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Ophelia (painting)

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256: 293:(PRB), of which he was a member, Millais used bright colours, gave high attention to detail and faithful truth to nature. This rendition of Ophelia is the epitome of the PRB style; first, because of the subject matter, depicting a woman who has lived a life awaiting happiness, only to find her destiny on the verge of death: the vulnerable woman is a popular subject among Pre-Raphaelite artists. Also, Millais utilizes bright, intense colours in the landscape to make the pale Ophelia contrast with the nature behind her. All this is evident in the vivid attention to detail in the brush and trees around Ophelia, the contouring of her face, and the intricate work Millais did on her dress. 170: 38: 435: 339:
notice to appear before a magistrate for trespassing in a field and destroying the hay ... and am also in danger of being blown by the wind into the water. Certainly the painting of a picture under such circumstances would be greater punishment to a murderer than hanging." By November 1851, the weather had turned windy and snowy. Millais oversaw the building of a hut "made of four hurdles, like a sentry-box, covered outside with straw". According to Millais, sitting inside the hut made him feel like
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beneath her. She lies in the water singing songs, as if unaware of her danger ("incapable of her own distress"). Her clothes, trapping air, have allowed her to temporarily stay afloat ("Her clothes spread wide, / And, mermaid-like, awhile they bore her up."). But eventually, "her garments, heavy with their drink, / Pull'd the poor wretch from her melodious lay" down "to muddy death".
282:—which an assistant had fished out of the Hogsmill—paddling next to Ophelia. In December 1851, he showed the unfinished painting to Holman Hunt's relatives. He recorded in his diary, "Hunt's uncle and aunt came, both of whom understood most gratifyingly every object except my water rat. The male relation, when invited to guess at it, eagerly pronounced it to be a 286:. Perceiving by our smiles that he had made a mistake, a rabbit was then hazarded. After which I have a faint recollection of a dog or a cat being mentioned." Millais painted the water vole out of the final picture, although a rough sketch of it still exists in an upper corner of the canvas hidden by its frame. 354:
in London. As it was now winter, he placed oil lamps under the tub to warm the water, but was so intent on his work that he allowed them to go out. As a result, Siddall caught a severe cold, and her father later sent Millais a letter demanding ÂŁ50 for medical expenses. According to Millais's son, he
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wrote that "there must be something strangely perverse in an imagination which souses Ophelia in a weedy ditch, and robs the drowning struggle of that lovelorn maiden of all pathos and beauty", while a further review in the same newspaper said that "Mr. Millais's Ophelia in her pool ... makes us
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The episode depicted is not usually seen onstage, as in Shakespeare's text it exists only in Gertrude's description. Out of her mind with grief, Ophelia has been making garlands of wildflowers. She climbs into a willow tree overhanging a brook to dangle some from its branches, and a bough breaks
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This allowed him to accurately depict the natural scene before him. Millais encountered various difficulties during the painting process. He wrote in a letter to a friend, "The flies of Surrey are more muscular, and have a still greater propensity for probing human flesh. I am threatened with a
382:, an avid supporter of Millais, while finding the technique of the painting "exquisite", expressed doubts about the decision to set it in a Surrey landscape and asked, "Why the mischief should you not paint pure nature, and not that rascally wirefenced garden-rolled-nursery-maid's paradise?" 632:
in volume 10), edited by Henry N. Hudson, published by James Munroe and Company, 1856: "This exquisite passage is deservedly celebrated. Nothing could better illustrate the Poet's power to make the description of a thing better than the thing itself, by giving us his eyes to see it
1786: 242:, devoted much time to finding the exact placement of the picture, and according to her research, the scene is located at Six Acre Meadow, alongside Church Road, Old Malden. Millais Road is now nearby. Millais's close colleague 403:. The Pre-Raphaelite painters bring us radiant women who are, at the same time, the most desirable and most frightening that exist." He later went on to re-interpret Millais's painting in a 1973 work entitled 130:, but has since come to be admired as one of the most important works of the mid-nineteenth century for its beauty, its accurate depiction of a natural landscape, and its influence on artists from 551:, approximately equal to ÂŁ40,000 in 2020. Farrer sold the painting to B. G. Windus, an avid collector of Pre-Raphaelite art, who sold it on in 1862 for 748 guineas. The painting is held at 317:
in two separate stages: He first painted the landscape, and secondly the figure of Ophelia. Having found a suitable setting for the picture, Millais remained on the banks of the
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James, William (ed.) "The Order of Release: The Story of John Ruskin, Effie Gray and John Everett Millais". New York: Charles Scribner's Sons, 1947, p. 176.
