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Money Jungle

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443:, stated that the trio had a contract with United Artists for two albums, but they could not be persuaded to record together again. Critic Thomas Cunniffe suggests that, listening to the tracks in the order in which they were recorded, "one can easily hear the tension building during the uptempo numbers", and that Mingus' temporary departure probably occurred after playing "Money Jungle", which "represents the apex of the group's inner tension, with Mingus plucking the strings with his fingernails, Roach firing up the music with 654: 720:"astonishing" and described Roach and Mingus as "some of the fastest company around." He repeatedly praised Mingus for pushing Ellington into new musical territory: "I've never heard Ellington play as he does on this album; Mingus and Roach, especially Mingus, push him so strongly that one can almost hear Ellington show them who's boss – and he dominates both of them, which is no mean accomplishment." 687: 682: 677: 672: 649: 644: 639: 634: 616: 611: 606: 601: 596: 578: 573: 568: 563: 558: 528: 523: 518: 513: 508: 367:, between Sixth Avenue and Seventh. The session was due to begin at 1 pm. Roach arrived at midday to set up his drums and found that Ellington was already there, writing out some material. Despite his suggestion the previous day, all of the compositions used were brought by Ellington. For each piece, according to Roach, he and Mingus were given "a 468:
improved for the 2002 Blue Note CD release by engineer Ron McMaster, using the original tapes and 24-bit remastering, adding clarity to the drums in particular. For this release, the first seven tracks were arranged in their original order, with the other four pieces and four alternative takes placed afterward, increasing the number of tracks to 15.
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reissued the album on CD in 1987. This contained more recordings from the same session: four previously unreleased works written for the session, plus two alternative takes. The order presented in this edition was that in which the tracks were recorded. The sound quality of the original recording was
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blind listening test of the track "Caravan", he criticised the record company for putting the three musicians together, saying that "Max and Mingus can play together, by themselves. Mingus is a hell of a bass player, and Max is a hell of a drummer. But Duke can't play with them, and they can't play
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that just gave the basic melody and harmony", plus a visual image described by the pianist: one example was, "crawling around on the streets are serpents who have their heads up; these are agents and people who have exploited artists. Play that along with the music". The musicians had declined the
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The album was reviewed positively at the time of its release and subsequent reviews have remained highly favorable. Negative comments have concentrated on differences in playing style among the three musicians, brought about by the generational gap between Ellington and the others, and an argument
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The sound quality of the original recording has been described as "disappointingly woolly", with "incidents of peaky distortion from the piano microphone". The stereo recording has the piano "up front and center", with the double bass "far to the right channel" and the drums "Strictly in the left
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At the time of the 1962 recording, Ellington was 63 years old, while Mingus was 40 and Roach 38. The generational difference was strengthened by Ellington being a guiding figure for the other two, who were born when Ellington was becoming an influence on music. In 1962, Ellington did not have a
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There have been persistent rumors of clashes among the musicians during the session. Douglas's version is that Mingus complained about Roach's playing, then left the studio mid-session, taking his bass with him. Ellington caught up with Mingus on the street outside and persuaded him to return.
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guitar". "Fleurette Africaine" is a ballad developed from a simple melody stated on the piano, and features "Mingus's floating bassline and Roach's understated drumming". "Very Special" is another 12-bar blues, possibly improvised. These three compositions, plus "Wig Wise", with its "angular,
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Ellington's account was slightly different – the reason for Mingus leaving was the same, but he was persuaded to return at the elevator. Another version is that Mingus was upset because Ellington did not use any of Mingus's compositions for the recording. Duke's son,
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track that features Roach. "Switch Blade" is "a slow blues that showcases Mingus's virtuosity with a looseness that puts feeling before precision. intersperses his basslines with countermelodies and answers to what Duke plays." According to drummer
799:, stating that the later groups "have a much freer way of doing it, but everybody's kind of in their own zone and yet they’re definitely playing the composition in tune with each other, just like Duke and Max and Mingus were doing on 303:. All but one of the compositions were written by Ellington, with four of the seven on the original LP being recorded for the first time on this album. Later releases on CD added eight tracks from the same recording session. 756:
praised Ellington's playing and "the modernity of his ideas", and said that the album "stands, more than ever, as a masterful meeting of jazz royalty." Writing of the record's 1986 "remixed and reprogrammed" reissue,
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claimed that Mingus "completely steals the show", but suggested that the "long-standing Ellington staples" "Caravan" and "Warm Valley" are relatively weak renditions, and that Mingus either did not know the
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that led to Mingus leaving the studio mid-session. Hundreds of musicians have been influenced by the recording, in particular by the freedom of individual expression within a small-group setting.
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recording contract, while Mingus was signed to United Artists. According to Roach, the three musicians met the day before the recording, and Ellington told them to "Think of me as the poor man's
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as drummer. Mingus had played with Ellington before, deputising for the regular bassist in the leader's orchestra in 1953, but was fired after four days, following a fight with another musician,
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was the first jazz album that he bought, and that it "sounds like an orchestra being played by a trio. I was inspired to make something big and grandiose just like that". Drummer
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believes that it is one of Ellington's best recordings on piano, as he was forced by the other musicians to improvise in ways beyond what he would normally have played.
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and moved to New York, he received, according to his own account, a surprise visit from Ellington, who suggested recording a piano-based album (Ellington was known as a
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The CD releases feature four more compositions: "Switch Blade", "Backward Country Boy Blues", "REM Blues", and "A Little Max (Parfait)". The last of these is a
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commented on the free elements in the playing, describing the album as "one of the greatest examples of piano playing I've ever heard".
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was also positive, describing it as "memorable" for its content as well as "the historical importance of the three playing together".
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observed that the members of the trio were "doing their thing, but they’re together", and compares this with later groups led by
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in 2013 described it as "an angular piano-trio masterpiece that confirmed Ellington's inherent modernism". Jay Trachtenberg of
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said "the angular chromaticism and modernist swing of this session relegate most piano-trio records back to the supper clubs."
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descending line", were written specifically for this album. On "Caravan", Ellington plays the melody in low octaves, adding "
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chance to rehearse, so the recording, which was made on three-track tape, was of their first experience playing together.
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commented that, on "Fleurette Africaine", "There's a group dynamic present that's quite amazing. It's a forerunner of
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magazine observed, Mingus bends the "strings with such force that he makes the instrument sound like a cross between a
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The recording was made on Monday, September 17, 1962, at Sound Makers Studios in New York City, on
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Hobart, Mike (February 23, 2013). "Terri Lyne Carrington: Money Jungle: Provocative in Blue".
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album. The original LP contained seven tracks – six composed by Ellington, and one, "
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called it a "sensational recording session" and recommended it to "every jazz fan".
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Contemporaneous reviews were favorable. The album was awarded the Grand Prix of the
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chords; Roach supports using ride cymbal, snare and bass drum. In the final minute,
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that opens with strongly played notes from Mingus, then Ellington joins in with
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Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York
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1963 studio album by Duke Ellington with Charles Mingus and Max Roach
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Milkowski, Bill (June 2013). "Money Jungle: 50 Years After the Summit".
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Bambarger, Bradley (August 3, 2002). "Vital Reissues: Money Jungle".
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in 1963 in mono and stereo versions. United Artists was bought by
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The Drummer's Time: Conversations with the Great Drummers of Jazz
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http://www.noisemademedoit.com/miles-davis-blind-listening-test/
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Hundreds of musicians have been inspired by the album. Pianist
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DeMicheal, Don (March 28, 1963). "Three Shades of Ellington".
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Studio Sessions New York & Chicago, 1965, 1966 & 1971
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Much later reviews have been largely positive. Ken Dryden of
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All pieces composed by Duke Ellington, except where stated.
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Milkowki, Bill (June 2013). "Carrington Gets Provocative".
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A 1962 post-bop outing with Charles Mingus and Max Roach.
