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Adriano Nicot

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946:." In her analysis of his oeuvre, Cuban art historian and author Hortensia Montero similarly describes Nicot's work as psychological, conceptual, and existential in nature with emotional and dramatic features that converge to create a symbolic language seen throughout his career. She writes “His rejection of conventional ideas leads him to discover enriching alternatives for his own language.” This personal language, Montero explains, stems from “the sensitivity of the human being through a graphic, personal and intimate universe.” She further assessed that “ iconography refers us to the fantastic attraction of singular characters, whose existential references sharpen the theatricality of the figures, which dominate the composition, shape his peculiar aesthetic discourse, reflect the unmistakable poetry of his style.” In all, Montero concludes that Nicot “tells us stories where the existential atmosphere of the individual and their conditions of coexistence are noticed resolved with the magic that surrounds the dramatic plot of their imaginary.” 853:. His style is a distinct exponent of the movement that has become known for elements such as rejecting the use of sharp, clear lines and instead using often tenebrous color and texture to define form. He creates works that are somber and psychological in nature, often painting haunting portraits depicting real or imagined subjects as well as mythological and spiritual themes. His works often use a main color as a backdrop to set an ambience for the subject matter and then builds upon it with secondary accent colors to enhance the central figure(s). While mainly known for figurative work, Nicot also occasionally paints nonrepresentational abstract pieces, though color and texture remain his defining hallmark characteristics within them. Nicot works in mixed media (oil, acrylic, charcoal) on paper and canvas, as well as occasional engraved works. 861:— in his work that he says infuses all of himself into his work, drawing from his “inner world” of dreams, emotion, the unconscious, as well as intellect. He has summarized his painting method as follows: “the creation of a work of art is having traveled various roads through experimentation, until reaching the culmination of an organic art form through figurative-expressionist abstraction, emphasizing the values and riches of the textures and relief of non-conventional art forms.” Nicot further clarified that his art seeks to “deliver a marked message of color, strength, highs and lows.” He has cited his mentor 1207: 1049: 183:
sketching paper." A key moment in his artistic development came when Nicot was eight years old and had been found to draw on a wall of their residence. When asked by his father why he did this when he had ample sketching paper, Nicot explained that his artistic ideas were of too large a scale to convey on paper. Following this incident, Nicot’s father believed he had deeper potential as an artist and his parents subsequently enrolled him in art classes in Cuba’s Biblioteca Nacional later that year. There he began his formal training in the arts studying both
924: 1019: 975: 1004: 1034: 839: 990: 961: 1064: 1099: 31: 220:, where he participated in the academy's Proyecto de Acción Integrada Cultural “Persona." As well-established figures in Cuba's visual arts community, the Vidals also helped secure and support Nicot's first solo and collective exhibitions and would exhibit alongside him to draw further attention. Manuel Vidal wrote the foreword to the catalog of Nicot's September 1994 exhibition 1164:, a key work of Nicot's early career, in the juried Third Salon of Havana's la Galeria Arte Siete on April 24, 1994, which was presided by Fidel Perez Cardenas, Director of the Centro Cultural Cinematográfico Yara. Nicot was awarded the Judge's Distinction Award by the Broward Art Guild in July 2009 for his Mixed-media painting 235:
By the end of 1995 Nicot had graduated from the Academy of San Alejandro with majors in painting and engraving and had exhibited with both Vidals, Eiriz, and several other leading Cuban artists of the time. This would draw the attention of critics, gallerists, as well as collectors and pave the way
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In addition to Nicot's association with Eiriz, the Vidals would also play a significant role in Nicot gaining visibility in his early career. Manuel Vidal first discovered Nicot when he encountered him sketching outdoors in Havana. After being impressed with his work, Vidal bought him canvases and
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Throughout his career Nicot has won art awards in Cuba, the United States, Latin America, Germany, and Israel. Among his first career recognitions was a Reconocimiento Award by FIART, the Feria Internacional de Artesania, on 15 June 1991 by Rafael Gutierrez, Director of the Fondo Cubano de Bienes
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In interviews Nicot has attributed his early career success to his work being easily distinguishable from other Latin American artists due to their personal introspective nature and distinctly dark and stark tones. This was in contrast to the norms within Cuban and Latin American art to emphasize
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Nicot describes his creative process as highly experimental. In interviews as well as artist statements, Nicot has explained that he never plans his pieces before beginning them and instead allows them to develop in their own spontaneous and intuitive manner. His finished works are meant to evoke
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Nicot displayed an interest and inclination toward the arts early in his childhood and was supported by his parents in his artistic pursuits. In interviews Nicot has recounted that he began actively drawing and sketching by the age of five, after which his father would regularly provide him with
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In November 2020, Nicot proposed and initiated the “Brose Forever” group exhibition in honor of the late Cuban actress Broselianda Hernández to mark the first anniversary of her death. The exhibition was hosted and organized the following year by the Arte Libre group in collaboration with the
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and he immediately immersed himself in the robust Latin American art market of the region. After relocating to the United States, Nicot would become among the region's well-established fine art figures and continue exhibiting extensively, earning additional awards internationally, and other
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In 2021 Nicot participated in the nonprofit HATT Foundation’s fine art auction with artwork valued in excess of $ 13,000. The fundraiser was in support of the foundation's mission to assist under-served and at-risk children, underprivileged families, and senior citizens based in Florida.
