Young Americans - Knowledge

828: 1137:"Who Can I Be Now?" reflects the theme of self-identity. Over its runtime, it builds to a what Pegg calls a "gospel-choir climax". Doggett writes that its title summarises Bowie's career up to this point, sharing a similar theme as "Changes". "It's Gonna Be Me" is a ballad similar in style to Aretha Franklin. Originally titled "Come Back My Baby", it is lyrically similar to "Can You Hear Me?", in that it follows a casual seducer who realises the error of his ways and works to redeem himself. Biographers have generally praised the track as one of the most overlooked gems of Bowie's entire career. "John, I'm Only Dancing (Again)" is a radical seven-minute funk and 517: 714: 758:" and "Too Fat Polka". After these sessions, Bowie was eager to perform his new work live. Embarking on the second half of the Diamond Dogs tour, lasting September to December 1974, this portion is nicknamed the Soul Tour due to the influence of the new material. The shows were heavily altered and no longer featured elaborate set-pieces, due to Bowie's exhaustion with the design and wanting to explore the new sound he was creating. Songs from the previous leg were dropped, while new ones were added, including some from the new album. On 2 November, Bowie appeared on 1248: 1573:, which secured his breakthrough into the US market. Pegg says the album turned Bowie from "a mildly unsavoury cult artist to a chat-show friendly showbiz personality" in the US. Bowie, however, expressed varying statements about the album throughout his lifetime. In late 1975, he described it as "the phoniest R&B I've ever heard. If I ever would have got my hands on that record when I was growing up I would have cracked it over my knee." He further described it as "a phase" in a 1976 interview with 8921: 1076: 2182: 1952: 1890: 1885: 1828: 1745: 2177: 2172: 2167: 2162: 2144: 2139: 2134: 2129: 2124: 1947: 1942: 1937: 1932: 1880: 1875: 1870: 1823: 1818: 1813: 1808: 1778: 1773: 1768: 1763: 1740: 1735: 1730: 1725: 1601:: "While all rock'n'roll was based on white men's appropriation of black popular music, very few artists had embraced the form wholesale, to the point of using the same studios and musicians, as Bowie ." Buckley commented that it brought fans of both glam rock and soul together in the wake of the disco era. In subsequent years, artists who experimented with funk and soul after Bowie included 45: 861:(after the newly recorded track); "John, I'm Only Dancing (Again)" was still in the track-listing, and the two new tracks replaced "Who Can I Be Now?" and "Somebody Up There Likes Me". Visconti, who believed the album was completely finished, returned to London to record string arrangements for "Can You Hear Me", "Win" and "It's Gonna Be Me" at 1057:: "People forget what the sound of Man's instinct is—it's a drone, a mantra. And people say, 'Why are so many things popular that just drone on and on?' But that's the point really. It reaches a particular vibration, not necessarily a musical level." Bowie, Vandross, Clark and Cherry can be seen rehearsing the song in the 993:" opens the album, which Bowie said was about "a newly-wed couple who don't know if they really like each other". The song also presents new lyrical directions for the artist: instead of "shady" characters living in worlds fraught with darkness, "Young Americans" shows typical American teenagers. References are made to 955:", or, in the words of author Benoît Clerc, "a pale synthetic derivative of authentic soul music". Garson later argued: "I think because he was uncertain if he was good at it, he demeaned himself by calling it plastic soul." Other writers have classified it "sax-y white soul" and white soul music. Ashley Naftule of 432:

has received mixed critical reviews on release and in later decades; Bowie himself had mixed feelings about the album. The album proved influential. Bowie was one of the first white artists of the era to overtly engage with black musical styles; other British artists followed suit. The album has been

2235:

The 1991 and 2007 reissues featured "Who Can I Be Now?", "John, I'm Only Dancing (Again)" and "It's Gonna Be Me" as bonus tracks; the latter was released in an alternate version with strings on the 2007 edition. The 1991 reissue replaced the original versions of "Win", "Fascination" and "Right" with

2020:

argued: "Those rock historians who dismiss the album as a white elephant among Bowie's 1970s output underestimate its significance. Because this was Bowie's first display of true fearlessness, rock's most celebrated shape-shifter attempting his first real post-fame metamorphosis." Others agree that

1162:

to create a painting but retracted the offer when he heard that Rockwell would need at least six months to do the job. According to Pegg, another rejected idea was a full-length portrait of Bowie in a "flying suit" and white scarf, standing in front of an American flag and raising a glass. The final

1095:" is a blue-eyed soul reworking that features Lennon on guitar and backing vocals. Bowie had previously called the Beatles' original version "very watery" and wanted to "hammer the hell out of it". His cover has been maligned by critics and biographers. Perone argues it succeeds as a "groove piece". 734:

addiction heightened at a rapid pace during the period; he often stayed awake day and night recording while the band slept. Alomar said the sessions were "fuelled" by drugs, recalling: "He used drugs to keep himself awake. it was more a functional thing , so he'd be 'on' whenever the moment came to

729:

During his time at Sigma Sound, Bowie completely immersed himself in soul music. He created a new persona called "The Gouster", a slang term for a hip street boy, which became one of the album's working titles. Visconti commented that "It wasn't so much a concept as a way of setting the tone that we

1145:

single "John, I'm Only Dancing". This new version mostly retains the original's chorus, but with new verses and an entirely different melody. It was released as a single in 1979. "After Today" is a soul-disco song with a falsetto vocal from Bowie and less polished production compared to other album

1964:

has received mixed reviews from critics and fans in later decades, being dismissed as a purely transitional record and an inauthentic excursion by an artist whose talents lay elsewhere. Others have criticised it for being inconsistent, and lacking strong songwriting and the musical cohesiveness of

783:

and started mixing following the conclusion of the Soul tour in November 1974. Local fans, whom Bowie referred to as the "Sigma Kids", waited outside the studio over the course of the sessions. On the final day of tracking, these fans were invited into the studio to listen to rough versions of the

1087:. Similar to "Right", it uses a call-and-response structure and is embellished in strings, saxophone and synthesisers that hide dark lyrics. Pegg states that the lyrics discuss the idea of celebrity and the "hollowness of fame and adulation". Bowie himself described the song as a "Watch out mate, 1013:

writes that the song introduced the world to an entirely new Bowie, catching everyone by surprise. Bowie said "Win" was about people who "don't work very hard". According to author James E. Perone, the lyrics are more abstract than the previous track and are open to interpretation. Saxophones and

923:

January 1975. Bowie contacted Visconti about the collaborations with Lennon two weeks later. Bowie was apologetic and requested the two tracks be on the final album; they replaced "Who Can I Be Now?", "It's Gonna Be Me" and "After Today". Visconti later said: " beautiful songs and it made me sick

