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268:. Polonius instructs Ophelia to stand in the lobby of the castle while he and Claudius hide. Hamlet approaches Ophelia and talks to her, saying "Get thee to a nunnery." Hamlet asks Ophelia where her father is; she lies to him, saying her father must be at home. Hamlet realises he is being spied upon. He exits after declaring, "I say we will have no more marriages." Ophelia is left bewildered and heartbroken, sure that Hamlet is insane. After Hamlet storms out, Ophelia makes her "O, what a noble mind is here o'erthrown" soliloquy.
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Hamlet's "nighted colour" (1.2.68) and "customary suits of solemn black" (1.2.78) and
Ophelia's "virginal and vacant white" would have conveyed specific and gendered associations. Her action of offering wild flowers to the court suggests, Showalter argues, a symbolic deflowering, while even the manner of her 'doubtful death', by drowning, carries associations with the feminine (Laertes refers to his tears on hearing the news as "the woman").
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470:"The greatest triumph was reserved for Susan Mountfort, a former actress at Lincoln's Inn Fields who had gone mad after her lover's betrayal. One night in 1720 she escaped from her keeper, rushed to the theater, and just as the Ophelia of the evening was to enter for her mad scene, "sprang forward in her place ... with wild eyes and wavering motion." As a contemporary reported, "she was in truth
1266:" (17); "Lady, you utter madness, and not sorrow", Pandolf rebukes her (43), yet she insists that "I am not mad; this hair I tear is mine" (45); she is repeatedly bid to "bind up your hairs"; she obeys, then subsequently unbinds it again, insisting "I will not keep this form upon my head / When there is such disorder in my wit" (101–102).
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until he has held her in his arms one last time and proclaims how much he loved her. Hamlet, nearby, then challenges
Laertes and claims that he loved Ophelia more than "forty thousand" brothers could. Claudius then promises to have a monument constructed in her memory. After her funeral scene, Ophelia is no longer mentioned.
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At
Ophelia's funeral, Queen Gertrude sprinkles flowers on Ophelia's grave ("Sweets to the sweet"), and says she wished Ophelia could have been Hamlet's wife (contradicting Laertes' warnings to Ophelia in the first act). Laertes then jumps into Ophelia's grave excavation, asking for the burial to wait
243:
In
Ophelia's next appearance, she tells Polonius that Hamlet rushed into her room with his clothing askew and a "hellish" expression on his face; he only stared at her, nodding three times without speaking to her. Based on what Ophelia told him, Polonius concludes that he was wrong to forbid Ophelia
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for the representation of female madness: dishevelled hair worn down, dressed in white, bedecked with wild flowers, Ophelia's state of mind would have been immediately 'readable' to her first audiences. "Colour was a major source of stage symbolism", Andrew Gurr explains, so the contrast between
443:
of female madness influenced
Ophelia's representation on stage from the 1660s, when the appearance of actresses in the English theatres first began to introduce "new meanings and subversive tensions" into the role: "the most celebrated of the actresses who played Ophelia were those whom rumor
239:
In
Ophelia's first speaking appearance in the play, she is seen with her brother, Laertes, who is leaving for France. Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants. Ophelia's father, Polonius, who enters while Laertes is
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is a postmodern tale of love, sex and politics in a fragmented world of confused emotions and global, virtual sexuality. Ophelia is referenced by Bob Dylan in his epic 1965 song "Desolation Row", (on his "Highway 61" album). An entire chorus is dedicated to her, as are a long list of other
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but then was the first Hamlet, Lear, and
Othello" (1982, 91); Peter Thomson argues that the identity of Hamlet as Burbage is built into the dramaturgy of several moments of the play: "we will profoundly misjudge the position if we do not recognize that, whilst this is Hamlet talking
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in volume 10), edited by Henry N. Hudson, published by James Munroe and
Company, 1856: "This exquisite passage is deservedly celebrated. Nothing could better illustrate the Poet's power to make the description of a thing better than the thing itself, by giving us his eyes to see it
351:), and that the branch had broken and dropped Ophelia into the brook, where she drowned. Gertrude says that Ophelia appeared "incapable of her own distress". Gertrude's announcement of Ophelia's death has been praised as one of the most poetic death announcements in literature.