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The flowers shown floating on the river were chosen to correspond with Shakespeare's description of Ophelia's garland. They also reflect the
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The painting depicts Ophelia singing while floating in a river just before she drowns. The scene is described in Act IV, Scene VII of
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about the artistic movement that inspired the painting. "How could Salvador DalĂ­ fail to be dazzled by the flagrant surrealism of
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is "a portable panel usually of wattled withes and stakes used especially for enclosing land or livestock":
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The Times, Saturday, 1 May 1852; pg. 8; Issue 21104: Exhibition of the Royal Academy -(Private View)
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This article is about the painting by John Everett Millais. For paintings with the same name, see
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Dali, Salvador (15 June 1936). "The Spectral Surrealism of the Pre-Raphaelite Eternal Feminine".
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The painting has been widely referred to and pastiched in art, film, and photography, notably in
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identifies the building as the place where "The Pre-Raphaelite Brotherhood was founded in 1848".
350:, then 22 years old. Millais had Siddall lie fully clothed in a full bathtub in his studio at 7 4067: 3977: 3561: 3511: 2077: 1964: 1903: 1787:
A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
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of the river and the riverbank, stressing the patterns of growth and decay in a natural
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Ophelia's pose—her open arms and upwards gaze—also resembles traditional portrayals of
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Ophelia's death has been praised as one of the most poetically written death scenes in
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was purchased from Millais on 10 December 1851 by the art dealer Henry Farrer for 300
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76.2 cm Ă— 111.8 cm (30.0 in Ă— 44.0 in)
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wrote glowingly in an article published in a 1936 edition of the French
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mimicking the pose of the image. The artwork is also referenced in
487: 235: 227: 1089:– a weblog researching and discussing the life of Elizabeth Siddal 555:, London, and is valued by experts as worth at least £30 million. 413:
called the painting "a thing of considerable beauty" in his novel
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The work encountered a mixed response when first exhibited at the
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in London in 1852, it was not universally acclaimed. A critic in
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At an early stage in the painting's creation, Millais painted a
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think of a dairymaid in a frolic". Even the great art critic
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The painting is known for its depiction of the detailed
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A Performance of Hamlet in the Village of Mrduša Donja
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The Complete Works of William Shakespeare (Abridged)