709:

as they were recording, so these effects were heard upon playback. At Sigma Sound, however, the engineers applied effects during the mixing stage. Bowie was initially confounded when hearing the tapes back, as according to biographer Chris O'Leary, he "hadn't heard his 'naked' voice on tape in

721:

The sessions were productive and moved rapidly, only taking two weeks to complete. It was agreed early on to record as much of the album as possible live, with the full band playing together, including Bowie's vocals, as a single continuous take for each song. According to Visconti, the album

1316:

July in the UK, with album track "Right" as the B-side. Although it only reached number 17 in the UK, "Fame" topped the charts in the US. Its chart success was a surprise to Bowie, who recalled in 1990: "Even though had contributed to it and everything, and I had no idea, as with

1125:", which Bowie then used to create "Fame". Lennon's voice is heard interjecting the falsetto "Fame" throughout the song. Bowie later said that Lennon was the "energy" and the "inspiration" for "Fame", which is why he received a writing credit. In 1980, Lennon stated: "We took some 2206:

in 1991, with three bonus tracks. The reissue charted at number 54 on the UK Albums Chart for one week in April 1991. A 1999 edition on EMI featured 24-bit digitally remastered sound and no extra tracks. The 2007 reissue, marketed as a "Special Edition", included an accompanying

560:(1963), so meeting a musician who played at the Apollo meant a lot to him. Alomar had never heard of Bowie when they met, but they immediately connected and formed a working relationship that would last almost 15 years; Alomar became Bowie's guide into American black music. 1476:

called the record "an almost total failure", saying "although the amalgam of rock and Philly soul is so thin it's interesting, it overwhelms David's voice, which is even thinner." He nonetheless appreciated Bowie's renewed "generosity of spirit to risk failure" following

1321:', that that was what a commercial single is. I haven't got a clue when it comes to singles. I just don't know about them, I don't get it, and 'Fame' was really out of left-field for me." In early November, he became one of the first white artists to appear on 1594:

has been called one of Bowie's most influential records. With the album, Bowie was one of the first mainstream white artists to embrace black musical styles, paving the way for other artists to engage in similar styles. Daryl Easlea summarised in

726:. The album represented a change in Bowie's approach to production, allowing the musicians to come up with ideas that Bowie used to write lyrics and melodies. Cherry, Clark and Vandross, in particular, became driving forces of the project. 1021:" evolved out of a Vandross track titled "Funky Music (Is a Part of Me)", which Bowie added new lyrics to. Bowie kept most of Vandross' structure but changed the interplay of the backing vocalists. Doggett cites elements in the novels 5216: 1014:

strings feature throughout, while the backing vocalists are more relaxed and in line with Bowie's lead. Biographer David Buckley calls the track the album's standout and "one of the most gorgeous melodies Bowie has ever written."

1446:

praised the title-track and thought that "the rest of the album works best when Bowie combines his renewed interest in soul with his knowledge of English pop, rather than opting entirely for one or the other." Ray Fox-Cumming of

735:

record." Bowie's cocaine use affected his voice, creating what Bowie himself called "a real raspy sound" that prevented him from singing higher notes. Bowie believed the album contained the highest notes he ever sang on record.

1106:, while Doggett believes its style is more reminiscent of southern music rather than Philly soul. Pegg praises Visconti's string arrangement as one of the album's highlights. Perone likens Bowie's vocal performance to singer 924:

when decided not to use them. I think it was the personal content of the songs which he was a bit reluctant to release, although it was so obscure I don't think even I knew what he was on about in them!" The album was

603: 2035:". Easlea called the record "Bowie for the connoisseur". Positive reviews of the album say that it has aged well, even being considered by some as a masterpiece of "white soul". In 1991, Jon Wilde of 1301:

reached the top five in New Zealand and Sweden, the top ten in Australia and Finland, number 12 in France, 13 in Norway, 17 in Canada and 82 in Japan. According to Buckley, sales were lower than

6035: 3144:

and released as a single in September 1974, reaching the UK top ten. The rendition of "Here Today and Gone Tomorrow" remained unreleased until it was included on the 1990 and 2005 reissues of

5230: 1554:

continued Bowie's run of commercial success, reaching number three in the US. However, his cocaine use continued throughout 1975; he later admitted he had almost no recollection of recording

6207: 689:

August upon Visconti's arrival. Before Philadelphia, Bowie had spent most of his recording career in Britain, where recording methods were different from those in the United States. At

1583:

magazine: "I shouldn't have been quite so hard on myself, because looking back it was pretty good white, blue-eyed soul it was quite definitely one of the best bands I ever had."

6945: 3679: 3878: 5191: 7584: 1203: 6971: 6416: 1121:

song that represents Bowie and Lennon's dissatisfaction with the troubles of fame and stardom. Alomar originally developed the guitar riff for Bowie's cover of "Footstompin

665:

joined the project immediately after Bowie informed him of Weeks' involvement; Visconti co-produced much of Bowie's work for the rest of the decade. Cherry, Alomar's wife

484:

days in the mid-1960s, he began listening to soul records extensively and incorporating soul material into his live sets. In July, towards the end of the first leg of his

5467: 4146: 3737: 1499:

felt the record was more of a transitional one, created out of a confused state of mind not knowing where to take his career next. He enjoyed it despite its flaws. In

6069: 4989: 4690: 4634: 3582: 1787: 6294: 5991: 5427: 5645: 5385: 5014: 4804: 5540: 8876: 7512: 6738: 5686: 892:" period, had met Bowie in Los Angeles in September 1974. The two connected and decided to record together. With Alomar, the two convened at New York City's 6448: 5924: 4016: 5109: 44: 6622: 1463:

a "gem" and a "triumph" filled with "superb" songs aside from the "pretentious" title track, but felt "Across the Universe" and "Fame" were out of place.

6805: 6685: 6662: 6601: 5730: 1491:, John Mendelsohn criticised the lyrics, Bowie's vocal performance, found the melodies "as good as non-existent" and the overall album very weak. In the 1110:. In 1975, Bowie stated that the song was "written for somebody" but declined to disclose who; his biographers agree that it was most likely for Cherry. 6873: 4878: 8960: 6707: 5612: 1049:

between Bowie and the backing singers "lends an air of immaculate sophistication to the lyric's paean to positive thinking", according to biographer

8965: 8386: 4829: 4668: 3980: 1656: 973:", but rather "Bowie and black music do each other". Lyrical themes throughout the album include loneliness, despair and alienation. Biographer 8806: 4945: 1509:

praised the backing band but found the record too "pastiche" to be credible and Bowie's worst release up to that point. In Canada, Bill Man of

378:. As the tour continued the setlist and design began to incorporate the influence of the new material. The recording sessions continued at the 3454: 977:

writes that the album is "a record of high spirits and lively, colliding ideas". One of Bowie's major inspirations when writing the album was

5837: 4985: 4458: 1569:

as Bowie's first album that he performed as himself rather than as a persona. Sandford believed that Bowie showed maturity by not featuring

7872: 2068: 7921: 6327: 1079:

Singer Ava Cherry (pictured in 2016) sang backing vocals throughout the album. She is also the supposed inspiration for "Can You Hear Me?"