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Pepper Adams Plays the Compositions of Charlie Mingus
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Pianists have been impressed by Ellington's playing.
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and Ellington laying down highly dissonant chords".
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in the early 1960s. Later, after Douglas had joined
2161:"Review: Duke Ellington, Charles Mingus, Max Roach" 3563:It Don't Mean a Thing (If It Ain't Got That Swing) 3279:Ella Fitzgerald Sings the Duke Ellington Song Book 2499:(CD liner notes). Duke Ellington. Blue Note. 1987. 1758:Reminiscing in Tempo: A Portrait of Duke Ellington 1755: 5372:Albums produced by Alan Douglas (record producer) 5039:The Max Roach Trio Featuring the Legendary Hasaan 2427:Ratliff, Ben (May 7, 1999). "Album of the Week". 5358: 3370:It Don't Mean a Thing If It Ain't Got That Swing 1032: 2509:: CS1 maint: others in cite AV media (notes) ( 2154: 2152: 2038:"Artist's Choice: Chris Wood on Charles Mingus" 807:had a different view of the session: in a 1964 339:as double bassist, who then insisted on having 669: 555: 505: 5344:Alone Together: The Best of the Mercury Years 4919:Max Roach with the Boston Percussion Ensemble 4816: 4248: 2554: 5325:Clifford Brown and Max Roach at Basin Street 2158: 2149: 1664:Ron McMaster – remix/remastering engineering 842:In 1999, the band Rhythm and Brass included 744:or was disgruntled on the latter track. The 631: 593: 323:with errands when they were both working in 4847:The Max Roach Quartet featuring Hank Mobley 4332:A Modern Jazz Symposium of Music and Poetry 3577:Just Squeeze Me (But Please Don't Tease Me) 2032: 1749: 1747: 1745: 1543:"A Little Max (Parfait)" (alternative take) 1252:"A Little Max (Parfait)" (alternative take) 848:More Money Jungle... Ellington Explorations 4823: 4809: 4551:The Charles Mingus Quintet & Max Roach 4255: 4241: 2825:Swinging Suites by Edward E. and Edward G. 2561: 2547: 1797: 1762:. Northeastern University Press. pp.  471: 264:The Charles Mingus Quintet & Max Roach 219:The Charles Mingus Quintet & Max Roach 29: 3128:The Carnegie Hall Concerts: December 1947 3114:The Carnegie Hall Concerts: December 1944 2629:Never No Lament: The Blanton-Webster Band 2615:Braggin' in Brass: The Immortal 1938 Year 2469:"Duke Ellington – Money Jungle: Credits" 2442: 2440: 2330: 2326: 2324: 2295: 2189: 2122: 2028: 2026: 2014: 2010: 2008: 2006: 1900: 1896: 1894: 1892: 1833: 1793: 1791: 1789: 1787: 1785: 1783: 1753: 1733: 3121:The Carnegie Hall Concerts: January 1946 3107:The Carnegie Hall Concerts: January 1943 2404:. April 2, 2008. Event occurs at 7:15. 2106:Comiskey, Ray (August 8, 2002). "Jazz". 2105: 2060: 1860: 1858: 1742: 1372: 1202: 771:channel and slightly behind the piano". 5402:Solid State Records (jazz label) albums 4788:Charles Mingus: Triumph of the Underdog 2446: 2426: 2185: 2183: 1905:. Hal Leonard Corporation. p. 60. 1729: 1727: 1725: 1723: 5359: 4360:Charles Mingus Presents Charles Mingus 4290:The Jazz Experiments of Charlie Mingus 2437: 2356: 2321: 2280: 2204: 2056: 2054: 2023: 2003: 1889: 1867:"Two Trips Through the "Money Jungle"" 1780: 1721: 1719: 1717: 1715: 1713: 1711: 1709: 1707: 1705: 1703: 1689: 1687: 1685: 1550: 1539: 1528: 1517: 1506: 1495: 1411:"Fleurette Africaine (African Flower)" 1358: 1347: 1336: 1325: 1263:"Fleurette Africaine (African Flower)" 1071:"Fleurette Africaine (African Flower)" 358: 4804: 4714:Mingus Big Band Live at Jazz Standard 4647:Charles Mingus and Friends in Concert 4236: 2542: 1977: 1975: 1973: 1971: 1969: 1967: 1855: 1484: 1473: 1462: 1451: 1440: 1429: 1418: 1407: 1396: 1314: 1303: 1292: 1281: 1270: 1259: 1248: 1237: 1226: 1188: 1177: 1166: 1155: 1144: 1111: 1100: 1089: 1078: 1067: 1056: 1007: 982: 968: 932: 921: 906: 895: 486: 4871:The Max Roach 4 Plays Charlie Parker 4607:Right Now: Live at the Jazz Workshop 4535:Jazz Portraits: Mingus in Wonderland 3314:Duke Ellington Meets Coleman Hawkins 3307:First Time! The Count Meets the Duke 3014:The Suites, New York 1968 & 1970 2888:Duke Ellington's Jazz Violin Session 2242:"Essential Albums Jazz of the 1960s" 2236: 2180: 2116: 1925: 1864: 1807:The Penguin Guide to Jazz Recordings 1661:Michael Cuscuna – reissue production 1619:Frank Gauna – design and photography 1599: 912:Fleurette Africaine (African Flower) 4583:The Great Concert of Charles Mingus 4402:The Black Saint and the Sinner Lady 2357:Conrad, Thomas (July–August 2007). 2159:Trachtenberg, Jay (July 19, 2002). 2075: 2051: 1700: 1693:"Album Reviews" (February 9, 1963) 1682: 831:interaction, facilitated by space. 671: 557: 507: 13: 4903:Max Roach + 4 on the Chicago Scene 4409:Mingus Mingus Mingus Mingus Mingus 4262: 3521:I Got It Bad (and That Ain't Good) 3328:Duke Ellington & John Coltrane 3093:Duke Ellington at Fargo, 1940 Live 2568: 1981: 1964: 1957:(283). Toronto: 32. January 1999. 1834:Friedwald, Will (March 25, 2013). 871: 450: 170:Duke Ellington & John Coltrane 14: 5418: 4186:Duke Ellington School of the Arts 3507:I Ain't Got Nothin' but the Blues 2965:...And His Mother Called Him Bill 2916:Duke Ellington Plays Mary Poppins 2520: 2210:The Encyclopedia of Popular Music 1646:Malcolm Addey – remix engineering 1532:"Switch Blade" (alternative take) 857:Money Jungle: Provocative in Blue 633: 595: 3465:Do Nothing Till You Hear from Me 3458:Diminuendo and Crescendo in Blue 3356:Ella and Duke at the Cote D'Azur 2762:Duke Ellington at the Bal Masque 2080:The New Grove Dictionary of Jazz 1930:. Scarecrow Press. p. 202. 