327:; "...there's rue for you, and here's some for me; we may call it herb of grace o' Sundays; O, you must wear your rue with a difference". Rue is well known for its symbolic meaning of regret, but the herb is also used to treat pain, bruises and has abortive qualities.
252:
to overhear Hamlet speaking to
Ophelia, when Hamlet thinks the conversation is private. Since Polonius is now sure that Hamlet is lovesick for Ophelia, he thinks Hamlet will express his love for her. Claudius agrees to try the eavesdropping plan later.
311:. At Ophelia's next appearance, after her father's death, she has gone mad, due to what the other characters interpret as grief for her father. She talks in riddles and rhymes, and sings some "mad" and bawdy songs about death and a maiden losing her
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is named after
Ophelia. Robert Schumann in 'Herzeleid' from 'Sechs Gesänge' (opus 107 nr 1; 1852) puts the poem of Titus Ullrich to music, which is dedicated to the figure of Ophelia, ending with her name sung twice. A foreboding image of
215:
Ophelia is obedient to her father and well-loved by many characters. When Polonius tells her to stop seeing Hamlet, she does so. When he tells her to set up a meeting so that he and Claudius could spy on him, she does so. Ophelia is a
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historical,literary, etc, characters. Dylan portrays her as a religious woman in an "iron vest", who spends her time "peeking into Desolation Row", even though her eyes are fixed on "Noah's great rainbow".
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The last time Ophelia appears in the play is after Laertes comes to the castle to challenge Claudius over the death of his father, Polonius. Ophelia sings more songs and hands out flowers, citing their
358:
at the graveyard insists Ophelia must have killed herself. Laertes is outraged by what the cleric says, and replies that Ophelia will be an angel in heaven when the cleric "lie howling" in hell.
304:, which Hamlet has arranged to try to prove that Claudius killed King Hamlet. Hamlet sits with Ophelia and makes sexually suggestive remarks; he also says that woman's love is brief.
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credited with disappointments in love". Showalter relates a theatrical anecdote that vividly captures this sense of overlap between a performer's identity and the role she plays:
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474:, to the amazement of the performers as well as of the audience—nature having made this last effort, her vital powers failed her and she died soon after."
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248:, the new King of Denmark and also Hamlet's uncle and stepfather, about the situation. Polonius later suggests to Claudius that they hide behind an
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played Hamlet in Shakespeare's time, there is no evidence of who played Ophelia; since there were no professional actresses on the public stage in
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1262:(1595/6), the action of act three, scene four turns on the semiotic values of hair worn up or down and disheveled: Constance enters "
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Gender-structured, too, was the early modern understanding of the distinction between Hamlet's madness and Ophelia's:
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1910. The operatic version simplifies the plot to focus the drama on Hamlet's predicament and its effects on Ophelia
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Later that night, after the play, Hamlet kills Polonius during a private meeting between Hamlet and his mother,
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was understood as a male disease of the intellect, while Ophelia would have been understood as suffering from
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leaving, also forbids Ophelia from pursuing Hamlet, as Polonius fears that Hamlet is not earnest about her.
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the groundlings" (1983, 24); see also Thomson (1983, 110) on the first player's beard. A researcher at the
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from seeing Hamlet, and that Hamlet must be mad with love for her. Polonius immediately decides to go to
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405:. The actor appears to have had some musical training, as Ophelia is given lines from ballads such as "
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Ophelia often appears in various cultural contexts, including literature, music, film and television.
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Showalter, Elaine. 1985. Representing Ophelia. in Parker, P. A., & Hartman, G. H. (1985).
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William Cullen Bryant & Evert A. Duyckinck (eds.), The Complete Works of Shakespeare, 1888
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The plan leads to what is commonly called the "Nunnery Scene", from its use of the term
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In Act 4 Scene 7, Queen Gertrude reports that Ophelia had climbed into a willow tree (
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Taylor (2002, 4); Banham (1998, 141); Hattaway asserts that "Richard Burbage played
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in 1813, the familiar iconography of the role replaced its passionate embodiment.
