274:. The pair fight a "cuckoo duel" in a darkened room, where one party is obliged to call "cuckoo" while the other aims and fires a pistol at the sound of his opponent's voice. The Baron is wounded in the duel and he goes to Cagliostro, who has recently arrived in St. Petersburg, to tend to the wound. While there, the Baron warns Cagliostro of his impending arrest. After healing the Baron, Cagliostro asks him what he desires most of all, since money and power do not interest him. The Baron answers that he wishes to be as young as he is at that moment, for as long as he desires. Cagliostro grants his wish.
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marvel at how time moves so swiftly: while Münchhausen does not change at all, Kuchenreutter ages rapidly. They meet two inhabitants of the Moon, one of whom moves about as a disembodied head. She explains to the Baron how no
Earthlings can last more than a day on the Moon before they dry up in smoke and blow away. However, before the Baron can leave the Moon, Kuchenreutter has a heart attack and dies in his arms, disappearing in a puff of smoke.
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wife for 40 years. Unnerved by his admission, the guests quickly leave. The Baron's wife begs him to flee, as he usually does when his escapades get out of control, upset that he has confessed the truth. The Baron refuses to go, and instead, he revokes
Cagliostro's gift. He immediately ages to match the advanced years of his wife.
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and was an attempt at reinvigorating the German population. The film provided visual relief from the war and, as one of the few fantastical films produced by the
Ministry of Propaganda, represented a rare opportunity for escapism. After viewing parts of the film, Hitler instructed Goebbels to ensure
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is propositioned by a young woman who is engaged to another man. He graciously rejects her advance, and as she leaves, she asks him to turn on the light. The camera follows his hand to a modern light switch, and the young woman drives off in an automobile. The next day, the Baron, out of his costume
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on 20 July 2004. The same version was released on PAL (Region 2) DVD by the
British Eureka Video in July 2005. The 132 minute premiere version and the 117 minute restored version were released on Blu ray disc in Germany and the 117 minute restored version was released on Blu ray disc in the United
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Hippler denied these claims asserting that in “total war”, as outlined in
Goebbels’ 1943 Sportspalast speech, “national life becomes weapons” and strengthening the morale of a country was key to the success of the German campaign. Both during and after World War II, the film saw massive commercial
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As the Baron finishes his tale, his guests correct him on some of its historical inaccuracies, citing the fact that the real Baron died before some of the events took place. This prompts the Baron to confess that he is in fact the same man as the legend, and that he has been married happily to his
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The pair escape to Venice, where her brother is offended by her dalliance with the Baron. He challenges the Baron to a duel with rapiers. The Baron humiliates the brother, leaving him suicidal. The Baron and
Kuchenreutter escape in a hot air balloon, which takes them to the Moon. On the Moon, they
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porcelain on loan from museums, and was protected by SS guards dressed in costume while the scene was shot. The sequence of scenes in Venice was shot on location, with Irmen-Tschet gaining private access to the Grand Canal for an entire day, as noted by
Eberhard von Weise who worked on the film's
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On the
Turkish front, Potemkin lights a cannon while the Baron sits astride it. The Baron rides the cannonball over to the Turkish palace, where he is enslaved along with an Italian princess. After two months as a slave, the Baron is reunited with Kuchenreutter and his runner, Der Läufer, who can
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When the film was first released it had a run time of 133 minutes, however a second re-censored version was released three months later with a run time of 118 minutes, indicating the decision to remove the most controversial aspects of the film by the
Ministry of Propaganda. Today a 114-minute
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The budget for the film allowed von Báky and his production staff nearly limitless opportunities to display the superlative nature of Kästner's vision of Baron von Münchhausen. The dinner scene that is set in the
Russian palace featured real gold and silver tableware as well as
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version exists in the Murnau Foundation. Contemporary journalists and critics pointed to many aspects of the film, most notably the role of gender and sexuality and the fantastical themes as evidence that the film was intended as a counterpoint to Nazi rule.
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production. Additionally von Weise wrote on the movement of entire sets across the border in railcars with “precious carnival costumes” amid numerous other set pieces that were brought along and used by local Venetians as extras in the film.
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Hippler later claimed the decision led to his removal from office, however Goebbels claimed in his own diary that “mishaps, alcoholism, and family problems” were in fact the cause for his dismissal. Kästner himself wrote under the pseudonym
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and install him in a room below hers, with a secret elevator between the two so that they can carry on their affair. He agrees to stay until one of them wants more freedom. While in her court, the Baron clashes with
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wine from Vienna within an hour. After winning the bet, the king tries to pass off a counterfeit princess on the Baron. Incensed, he slips on a ring that makes him invisible and absconds with the princess.
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style of propaganda designed to entertain the masses and distract the population from the war, borrowing the Hollywood genre of large budget productions with extensive colorful visuals. The release of the
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in 1939 by Goebbels, shared his view that all artistic disciplines, including film, should be "co-ordinated" to echo the propaganda themes that the regime chose to highlight, following the policy of
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and critical success and not only recouped the sizable government investment, but also earned modern praise as being “the greatest German color film of all time” by film historian Eric Rentschler.
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visits, and asks the Baron to join him in a quest to take over the throne of Poland. The Baron declines, explaining that he has no interest in power, just in adventure.
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and Goebbels had a well-documented disagreement over how propaganda for the Third Reich should be produced, with Goebbels favouring the Volksfilm style. He referred to
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412:(ℛℳ) that increased to over 6.5 million ℛℳ, after Goebbels’ intentions to “surpass the special effects and color artistry” of Alexander Korda's Technicolor film
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and in modern dress, regales the young woman and her fiancé with stories of the famous Baron Münchhausen, to whom his guests think he is distantly related.