625:. All members were unavailable except for percussionist Larry Washington, so Bowie went to New York City for further recruitment. Pianist 8569: 8284: 4071: 3940: 3693: 1005:, which occurred a week before the recording sessions began. The line "I heard the news today, oh boy" was taken from the Beatles' song " 747: 8312: 8168: 6197: 8955: 8562: 8495: 6949: 5968: 3870: 3075: 1226:, his second top 40 entry and second-highest chart peak in the US up to that point. Bowie's November 1974 performance of the song on 6382: 5172: 2010:

opined that the album is "easy to overlook" because Bowie "did most of these robot-soul space-funk tricks better two years later on

1033:(1974) as inspirations for the title, while Buckley writes that it reaffirms the 'strange fascination' motif of Bowie's 1971 track " 587:, the home of many well-known black American musicians. At the end of the first leg of the tour, Bowie returned to New York City to 6840: 4915: 2083: 8950: 7865: 6408: 6089: 2947: 884: 513:(1974). Bowie had grown tired of the tour's lavish set-pieces and theatricality and was ready to fully embrace black soul music. 6852: 7914: 3036: 1668: 1084: 819:

provided by Visconti showed "John, I'm Only Dancing (Again)", "Who Can I Be Now?" and "It's Gonna Be Me" in the track-listing.

755: 5453: 5350: 2236:

alternate mixes, but later reissues restored the original mixes. Another outtake, "After Today", appeared on the 1989 box set

8259: 7507: 7482: 7431: 7408: 7382: 7354: 7325: 7293: 7265: 7236: 7208: 7183: 7164: 7139: 7111: 7088: 7058: 7039: 7016: 6523: 6172: 6129: 6083: 5274: 5080: 4138: 3343: 904:". In Visconti's absence, the session was co-produced by Bowie and Maslin. Alongside Alomar, Bowie invited Slick and drummer 7928: 3727: 1335:"; he was one of the first white artists to appear on the programme. He then sang "Fame" and "Can You Hear Me?" live on the 8414: 8038: 7837: 4970: 2418: 1099: 7935: 4698: 4622: 3572: 8608: 8361: 7633: 7103: 6282: 5999: 5501: 4111: 5410: 2002:

as an overlooked album that occupies a troubled place in Bowie's discography, being sequenced between Bowie's Ziggy and

827: 8460: 8305: 8231: 7992: 7802: 7654: 7570: 2221: 1293: 1171:

August 1974 by photographer Eric Stephen Jacobs. Jacobs took inspiration from a similar photo he took of choreographer

584: 501: 439: 27: 6819: 5635: 5372: 5025: 4787: 4227: 8523: 8238: 8196: 8189: 8182: 7647: 7275: 6542:

Poet, J. (17 August 2007). "Young Americans (Special Edition)/The Best of David Bowie 1980/1987: Sight & Sound".

5527: 1799: 1406:

predicted that the album would appease Bowie's current fans and open him up to new ones. It was further described by

1318: 998: 974: 480:, which predicted the musical direction for Bowie's next project. While his interest in soul music dated back to his 6748: 8799: 8488: 8319: 7527: 6865: 5672: 1646: 489: 20: 6895: 3629:

Beaumont, Mark (21 February 2020). "Cocaine, No Sleep and Deep Soul: The Story of David Bowie's Young Americans".

8733: 8421: 8052: 7537: 6438: 5914: 4006: 1332: 556: 5100: 8990: 8407: 8210: 7956: 7682: 6618: 2316: 1638: 1018: 908:, making their debuts on a Bowie record, as well as bassist Emir Ksasan from the Soul tour band. Percussionist 848: 6677: 6025: 5716: 8393: 8013: 7879: 7311: 6924: 6154: 6115: 3060: 2394: 1911: 1861: 1322: 1092: 588: 5137: 8453: 8347: 6799: 6656: 6595: 5681: 5600: 1487: 1215:. In the US, it was released in edited form, omitting two verses and a chorus. It reached number 18 on the 6715: 1550:

period that foreshadowed the album's direction included "Win", "Can You Hear Me?" and "Who Can I Be Now?"

742:, including "After Today", "Who Can I Be Now?", "It's Gonna Be Me", a rerecording of Bowie's 1972 single " 8980: 8975: 8970: 8516: 7999: 7858: 7717: 7710: 7689: 7661: 5226: 1009:", acknowledging Lennon's influence on Bowie and their imminent collaboration later on the album. Author 465: 8995: 8707: 8298: 7985: 7257: 5568: 2061:. The magazine argued that its style shift helped introduce Bowie to a wider audience. That same year, 1570: 1546:, recorded in Los Angeles from September to November 1975 and released in January 1976. Songs from the 1506: 1034: 4841: 4660: 3966: 2232:. It was released in CD, vinyl, and digital formats, both as part of this compilation and separately. 8481: 8354: 8340: 8277: 7795: 7703: 7475: 7400: 7253: 5640: 5572: 3975: 3204: 3174: 2238: 1455: 1046: 957: 743: 5015:"Swedish Charts 1972–1975/Kvällstoppen – Listresultaten vecka för vecka > Mars 1975 > 25 Mars" 4937: 3172:

This version of "It's Hard to Be a Saint in the City" differs from the released version on the 1990

8985: 8848: 8467: 8326: 8161: 8133: 8098: 7963: 7830: 7823: 7561: 7553: 3444: 2337: 1038: 638: 5827: 4866: 4448: 8792: 8643: 8576: 8080: 7738: 7626: 7522: 7517: 7502: 4941: 4911: 4453: 3928: 2873: 2798: 2436: 1984: 1114: 901: 395: 280: 1983:; at times, it comes off as an artist trying very hard to demonstrate how unpredictable he is." 1679:

as a whole served as an influence not only on other funk artists such as Clinton but also early

8896: 8785: 8778: 8613: 8603: 8555: 8509: 8333: 7851: 7374: 7346: 6350: 6317: 5066: 2284: 2051:

is a fantastic soul record, but soul with something else going on. There's an edginess to it."

1559: 990: 765: 267: 8066: 7150: 4057: 3932: 1433:

Amongst mixed reviews, some enjoyed certain tracks but disregarded the collection as a whole.