863: 839:", the trio that he co-founded. 716:magazine's Don DeMicheal called 685: 680: 675: 670: 652: 647: 642: 637: 632: 614: 609: 604: 599: 594: 576: 571: 566: 561: 556: 526: 521: 516: 511: 506: 455:The original LP was released by 4639:Charles Mingus Sextet In Berlin 4631:Music Written for Monterey 1965 3528:I Let a Song Go Out of My Heart 3142:Dance Concerts, California 1958 2741:Studio Sessions 1957 & 1962 2489: 2476: 2463: 2420: 2408:from the original on 2021-12-21 2392: 2376: 2350: 2289: 2274: 2259: 2230: 2198: 2099: 2069: 1984:"Money Jungle - Duke Ellington" 1018:music: Duke Ellington; lyrics: 5277:Clifford Brown & Max Roach 4543:The Complete Town Hall Concert 3535:I'm Beginning to See the Light 3170:Duke Ellington at the Alhambra 2979:Studio Sessions New York, 1968 2867:Studio Sessions, New York 1962 2401:The Bad Plus – Part Five: Chat 2385:(June 1964) p. 75 (on-line at 2212:. Vol. 7 (4th ed.). 1944: 1919: 1836:"Two New Visions of Ellington" 1827: 1569: 1554:"REM Blues" (alternative take) 1384: 1214: 1132: 1044: 953: 883: 152:Studio Sessions, New York 1962 1: 5407:United Artists Records albums 4887:Booker Little 4 and Max Roach 4830: 4500:Charles Mingus with Orchestra 4472:Three or Four Shades of Blues 3472:Don't Get Around Much Anymore 2930:Concert in the Virgin Islands 2895:Studio Sessions New York 1963 2727:Studio Sessions, Chicago 1956 2486:Retrieved September 17, 2013. 2473:Retrieved September 17, 2013. 2331:Aucremann, Tim (March 2006). 2128:"Consumer Guide: March, 2020" 1676: 1594: 1521:"Solitude" (alternative take) 1329:"Solitude" (alternative take) 1033:LP reissue (1986 – Blue Note) 626:Encyclopedia of Popular Music 310: 287:is a studio album by pianist 5261:Brown and Roach Incorporated 3570:Just A-Sittin' and A-Rockin' 3149:Dance Dates, California 1958 2301:"Christgau's Consumer Guide" 2270:. April 4, 1964. p. 17. 1616:Bill Schwartau – engineering 1564: 1510:"Backward Country Boy Blues" 1362:"Backward Country Boy Blues" 1181:"Backward Country Boy Blues" 997:and Duke Ellington; lyrics: 774: 7: 5309:Clifford Brown with Strings 4781:Mingus: Charlie Mingus 1968 4507:Reincarnation of a Lovebird 3349:The Stockholm Concert, 1966 2713:The Complete Porgy and Bess 1951:"Piano in the Foreground". 335:leader). Douglas suggested 10: 5423: 4935:Moon Faced and Starry Eyed 4599:Mingus in Europe Volume II 4444:Let My Children Hear Music 3542:I'm Just a Lucky So-and-So 3363:Francis A. & Edward K. 2937:The Popular Duke Ellington 2706:Duke Ellington Presents... 1754:Nicholson, Stuart (1999). 827:remarked on the forceful, 476: 5367:1963 collaborative albums 5335: 5241: 5067:Lift Every Voice and Sing 4838: 4700: 4681: 4591:Mingus in Europe Volume I 4516: 4279: 4270: 4146: 3718: 3689: 3636: 3379: 3263: 3198:A Concert of Sacred Music 3163:Jazz at the Plaza Vol. II 3084: 3028:The Afro-Eurasian Eclipse 3021:The Intimacy of the Blues 2657:Masterpieces by Ellington 2585: 2576: 2447:Cuscuna, Michael (2002). 1391: 1388: 1383: 1221: 1218: 1213: 1139: 1136: 1131: 1051: 1048: 1043: 963: 960: 957: 952: 890: 887: 882: 736:The Penguin Guide to Jazz 712:. In a five-star review, 664:The Penguin Guide to Jazz 494: 491: 276: 239: 231: 194: 186: 182: 145: 137: 125: 113: 97: 85: 74: 66: 58: 37: 28: 23: 5377:Blue Note Records albums 5269:Clifford Brown All Stars 5059:Members, Don't Git Weary 4911:Max Roach + 4 at Newport 4486:Cumbia & Jazz Fusion 3486:East St. Louis Toodle-Oo 2853:Featuring Paul Gonsalves 2671:The Duke Plays Ellington 2622:The Blanton–Webster Band 2359:"Lafayette Gilchrist: 3" 1901:Mattingly, Rick (1998). 1488:"A Little Max (Parfait)" 1377:Composers are as above. 1241:"A Little Max (Parfait)" 1207:Composers are as above. 1115:"A Little Max (Parfait)" 463:in 1979, and subsidiary 5219:Max + Dizzy: Paris 1989 5123:One in Two – Two in One 4999:Percussion Bitter Sweet 4663:Mingus at Carnegie Hall 4437:Pithycanthropus Erectus 4304:Pithecanthropus Erectus 4297:Jazz Composers Workshop 4174:Duke Ellington Memorial 4003:Harold "Geezil" Minerve 3514:I Didn't Know About You 3191:The Great Paris Concert 3100:Black, Brown, and Beige 3056:This One's for Blanton! 2881:The Symphonic Ellington 2839:Piano in the Foreground 2818:Piano in the Background 2214:Oxford University Press 2095:(subscription required) 710:Jazz Magazine of France 472:Reception and influence 435:precedes the IV chord. 5031:Speak, Brother, Speak! 4154:Mercer Ellington (son) 3416:Black, Brown and Beige 3254:Eastbourne Performance 3205:In the Uncommon Market 3042:The Intimate Ellington 2755:Black, Brown and Beige 2268:New Pittsburgh Courier 2266:"Top Swinging Discs". 1928:Duke's Diary, Volume 2 846:tracks on their album 78:Sound Makers Studios, 5387:Duke Ellington albums 5382:Charles Mingus albums 4975:Long as You're Living 4967:The Many Sides of Max 4879:Award-Winning Drummer 4527:Mingus at the Bohemia 4493:Something Like a Bird 4169:Duke Ellington Circle 4164:Duke Ellington Bridge 3666:Something to Live For 3556:In a Sentimental Mood 3479:Drop Me Off in Harlem 3409:Black and Tan Fantasy 3226:70th Birthday Concert 3177:Live at the Blue Note 3063:Up in Duke's Workshop 2972:Second Sacred Concert 2699:Historically Speaking 2608:Ellingtonia, Vol. Two 2601:Ellingtonia, Vol. One 2246:Tom Hull – on the Web 1877:on September 20, 2014 1373:CD (2002 – Blue Note) 1203:CD (1987 – Blue Note) 854:led the 2013 release 852:Terri Lyne Carrington 697:Tom Hull – on the Web 429:Terri Lyne Carrington 5179:It's Christmas Again 5163:Live at Vielharmonie 4693:(1971 autobiography) 4690:Beneath the Underdog 4202:Sophisticated Ladies 4181:Duke Ellington House 3998:James "Bubber" Miley 3342:Ella at Duke's Place 3247:Third Sacred Concert 3135:Ellington at Newport 3049:The Ellington Suites 2986:Latin American Suite 2811:The Nutcracker Suite 2299:(December 2, 1986). 