920:, said "the characters he paints are extraordinary because despite the total economy in their features they emanate an energy against which it is impossible to remain indifferent," referencing Nicot's objective that the pieces spark a deeper reflection within the viewer. 244:(directed by Fernando Quinones). In the Cuba period of his career, Nicot became a member of several influential arts institutions such as the Fondo Cubano de Bienes Culturales, La Brigada Hermanos Saiz, and also served as an arts instructor at the Centro Cultural de Yara. 236:
to a string of exhibitions, his first awards, as well as further public art commissions before the close of the decade. Following the success of his early exhibitions, Nicot received a pair of scenographic commissions in 1998 for the Havana theatrical stage productions
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light and bright color in order to infuse their well-known tropical and Caribbean surroundings. He attributed this early distinction as a signature element of his work for imparting a memorable impact that led to his enduring appeal among critics and collectors.
212:. Eiriz, a leading Cuban Expressionist, was a particularly strong influence on Nicot and the development of his own style. Eiriz was a neighbor of his in Havana and Nicot would visit her home regularly for private lessons in painting. 179:, both his paternal and maternal family names are used with his mother's family name appearing last. As he pursued his artistic career, his name would be simplified accordingly and he became known professionally as Adriano Nicot. 187:
as well as painting and sketching techniques. Another significant artistic influence in Nicot's early artistic development were his regular visits with his grandfather to the residence of famed Cuban artist
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has described his work as "explor the mystical underpinnings of the daily", writing that "In Nicot’s hands, chickens, chairs, and babies alike are imbued with a heavy yet inexplicable symbolism."
159:. His parents were both born in Cuba and shared recent European backgrounds. His father, Adriano Adolfo Fernández Santarén, was a Cuban financier from Havana whose parents arrived in Cuba from 143:. After becoming established in Cuba, Nicot relocated to the United States in the late 1990s. His work has since been featured in several books and exhibitions in the US and in Latin America. 1266:. His work is featured in private collections in the United States, Canada, Cuba, Mexico, the Dominican Republic, South America, Europe and Asia. Nicot's artwork is mostly associated with 1191:, where community notables in attendance, including Lakeland Mayor Bill Mutz, posed alongside the piece with artist and curator Niten to promote the event. The piece was also mentioned in 228:
at Havana's Palacio de Convenciones. Also in 1994, Nicot was commissioned to paint a public art mural in the Casa de Cultura Centro in Havana. Another prominent instructor of Nicot was
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has stated that Nicot uses the densely layered paint texture to evoke a sculptural sensorial quality in two dimensions and that Nicot "recovers the connection that existed between
1183:, a painting which has often served as the centerpiece for VIP attendee photos in several major events and exhibitions Nicot has participated in. One notable example was 2018's 1118:, and other Cuban art notables, Nicot also gained recognition in Cuba for his 1994 public art commission in Havana to paint a mural in the Casa de Cultura Centro Habana. 1270:
and is included in notable collections such as those of curator Gustavo Orta, Cuban-Dominican art critic and film director Raysa White, theater director and former
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of French ancestry that had migrated to Puerto Rico before arriving in Cuba. His French heritage from his mother's family is significant for his descendance from
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exhibition. City of Hialeah Mayor Carlos Hernandez awarded Nicot a Personal Recognition Award on July 21, 2016, for his contributions to the exhibition
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Nicot has been highly active in exhibiting his art at a range of venues and has participated in over sixty solo and collective art exhibitions in
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Since arriving to the United States, Nicot has been interviewed and covered in various media outlets on television and print media such as the
