1422:(director,); Garbett, Paul, (photographer.); Pigeon, David, (photographer.); Leach, Matt; Cato, Ken, (interviewee.); Cozzolino, Mimmo, 1949–, (interviewee.); Emery, Garry, (interviewee.); Flett, Trevor, (interviewee.); Kidd, Ian. 1945–, (interviewee.); Kin-Yee, Myriam, (interviewee.); Lancashire, David, (interviewee.); Nowland, John, (interviewee.); Sadgrove, Brian, (interviewee.); Spatchurst, John, (interviewee.); Turner, Neil, (interviewee.); Tucker, Barrie, (interviewee.); Williamson, Harry, (interviewee.); Mason, Les, (interviewee.); GoodWolf (Musical group), (performer.) (2016),
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310:, which assembles 1700 trade marks from over a century, was hailed as "a decade-long project of graphic archaeology – an illuminating archive that grapples with issues of national cultural heritage and identity" and drew response not only from a graphic design industry still seeking an Australian 'style', but also elicited popular memory of symbols that had registered on the national subconscious as acknowledged by
324:"Whoever reads this book will revel in it. Surely Australia must be the only country in the world where as late as 1954 a deodorant would be registered under the name of 'Go-poof.' In 1947 a mouse trap company called its product 'Choke-a-mouse.' I'm envious of Mimmo Cozzolino for the laughs he must have had during this great search of his."
220:(a former lecturer of theirs at Prahran). In 1976 a further addition to the advertising design and illustration cooperative was Meg Williams, who had been taught by Cozzolino and Aslanis at Phillip institute. Their number made the group the largest illustration design studio in Australia at the time, inviting comparison with the US
172:, taking photography as an elective. In his final year in 1970 Cozzolino was awarded $ 1000 as the winner of the international Sugarmark competition, after coming second in a competition for a milk carton design earlier in the year. In 1972 he returned to complete a semester in the Photography diploma with
406:
In 1987 Cozzolino joined with Wayne Rankin, Stephen Huxley and others in launching a national professional association for graphic designers
Australian Graphic Design Association (AGDA). After considerable commitment to the venture and after it was successfully established he stepped down from its
383:
successfully reconfigured teaching of
Italian language in Australia through his incorporation of cartoon characters. From 1986 to 2001 he partnered with Phil Ellett to form Cozzolino Ellett Design D'Vision (CEDD). There, he concentrated on negotiating with clients and management of projects rather
191:
in 1971 and started work as studio design assistant to Ricci Eaton at Monad
Marketing. He returned to Melbourne for a position as assistant to Eric Maguire, NAS Advertising, before starting his own business in partnership with Con Aslanis. From late 1972 they traded as All Australian Graphics, for
1421:
Meikle, Larissa; McDonald, Kate, (author.); Pemberton, Simon, (writer of foreword.); Banham, Stephen, (book designer.); Walker, Heather; Schofield, Nell, (interviewer.); Liu, David, (director.); Walsh, Simon, (photographer,); Roland, Chris, (recordist.); Cidoni, Rose, (producer.); Miller, Maxr,
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than design; 'I don't relish the negotiating skills and organisational approach that you must take to any educational task, and major corporate projects are totally education tasks. It is your responsibility to educate the client, because they don't know your area of skills.'
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and after a promotional tour of major cities, the costume made a reappearance on top-rating television. The publicity effected a dramatic increase in business to a point where the pressure caused the group to break up, after which each resumed individual freelancing.