2166:The Austin Chronicle 2036:(December 8, 2011). 1643:– reissue production 753:The Austin Chronicle 550:The Austin Chronicle 482:Professional ratings 291:with double bassist 5135:Pictures in a Frame 4733:Jazz at Massey Hall 4623:My Favorite Quintet 3978:Queen Esther Marrow 3240:Live at the Whitney 2790:Anatomy of a Murder 2505:cite AV media notes 1871:Jazz History Online 1841:Wall Street Journal 1128: 1040: 949: 879: 781:Lafayette Gilchrist 483: 457:United Artists Jazz 359:Recording and music 301:United Artists Jazz 4947:Quiet as It's Kept 4791:(1998 documentary) 4615:Mingus at Monterey 4423:Mingus Plays Piano 3645:Take the 'A' Train 3637:by Billy Strayhorn 3629:(unfinished opera) 3619:Sophisticated Lady 3500:Everything but You 3335:Serenade to Sweden 2734:Such Sweet Thunder 2692:Ellington Showcase 2685:Dance to the Duke! 2535:(list of releases) 2451:(CD liner notes). 2430:The New York Times 2126:(March 11, 2020). 2078:""United Artists" 1926:Vail, Ken (1999). 1865:Cunniffe, Thomas. 1126: 1038: 947: 877: 481: 70:September 17, 1962 5354: 5353: 5103:Historic Concerts 5091:Birth and Rebirth 4983:Parisian Sketches 4955:Rich Versus Roach 4798: 4797: 4655:Mingus at Antibes 4567:Town Hall Concert 4346:Blues & Roots 4230: 4229: 4013:Tricky Sam Nanton 3714: 3713: 3598:Prelude to a Kiss 3000:New Orleans Suite 2860:Midnight in Paris 2748:Ellington Indigos 2720:A Drum Is a Woman 2594:Harlem Jazz, 1930 2457:Blue Note Records 2306:The Village Voice 2297:Christgau, Robert 2132:And It Don't Stop 2124:Christgau, Robert 1673: 1672: 1561: 1560: 1369: 1368: 1199: 1198: 1122: 1121: 1029: 1028: 943: 942: 789:Jeff "Tain" Watts 706: 705: 538:And It Don't Stop 465:Blue Note Records 280: 279: 272: 271: 227: 226: 178: 177: 5414: 5392:Max Roach albums 5302:Maynard Ferguson 4927:Deeds, Not Words 4863:Jazz in 3/4 Time 4825: 4818: 4811: 4802: 4801: 4257: 4250: 4243: 4234: 4233: 4191:Luther Henderson 3988:Murray McEachern 3983:Wendell Marshall 3938:Hilton Jefferson 3903:Shelton Hemphill 3848:Mercer Ellington 3634: 3633: 3612:(In My) Solitude 3549:In a Mellow Tone 3493:Echoes of Harlem 3444:Creole Love Call 3300:The Great Summit 3233:Togo Brava Suite 3184:Hot Summer Dance 3007:Orchestral Works 2797:Festival Session 2769:The Cosmic Scene 2664:Ellington Uptown 2563: 2556: 2549: 2540: 2539: 2515: 2514: 2508: 2500: 2493: 2487: 2480: 2474: 2467: 2461: 2460: 2444: 2435: 2434: 2424: 2418: 2417: 2415: 2413: 2396: 2390: 2380: 2374: 2373: 2371: 2369: 2354: 2348: 2347: 2345: 2343: 2328: 2319: 2318: 2316: 2314: 2293: 2287: 2286: 2278: 2272: 2271: 2263: 2257: 2256: 2254: 2252: 2234: 2228: 2227: 2202: 2196: 2195: 2187: 2178: 2177: 2175: 2173: 2156: 2147: 2146: 2144: 2142: 2120: 2114: 2113: 2103: 2097: 2096: 2093: 2091: 2089: 2073: 2067: 2066: 2058: 2049: 2048: 2046: 2044: 2030: 2021: 2020: 2012: 2001: 2000: 1998: 1996: 1979: 1962: 1961: 1948: 1942: 1941: 1923: 1917: 1916: 1898: 1887: 1886: 1884: 1882: 1873:. Archived from 1862: 1853: 1852: 1850: 1848: 1831: 1825: 1824: 1809:(9th ed.). 1795: 1778: 1777: 1761: 1751: 1740: 1739: 1731: 1698: 1691: 1600: 1386: 1381: 1380: 1216: 1211: 1210: 1134: 1129: 1125: 1046: 1041: 1037: 955: 950: 946: 885: 880: 876: 765:Robert Christgau 690: 689: 688: 684: 683: 679: 678: 674: 673: 657: 656: 655: 651: 650: 646: 645: 641: 640: 636: 635: 619: 618: 617: 613: 612: 608: 607: 603: 602: 598: 597: 581: 580: 579: 575: 574: 570: 569: 565: 564: 560: 559: 531: 530: 529: 525: 524: 520: 519: 515: 514: 510: 509: 484: 480: 441:Mercer Ellington 424:Latin-influenced 241: 240: 196: 195: 147: 146: 109: 108: 104: 33: 21: 20: 5422: 5421: 5417: 5416: 5415: 5413: 5412: 5411: 5397:Post-bop albums 5357: 5356: 5355: 5350: 5331: 5253:Best Coast Jazz 5237: 5224:Dizzy Gillespie 5128:Anthony Braxton 5096:Anthony Braxton 5051:Drums Unlimited 4834: 4829: 4799: 4794: 4708:Mingus Big Band 4696: 4677: 4518: 4512: 4416:Tonight at Noon 4281: 4275: 4266: 4261: 4231: 4226: 4222:Steve Ellington 4159:Sacred Concerts 4142: 4118:Skippy Williams 4113:Nelson Williams 4108:Cootie Williams 4073:Billy Strayhorn 4028:Russell Procope 4018:Oscar Pettiford 3948:Freddie Jenkins 3933:Quentin Jackson 3838:Wilbur de Paris 3833:Wild Bill Davis 3720: 3710: 3685: 3632: 3605:Rocks in My Bed 3375: 3259: 3080: 2832:Unknown Session 2581: 2572: 2567: 2523: 2518: 2502: 2501: 2495: 2494: 2490: 2481: 2477: 2468: 2464: 2445: 2438: 2425: 2421: 2411: 2409: 2398: 2397: 2393: 2381: 2377: 2367: 2365: 2355: 2351: 2341: 2339: 2329: 2322: 2312: 2310: 2294: 2290: 2283:Financial Times 2279: 2275: 2265: 2264: 2260: 2250: 2248: 2235: 2231: 2224: 2203: 2199: 2188: 2181: 2171: 2169: 2157: 2150: 2140: 2138: 2121: 2117: 2109:The Irish Times 2104: 2100: 2094: 2087: 2085: 2076:Gardner, Mark. 2074: 2070: 2059: 2052: 2042: 2040: 2031: 2024: 2013: 2004: 1994: 1992: 1980: 1965: 1950: 1949: 1945: 1938: 1924: 1920: 1913: 1899: 1890: 1880: 1878: 1863: 1856: 1846: 1844: 1832: 1828: 1821: 1813:. p. 436. 