839:

The Soul tour ended in December 1974, after which Bowie, Visconti and Alomar regrouped at the

8883: 8757: 8712: 8502: 8428: 8291: 8045: 7675: 7247: 7008: 6565: 6492: 6374: 6322: 6164: 5832: 3636: 1177: 893: 654: 399: 108: 406:. The album's cover artwork is a back-lit photograph of Bowie taken by Eric Stephen Jacobs. 8945: 8924: 8906: 8771: 8677: 8140: 8105: 8006: 7900: 7532: 7468: 7200: 7072: 6470: 5462: 5380: 5138:"InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste" 2072: 1651: 1453:

described the sound as "spasmodic, awkward, frustrating" and having "a joyless energy". In

1402: 760: 702: 516: 5954: 1655:(1977). Clinton also used a modified version of the "Fame" instrumental for Parliament's " 633:

and percussionist Pablo Rosario were retained from the Diamond Dogs Tour, while guitarist

8: 8702: 8593: 8379: 8252: 7809: 7759: 6553: 6544: 6515: 6160: 5102:

Sisältää hitin – 2. laitos Levyt ja esittäjät Suomen musiikkilistoilla 1.1.1960–30.6.2021

4066: 2488: 2115: 1971: 1849: 1103: 897: 564: 391: 347: 93: 4903: 8623: 7619: 7423: 7369: 6075: 4799: 3577: 3187:

Vandross released his own version of "Funky Music (Is a Part of Me)" on his 1976 album

2705: 2212: 1684: 1614: 1542: 1418: 1288: 650: 424: 232: 6061: 2043:"serves as a reminder of just how far Bowie was ahead of the game in the mid-." Actor 889: 865:, while Bowie remained in New York, working on separate mixing with in-house engineer 8890: 8764: 8618: 8598: 8203: 8119: 7844: 7731: 7696: 7668: 7427: 7404: 7378: 7350: 7321: 7289: 7279: 7261: 7232: 7204: 7179: 7160: 7135: 7107: 7084: 7054: 7035: 7012: 6913: 6557: 6519: 6484: 6366: 6202: 6168: 6125: 6079: 5345: 5270: 5076: 5071: 5043: 3732: 2858: 2760: 2027: 1899: 1642: 1468: 1385: 1220: 1212: 1006: 925: 862: 751: 576: 485: 355: 328: 6938: 5807: 422:"Fame" became Bowie's first number one hit. Bowie continued developing its sound on 8843: 8751: 8672: 8435: 8147: 7886: 7080: 6247: 6057: 5340: 5336: 4106: 3449: 1923: 1597: 1533: 1511: 1473: 1373: 1341: 1257: 1216: 1208: 1029: 948: 622: 481: 366:, who became one of Bowie's most frequent collaborators, and the backing vocalists 332: 130: 3351: 713: 594:, listening to various black albums in preparation for his return to Sigma Sound. 8838: 8126: 8112: 7893: 7816: 7336: 7222: 7194: 7125: 7002: 6150: 6146: 6030: 3640: 3631: 2959: 2617: 2569: 2323: 2016: 2003: 1754: 1515:

was also disappointed, believing Bowie should "focus his talents more directly".

1284: 1236: 1159: 978: 909: 853: 694: 690: 670: 610: 580: 375: 177: 6569: 6496: 6378: 835:(pictured in 1975) collaborated with Bowie for "Across the Universe" and "Fame". 8869: 8853: 8740: 8653: 8633: 8474: 8175: 7766: 7640: 6193: 5221: 3189: 2773: 2404: 1626: 944: 722:

contains "about 85% 'live' David Bowie". Most of the material was built out of

698: 658: 551: 539: 419: 336: 250: 125: 5493: 4101: 1129:

middle eight and did it backwards, you know, and we made a record out of it!"

8939: 8548: 8217: 7317: 7307: 7303: 7285: 7218: 7156: 7131: 7121: 6888: 6561: 6488: 6370: 6121: 5950: 5712: 5535: 4718: 4716: 4011: 4002: 3688: 3159: 2885: 2581: 2508: 2493: 2472: 2443: 2153: 2007: 1680: 1622: 1496: 1449: 1435: 1277: 1185:' New York City office. Sandford calls it one of the "classic" album covers. 1126: 1063: 1050: 1023: 1010: 1002: 844: 706: 673:, Anthony Hinton and Diane Sumler performed backing vocals for the sessions. 662: 630: 535: 524: 413: 363: 359: 192: 103: 4213: 2228:, which also includes an earlier, rawer-sounding draft of the album, titled 1995:

is "more enjoyable as a stylistic adventure than as a substantive record".

1412:

as Bowie's "most compelling album to date" and his best studio record since

1247: 8858: 8833: 8823: 8648: 8628: 8530: 8400: 8154: 8073: 8059: 7724: 7605: 7591: 7031: 6899: 6827: 6475: 6111: 5963: 5919: 5581: 5422: 4053: 3045: 2656: 2632: 2608: 2526: 2517: 2215:

mixes of the album and Bowie's November 1974 interview and performances on

2195: 2077: 1966: 1630: 1579: 1501: 1408: 1088: 952: 905: 880: 866: 840: 812: 646: 642: 568: 497: 456: 403: 379: 351: 340: 308: 187: 165: 99: 6920: 4713: 3140:

This rendition of "Knock on Wood" was included on the original release of

2081:. The album was also included in the 2018 edition of Robert Dimery's book 1400:

was released to a generally favorable reception, particularly in America.

912:

and backing vocalists Jean Fineberg and Jean Millington also contributed.

8828: 8664: 7947: 7750: 7491: 7392: 7228: 6791: 6648: 6587: 3178:

box set, and remains unreleased. Springsteen himself visited the session.

2593: 2563: 2499: 2484: 2400: 2252: 1660: 1610: 1194: 1182: 1164: 994: 970: 876: 873: 832: 780: 723: 666: 626: 547: 543: 493: 469: 451: 387: 383: 371: 320: 312: 201: 170: 118: 57: 8863: 8638: 8224: 7907: 7788: 7577: 7449: 7364: 6743: 5596: 2701: 2557: 2535: 2044: 1634: 1606: 1602: 1443: 1327: 1172: 1083:

The title of "Somebody Up There Likes Me" was taken from the 1956 film

966: 965:

tendencies" and the "warm earnestness" of soul and R&B. Biographer

929: 769: 634: 572: 509: 505: 477: 367: 214: 140: 6972:"David Bowie en chiffres : un artiste culte, mais pas si vendeur" 5050:

peaked at the number-six on the list in the fourth week of March 1975.

2031:

arguing that "it's impossible to imagine Bowie's later albums without

1562:

in May 1976, he moved to Europe to rid himself of his drug addiction.