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Along with his ongoing Portraits and mythological-themed series, a piece that has emerged as a significant work of Nicot's post-Cuba period is
2318: 1785: 1572: 2338: 445:, and others. He has been curated by Hortensia Montero, Anthony Ardavin, Niten, Ana Juncadella Barbosa and David Fernández among others. 2333: 1702: 2343: 2288: 1048: 2328: 2308: 1364: 390:) was written by another notable Cuban art figure, Carlos Guzman, director of Havana's Galeria Kahlo. As a member of the UNEAC, 200:
Following his regular studies at the Biblioteca Nacional, Nicot was also mentored by several prominent Cuban artists, including
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1995 Fragmentos desde la Ventana, Galeria Arte 7, also featuring Alejandro Garcia, Carlos Guzman y Fernando Ruiz, Havana, Cuba.
553:(I & II), Galeria Kahlo and Facultad Internacional de Cine Radio y Television del Instituto Superior de Arte, Havana Cuba. 2128: 857:
inner-reflection in the viewer. To achieve this, Nicot refers to a “transparent spirituality” — a term for his art coined by
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since launching his professional art career in the early 1990s. Nicot's first solo exhibitions were the pair of shows titled
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Throughout his exhibition career Nicot has exhibited with several other notable Latin American artists, including
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as major influences and inspirations for his work. Other influences he would credit include Manuel Vidal,
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I & II (The Violence of the Hours) at Havana's Galeria Kahlo. The foreword to this first exhibition (
252: 1732: 1465: 2183: 1650: 882: 73: 2150: 2023: 1978: 1733:"A Flourishing Vision: Historic exhibition at Creative Pinellas pays homage to the beauty of nature" 1292: 1111: 1003: 912:." In explaining Nicot's portrait series, Anthony Ardavin, who curated Nicot's 2009 solo exhibition 858: 391: 205: 136: 331: 2198: 1530: 1434: 942:
that Nicot uses his theatrical dark colors and tones to "create a new language of the traditional
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used his network to help Nicot enroll into Cuba's premier fine arts educational institution, the
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Herrera, Adriana (8 February 2009). "ExhibiciĂłn de Adriano Nicot en Bakerhouse Art Complex".
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Musaschy Filgueira (known professionally as Niten), co-curator of the collective exhibition
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1995 Exposicion Los Monstruos de la Razon, Salon de Arte Cubano Contemporaneo, Havana, Cuba.
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is a Cuban-American painter and poet based in Miami, Florida. He is known for a distinctive
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2009 Grand Opening of The Children's Gallery and Art Center, Inc., Homestead, Florida, US.
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by Adriano Nicot, winner of the Broward Art Guild Judge's Distinction Award in July 2009.
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concluded " smoky compositions are both timeless and reverent" as well as "austere" and
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visibility for his art and creative projects, including the publication of his poetry.
2138: 1267: 1231: 1129:, which focuses on his visual art. His art is also featured in several books including 724: 673: 989: 960: 546:(I & II), Galeria Arte 7 & Centro Cultural Cinematografico Yara, Havana, Cuba. 2124: 1876: 1302: 1188: 923: 850: 128: 116: 268:. “Brose Forever” featured over 40 international artists, including Nicot, from the 889: 319:
collective exhibition. The exhibition opened on October 14 as part of the Center's
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Since becoming re-established in the United States, Nicot has published the books
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Since relocating to the United States Nicot has exhibited throughout Central and
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In 2022 Nicot was selected to be featured in the Pompano Beach Cultural Center's
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while Hilda first exhibited alongside him the following year in the exhibition
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Ogle, Connie (25 June 2010). "LOGO Projects at Ocean Ophthalmology Group".