1057:– a Tate learning resource about Millais's painting 973:"£300 in 1850 → 2022 | UK Inflation Calculator" 740:. Tate Gallery Online. Retrieved on 16 January 2007. 2100:
I Am Half-Sick of Shadows, Said the Lady of Shalott
1069:, This is Local London, 6 May 2004, archived from 683:"Mystery of location of Millais' Ophelia solved", 504:was modelled on the painting, while the video for 3881:Polish Hamlet. Portrait of Aleksander Wielopolski 4019: 1013:, 22 September 2007. Retrieved on 6 March 2012. 707: 753:". Tate Gallery. Retrieved on 16 January 2007. 2266: 1452: 1276:A Dream of the Past: Sir Isumbras at the Ford 1124: 101:is an 1851–52 painting by British artist Sir 703: 701: 699: 697: 695: 693: 539: 2885:The Angel of Vengeance – The Female Hamlet 2273: 2259: 1639:Louisa Beresford, Marchioness of Waterford 1459: 1445: 1131: 1117: 1105:– a short video podcast about the painting 991:Lizzie Siddal: Face of the Pre-Raphaelites 658:For a description of Webb's findings, see 309:, who acted as Millais's model for Ophelia 3298:To Be or Not to Be: That is the Adventure 582:List of paintings by John Everett Millais 23:Ophelia (disambiguation) § Paintings 2450:The lady doth protest too much, methinks 1918:The Finding of the Saviour in the Temple 1138: 806:Life and Letters of John Everett Millais 690: 346:Ophelia was modelled by artist and muse 300: 254: 168: 123:, singing before she drowns in a river. 16:John Everett Millais painting, 1851–1852 3552:Rosencrantz and Guildenstern Are Undead 3482:Rosencrantz & Guildenstern Are Dead 1005:Ten things you never knew about Ophelia 4020: 945: 3729:Terrance and Phillip: Behind the Blow 3583:Rosencrantz and Guildenstern Are Dead 2254: 1440: 1112: 773:, Merriam-Webster's Online Dictionary 708:Benjamin Secher (22 September 2007), 238:. Barbara Webb, a resident of nearby 153: 1815:Our English Coasts ('Strayed Sheep') 1204:A Huguenot, on St. Bartholomew's Day 946:Zoladz, Lindsay (23 November 2011). 911: 835: 642: 613:Millais Ophelia: Behind the painting 494:reproduces the painting. A scene in 367:was first publicly exhibited at the 948:"Is "Melancholia" a feminist film?" 902:, Van Gogh Museum, Amsterdam, 2008. 296: 226:was painted along the banks of the 203:, but has also been interpreted as 13: 4063:Works based on literary characters 1780:Christ in the House of His Parents 1172:Christ in the House of His Parents 868: 289:In keeping with the tenets of the 14: 4089: 4058:Paintings by John Everett Millais 3336:My Robin is to the greenwood gone 1979:King Cophetua and the Beggar Maid 1196:The Return of the Dove to the Ark 1017: 355:eventually accepted a lower sum. 4043:Collection of the Tate galleries 912:Owen, Paul (12 September 2011). 770:[Definition of "hurdle"] 615:". Retrieved on 16 January 2008. 483:Beautiful Lies You Could Live In 442: 433: 36: 965: 939: 905: 892: 862: 848: 829: 820: 811: 246:was at the time working on his 3800:Asterix and the Great Crossing 2625:Cultural references to Ophelia 1959:Pygmalion and the Image series 1083:– a website about the painting 993:. Walker & Company, 2006. 798: 785: 756: 743: 728: 662:Millais and the Hogsmill River 645:Millais and the Hogsmill River 636: 624:For one example of praise see 618: 605: 1: 3492:Highlander II: The Quickening 2421:What a piece of work is a man 1829:Paolo and Francesca da Rimini 1228:The Proscribed Royalist, 1651 1066:Painters took to local colour 983: 858:– via www.allmusic.com. 3307:Tales from the Public Domain 3262:Rosencrantz and Guildenstern 2361:Rosencrantz and Guildenstern 1709:John Roddam Spencer Stanhope 1634:Robert Braithwaite Martineau 420: 358: 259:Study for the painting, 1852 7: 3096:The Story of Edgar Sawtelle 914:"Poster notes: Melancholia" 643:Webb, Barbara C.L. (1997), 558: 409:In 