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Anbe Sivam

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that he was invited by Aras, and later persuades him to sign the papers which will help Padayatchi's workers get a raise. To prevent the disruption of Bala's wedding and avoid damaging his own reputation, Padayatchi yields to Sivam's demands. After signing the papers, Padayatchi instructs his assistant to eliminate Sivam. However, his assistant has a change of heart as he is about to kill him, letting Sivam know that he believed that the misdeeds he committed for Padayatchi resulted in the death of his own daughter. Padayatchi's assistant requests Sivam to stay as far away from his boss as possible. Sivam assents and walks away.
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and pregnant with her first child, and had settled abroad. Padayatchi had earlier lied to Bala that Nalla died in the accident. It was also at this time that Nalla became a firm believer in kindness and love after experiencing patience and compassion from the nurses at the hospital. Despite suffering from an inferiority complex due to his scarred and deformed body, Nalla performs community service and social work with renewed fervour while continuing to fight for union causes.
2096:(2004), the character Vasool Raja (Haasan), while attending a class asks whether being a doctor is equivalent to being God, and in doing so says "Anbe Venkatachalam", to which one of his classmates gently asks him, "isn't it Anbe Sivam?". Haasan retorts: "Let it be. Let's try something different for a change." The street theatre sequence featuring Nallasivam and his friends performing to make people aware of the atrocities committed by Kandasamy Padayatchi was re-created at 1134:. After composing the tune for the title song, Vidyasagar explained the situation of the song to Haasan, who wanted the song to be performed in such a way that the protagonist is singing according to the situation he finds himself in. Vidyasagar suggested that Haasan should sing the song himself to achieve the desired result, which the latter accepted. The song "Mouname Paarvayai" was not included in the film. The song "Poovaasam" is based on the 3342: 2511: 4971: 3598: 993:(2013), found the ethnicity of the characters in the film to be a continuation of Haasan's inclusion of non-Tamil characters in his films. Rangan considered this to be Haasan's acknowledgement of the "interconnectedness of the nation" and "the world beyond India". He noted in his article that Haasan had experimented with the concept before by including the usage of 464:. He was at odds with Kandasamy Padayatchi, a manipulative factory owner who refused to give his workers a raise. Nalla satirically imitated Padayatchi in many of his shows. In an unexpected turn of events, Nalla and Balasaraswathi (Bala), Padayatchi's daughter, fell in love with each other. To avoid a potential conflict with Padayatchi, the two decided to elope to 5246: 4431: 4638: 38: 3350: 2521: 5254: 4439: 4646: 4979: 1632:, in comparison, labelled the film as "average", stating that it was "another predictable and corny film which is neither a comedy caper nor a class act." Similarly, Arkay of Rediff.com praised the performances of the lead cast but wrote the film "tries to do too many things, and ends up failing at most, if not all, of them." S. 3606: 3101: 428:
Aras, and the other is a scarred and deformed socialist, Nallasivam, going by Mr. Sivam. When the flight is cancelled due to heavy rain, Aras initially suspects Sivam to be a terrorist and informs the authorities, only to discover that he was mistaken. With the rain flooding the city, the two men are
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Upon their arrival in Chennai, Aras delivers Sivam's cheque to the union workers. He invites Sivam to his wedding, letting him know how much he means to him, to utter astonishment, Sivam sees that Aras's bride is Bala. Padayatchi spots Sivam and asks him why he is at the wedding. He tells Padayatchi
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Nalla boarded a bus bound for Kerala, and on his way to meet Bala, the bus met with an accident on a hillside, leaving him scarred, disfigured, and partially paralysed for life. After recovering from his wounds, he visited Bala, only to be informed by Padayatchi that his daughter was already married
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In addition to being the film's writer, Haasan also played the central character, Nallasivam. Madhavan was selected to play Anbarasu in January 2002. According to Kiran Rathod, she received a phone call from Haasan's office informing her that she was offered the role of Balasaraswathi, which she
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believed that "well-defined characters, a strong storyline and intelligent screenplay" were the film's "vital ingredients". She further complimented Haasan's treatment of the story, and that his "diligence that has gone into the chiselling of the story and screenplay is only too evident" while
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train. Aras's bag gets stolen on the way, leaving him with only his credit card, which no one accepts. Using his presence of mind, Sivam repeatedly bails Aras out of trouble while Aras tries to escape from him at every juncture, only to end up with him again. While waiting for the train at the
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was "leagues ahead of the average Tamil – why, even Indian – film", though he felt that "the masses were unwilling to accept the experimental nature of the film", while talking about the film's box office failure. During his acceptance speech after winning the
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praised the acting of Kamal Haasan and Madhavan, cinematography and dialogues but felt lengthy dialogues about god will bore audience and also found street drama too lengthy and concluded calling the film as eno salt for indigestion after watching films on police-goon and teenage love.
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and was released two years later in 2005. After the release of the original Tamil version, the dubbing rights for the Hindi version were sold at a low price, much to the irritation of the lead actors as they were not able to dub for themselves in Hindi.
1082:. The critics noted Haasan and Madhavan's character share similar traits to that of the roles played by Candy and Martin in that film, respectively. The portrait painted by Nallasivam on the walls of Padayatchi's house is inspired by the Mexican painter 3109: 2072:
in his list of "Kamal's most underrated films". He believed the reason for the film's commercial failure was that audiences misunderstood the "sarcastic undertones associated with atheism". On Haasan's birthday, 7 November 2015, Latha Srinivasan of
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The actors Nassar and Santhana Bharathi played the roles of Kandasamy Padaiyatchi and his assistant, respectively, while cartoonist Madhan featured in a cameo appearance as himself in addition to writing the film's dialogues. Screenwriter
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follows the events of a journey from Bhubaneswar to Chennai undertaken by two men of contrasting personalities: Nallasivam, a physically challenged and witty socialist, and Anbarasu, a commercial director who supports
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to direct it. The two men were keen to work together since the late 1990s, and upon reading the script, Priyadarshan believed that it had the potential to be an "emotional love story". The film's title
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froze his bank accounts for a year as he was not able to pay his taxes. He admitted that while he received praises for the film after its theatrical run, he would not make a film similar to
5124: 4289: 3830: 5605: 5731: 5346: 5316: 1572:, called it "one of the finest movies of the decade" and praised the story, screenplay and dialogues before terming the film as "a modern classic". Reviewing the Telugu dubbed version, 2407: 1580:
said that "this art-kind-of film does entertain the people who love Kamal Hassan flicks" while concluding that it "would remain as one of the good films made in the recent times".
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was another example of including non-Tamil characters in his films. Rangan also compared Haasan's fight sequence with the use of an umbrella to the way he used a book and stool in
640:(1996). The initial script followed two men who meet in a train, quarrel, become friends and ultimately, one of them sacrifices everything for the other man. One individual was a 1963:
that he was impressed with Madhavan's enthusiasm and performance during the making of the film, subsequently signing him to appear as the protagonist in his production venture,
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felt the film's thematic ideas of communism were presented in a "clichéd" manner, and summarised by saying, "If Rajnikant staked claim to divinity on a right-wing plank with
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He came over to me and said, 'Madhavan, I have seen some of your work and they were good.' Then he continued, 'I have something for you. We should catch up!' that was how
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in 2003. As a tribute to Safdar Hashmi, a special preview of the film was organised by Haasan in association with Safdar Hashmi Memorial Trust (SAHMAT) on 9 January 2003 at
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where Haasan says to Madhavan, "when we love others unconditionally without any expectation, we become Gods", inspired him to make his film. Bala also made a reference to
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at the box office and incurred heavy losses for Lakshmi Movie Makers, effectively stopping them from investing in other ventures for the year 2003. An estimate by D.
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at the box office. Despite its initial failure, it has gained recognition over the years through re-runs on television channels and is now regarded as a classic of
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playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from
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appreciated Haasan's performance and facial expressions and concluded his review by stating, "This man has intrigued me and will always." Another critic from
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where rationality propels humans to find God in themselves, with flaws, which extols the virtue of becoming as much as that of being". In 2015 Uthiran of
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before the end of 2002 so that they could enter the film into the annual awards list. The film was released on 15 January 2003, which coincided with the
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any more and that he chose to continue making commercial cinema, which he felt better matched his interests. In 2013, Haricharan Pudipeddi of the
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in Tamil cinema and receives re-runs on television channels. When the film was in post-production, Haasan revealed to film critic and journalist
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commended Haasan's writing and Madhan's dialogue, finding them to be "peppered with sharp wit, trivia and emotional depth." Malini Mannath of
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and Anil Pemgirkar. In May 2002, Haasan completed the makeup for his character Nallasivam in Los Angeles after filming the song sequences for
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proposes that man can make morally superior choices when he comes face to face with death. As a result, Haasan indicates that the belief of "
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to be one of the "films you must watch to grasp the breadth of Kamal Haasan's repertoire". The character of Nallasivam was ranked fourth in
4583: 4067: 4873: 4471: 4374: 1873: 1172:, "A Raga's Journey", noted, "Poovaasam" possessed "a charm that is born out of classicism incorporated in a populist piece". Arkay of 385: 5669: 3985: 6648: 4769: 4188: 3885: 1782: 381: 5179: 429:
forced to share a room for the night. Both need to return to Chennai: Aras to be present at his wedding, and Sivam has to deliver a
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were the original choices for Balasaraswathi and Mehrunissa respectively and that both of them declined due to schedule conflicts.
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communist, while the other was a person who followed a right-wing political belief. Haasan had wanted to act in the film alongside
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Suresh, Sunayana; Ramanujam, Srinivasa; Bharathan, Bijoy; Lakshmi, V.; Panikker, Rohit; Abudul Kareem, Rehan (8 March 2012).
