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Ulrich W. Hiesinger, "The
Paintings of Vincenzo Camuccini, 1771–1844," The Art Bulletin, vol. 60, 1978, pp. 297–320. (definitive modern study with much more recent information than in current account –
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He expended no small portion of his wealth in the purchase of a fine collection of objects of art. In 1856, the greater portion of the pictures, upwards of seventy in number, were purchased being bought by
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masters living in the 16th and 17th centuries, with some specimens of an earlier date, and a few others of the Dutch and
Flemish painters of the 17th century. He purchased a Raphael, known as
420:, and Camuccini was commissioned to draw the archaeological discovery, which he did with religious precision, as if a new holy martyr, but this time for art, had been discovered.
383:. Pope Pius VII conferred upon him the title of Baron, with hereditary succession, and the Emperor Francis I the order of the Iron Crown. In 1829, he was elected into the
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172:'s classic Roman themes and style; but it is more likely both were emerging from the rising Neoclassic refocus towards images of and derived from Greco-Roman themes.
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As a portrait painter he attained considerable eminence; among the best he produced are those of Pope Pius VII (now in the
Gallery at
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received a commission for two large canvases for the chapel of the
Madonna of the Rosary in the church of San Giovanni in
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191:. The canvases by the two artists were completed in the early spring of 1806, and were exhibited side by side at the
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Lucinda
Lubbock. "Camuccini." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 Dec. 2016
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to
Vincenzo. Until nearly the age of 30 he mainly dedicated himself to copying old masters.
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162:. Camuccini's first major independent work, completed around 1798, was a large canvas of
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379:. He was a member of the Institute of France, during some years president of the
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614:. Vol. 5 (11th ed.). Cambridge University Press. pp. 139, 140.
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168:. This led to the assessment that Camuccini may have been influenced by
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This article incorporates text from a publication now in the
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histories and religious paintings. He was considered the premier
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Dictionary of
Painters and Engravers, Biographical and Critical
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548:Bryan, Michael (1886). Robert Edmund Graves (ed.).
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211:Of pictures on classic Greco-Roman history were:
154:As an original painter, Camuccini belongs to the
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477:(in Italian). Gangemi Editore spa. p. 50.
565:. London: Longmans, Green & Co. pp.
365:I Fasti principali della Vita di GesĂş Cristo
450:. Metropolitan Museum of Art. p. 49.
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179:(copy of mosaic) by the Vatican. In 1806,
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423:Among his many pupils and followers were
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571:Ashton Rollins Willard History Modern.
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228:Departure of Regulus for Carthage
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559:Willard, Ashton Rollins (1900).
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293:Apparition of Christ in Limbo
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301:(1834) for the basilica of
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16:Italian painter (1771–1844)
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444:Wolk-Simon, Linda (2006).
397:the duke of Northumberland
385:National Academy of Design
267:Presentation in the Temple
204:The Death of Julius Caesar
189:Presentation in the Temple
165:The Death of Julius Caesar
98:The Death of Julius Caesar
319:Portrait of Pope Pius VII
257:Incredulity of St. Thomas
177:Incredulity of St. Thomas
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303:San Paolo fuori le Mura
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299:Conversion of St. Paul
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145:Pietro Leone Bombelli
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425:Nicola de Laurentiis
406:Madonna of the Pinks
269:for San Giovanni at
240:Continence of Scipio
606:Camuccini, Vincenzo
474:Micromosaici romani
381:Academy of St. Luke
361:Giovanni Scudellari
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326:Betrothal of Psyche
287:Charles IV of Spain
170:Jacques-Louis David
160:Anton Raphael Mengs
658:Painters from Rome
632:Vincenzo Camuccini
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324:He also painted a
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252:He also painted:
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117:Vincenzo Camuccini
77:Rome, Papal States
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484:978-88-492-6390-9
457:978-0-300-11790-5
234:Death of Virginia
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35:Camuccini's
653:1844 deaths
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427:of Chieti.
642:Categories
542:References
121:Neoclassic
391:in 1844.
135:Biography
43:1805-1815
577:2/23/15)
528:Archived
414:Pantheon
345:Holy See
305:in Rome.
271:Piacenza
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105:Movement
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353:Naples
349:Naples
337:Vienna
295:(1829)
431:Notes
479:ISBN
452:ISBN
389:Rome
377:Rome
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67:Died
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49:Born
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