1223: 536: 465: 438: 152: 163:. His mother, Margarita Nicot Verdecia, was a computer programmer born in 838: 747:
2008 Galeria Xinqo, The Revenge of Abstraction, North Miami, Florida, US.
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activities in collaboration with the Latin American Art Pavilion (LAAP).
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where the piece was also used as the backdrop for promotional material.
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and the primal forces of art and/or its connection with the mythical."
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wrote the foreword to the catalog of Nicot's September 1994 exhibition
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Ogle, Connie (27 August 2010). "Absolute Adriano at LOGO Projects".
255:. Upon relocating to South Florida, Nicot and his family joined the 2231:. United Nations Educational, Scientific and Cultural Organization. 1703:"Culture & Identity Exhibition by Latin American Arts Pavilion" 1403:"TVRM - ENTREVISTA a Adriano Nicot, artista plastico visual cubano" 1210:
Mayor Bill Mutz and artist-curator Niten pose with Adriano Nicot's
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Nicot's artwork has received analysis from media and art critics.
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Flora Lauten, and Secretary of the Cuban National Commission for
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style and is closely associated with the prominent Cuban artists
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Adriano Nicot at an art exhibition in Miami, Florida circa 2019.
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In 2024 Nicot was selected to participate in the high profile
1195:'s subsequent coverage of the exhibition. Another was 2020's 297: 277: 2205:(in Spanish). Madrid: © PAC Plataforma de Arte Contemporáneo 1943:"Bakehouse Art Complex Newsletter: November 2009/ Art Basel" 1726: 1724: 1877:"Artist seeks to link Miami and Tampa Bay Cuban art Scenes" 1566: 1564: 1562: 379: 371: 273: 62: 1145:
by Eduardo René Casanova Ealo, as well as on the magazine
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1996 Jovenes en la Plastica, Galeria Imagos, Havana, Cuba.
651:, Galeria Xinqo, Art Basel 2014, North Miami, Florida, US. 622:
2015 Victor Clarke Recital Hall, Coral Gables, Florida, US
1721: 1396: 1394: 1392: 1390: 1388: 1386: 1384: 1382: 1380: 1378: 1149:’s article by Jesús Vega covering famed Cuban art critic 810:, First National Bank of South Miami, Miami, Florida, US. 692:
2012 ArtCenter / South Florida, Miami Beach, Florida, US.
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Culturales. Nicot won the First Prize for his painting
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described Nicot's subject matters as "inhabitants of a
761:, North Miami Public Library, North Miami, Florida, US. 734:, Osorio Arts & Graphics, North Miami, Florida, US. 460:. He has also exhibited in high-profile venues such as 253:
artistic repression and censorship of the Castro regime
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Nicot and his family relocated to Miami in 1999 during
1883:. Coral Gables, Florida: Coral Gables News. p. 30 1375: 803:, Galerias Prinardi USA, West Palm Beach, Florida, US. 616:, Douglas Historic Building, Coral Gables, Florida, US 567:, The Gallery at Creative Pinellas, Largo, Florida, US 1895: 1829: 1827: 1825: 754:, Maria Sonia Martin Art Gallery, Miami, Florida, US. 689:
2012 Litte Haiti Cultural Center, Miami, Florida, US.
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2011 LZ Fine Art Galeria, North Miami, Florida, US.