3729: 6623: 4510: 2009:'s character goes for a screening of the film with his friends. A dialogue told by Haasan to Madhavan, "Do you know what a 1535: 874:, a barrel-shaped percussion instrument, over three weeks. The pre-climax scenes were filmed in what was then known as the 365: 4090: 2562: 6613: 6603: 5531: 3140: 2735: 1491: 961: 717:. Uma Riyaz Khan played the role of Nallasivam's friend and professional colleague, Mehrunissa. In a 2019 interview with 6162: 3540: 2104:. In contrast, Pralayan's play explored gender inequality and domestic violence instead of unemployment. Kannada actor 1929:
There's only one artiste in the whole Universe (!). It's Kamal Hassan. Without him there's no cinema. Have you watched
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opined that Nallasivam shared similar characteristics with street theatre artist Pralayan. According to Kalyanaraman,
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wrote, "Vidyasagar is scaling great heights as a composer. The theme song and the melodious "Pon Vaasam" [
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served as an inspiration for Nallasivam's painting to indicate the atrocities committed by Kandasamy Padayatchi.
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were re-created with outdoor sets consisting of city roads submerged under water erected in the Odisha-
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After completing the draft for the film's script with alterations in early 2002, Haasan approached the
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magazine notes that Haasan's views on humanism in the film also seemed to be inspired by those of
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32,00,000 cheque, recently awarded to him after he won a court case, to a group of union workers.
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Baradwaj Rangan described the film as "Kamal's latest solo attempt to bend, twist, shape-shift
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120 million, with the train and bus disaster sequences involving the use of settings and
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also collaborated with Haasan on writing some dialogues for the film. In an interview with S.
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border. For a brief sequence in the "Naatukkoru Seithi" song, Haasan learnt how to play the
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into forms never-before seen." In his review of the film's DVD, M. Suganth, writing for
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After a traumatic night, and no hope for a flight, the two men take a bus to board the
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and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of
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were in charge of the choreography while the stunt sequences were co-ordinated by
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Kalyanaraman & Abdullah Nurullah, M.; Nurullah, Abdullah (18 November 2015).
3210: 2412: 2259: 2097: 1988: 1891: 1665: 1383: 1165: 1008: 984: 941: 813: 714: 636: 631: 603: 516: 349: 289: 265: 5369:"அன்பே சிவம் படத்தினால் என் சொத்துக்களை இழந்தேன் – வேதனைப்பட்ட சுந்தர் சி!" 452:
A few years earlier, a healthy Nallasivam, going by Nalla, took part in various
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in 2008, noted that the religious undertone in the film was similar to that of
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in India. Hashmi died on 2 January 1989 after being attacked by members of the
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In the late 1990s, Kamal Haasan narrated the premise of a film to the director
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in 2008 by Pralayan and his troupe from "Chennai Kalai Kuzhu" under the title
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commenced in July 2002. The first scene featuring the lead actors was shot at
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The film was released on 15 January 2003 to positive reviews from critics but
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handled the film's cinematography, art direction and editing, respectively.
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Nalla and Aras argue about the topics at the Ichchapuram railway station.
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Aras donates blood to save a boy injured in a train accident from dying.
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Vasool Raja MBBS Tamil Movie – Kamal, Sneha, Prabhu, Prakash Raj
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wrote "Sensitive and touching, light-hearted and humourous [
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compound in Guindy. The climax scenes were filmed in a single take.
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as T. Balaji, the train ticket checker for the Coromandel Express
413: 322: 301: 1644:, Kamal does it with pretensions to rationalist-left rhetoric." 1141:. The male portions for the reprise of "Poovaasam" were sung by 1023:(2000), conducting investigations with an American associate in 5778: 5152: 3340: 2109: 2006: 1939: 1087: 970: 871: 851: 465: 409: 5662:[First Look: Orange Mittai – The pros and cons]. 1546:
and released on 28 February 2003. It was dubbed into Hindi as
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accepted. Rathod's voice in the film was dubbed by the singer
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was screened as a part of the Indian Panorama section of the
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During the first week of its theatrical run, an analysis by
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is love" is the "final stage of evolution of man into God".
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13.1 million in Chennai alone. Despite this, the film
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are addressed; the film also showcases Haasan's views as a
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was screened as part of the Indian Panorama section of the
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festival. It opened alongside five other films, including
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Sujatha Narayanan as a tea shop owner who helps Nallasivam
5434:"On his 59th b'day, Kamal Haasan's most underrated films" 5180:"Happy 61st Birthday Kamal Haasan: The actor's top roles" 2903:
Kumar, S. R. Ashok; Rangarajan, Malathi (29 March 2002).
2703:"What makes Kamal Haasan's Anbe Sivam a timeless classic" 2191:(motion picture) (in Tamil). India: Lakshmi Movie Makers. 1696:
compared the film's failure at the box office to that of
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2003 Indian Tamil-language comedy-drama film by Sundar C.
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s list of "Kamal Haasan's top 10 mind-blowing avatars".
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South Indian Cinematographers Association (SICA) Awards
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Ramanujam, Srinivasa; Menon, Vishal (7 November 2016).
4121:"19 International films Inspired Kamal Haasan movies…?" 1771: 1752: 1188:, except the song "Mouname Paarvayai" was written by 1176:
found the songs to be "at best, okay". M. Suganth of
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was co-produced and distributed by V. Swaminathan, K.