1796: 1781: 1774: 1752: 1743: 1732: 1701: 1692: 1683: 1679: 1674: 1650: 1641:Michael Cuscuna 1629: 1597: 1572: 1567: 1562: 1375: 1370: 1205: 1200: 1123: 1035: 1030: 944: 874: 872:LP (1963 – UAJ) 866: 777: 747:Financial Times 686: 681: 676: 653: 648: 643: 638: 615: 610: 605: 600: 577: 572: 567: 562: 527: 522: 517: 512: 479: 474: 453: 451:Release history 361: 313: 267: 258: 249: 222: 213: 204: 173: 164: 155: 106: 102: 101: 54: 19: 12: 11: 5: 5420: 5410: 5409: 5404: 5399: 5394: 5389: 5384: 5379: 5374: 5369: 5352: 5351: 5349: 5348: 5339: 5337: 5333: 5332: 5330: 5329: 5321: 5317:Study in Brown 5313: 5305: 5289: 5281: 5273: 5265: 5257: 5248: 5246: 5244:Clifford Brown 5239: 5238: 5236: 5235: 5227: 5215: 5211:Bright Moments 5207: 5199: 5191: 5183: 5175: 5174:(M'Boom, 1984) 5167: 5159: 5151: 5143:The Long March 5139: 5131: 5119: 5111: 5099: 5087: 5075:Re: Percussion 5071: 5063: 5055: 5047: 5044:Hasaan Ibn Ali 5035: 5027: 5024:Charles Mingus 5020:Duke Ellington 5011: 5003: 4995: 4987: 4979: 4971: 4963: 4951: 4943: 4931: 4923: 4915: 4907: 4899: 4891: 4883: 4875: 4867: 4859: 4851: 4842: 4840: 4836: 4835: 4828: 4827: 4820: 4813: 4805: 4796: 4795: 4793: 4792: 4784: 4777: 4769: 4761: 4753: 4749:Newport Rebels 4745: 4737: 4729: 4724: 4722:Mingus Dynasty 4719: 4718: 4717: 4704: 4702: 4698: 4697: 4695: 4694: 4685: 4683: 4679: 4678: 4676: 4675: 4667: 4659: 4651: 4643: 4635: 4627: 4619: 4611: 4603: 4595: 4587: 4579: 4571: 4563: 4555: 4547: 4539: 4531: 4522: 4520: 4514: 4513: 4511: 4510: 4503: 4496: 4489: 4482: 4479:His Final Work 4475: 4468: 4461: 4454: 4447: 4440: 4433: 4426: 4419: 4412: 4405: 4398: 4391: 4384: 4377: 4370: 4363: 4356: 4353:Mingus Dynasty 4349: 4342: 4335: 4328: 4321: 4314: 4307: 4300: 4293: 4285: 4283: 4277: 4276: 4271: 4268: 4267: 4264:Charles Mingus 4260: 4259: 4252: 4245: 4237: 4228: 4227: 4225: 4224: 4219: 4212: 4205: 4198: 4193: 4188: 4183: 4178: 4177: 4176: 4166: 4161: 4156: 4150: 4148: 4144: 4143: 4141: 4140: 4135: 4130: 4125: 4120: 4115: 4110: 4105: 4103:Arthur Whetsel 4100: 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3310: 3303: 3296: 3289: 3282: 3275: 3267: 3265: 3264:Collaborations 3261: 3260: 3258: 3257: 3250: 3243: 3236: 3229: 3222: 3215: 3208: 3201: 3194: 3187: 3180: 3173: 3166: 3159: 3152: 3145: 3138: 3131: 3124: 3117: 3110: 3103: 3096: 3088: 3086: 3082: 3081: 3079: 3078: 3076:Mood Ellington 3073: 3066: 3059: 3052: 3045: 3038: 3031: 3024: 3017: 3010: 3003: 2996: 2989: 2982: 2975: 2968: 2961: 2954: 2947: 2944:Far East Suite 2940: 2933: 2926: 2919: 2912: 2905: 2898: 2891: 2884: 2877: 2870: 2863: 2856: 2849: 2842: 2835: 2828: 2821: 2814: 2807: 2804:Blues in Orbit 2800: 2793: 2786: 2779: 2772: 2765: 2758: 2751: 2744: 2737: 2730: 2723: 2716: 2709: 2702: 2695: 2688: 2681: 2674: 2667: 2660: 2653: 2646: 2643:Liberian Suite 2639: 2632: 2625: 2618: 2611: 2604: 2597: 2589: 2587: 2583: 2582: 2577: 2574: 2573: 2570:Duke Ellington 2566: 2565: 2558: 2551: 2543: 2537: 2536: 2522: 2521:External links 2519: 2517: 2516: 2488: 2482:"Frank Gauna" 2475: 2462: 2453:Duke Ellington 2436: 2433:. p. E25. 2419: 2391: 2375: 2349: 2337:The Vinyl Word 2320: 2288: 2273: 2258: 2229: 2222: 2216:. p. 47. 2197: 2179: 2148: 2115: 2098: 2068: 2050: 2022: 2002: 1963: 1943: 1936: 1918: 1911: 1888: 1854: 1826: 1820:978-0141034010 1819: 1779: 1772: 1741: 1699: 1680: 1678: 1675: 1671: 1670: 1666: 1665: 1662: 1658: 1657: 1652: 1648: 1647: 1644: 1637: 1636: 1631: 1627: 1626: 1620: 1617: 1614: 1607: 1606: 1598: 1596: 1593: 1592: 1591: 1585: 1582:Charles Mingus 1579: 1576:Duke Ellington 1571: 1568: 1566: 1563: 1559: 1558: 1555: 1552: 1548: 1547: 1544: 1541: 1537: 1536: 1533: 1530: 1526: 1525: 1522: 1519: 1515: 1514: 1511: 1508: 1504: 1503: 1500: 1497: 1493: 1492: 1489: 1486: 1482: 1481: 1478: 1477:"Switch Blade" 1475: 1471: 1470: 1467: 1464: 1460: 1459: 1456: 1453: 1449: 1448: 1445: 1442: 1438: 1437: 1434: 1431: 1427: 1426: 1423: 1422:"Very Special" 1420: 1416: 1415: 1412: 1409: 1405: 1404: 1401: 1400:"Money Jungle" 1398: 1394: 1393: 1390: 1387: 1379: 1374: 1371: 1367: 1366: 1363: 1360: 1356: 1355: 1352: 1349: 1345: 1344: 1341: 1338: 1334: 1333: 1330: 1327: 1323: 1322: 1319: 1318:"Money Jungle" 1316: 1312: 1311: 1308: 1305: 1301: 1300: 1297: 1296:"Switch Blade" 1294: 1290: 1289: 1286: 1283: 1279: 1278: 1275: 1272: 1268: 1267: 1264: 1261: 1257: 1256: 1253: 1250: 1246: 1245: 1242: 1239: 1235: 1234: 1231: 1230:"Very Special" 1228: 1224: 1223: 1220: 1217: 1209: 1204: 1201: 1197: 1196: 1193: 1190: 1186: 1185: 1182: 1179: 1175: 1174: 1171: 1168: 1164: 1163: 1160: 1159:"Switch Blade" 1157: 1153: 1152: 1149: 1146: 1142: 1141: 1138: 1135: 1124: 1120: 1119: 1116: 1113: 1109: 1108: 1105: 1102: 1098: 1097: 1094: 1091: 1087: 1086: 1083: 1082:"Very Special" 1080: 1076: 1075: 1072: 1069: 1065: 1064: 1061: 1060:"Money Jungle" 1058: 1054: 1053: 1050: 1047: 1036: 1034: 1031: 1027: 1026: 1023: 1016: 1009: 1005: 1004: 1001: 991: 984: 980: 979: 976: 973: 970: 966: 965: 962: 959: 956: 945: 941: 940: 937: 934: 930: 929: 926: 925:"Very Special" 923: 919: 918: 915: 908: 904: 903: 900: 899:"Money Jungle" 897: 893: 892: 889: 886: 875: 873: 870: 865: 862: 776: 773: 704: 703: 700: 692: 691: 667: 659: 658: 629: 621: 620: 591: 583: 582: 553: 545: 544: 541: 533: 532: 503: 497: 496: 493: 489: 488: 478: 475: 473: 470: 452: 449: 360: 357: 337:Charles Mingus 329:United Artists 