1906, Japanese novelist 10: 4094: 3711:The Conscience of the King 1724:Algernon Charles Swinburne 1468:Pre-Raphaelite Brotherhood 1394:Pre-Raphaelite Brotherhood 1220:The Order of Release, 1746 501:The Last House on the Left 449:Sir John Everett Millais, 291:Pre-Raphaelite Brotherhood 20: 4053:Paintings based on Hamlet 3969:The Hobart Shakespeareans 3900: 3832: 3790: 3749: 3692: 3671:Interred with Their Bones 3624: 3573: 3442: 3433: 3364: 3326: 3234: 3199:Hamlet, Prince of Denmark 3169: 3148: 3107: 3016: 2825: 2816: 2677: 2648: 2594: 2508: 2469: 2440: 2391: 2294: 2180: 2109: 2036:The Roses of Heliogabalus 1752: 1659:Valentine Cameron Prinsep 1520: 1477: 1374: 1155: 1146: 510:Where the Wild Roses Grow 441: 432: 427: 305:An 1854 self-portrait by 80: 72: 62: 54: 44: 35: 30: 3890:The River Bank (Ophelia) 2925:Let the Devil Wear Black 2021:The Legend of Briar Rose 1850:The Awakening Conscience 1507:Frederic George Stephens 1502:William Michael Rossetti 1180:Ferdinand Lured by Ariel 1101:15 December 2007 at the 751:Elizabeth Eleanor Siddal 626:The Works of Shakespeare 598: 540:Provenance and valuation 401:English Pre-Raphaelitism 220:quintessentially English 3951:The Chronicles of Amber 3919:Hamlet and His Problems 3661:The Shakespeare Stealer 3212:(BBC 2, animated, 1992) 2615:Cultural references to 2206:Rossetti and His Circle 2147:Marie Spartali Stillman 1734:John William Waterhouse 1719:John Melhuish Strudwick 1714:Marie Spartali Stillman 1584:Charles Allston Collins 571:John William Waterhouse 132:John William Waterhouse 3522:In the Bleak Midwinter 3289:Lyle the Kindly Viking 1808:The Light of the World 1744:William Lindsay Windus 1492:Dante Gabriel Rossetti 1340:The North-West Passage 1316:The Boyhood of Raleigh 1053:24 August 2017 at the 1025:"The Story of Ophelia" 873:Last House on the Left 332:The Light of the World 310: 260: 181: 4048:Paintings about death 3182:(Australian TV, 1959) 3066:The Dead Fathers Club 3046:Gertrude and Claudius 2639:Human skull symbolism 1953:A Vision of Fiammetta 1857:The Hireling Shepherd 1569:Georgiana Burne-Jones 1292:The Black Brunswicker 385:In the 20th century, 304: 258: 249:The Hireling Shepherd 172: 109:, London. It depicts 105:in the collection of 3036:Too, Too Solid Flesh 2905:Hamlet Goes Business 2605:Common phrases from 2071:Hylas and the Nymphs 1624:Edward Robert Hughes 1589:Frank Cadogan Cowper 1534:Lawrence Alma-Tadema 1487:John Everett Millais 1140:John Everett Millais 174:John Everett Millais 103:John Everett Millais 49:John Everett Millais 3738:Slings & Arrows 3316:The Skinhead Hamlet 3026:Hamlet Had an Uncle 2835:The Rest Is Silence 2632:Language of flowers 2555:Critical approaches 2538:The Spanish Tragedy 2401:To be, or not to be 2282:William Shakespeare 2230:Desperate Romantics 2092:The Lady of Shalott 2028:The Lady of Shalott 1972:Cymon and Iphigenia 1939:The Shadow of Death 1891:Oxford Union murals 1836:The Last of England 1794:Ecce Ancilla Domini 1739:William James Webbe 1482:William Holman Hunt 1416:Desperate Romantics 1388:John Guille Millais 1010:The Daily Telegraph 1003:Secher, Benjamin. " 989:Hawksley, Lucinda. 715:The Daily Telegraph 685:The Daily Telegraph 577:The Lady of Shalott 492:Pearls Before Swine 327:William Holman Hunt 269:language of flowers 244:William Holman Hunt 115:William Shakespeare 113:, a character from 4073:Paintings of women 3978:Gertrude – The Cry 3910:Hamlet and Oedipus 3613:To Be or Not to Be 3472:To Be or Not to Be 3452:To Be or Not to Be 3435:In popular culture 3412:Die Hamletmaschine 3280:The Klingon Hamlet 3189:Hamlet at Elsinore 2845:The Bad Sleep Well 2659:Moscow Art Theatre 2000:Dante and Beatrice 1664:Christina Rossetti 1604:Henry Treffry Dunn 1564:Edward Burne-Jones 1539:George Price Boyce 1356:The Ruling Passion 1073:on 6 November 2007 898:Radenburg, Katja, 723:on 6 November 2007 311: 261: 182: 154:Theme and elements 4015: 4014: 3996:Something Rotten! 