4492: 4321: 3807: 3795: 3192: 3108:. Chennai. 23 April 2011. p. 30. Archived from 2650: 2638: 2626: 2549: 2497: 2187: 2164:(2015) that the film's plot might remind viewers of 1853: 3569:"Kamal Haasan and Madhavan on their film Anbesivam" 2040:among the "top five directorial ventures of Sundar 458:multinational corporation-driven industrialisation 5530:Kamal Haasan; Sneha; Prabhu; Prakash Raj (2004). 3239:"This character artist's first love is direction" 3164:"After Anbe Sivam, I became a hardcore Kamal fan" 1878: 1840: 1804: 6575: 4394: 4392: 2738:அன்பே சிவம்' கமல் கதாபாத்திரம் என்னுடையதுதான்..! 1060:was reported to have similarities with the 1987 777:(1990) to be the favourite roles of his career. 6186: 5002:"51st Annual Manikchand Filmfare Award winners" 2902: 2168:. In 2017, Ashok, who directed the comedy film 2126:in 2014, mentions in his article on the Indian 2025:... it's a mountain) also attained popularity. 1825: 1787: 1153:sang her portion of both versions of the song. 460:, which resulted in the marginalisation of the 424:, Anbarasu, who prefers the abbreviated name A. 5275: 4287: 3759: 3757: 3755: 3696:"What you learn just by watching Kamal Haasan" 2700: 2665:"Expert Juggler of Trades Revels in Her Bliss" 2216: 2214: 2212: 2210: 2208: 2206: 1911: 1118:The soundtrack album and background score for 918:, who was chiefly associated with his work on 688:came in as a replacement to work on the film. 6156: 5794: 4389: 1946:on whom he considered to be "the best actor". 1126:and the lyrics for the songs were written by 5501:"Kamal Haasan's top 10 mind-blowing avatars" 4335:"Vijay Prakash Turns Mall into Concert Hall" 3983: 3723: 3721: 3562: 3560: 3558: 2552:, Closing credits from 02:39:35 to 02:39:45. 2220:The average exchange rate in 2003 was 45.66 1043:, the inclusion of and interaction with the 858:border. Filming also took place in Chennai, 549:as a police inspector and aide of Padayatchi 19:For television series of the same name, see 6170: 5208: 4017: 3752: 3041:"Kamal, Madhavan: Boys just wanna have fun" 2203: 1942:in an interview with Malathi Rangarajan of 944:. M. Kalyanaraman and Abdullah Nurullah of 615:Vasanthi as a dancer in "Naatukkoru Seithi" 6163: 6149: 5801: 5787: 5466: 5114: 4186: 3915: 3913: 3371: 2970: 2453: 2449: 2447: 2445: 2443: 2441: 2439: 2437: 2435: 2295: 2293: 1618:], it's a film to be watched". Anu of 384:(Haasan) categories. Madhavan was awarded 36: 6639:Indian avant-garde and experimental films 5721: 5564: 5432:Pudipeddi, Haricharan (7 November 2013). 5431: 5409:(in Tamil). 13 March 2013. Archived from 5247:"The Times of India – Did You Know?" 4736: 4667: 4152: 4050: 4048: 4046: 4044: 3886:"Halla Bol: Of the people, by the people" 3718: 3693: 3661:Ramanujam, Srinivasa (14 November 2019). 3660: 3555: 3069: 2898: 2896: 1707: 1145:, while the original version was sung by 700:Venugopal under the production banner of 531:as the Ichchapuram railway station master 6589:2000s avant-garde and experimental films 4904: 4871: 4732: 4730: 4567: 4565: 4401:"Why would Haasan make himself so ugly?" 4288:Subhakeerthana, S. (20 September 2014). 4249: 4247: 4187:Rangarajan, Malathi (10 November 2011). 3627: 3070:Ramanujam, Srinivasa (6 November 2014). 2236: 2234: 1692:50 million. Srinivasa Ramanujam of 1588:calling the film "a laudable effort". P. 987:, in his review of another Haasan film, 960: 881: 634:as they sought to collaborate following 449:), Sivam begins to tell Aras his story. 5724:"'Peechankai': the left comes to power" 5626: 5542:(motion picture). India. Archived from 5049: 4907:"Funds elude Kamal Hassan's mega flick" 4700: 4636: 4429: 3910: 3372:Rangarajan, Malathi (15 October 2004). 3277:"Films add glamour to harvest festival" 3270: 3268: 3266: 3264: 3237:Kumar, S. R. Ashok (16 November 2006). 3161: 2868: 2800: 2733: 2696: 2694: 2692: 2662: 2653:, Appearance from 02:18:10 to 02:18:31. 2641:, Appearance from 02:16:50 to 02:17:21. 2629:, Appearance from 02:16:50 to 02:17:20. 2454:Rangarajan, Malathi (17 January 2003). 2432: 2290: 1490:that they had the film reviewed by the 6634:Films with screenplays by Kamal Haasan 6576: 5690: 5657: 5145: 4835: 4217: 4088: 4054: 4041: 4018:Sivashankar, Nithya (28 August 2008). 3694:Narayanan, Sujatha (6 November 2016). 3566: 3533:"'It's an out-and-out Madhavan film!'" 3530: 3499: 3468: 3437: 3404: 3275:Kumar, S. R. Ashok (10 January 2003). 3195:, Opening credits from 50:35 to 56:45. 3038: 2934: 2893: 2864: 2862: 2701:Subhakeerthana, S. (15 January 2019). 2509: 2500:, Opening credits from 01:25 to 03:05. 2405: 6619:Films scored by Vidyasagar (composer) 6144: 5782: 5722:Ramanujam, Srinivasa (16 June 2017). 5595: 5567:"A street play in a theatre ambience" 5467:Srinivasan, Latha (7 November 2015). 5306: 4934: 4932: 4737:Narayanan, Sujatha (8 January 2018). 4727: 4571: 4562: 4398: 4244: 4182: 4180: 4153:Ramanujam, Srinivasa (13 June 2008). 4013: 4011: 3996:from the original on 27 November 2016 3919: 3884:Ghosh, Tanushree (24 February 2014). 3883: 3851: 3727: 3628:Rajamani, Radhika (14 January 2003). 3531:K. Jha, Subhash (20 September 2002). 3500:K. Jha, Subhash (23 September 2002). 3322:from the original on 9 September 2016 3307: 3274: 3236: 3002: 3000: 2406:Sundar, Priyanka (21 February 2018). 2231: 1864: 1815: 1736: 1542:. The film was dubbed into Telugu as 1456: 1442: 1425: 1409: 1392: 1372: 1337: 1320: 1303: 1289: 1269: 1252: 1235: 1215: 5672:from the original on 2 December 2020 5596:Kumar, S. Shiva (12 February 2010). 5307:Kumar, S. R. Ashok (28 March 2008). 5115:Rangarajan, Malathi (27 July 2007). 5012:from the original on 26 January 2015 4969: 4874:"Tamil films enter hit zone in 2003" 4813:from the original on 22 January 2023 4511:British Board of Film Classification 4365:"Anbe Sivam (2002) – Tracklist" 4253: 4131:from the original on 24 January 2023 4089:Rangan, Baradwaj (8 February 2013). 3706:from the original on 8 November 2016 3261: 3218:from the original on 3 December 2020 2847:from the original on 3 December 2020 2815:from the original on 28 October 2020 2752:from the original on 24 January 2023 2689: 2593: 2510:Pillai, Sreedhar (5 February 2010). 2375:"Rupee vs dollar: From 1990 to 2012" 2336: 2334: 2332: 2144:(2012) was "a toned down version of 1730: 1559: 1536:International Film Festival of India 1486:would be a strong competitor at the 1482:, the producers were confident that 1017:(1994), marrying a Bengali woman in 366:International Film Festival of India 5511:from the original on 5 January 2017 5349:from the original on 5 January 2017 5288:from the original on 5 January 2018 5190:from the original on 5 January 2017 5160:from the original on 5 January 2017 4938: 4798: 4767: 4701:Srihari, Gudipoodi (4 March 2003). 4474:from the original on 20 August 2022 4377:from the original on 5 January 2017 4290:"There Can Only be One Ilaiyaraaja" 4220:"A thoroughly enjoyable experience" 4218:K. Jha, Subhash (17 January 2003). 3543:from the original on 6 January 2017 3502:"Facing the camera with The Legend" 3130: 3039:K. Jha, Subhash (19 January 2002). 2859: 2340: 1682:65 million, while Arun Ram of 1492:Central Board of Film Certification 1096:. Srinivasa Ramanujam, writing for 842:was shot on a restricted budget of 420:) engage in conversation. One is a 235: 13: 5639:from the original on 28 March 2016 5608:from the original on 28 March 2016 5577:from the original on 28 March 2016 5319:from the original on 28 March 2016 5127:from the original on 28 March 2016 4951:from the original on 28 March 2016 4929: 4682:from the original on 28 March 2016 4586:from the original on 28 March 2016 4411:from the original on 28 March 2016 4269:from the original on 26 March 2016 4199:from the original on 31 March 2016 4177: 4165:from the original on 10 April 2016 4101:from the original on 31 March 2016 4070:from the original on 28 March 2016 4029:from the original on 27 March 2016 4008: 3934:from the original on 27 March 2016 3852:Nayar, Mandira (14 January 2003). 