909:
Graeme
Kinross Smith, Marie Hansen Fels, Kosmas Tsokhas, David Stockley, Kathleen McCarthy, Lucy Frost, Don Garden, John Barrett, John Rickard, Albert Goodman, Joseph Chetcuti & Don Gibb (1987) Book reviews, Journal of Australian Studies, 11:21, 101–114, DOI:
167:
diploma at
Preston College and there met art student Con Aslanis who was later to become his work partner. Having passed the first year of civil engineering and being awarded a scholarship he instead enrolled in 1968 in the design diploma at
227:
For the promotion of their distinctively Greek-Australian profile, the group designed giveaways in the form of postcards, gingerbread biscuits in the shape of 'Kevin Pappas', a poster on an Anzac theme, and one to celebrate the
Centenary of
358:... most people seeing it as a nostalgic trip down memory lane. I have never seen it like that, and my unconscious motivation was always quite selfish: to find out about the land of Oz so that I could be more Aussie than the Aussies."
345:
The publication won the Best
Designed Book award presented by the Australian Book Publishers Association in 1981. The exclusively and distinctively Australian content attracted attention especially around the time of the nation's
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Roslyn Grundy', Tina Haynes, 'Doing the logo motion: Moving ahead in the graphic design business doesn't just mean making pretty pictures; it takes a whole marketing vision. Reports on a two-man team who has just that.' In
114:, Naples, Italy. With his father Michele, a printer, and mother Chiara, his family lived on the top floor of a 19th-century palazzo. Cozzolino had three younger brothers; the second died at two years old during the 1950s
211:
and Europe. On return to
Australia in 1975, the Prahran College friends Izi Marmur and Geoff Cook joined the partners' freelance studio renaming it All Australian Graffiti (AAG), joined a few months later at 20/562
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With savings and the financial and moral support of his wife Sue, Cozzolino devoted himself to a book project he had conceived as a student; to assemble a visual encyclopaedic survey of
Australian historic
403:
Through media appearances and in interviews and texts, Cozzolino continues to be consulted for perspectives and commentary on
Australian symbols, design, language, and the migrant experience.
396:, Cozzolino met Honor Godfrey of The Ephemera Society and in 1987 she invited him to join the committee of the Ephemera Society of Australia (ESA) and contribute design and content to the
1344:"What will the rare book of the future look like?: Digitally published books. Presented by Ephemera Society of Australia during Melbourne Rare Book Week festival 30 June–9 July 2017"
160:
where Cozzolino attended the Technical School from which he graduated as dux of the school. There he was taught by Winston Thomas who inspired his interest in film animation.
350:
and was reported as having been a "major influence in the revitalising of contemporary Australian visual design". Speaking at a design conference in 1999, Cozzolino recalled:
435:
on the relationship between photography, autobiography and archives. In 2019 he exhibited a series of paintings in mixed media on X-ray film at Tacit Galleries, Melbourne.
280:
Fysh Rutherford they produced a design which they planned to self-publish. Only after the team had received viable numbers of pre-orders for hardbacks from mail-outs did
299:
After both hardback (1,000 copies) and paperback (14–15,000) were sold out within the first four years, the book was re-released in a revised colour edition in 1987.
400:. He has contributed from his collections to exhibitions, to others' publications and in presentations. In 2019 he was made Honorary Life Member of the ESA.
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greeted the second edition in 1990 as "the ultimate in nostalgia" and Bryan Jeffrey, in the same newspaper, responded as keenly to the anniversary edition;
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which Aslanis created their mascot and brand, the fictitious Greek man/Australian kangaroo hybrid 'Kevin Pappas'. Eschewing the austere international
102:
is an Australian graphic designer and photo media artist best known for his gently satirical design and research on Australian historic trademarks.
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1392:, A Blurred Production. Produced in association with The Australian Film Commission & Film Queensland; South Melbourne, Vic.: AFI Distribution
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After publishing a book that continued to generate interest well after 1980, Cozzolino joined David Hughes, with whom he lectured part time at
341:…offers a collection culled from the past century and beyond which observes our nationalism in everything from visual pun to blatant racism."