3942:Ostalo je ćutanje 3828: 3827: 3230: 3229: 2584:Damon and Pythias 2441:Words and phrases 2248: 2247: 1993:The Golden Stairs 1654:Joseph Noel Paton 1629:Frederic Leighton 1434: 1433: 1419:(2009 miniseries) 1403:(1975 miniseries) 1149:List of paintings 1048:learning resource 628:, in 11 volumes ( 468: 467: 348:Elizabeth Siddall 313:Millais produced 267:interest in the " 94: 93: 4085: 4008: 3999: 3990: 3981: 3972: 3963: 3954: 3945: 3936: 3929: 3922: 3913: 3893: 3884: 3875: 3865: 3862:Affe mit Schädel 3856: 3846: 3821: 3812: 3803: 3783: 3773: 3763: 3759:Last Action Hero 3742: 3732: 3723: 3714: 3705: 3685: 3675: 3665: 3655: 3652:The Undiscovered 3646: 3638: 3634:Hamlet, Revenge! 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1268:Peace Concluded 1151: 1142: 1137: 1103:Wayback Machine 1063: 1055:Wayback Machine 1034: 1032: 1031:. 2 August 2017 1023: 1020: 986: 981: 980: 971: 970: 966: 956: 954: 944: 940: 930: 928: 910: 906: 897: 893: 883: 881: 875:43 years later" 867: 863: 854: 853: 849: 834: 830: 825: 821: 816: 812: 803: 799: 790: 786: 776: 774: 767: 761: 757: 749:Elkan, Jenny. " 748: 744: 733: 729: 706: 691: 675: 673: 659: 655: 641: 637: 623: 619: 610: 606: 601: 561: 542: 448: 443: 428:External videos 423: 361: 341:Robinson Crusoe 299: 180:(Lewis Carroll) 178:Charles Dodgson 162:in a speech by 156: 26: 17: 12: 11: 5: 4091: 4081: 4080: 4075: 4070: 4065: 4060: 4055: 4050: 4045: 4040: 4035: 4030: 4028:1852 paintings 4013: 4012: 4010: 4009: 4000: 3991: 3982: 3973: 3964: 3955: 3946: 3937: 3930: 3923: 3914: 3904: 3902: 3898: 3897: 3895: 3894: 3885: 3876: 3866: 3857: 3847: 3836: 3834: 3830: 3829: 3826: 3825: 3823: 3822: 3818:Sharpe's Havoc 3813: 3804: 3794: 3792: 3788: 3787: 3785: 3784: 3774: 3764: 3753: 3751: 3747: 3746: 3744: 3743: 3733: 3724: 3715: 3706: 3696: 3694: 3690: 3689: 3687: 3686: 3676: 3666: 3656: 3647: 3643:Theatre of War 3639: 3628: 3626: 3622: 3621: 3619: 3618: 3608: 3598: 3588: 3577: 3575: 3571: 3570: 3568: 3567: 3557: 3547: 3537: 3527: 3517: 3507: 3497: 3487: 3477: 3467: 3457: 3446: 3444: 3437: 3431: 3430: 3428: 3427: 3417: 3407: 3397: 3389: 3379: 3368: 3366: 3362: 3361: 3359: 3358: 3349: 3340: 3330: 3328: 3324: 3323: 3321: 3320: 3311: 3302: 3293: 3284: 3275: 3266: 3257: 3248: 3238: 3236: 3232: 3231: 3228: 3227: 3225: 3224: 3214: 3204: 3194: 3184: 3173: 3171: 3167: 3166: 3164: 3163: 3152: 3150: 3146: 3145: 3143: 3142: 3132: 3122: 3111: 3109: 3105: 3104: 3102: 3101: 3091: 3081: 3071: 3061: 3051: 3041: 3031: 3020: 3018: 3014: 3013: 3011: 3010: 3000: 2990: 2980: 2970: 2960: 2950: 2940: 2930: 2920: 2910: 2900: 2890: 2880: 2870: 2860: 2850: 2840: 2829: 2827: 2820: 2814: 2813: 2811: 2810: 2803: 2796: 2789: 2782: 2775: 2768: 2761: 2754: 2747: 2740: 2733: 2726: 2719: 2712: 2705: 2698: 2691: 2683: 2681: 2675: 2674: 2672: 2671: 2667:Richard Burton 2663: 2654: 2652: 2646: 2645: 2643: 2642: 2635: 2628: 2621: 2611: 2600: 2598: 2592: 2591: 2589: 2588: 2579: 2572: 2565: 2562:Bibliographies 2558: 2551: 2542: 2533: 2525: 2523: 2521: 2520: 2515: 2509: 2506: 2505: 2503: 2502: 2495: 2488: 2481: 2473: 2471: 2467: 2466: 2464: 2463: 2454: 2444: 2442: 2438: 2437: 2435: 2434: 2425: 2416: 2415: 2414: 2395: 2393: 2389: 2388: 2386: 2385: 2378: 2371: 2364: 2357: 2350: 2343: 2336: 2329: 2322: 2315: 2308: 2300: 2298: 2292: 2291: 2278: 2277: 2270: 2263: 2255: 2246: 2245: 2243: 2242: 2234: 2226: 2218: 2210: 2202: 2197: 2192: 2184: 2182: 2178: 2177: 2175: 2174: 2169: 2164: 2159: 2154: 2149: 2144: 