3833:from the original on 27 March 2016 3740:from the original on 26 March 2016 3675:from the original on 3 August 2021 3579:from the original on 26 March 2016 3567:K. Jha, Subhash (9 January 2003). 3512:from the original on 26 March 2016 3481:from the original on 25 March 2016 3450:from the original on 26 March 2016 3440:"What it means to be Kamal Haasan" 3249:from the original on 28 March 2016 3174:from the original on 26 March 2016 3082:from the original on 25 March 2016 3051:from the original on 25 March 2016 2997: 2985:from the original on 28 March 2016 2952:from the original on 25 March 2016 2940:"Priyadarshan out of Kamal's film" 2881:from the original on 25 March 2016 2734:மாதேவன், சந்தோஷ் (18 April 2019). 2715:from the original on 29 March 2019 2608:from the original on 30 April 2017 1478:According to S. R. Ashok Kumar of 767:in 2006, Bharathi considered both 612:as a dancer in "Naatukkoru Seithi" 341:served as the cinematographer and 14: 6670: 5904:Raja Paarvai / Amavasya Chandrudu 5750: 5734:from the original on 17 June 2017 5703:from the original on 17 June 2017 5629:"Fulcrum for the faithless souls" 5627:Narayan, Hari (31 January 2014). 5481:from the original on 5 March 2016 5381:from the original on 14 July 2016 5278:"What did Kamal Haasan teach us?" 4917:from the original on 8 March 2014 4886:from the original on 8 March 2014 4341:. 3 November 2015. Archived from 3438:K. Jha, Subhash (30 April 2002). 2869:Warrier, Shobha (24 April 2002). 2782:from the original on 12 July 2022 2420:from the original on 4 March 2018 2329: 1688:states the losses incurred to be 834:Pollachi Junction railway station 333:views. The music was composed by 6649:Indian nonlinear narrative films 6040:Thoongaa Vanam / Cheekati Rajyam 5808: 5715: 5684: 5651: 5620: 5589: 5558: 5523: 5493: 5460: 5425: 5393: 5361: 5331: 5300: 5269: 5239: 5092:. 1 October 2004. Archived from 5052:"Glamour, song, dance and stars" 5050:Lakshmi, K. (26 November 2003). 4550:from the original on 17 May 2016 4518:from the original on 17 May 2016 4432:"Lovers Special – Vol. 2–4" 3965:from the original on 6 June 2016 3898:from the original on 17 May 2016 3469:K. Jha, Subhash (16 July 2002). 3020:from the original on 17 May 2016 2971:Manigandan, K. R. (5 May 2012). 2575:from the original on 6 June 2016 2108:noted in 2010 that fellow actor 1660:showed the film to have grossed 707: 456:performances protesting against 5885:Vishwaroopam II / Vishwaroop II 5209:Dhananjayan, G. (1 June 2010). 5202: 5186:. 7 November 2015. p. 13. 5172: 5139: 5108: 5084:"6 film artistes win top award" 5076: 5043: 5024: 4994: 4963: 4898: 4872:Govardan, D. (26 August 2003). 4865: 4829: 4792: 4761: 4694: 4661: 4630: 4598: 4530: 4498: 4454: 4423: 4357: 4327: 4324:, Clip from 1:05:15 to 1:09:40. 4281: 4211: 4113: 4091:"Vishwaroopam: Terror messages" 4082: 3984:Kalyanaraman, M. (8 May 2015). 3977: 3946: 3877: 3845: 3813: 3810:, Clip from 2:02:00 to 2:11:00. 3798:, Clip from 1:46:40 to 1:50:40. 3687: 3654: 3621: 3605:. 29 March 2005. Archived from 3591: 3524: 3493: 3462: 3431: 3398: 3365: 3334: 3301: 3230: 3198: 3162:Warrier, Shobha (30 May 2008). 3155: 3124: 3094: 3063: 3032: 2964: 2928: 2827: 2801:Lakshmi, V. (26 October 2020). 2794: 2764: 2727: 2656: 2587: 2555: 2252: 2243: 2174:, mentioned he was inspired by 1774:, V. Swaminathan, G. Venugopal 1755:, V. Swaminathan, G. Venugopal 744:Madhavan on how he was cast in 6072:Raaj Kamal Films International 5691:J. Rao, Subha (15 June 2017). 5565:Aishwarya, S. (7 April 2008). 5253:. 7 April 2009. Archived from 5146:Rajpal, Roktim (1 July 2015). 5031:"51st Filmfare Awards South". 4905:Govardan, D. (22 April 2003). 4841:"New maths for the box office" 4668:Devarajan, P. (14 July 2004). 4614:. 7 April 2005. Archived from 3471:"'I'm working to clear debts'" 3405:K. Jha, Subhash (3 May 2002). 2563:"Actor Balu Anand passes away" 2503: 2399: 2367: 1357: 1200: 1067:Planes, Trains and Automobiles 1050:Thoongathey Thambi Thoongathey 625: 1: 6440:Theeya Velai Seiyyanum Kumaru 5117:"Behind that humorous veneer" 4970:Bala, Priya (13 March 2005). 4430:Suganth, M. (17 April 2009). 4189:"The unassailable in action!" 3920:Anand, S. (27 January 2003). 3728:Pujaa, R. (23 January 2014). 2905:"The long and short of it..." 2663:Chandni, U. (24 March 2016). 2594:Nair, Vidya (26 April 2017). 2383:. 18 May 2012. Archived from 2308:Directorate of Film Festivals 2283: 2044:C." In a 2008 interview with 1979:Vijay Award for Best Director 1647: 1039:(2010). Rangan notes that in 902:, compassion, globalisation, 620: 579:as a street theatre performer 573:as a street theatre performer 5598:"It's more than mere banter" 4155:"An avatar in his own right" 4064:baradwajrangan.wordpress.com 3986:"The spiritual Kamal Hassan" 3826:International Business Times 2158:, mentions in his review of 2122:. Hari Narayan, writing for 2118:(2010) bears resemblance to 2021:." (It's not just a big wave 1866:Tamil Nadu State Film Awards 1724:Recipient(s) and nominee(s) 1554: 390:Tamil Nadu State Film Awards 345:served as the art director. 7: 6624:Films set in Andhra Pradesh 4639:"Anbe Sivam (Drama/Comedy)" 4495:, Clip from 00:00 to 00:03. 3922:"Anbey Sivam (Love is God)" 3407:"Harrowing time in Toronto" 3374:"From Texas to tinsel town" 2596:"Not just a star wife: Uma" 2266:raga closely resembles the 1972:Baradwaj Rangan wrote that 1011:-speaking love interest in 443:Ichchapuram railway station 10: 6675: 6614:Films directed by Sundar C 6604:2000s Tamil-language films 6464:Vantha Rajavathaan Varuven 6288:Naam Iruvar Namakku Iruvar 5309:"Heading for a hat trick?" 4809:(in Tamil). pp. 8–9. 4637:Suganth, M. (2 May 2008). 4572:Jeevi (28 February 2003). 3955:"Is Kamal trending lotus?" 3312:[King of Dance!]. 3131:Das, Papri (30 May 2013). 2341:Ram, Arun (20 June 2005). 1473: 1376:"Nee Roopam Chitristhunte" 1184:All lyrics are written by 1029:(2006), and marriage to a 820: 370:51st Filmfare Awards South 260:. The film was written by 18: 6555: 6506: 6179: 6085: 6050: 5928:Michael Madana Kama Rajan 5895: 5877:Vishwaroopam / Vishwaroop 5844: 5816: 5377:(in Tamil). 22 May 2014. 4972:"The Colour of My Cinema" 4939:Ram, Arun (19 May 2003). 4493:Lakshmi Movie Makers 2003 4399:Arkay (16 January 2003). 4322:Lakshmi Movie Makers 2003 3808:Lakshmi Movie Makers 2003 3796:Lakshmi Movie Makers 2003 3630:"Madhavan makes his move" 3193:Lakshmi Movie Makers 2003 2973:"It's all fun and frolic" 2651:Lakshmi Movie Makers 2003 2639:Lakshmi Movie Makers 2003 2627:Lakshmi Movie Makers 2003 2550:Lakshmi Movie Makers 2003 2498:Lakshmi Movie Makers 2003 2228:) per 1 US dollar (US$ ). 1991:revealed that a scene in 1922: 1901: 1869: 1832: 1818: 1760: 1741: 1729: 1726: 1723: 1720: 1717: 1714: 1488:50th National Film Awards 1367: 1364: 1361: 1356: 1210: 1207: 1204: 1199: 774:Michael Madana Kama Rajan 537:as Padayatchi's assistant 513:as Padayatchi's assistant 214: 206: 198: 188: 174:15 January 2003 165: 157: 141: 131: 121: 111: 87: 67: 57: 47: 42:Theatrical release poster 35: 30: 3343:"Meet The Path-Breakers" 3072:"How I met Kamal Haasan" 2871:"No regrets, no remakes" 2196: 1432:S. P. Balasubrahmanyam, 1113: 924:Indian National Congress 519:as Balasaraswathi's aunt 317:takes on themes such as 307:Produced on a budget of 268:provided the dialogues. 6312:Unakkaga Ellam Unakkaga 5658:உதிரன் (31 July 2015). 5474:Daily News and Analysis 5442:Indo-Asian News Service 5339:"A producer's delight!" 