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1734:. Cambridge Companions to Literature ser. Cambridge: Cambridge University Press.
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1025:"ophelia - Origin and meaning of the name ophelia by Online Etymology Dictionary"
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depictions of Ophelia's madness and sexuality. From Mrs Lessingham in 1772 to
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1400:"Film Festival: Regal Soviet 'Hamlet':Capacity Crowd Fills Philharmonic Hall"
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Ophelia has been portrayed on screen since the days of early silent films.
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For one example of praise, see "The Works of Shakespeare", in 11 volumes (
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1716:. Theatre Production ser. London and Boston: Routledge and Kegan Paul.
1694:. Theatre Production ser. London and Boston: Routledge and Kegan Paul.
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played Ophelia's madness with "stately and classical dignity" in 1785.
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Frederick T. Wood English Studies, Volume 14, Issue 1 – 6 1932 (p. 73)
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feels able to assert only that Burbage "probably" played Hamlet; see
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2019:
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517:, who won her first real fame by playing the role. Theatre manager
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In many modern theatre and film adaptations, Ophelia is portrayed
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1436:"Williamson as 'Hamlet':Richardson Film Based on Debated Version"
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to Hamlet and Laertes, contrasting and inspiring their behavior.
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377:(later Lady Thurlow) (1790–1830) as Ophelia in 1813, opposite
120:
642:). Themes associated with Ophelia have led to movies such as
439:, a malady conceived in biological and emotional terms. This
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1469:"Ophelia Is No Passive Wimp, Helena Bonham-Carter Believes"
233:
Hamlet, Act IV, Scene V (Ophelia Before the King and Queen)
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Some aspects of provincial drama in the eighteenth century
1808:
1619:""I see it coming, I will face it, I will not turn away""
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A Performance of Hamlet in the Village of Mrduša Donja
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has the direction, "Enter Ofelia playing on a Lute..."
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encouraged far less intense, more sentimentalised and
182:, Ophelia's name is not Danish. It first appeared in
117:
2781:
The Complete Works of William Shakespeare (Abridged)
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123:
1679:. Third ed. Cambridge: Cambridge University Press.
315:. She exits after bidding everyone a "good night".
114:
3409:Polish Hamlet. Portrait of Aleksander Wielopolski
1692:Elizabethan Popular Theatre: Plays in Performance
1044:"Meaning, origin and history of the name Ophelia"
288:collection. His painting influenced the image in
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1732:The Cambridge Companion to Shakespeare on Stage
1532:"To pout or not to pout: Hamlet goes Bollywood"
664:(2014), the character was portrayed by actress
586:. More recently, Ophelia has been portrayed by
264:, but at the time was also popular slang for a
413:, enters Act IV Scene 5 with a lute, singing.
1794:
1509:British Universities Film & Video Council
1275:Gurr (1992, 193) and Showalter (1985, 80–81).
1220:the groundlings, it is also Burbage talking
478:During the 18th century, the conventions of
420:stage in England had an established set of
2413:The Angel of Vengeance – The Female Hamlet
1801:
1787:
1256:Showalter (1985, 80–81). In Shakespeare's
501:In the 19th century, she was portrayed by
147:(1599–1601). She is a young noblewoman of
49:
2826:To Be or Not to Be: That is the Adventure
1433:
584:Academy Award for Best Supporting Actress
1978:The lady doth protest too much, methinks
1564:. Oxford University Press. p. 118.
1397:
1264:distracted, with her hair about her ears
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446:
369:
349:There is a willow grows aslant the brook
329:
300:The next time Ophelia appears is at the
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227:
3080:Rosencrantz and Guildenstern Are Undead
3010:Rosencrantz & Guildenstern Are Dead
1661:. New York: Columbia University Press.
1646:Cambridge: Cambridge University Press.