1181:

magazine. Using that photo, Craig DeCamps designed the final cover at

621:("Mother Father Sister Brother"), Sigma Sound's house band of over 30 382:

in New York City at the tour's end. A collaboration between Bowie and

8697: 8031: 5992:"David Bowie Influenced More Musical Genres Than Any Other Rock Star" 4222: 4139:"David Bowie Influenced More Musical Genres Than Any Other Rock Star" 2869: 2786: 2512: 1537: 1155: 1142: 1118: 523:

was the beginning of Bowie's working relationship with the guitarist

461: 324: 1287:

for 17 weeks, peaking at number two, being kept off the top spot by

1261:

in November 1975. He sang "Fame" and "Can You Hear Me?" on the show.

1163:

cover photo, a back-lit and airbrushed photo of Bowie, was taken in

19:

This article is about the album by David Bowie. For other uses, see

8901: 7420:

Tony Visconti: the Autobiography: Bowie, Bolan and the Brooklyn Boy

7068: 6021: 5262: 5187: 5108:(in Finnish). Helsinki: Kustannusosakeyhtiö Otava. pp. 36–37. 3347: 2846: 2199: 1988: 1717: 1618: 1107: 962: 637:

was replaced by Alomar. At Alomar's suggestion, Bowie hired former

327:

style of previous albums, the record showcased Bowie's interest in

7176:

Rock On: The Illustrated Encyclopedia Of Rock N' Roll, 1964 – 1978

1331:, where he gave a mimed performance of "Fame" and his new single " 1075: 602: 8245: 7598: 7454: 6946:"American album certifications – David Bowie – Young Americans" 6896:"Canadian album certifications – David Bowie – Young Americans" 6394: 5141: 3409: 3407: 3405: 3403: 3401: 3399: 3397: 3395: 3393: 3391: 3389: 2225: 776:". He was inarticulate and visibly drugged during his interview. 739: 731: 434: 6921:"British album certifications – David Bowie – Young Americans" 5828:"Revisiting David Bowie's Art-Funk Classic 'Station to Station'" 5795: 3728:"Revisiting David Bowie's divisive 1975 album 'Young Americans'" 3387: 3385: 3383: 3381: 3379: 3377: 3375: 3373: 3371: 3369: 8746: 7342: 3157:

Bowie's decaying mental state was showcased in the documentary

2822: 2057:

was voted Bowie's ninth best album in a 2013 readers' poll for

1687: 1283:

chart and remained on the chart for 51 weeks. It stayed on the

1054: 685:

August 1974, with official work starting three days later on 11

412:

was Bowie's breakthrough in the US, reaching the top 10 on the

7460: 3834: 3832: 26:"Who Can I Be Now?" redirects here. For the 2016 box set, see 7585:

The Rise and Fall of Ziggy Stardust and the Spiders from Mars

6763: 5266: 4938:"Official Albums Chart Top 50: 06 April 1975 – 12 April 1975" 4733: 4731: 4556: 4554: 4517: 4515: 4364: 4362: 4298: 4296: 4294: 4292: 4290: 3525: 3523: 3521: 3366: 2834: 2552: 1138: 1102:", originally "Take It in Right", is described by O'Leary as 896:

in January 1975, recording a cover of Lennon's Beatles song "

613:(pictured in 2000), a then-unknown singer from New York City. 362:, and includes a variety of musicians, such as the guitarist 52: 6473:(20 June 2004). "OMM: The Top 100 Greatest British Albums". 5749: 750:", "Lazer", "Shilling the Rubes", a scrapped rerecording of 6846: 5955:"An Interview with David Bowie for the April 1990 Issue of 5766: 5764: 3829: 3508: 3506: 3504: 3502: 3500: 3498: 3496: 2810: 2548: 1252: 618: 473: 135: 6318:"Revisiting David Bowie's R&B Move, 'Young Americans'" 4728: 4551: 4512: 4500: 4413: 4359: 4335: 4287: 4263: 4253: 4251: 4249: 4247: 4245: 3904: 3902: 3900: 3898: 3896: 3807: 3805: 3803: 3659: 3518: 3301: 3299: 3297: 3295: 3293: 3291: 3289: 3287: 3285: 3283: 3281: 3279: 3277: 3275: 3273: 3271: 3269: 3267: 7196:

Rebel Rebel: All the Songs of David Bowie from '64 to '76

6590:. US/Europe: Rykodisc/EMI. 1991. RCD 10140/CDP 79 6436 2. 6443: 5898: 5788: 5725: 4767: 4765: 4763: 4761: 4691:"'Young Americans' is Next 40th Anniversary Picture Disc" 3967:"David Bowie Fell to Earth and Found His Plastic Soul on 3311: 3265: 3263: 3261: 3259: 3257: 3255: 3253: 3251: 3249: 3247: 2208: 2203: 2063: 2025:

deserves a spot in Bowie's discography, with Sam Kemp of

1837: 1336: 1231: 1058: 6222: 5864: 5761: 5292: 5290: 5288: 5286: 5046:

combined sales for albums and singles in the one chart;

4527: 4478: 4476: 4430: 4428: 4391: 4389: 3535: 3493: 7338:

Notes from the Velvet Underground: The Life of Lou Reed

7100:

David Bowie All the Songs: The Story Behind Every Track

7051:

Strange Fascination – David Bowie: The Definitive Story

7028:

Strange Fascination – David Bowie: The Definitive Story

5852: 4578: 4566: 4242: 4190: 4188: 4102:"Bad is Good and Eric Nods, David Bowie Goes to Philly" 3893: 3849: 3847: 3800: 3776: 3764: 3752: 1422:

praised Bowie as an artist. In their end-of-year list,

943:

presented a new musical direction for Bowie, exploring

6255: 6071:

Christgau's Record Guide: Rock Albums of the Seventies

5314: 5302: 4758: 4748: 4746: 4401: 4173: 3788: 3547: 3323: 3244: 7127:

The Man Who Sold the World: David Bowie and the 1970s

6834: 5283: 4602: 4473: 4425: 4386: 4313: 4311: 4161: 3111:

Sales+streaming figures based on certification alone.

5331: 5329: 5158:

Note: user must select 'David BOWIE' from drop-down.