2139: 2134: 2129: 2124: 2119: 2113: 2111: 2107: 2106: 2104: 2103: 2096: 2088: 2081: 2074: 2067: 2060: 2053: 2046: 2039: 2032: 2024: 2017: 2010: 2003: 1996: 1989: 1982: 1975: 1968: 1961: 1956: 1949: 1942: 1935: 1928: 1921: 1914: 1911:Mary Magdalene 1907: 1900: 1893: 1888: 1881: 1874: 1867: 1860: 1853: 1846: 1839: 1832: 1825: 1818: 1811: 1804: 1797: 1790: 1783: 1776: 1768: 1766: 1753: 1750: 1749: 1747: 1746: 1741: 1736: 1731: 1726: 1721: 1716: 1711: 1706: 1704:Simeon Solomon 1701: 1696: 1691: 1686: 1681: 1676: 1671: 1666: 1661: 1656: 1651: 1646: 1644:William Morris 1641: 1636: 1631: 1626: 1621: 1616: 1611: 1606: 1601: 1596: 1591: 1586: 1581: 1576: 1574:James Campbell 1571: 1566: 1561: 1556: 1551: 1546: 1541: 1536: 1530: 1528: 1521: 1518: 1517: 1515: 1514: 1512:Thomas Woolner 1509: 1504: 1499: 1494: 1489: 1484: 1478: 1475: 1474: 1464: 1463: 1456: 1449: 1441: 1432: 1431: 1429: 1428: 1420: 1412: 1404: 1396: 1391: 1385: 1378: 1376: 1372: 1371: 1369: 1368: 1360: 1352: 1348:Thomas Carlyle 1344: 1336: 1328: 1320: 1312: 1304: 1296: 1288: 1280: 1272: 1264: 1260:The Blind Girl 1256: 1248: 1240: 1232: 1224: 1216: 1208: 1200: 1192: 1184: 1176: 1168: 1159: 1157: 1153: 1152: 1147: 1144: 1143: 1136: 1135: 1128: 1121: 1113: 1107: 1106: 1093:Smarthistory: 1090: 1084: 1075: 1061: 1041: 1019: 1018:External links 1016: 1015: 1014: 1001: 985: 982: 979: 978: 964: 938: 904: 891: 869:Witzke, Sean. 861: 847: 828: 819: 810: 808:, vol 1, p.154 804:J.G. Millais, 797: 784: 755: 742: 727: 689: 653: 635: 617: 603: 602: 600: 597: 596: 595: 584: 579: 574: 560: 557: 541: 538: 524:Lars von Trier 519:Fire With Fire 466: 465: 439: 438: 430: 429: 422: 419: 411:Natsume SĹŤseki 360: 357: 319:Hogsmill River 298: 295: 164:Queen Gertrude 155: 152: 92: 91: 82: 78: 77: 74: 70: 69: 64: 60: 59: 56: 52: 51: 46: 42: 41: 33: 32: 15: 9: 6: 4: 3: 2: 4090: 4079: 4076: 4074: 4071: 4069: 4068:Rivers in art 4066: 4064: 4061: 4059: 4056: 4054: 4051: 4049: 4046: 4044: 4041: 4039: 4036: 4034: 4031: 4029: 4026: 4025: 4023: 4007: 4006: 4001: 3998: 3997: 3992: 3989: 3988: 3987:Poor Murderer 3983: 3980: 3979: 3974: 3971: 3970: 3965: 3961: 3956: 3953: 3952: 3947: 3944: 3943: 3938: 3935: 3931: 3928: 3924: 3921: 3920: 3915: 3912: 3911: 3906: 3905: 3903: 3899: 3892: 3891: 3886: 3883: 3882: 3877: 3874: 3872: 3867: 3864: 3863: 3858: 3855: 3853: 3848: 3845: 3843: 3838: 3837: 3835: 3831: 3820: 3819: 3814: 3811: 3810: 3805: 3802: 3801: 3796: 3795: 3793: 3789: 3781: 3780: 3775: 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Webb, 646: 639: 631: 627: 621: 614: 608: 604: 594: 590: 589: 585: 583: 580: 578: 575: 572: 568: 567: 563: 562: 556: 554: 550: 546: 537: 535: 534:Kirsten Dunst 531: 530: 526:'s 2011 film 525: 521: 520: 515: 514:Kylie Minogue 511: 507: 503: 502: 498:'s 1972 film 497: 493: 489: 485: 484: 479: 478: 474:'s 1948 film 473: 463: 459: 455: 452: 440: 436: 431: 426: 418: 416: 412: 407: 406: 402: 398: 397: 392: 388: 387:Salvador DalĂ­ 383: 381: 376: 375: 370: 369:Royal Academy 366: 356: 353: 349: 344: 342: 336: 334: 333: 328: 324: 320: 316: 308: 303: 294: 292: 287: 285: 281: 276: 274: 270: 266: 257: 253: 251: 250: 245: 241: 237: 233: 229: 225: 221: 217: 213: 208: 206: 202: 198: 193: 191: 186: 179: 175: 171: 167: 165: 161: 151: 149: 145: 141: 137: 136:Salvador DalĂ­ 133: 129: 128:Royal Academy 124: 122: 121: 116: 112: 108: 104: 100: 99: 90: 86: 83: 79: 75: 71: 68: 67:Oil on canvas 65: 61: 57: 53: 50: 47: 43: 39: 34: 29: 24: 19: 4033:Birds in art 4003: 3994: 3985: 3976: 3967: 3949: 3940: 3917: 3908: 3888: 3879: 3873:(Waterhouse) 3870: 3860: 3851: 3841: 3840: 3816: 3807: 3798: 3777: 3767: 3757: 3736: 3702:The Producer 3679: 3669: 3659: 3642: 3632: 3611: 3601: 3591: 3581: 