20:
391:
70:
200:
336:, which commemorates a Hungarian Protestant rebellion of 1671. Poglietti's suite musically illustrates the rebellion itself, the capture of the rebels, their execution, and closes with an imitation of church bells. Poglietti also provided numerous examples of program music (which were
351:
from an A minor suite begin with repeated chords and include octave triplets in the left hand; the toccatas as well as any other piece may feature rapid modulations to completely foreign keys, highly contrasting sections and sections built on various kinds of repetition.
415:
440:
468:
414:
439:
467:
416:
441:
469:
38:
organist and composer of unknown origin. In the second half of the 17th century
Poglietti settled in Vienna, where he attained an extremely high reputation, becoming one of
800:
211:
Poglietti's importance lies primarily in his keyboard music. Together with Johann Kaspar Kerll, he represents the transitional period between the time of
400:
42:'s favorite composers. Poglietti held the post of court organist for 22 years from 1661 until his death during the Turkish siege that led into the
760:
726:
428:
215:
and the late
Baroque period. Particularly important are two large sets of pieces: an unpublished collection of twelve keyboard ricercares and
231:. Models of the strict contrapuntal style, they were most probably intended for the organ, and were widely copied in the Vienna area. The
830:
794:
453:
835:
773:
739:
840:
141:
240:
801:
https://web.archive.org/web/20160503074907/https://onedrive.live.com/?id=7C9129D365E25EBE!23096&cid=7C9129D365E25EBE
825:
379:(1676) is a treatise on keyboard composition; a sketchbook survives which also serves as a guide to keyboard students.
705:
152:—in 1672 Poglietti inherited estates near their residences. Another important connection of Poglietti's was with the
125:
790:
124:
Poglietti held the court position until his death and apparently enjoyed a high reputation. The
Emperor (who was
250:
A standard allemande—courante—sarabande—gigue suite in which every movement has a double (the allemande has two)
156:, where he stayed as a guest a number of times, and where his only known opera was performed, in 1677. Composer
236:
114:
39:
815:
755:
721:
650:
140:. Poglietti also had friends among Austrian nobility, among them Count Anton Franz von Collalto and
219:(1677), a collection of harpsichord music. The ricercares belong to the tradition of Frescobaldi's
137:
133:
19:
355:
Poglietti's other music includes chamber music (mostly suites and sonatas), sacred vocal works (
118:
235:
pieces, on the other hand, are quite different. The collection, which
Poglietti presented to
24:
820:
765:
731:
212:
8:
157:
89:
have been suggested as his possible birthplace. He may have received musical training in
769:
735:
701:
128:) was particularly fond of Poglietti, ennobling him and bestowing upon him the title
57:
that includes a large number of imitations of natural sounds, and a collection of 12
475:
Performed by Sylvia Kind on a harpsichord of the type made in the early 20th century
447:
Performed by Sylvia Kind on a harpsichord of the type made in the early 20th century
422:
Performed by Sylvia Kind on a harpsichord of the type made in the early 20th century
324:). Poglietti's other pieces include more program music: a canzon and capriccio pair
153:
227:
176:
161:
43:
199:
347:
Numerous pieces contain highly original treatments of the form: movements of the
716:
Riedel, Friedrich W. & Wollenberg, Susan (2001). "Alessandro
Poglietti". In
221:
188:
172:
584:
numerous other pieces: suites, canzonas, capriccios, preludes and fugues, etc.
809:
751:
717:
145:
750:
Rampe, Siegbert & Rockstroh, Andreas (2001). "Johann Kaspar Kerll". In
356:
113:), and on 1 July 1661 he was appointed organist of the court Kapelle under
300:
54:
299:
are very demanding, virtuosic pieces based on
Poglietti's adaptation of
693:
484:
49:
Poglietti is primarily important for his keyboard music, particularly
191:
parts that specifically order the performer to "avoid consonances".
58:
27:' portrait of Alessandro Poglietti (the original painting is lost).
337:
329:
183:, published in Munich in 1689 as part of a collection of masses,
149:
94:
86:
82:
35:
340:
of possible pieces) in his performance and composition treatise
132:, and the composer was also favored by the Pope, who made him a
69:
291:
Many of these pieces employ programmatic devices. For example,
168:
102:
98:
360:
316:
160:
was a personal friend of
Poglietti's, and he may have known
101:: in early 1661 he became organist and Kapellmeister at the
368:
309:
90:
605:
Compendium oder kurtzer
Begriff, und EinfĂĽhrung zur Musica
700:. Translated by Hans Tischler. Indiana University Press.
377:
Compendium oder kurtzer
Begriff und EinfĂĽhrung zur Musica
320:, etc.) or foreign and/or folk traditions (Variation 15
307:
imitate music for non-keyboard instruments (Variation 5
81:
Nothing is known of
Poglietti's origins and early life.