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cover hundreds of miles in a matter of minutes. He makes a wager for his and the princess's freedom with the king, wherein his runner must retrieve some
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has commented that this work "sidesteps immediate political issues whilst conjuring up marvellous visual images of an ageless pastoral Germany."
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861:. Translated by Volker Schlöndorff. Foreword by Michael Robinson. Stuttgart/London: Axel Menges. pp. 50–66.
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film studio which released it. The Jubiläumsfilm, or anniversary film, was commissioned by Goebbels, and
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was producing its own version of colored film that had “caught up with the Americans in ” according to
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for the screenplay, a decision met with controversy as several of Kästner's previous works such as
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in the United States was a heavy influence for Goebbels. By 1940 the German research laboratory
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negative-positive material. Hippler and Ufa's production group manager Eberhard Schmidt hired
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was placed in charge of editing and staging the film, including the special effects.
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Rentschler, Eric (1996). "The Ministry of Illusion: Nazi Cinema and Its Afterlife".
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were banned after 1933 when the Nazi party began heavy censorship of the arts.
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Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia
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was chosen to oversee the film's production. Hippler, who was instated as
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833:. Durham, North Carolina: Duke University Press. pp. 302–318.
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Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema
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The Film Minister: Goebbels and the Cinema in the "Third Reich"
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looked to this film as well as Hollywood's productions of
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was the third feature film made in Germany using the new
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as a “popular film in the truest sense of the term.”
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that, “Kästner should have no further assignments.”
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1405:The Extraordinary Adventures of Baron Munchausen
905:. Secaucus, New Jersey: Citadel Press. pp.
261:In St. Petersburg, the Baron joins the court of
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265:. She offers to appoint him to be her general
239:The film opens at an 18th-century ball, where
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438:and Otto Gülstorff designed the set, and
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815:. 6 August 1943 – via DVD Compare.
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955:. 6 August 1943 – via IMDb.
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1553:Films shot at Babelsberg Studios
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986:Science Fiction Film Source Book
425:Snow White and the Seven Dwarves
339:represented the pinnacle of the
241:Baron Hieronymus von Münchhausen
1563:Films about Catherine the Great
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313:in order to celebrate the 25th
1468:German fantasy adventure films
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247:He begins in his home town of
189:6.5 million ℛℳ (equivalent to
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1362:The Fabulous Baron Munchausen
1082:The Great and the Little Love
989:(Longman Group Limited, 1985)
829:Schulte-Sasse, Linda (1996).
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1543:German fantasy comedy films
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1074:The Woman at the Crossroads
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1162:Diary of a Married Woman
1130:And the Heavens Above Us
590:Christian Kuchenreutter
434:for visual inspiration.
398:Karl Leberecht Immermann
1313:Gottfried August Bürger
1186:The Girl and the Legend
899:Ott, Frederick (1986).
857:Moeller, Felix (2000).
677:Prince Francesco d'Este
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1242:Storm in a Water Glass
967:"Münchhausen - Eureka"
902:The Great German Films
165:132 minutes (premiere)
145:3 March 1943
1473:Films of Nazi Germany
1202:Confess, Doctor Corda
726:Theodor Wonja Michael
720:Servant (uncredited)
633:Prince Grigorij Orlow
622:Baroness Münchhausen
580:Baron von Hartenfeld
1493:Films set in Germany
1427:Münchhausen trilemma
1250:The Strange Countess
1090:Her First Experience
742:(NTSC, Region 1) by
648:Hubert von Meyerinck
600:Sophie von Riedesel
475:Battle of Stalingrad
1513:Films set in Venice
1503:Films set in Turkey
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1412:Munchausen syndrome
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653:Prince Anton Ulrich
545:Tsarin Catherine II
415:The Thief of Bagdad
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111:Werner Krien
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1354:Münchhausen
1170:Hotel Adlon
1114:Münchhausen
1023:Münchhausen
1012:Münchhausen
1001:Münchhausen
774:Karel Zeman
772:(1962), by
761:(1988), by
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618:Käthe Haack
518:Ilse Werner
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464:Münchhausen
436:Emil Hasler
410:Reichsmarks
366:Münchhausen
346:Technicolor
337:Münchhausen
315:anniversary
311:Münchhausen
249:Bodenwerder
213:Münchhausen
95:Hans Albers
83:Produced by
47:Directed by
33:Münchhausen
1458:1943 films
1452:Categories
840:0822318245
791:References
783:(1911) by
744:Kino Video
694:Leo Slezak
404:Production
301:Propaganda
256:Cagliostro
216:is a 1943
198:Box office
149:1943-03-03
57:Written by
455:Reception
370:Agfacolor
341:Volksfilm
1210:Stefanie
1122:Via Mala
1017:AllMovie
751:See also
747:States.
471:6th Army
304:Minister
253:sorcerer
178:Language
117:Music by
91:Starring
67:Based on
1397:Related
1301:Authors
1106:Annelie
907:215–220
688:Johann
642:Runner
473:at the
448:Meissen
317:of the
295:History
218:fantasy
173:Germany
170:Country
147: (
1408:(game)
1389:(1988)
1381:(1984)
1373:(1979)
1365:(1962)
1357:(1943)
1349:(1940)
1341:(1933)
1333:(1911)
1253:(1961)
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1237:(1959)
1229:(1959)
1226:Marili
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392:, and
378:Fabian
221:comedy
186:Budget
181:German
1322:Films
1178:Dunja
796:Notes
500:Role
348:film
299:Nazi
280:Tokay
1006:IMDb
911:ISBN
863:ISBN
835:ISBN
490:Cast
428:and
356:Agfa
235:Plot
1015:at
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740:DVD
319:UFA
75:by
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