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Vincenzo Camuccini

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Ulrich W. Hiesinger, "The Paintings of Vincenzo Camuccini, 1771–1844," The Art Bulletin, vol. 60, 1978, pp. 297–320. (definitive modern study with much more recent information than in current account –
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He expended no small portion of his wealth in the purchase of a fine collection of objects of art. In 1856, the greater portion of the pictures, upwards of seventy in number, were purchased being bought by
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masters living in the 16th and 17th centuries, with some specimens of an earlier date, and a few others of the Dutch and Flemish painters of the 17th century. He purchased a Raphael, known as
420:, and Camuccini was commissioned to draw the archaeological discovery, which he did with religious precision, as if a new holy martyr, but this time for art, had been discovered. 383:. Pope Pius VII conferred upon him the title of Baron, with hereditary succession, and the Emperor Francis I the order of the Iron Crown. In 1829, he was elected into the 176: 172:'s classic Roman themes and style; but it is more likely both were emerging from the rising Neoclassic refocus towards images of and derived from Greco-Roman themes. 144: 424: 605: 360: 375:, in 1829. Camuccini was appointed inspector-general of the Museums of the Pope, and of the Factory of Mosaics, and director of the Neapolitan Academy of 329: 527: 610: 692: 687: 396: 335:
As a portrait painter he attained considerable eminence; among the best he produced are those of Pope Pius VII (now in the Gallery at
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received a commission for two large canvases for the chapel of the Madonna of the Rosary in the church of San Giovanni in
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Lucinda Lubbock. "Camuccini." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 Dec. 2016
355:; The Countess Sehouvaloff; and the Countess von Dietrichstein (1829). Several of his works were engraved by 657: 384: 521: 302: 30: 472: 445: 566: 151:
to Vincenzo. Until nearly the age of 30 he mainly dedicated himself to copying old masters.
652: 647: 405: 198: 162:. Camuccini's first major independent work, completed around 1798, was a large canvas of 8: 380: 286: 169: 159: 478: 451: 399:, who removed them to Alnwick Castle. They consist principally of the works of the 356: 124: 560: 549: 531: 379:. He was a member of the Institute of France, during some years president of the 413: 192: 148: 641: 614:. Vol. 5 (11th ed.). Cambridge University Press. pp. 139, 140. 601: 596: 180: 155: 120: 108: 59: 168:. This led to the assessment that Camuccini may have been influenced by 147:, an engraver. His brother Pietro gave up his place in the studio of 328:, and, jointly with Landi, he painted, in fresco, the ceiling of the 187:. Ultimately, the commission was split with Camuccini who painted a 143:, and first educated by his brother Pietro, a picture-restorer, and 344: 270: 184: 595:
This article incorporates text from a publication now in the
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histories and religious paintings. He was considered the premier
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Dictionary of Painters and Engravers, Biographical and Critical
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Past Academicians "C" / Camuccini, Vincenzo Honorary 1829
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Raphael at the Metropolitan: The Colonna Altarpiece
211:Of pictures on classic Greco-Roman history were: 154:As an original painter, Camuccini belongs to the 639: 477:(in Italian). Gangemi Editore spa. p. 50. 565:. London: Longmans, Green & Co. pp.  365:I Fasti principali della Vita di GesĂş Cristo 450:. Metropolitan Museum of Art. p. 49. 443: 179:(copy of mosaic) by the Vatican. In 1806, 29: 423:Among his many pupils and followers were 412:On September 9, 1833, excavations at the 37:Self Portrait of the Artist with his Wife 600: 509: 313: 197: 558: 259:reproduced in mosaic in St. Peter's at 640: 571:Ashton Rollins Willard History Modern. 470: 547: 359:, and some have been lithographed by 363:, and published under the title of 13: 387:as an Honorary member. He died at 14: 704: 693:18th-century Italian male artists 688:19th-century Italian male artists 619: 228:Departure of Regulus for Carthage 86:Historical and religious painting 625: 588: 559:Willard, Ashton Rollins (1900). 343:, Ambassador from France to the 175:In 1800, he was commissioned an 515: 491: 471:Grieco, Roberto (2011-10-18). 464: 437: 1: 678:Italian neoclassical painters 673:19th-century Italian painters 663:18th-century Italian painters 562:History of Modern Italian Art 541: 416:brought to light the tomb of 293:Apparition of Christ in Limbo 40: 134: 7: 309:Romolo and Remo's discovery 301:(1834) for the basilica of 158:school fostered in Rome by 16:Italian painter (1771–1844) 10: 709: 444:Wolk-Simon, Linda (2006). 