658:, Little Haiti Cultural Center, Miami, Florida, US. 1922: 1920: 1918: 1916: 1822: 1358: 1356: 1354: 557: 475: 2184:"Revolucion y Cultura: Ficciones con sangre azul" 2093: 2091: 1999: 1997: 1995: 1865: 1669: 1643: 1617: 1591: 1460: 1458: 1456: 1454: 1452: 1450: 1448: 665:, Coral Gables Museum, Coral Gables, Florida, US. 2240: 2006:"Adriano Nicot: el arte siempre es cosa de tres" 346:also featured other prominent artists including 334:in Largo, making it Nicot's first exhibition in 2225:"Mariana Natasha DĂ­az-ArgĂĽelles RamĂ­rez-CorrĂ­a" 2110: 1913: 1351: 2088: 2049: 2034: 1992: 1971: 1445: 1428: 1426: 1424: 1422: 1420: 1418: 1416: 705:, Leal's Fine Art Gallery, Miami, Florida, US. 2196: 2071: 2069: 2067: 2016: 1979:"Biscayne Times (Vol. 9, Issue 9 - Nov 2011)" 1525: 1523: 1521: 1519: 1499: 1125:, which explores Nicot's art and poetry, and 768:s, Ancient Times Gallery, Miami, Florida, US. 686:2013 Galeria Xinqo, North Miami, Florida, US. 683:, The Art Link, Art Basel 2013, Miami, FL USA 1935: 1846: 1739:. No. July/August 2024. KEM Media Group 1497: 1495: 1493: 1491: 1489: 1487: 1485: 1483: 1481: 1479: 1371:(in Spanish). OnCuba, Fuego Enterprises Inc. 782:, Suyu Art Gallery, North Miami Florida, US. 595:2017 Obrapia Art Gallery, Miami, Florida, US 146: 1967:. 2021 The Soul Of Miami. 30 November 2008. 1413: 796:, Obini Studio Gallery, Miami, Florida, US. 2064: 1516: 1365:"Adriano Nicot: "Un diálogo con el tigre"" 930:(Where Your Soul Breaks) by Adriano Nicot. 775:, Ritz Carlton Hotel, Miami Beach, FL, US. 732:Semana Binacional de Salud de las Americas 29: 2324:Naturalized citizens of the United States 1476: 1400: 817:, Blue Angel Gallery, Miami, Florida, US. 698:2011 Caridi Gallery, North Miami, FL, US. 629:, Amstrong Ford of Homestead, Florida, US 528:, Blue Angel Gallery, Miami, Florida, US. 2030:. World Wide Arts Resources Corporation. 1988:. Biscayne Times/ UF Libraries Archives. 1778: 1549:"Adriano Nicot Artland Artist Biography" 1205: 1097: 922: 837: 619:2016 IART1 Gallery, Coral Gables, FL, US 1926: 1757: 1570: 1362: 833: 535:, Galeria Casa de la Cultura de Plaza, 365: 2241: 2217: 2116: 1874: 1730: 1541: 1466:"LOGO Projects presents Adriano Nicot" 826:1995 Galeria Juan David, Havana, Cuba. 789:, Idesigns, Coral Gables, Florida, US. 602:, The Bunker, Coral Ridge, Florida, US 151:Nicot was born on October 9, 1964, in 2203:www.plataformadeartecontemporaneo.com 2197:Isaac Santana, Andres (13 May 2022). 2123:(Spanish ed.). Amazon.com, Inc. 2084:. Gannett Co., Inc/USA Today Network. 1571:Delgado, Grethel (17 November 2021). 1432: 1315: 155:during the early years following the 2319:Cuban emigrants to the United States 2097: 2055: 2040: 1333: 1197:Imagine: A Collective Art Exhibition 766:Collective Exhibits of Cuban Painter 2190: 2186:. Revolucion y Cultura, 1994. 1994. 2163: 1903:"Adriano Nicot: ¨Rompiendo Marcos¨" 1875:Permuy, Antonio (23 October 2023). 1852: 1766:. Las AmĂ©ricas Multimedia Group LLC 1503: 1401:Rangugni, Agustin; Nicot, Adriano. 845:(The Melon Woman) by Adriano Nicot. 579:Culture and Identity of Our America 317:Culture and Identity of Our America 108:, Portraits series, Minotaur series 13: 2339:American people of Spanish descent 2075: 1961:"The Soul of Miami: November 2008" 362:, as well as television coverage. 