4799:அனு (26 January 2003). 4606:"'Anbe Sivam' in Hindi" 3854:"No branding please..." 2181: 2076:Daily News and Analysis 2066:Indo-Asian News Service 1951:Following its release, 1460:"Nenu Shivam" (reprise) 1446:"Deshanne Melukolupaga" 1399:S. P.Balasubrahmanyam, 507:as Kandasamy Padayatchi 479: 400:Two men waiting at the 395: 376:and nominations in the 4743:The New Indian Express 4339:The New Indian Express 4294:The New Indian Express 3700:The New Indian Express 3599:"Tsunami Premonitions" 2670:The New Indian Express 2301:"2003 Indian Panorama" 2178:to become a director. 1935: 1837:Best Supporting Actor 1708:Awards and nominations 1605:The New Indian Express 1583:Malathi Rangarajan of 1380:S. P. Balasubrahmanyam 1296:Kamal Haasan, Chandran 1260:S. P. Balasubrahmanyam 1156:Malathi Rangarajan of 1026:Vettaiyaadu Vilaiyaadu 980: 926:while staging a play, 750: 555:as a roadside drunkard 21:Anbe Sivam (TV series) 6344:Ullam Kollai Poguthae 5920:Apoorva Sagodharargal 5345:. 11 September 2008. 4670:"The world of movies" 4020:"And, Brahma said..." 3829:. 22 September 2013. 2141:OMG – Oh My God! 2058:Income Tax Department 1927: 1886:Kannathil Muthamittal 1800:Best Supporting Actor 1738:Filmfare Awards South 1678:places the losses at 1463:S.P. Balasubrahmanyam 1449:S.P. Balasubrahmanyam 1324:"Poovaasam" (Reprise) 1307:"Elo Machi" (Reprise) 1093:Man at the Crossroads 976:Man at the Crossroads 964: 882:Themes and influences 826:Principal photography 733: 670:was derived from the 329:and depicts Haasan's 6336:Unnai Kann Theduthey 5960:Kuruthipunal / Drohi 2355:on 25 September 2014 2343:"Return of the king" 2258:According to singer 2115:Just Maath Maathalli 1540:Siri Fort Auditorium 1352:Telugu track listing 1328:Sriram Parthasarathy 1168:, in her column for 1143:Sriram Parthasarathy 702:Lakshmi Movie Makers 591:as a grieving mother 585:as a grieving father 567:as a tea stall owner 402:Biju Patnaik Airport 258:Lakshmi Movie Makers 161:Lakshmi Movie Makers 151:Lakshmi Movie Makers 6659:Slice of life films 6629:Films set in Odisha 6077:Makkal Needhi Maiam 5976:Aalavandhan / Abhay 5831:Unrealized projects 4839:(22 January 2003). 4546:. 19 January 2003. 4506:"Anbea Sivam (12A)" 4470:. 15 January 2003. 4257:(1 February 2013). 3308:மாணிக்கம், காவேரி. 3133:"This mommy rocks!" 2843:. 21 January 2020. 2085:The Times of India' 2005:, in a scene where 1907:Best Make-up Artist 1353: 1293:"Naatukkoru Seithi" 1256:"Mouname Paarvayai" 1196: 1195:Tamil track listing 696:Muralitharan and G. 422:commercial director 241:) is a 2003 Indian 6654:Indian road movies 6644:Indian drama films 6594:2000s Indian films 6480:Coffee with Kadhal 6424:Nagaram Marupakkam 6224:Aranmanai 4 / Baak 5665:Hindu Tamil Thisai 5505:The Times of India 5343:The Times of India 5251:The Times of India 5215:inspired me: Bala" 5184:The Indian Express 5006:The Times of India 4976:The Times of India 4911:The Economic Times 4879:The Economic Times 4643:The Times of India 4543:People's Democracy 4436:The Times of India 4259:"Call of the swan" 4159:The Times of India 4125:The Times of India 3990:The Times of India 3959:The Times of India 3603:The Times of India 3347:The Times of India 3106:The Times of India 3016:. 13 August 2011. 2808:The Times of India 2708:The Indian Express 2517:The Times of India 2151:Hindu Tamil Thisai 2132:Narendra Dabholkar 2046:The Times of India 2032:R. Ashok Kumar of 1999:in his 2003 film, 1870:30 September 2004 1850:Best Art Director 1748:Special Jury Award 1694:The Times of India 1675:The Economic Times 1570:The Times of India 1351: 1194: 1178:The Times of India 1098:The Times of India 1056:The basic plot of 981: 947:The Times of India 761:R. Ashok Kumar of 720:The Indian Express 438:Coromandel Express 412:, for a flight to 374:Special Jury Award 313:120 million, 239: Love Is God 6599:2000s road movies 6571: 6570: 6538:Naanga Romba Busy 6234: 6233: 6138: 6137: 5968:Kaathala Kaathala 5836:Awards and honors 5546:on 8 January 2018 5257:on 5 January 2017 4768:Mannath, Malini. 4749:on 9 January 2018 4649:on 5 January 2017 4442:on 5 January 2017 3112:on 8 January 2018 3013:Bollywood Hungama 2512:"Content is king" 2068:agency, included 1987:(2009), director 1920: 1919: 1896: 1819:23 November 2003 1718:Date of ceremony 1560:Critical response 1524:, which featured 1470: 1469: 1396:"Ore Bujji Bujji" 1347: 1346: 1122:were composed by 597:as a union worker 511:Santhana Bharathi 501:as Balasaraswathi 286:Santhana Bharathi 227: 226: 6666: 6609:2003 drama films 6360:Azhagana Naatkal 6256:Ullathai Allitha 6184: 6183: 6165: 6158: 6151: 6142: 6141: 5803: 5796: 5789: 5780: 5779: 5744: 5743: 5741: 5739: 5719: 5713: 5712: 5710: 5708: 5688: 5682: 5681: 5679: 5677: 5655: 5649: 5648: 5646: 5644: 5624: 5618: 5617: 5615: 5613: 5593: 5587: 5586: 5584: 5582: 5562: 5556: 5555: 5553: 5551: 5527: 5521: 5520: 5518: 5516: 5497: 5491: 5490: 5488: 5486: 5464: 5458: 5457: 5455: 5453: 5448:on 27 March 2016 5444:. Archived from 5429: 5423: 5422: 5420: 5418: 5413:on 16 March 2013 5397: 5391: 5390: 5388: 5386: 5365: 5359: 5358: 5356: 5354: 5335: 5329: 5328: 5326: 5324: 5304: 5298: 5297: 5295: 5293: 5273: 5267: 5266: 5264: 5262: 5243: 5237: 5236: 5234: 5232: 5227:on 28 March 2016 5223:. Archived from 5206: 5200: 5199: 5197: 5195: 5176: 5170: 5169: 5167: 5165: 5143: 5137: 5136: 5134: 5132: 5112: 5106: 5105: 5103: 5101: 5080: 5074: 5073: 5071: 5069: 5064:on 28 March 2016 5060:. Archived from 5047: 5041: 5040: 5035:. 12 June 2004. 5028: 5022: 5021: 5019: 5017: 4998: 4992: 4991: 4989: 4987: 4982:on 11 April 2016 4978:. Archived from 4967: 4961: 4960: 4958: 4956: 4936: 4927: 4926: 4924: 4922: 4902: 4896: 4895: 4893: 4891: 4869: 4863: 4862: 4860: 4858: 4853:on 31 March 2016 4849:. Archived from 4833: 4827: 4826: 4823:Internet Archive 4820: 4818: 4796: 4790: 4789: 4787: 4785: 4776:. Archived from 4765: 4759: 4758: 4756: 4754: 4745:. Archived from 4739:"Films for life" 4734: 4725: 4724: 4722: 4720: 4711:. Archived from 4703:"Worth watching" 4698: 4692: 4691: 4689: 4687: 4665: 4659: 4658: 4656: 4654: 4645:. Archived from 4634: 4628: 4627: 4625: 4623: 4618:on 28 March 2016 4602: 4596: 4595: 4593: 4591: 4574:"Sathyame Sivam" 4569: 4560: 4559: 4557: 4555: 4534: 4528: 4527: 4525: 4523: 4502: 4496: 4490: 4484: 4483: 4481: 4479: 4462:"Satyame Shivam" 4458: 4452: 4451: 4449: 4447: 4438:. Archived from 4427: 4421: 4420: 4418: 4416: 4396: 4387: 4386: 4384: 4382: 4361: 4355: 4354: 4352: 4350: 4345:on 28 March 2016 4331: 4325: 4319: 4310: 4309: 4307: 4305: 4300:on 26 March 2016 4296:. Archived from 4285: 4279: 4278: 4276: 4274: 4255:Mani, Charulatha 4251: 4242: 4241: 4239: 4237: 4232:on 26 March 2016 4228:. Archived from 4215: 4209: 4208: 4206: 4204: 4184: 4175: 4174: 4172: 4170: 4150: 4141: 4140: 4138: 4136: 4127:. 16 June 2022. 4117: 4111: 4110: 4108: 4106: 4086: 4080: 4079: 4077: 4075: 4058:(2 March 2003). 4056:Rangan, Baradwaj 4052: 4039: 4038: 4036: 4034: 4015: 4006: 4005: 4003: 4001: 3981: 3975: 3974: 3972: 3970: 3950: 3944: 3943: 3941: 3939: 3917: 3908: 3907: 3905: 3903: 3881: 3875: 3874: 3872: 3870: 3861:. Archived from 3849: 3843: 3842: 3840: 3838: 3817: 3811: 3805: 3799: 3793: 3787: 3786: 3784: 3782: 3777:on 11 April 2014 3773:. Archived from 3761: 3750: 3749: 3747: 3745: 3725: 3716: 3715: 3713: 3711: 3691: 3685: 3684: 3682: 3680: 3658: 3652: 3651: 3649: 3647: 3642:on 26 March 2016 3638:. Archived from 3625: 3619: 3618: 3616: 3614: 3609:on 11 April 2016 3595: 3589: 3588: 3586: 3584: 3564: 3553: 3552: 3550: 3548: 3528: 3522: 3521: 3519: 3517: 3497: 3491: 3490: 3488: 3486: 3466: 3460: 3459: 3457: 3455: 3435: 3429: 3428: 3426: 3424: 3419:on 26 March 2016 3415:. Archived from 3402: 3396: 3395: 3393: 3391: 3386:on 28 March 2016 3382:. Archived from 3369: 3363: 3362: 3360: 3358: 3353:on 10 April 2016 3349:. Archived from 3338: 3332: 3331: 3329: 3327: 3305: 3299: 3298: 3296: 3294: 3289:on 26 March 2016 3285:. Archived from 3272: 3259: 3258: 3256: 3254: 3234: 3228: 3227: 3225: 3223: 3214:. 