419:
From 2002 Cozzolino pursued his interest in art photography, video and the use of the scanner to make imagery of found objects, winning the
354:"When All Australian Graffiti disbanded I decided that I still hadn't quite fitted into Australian society. So my journey continued with
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Bateson, T. J., (Editor.); Lawrence, Keith, (Editor.); Cozzolino, Mimmo, (Artist.); Pascoe, Joseph, (Text by.) (Other) (2019),
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epidemic. Having almost completed second year high school (scuola media), in 1961 he migrated, aged 12, with his family on the
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which became a bestseller for that year with over 24,000 sales. Cozzolino was photographed in a half-suit of kangaroo legs by
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272:. He trawled state and national library collections and trademark registers to index the symbols of a majority of Australian
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in 1980, publicising it aggressively. The book included extended introductions by Australian broadcaster and film producer
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to register Cozzolino Hughes Design (CHD) at a studio in South Melbourne, and received corporate design work from
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and after his father found work in Melbourne as a letterpress machinist, quickly moved to rented rooms in
1177:
Craig McGregor, 'The Image Makers' The National Times Australia Day special, 20–26 January 1984, p.25-27
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to Australia where his father hoped to find better work opportunities for the three surviving sons.
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582:, Peter Murphy, Lindsay Clements, Alex Selenitsch, Anthony Figallo. Niagara Lane Gallery, Melbourne
284:, who had at first rejected the project, make an offer to publish a paperback edition and released
233:
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Penny Robinson, 'The textbook guide to writing a best seller.' In The Sunday Age, 31 January 1993
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Eye: The International Review of Graphic Design, Volume 14, Issues 53–56, Wordsearch Ltd., 2004
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1277:"The Ephemera Society – for the preservation, study and educational uses of printed ephemera"
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942:. Australian Capital Territory, Australia. 15 September 1990. p. 11 (Saturday Magazine)
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Cozzolino, Mimmo; Cozzolino, Mimmo, 1949–; Rutherford, G. Fysh (Graeme Fysh), 1947– (2000),
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2004 Design: Asian Pacific Design Exchange Exhibition, Design Center Gallery, Osaka, Japan
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880:'Designing Australia: Towards a national style,' a supplement to the National Times.
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style, they determined to create design that was distinctly Australian in flavour.
1082:. Australian Capital Territory, Australia. 7 April 1985. p. 6 (Good Weekend)
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603:[Artist name: Art & Artist Files (Australia and New Zealand)]
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After I die. Archives, autobiography, photography: exhibition catalogue
1110:. Australian Capital Territory, Australia. 21 February 1985. p. 16
970:. Australian Capital Territory, Australia. 14 September 1980. p. 3
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1054:. Australian Capital Territory, Australia. 5 November 1994. p. 50
998:. Australian Capital Territory, Australia. 7 February 1981. p. 21
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1026:. Australian Capital Territory, Australia. 27 March 1981. p. 15
375:. CIS Educational and, with Cozzolino's design of their book series
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On the shoulders of giants : a tribute to 13 graphic designers
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1364:"Artists flag fresh symbols of a nation's hope and ideals.(News)",
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Forsyth, Jo; Australian Film Commission; Film Queensland (1994),
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Branding Australia: the commercial construction of Australianness
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Australia, Supplied: State Library of South (3 September 2017).
718:"Design hall of fame celebrates dawn of a new Australian style"
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Documentary Photography Award with the autobiographical series
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Arcadia del Sud West Heidelberg Melbourne Australia circa 1966
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462:, Dome Galleries, State Library of Victoria, Melbourne (solo)
276:, and with the help of volunteer assistants and a partner in
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leadership in 1992. He was recognised with inclusion in the
528:, Leica/CCP 2003 Documentary Photography Award, First Prize
1368:, Fairfax Media Publications Pty Limited: 4, 25 May 2013,
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A self portrait of the Australian designer Mimmo Cozzolino
1199:
Sempre avanti!: a fun-filled comprehensive Italian course
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All Australian Graffiti; Cozzolino, Mimmo, 1949– (1977),
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Flush 1990-2003-2011: a series of scans of found objects
1074:"1985 How they dressed up Australia and put it on sale"
1196:Guarnuccio, Elio; Sedunary, Michael, 1946– (1986),
248:and their postcards became the material for a book
1648:Media, Desktopmag com au Niche (1 February 2012).