240:(directed by Miguel Montesco) and 14: 2360: 2334:American people of French descent 2003: 1833: 1579:(in Spanish). Diario Las Americas 949: 938:that Nicot participated in, told 670:Synergy: Artists in Collaboration 634:Latin Views, A Biennal Exhibition 581:, Pompano Beach Cultural Center, 2024:"Adriano Nicot Artist Statement" 1472:. Miami Art Guide. 12 June 2010. 1433:Benel, Omar (17 February 2009). 1201:Florida International University 1062: 1047: 1032: 1017: 1002: 988: 973: 959: 2344:Cuban people of Spanish descent 2289:20th-century Cuban male artists 2120:PaĂ­s sin moscas: y otros poemas 2098:Mutz, Annalee (9 August 2018). 1804: 1792:. ©2020 FOX Television Stations 1758:Delgado, Grethel (9 May 2024). 1731:Permuy, Antonio (1 July 2024). 1506:"Figuras que salen en la noche" 1363:Fleites, Alex (25 March 2022). 1329:. Artnet Worldwide Corporation. 1256:Platforma de Arte Contemporaneo 1084:(The Time that Interrogates Me) 676:+ Design, Kendall, Florida, US. 558:Selected Collective Exhibitions 476:Selected Individual Exhibitions 433:, Clara Morera, Carlos Artime, 340:National Endowment for the Arts 330:exhibition, held in the former 91:Cuban Neoexpressionist painting 2329:Cuban people of French descent 2309:21st-century American painters 2117:Anesio, Felix (October 2020). 1093: 914:Current Works by Adriano Nicot 808:Voices For Children Foundation 773:Masters’ Mystery Art Show 2008 759:World Artistic Spirits at NOMI 721:Masters’ Mystery Art Show 2009 125:Adriano Adolfo Fernandez Nicot 45:Adriano Adolfo Fernandez Nicot 1: 2172:. Silvia Mabel Vázquez, 2021. 1855:"El rescate del tulipán azul" 1812:"A Colossus Miami Collective" 1677:"Mission, Vision, and Values" 1308: 354:, and received coverage from 195: 1531:"VisualMente: Adriano Nicot" 1439:Express News Latinoamericano 590:Rooster, Gallo, Galo, Gallus 232:, who taught him engraving. 7: 2294:21st-century Cuban painters 2284:20th-century Cuban painters 1281: 1212:DĂłnde el Alma se te Quiebra 1181:DĂłnde el alma se te quiebra 928:DĂłnde el Alma se te Quiebra 102:Donde el Alma se te Quiebra 10: 2365: 2304:Cuban contemporary artists 1441:. No. 29. p. 13. 1155:Ficciones con Sangre Azul. 1123:El tiempo que me interroga 1082:El tiempo que me interroga 815:Homenaje a Reinaldo Arenas 2299:21st-century male artists 2269:Neo-expressionist artists 1931:(in Spanish). p. 2D. 1577:www.diariolasamericas.com 1232:Express News Latinoameria 883:aboriginal Australian art 551:La Violencia de las Horas 384:La Violencia de las Horas 266:North Miami Beach Library 147:Background and early life 112: 95: 87: 79: 74:Academia de San Alejandro 69: 40: 28: 21: 2170:www.silviavazquez.com.ar 1949:. Bakehouse Art Complex. 1278:Mariana Ramirez Corria. 1170:Human Image and Portrait 1135:La Patria es una Naranja 742:Human Image and Portrait 338:. Funded in part by the 332:Gulf Coast Museum of Art 218:Academy of San Alejandro 2164:Vazquez, Silvia Mabel. 