578:'s Oscar-winning Hamlet performance in
16:Character in Shakespeare's drama Hamlet
3548:
1707:Shakespeare and the Question of Theory
1557:
1529:
1398:Crowther, Bosley (15 September 1964).
940:
783:Thomas Francis Dicksee, Ophelia (1865)
3257:Terrance and Phillip: Behind the Blow
3111:Rosencrantz and Guildenstern Are Dead
1782:
1434:Greenspun, Roger (22 December 1969).
680:where Ophelia is the main character.
533:) was the best Ophelia he ever saw.
1201:
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13:
14:
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2864:My Robin is to the greenwood gone
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1677:The Shakespearean Stage 1574–1642
1616:
409:" to sing, and, according to the
401:, it can be assumed that she was
260:which would generally refer to a
1730:, and Sarah Stanton, eds. 2002.
1530:Gilbey, Ryan (14 October 2014).
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1659:Shakespeare on Love & Lust
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977:Cultural references to Ophelia
1:
3020:Highlander II: The Quickening
1949:What a piece of work is a man
1636:
1597:NASA Solar System Exploration
1558:Harris, Jonathan Gil (2010).
800:
765:
687:in the mad scenes, including
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2835:Tales from the Public Domain
2790:Rosencrantz and Guildenstern
1889:Rosencrantz and Guildenstern
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385:
365:
210:
7:
3581:Fiction about mental health
2624:The Story of Edgar Sawtelle
724:
564:'s Hamlet in the 1912 film
10:
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3239:The Conscience of the King
1773:Victoria and Albert Museum
1642:Banham, Martin, ed. 1998.
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582:and was nominated for the
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3497:The Hobart Shakespeareans
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3199:Interred with Their Bones
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1690:Hattaway, Michael. 1982.
1293:Showalter (1985, 80, 81).
996:(2011) suggests Ophelia.
196:), probably derived from
84:
79:
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48:
38:
33:
3418:The River Bank (Ophelia)
2453:Let the Devil Wear Black
1753:'Shakespeare's Ophelia?'
1657:Charney, Maurice. 2000.
1504:"Ophelia Learns to Swim"
1302:Showalter (1985, 81–82).
1284:Showalter (1985, 80–81).
818:Thomas Francis Dicksee,
455:as Ophelia in the opera
178:Like most characters in
21:Ophelia (disambiguation)
3576:Fictional Danish people
3479:The Chronicles of Amber
3447:Hamlet and His Problems
3189:The Shakespeare Stealer
2740:(BBC 2, animated, 1992)
2143:Cultural references to
393:While it is known that
223:
173:
80:In-universe information
56:John William Waterhouse
3050:In the Bleak Midwinter
2817:Lyle the Kindly Viking
1712:Thomson, Peter. 1983.
1347:British Film Institute
758:Thomas Francis Dicksee
645:Ophelia Learns to Swim
588:Anastasiya Vertinskaya
548:
521:declared that next to
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382:
344:
297:
284:(1852) is part of the
236:
159:and potential wife of
2710:(Australian TV, 1959)
2594:The Dead Fathers Club
2574:Gertrude and Claudius
2167:Human skull symbolism
1714:Shakespeare's Theatre
1311:Showalter (1985, 82).
892:Jules Joseph Lefebvre
539:
523:Susannah Maria Cibber
488:Mary Catherine Bolton
468:
450:
375:Mary Catherine Bolton
373:
333:
274:
235:, Benjamin West, 1792
231:
3561:Characters in Hamlet
2564:Too, Too Solid Flesh
2433:Hamlet Goes Business
2133:Common phrases from
1709:. New York: Methuen.
1477:. 22 December 1990.