11 June 2020. 3202: 3196: 3190: 3184: 3183: 3181: 3179: 3159: 3153: 3152: 3150: 3148: 3139:. Archived from 3137:Deccan Chronicle 3128: 3122: 3121: 3119: 3117: 3098: 3092: 3091: 3089: 3087: 3067: 3061: 3060: 3058: 3056: 3036: 3030: 3029: 3027: 3025: 3004: 2995: 2994: 2992: 2990: 2968: 2962: 2961: 2959: 2957: 2938:(14 June 2002). 2932: 2926: 2925: 2923: 2921: 2916:on 26 March 2016 2912:. Archived from 2900: 2891: 2890: 2888: 2886: 2866: 2857: 2856: 2854: 2852: 2831: 2825: 2824: 2822: 2820: 2798: 2792: 2791: 2789: 2787: 2768: 2762: 2761: 2759: 2757: 2731: 2725: 2724: 2722: 2720: 2698: 2687: 2686: 2684: 2682: 2677:on 31 March 2016 2673:. Archived from 2660: 2654: 2648: 2642: 2636: 2630: 2624: 2618: 2617: 2615: 2613: 2601:Deccan Chronicle 2591: 2585: 2584: 2582: 2580: 2559: 2553: 2547: 2534: 2533: 2531: 2529: 2524:on 10 April 2016 2520:. Archived from 2507: 2501: 2495: 2478: 2477: 2475: 2473: 2468:on 26 March 2016 2464:. Archived from 2451: 2430: 2429: 2427: 2425: 2403: 2397: 2396: 2394: 2392: 2387:on 21 March 2015 2371: 2365: 2364: 2362: 2360: 2351:. Archived from 2338: 2327: 2326: 2324: 2322: 2317:on 28 March 2016 2316: 2310:. Archived from 2305: 2297: 2277: 2256: 2250: 2247: 2241: 2238: 2229: 2227: 2218: 2192: 2093:Vasool Raja MBBS 2051: 2043: 2031: 2024: 2018: 2015:Periya alai illa 1947: 1913: 1882: 1880: 1857: 1842: 1827: 1808: 1791: 1773: 1754: 1732: 1712: 1711: 1691: 1681: 1671: 1663: 1635: 1628:A reviewer from 1591: 1429:"Mouname Pataga" 1359: 1354: 1350: 1340: 1330:, Sadhana Sargam 1202: 1197: 1193: 1074:, which starred 995:Bengali language 983:The film critic 965:Mexican painter 933: 845: 809:Michael Westmore 781:Arthur A. Wilson 760: 748: 699: 695: 642:Sri Lankan Tamil 583:Poovilangu Mohan 432: 427: 372:, it received a 368:in 2003. At the 339:Arthur A. Wilson 311: 240: 237: 223:120 million 221: 181: 179: 116:Arthur A. Wilson 40: 28: 27: 6674: 6673: 6669: 6668: 6667: 6665: 6664: 6663: 6574: 6573: 6572: 6567: 6551: 6514:Meesaya Murukku 6502: 6496:Madha Gaja Raja 6408:Thaka Thimi Tha 6328:Kannan Varuvaan 6248:Murai Mappillai 6230: 6175: 6171:Filmography of 6169: 6139: 6134: 6117:T. K. Shanmugam 6081: 6046: 6000:Nala Damayanthi 5984:Panchatanthiram 5896:As screenwriter 5891: 5840: 5812: 5807: 5774:Rotten Tomatoes 5753: 5748: 5747: 5737: 5735: 5720: 5716: 5706: 5704: 5689: 5685: 5675: 5673: 5656: 5652: 5642: 5640: 5625: 5621: 5611: 5609: 5594: 5590: 5580: 5578: 5563: 5559: 5549: 5547: 5528: 5524: 5514: 5512: 5499: 5498: 5494: 5484: 5482: 5465: 5461: 5451: 5449: 5430: 5426: 5416: 5414: 5399: 5398: 5394: 5384: 5382: 5367: 5366: 5362: 5352: 5350: 5337: 5336: 5332: 5322: 5320: 5305: 5301: 5291: 5289: 5274: 5270: 5260: 5258: 5245: 5244: 5240: 5230: 5228: 5207: 5203: 5193: 5191: 5178: 5177: 5173: 5163: 5161: 5144: 5140: 5130: 5128: 5113: 5109: 5099: 5097: 5082: 5081: 5077: 5067: 5065: 5048: 5044: 5037:The Times Group 5033:Filmfare Awards 5030: 5029: 5025: 5015: 5013: 5008:. 4 June 2004. 5000: 4999: 4995: 4985: 4983: 4968: 4964: 4954: 4952: 4937: 4930: 4920: 4918: 4903: 4899: 4889: 4887: 4870: 4866: 4856: 4854: 4837:Kamath, Sudhish 4834: 4830: 4816: 4814: 4797: 4793: 4783: 4781: 4780:on 5 April 2005 4766: 4762: 4752: 4750: 4735: 4728: 4718: 4716: 4715:on 12 June 2016 4699: 4695: 4685: 4683: 4666: 4662: 4652: 4650: 4635: 4631: 4621: 4619: 4604: 4603: 4599: 4589: 4587: 4570: 4563: 4553: 4551: 4536: 4535: 4531: 4521: 4519: 4504: 4503: 4499: 4491: 4487: 4477: 4475: 4460: 4459: 4455: 4445: 4443: 4428: 4424: 4414: 4412: 4397: 4390: 4380: 4378: 4363: 4362: 4358: 4348: 4346: 4333: 4332: 4328: 4320: 4313: 4303: 4301: 4286: 4282: 4272: 4270: 4252: 4245: 4235: 4233: 4216: 4212: 4202: 4200: 4185: 4178: 4168: 4166: 4151: 4144: 4134: 4132: 4119: 4118: 4114: 4104: 4102: 4087: 4083: 4073: 4071: 4053: 4042: 4032: 4030: 4016: 4009: 3999: 3997: 3982: 3978: 3968: 3966: 3951: 3947: 3937: 3935: 3918: 3911: 3901: 3899: 3882: 3878: 3868: 3866: 3850: 3846: 3836: 3834: 3819: 3818: 3814: 3806: 3802: 3794: 3790: 3780: 3778: 3763: 3762: 3753: 3743: 3741: 3726: 3719: 3709: 3707: 3692: 3688: 3678: 3676: 3659: 3655: 3645: 3643: 3626: 3622: 3612: 3610: 3597: 3596: 3592: 3582: 3580: 3565: 3556: 3546: 3544: 3529: 3525: 3515: 3513: 3498: 3494: 3484: 3482: 3467: 3463: 3453: 3451: 3436: 3432: 3422: 3420: 3403: 3399: 3389: 3387: 3370: 3366: 3356: 3354: 3339: 3335: 3325: 3323: 3306: 3302: 3292: 3290: 3273: 3262: 3252: 3250: 3235: 3231: 3221: 3219: 3211:The News Minute 3204: 3203: 3199: 3191: 3187: 3177: 3175: 3160: 3156: 3146: 3144: 3143:on 19 June 2015 3129: 3125: 3115: 3113: 3102:"Did You Know?" 3100: 3099: 3095: 3085: 3083: 3068: 3064: 3054: 3052: 3037: 3033: 3023: 3021: 3006: 3005: 2998: 2988: 2986: 2969: 2965: 2955: 2953: 2936:K. Jha, Subhash 2933: 2929: 2919: 2917: 2901: 2894: 2884: 2882: 2867: 2860: 2850: 2848: 2833: 2832: 2828: 2818: 2816: 2799: 2795: 2785: 2783: 2778:. 7 June 2022. 2770: 2769: 2765: 2755: 2753: 2732: 2728: 2718: 2716: 2699: 2690: 2680: 2678: 2661: 2657: 2649: 2645: 2637: 2633: 2625: 2621: 2611: 2609: 2592: 2588: 2578: 2576: 2571:. 3 June 2016. 2561: 2560: 2556: 2548: 2537: 2527: 2525: 2508: 2504: 2496: 2481: 2471: 2469: 2452: 2433: 2423: 2421: 2413:Hindustan Times 2404: 2400: 2390: 2388: 2373: 2372: 2368: 2358: 2356: 2339: 2330: 2320: 2318: 2314: 2303: 2299: 2298: 2291: 2286: 2281: 2280: 2260:Charulatha Mani 2257: 2253: 2248: 2244: 2239: 2232: 2225: 2219: 2204: 2199: 2184: 2098:Tiruchirappalli 2052:C. stated that 2049: 2041: 2029: 2022: 2016: 1966:Nala Damayanthi 1949: 1937: 1925: 1881: 1772:K. Muralitharan 1761: 1753:K. Muralitharan 1710: 1689: 1679: 1669: 1661: 1650: 1633: 1589: 1562: 1557: 1476: 1471: 1384:Gopika Poornima 1348: 1338: 1166:Charulatha Mani 1116: 985:Baradwaj Rangan 942:Charlie Chaplin 931: 884: 843: 823: 814:Panchatanthiram 758: 749: 743: 715:Anuradha Sriram 710: 697: 693: 637:Avvai Shanmughi 632:K. S. Ravikumar 628: 623: 618: 482: 430: 425: 398: 309: 238: 219: 191: 184: 177: 175: 168: 153: 146: 144: 107: 83: 74:K. Muralitharan 43: 24: 17: 12: 11: 5: 6672: 6662: 6661: 6656: 6651: 6646: 6641: 6636: 6631: 6626: 6621: 6616: 6611: 6606: 6601: 6596: 6591: 6586: 6569: 6568: 6566: 6565: 6559: 6557: 6553: 6552: 6550: 6542: 6534: 6526: 6518: 6510: 6508: 6504: 6503: 6501: 6500: 6492: 6484: 6476: 6468: 6460: 6452: 6444: 6436: 6428: 6420: 6412: 6404: 6396: 6388: 6380: 6372: 6364: 6356: 6348: 6340: 6332: 6324: 6316: 6308: 6300: 6292: 6284: 6276: 6268: 6260: 6252: 6244: 6235: 6232: 6231: 6229: 6228: 6220: 6212: 6204: 6195: 6193: 6181: 6177: 6176: 6168: 6167: 6160: 6153: 6145: 6136: 6135: 6133: 6132: 6126: 6123:K. Balachander 6120: 6114: 6108: 6102: 6099:Akshara Haasan 6096: 6089: 6087: 6083: 6082: 6080: 6079: 6074: 6069: 6066:Marudhanayagam 6062: 6054: 6052: 6048: 6047: 6045: 6044: 6036: 6032:Uttama Villain 6028: 6020: 6012: 6004: 5996: 5988: 5980: 5972: 5964: 5956: 5948: 5940: 5932: 5924: 5916: 5908: 5899: 5897: 5893: 5892: 5890: 5889: 5881: 5873: 5865: 5857: 5848: 5846: 5842: 5841: 5839: 5838: 5833: 5828: 5823: 5817: 5814: 5813: 5806: 5805: 5798: 5791: 5783: 5777: 5776: 5765: 5752: 5751:External links 5749: 5746: 5745: 5714: 5683: 5650: 5619: 5588: 5557: 5522: 5492: 5459: 5424: 5392: 5360: 5330: 5299: 5268: 5238: 5201: 5171: 5138: 5107: 5096:on 17 May 2016 5075: 5042: 5023: 4993: 4962: 4928: 4897: 4864: 4828: 4791: 4774:Chennai Online 4760: 4726: 4693: 4660: 4629: 4597: 4561: 4529: 4497: 4485: 4453: 4422: 4388: 4356: 4326: 4311: 4280: 4243: 4210: 4176: 4142: 4112: 4081: 4040: 4007: 3976: 3945: 3909: 3876: 3865:on 17 May 2016 3844: 3812: 3800: 3788: 3751: 3717: 3686: 3653: 3620: 3590: 3554: 3523: 3492: 3461: 3430: 3397: 3364: 3333: 3315:Cinema Express 3310:"ஆட்ட நாயகன்!" 