321:Duke Ellington 312: 309: 293:Charles Mingus 289:Duke Ellington 278: 277: 274: 273: 270: 269: 260: 251: 237: 236: 229: 228: 225: 224: 215: 206: 192: 191: 188:Charles Mingus 184: 183: 180: 179: 176: 175: 166: 157: 143: 142: 139:Duke Ellington 135: 134: 129: 123: 122: 120:United Artists 117: 111: 110: 99: 95: 94: 89: 83: 82: 76: 72: 71: 68: 64: 63: 60: 56: 55: 48:Charles Mingus 44:Duke Ellington 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 5419: 5408: 5405: 5403: 5400: 5398: 5395: 5393: 5390: 5388: 5385: 5383: 5380: 5378: 5375: 5373: 5370: 5368: 5365: 5364: 5362: 5346: 5345: 5341: 5340: 5338: 5334: 5327: 5326: 5322: 5319: 5318: 5314: 5311: 5310: 5306: 5303: 5299: 5295: 5294: 5290: 5287: 5286: 5282: 5279: 5278: 5274: 5271: 5270: 5266: 5263: 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3993:Louis Metcalf 3991: 3989: 3986: 3984: 3981: 3979: 3976: 3974: 3971: 3969: 3966: 3964: 3963:Wallace Jones 3961: 3959: 3956: 3954: 3953:Money Johnson 3951: 3949: 3946: 3944: 3943:Herb Jeffries 3941: 3939: 3936: 3934: 3931: 3929: 3928:Charlie Irvis 3926: 3924: 3921: 3919: 3918:Johnny Hodges 3916: 3914: 3911: 3909: 3906: 3904: 3901: 3899: 3898:Otto Hardwick 3896: 3894: 3891: 3889: 3886: 3884: 3881: 3879: 3876: 3874: 3871: 3869: 3866: 3864: 3863:Victor Gaskin 3861: 3859: 3858:Jimmy Forrest 3856: 3854: 3851: 3849: 3846: 3844: 3841: 3839: 3836: 3834: 3831: 3829: 3826: 3824: 3823:Buster Cooper 3821: 3819: 3816: 3814: 3811: 3809: 3806: 3804: 3801: 3799: 3798:Wellman Braud 3796: 3794: 3793:Jimmy Blanton 3791: 3789: 3788:Lou Blackburn 3786: 3784: 3783:Barney Bigard 3781: 3779: 3776: 3774: 3773:Louie Bellson 3771: 3769: 3766: 3764: 3761: 3759: 3758:Butch Ballard 3756: 3754: 3751: 3749: 3746: 3744: 3741: 3739: 3738:Ivie Anderson 3736: 3734: 3731: 3729: 3726: 3725: 3723: 3717: 3706: 3702: 3699: 3695: 3694: 3692: 3690:by Juan Tizol 3688: 3681: 3677: 3674: 3670: 3667: 3663: 3660: 3656: 3653: 3649: 3646: 3642: 3641: 3639: 3635: 3628: 3627: 3623: 3620: 3616: 3613: 3609: 3606: 3602: 3599: 3595: 3592: 3588: 3585: 3581: 3578: 3574: 3571: 3567: 3564: 3560: 3557: 3553: 3550: 3546: 3543: 3539: 3536: 3532: 3529: 3525: 3522: 3518: 3515: 3511: 3508: 3504: 3501: 3497: 3494: 3490: 3487: 3483: 3480: 3476: 3473: 3469: 3466: 3462: 3459: 3455: 3452: 3448: 3445: 3441: 3438: 3434: 3431: 3427: 3424: 3420: 3417: 3413: 3410: 3406: 3403: 3399: 3396: 3392: 3389: 3385: 3384: 3382: 3378: 3372: 3371: 3367: 3365: 3364: 3360: 3358: 3357: 3353: 3351: 3350: 3346: 3344: 3343: 3339: 3337: 3336: 3332: 3330: 3329: 3325: 3323: 3322: 3318: 3316: 3315: 3311: 3309: 3308: 3304: 3302: 3301: 3297: 3295: 3294: 3290: 3288: 3287: 3283: 3281: 3280: 3276: 3274: 3273: 3269: 3268: 3266: 3262: 3256: 3255: 3251: 3249: 3248: 3244: 3242: 3241: 3237: 3235: 3234: 3230: 3228: 3227: 3223: 3221: 3220: 3216: 3214: 3213: 3209: 3207: 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2298: 2292: 2285:. p. 15. 2284: 2277: 2269: 2262: 2247: 2243: 2239: 2233: 2225: 2219: 2215: 2211: 2207: 2206:Larkin, Colin 2201: 2193: 2186: 2184: 2168: 2167: 2162: 2155: 2153: 2137: 2133: 2129: 2125: 2119: 2112:. p. A9. 2111: 2110: 2102: 2083: 2081: 2072: 2064: 2057: 2055: 2039: 2035: 2029: 2027: 2019:. p. 16. 2018: 2011: 2009: 2007: 1991: 1990: 1985: 1982:Dryden, Ken. 1978: 1976: 1974: 1972: 1970: 1968: 1960: 1956: 1955: 1947: 1939: 1933: 1929: 1922: 1914: 1908: 1904: 1897: 1895: 1893: 1876: 1872: 1868: 1861: 1859: 1843: 1842: 1837: 1830: 1822: 1816: 1812: 1808: 1804: 1803:Morton, Brian 1800: 1799:Cook, Richard 1794: 1792: 1790: 1788: 1786: 1784: 1775: 1769: 1765: 1760: 1759: 1750: 1748: 1746: 1737: 1730: 1728: 1726: 1724: 1722: 1720: 1718: 1716: 1714: 1712: 1710: 1708: 1706: 1704: 1696: 1690: 1688: 1686: 1681: 1669: 1663: 1660: 1659: 1655: 1654: 1653: 1651: 1645: 1642: 1639: 1638: 1634: 1633: 1632: 1630: 1625:– liner notes 1624: 1621: 1618: 1615: 1612: 1609: 1608: 1604: 1603: 1602: 1601: 1589: 1586: 1584:– double bass 1583: 1580: 1577: 1574: 1573: 1556: 1553: 1549: 1545: 1542: 1538: 1534: 1531: 1527: 1523: 1520: 1516: 1512: 1509: 1505: 1501: 1498: 1494: 1490: 1487: 1483: 1479: 1476: 1472: 1468: 1465: 1461: 1457: 1454: 1450: 1446: 1443: 1439: 1435: 1433:"Warm Valley" 1432: 1428: 1424: 1421: 1417: 1413: 1410: 1406: 1402: 1399: 1395: 1382: 1378: 1364: 1361: 1357: 1353: 1351:"Warm Valley" 1350: 1346: 1342: 1339: 1335: 1331: 1328: 1324: 1320: 1317: 1313: 1309: 1306: 1302: 1298: 1295: 1291: 1287: 1284: 1280: 1276: 1273: 1269: 1265: 1262: 1258: 1254: 1251: 1247: 1243: 1240: 1236: 1232: 1229: 1225: 1212: 1208: 1194: 1191: 1187: 1183: 1180: 1176: 1172: 1169: 1165: 1161: 1158: 1154: 1150: 1147: 1143: 1130: 1117: 1114: 1110: 1106: 1103: 1099: 1095: 1093:"Warm Valley" 1092: 1088: 1084: 1081: 1077: 1073: 1070: 1066: 1062: 1059: 1055: 1042: 1024: 1021: 1020:Eddie DeLange 1017: 1014: 1010: 1006: 1002: 1000: 996: 992: 989: 985: 981: 977: 974: 971: 967: 951: 938: 936:"Warm Valley" 935: 931: 927: 924: 920: 916: 913: 909: 905: 901: 898: 894: 881: 869: 864:Track listing 861: 859: 858: 853: 849: 845: 840: 838: 834: 833:Ethan Iverson 830: 826: 822: 821:Matthew Shipp 818: 813: 810: 806: 803:." Trumpeter 802: 798: 797:Wayne Shorter 794: 793:Keith Jarrett 790: 786: 782: 772: 768: 766: 762: 761: 760:Village Voice 755: 754: 749: 748: 743: 738: 737: 732: 727: 725: 724: 719: 715: 711: 701: 699: 698: 694: 693: 668: 666: 665: 661: 660: 630: 628: 627: 623: 622: 592: 590: 589: 585: 584: 554: 552: 551: 547: 546: 