594:
8 sonatas, various balletti, all for string instruments
571:
Canzon and Capriccio ĂĽber das Henner und Hannengeschrey
807:
715:
607:(1676; includes a collection of keyboard pieces)
136:, i.e., a member of the second highest Order of
77:), where Poglietti worked as organist from 1661.
761:The New Grove Dictionary of Music and Musicians
727:The New Grove Dictionary of Music and Musicians
710:Geschichte der Orgel- und Klaviermusik bis 1700
613:, a sketchbook containing advice on composition
61:, which was widely copied during his lifetime.
749:
561:(1676; misspelled "Cassedio" in the source)
522:, for 3vv, violin and basso continuo (1680)
274:Capriccio per Io Rossignol Sopra'l Ricercar
117:(a post previously held by none other than
53:(1677), a collection of diverse pieces for
795:International Music Score Library Project
260:A set of pieces based on a single theme:
97:. Towards the 1660s Poglietti settled in
23:A late-17th-century engraving done after
198:
68:
18:
633:
631:
629:
627:
164:, who visited Vienna in the mid-1670s.
34:(early 17th century – July 1683) was a
808:
698:The History of Keyboard Music to 1700
588:
559:fatta sopra l'assedio di Filippsburgo
179:. His death was lamented by Kerll in
624:
142:Karl II von Liechtenstein-Kastelkorn
791:Free scores by Alessandro Poglietti
175:siege that eventually led into the
13:
483:Problems playing these files? See
431:ĂĽber das Henner und Hannengeschrey
389:
328:, in which the capriccio imitates
326:ĂĽber das Henner und Hannengeschrey
14:
852:
784:
303:calls. Many of the variations of
243:, comprises the following works:
831:Italian male classical composers
649:article "Alessandro Poglietti",
465:
437:
412:
382:
552:sopra la ribellione di Ungheria
459:sopra la ribellione di Ungheria
342:Compendium oder kurtzer Begriff
334:sopra la ribellione di Ungheria
284:Imitatione del medesimo Uccello
836:17th-century Italian composers
712:by Bärenreiter-Verlag, Kassel.
674:
665:
656:
640:
1:
687:
647:Ă–sterreichisches Musiklexikon
575:A collection of 12 ricercares
567:, a suite of 17 pieces (1677)
371:choirs) and a single opera (
107:Zu den neun Chören der Engel
75:Zu den neun Chören der Engel
7:
841:17th-century male musicians
598:
544:
279:Aria bizarra del Rissignolo
10:
857:
708:. Originally published as
637:Riedel, Wollenberg, Grove.
457:, first movement of Suite
154:Göttweig Benedictine Abbey
826:Italian Baroque composers
404:with 20 variations, from
322:Französische Baiselements
269:Sincopatione del Ricercar
264:Ricercar per Il Rossignol
171:in July 1683, during the
134:Knight of the Golden Spur
130:Comes palatinus Caesareus
764:(2nd ed.). London:
730:(2nd ed.). London:
662:Rampe, Rockstroh, Grove.
617:
492:
194:
187:. Kerll's work includes
138:Papal Orders of Chivalry
510:Litaniae Lauretanae Ă 8
499:Ave regina coelorum Ă 5
181:Missa in fletu solatium
64:
504:Endimione festeggiante
429:Canzona and Capriccio
394:
373:Endimione festeggiante
208:
119:Johann Jakob Froberger
78:
28:
611:Regulae compositionis
393:
202:
111:Nine Choirs of Angels
72:
25:Jan-Erasmus Quellinus
22:
766:Macmillan Publishers
732:Macmillan Publishers
433:("on Hen and Cocks")
32:Alessandro Poglietti
816:17th-century births
651:subscription access
365:Litaniae Lauretanae
247:Toccata and Canzona
158:Johann Kaspar Kerll
589:Other instrumental
395:
257:with 20 variations
209:
167:Poglietti died in
126:a composer himself
79:
73:Kirche am Hof (or
29:
775:978-1-56159-239-5
741:978-1-56159-239-5
554:, 8 pieces (1671)
470:
442:
417:
241:Eleonor Magdalene
848:
779:
745:
681:
678:
672:
669:
663:
660:
654:
644:
638:
635:
536:Requiem aeternam
472:
471:
444:
443:
419:
418:
392:
332:, and the suite
228:The Art of Fugue
177:Battle of Vienna
162:Johann Pachelbel
44:Battle of Vienna
16:Italian composer
856:
855:
851:
850:
849:
847:
846:
845:
806:
805:
787:
776:
742:
690:
685:
684:
680:Apel 1972, 569.
679:
675:
671:Apel 1972, 571.