3300: 3260: 3229: 3197: 3185: 3154: 3123: 3093: 3062: 3031: 2996: 2963: 2927: 2892: 2858: 2840:Cinema Express 2826: 2793: 2763: 2745:Ananda Vikatan 2726: 2688: 2655: 2643: 2631: 2619: 2586: 2554: 2535: 2502: 2479: 2431: 2398: 2366: 2328: 2288: 2287: 2285: 2282: 2279: 2278: 2251: 2242: 2230: 2201: 2200: 2198: 2195: 2194: 2193: 2183: 2180: 2102:Nammal Mudiyum 1961:Subhash K. Jha 1938: – Actor 1926: 1924: 1921: 1918: 1917: 1914: 1909: 1903: 1902: 1900: 1897: 1876: 1871: 1868: 1862: 1861: 1858: 1855:M. Prabhaharan 1851: 1847: 1846: 1843: 1838: 1834: 1833: 1831: 1828: 1823: 1820: 1817: 1813: 1812: 1809: 1802: 1796: 1795: 1792: 1785: 1779: 1778: 1775: 1769: 1763: 1762: 1759: 1756: 1750: 1745: 1740: 1734: 1733: 1728: 1725: 1722: 1719: 1716: 1709: 1706: 1666:underperformed 1654:Sudhish Kamath 1649: 1646: 1610:Chennai Online 1574:Sathyame Sivam 1561: 1558: 1556: 1553: 1544:Sathyame Sivam 1515:Chokka Thangam 1475: 1472: 1468: 1467: 1464: 1461: 1458: 1454: 1453: 1450: 1447: 1444: 1440: 1439: 1436: 1430: 1427: 1423: 1422: 1419: 1414: 1411: 1407: 1406: 1403: 1397: 1394: 1390: 1389: 1386: 1377: 1374: 1370: 1369: 1366: 1363: 1360: 1349: 1345: 1344: 1341: 1335: 1334: 1331: 1325: 1322: 1318: 1317: 1314: 1310:Udit Narayan, 1308: 1305: 1301: 1300: 1297: 1294: 1291: 1287: 1286: 1283: 1281:Sadhana Sargam 1274: 1271: 1267: 1266: 1263: 1257: 1254: 1250: 1249: 1246: 1242:Kamal Haasan, 1240: 1237: 1233: 1232: 1229: 1220: 1217: 1213: 1212: 1209: 1206: 1203: 1182: 1151:Sadhana Sargam 1115: 1112: 920:street theatre 883: 880: 856:Andhra Pradesh 822: 819: 797:Chinni Prakash 785:M. Prabhaharan 741: 709: 706: 627: 624: 622: 619: 617: 616: 613: 607: 601: 598: 595:Krishnamoorthy 592: 586: 580: 574: 568: 562: 559:Uma Riyaz Khan 556: 550: 544: 538: 532: 526: 520: 514: 508: 502: 496: 490: 483: 481: 478: 454:street theatre 447:Andhra Pradesh 397: 394: 350:underperformed 343:M. Prabhaharan 294:Uma Riyaz Khan 272:stars Haasan, 225: 224: 216: 212: 211: 208: 204: 203: 200: 196: 195: 192: 189: 186: 185: 183: 182: 171: 169: 166: 163: 162: 159: 158:Distributed by 155: 154: 149: 147: 142: 139: 138: 133: 129: 128: 123: 119: 118: 113: 112:Cinematography 109: 108: 106: 105: 100: 95: 91: 89: 85: 84: 82: 81: 78: 77:V. Swaminathan 75: 71: 69: 65: 64: 59: 55: 54: 49: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 6671: 6660: 6657: 6655: 6652: 6650: 6647: 6645: 6642: 6640: 6637: 6635: 6632: 6630: 6627: 6625: 6622: 6620: 6617: 6615: 6612: 6610: 6607: 6605: 6602: 6600: 6597: 6595: 6592: 6590: 6587: 6585: 6582: 6581: 6579: 6564: 6561: 6560: 6558: 6554: 6548: 6547: 6543: 6540: 6539: 6535: 6532: 6531: 6530:Naan Sirithal 6527: 6524: 6523: 6519: 6516: 6515: 6511: 6509: 6507:As a producer 6505: 6498: 6497: 6493: 6490: 6489: 6485: 6482: 6481: 6477: 6474: 6473: 6469: 6466: 6465: 6461: 6458: 6457: 6456:Kalakalappu 2 6453: 6450: 6449: 6445: 6442: 6441: 6437: 6434: 6433: 6429: 6426: 6425: 6421: 6418: 6417: 6413: 6410: 6409: 6405: 6402: 6401: 6397: 6394: 6393: 6389: 6386: 6385: 6381: 6378: 6377: 6373: 6370: 6369: 6365: 6362: 6361: 6357: 6354: 6353: 6349: 6346: 6345: 6341: 6338: 6337: 6333: 6330: 6329: 6325: 6322: 6321: 6317: 6314: 6313: 6309: 6306: 6305: 6301: 6298: 6297: 6293: 6290: 6289: 6285: 6282: 6281: 6277: 6274: 6273: 6269: 6266: 6265: 6261: 6258: 6257: 6253: 6250: 6249: 6245: 6242: 6241: 6237: 6236: 6226: 6225: 6221: 6218: 6217: 6213: 6210: 6209: 6205: 6202: 6201: 6197: 6196: 6194: 6191: 6190: 6185: 6182: 6180:As a director 6178: 6174: 6166: 6161: 6159: 6154: 6152: 6147: 6146: 6143: 6130: 6127: 6124: 6121: 6118: 6115: 6112: 6109: 6106: 6103: 6100: 6097: 6094: 6093:Shruti Haasan 6091: 6090: 6088: 6084: 6078: 6075: 6073: 6070: 6068: 6067: 6063: 6061: 6060: 6056: 6055: 6053: 6049: 6042: 6041: 6037: 6034: 6033: 6029: 6026: 6025: 6024:Manmadan Ambu 6021: 6018: 6017: 6016:Dasavathaaram 6013: 6010: 6009: 6008:Mumbai Xpress 6005: 6002: 6001: 5997: 5994: 5993: 5989: 5986: 5985: 5981: 5978: 5977: 5973: 5970: 5969: 5965: 5962: 5961: 5957: 5954: 5953: 5949: 5946: 5945: 5941: 5938: 5937: 5933: 5930: 5929: 5925: 5922: 5921: 5917: 5914: 5913: 5909: 5906: 5905: 5901: 5900: 5898: 5894: 5887: 5886: 5882: 5879: 5878: 5874: 5871: 5870: 5866: 5863: 5862: 5858: 5855: 5854: 5850: 5849: 5847: 5843: 5837: 5834: 5832: 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P. Sailaja 1431: 1428: 1424: 1420: 1418: 1415: 1413:"Nenu Shivam" 1412: 1408: 1404: 1402: 1398: 1395: 1391: 1387: 1385: 1381: 1378: 1375: 1371: 1355: 1342: 1339:Total length: 1336: 1332: 1329: 1326: 1323: 1319: 1315: 1313: 1309: 1306: 1302: 1298: 1295: 1292: 1288: 1284: 1282: 1278: 1277:Vijay Prakash 1275: 1272: 1268: 1264: 1261: 1258: 1255: 1251: 1247: 1245: 1241: 1238: 1234: 1230: 1228: 1224: 1221: 1218: 1214: 1198: 1192: 1191: 1187: 1181: 1179: 1175: 1171: 1167: 1163: 1159: 1154: 1152: 1148: 1147:Vijay Prakash 1144: 1140: 1137: 1136:Shuddh Sarang 1133: 1129: 1125: 1121: 1111: 1109: 1108: 1103: 1099: 1095: 1094: 1089: 1085: 1081: 1077: 1073: 1069: 1068: 1063: 1059: 1054: 1052: 1051: 1046: 1042: 1038: 1037: 1036:Manmadan Ambu 1032: 1028: 1027: 1022: 1021: 1016: 1015: 1010: 1006: 1005: 1000: 996: 992: 991: 986: 978: 977: 972: 968: 963: 959: 957: 953: 949: 948: 943: 939: 938: 929: 925: 921: 917: 916:Safdar Hashmi 913: 909: 905: 901: 897: 896:globalisation 893: 888: 879: 877: 873: 869: 865: 861: 860:Visakhapatnam 857: 853: 849: 841: 837: 835: 831: 827: 818: 816: 815: 810: 806: 805:Vikram Dharma 802: 798: 794: 790: 789:P. Sai Suresh 786: 782: 778: 776: 775: 770: 766: 765: 756: 747: 740: 738: 732: 730: 726: 722: 721: 716: 708:Cast and crew 705: 703: 691: 687: 683: 682: 677: 673: 669: 664: 660: 655: 653: 652: 647: 643: 639: 638: 633: 614: 611: 608: 605: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 563: 561:as Mehrunissa 560: 557: 554: 551: 548: 545: 542: 539: 536: 533: 530: 529:R. S. Shivaji 527: 524: 521: 518: 515: 512: 509: 506: 503: 500: 497: 494: 491: 489:as Nallasivam 488: 485: 484: 477: 473: 469: 467: 463: 459: 455: 450: 448: 444: 439: 434: 423: 419: 415: 411: 407: 403: 393: 391: 387: 383: 379: 375: 371: 367: 363: 359: 355: 351: 346: 344: 340: 336: 332: 328: 324: 320: 316: 312: 305: 303: 299: 295: 291: 287: 283: 279: 275: 271: 267: 263: 259: 255: 251: 248: 247:slice-of-life 244: 233: 232: 222: 217: 213: 209: 205: 201: 197: 193: 187: 173: 172: 170: 164: 160: 156: 152: 148: 140: 137: 134: 130: 127: 126:P. Sai Suresh 124: 120: 117: 114: 110: 104: 101: 99: 96: 93: 92: 90: 86: 79: 76: 73: 72: 70: 66: 63: 60: 56: 53: 50: 46: 39: 34: 29: 26: 22: 6563:Avni Cinemax 6546:Pattampoochi 6544: 6536: 6528: 6522:Natpe Thunai 6520: 6512: 6499:(unreleased) 6494: 6486: 6478: 6470: 6462: 6454: 6446: 6438: 6430: 6422: 6414: 6406: 6398: 6390: 6382: 6374: 6367: 6366: 6358: 6350: 6342: 6334: 6326: 6318: 6310: 6302: 6294: 6286: 6278: 6270: 6262: 6254: 6246: 6238: 6222: 6214: 6206: 6198: 6187: 6111:Chandrahasan 6064: 6057: 6038: 6030: 6022: 6014: 6006: 5998: 5991: 5990: 5982: 5974: 5966: 5958: 5950: 5942: 5936:Thevar Magan 5934: 5926: 5918: 5910: 5902: 5883: 5875: 5867: 5859: 5851: 5810:Kamal Haasan 5768: 5757: 5736:. Retrieved 5727: 5717: 5705:. Retrieved 5696: 5686: 5674:. Retrieved 5668:(in Tamil). 5663: 5653: 5641:. Retrieved 5632: 5622: 5610:. Retrieved 5601: 5591: 5579:. Retrieved 5570: 5560: 5548:. Retrieved 5544:the original 5537: 5532: 5525: 5513:. Retrieved 5504: 5495: 5483:. 