542: 540: 539: 535: 534: 504: 502: 499: 498: 490: 487:Review scores 485: 469: 466: 462: 458: 448: 446: 442: 436: 434: 430: 425: 420: 418: 414: 409: 405: 401: 397: 393: 389: 385: 381: 377: 373: 370: 366: 356: 354: 348: 346: 342: 338: 334: 330: 326: 322: 318: 308: 304: 302: 298: 294: 290: 286: 285: 275: 266: 265: 261: 257: 256: 252: 248: 247: 243: 242: 238: 234: 230: 221: 220: 216: 212: 211: 207: 203: 202: 201:Tijuana Moods 198: 197: 193: 189: 185: 181: 172: 171: 167: 163: 162: 158: 154: 153: 149: 148: 144: 140: 136: 133: 130: 128: 124: 121: 118: 116: 112: 100: 96: 93: 90: 88: 84: 81: 80:New York City 77: 73: 69: 65: 62:February 1963 61: 57: 53: 49: 45: 40: 36: 32: 27: 22: 16: 5342: 5336:Compilations 5323: 5315: 5307: 5291: 5283: 5275: 5267: 5259: 5251: 5229: 5217: 5209: 5203:Easy Winners 5201: 5193: 5185: 5177: 5169: 5161: 5155:In the Light 5153: 5148:Archie Shepp 5141: 5133: 5121: 5113: 5108:Cecil Taylor 5101: 5089: 5073: 5065: 5057: 5049: 5037: 5029: 5015:Money Jungle 5014: 5013: 5005: 4997: 4989: 4981: 4973: 4965: 4953: 4945: 4933: 4925: 4917: 4909: 4901: 4893: 4885: 4877: 4869: 4861: 4853: 4845: 4786: 4779: 4771: 4763: 4755: 4747: 4739: 4731: 4712: 4688: 4671:Cornell 1964 4669: 4661: 4653: 4645: 4637: 4629: 4621: 4613: 4605: 4597: 4589: 4581: 4573: 4565: 4559:Astral Weeks 4557: 4549: 4541: 4533: 4525: 4505: 4498: 4491: 4484: 4477: 4470: 4463: 4456: 4451:Mingus Moves 4449: 4442: 4435: 4428: 4421: 4414: 4407: 4400: 4395:Money Jungle 4394: 4393: 4386: 4379: 4372: 4365: 4358: 4351: 4344: 4339:Mingus Ah Um 4337: 4330: 4325:Mingus Three 4323: 4316: 4309: 4302: 4295: 4288: 4214: 4207: 4200: 4196:Irving Mills 4138:Sam Woodyard 4078:Billy Taylor 4058:Willie Smith 3958:Herbie Jones 3923:Major Holley 3853:Rolf Ericson 3843:Bobby Durham 3813:Johnny Coles 3808:Harry Carney 3778:Joe Benjamin 3753:Shorty Baker 3743:Harold Ashby 3733:Cat Anderson 3624: 3395:All Too Soon 3380:Compositions 3368: 3361: 3354: 3347: 3340: 3333: 3326: 3321:Money Jungle 3320: 3319: 3312: 3305: 3298: 3293:Back to Back 3291: 3286:Side by Side 3284: 3277: 3270: 3252: 3245: 3238: 3231: 3224: 3219:Yale Concert 3217: 3210: 3203: 3196: 3189: 3182: 3175: 3168: 3161: 3156:Newport 1958 3154: 3147: 3140: 3133: 3126: 3119: 3112: 3105: 3098: 3091: 3075: 3070:Duke's Big 4 3068: 3061: 3054: 3047: 3040: 3033: 3026: 3019: 3012: 3005: 2998: 2991: 2984: 2977: 2970: 2963: 2956: 2949: 2942: 2935: 2928: 2921: 2914: 2907: 2900: 2893: 2886: 2879: 2872: 2865: 2858: 2851: 2844: 2837: 2830: 2823: 2816: 2809: 2802: 2795: 2788: 2781: 2774: 2767: 2760: 2753: 2746: 2739: 2732: 2725: 2718: 2711: 2704: 2697: 2690: 2683: 2676: 2669: 2662: 2655: 2650:Great Times! 2648: 2641: 2634: 2627: 2620: 2613: 2606: 2599: 2592: 2528:Money Jungle 2526: 2497:Money Jungle 2496: 2491: 2478: 2465: 2449:Money Jungle 2448: 2428: 2422: 2410:. 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Retrieved 1839: 1829: 1806: 1757: 1735: 1694: 1667: 1649: 1628: 1613:– production 1611:Alan Douglas 1376: 1206: 999:Irving Mills 867: 855: 847: 844:Money Jungle 843: 841: 837:The Bad Plus 829:contrapuntal 825:John Medeski 814: 812:with Duke." 808: 801:Money Jungle 800: 785:Money Jungle 784: 783:states that 778: 769: 758: 751: 745: 734: 728: 721: 718:Money Jungle 717: 713: 709: 707: 695: 662: 624: 586: 548: 536: 454: 437: 421: 399: 392:12-bar blues 376:Money Jungle 375: 374: 362: 349: 317:Alan Douglas 314: 305: 295:and drummer 284:Money Jungle 283: 282: 281: 262: 255:Money Jungle 254: 253: 244: 217: 210:Money Jungle 209: 208: 199: 168: 161:Money Jungle 160: 159: 150: 132:Alan Douglas 39:Studio album 24:Money Jungle 15: 5298:Clark Terry 5293:Jam Session 5231:To the Max! 5084:Strata-East 4741:Weary Blues 4465:Changes Two 4458:Changes One 4273:Discography 4216:Jam Session 4128:Jimmy Woode 4098:Ben Webster 4083:Clark Terry 4068:Rex Stewart 4043:Ernie Royal 4038:Betty Roché 3968:Taft Jordan 3883:Sonny Greer 3873:Tyree Glenn 3868:Peter Giger 3818:Willie Cook 3728:Hayes Alvis 3680:Blood Count 3626:Queenie Pie 3591:Mood Indigo 3437:Cotton Tail 3430:Come Sunday 3423:C Jam Blues 3085:Live albums 2993:The Pianist 2846:Paris Blues 2636:Smoke Rings 2579:Discography 2412:January 12, 2313:November 7, 2034:Wood, Chris 1623:George Wein 1499:"REM Blues" 1274:"REM Blues" 1104:"REM Blues" 817:Fred Hersch 805:Miles Davis 445:polyrhythms 408:Delta blues 365:57th Street 319:had helped 5361:Categories 5187:Scott Free 4991:We Insist! 4960:Buddy Rich 4727:Sue Mingus 4123:Booty Wood 4088:Juan Tizol 3973:Al Killian 3913:Al Hibbler 3768:Aaron Bell 3748:Alice Babs 3673:Satin Doll 3584:The Mooche 2874:Afro-Bossa 2783:Jazz Party 2309:. New York 2223:0195313739 2082:(2nd ed.)" 1937:0810845784 1912:0634001469 1773:1555533809 1677:References 1595:Production 1466:"Solitude" 1444:"Wig Wise" 1340:"Solitude" 1285:"Wig Wise" 1192:"Solitude" 1148:"Wig Wise" 995:Juan Tizol 972:"Wig Wise" 850:. Drummer 388:Juan Tizol 369:lead sheet 353:Bud Powell 345:Juan Tizol 311:Background 235:chronology 190:chronology 141:chronology 5347:(1954–60) 5280:(1954–55) 5234:(1990–91) 5195:Survivors 5007:It's Time 4874:(1957–58) 4866:(1956–57) 4832:Max Roach 4430:Blue Bird 4311:The Clown 4008:Ray Nance 3828:Kay Davis 3763:Art Baron 3719:Orchestra 3652:Lush Life 3451:Day Dream 3272:Blue Rose 3212:Soul Call 2902:My People 2484:AllMusic. 2471:AllMusic. 