1709:. City of Pompano Beach 1162:La Bella de la Alhambra 1143:Miami mi rincĂłn querido 681:More than Meets the Eye 456:and internationally in 427:Emilio Hector Rodriguez 321:Hispanic Heritage Month 2314:American male painters 2166:"PublicaciĂłn en Miami" 1707:www.pompanobeachfl.gov 1323:"Adriano Nicot Artnet" 1293:Manuel Vidal Fernández 1219: 1174:The Afterlife of Color 1127:Monsters of the Reason 1106: 1088:Monsters of the Reason 931: 865:, the Spanish painter 846: 727:, Miami Beach, FL, US. 206:Manuel Vidal Fernández 177:Spanish naming customs 137:Manuel Vidal Fernández 2104:www.thelakelander.com 2010:www.akerunoticias.com 1840:www.elnuevoherald.com 1470:www.miamiartguide.com 1341:"Adriano Nicot Artsy" 1209: 1101: 1057:(Contemplative Woman) 926: 918:Bakehouse Art Complex 841: 716:, Miami, Florida, US. 714:Bakehouse Art Complex 533:La Expresion del Jazz 515:Bakehouse Art Complex 487:Coral Gables, Florida 485:, Sarracino Gallery, 257:Cuban Exile Community 251:due to the political- 249:Cuba's special period 2028:www.absolutearts.com 1853:Montero, Hortensia. 1737:The Artisan Magazine 1537:. Jnart Productions. 1504:Montero, Hortensia. 1264:The Artisan Magazine 1147:RevoluciĂłn y Cultura 898:German Expressionism 834:Artwork and analysis 801:Las Voces del Caribe 674:MDC Galleries of Art 627:The Car, The Culture 572:Roots of an Identity 398:(Close Encounters). 366:Selected exhibitions 356:The Artisan Magazine 106:La Bella de Alhambra 2349:Cuban male painters 2259:Artists from Havana 1965:www.soulofmiami.org 1764:Diario Las Americas 1236:Diario Las Americas 1218:exhibition in 2018. 1055:Mujer Contemplativa 879:Fernando de Szyszlo 663:I Will Walk for You 642:Groton, Connecticut 638:Alexey von Schlippe 614:For the Love of Art 544:Encuentros Cercanos 517:, Swenson Gallery, 443:Edel Alvarez Galban 396:Encuentros Cercanos 360:Diario Las Americas 352:Edel Alvarez Galban 222:Encuentros Cercanos 83:Visual artist, poet 2264:Artists from Miami 1842:. El Nuevo Herald. 1818:. Artecru S.A C.V. 1599:"Fedora The Clown" 1369:www.oncubanews.com 1268:Latin American art 1220: 1107: 932: 847: 725:Ritz Carlton Hotel 466:Ritz Carlton Hotel 210:Hilda Vidal Valdes 141:Hilda Vidal ValdĂ©s 2130:979-8-6924-2466-2 2106:. The Lakelander. 2082:www.theledger.com 2012:. Akeru Noticias. 1881:www.v.calameo.com 1859:www.artoncuba.com 1790:www.fox13news.com 1683:. HATT Foundation 1657:. HATT Foundation 1631:. HATT Foundation 1605:. HATT Foundation 1510:www.artoncuba.com 1303:Neo-expressionism 1189:Lakeland, Florida 1133:by Felix Anesio, 1072:(Delirium in Red) 1027:(Nocturnal Horse) 983:(The Fisherwoman) 565:Flora & Fauna 501:Diego Quispe Tito 417:, Zaida del Rio, 344:Flora & Fauna 328:Flora & Fauna 190:RenĂ© Portocarrero 129:Neo-Expressionist 122: 121: 117:Neo-expressionism 2356: 2233: 2232: 2221: 2215: 2214: 2212: 2210: 2194: 2188: 2187: 2180: 2174: 2173: 2161: 2155: 2154: 2148: 2144: 2142: 2134: 2114: 2108: 2107: 2095: 2086: 2085: 2073: 2062: 2061: 2058:The Miami Herald 2053: 2047: 2046: 2043:The Miami Herald 2038: 2032: 2031: 2020: 2014: 2013: 2001: 1990: 1989: 1983: 1975: 1969: 1968: 1957: 1951: 1950: 1939: 1933: 1932: 1924: 1911: 1910: 1899: 1893: 1892: 1890: 1888: 1872: 1863: 1862: 1850: 1844: 1843: 1831: 1820: 1819: 1808: 1802: 1801: 1799: 1797: 1782: 1776: 1775: 1773: 1771: 1755: 1749: 1748: 1746: 1744: 1728: 1719: 1718: 1716: 1714: 1699: 1693: 1692: 1690: 1688: 1673: 1667: 1666: 1664: 1662: 1647: 1641: 1640: 1638: 1636: 1621: 1615: 1614: 1612: 1610: 1595: 1589: 1588: 1586: 1584: 1568: 1557: 1556: 1545: 1539: 1538: 1535:www.facebook.com 1527: 1514: 1513: 1501: 1474: 1473: 1462: 1443: 1442: 1430: 1411: 1410: 1398: 1373: 1372: 1360: 