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of the
Leipzig Stadttheater. After a quarrel with management, he was dismissed in April 1845 due to his "rheumatic troubles". The repeated protests of the public got him reinstated, but he was soon dismissed again after another argument. In an open letter, signed by almost everyone in the ensemble,
209:, had a tough time with the Leipzig censors. It premiered in Leipzig on 22 December 1837. Lortzing himself sang the role of Peter Iwanow, but it did not make a major breakthrough until its Berlin performances in 1839, where it was much praised.
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On 3 November 1833 the young
Lortzings gave their debut at the Leipziger Stadttheater. Lortzing's parents had been members of this ensemble since 1832, under Friedrich Sebald Ringelhardt. Here, Lortzing became a member of the artists' club
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In 1848 he lost his appointment and had to return to work as a touring actor to support his large family. He worked at Gera and Lüneburg, among other cities. Finally in 1850, he became the
Kapellmeister in Berlin at the newly opened
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at his home in Berlin and died without medical treatment on the morning of the following day, under huge stress and deeply in debt. A number of luminaries from the musical world were present at his funeral, including
343:, who travelled to Germany, Holland and England disguised as a carpenter in order to gain first-hand technical knowledge he believed necessary for his country's economic progress, such as modern shipbuilding.
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Lortzing was born in Berlin to Johann
Gottlieb and Charlotte Sophie Lortzing. They had abandoned their leather shop and travelled through Germany as itinerant actors, founding the Berlin theatre company
291:. Lortzing's theatrical colleagues decorated his coffin with black, red and gold, a combination forbidden after 1848. A public benefit was then later held for his already impoverished family.
79:, and turning their amateur passion into a profession. The young Lortzing's first stage appearance was at the age of 12, entertaining the audience with comic poems during the interval in the
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paper, who also mistakenly praised
Lortzing for the text "by this brilliant poet". Grabbe, the real poet, was outraged, although the review did bring good publicity for the piece.
150:), which premiered in Münster, and predictably earned a rebuke for the young composer from the Münster regional governor, who claimed that Lortzing was "a composer of no renown".
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Lortzing: Life and Work of the poem-writing, composing and singing darling of the audience, devoted father and comically tragic world champion of the
Spieloper from Berlin
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Lortzing. Leben und Werk des dichtenden, komponierenden und singenden
Publikumslieblings, Familienvaters und komisch tragischen Spielopernweltmeisters aus Berlin
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238:, named after his wife. This work concerned both labour struggles and fear of suicide. His last full-length opera was an 1849 fairy-tale satire of the
48:(23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German
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Lortzing was popular in Berlin and after his death, a memorial statue was erected in the
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Chronologisch-thematisches
Verzeichnis der Werke von Gustav Albert Lortzing (LoWV)
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317:, appeared in 1824, but his fame as a musician rests chiefly upon the two operas
196:"). Lortzing was much loved in the Leipzig ensemble, particularly when acting in
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from late 1826, which toured to Münster and Osnabrück. Lortzing joined the
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126:, with whom he subsequently had 11 children. The couple belonged to the
857:. Vol. 17 (11th ed.). Cambridge University Press. p. 12.
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Chronological and
Thematic Catalogue of Gustav Albert Lortzing's Works
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This article incorporates text from a publication now in the
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he made a plea against the measures taken by the city government.
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Between 1846 and 1848, Lortzing worked as Kapellmeister at the
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was received with very little enthusiasm by the public of
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Albert Lortzing: Glamour and Squalor of an Artist's Life
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Opera – O Total Nonsense – Albert Lortzing, Opera-maker
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Oper – O reiner Unsinn – Albert Lortzing, Opernmacher
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Albert Lortzing. Glanz und Elend eines Künstlerlebens
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598:Das Verzeichnis von Gustav Albert Lortzing (LoWV)
272:On 20 January 1851, the night his musical comedy
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877:Ripley, George; Dana, Charles A., eds. (1879). "
787:The New Grove Dictionary of Music and Musicians
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172:Lortzing's statue in the Berlin Tiergarten, by
87:. From 1817, the Lortzing family were part of
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568:Roland's Squire, or The Longed-For Happiness
278:premiered in Frankfurt, Lortzing suffered a
638:Collected Correspondence of Albert Lortzing
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924:George Overmeire's Albert Lortzing Website
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784:* Hill, Cecil (1980). "Masonic music", in
736:; Peck, H. T.; Colby, F. M., eds. (1905).
122:On 30 January 1824 he married the actress
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564:Rolands Knappen oder Das ersehnte Glück
560:. Not performed in Lortzing's lifetime)
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748:(1st ed.). New York: Dodd, Mead.
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816:Gahre, Jürgen. Report from Leipzig.
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252:Und das soll eine Weltordnung sein?
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418:Incidental music for Grabbe's
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672:) Henschel, Berlin 1995,
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349:was based on a comedy by
303:Lortzing's tomb in Berlin
212:In 1844, Lortzing became
155:Christian Dietrich Grabbe
95:, treading the boards at
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442:Szenen aus Mozarts Leben
369:(1845) are notable. His
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182:Tunnel unter der Pleisse
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909:Lortzing, Gustav Albert
894:Lortzing, Gustav Albert
884:The American Cyclopædia
879:Lortzing, Albert Gustav
854:Encyclopædia Britannica
849:Lortzing, Gustav Albert
402:Die Himmelfahrt Christi
228:. At the behest of the
203:His first comic opera,
144:Die Himmelfahrt Christi
1118:German opera composers
914:Encyclopedia Americana
771:Encyclopedia Americana
650:Hans Christoph Worbs:
428:Der Pole und sein Kind
388:Selected list of works
359:Der Pole und sein Kind
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242:military state called
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363:insurrection of 1831
580:The Opera Rehearsal
466:Die beiden Schützen
456:Der Weihnachtsabend
351:August von Kotzebue
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481:Zar und Zimmermann
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434:Pole
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