4623:"David Bowie changes course towards (plastic) soul: 4590: 4488: 4323: 4185: 3844: 3817: 2531:(all tracks except "Across the Universe" and "Fame") 2522:(all tracks except "Across the Universe" and "Fame") 1045:

to feature Bowie's old friend Geoff MacCormack. The

788:, the album's other several working titles included 8877:

David Bowie Narrates Prokofiev's Peter and the Wolf

6841:"Italiancharts.com – David Bowie – Young Americans" 5259:

Oricon Album Chart Book: Complete Edition 1970–2005

4743: 4539: 4374: 4347: 4275: 3647: 2075:voted it the 88th best British album in a list for 7936:David Bowie at the Kit Kat Klub (Live New York 99) 5585:. p. 31 – via The History of Rock 1975. 4308: 3481: 3469: 6853:"Swisscharts.com – David Bowie – Young Americans" 6276: 6274: 6272: 6270: 6026:"Bowie's Many Faces Are Profiled On Compact Disc" 5326: 4048: 4046: 4044: 4042: 4040: 4038: 4036: 4034: 3230:Credited in the 1975 liner notes as Eric Stephen. 3035: 8937: 3635:. London: Independent Digital News & Media. 1577:. He later reversed his stance in 1990, telling 1528:Bowie continued developing the funk and soul of 961:described the album as a cross between Bowie's " 579:and the favourite studio of writer-producer duo 8662: 7945: 7748: 7397:David Bowie – Starman: The Definitive Biography 6804:: CS1 maint: others in cite AV media (notes) ( 6661:: CS1 maint: others in cite AV media (notes) ( 6613: 6611: 6600:: CS1 maint: others in cite AV media (notes) ( 5563: 5561: 5521: 5519: 4904:"David Bowie > Artists > Official Charts" 3107:Shipments figures based on certification alone. 1975:: "It doesn't have the mad theatrical scope of 1657:Give Up the Funk (Tear the Roof off the Sucker) 888:. Lennon, who was in what he later termed his " 554:. One of Bowie's favourite records was Brown's 8807:We Were So Turned On: A Tribute to David Bowie 6782: 6780: 6778: 6439:"The 500 Greatest Albums Of All Time: 200–101" 6267: 5787:(CD booklet). David Bowie (reissue ed.). 4031: 3960: 3958: 2067:ranked the album at number 175 in its list of 1760: 1722: 1485:, which Christgau had found disappointing. In 730:were going to make a very hip album." Bowie's 7476: 6241:Troussé, Stephen (April 2007). "David Bowie: 4986:Recording Industry Association of New Zealand 3680:"Aug. 11, 1974: David Bowie starts recording 3671: 3573:"David Bowie: The Story of 'Young Americans'" 2242:, as did the alternate mix of "Fascination". 1091:on your back" warning. Bowie's rendition of " 969:said the album does not showcase "Bowie does 571:to work on recordings with American musician 446: 7929:Look at the Moon! (Live Phoenix Festival 97) 6858: 6739:"David Bowie: Who Can I Be Now? (1974/1976)" 6608: 6537: 6535: 6409:"Readers' Poll: The Best David Bowie Albums" 5912: 5888:Staunton, Terry (4 May 1991). "David Bowie: 5558: 5516: 5167: 5165: 4207: 4205: 4203: 3624: 3566: 3564: 3562: 2725: 2471:According to the liner notes and biographer 2219:. In 2016, the album was remastered for the 2159: 2121: 1929: 1867: 1805: 879:was working at the Record Plant on his 1975 437:, and was remastered in 2016 as part of the 339:; Bowie himself labelled the album's sound " 335:. Music critics have described the sound as 7192: 6775: 6509: 5883: 5881: 5879: 5801: 5525: 5211: 5209: 5094: 5092: 5009: 5007: 4861: 4859: 4782: 4780: 4722: 3955: 3923: 3921: 3919: 3917: 3622: 3620: 3618: 3616: 3614: 3612: 3610: 3608: 3606: 3604: 3413: 3208:box set. A faster, alternate take, dated 13 2710:Eric Stephen Jacobs – cover photograph 617:For the backing band, Bowie wanted to hire 354:in August 1974, after the first leg of his 7483: 7469: 7067: 6309: 6188: 6186: 6184: 5755: 5670: 5636:"Bowie's Album Superb, Cooper's Masterful" 5253: 5251: 5132: 5130: 5061: 5059: 5057: 4965: 4963: 4898: 4896: 4654: 4652: 4620: 4095: 4093: 4091: 4089: 3438: 3436: 3434: 3432: 3430: 3428: 3426: 3424: 3422: 2572: – backing vocals, vocal arrangements 1308:The second single "Fame" was released on 2 717:Bowie performing on the Soul tour in 1974. 496:and "Here Today and Gone Tomorrow" by the 43: 7964:Live at La Cigale, Paris, 25th June, 1989 7873:Welcome to the Blackout (Live London '78) 7302: 6950:Recording Industry Association of America 6532: 6483:. London: Guardian News & Media Ltd. 6280: 6228: 6145:Sheffield, Rob (2004). "David Bowie". In 6144: 6056: 5711: 5445: 5335: 5162: 4658: 4200: 4001: 3868: 3721: 3719: 3717: 3715: 3713: 3711: 3559: 3212:August 1974, later leaked online in 2009. 488:, he performed covers of the soul songs " 8961:Albums recorded at Electric Lady Studios 8387:Ziggy Stardust and the Spiders from Mars 7922:No Trendy Réchauffé (Live Birmingham 95) 7417: 7274: 7227:(Revised and Updated ed.). London: 6963: 6514:(Revised and Updated ed.). London: 6512:1001 Albums You Must Hear Before You Die 6192: 5949: 5887: 5876: 5825: 5206: 5098: 5089: 5004: 4856: 4777: 3914: 3908: 3864: 3862: 3838: 3628: 3601: 2084:1001 Albums You Must Hear Before You Die 1693: 1637:. Bowie was also referenced directly by 1272:March 1975, with the catalogue number RS 1246: 1074: 826: 712: 676: 601: 534:In early 1974, Bowie met funk guitarist 515: 7148: 7120: 7048: 7025: 7000: 6969: 6855:. Hung Medien. Retrieved 25 July 2020. 6843:. Hung Medien. Retrieved 25 July 2020. 6708:"Who Can I Be Now? (1974–1976) details" 6510:Dimery, Robert; Lydon, Michael (2018). 6342: 6240: 6181: 5858: 5627: 5320: 5308: 5248: 5127: 5075:. St Ives, NSW: Australian Chart Book. 5054: 4960: 4893: 4771: 4737: 4649: 4560: 4521: 4506: 4446: 4419: 4407: 4368: 4341: 4302: 4269: 4179: 4086: 3964: 3869:Bernstein, Jonathan (4 December 2021). 