1130:"Eye Magazine | Feature | Symbols of assimilation"
504:, Post Master Gallery at Australia Post, Melbourne
236:in March 1977. That year the group moved to an ex-
453:After I die: archives, autobiography, photography
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919:Helen Garner: Mimmo's Dinkum Memory Jogger.' In
803:Stuart Sayers, 'Visual puns and buoyant fun.'In
653:"Recalling the Journey – the Cozzolino's family"
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455:, Postgraduate Gallery Monash University, (solo)
1351:Melbourne Rare Book Week: For The Love Of Books
138:Bonegilla Migrant Reception and Training Centre
1404:Butler, Darryl; Spicers Paper Limited (1987),
821:(20th anniversary ed.), Mimmo Cozzolino,
1366:The Sydney Morning Herald (Sydney, Australia)
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490:, Conference 2008, Gyeongnam ArtMuseum, Korea
1228:: CS1 maint: multiple names: authors list (
840:: CS1 maint: multiple names: authors list (
785:: CS1 maint: multiple names: authors list (
474:I'm Here! – Stencil and Street Inspired Art
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1650:"After I Die by Mimmo Cozzolino | Desktop"
1462:) CS1 maint: numeric names: authors list (
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572:See/Hear: an Exhibition of Concrete Poetry
554:Just Wot!?, an Exhibition of Visual Poetry
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1609:CS1 maint: multiple names: authors list (
1575:Mimmo Cozzolino: Tacit Galleries: Moments
1458:CS1 maint: multiple names: authors list (
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896:, 'How Kangarucci superseded Chesty.' In
862:magazine, 17–28 August 1987, pp 18–19, 26
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497:, Walker Street Gallery, Dandenong (solo)
1624:Cozzolino, Mimmo; Tylor, Warren (2012),
1551:Narcissus: tracing the photographed self
1479:After the grassfires: (17 found objects)
1389:Bad by design: designers break the rules
1402:Mimmo Cozzolino, 'Australian slang' in
1261:Griffiths, Anna (April 1994). "Mimmo".
764:The Kevin Pappas tear out postcard book
260:
250:The Kevin Pappas Tear Out Postcard Book
152:. In 1965 they commenced purchase of a
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858:Gawen Rudder. 'Symbols Revisited.' In
16:Australian graphic designer and artist
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1529:(1st ed.), Mimmo (D) Cozzolino,
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1154:Sanin Santamaria, Juan Diego (2015),
1046:"Interaction of commerce and culture"
900:, Saturday, 6 September 1980, page 25
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625:"1950s Italian migrant ship Flaminia"
807:, Writers and Readers, 17 March 1979
521:, Bungay Art House, Melbourne (solo)
132:The Cozzolino family disembarked in
110:Domenico Cozzolino was born 1949 in
1302:"Ephemera Society of Australia Inc"
742:Cozzolino , M (15 September 1989),
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448:, Tacit Galleries, Melbourne (solo)
13:
1702:(1st ed.), M. (D) Cozzolino,
1331:, RMIT University, Australia, 1973
683:Swinburne University of Technology
483:: Taebak Discourse, Taebak, Korea,
14:
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469:, Brunswick Arts Space, Melbourne
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1251:, Saturday 30 July 1994, page 13
1018:"Symbols book wins design award"
511:, fortyfivedownstairs, Melbourne
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1407:The unique Australian character
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716:Edgar, Ray (14 November 2016).
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201:Phillip Institute of Technology
1789:Italian emigrants to Australia
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1809:National symbols of Australia
1503:Scam: the scanner as a camera
1265:. No. 3. pp. 12–21.