397:the duke of Northumberland 385:National Academy of Design 267:Presentation in the Temple 204:The Death of Julius Caesar 189:Presentation in the Temple 165:The Death of Julius Caesar 98:The Death of Julius Caesar 319:Portrait of Pope Pius VII 257:Incredulity of St. Thomas 177:Incredulity of St. Thomas 104: 90: 82: 66: 48: 28: 21: 430: 195:at Easter of that year. 611:Encyclopædia Britannica 534:(accessdate: 2016/1/30) 303:San Paolo fuori le Mura 321: 299:Conversion of St. Paul 208: 207:by Vincenzo Camuccini. 139:Camuccini was born in 668:Italian male painters 522:nationalacademy.org: 317: 277:Death of the Magdalen 201: 145:Pietro Leone Bombelli 683:Brera Academy alumni 634:at Wikimedia Commons 425:Nicola de Laurentiis 406:Madonna of the Pinks 269:for San Giovanni at 240:Continence of Scipio 606:Camuccini, Vincenzo 474:Micromosaici romani 381:Academy of St. Luke 361:Giovanni Scudellari 351:; and the Queen of 326:Betrothal of Psyche 287:Charles IV of Spain 170:Jacques-Louis David 160:Anton Raphael Mengs 658:Painters from Rome 632:Vincenzo Camuccini 530:2016-03-20 at the 324:He also painted a 322: 252:He also painted: 209: 117:Vincenzo Camuccini 77:Rome, Papal States 23:Vincenzo Camuccini 630:Media related to 484:978-88-492-6390-9 457:978-0-300-11790-5 234:Death of Virginia 222:Romulus and Remus 114: 113: 700: 629: 615: 594: 592: 591: 573: 555: 535: 519: 513: 507: 498: 495: 489: 488: 468: 462: 461: 441: 357:Pietro Bettelini 125:academic painter 93: 73: 70:2 September 1844 52:22 February 1771 42: 33: 19: 18: 708: 707: 703: 702: 701: 699: 698: 697: 638: 637: 622: 604:, ed. (1911). " 589: 587: 544: 539: 538: 532:Wayback Machine 520: 516: 508: 501: 496: 492: 485: 469: 465: 458: 442: 438: 433: 367:, with text in 341:Comte de Blacas 330:Torlonia Palace 246:Death of Caesar 216:Horatius Cocles 137: 127:of his time in 91: 78: 75: 71: 62: 53: 44: 24: 17: 12: 11: 5: 706: 696: 695: 690: 685: 680: 675: 670: 665: 660: 655: 650: 636: 635: 621: 620:External links 618: 617: 616: 602:Chisholm, Hugh 579: 578: 574: 556: 543: 540: 537: 536: 514: 512:, p. 139. 499: 490: 483: 463: 456: 435: 434: 432: 429: 371:and French at 347:; the King of 312: 311: 306: 296: 290: 283:The Entombment 280: 274: 264: 250: 249: 243: 237: 231: 225: 219: 149:Domenico Corvi 136: 133: 112: 111: 106: 102: 101: 94: 88: 87: 84: 83:Known for 80: 79: 76: 74:(aged 73) 68: 64: 63: 54: 50: 46: 45: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 705: 694: 691: 689: 686: 684: 681: 679: 676: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 645: 643: 633: 628: 624: 623: 613: 612: 607: 603: 598: 597:public domain 586: 585: 584: 583: 575: 572: 568: 564: 563: 557: 553: 552: 546: 545: 533: 529: 526: 525: 518: 511: 510:Chisholm 1911 506: 504: 494: 486: 480: 476: 475: 467: 459: 453: 449: 448: 440: 436: 428: 426: 421: 419: 415: 410: 408: 407: 402: 398: 392: 390: 386: 382: 378: 374: 370: 366: 362: 358: 354: 350: 346: 342: 338: 333: 331: 327: 320: 316: 310: 307: 304: 300: 297: 294: 291: 288: 284: 281: 278: 275: 272: 268: 265: 262: 258: 255: 254: 253: 247: 244: 241: 238: 235: 232: 229: 226: 223: 220: 217: 214: 213: 212: 206: 205: 200: 196: 194: 190: 186: 182: 181:Gaspare Landi 178: 173: 171: 167: 166: 161: 157: 156:Neoclassicist 152: 150: 146: 142: 132: 130: 126: 122: 118: 110: 109:Neoclassicism 107: 103: 100: 99: 95: 89: 85: 81: 69: 65: 61: 57: 51: 47: 38: 32: 27: 20: 609: 582:Attribution: 581: 580: 570: 561: 550: 523: 517: 493: 473: 466: 446: 439: 422: 411: 404: 393: 364: 334: 325: 323: 318: 308: 298: 292: 285:painted for 282: 276: 266: 256: 251: 245: 239: 233: 227: 221: 215: 210: 202: 188: 174: 163: 153: 138: 116: 115: 97: 92:Notable work 72:(1844-09-02) 60:Papal States 36: 35:Camuccini's 653:1844 deaths 648:1771 births 427:of Chieti. 642:Categories 542:References 121:Neoclassic 391:in 1844. 135:Biography 43:1805-1815 577:2/23/15) 528:Archived 414:Pantheon 345:Holy See 305:in Rome. 271:Piacenza 193:Pantheon 185:Piacenza 105:Movement 599::  418:Raphael 401:Italian 369:Italian 339:); the 593:  569:–273. 481:  454:  353:Naples 349:Naples 337:Vienna 295:(1829) 431:Notes 479:ISBN 452:ISBN 389:Rome 377:Rome 373:Rome 261:Rome 141:Rome 129:Rome 67:Died 56:Rome 49:Born 608:". 567:247 644:: 502:^ 409:. 332:. 131:. 58:, 41:c. 39:, 487:. 460:. 289:. 279:. 273:. 263:. 248:. 242:. 236:. 230:. 224:. 218:.

Index


Rome
Papal States
The Death of Julius Caesar
Neoclassicism
Neoclassic
academic painter
Rome
Rome
Pietro Leone Bombelli
Domenico Corvi
Neoclassicist
Anton Raphael Mengs
The Death of Julius Caesar
Jacques-Louis David
Incredulity of St. Thomas
Gaspare Landi
Piacenza
Pantheon

The Death of Julius Caesar
Rome
Piacenza
Charles IV of Spain
San Paolo fuori le Mura

Torlonia Palace
Vienna
Comte de Blacas
Holy See

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