835:Jules Bastien Lepage
604:Helena Bonham Carter
560:played her opposite
411:first quarto edition
282:John Everett Millais
137:) is a character in
19:For other uses, see
3266:Slings & Arrows
2844:The Skinhead Hamlet
2554:Hamlet Had an Uncle
2363:The Rest Is Silence
2160:Language of flowers
2083:Critical approaches
2066:The Spanish Tragedy
1929:To be, or not to be
1810:William Shakespeare
941:Cultural references
854:Konstantin Makovsky
490:, playing opposite
399:Elizabethan England
139:William Shakespeare
74:William Shakespeare
28:Fictional character
3586:Fictional suicides
3571:Fictional nobility
3506:Gertrude – The Cry
3438:Hamlet and Oedipus
3141:To Be or Not to Be
3000:To Be or Not to Be
2980:To Be or Not to Be
2963:In popular culture
2940:Die Hamletmaschine
2808:The Klingon Hamlet
2717:Hamlet at Elsinore
2373:The Bad Sleep Well
2187:Moscow Art Theatre
1440:The New York Times
1405:The New York Times
1029:www.etymonline.com
1004:by Magda Romanska,
990:in the opening of
721:(2000) versions.
651:Dying Like Ophelia
596:Marianne Faithfull
574:played Ophelia to
549:
527:Elizabeth Satchell
467:
383:
379:John Philip Kemble
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151:, the daughter of
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3524:Something Rotten!
3470:Ostalo je ćutanje
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2758:
2757:
2112:Damon and Pythias
1969:Words and phrases
1474:Los Angeles Times
713:Michael Almereyda
541:Frances MacDonald
341:Alexandre Cabanel
321:symbolic meanings
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2437:
2427:
2417:
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2387:
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2260:
2253:
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2239:
2232:
2225:
2218:
2198:
2190:
2169:
2162:
2155:
2148:
2138:
2115:
2106:
2104:House of Gonzaga
2099:
2097:Saxo Grammaticus
2092:
2085:
2078:
2069:
2060:
2058:Legend of Hamlet
2029:
2022:
2015:
2008:
1990:
1981:
1961:
1958:Speak the speech
1952:
1941:
1932:
1912:
1905:
1903:The Gravediggers
1898:
1891:
1884:
1877:
1870:
1863:
1856:
1849:
1842:
1835:
1803:
1796:
1789:
1780:
1779:
1771:created for the
1630:
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1627:
1625:
1614:
1608:
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1589:
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1420:
1395:
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1369:
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1362:
1360:
1358:
1349:. Archived from
1339:
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1318:
1312:
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1300:
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1291:
1285:
1282:
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1267:
1254:
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1242:
1236:
1205:
1199:
1198:, Act 5, Scene 1
1193:
1187:
1179:
1173:
1172:
1170:
1168:
1154:
1148:
1147:, Act 4, Scene 5
1142:
1136:
1135:, Act 3, Scene 4
1130:
1124:
1123:, Act 3, Scene 2
1118:
1112:
1106:
1100:
1099:, Act 3, Scene 1
1094:
1088:
1087:, Act 2, Scene 2
1082:
1076:
1075:, Act 2, Scene 1
1070:
1064:
1063:, Act 1, Scene 3
1058:
1052:
1051:
1042:Campbell, Mike.
1039:
1033:
1032:
1021:
983:A moon of Uranus
971:
966:
965:
957:
952:
951:
950:
926:
907:
888:
869:
850:
831:
815:
805:
802:
792:
780:
770:
767:
754:
735:
576:Laurence Olivier
511:Frances Abington
464:
184:Jacopo Sannazaro
136:
135:
132:
131:
128:
125:
122:
119:
116:
113:
53:
31:
30:
3601:
3600:
3596:
3595:
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3592:
3591:
3590:
3546:
3545:
3544:
3539:
3533:Sons of Anarchy
3530:
3521:
3512:
3503:
3494:
3488:Symphony No. 65
3485:
3476:
3467:
3460:
3453:
3444:
3435:
3424:
3415:
3406:
3396:
3387:
3377:
3367:
3352:
3343:
3334:
3325:
3314:
3304:
3294:
3284:
3273:
3263:
3254:
3248:Born to Be King
3245:
3236:
3227:
3216:
3206:
3196:
3186:
3177:
3169:
3159:
3148:
3138:
3128:
3118:
3108:
3097:
3087:
3077:
3067:
3057:
3047:
3040:Renaissance Man
3037:
3027:
3017:
3007:
2997:
2987:
2977:
2957:
2947:
2937:
2927:
2919:
2909:
2899:
2893:Opera/classical
2888:
2882:Song for Athene
2879:
2870:
2861:
2850:
2841:
2832:
2823:
2814:
2805:
2796:
2787:
2778:
2769:
2754:
2744:
2734:
2724:
2714:
2704:
2693:
2686:Rockabye Hamlet
2683:
2672:
2662:
2652:
2642:
2631:
2621:
2614:Hamlet's Father
2611:
2601:
2591:
2581:
2571:
2561:
2551:
2540:
2530:
2520:
2510:
2500:
2490:
2480:
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2460:
2450:
2440:
2430:
2420:
2410:
2403:One Hamlet Less
2400:
2390:
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2172:
2165:
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2118:
2109:
2102:
2095:
2088:
2081:
2072:
2063:
2056:
2050:
2032:
2025:
2018:
2011:
2004:
1993:
1984:
1975:
1964:
1955:
1946:
1935:
1926:
1915:
1908:
1901:
1894:
1887:
1880:
1873:
1866:
1859:
1852:
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1807:
1758:The Independent
1749:
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1623:
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1416:
1396:
1392:
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1371:
1370:
1366:
1356:
1354:
1343:"Hamlet (1912)"
1341:
1340:
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1328:
1324:
1319:
1315:
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1301:
1297:
1292:
1288:
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1226:British Library
1206:
1202:
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1166:
1164:
1156:
1155:
1151:
1143:
1139:
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1119:
1115:
1110:Hamlet#Language
1107:
1103:
1095:
1091:
1083:
1079:
1071:
1067:
1059:
1055:
1048:Behind the Name
1040:
1036:
1023:
1022:
1018:
1013:
979:
967:
960:
953:
948:
946:
943:
936:
930:Georges Clairin
927:
918:
908:
899:
889:
880:
870:
861:
851:
842:
832:
823:
816:
807:
803:
795:Arthur Hughes,
793:
784:
781:
772:
768:
755:
746:
736:
727:
705:Kenneth Branagh
678:version of 2018
674:Claire McCarthy
666:Shraddha Kapoor
656:Vishal Bhardwaj
562:Charles Raymond
554:
529:(of the famous
472:Ophelia herself
403:played by a boy
395:Richard Burbage
391:
368:
290:Kenneth Branagh
226:
213:
176:
110:
106:
92:
65:
29:
24:
17:
12:
11:
5:
3599:
3589:
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3583:
3578:
3573:
3568:
3563:
3558:
3541:
3540:
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3537:
3528:
3519:
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3501:
3492:
3483:
3474:
3465:
3458:
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3442:
3432:
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3426:
3425:
3423:
3422:
3413:
3404:
3394:
3385:
3375:
3364:
3362:
3358:
3357:
3354:
3353:
3351:
3350:
3346:Sharpe's Havoc
3341:
3332:
3322:
3320:
3316:
3315:
3313:
3312:
3302:
3292:
3281:
3279:
3275:
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3252:
3243:
3234:
3224:
3222:
3218:
3217:
3215:
3214:
3204:
3194:
3184:
3175:
3171:Theatre of War
3167:
3156:
3154:
3150:
3149:
3147:
3146:
3136:
3126:
3116:
3105:
3103:
3099:
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3055:
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3035:
3025:
3015:
3005:
2995:
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2974:
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2896:
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2712:
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2699:
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2289:
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2261:
2254:
2247:
2240:
2233:
2226:
2219:
2211:
2209:
2203:
2202:
2200:
2199:
2195:Richard Burton
2191:
2182:
2180:
2174:
2173:
2171:
2170:
2163:
2156:
2149:
2139:
2128:
2126:
2120:
2119:
2117:
2116:
2107:
2100:
2093:
2090:Bibliographies
2086:
2079:
2070:
2061:
2053:
2051:
2049:
2048:
2043:
2037:
2034:
2033:
2031:
2030:
2023:
2016:
2009:
2001:
1999:
1995:
1994:
1992:
1991:
1982:
1972:
1970:
1966:
1965:
1963:
1962:
1953:
1944:
1943:
1942:
1923:
1921:
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1914:
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1857:
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1836:
1828:
1826:
1820:
1819:
1806:
1805:
1798:
1791:
1783:
1777:
1776:
1775:, 12 July 2011
1769:Katie Mitchell
1767:, directed by
1762:
1748:
1747:External links
1745:
1744:
1743:
1728:Wells, Stanley
1725:
1710:
1703:
1688:
1670:
1655:
1638:
1635:
1632:
1631:
1617:Ebert, Roger.