3560: 3550: 3540: 3530: 3520: 3510: 3500: 3490: 3480: 3470: 3460: 3450: 3420: 3410: 3400: 3382: 3373: 3314: 3296: 3278: 3269: 3260: 3251: 3242: 3217: 3207: 3197: 3187: 3177: 3156: 3135: 3125: 3115: 3094: 3084: 3074: 3064: 3054: 3044: 3034: 3024: 3003: 2993: 2983: 2973: 2963: 2953: 2943: 2933: 2923: 2913: 2903: 2895:Strange Brew 2893: 2883: 2873: 2863: 2853: 2843: 2833: 2650:Performances 2616: 2606: 2582: 2545: 2536: 2499:Substitution 2285: 2237: 2229: 2221: 2213: 2204: 2195:Hogarth Club 2187: 2172:Ruth Herbert 2162:Dorothy Dene 2137:Annie Miller 2098: 2091: 2083: 2076: 2069: 2062: 2057:Flaming June 2055: 2048: 2041: 2034: 2030:(Waterhouse) 2027: 2019: 2012: 2005: 1998: 1991: 1984: 1977: 1970: 1963: 1951: 1944: 1937: 1930: 1923: 1916: 1909: 1902: 1895: 1883: 1876: 1869: 1862: 1855: 1848: 1841: 1834: 1827: 1820: 1813: 1806: 1799: 1792: 1785: 1778: 1772: 1771: 1763:post-period) 1761:(period and 1729:Henry Wallis 1609:William Dyce 1579:John Collier 1524:artists and 1422: 1414: 1408:The Countess 1406: 1398: 1362: 1354: 1346: 1338: 1330: 1322: 1314: 1306: 1298: 1290: 1282: 1274: 1266: 1258: 1250: 1242: 1234: 1226: 1218: 1211: 1210: 1202: 1194: 1186: 1178: 1170: 1162: 1094: 1079: 1071:the original 1065: 1058: 1045: 1033:. Retrieved 1028: 1008: 990: 967: 955:. Retrieved 951: 941: 929:. Retrieved 918:The Guardian 917: 907: 899: 894: 882:. Retrieved 878: 872: 864: 850: 841: 837: 831: 822: 813: 805: 800: 787: 775:, retrieved 769: 763: 758: 745: 736: 730: 721:the original 713: 684: 674:, retrieved 661: 644: 638: 629: 625: 620: 607: 587: 564: 553:Tate Britain 544: 543: 527: 517: 499: 481: 475: 469: 462:Smarthistory 450: 408: 404: 394: 384: 372: 364: 362: 352:Gower Street 345: 337: 330: 314: 312: 288: 277: 262: 247: 223: 209: 194: 187: 183: 176:in 1865, by 159: 157: 125: 118: 107:Tate Britain 97: 96: 95: 85:Tate Britain 18: 4038:British art 3809:The Seagull 3750:Video games 3593:Stage Blood 3202:(BBC, 1980) 3192:(BBC, 1964) 2935:The Banquet 2818:Adaptations 2661:(1911–1912) 2470:Terminology 2459:Thy name is 2410:Mortal coil 2392:Soliloquies 2240:(2014 film) 2216:(1967 film) 2209:(1922 book) 2167:Fanny Eaton 2142:Jane Morris 2132:Sophie Gray 2078:Lady Godiva 1965:The Beloved 1904:Roman Widow 1897:Lady Lilith 1756:well-known 1674:Emma Sandys 1669:John Ruskin 1522:Associated 1471:(paintings) 1427:(2014 film) 1411:(1999 play) 1287:(1858–1859) 1239:(1853–1854) 1236:John Ruskin 1231:(1852–1853) 1223:(1852–1853) 1215:(1851–1852) 1175:(1849–1850) 1167:(1848–1849) 793:blue plaque 667:Probus Club 529:Melancholia 380:John Ruskin 140:Peter Blake 4022:Categories 3693:Television 3562:Three Days 3170:Television 3137:Fortinbras 2368:Fortinbras 2296:Characters 2238:Effie Gray 2127:Effie Gray 1946:Proserpine 1864:April Love 1544:John Brett 1424:Effie Gray 1382:Effie Gray 1244:The Rescue 1035:2 February 984:References 900:Ik Ophelia 884:12 January 777:11 October 735:Millais's 676:11 October 512:" depicts 496:Wes Craven 415:Kusamakura 391:Surrealist 280:water vole 240:Old Malden 190:literature 73:Dimensions 3962:" (Haydn) 3934:Hamlet Q1 3854:(Cabanel) 3844:(Millais) 3405:(Berlioz) 3271:I, Hamlet 2955:Karmayogi 2679:On screen 2596:Influence 2547:Ur-Hamlet 2518:Criticism 2485:Induction 1156:Paintings 952:Salon.com 926:0261-3077 879:Grantland 838:Minotaure 508:'s song " 506:Nick Cave 453:, 1851-52 421:Influence 396:Minotaure 374:The Times 359:Reception 265:Victorian 230:River in 216:ecosystem 144:Ed Ruscha 58:1851–1852 3779:Elsinore 3731:" (2001) 3722:" (1983) 3713:" (1966) 3704:" (1966) 3654:" (1997) 3542:Hamlet 2 3387:(Faccio) 3377:(Thomas) 3356:" (1997) 3347:" (1992) 3235:Parodies 3149:Musicals 2492:Quiddity 2478:Dumbshow 2333:Polonius 2319:Gertrude 2312:Claudius 2189:The Germ 1164:Isabella 1099:Archived 1078:Millais 1051:Archived 957:11 April 931:11 April 717:(Review) 573:painting 559:See also 532:, where 488:Tom Rapp 393:journal 329:painted 252:nearby. 