3794: 3665: 3553: 3529: 3445:"David Bowie: Blue-and-green-eyed soul" 3419: 3317: 2596: – vocals, guitar, backing vocals 1540:influences, for his next studio album, 1276:1006. It reached number nine on the US 1158:, Bowie initially wanted to commission 919:was completed at the Record Plant on 12 851:" and "Win". At this point, Bowie told 8966:Albums recorded at Sigma Sound Studios 8938: 8313:A New Career in a New Town (1977–1982) 7391: 7334: 7245: 6736: 6469: 6261: 6210:from the original on 11 September 2017 6110: 5840:from the original on 28 September 2019 5595: 5494:"NME's best albums and tracks of 1975" 5099:Pennanen, Timo (2021). "David Bowie". 4637:from the original on 14 September 2021 4257: 4211: 4167: 3708: 3442: 3202:This version was released on the 1989 2995:Australian Albums (Kent Music Report) 1669:Hot (I Need to Be Loved, Loved, Loved) 1193:RCA released "Young Americans" as the 7464: 7363: 7097: 6651:. Europe: EMI. 1999. 7243 521905 0 8. 6348: 6315: 6050: 5989: 5913:Charlesworth, Chris (13 March 1976). 5826:Gallucci, Michael (23 January 2016). 5816:, pp. 54–55: "Can You Hear Me?". 5633: 5567: 5546:from the original on 12 November 2022 5504:from the original on 24 November 2022 5451: 4596: 4533: 4494: 4449:"The Top 20 Greatest Funk Rock Songs" 4329: 4194: 4136: 4019:from the original on 20 February 2018 3859: 3853: 3823: 3677: 3570: 3512: 3088: 2671:Mike Hutchinson – tape operator 2453: 2431: 2413: 2389: 2375: 2332: 2311: 2297: 2279: 2100: 1703: 1358: 1348: 1230:was used as promotion, airing on the 563:While in Pennsylvania, Bowie visited 542:session musician who had played with 7908:Something in the Air (Live Paris 99) 7866:Cracked Actor (Live Los Angeles '74) 7217: 7178:. New York City: Thomas Y. Crowell. 7173: 6876:from the original on 8 December 2012 6769: 6688:from the original on 25 October 2023 6675: 6541: 6385:from the original on 27 October 2023 5870: 5813: 5782: 5770: 5648:from the original on 25 October 2023 5470:from the original on 25 October 2023 5296: 5194:from the original on 16 October 2013 5115:from the original on 22 January 2022 5065: 4948:from the original on 29 October 2021 4918:from the original on 3 November 2013 4810:from the original on 25 January 2022 4752: 4608: 4584: 4572: 4545: 4482: 4434: 4395: 4380: 4353: 4317: 4281: 4114:from the original on 25 October 2023 4099: 4074:from the original on 1 February 2020 4052: 3927: 3881:from the original on 17 January 2024 3811: 3782: 3770: 3758: 3725: 3653: 3541: 3487: 3475: 3457:from the original on 23 October 2023 3341: 3329: 3305: 2979:1975 year-end chart performance for 2730: 2653:Tony Visconti – producer, mixer 2626:Jean Fineberg – backing vocals 2575:Anthony Hinton – backing vocals 2478: 1523: 951:. Bowie himself labelled its sound " 822: 609:features backing vocals from singer 597: 460:in May 1974. His final album in the 7915:I'm Only Dancing (The Soul Tour 74) 6970:Breteau, Pierre (11 January 2016). 6737:Gerard, Chris (28 September 2016). 6625:from the original on 26 August 2021 6451:from the original on 4 January 2017 6330:from the original on 30 August 2020 6020: 3995: 3221:Its US release came in early April. 2695:David Thoener – tape operator 2683:David Whitman – tape operator 2069:the 500 Greatest Albums of All Time 1762: 1724: 1053:. In 1975, Bowie called the song a 756:It's Hard to Be a Saint in the City 681:Demo work began at Sigma Sound on 8 398:" during a January 1975 session at 13: 7803:Ziggy Stardust: The Motion Picture 7249:The Words and Music of David Bowie 6297:from the original on 30 March 2022 6038:from the original on 16 April 2016 5915:"David Bowie: Ringing the Changes" 5554:– via worldradiohistory.com. 5526:Fox-Cumming, Ray (15 March 1975). 5441:– via worldradiohistory.com. 5399:– via worldradiohistory.com. 5391:from the original on 5 August 2020 5353:from the original on 13 March 2016 4818:– via worldradiohistory.com. 4803:. 15 March 1975. pp. 22, 40. 4621:Barendregt, Erwin (7 March 2020). 4230:from the original on 30 April 2019 3943:from the original on 24 April 2019 3163:, filmed on the Diamond Dogs Tour. 2973: 2928:2016 weekly chart performance for 2900:1991 weekly chart performance for 2741:1975 weekly chart performance for 2689:Kevin Herron – tape operator 2659: – producer, mixer, engineer 2637:("Across the Universe" and "Fame") 2628:("Across the Universe" and "Fame") 2622:("Across the Universe" and "Fame") 2613:("Across the Universe" and "Fame") 2604:("Across the Universe" and "Fame") 2598:("Across the Universe" and "Fame") 2589:("Across the Universe" and "Fame") 2578:Diane Sumler – backing vocals 1699:Retrospective professional ratings 1466:Several critics were negative. In 585:Philadelphia International Records 502:Upper Darby Township, Pennsylvania 14: 9007: 8524:The Best of David Bowie 1980/1987 8239:The Best of David Bowie 1980/1987 8197:The Best of David Bowie 1974/1979 8190:The Best of David Bowie 1969/1974 7648:Scary Monsters (and Super Creeps) 7442: 7004:British Progressive Pop 1970-1980 6156:The New Rolling Stone Album Guide 6117:The Encyclopedia of Popular Music 6092:from the original on 3 March 2016 4881:from the original on 12 July 2020 4671:from the original on 3 April 2023 4661:"Top 10 David Bowie Album Covers" 4149:from the original on 14 July 2023 3983:from the original on 8 April 2020 3016: 2713:Craig DeCamps – cover design 2161: 2123: 1931: 1869: 1807: 1800:The Encyclopedia of Popular Music 454:released his eighth studio album 8956:Albums produced by Tony Visconti 8920: 8919: 8800:The Life Aquatic Studio Sessions 7901:Ouvrez le Chien (Live Dallas 95) 6812: 6730: 6700: 6680:Young Americans [CD/DVD] 6669: 6637: 6619:"Young Americans (1991 version)" 6576: 6503: 6463: 6431: 6419:from the original on 29 May 2021 6401: 6234: 6138: 6120:(5th concise ed.). London: 6104: 6014: 5983: 5971:from the original on 8 June 2023 5943: 5906: 5819: 5776: 5705: 5664: 5615:from the original on 29 May 2012 5589: 5433:from the original on 30 May 2022 4992:from the original on 21 May 2017 4461:from the original on 28 May 2023 4007:"David Bowie's Essential Albums" 3965:Naftule, Ashley (6 March 2020). 