1609:
1593:"Uranus Moons"
1584:
1570:
1550:
1522:
1495:
1460:
1426:
1390:
1364:
1353:on 28 May 2018
1334:
1322:
1313:
1304:
1295:
1286:
1277:
1268:
1249:
1237:
1200:
1188:
1174:
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1125:
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1101:
1089:
1077:
1065:
1053:
1034:
1015:
1014:
1012:
1009:
1002:Opheliamachine
975:Main article:
973:
972:
969:Theatre portal
958:
955:England portal
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794:
787:
785:
782:
775:
773:
756:
749:
747:
737:
730:
726:
723:
658:'s adaptation
558:Dorothy Foster
553:
550:
519:Tate Wilkinson
515:Peg Woffington
480:Augustan drama
390:
384:
367:
364:
309:Queen Gertrude
302:Mousetrap Play
225:
222:
212:
209:
207:, "benefit").
175:
172:
168:Queen Gertrude
98:
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3557:
3554:
3553:
3551:
3535:
3534:
3529:
3526:
3525:
3520:
3517:
3516:
3515:Poor Murderer
3511:
3508:
3507:
3502:
3499:
3498:
3493:
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3258:
3253:
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3205:
3201:
3200:
3195:
3191:
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3181:
3176:
3172:
3168:
3164:
3163:
3158:
3157:
3155:
3151:
3143:
3142:
3137:
3133:
3132:
3131:I Hate Hamlet
3127:
3123:
3122:
3117:
3113:
3112:
3107:
3106:
3104:
3100:
3092:
3091:
3086:
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3072:
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3016:
3012:
3011:
3006:
3002:
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2964:
2960:
2952:
2951:
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2942:
2941:
2936:
2932:
2931:
2926:
2923:(Tchaikovsky)
2922:
2918:
2914:
2913:
2908:
2904:
2903:
2898:
2897:
2895:
2891:
2883:
2878:
2874:
2873:Pull Me Under
2869:
2865:
2860:
2859:
2857:
2853:
2846:
2845:
2840:
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2792:
2791:
2786:
2783:
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2777:
2774:
2773:
2768:
2767:
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2761:
2750:(BBC 2, 2009)
2749:
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2738:
2733:
2729:
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2723:
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2713:
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2700:
2696:
2688:
2687:
2682:
2681:
2679:
2675:
2667:
2666:
2661:
2657:
2656:
2655:Dogg's Hamlet
2651:
2647:
2646:
2645:Hamletmachine
2641:
2640:
2638:
2634:
2626:
2625:
2620:
2616:
2615:
2610:
2606:
2605:
2600:
2596:
2595:
2590:
2586:
2585:
2584:Dating Hamlet
2580:
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2570:
2566:
2565:
2560:
2556:
2555:
2550:
2549:
2547:
2543:
2535:
2534:
2533:The Lion King
2529:
2525:
2524:
2519:
2515:
2514:
2509:
2505:
2504:
2503:Hamlet A.D.D.