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Retrieved 2312:the original 2271: 2263: 2254: 2245: 2188: 2175: 2169: 2165: 2159: 2149: 2145: 2139: 2136:Umesh Shukla 2123: 2119: 2113: 2101: 2091: 2089: 2084: 2080: 2074: 2069: 2061: 2053: 2045: 2037: 2033: 2027: 2014: 2000: 1996: 1992: 1984:Naan Kadavul 1982: 1981:in 2010 for 1973: 1971: 1964: 1952: 1950: 1943: 1936: 1930: 1928: 1890: 1884: 1826:Kamal Haasan 1789:Kamal Haasan 1743:12 June 2004 1702:video piracy 1697: 1693: 1683: 1673: 1672:Govardan of 1657: 1651: 1641: 1637: 1627: 1619: 1613: 1609: 1603: 1599: 1593: 1584: 1582: 1573: 1569: 1566:Tamil cinema 1563: 1547: 1543: 1531: 1530: 1519: 1513: 1503: 1483: 1479: 1477: 1417:Kamal Haasan 1262:, Chandrayee 1244:Udit Narayan 1223:Kamal Haasan 1219:"Anbe Sivam" 1183: 1177: 1169: 1161: 1157: 1155: 1135: 1119: 1117: 1105: 1097: 1091: 1084:Diego Rivera 1076:Steve Martin 1070:directed by 1065: 1057: 1055: 1048: 1040: 1034: 1024: 1018: 1012: 1002: 997:and meeting 990:Vishwaroopam 988: 982: 974: 967:Diego Rivera 951: 945: 935: 927: 886: 885: 839: 838: 829: 824: 812: 801:Dinesh Kumar 779: 772: 768: 762: 751: 745: 736: 734: 718: 711: 689: 681:Tirumantiram 679: 667: 663:Priyadarshan 656: 649: 635: 629: 499:Kiran Rathod 487:Kamal Haasan 474: 470: 462:labour force 451: 435: 399: 388:at the 2003 361: 354:Tamil cinema 347: 314: 306: 278:Kiran Rathod 269: 262:Kamal Haasan 252:directed by 230: 229: 228: 190:Running time 167:Release date 103:Kiran Rathod 94:Kamal Haasan 80:G. Venugopal 62:Kamal Haasan 25: 6432:Kalakalappu 6320:Azhagarsamy 6296:Unnai Thedi 6280:Janakiraman 6272:Arunachalam 6240:Murai Maman 6216:Aranmanai 3 6208:Aranmanai 2 5845:As director 5826:Discography 5821:Filmography 4945:India Today 4941:"Flop show" 4817:24 February 4478:28 February 4135:17 November 2348:India Today 2130:and author 2128:rationalist 2079:considered 2028:In 2008, S. 1957:cult status 1912:V. P. Rajan 1822:Best Actor 1685:India Today 1576:, Jeevi of 1510:Vijayakanth 1496:Thai Pongal 1273:"Poovaasam" 1239:"Elo Machi" 1102:Rajinikanth 1072:John Hughes 1045:Odia people 1031:Frenchwoman 862:and on the 755:Crazy Mohan 725:Nandita Das 626:Development 571:Nellai Siva 565:Pasi Sathya 553:Muthukaalai 495:as Anbarasu 406:Bhubaneswar 298:Bhubaneswar 194:160 minutes 68:Produced by 48:Directed by 6584:2003 films 6578:Categories 6368:Anbe Sivam 6304:Suyamvaram 6105:Charuhasan 6101:(daughter) 6095:(daughter) 5992:Anbe Sivam 5869:Virumaandi 5853:Chachi 420 5769:Anbe Sivam 5758:Anbe Sivam 5676:2 December 5406:Nakkheeran 5292:31 October 5213:Anbe Sivam 4405:Rediff.com 3710:8 November 3679:2 December 3573:Rediff.com 3537:Rediff.com 3506:Rediff.com 3475:Rediff.com 3444:Rediff.com 3222:3 December 3168:Rediff.com 3045:Rediff.com 2945:Rediff.com 2875:Rediff.com 2851:3 December 2819:3 December 2756:24 January 2380:Rediff.com 2284:References 2273:Hamsanadam 2189:Anbe Sivam 2176:Anbe Sivam 2171:Peechankai 2166:Anbe Sivam 2146:Anbe Sivam 2120:Anbe Sivam 2081:Anbe Sivam 2070:Anbe Sivam 2062:Anbe Sivam 2054:Anbe Sivam 2038:Anbe Sivam 2002:Pithamagan 1997:Anbe Sivam 1993:Anbe Sivam 1974:Anbe Sivam 1953:Anbe Sivam 1931:Anbe Sivam 1883:(also for 1874:Best Actor 1811:Nominated 1794:Nominated 1783:Best Actor 1777:Nominated 1648:Box office 1532:Anbe Sivam 1484:Anbe Sivam 1186:Vairamuthu 1174:Rediff.com 1128:Vairamuthu 1124:Vidyasagar 1120:Anbe Sivam 1080:John Candy 1058:Anbe Sivam 1041:Anbe Sivam 1007:(1994), a 952:Anbe Sivam 892:capitalism 887:Anbe Sivam 876:Campa Cola 864:Tamil Nadu 840:Anbe Sivam 830:Anbe Sivam 769:Anbe Sivam 746:Anbe Sivam 737:Anbe Sivam 690:Anbe Sivam 668:Anbe Sivam 661:filmmaker 621:Production 606:as himself 541:Balu Anand 535:Vishwanath 525:as Uthaman 523:Yugi Sethu 418:Tamil Nadu 386:Best Actor 382:Best Actor 362:Anbe Sivam 335:Vidyasagar 315:Anbe Sivam 270:Anbe Sivam 250:drama film 245:-language 231:Anbe Sivam 178:2003-01-15 143:Production 136:Vidyasagar 58:Written by 31:Anbe Sivam 6264:Mettukudi 6200:Aranmanai 6189:Aranmanai 6113:(brother) 6107:(brother) 6059:Bigg Boss 5944:Mahanadhi 5728:The Hindu 5697:The Hindu 5633:The Hindu 5602:The Hindu 5571:The Hindu 5550:8 January 5374:Dinamalar 5313:The Hindu 5282:The Hindu 5121:The Hindu 5089:The Hindu 5057:The Hindu 4846:The Hindu 4753:9 January 4708:The Hindu 4381:5 January 4263:The Hindu 4225:The Hindu 4193:The Hindu 4095:The Hindu 4023:The Hindu 3858:The Hindu 3734:The Hindu 3730:"My five" 3668:The Hindu 3635:The Hindu 3547:6 January 3412:The Hindu 3379:The Hindu 3282:The Hindu 3243:The Hindu 3116:8 January 3076:The Hindu 2978:The Hindu 2909:The Hindu 2568:The Hindu 2461:The Hindu 2124:The Hindu 2034:The Hindu 2019:... malai 1944:The Hindu 1767:Best Film 1721:Category 1658:The Hindu 1636:Anand of 1600:The Hindu 1585:The Hindu 1555:Reception 1521:Vaseegara 1480:The Hindu 1365:singer(s) 1208:Singer(s) 1190:Pa. Vijay 1170:The Hindu 1158:The Hindu 1062:road film 1004:Mahanadhi 934:Anand of 928:Halla Bol 900:communism 868:Karnataka 764:The Hindu 739:happened. 676:Tirumular 659:Malayalam 589:Kalairani 547:Ilavarasu 378:Best Film 358:cult film 319:communism 122:Edited by 6556:See also 6173:Sundar C 6131:(mentor) 6125:(mentor) 6119:(mentor) 5952:Nammavar 5732:Archived 5701:Archived 5670:Archived 5643:28 March 5637:Archived 5612:28 March 5606:Archived 5581:28 March 5575:Archived 5515:28 March 5509:Archived 5485:28 March 5479:Archived 5452:27 March 5417:13 April 5379:Archived 5353:10 April 5347:Archived 5323:28 March 5317:Archived 5286:Archived 5261:10 April 5231:28 March 5188:Archived 5164:28 March 5158:Archived 5131:28 March 5125:Archived 5068:28 March 5016:28 March 5010:Archived 4986:11 April 4955:28 March 4949:Archived 4921:28 March 4915:Archived 4890:28 March 4884:Archived 4857:28 March 4811:Archived 4686:28 March 4680:Archived 4653:10 April 4622:28 March 4590:28 March 4584:Archived 4548:Archived 4516:Archived 4472:Archived 4467:JioSaavn 4446:10 April 4415:28 March 4409:Archived 4375:Archived 4349:28 March 4304:26 March 4273:26 March 4267:Archived 4236:26 March 4203:26 March 4197:Archived 4169:10 April 4163:Archived 4129:Archived 4105:28 March 4099:Archived 4074:28 March 4068:Archived 4033:27 March 4027:Archived 4000:10 April 3994:Archived 3963:Archived 3938:27 March 3932:Archived 3896:Archived 3837:27 March 3831:Archived 3781:27 March 3744:26 March 3738:Archived 3704:Archived 3673:Archived 3646:26 March 3613:11 April 3577:Archived 3541:Archived 3516:26 March 3510:Archived 3485:25 March 3479:Archived 3454:26 March 3448:Archived 3423:26 March 3390:28 March 3357:10 April 3326:28 March 3320:Archived 3293:26 March 3253:28 March 3247:Archived 3216:Archived 3178:26 March 3172:Archived 3147:25 March 3086:25 March 3080:Archived 3055:25 March 3049:Archived 3018:Archived 2989:28 March 2983:Archived 2956:25 March 2950:Archived 2920:26 March 2885:25 March 2879:Archived 2845:Archived 2813:Archived 2780:Archived 2776:Latestly 2750:Archived 2719:29 March 2713:Archived 2681:31 March 2612:30 April 2606:Archived 2573:Archived 2528:10 April 2472:26 March 2418:Archived 2391:31 March 2359:28 March 2321:28 March 2112:'s film 2048:, Sundar 1969:(2003). 1879:Madhavan 1841:Madhavan 1806:Madhavan 1132:P. 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Index

Anbe Sivam (TV series)
Poster featuring Kamal Haasan ("right") and Madhavan ("left")
Sundar C
Kamal Haasan
Madhavan
Kiran Rathod
Arthur A. Wilson
P. Sai Suresh
Vidyasagar
Lakshmi Movie Makers

Tamil
slice-of-life
drama film
Sundar C
Lakshmi Movie Makers
Kamal Haasan
Madhan
Madhavan
Kiran Rathod
Nassar
Santhana Bharathi
Seema
Uma Riyaz Khan
Bhubaneswar
Chennai

communism
atheism
altruism

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