1349: 1348: 1337: 1331: 1330: 1319: 1216:Ceaseless Stream 1185:Ceaseless Stream 1139:FĂ©lix Luis Viera 1066: 1051: 1036: 1025:Caballo Nocturno 1021: 1006: 992: 977: 963: 936:Ceaseless Stream 890:The Miami Herald 851:Neoexpressionist 656:Manifest/Destiny 640:Gallery of Art, 494:Absolute Adriano 483:Rompiendo Marcos 405:, Manuel Vidal, 165:Guantanamo, Cuba 157:Cuban Revolution 98: 54: 52: 33: 19: 18: 2364: 2363: 2359: 2358: 2357: 2355: 2354: 2353: 2239: 2238: 2237: 2236: 2223: 2222: 2218: 2208: 2206: 2195: 2191: 2182: 2181: 2177: 2162: 2158: 2146: 2145: 2136: 2135: 2131: 2115: 2111: 2100:"Art in Motion" 2096: 2089: 2074: 2065: 2054: 2050: 2039: 2035: 2022: 2021: 2017: 2002: 1993: 1981: 1977: 1976: 1972: 1959: 1958: 1954: 1941: 1940: 1936: 1929:El Nuevo Herald 1925: 1914: 1901: 1900: 1896: 1886: 1884: 1873: 1866: 1851: 1847: 1834:Olmos, Isabel. 1832: 1823: 1816:www.artecru.com 1810: 1809: 1805: 1795: 1793: 1784: 1783: 1779: 1769: 1767: 1756: 1752: 1742: 1740: 1729: 1722: 1712: 1710: 1701: 1700: 1696: 1686: 1684: 1675: 1674: 1670: 1660: 1658: 1649: 1648: 1644: 1634: 1632: 1623: 1622: 1618: 1608: 1606: 1597: 1596: 1592: 1582: 1580: 1569: 1560: 1553:www.artland.com 1547: 1546: 1542: 1529: 1528: 1517: 1502: 1477: 1464: 1463: 1446: 1435:"Adriano Nicot" 1431: 1414: 1409:. 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Artland ApS. 1540: 1515: 1475: 1444: 1412: 1374: 1350: 1332: 1327:www.artnet.com 1313: 1312: 1310: 1307: 1306: 1305: 1300: 1295: 1290: 1283: 1280: 1260:AkerĂş Noticias 1244:The Lakelander 1095: 1092: 1091: 1090: 1085: 1075: 1074: 1068: 1061: 1059: 1053: 1046: 1044: 1038: 1031: 1029: 1023: 1016: 1014: 1008: 1001: 999: 994: 987: 985: 979: 972: 970: 965: 958: 951: 950:Selected works 948: 944:Cuban painting 940:The Lakelander 867:Francisco Goya 835: 832: 831: 830: 827: 824: 821: 818: 811: 804: 797: 794:Kick off Basel 790: 783: 776: 769: 762: 755: 748: 745: 738: 735: 728: 717: 706: 699: 696: 693: 690: 687: 684: 677: 666: 659: 652: 645: 630: 623: 620: 617: 610: 603: 600:3 en el Bunker 596: 593: 586: 575: 568: 559: 556: 555: 554: 547: 540: 529: 522: 519:Miami, Florida 507: 497: 490: 477: 474: 452:as well as in 435:Miguel Fleitas 367: 364: 226:Mujer Multiple 197: 194: 175:is named. 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ART Oncuba. 1860: 1856: 1849: 1841: 1837: 1830: 1828: 1826: 1817: 1813: 1807: 1791: 1787: 1781: 1765: 1761: 1754: 1738: 1734: 1727: 1725: 1708: 1704: 1698: 1682: 1681:www.hatt1.com 1678: 1672: 1656: 1655:www.hatt1.com 1652: 1646: 1630: 1629:www.hatt1.com 1626: 1620: 1604: 1603:www.hatt1.com 1600: 1594: 1578: 1574: 1567: 1565: 1563: 1554: 1550: 1544: 1536: 1532: 1526: 1524: 1522: 1520: 1512:. 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Index


Havana
Cuba
Academia de San Alejandro
Neo-expressionism
Neo-Expressionist
Antonia Eiriz
Manuel Vidal Fernández
Hilda Vidal Valdés
Havana, Cuba
Cuban Revolution
Leon, Spain
Guantanamo, Cuba
Jean Nicot
Nicotine
Spanish naming customs
art history
René Portocarrero
Antonia Eiriz
Manuel Vidal Fernández
Hilda Vidal Valdes
Academy of San Alejandro
Belkis Ayon
Cuba's special period
artistic repression and censorship of the Castro regime
Cuban Exile Community
North Miami Beach Library
United States
Cuba
Spain

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