236:Tolworth 228:Hogsmill 117:'s play 81:Location 4078:Ophelia 3927:Hebenon 3901:Related 3871:Ophelia 3852:Ophelia 3842:Ophelia 3402:Tristia 2995:Ophelia 2985:Hemanta 2855:Ophelia 2513:Sources 2354:Horatio 2347:Ophelia 2340:Laertes 2181:Related 1801:Mariana 1773:Ophelia 1526:figures 1375:Related 1364:Bubbles 1308:Vanessa 1212:Ophelia 1188:Mariana 1095:Ophelia 1080:Ophelia 1059:Ophelia 1046:Ophelia 844:: 46–9. 737:Ophelia 588:Ophelia 569:, 1894 566:Ophelia 549:guineas 545:Ophelia 458:YouTube 451:Ophelia 365:Ophelia 315:Ophelia 234:, near 224:Ophelia 201:martyrs 111:Ophelia 98:Ophelia 31:Ophelia 3782:(2019) 3772:(2010) 3769:Hamlet 3762:(1993) 3741:(2003) 3684:(2020) 3681:Hamnet 3674:(2007) 3664:(1998) 3645:(1994) 3637:(1937) 3625:Novels 3616:(2008) 3606:(1991) 3596:(1974) 3586:(1966) 3565:(2012) 3555:(2009) 3545:(2008) 3535:(2002) 3525:(1995) 3515:(1994) 3505:(1993) 3495:(1991) 3485:(1990) 3475:(1983) 3465:(1973) 3455:(1942) 3425:(Dean) 3422:Hamlet 3415:(Rihm) 3393:Hamlet 3384:Amleto 3374:Hamlet 3219:Hamlet 3209:Hamlet 3179:Hamlet 3161:(1973) 3140:(1991) 3130:(1979) 3120:(1977) 3099:(2008) 3089:(2008) 3079:(2007) 3069:(2006) 3059:(2002) 3049:(2000) 3039:(1989) 3029:(1940) 3017:Novels 3008:(2019) 2998:(2018) 2988:(2016) 2978:(2014) 2968:(2014) 2965:Haider 2958:(2012) 2948:(2009) 2938:(2006) 2928:(1999) 2918:(1994) 2908:(1987) 2898:(1983) 2888:(1977) 2878:(1973) 2868:(1968) 2858:(1963) 2848:(1960) 2838:(1959) 2669:(1964) 2617:Hamlet 2607:Hamlet 2382:Yorick 2305:Hamlet 2287:Hamlet 2110:Models 2094:(Hunt) 2043:Lilith 1384:(wife) 1367:(1886) 1359:(1885) 1351:(1877) 1343:(1874) 1335:(1871) 1327:(1870) 1319:(1870) 1311:(1868) 1303:(1865) 1300:Esther 1295:(1860) 1279:(1857) 1271:(1856) 1263:(1856) 1255:(1856) 1247:(1855) 1207:(1852) 1199:(1851) 1191:(1851) 1183:(1850) 997:  924:  764:hurdle 651:  633:with". 630:Hamlet 477:Hamlet 464:(5:26) 232:Surrey 205:erotic 197:saints 160:Hamlet 120:Hamlet 89:London 63:Medium 45:Artist 3791:Books 3574:Plays 3443:Films 3327:Songs 3108:Plays 2945:Doubt 2826:Films 2326:Ghost 1871:Found 1758:works 1754:Some 1390:(son) 1044:Tate 671:Ewell 599:Notes 591:, by 363:When 323:Ewell 273:poppy 212:flora 2807:2011 2800:2000 2793:1996 2786:1990 2779:1974 2772:1969 2765:1964 2758:1961 2751:1954 2744:1948 2737:1935 2730:1921 2723:1917 2716:1913 2709:1912 2702:1908 2695:1907 2688:1900 2064:Hope 1843:Work 1037:2023 1029:Tate 995:ISBN 959:2019 933:2019 922:ISSN 886:2017 779:2007 678:2007 649:ISBN 490:and 284:hare 146:and 134:and 55:Year 3833:Art 3532:War 2284:'s 2050:Eos 1007:". 669:of 486:by 456:on 321:in 199:or 138:to 4024:: 1027:. 950:. 920:. 916:. 877:. 840:. 791:A 762:A 712:, 692:^ 681:. 665:, 460:, 222:. 207:. 192:. 166:. 150:. 142:, 87:, 3958:" 3727:" 3718:" 3709:" 3700:" 3650:" 3352:" 3343:" 3334:" 3309:" 3305:" 3291:" 3287:" 2461:" 2457:" 2452:" 2448:" 2432:" 2428:" 2423:" 2419:" 2412:" 2408:" 2403:" 2399:" 2274:e 2267:t 2260:v 1460:e 1453:t 1446:v 1132:e 1125:t 1118:v 1039:. 975:. 961:. 935:. 888:. 871:" 842:8 782:. 725:. 611:" 25:.

Index

Ophelia (disambiguation) § Paintings

John Everett Millais
Oil on canvas
Tate Britain
London
John Everett Millais
Tate Britain
Ophelia
William Shakespeare
Hamlet
Royal Academy
John William Waterhouse
Salvador DalĂ­
Peter Blake
Ed Ruscha
Friedrich Heyser
Queen Gertrude

John Everett Millais
Charles Dodgson
literature
saints
martyrs
erotic
flora
ecosystem
quintessentially English
Hogsmill
Surrey

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