670:
666:
661:
657:
645:
641:
636:
625:
620:
601:
591:
547:
495:
490:
489:
481:
479:
478:
477:
476:
473:
466:
463:
450:
449:
448:
445:
438:
435:
425:
424:
423:
420:
413:
410:
396:
390:
385:
313:, Variation 11
197:
67:
17:
12:
11:
5:
854:
844:
843:
838:
833:
828:
823:
818:
804:
803:
798:
786:
785:External links
783:
782:
781:
774:
752:Sadie, Stanley
747:
740:
718:Sadie, Stanley
713:
689:
686:
683:
682:
673:
664:
655:
639:
622:
621:
619:
616:
615:
614:
608:
600:
597:
596:
595:
590:
587:
586:
585:
582:
576:
573:
568:
562:
555:
546:
543:
542:
541:
538:
533:
528:
523:
517:
515:Magnificat Ă 3
512:
507:
506:, opera (1677)
501:
494:
491:
480:
474:
464:
452:
451:
446:
436:
427:
426:
421:
411:
402:Aria Allemagna
399:
398:
397:
388:
387:
386:
384:
381:
330:hens and cocks
305:Aria Allemagna
289:
288:
287:
286:
281:
276:
271:
266:
258:
255:Aria Allemagna
251:
248:
222:Fiori musicali
203:Title page of
196:
193:
66:
63:
15:
9:
6:
4:
3:
2:
853:
842:
839:
837:
834:
832:
829:
827:
824:
822:
819:
817:
814:
813:
811:
802:
799:
796:
792:
789:
788:
777:
771:
767:
763:
762:
757:
756:Tyrrell, John
753:
748:
743:
737:
733:
729:
728:
723:
722:Tyrrell, John
719:
714:
711:
707:
706:0-253-21141-7
703:
699:
695:
692:
691:
677:
668:
659:
652:
648:
643:
634:
632:
630:
628:
623:
612:
609:
606:
603:
602:
593:
592:
583:
581:
577:
574:
572:
569:
566:
563:
560:
556:
553:
549:
548:
539:
537:
534:
532:
529:
527:
524:
521:
518:
516:
513:
511:
508:
505:
502:
500:
497:
496:
488:
486:
462:
460:
456:
434:
432:
409:
407:
403:
383:List of works
380:
378:
374:
370:
366:
362:
358:
353:
350:
345:
343:
339:
335:
331:
327:
323:
319:
318:
312:
311:
306:
302:
298:
294:
285:
282:
280:
277:
275:
272:
270:
267:
265:
262:
261:
259:
256:
252:
249:
246:
245:
244:
242:
239:and his wife
238:
234:
230:
229:
224:
223:
218:
214:
206:
201:
192:
190:
186:
182:
178:
174:
170:
165:
163:
159:
155:
151:
147:
146:Prince-Bishop
143:
139:
135:
131:
127:
122:
120:
116:
112:
108:
104:
100:
96:
92:
88:
84:
76:
71:
62:
60:
56:
52:
47:
45:
41:
37:
33:
26:
21:
759:
725:
709:
697:
676:
667:
658:
646:
642:
610:
604:
579:
570:
564:
558:
551:
535:
530:
525:
519:
514:
509:
503:
498:
482:
458:
454:
430:
405:
401:
376:
372:
364:
354:
349:Binder Gigue
348:
346:
341:
333:
325:
321:
314:
308:
304:
296:
293:Aria bizarra
292:
290:
283:
278:
273:
268:
263:
254:
232:
226:
220:
216:
210:
204:
184:
180:
166:
129:
123:
110:
106:
80:
74:
50:
48:
31:
30:
821:1683 deaths
694:Apel, Willi
580:del 7. tono
301:nightingale
225:and Bach's
213:Frescobaldi
55:harpsichord
810:Categories
688:References
565:Rossignolo
485:media help
406:Rossignolo
315:Bayrische
297:Imitatione
233:Rossignolo
217:Rossignolo
205:Rossignolo
185:Missae sex
59:ricercares
51:Rossignolo
531:Missa Ă 5
526:Missa Ă 4
520:Missa Ă 3
455:Toccatina
375:, 1677).
237:Leopold I
115:Leopold I
40:Leopold I
758:(eds.).
724:(eds.).
696:. 1972.
599:Writings
578:Toccata
557:Toccata
545:Keyboard
540:2 motets
367:for two
344:(1676).
338:incipits
317:Schalmay
189:continuo
797:(IMSLP)
793:at the
207:(1677).
173:Turkish
150:Olomouc
105:church
95:Bologna
87:Bohemia
83:Tuscany
36:Baroque
772:
754:&
738:
720:&
704:
550:Suite
461:(1671)
408:(1677)
361:motets
357:masses
169:Vienna
103:Jesuit
99:Vienna
618:Notes
493:Vocal
195:Works
770:ISBN
736:ISBN
702:ISBN
369:SATB
310:Lyra
295:and
91:Rome
85:and
65:Life
253:An
148:of
121:).
93:or
812::
768:.
734:.
626:^
363:,
359:,
144:,
46:.
780:‎
778:.
746:‎
744:.
653:.
487:.
109:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
