
374:wrote a
185:episodic
729:Sources
477:(1983).
422:Tbilisi
398:Chechen
388:in the
250:(of 76
177:peasant
168:from a
158:Siberia
150:heroism
118::
107:Russian
84:Russian
61: (
34:Khmelev
1026:
1008:
993:
978:
959:
940:
925:
910:
895:
877:
862:
847:
832:
807:
797:et al.
788:
773:
758:
743:
716:
665:et al.
663:Clark
333:Kassel
38:centre
709:Tommy
458:Tommy
414:Anzor
381:Anzor
89:Genre
1024:ISBN
1006:ISBN
991:ISBN
976:ISBN
957:ISBN
938:ISBN
923:ISBN
908:ISBN
893:ISBN
875:ISBN
860:ISBN
845:ISBN
830:ISBN
805:ISBN
786:ISBN
771:ISBN
756:ISBN
741:ISBN
714:IMDb
706:See
246:and
712:at
574:In
420:in
343:'s
154:Set
145:to
1041::
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636:^
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518:^
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310:.
242:,
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997:.
982:.
963:.
944:.
929:.
914:.
881:.
866:.
851:.
836:.
811:.
792:.
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347:(
105:(
65:)
36:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