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567:, Seal Club, Melbourne (solo)
460:The changing face of Victoria
398:Ephemera Journal of Australia
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1779:Australian graphic designers
1160:, Media, Film and Journalism
706:, Saturday, 28 November 1970
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136:and were transferred to the
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1724:Fotografics from Italy 1983
1281:www.ephemera-society.org.uk
934:"The ultimate in nostalgia"
766:, Penguin Books Australia,
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1306:www.ephemerasociety.org.au
476:, Ochre Gallery, Melbourne
199:The pair taught design at
100:Mimmo (Domenico) Cozzolino
1722:Cozzolino, Mimmo (2011),
1698:Cozzolino, Mimmo (2011),
1674:Cozzolino, Mimmo (2011),
1549:Cozzolino, Mimmo (2012),
1525:Cozzolino, Mimmo (2011),
1501:Cozzolino, Mimmo (2011),
1477:Cozzolino, Mimmo (2011),
1328:Jigsaw Factory Collection
990:"Bewdy, Mimmo and Bazza!"
910:10.1080/14443058709386962
722:The Sydney Morning Herald
600:Cozzolino, Mimmo (1900),
328:Reviewer Peter Bowler in
314:in an editorial piece in
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570:1981, from 27 February,
234:Melbourne Cricket Ground
1628:, Mimmo (D) Cozzolino,
1481:, Mimmo (D) Cozzolino,
1410:, Spicers Paper Limited
128:Melbourne and education
1794:Visual anthropologists
1676:Sub-urban shadow-plays
750:University of Tasmania
678:"Winston Thomas, 1982"
565:Fotografics from Italy
495:Sub-Urban Shadow-Plays
392:While researching for
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278:advertising copywriter
1799:Australian archivists
923:, October 12–18, 1980
558:Artists Space Gallery
535:, Band Hall Gallery,
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339:"Symbols of Australia
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1804:Australian satirists
1726:, M. (D) Cozzolino,
1553:, M. (D) Cozzolino,
1505:, M. (D) Cozzolino,
1426:, Graffitti Design,
819:Symbols of Australia
651:Rizzoli, Francesca.
544:The Lie of the Land,
394:Symbols of Australia
356:Symbols of Australia
308:Symbols of Australia
286:Symbols of Australia
262:Symbols of Australia
232:being played at the
1202:, CIS Educational,
1134:www.eyemagazine.com
187:Cozzolino moved to
67:artist photographer
1602:has generic name (
1451:has generic name (
1342:Cozzolino, Mimmo.
1118:– via Trove.
1107:The Canberra Times
1102:"Notes and Quotes"
1090:– via Trove.
1079:The Canberra Times
1062:– via Trove.
1051:The Canberra Times
1034:– via Trove.
1023:The Canberra Times
1006:– via Trove.
995:The Canberra Times
978:– via Trove.
967:The Canberra Times
950:– via Trove.
939:The Canberra Times
921:The National Times
882:The National Times
467:The Tententen Show
431:. He undertook an
331:The Canberra Times
317:The National Times
154:Housing Commission
47:Domenico Cozzolino
1733:978-0-9807747-1-9
1709:978-0-9807747-3-3
1685:978-0-9807747-4-0
1635:978-0-9872498-0-7
1584:978-1-925858-27-3
1560:978-0-9807747-5-7
1536:978-0-9807747-2-6
1512:978-0-9807747-6-4
1488:978-0-9807747-9-5
1433:978-0-646-90919-6
828:978-0-646-40309-0
773:978-0-14-070064-0
657:SBS Your Language
547:Powerhouse Museum
502:We're a Weird Mob
486:2008 Celebrating
409:AGDA Hall of Fame
165:civil engineering
163:He studied for a
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533:Flush: 1990–2003
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222:Push Pin Studios
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246:St Kilda
238:milk bar
205:Bundoora
178:Paul Cox
121:Flaminia
112:Ercolano
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183:Career
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194:Swiss
116:polio
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