2499:
2495:
2494:
2489:
2485:
2484:
2479:
2475:
2474:
2469:
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2445:
2444:
2443:The Lion King
2439:
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2425:
2424:
2419:
2415:
2414:
2409:
2405:
2404:
2399:
2395:
2394:
2393:Johnny Hamlet
2389:
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1351:the original
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612:Kate Winslet
572:Jean Simmons
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3278:Video games
3121:Stage Blood
2730:(BBC, 1980)
2720:(BBC, 1964)
2463:The Banquet
2346:Adaptations
2189:(1911–1912)
1998:Terminology
1987:Thy name is
1938:Mortal coil
1920:Soliloquies
1213:Richard III
993:Melancholia
804: 1865
769: 1864
718:Hamlet 2000
654:(2002), In
648:(2000) and
628:Mariah Gale
507:Dora Jordan
492:John Kemble
425:conventions
166:Along with
3550:Categories
3221:Television
3090:Three Days
2698:Television
2665:Fortinbras
1896:Fortinbras
1824:Characters
1637:References
697:Zeffirelli
437:erotomania
433:melancholy
422:emblematic
407:Walsingham
70:Created by
3490:" (Haydn)
3462:Hamlet Q1
3382:(Cabanel)
3372:(Millais)
2933:(Berlioz)
2799:I, Hamlet
2483:Karmayogi
2207:On screen
2124:Influence
2075:Ur-Hamlet
2046:Criticism
2013:Induction
1483:0458-3035
1448:0362-4331
1414:0362-4331
1259:King John
1211:and also
1209:Hieronimo
1162:Drugs.com
1011:Footnotes
999:The play
709:1996 film
701:1990 film
693:1964 film
689:Kozintsev
668:. and by
441:discourse
381:'s Hamlet
366:Portrayal
354:Later, a
313:virginity
211:Character
141:'s drama
96:(brother)
44:character
3307:Elsinore
3259:" (2001)
3250:" (1983)
3241:" (1966)
3232:" (1966)
3182:" (1997)
3070:Hamlet 2
2915:(Faccio)
2905:(Thomas)
2884:" (1997)
2875:" (1992)
2763:Parodies
2677:Musicals
2020:Quiddity
2006:Dumbshow
1861:Polonius
1847:Gertrude
1840:Claudius
1675:. 1992.
1624:26 March
1543:11 April
1515:11 April
1488:11 April
1453:11 April
1419:11 April
1383:11 April
1373:"Hamlet"
1357:11 April
725:In paint
685:barefoot
484:decorous
451:Soprano
292:'s film
246:Claudius
205:ōphéleia
153:Polonius
91:(father)
89:Polonius
3556:Ophelia
3455:Hebenon
3429:Related
3399:Ophelia
3380:Ophelia
3370:Ophelia
2930:Tristia
2523:Ophelia
2513:Hemanta
2383:Ophelia
2041:Sources
1882:Horatio
1875:Ophelia
1868:Laertes
1602:16 July
1577:16 July
1377:Variety
934:Ophelia
915:Ophelia
896:Ophelia
873:Ophelia
858:Ophelia
839:Ophelia
820:Ophelia
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762:Ophelia
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552:In film
545:Ophelia
336:Ophelia
277:Ophelia
266:brothel
262:convent
258:nunnery
201:ὠφέλεια
189:Arcadia
157:Laertes
149:Denmark
103:Ophelia
94:Laertes
61:Ophelia
34:Ophelia
3310:(2019)
3300:(2010)
3297:Hamlet
3290:(1993)
3269:(2003)
3212:(2020)
3209:Hamnet
3202:(2007)
3192:(1998)
3173:(1994)
3165:(1937)
3153:Novels
3144:(2008)
3134:(1991)
3124:(1974)
3114:(1966)
3093:(2012)
3083:(2009)
3073:(2008)
3063:(2002)
3053:(1995)
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3033:(1993)
3023:(1991)
3013:(1990)
3003:(1983)
2993:(1973)
2983:(1942)
2953:(Dean)
2950:Hamlet
2943:(Rihm)
2921:Hamlet
2912:Amleto
2902:Hamlet
2747:Hamlet
2737:Hamlet
2707:Hamlet
2689:(1973)
2668:(1991)
2658:(1979)
2648:(1977)
2627:(2008)
2617:(2008)
2607:(2007)
2597:(2006)
2587:(2002)
2577:(2000)
2567:(1989)
2557:(1940)
2545:Novels
2536:(2019)
2526:(2018)
2516:(2016)
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