2383:Down Beat 2363:JazzTimes 2238:Hull, Tom 2192:Down Beat 2063:Down Beat 2017:Billboard 1736:Down Beat 1695:Billboard 1588:Max Roach 1570:Musicians 1565:Personnel 1455:"Caravan" 1307:"Caravan" 1170:"Caravan" 1022:and Mills 961:Writer(s) 809:Down Beat 775:Musicians 723:Billboard 714:Down Beat 588:Down Beat 400:Down Beat 396:dissonant 341:Max Roach 315:Producer 297:Max Roach 246:It's Time 233:Max Roach 52:Max Roach 4575:Revenge! 4367:Pre-Bird 4209:Play On! 4048:Al Sears 3888:Fred Guy 2406:Archived 2251:July 16, 2240:(n.d.). 2208:(2006). 2141:July 16, 2136:Substack 1989:AllMusic 1805:(2008). 1738:: 33–38. 1697:, p. 28. 1127:Side two 1039:Side one 1013:Solitude 948:Side two 878:Side one 731:AllMusic 501:AllMusic 417:Solitude 404:berimbau 380:post-bop 333:big band 127:Producer 92:Post-bop 67:Recorded 59:Released 41: by 5304:, 1954) 5285:Daahoud 5226:, 1989) 5171:Collage 5150:, 1979) 5130:, 1979) 5110:, 1979) 5098:, 1978) 5086:, 1973) 5046:, 1964) 5026:, 1962) 4962:, 1959) 4942:, 1959) 4773:Epitaph 4701:Related 4381:Oh Yeah 4147:Related 3721:members 3705:Perdido 3698:Caravan 2533:Discogs 2368:May 22, 2342:May 22, 2172:May 22, 2043:May 22, 1847:May 22, 1811:Penguin 1656:2002 CD 1635:1987 CD 1605:1963 LP 1590:– drums 1578:– piano 993:music: 988:Caravan 763:critic 742:changes 477:Critics 433:V chord 384:Caravan 268:(1963) 259:(1963) 250:(1962) 223:(1963) 214:(1963) 205:(1962) 174:(1963) 165:(1963) 156:(1962) 5328:(1956) 5320:(1955) 5312:(1955) 5288:(1954) 5272:(1954) 5264:(1954) 5256:(1954) 5214:(1986) 5206:(1985) 5198:(1984) 5190:(1984) 5182:(1984) 5166:(1983) 5158:(1982) 5138:(1979) 5118:(1979) 5115:M'Boom 5080:M'Boom 5070:(1971) 5062:(1968) 5054:(1965) 5034:(1962) 5010:(1962) 5002:(1961) 4994:(1960) 4986:(1960) 4978:(1960) 4970:(1959) 4950:(1959) 4938:(with 4930:(1958) 4922:(1958) 4914:(1958) 4906:(1958) 4898:(1958) 4890:(1958) 4882:(1958) 4858:(1956) 4850:(1953) 4839:Albums 4776:(1990) 4768:(1979) 4765:Mingus 4760:(1964) 4752:(1960) 4744:(1958) 4736:(1953) 4674:(2007) 4666:(1974) 4658:(1974) 4650:(1972) 4642:(1970) 4634:(1965) 4626:(1965) 4618:(1964) 4610:(1964) 4602:(1964) 4594:(1964) 4586:(1964) 4578:(1964) 4570:(1964) 4562:(1964) 4554:(1963) 4546:(1962) 4538:(1959) 4530:(1956) 4519:albums 4374:Mingus 4282:albums 4280:Studio 2220:  2088:May 8, 1995:May 6, 1934:  1909:  1881:May 7, 1817:  1770:  1668: 1392:Length 1222:Length 1140:Length 1052:Length 975:  964:Length 891:Length 495:Rating 492:Source 413:Webern 406:and a 98:Length 75:Studio 5296:(and 5242:With 5222:(and 5146:(and 5126:(and 5106:(and 5094:(and 5042:(and 5018:(and 4958:(and 4682:Books 3402:Azure 2065:: 36. 1764:295–7 1389:Title 1219:Title 1137:Title 1049:Title 958:Title 888:Title 386:" by 378:is a 325:Paris 115:Label 87:Genre 46:with 4517:Live 2511:link 2414:2018 2370:2013 2344:2013 2315:2015 2253:2020 2218:ISBN 2174:2013 2143:2020 2090:2013 2045:2013 1997:2013 1954:Coda 1932:ISBN 1907:ISBN 1883:2013 1849:2013 1815:ISBN 1768:ISBN 1557:5:45 1546:2:57 1535:5:13 1524:4:44 1513:6:33 1502:4:18 1491:2:58 1480:5:24 1469:5:33 1458:4:12 1447:3:20 1436:3:32 1425:4:26 1414:3:36 1403:5:29 1365:6:19 1354:3:34 1343:5:34 1332:4:44 1321:5:30 1310:4:14 1299:5:25 1288:3:19 1277:4:17 1266:3:37 1255:3:56 1244:2:58 1233:4:27 1195:5:32 1184:6:21 1173:4:12 1162:5:22 1151:3:17 1118:2:55 1107:4:15 1096:3:31 1085:4:23 1074:3:33 1063:5:26 1025:5:33 1003:4:13 978:3:21 939:3:33 928:4:26 917:3:36 902:5:30 795:and 50:and 4895:MAX 2531:at 1551:15. 1540:14. 1529:13. 1518:12. 1507:11. 1496:10. 1385:No. 1359:13. 1348:12. 1337:11. 1326:10. 1215:No. 1133:No. 1045:No. 954:No. 884:No. 461:EMI 5363:: 5300:, 5082:, 5022:, 2507:}} 2503:{{ 2455:. 2439:^ 2389:). 2361:. 2335:. 2323:^ 2303:. 2244:. 2182:^ 2163:. 2151:^ 2134:. 2130:. 2053:^ 2025:^ 2005:^ 1986:. 1966:^ 1891:^ 1869:. 1857:^ 1838:. 1801:; 1782:^ 1766:. 1744:^ 1702:^ 1684:^ 1485:9. 1474:8. 1463:7. 1452:6. 1441:5. 1430:4. 1419:3. 1408:2. 1397:1. 1315:9. 1304:8. 1293:7. 1282:6. 1271:5. 1260:4. 1249:3. 1238:2. 1227:1. 1189:5. 1178:4. 1167:3. 1156:2. 1145:1. 1112:6. 1101:5. 1090:4. 1079:3. 1068:2. 1057:1. 1008:3. 983:2. 969:1. 933:4. 922:3. 907:2. 896:1. 543:A− 347:. 107:12 103:30 5078:( 4824:e 4817:t 4810:v 4256:e 4249:t 4242:v 3707:" 3703:" 3700:" 3696:" 3682:" 3678:" 3675:" 3671:" 3668:" 3664:" 3661:" 3657:" 3654:" 3650:" 3647:" 3643:" 3621:" 3617:" 3614:" 3610:" 3607:" 3603:" 3600:" 3596:" 3593:" 3589:" 3586:" 3582:" 3579:" 3575:" 3572:" 3568:" 3565:" 3561:" 3558:" 3554:" 3551:" 3547:" 3544:" 3540:" 3537:" 3533:" 3530:" 3526:" 3523:" 3519:" 3516:" 3512:" 3509:" 3505:" 3502:" 3498:" 3495:" 3491:" 3488:" 3484:" 3481:" 3477:" 3474:" 3470:" 3467:" 3463:" 3460:" 3456:" 3453:" 3449:" 3446:" 3442:" 3439:" 3435:" 3432:" 3428:" 3425:" 3421:" 3418:" 3414:" 3411:" 3407:" 3404:" 3400:" 3397:" 3393:" 3390:" 3386:" 2562:e 2555:t 2548:v 2513:) 2459:. 2416:. 2372:. 2346:. 2317:. 2255:. 2226:. 2194:. 2176:. 2145:. 2092:. 2047:. 1999:. 1940:. 1915:. 1885:. 1851:. 1823:. 1776:. 1015:" 1011:" 990:" 986:" 914:" 910:" 702:A 105::

Index


Studio album
Duke Ellington
Charles Mingus
Max Roach
New York City
Genre
Post-bop
Label
United Artists
Producer
Alan Douglas
Duke Ellington
Studio Sessions, New York 1962
Duke Ellington & John Coltrane
Charles Mingus
Tijuana Moods
The Charles Mingus Quintet & Max Roach
Max Roach
It's Time
The Charles Mingus Quintet & Max Roach
Duke Ellington
Charles Mingus
Max Roach
United Artists Jazz
Alan Douglas
Duke Ellington
Paris
United Artists
big band

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