3740:from the original on 23 May 2023 3678:Smith, Lauren (11 August 2011). 3585:from the original on 20 May 2023 3443:Easlea, Daryl (8 October 2007). 3224: 3096: 2735: 2587:Pablo Rosario – percussion 2245: 2180: 2175: 2170: 2165: 2160: 2142: 2137: 2132: 2127: 2122: 1950: 1945: 1940: 1935: 1930: 1888: 1883: 1878: 1873: 1868: 1826: 1821: 1816: 1811: 1806: 1776: 1771: 1766: 1761: 1743: 1738: 1733: 1728: 1723: 1671:" (1975). In 2016, Joe Lynch of 1647:P. Funk (Wants to Get Funked Up) 1430:the seventh best album of 1975. 1175:for the September 1974 cover of 464:genre, it contained two songs, " 21:Young Americans (disambiguation) 16:1975 studio album by David Bowie 8362:Brilliant Adventure (1992–2001) 8053:Live EP (Live at Fashion Rocks) 7490: 6281:Sheffield, Rob (13 June 2007). 6198:"Return of the Thin White Duke" 6159:(4th ed.). New York City: 5927:from the original on 6 May 2021 5733:from the original on 5 May 2021 5689:from the original on 5 May 2021 5671:Mendelsohn, John (April 1975). 5486: 5403: 5365: 5229:. 26 April 1975. Archived from 5072:Australian Chart Book 1970–1992 4930: 4822: 4683: 4614: 4440: 4130: 3215: 3196: 3181: 3166: 3151: 2602:Emir Ksasan – bass guitar 1565:Commentators have acknowledged 738:The sessions produced numerous 8951:Albums produced by David Bowie 8408:Tin Machine Live: Oy Vey, Baby 7957:Tin Machine Live: Oy Vey, Baby 5990:Lynch, Joe (14 January 2016). 5269:: Oricon Entertainment. 2006. 4137:Lynch, Joe (14 January 2016). 3871:"Greg Calbi's Invisible Touch" 3571:Black, Johnny (January 2004). 3335: 3134: 2360: 2264: 748:John, I'm Only Dancing (Again) 575:. Sigma Sound was the home of 1: 8306:Who Can I Be Now? (1974–1976) 8183:The Deram Anthology 1966–1968 7313:Spin Alternative Record Guide 7152:David Bowie: The Golden Years 6925:British Phonographic Industry 5935:– via Rock's Backpages 5741:– via Rock's Backpages 5697:– via Rock's Backpages 5634:Lloyd, Jack (30 March 1975). 5478:– via Rock's Backpages 5384:. 15 March 1975. p. 80. 5140:. infodisc.fr. Archived from 4447:Elliott, Paul (30 May 2016). 3593:– via Rock's Backpages 3237: 2677:Eddie Kramer – engineer 2665:Carl Parulow – engineer 2222:Who Can I Be Now? (1974–1976) 1912:Spin Alternative Record Guide 1862:The Rolling Stone Album Guide 440:Who Can I Be Now? (1974–1976) 433:reissued multiple times with 358:. The record was produced by 28:Who Can I Be Now? (1974–1976) 8489:Bowie – The Video Collection 8320:Loving the Alien (1983–1988) 7880:Serious Moonlight (Live '83) 7077:Bowie: An Illustrated Record 6790:(liner notes). David Bowie. 6712:David Bowie Official Website 6316:Giles, Jeff (7 March 2016). 5979:– via pauldunoyer.com. 5452:Gross, Michael (June 1975). 5426:. 15 March 1975. p. 1. 5341:"Christgau's Consumer Guide" 5225:. Vol. 23, no. 9. 5024:(in Swedish). Archived from 4838:David Bowie Official Website 4695:David Bowie Official Website 4100:Bill, Mann (12 April 1975). 2964: 2952: 2920: 2892: 2878: 2863: 2851: 2839: 2827: 2815: 2803: 2791: 2779: 2765: 2466: 2379:"Somebody Up There Likes Me" 2198:by RCA in 1984, and then by 1965:Bowie's other 1970s albums. 1586: 581:Kenneth Gamble and Leon Huff 472:", that exhibit elements of 386:yielded a cover of Lennon's 346:Recording sessions began at 7: 6621:. Official Charts Company. 6206:. No. 11. p. 88. 5656:– via Newspapers.com 5227:Library and Archives Canada 4122:– via Newspapers.com 2650:David Bowie – producer 2584: – string arrangements 2504:("Fascination" and "Right") 2090: 1268:was released in the UK on 7 1132: 1070: 984: 10: 9012: 7571:The Man Who Sold the World 7306:(1995). "David Bowie". In 7258:Greenwood Publishing Group 6993: 6676:Erlewine, Stephen Thomas. 6349:Wilde, Jon (11 May 1991). 3726:Kemp, Sam (7 March 2022). 3002: 2994: 2883: 2868: 2856: 2844: 2832: 2820: 2808: 2796: 2770: 2758: 2251:All tracks are written by 1979:or the formal audacity of 1690:genre of the early 1990s. 1188: 1149: 1141:reworking of Bowie's 1972 847:to record two new songs, " 797:Somebody Up There Likes Me 447:Background and development 286:Released: 2 June 1975 (US) 273:Released: 21 February 1975 83:August 1974 – January 1975 25: 18: 8915: 8816: 8723: 8690: 8586: 8540: 8445: 8371: 8355:Brilliant Live Adventures 8269: 8090: 8023: 7977: 7780: 7546: 7498: 7401:Little, Brown and Company 7246:Perone, James E. (2007). 7104:Black Dog & Leventhal 5641:The Philadelphia Inquirer 4659:Kachejian, Brian (2020). 3104: 3093: 3073: 3058: 3043: 3032: 3029: 2989: 2986: 2938: 2935: 2910: 2907: 2751: 2748: 2726:Charts and certifications 2370: 2367: 2364: 2359: 2274: 2271: 2268: 2263: 2108: 2105: 1998:Some critics have viewed 1711: 1708: 1649:" (1976) and in the film 1518: 1456:The Philadelphia Inquirer 1366: 1363: 872:During this time, former 779:Bowie and Visconti added 661:, respectively. Producer 583:; the two had co-founded 296: 260: 249: 245: 208: 200: 176: 164: 148: 117: 87: 79: 64: 51: 42: 37: 8829:Angie Bowie (first wife) 8793:Symphony No. 12 "Lodger" 8503:Jump: Interactive CD-ROM 8327:Spying Through a Keyhole 8099:The World of David Bowie 7859:Live Nassau Coliseum '76 7224:The Complete David Bowie 7132:HarperCollins Publishers 7053:. London: Virgin Books. 7049:Buckley, David (2005) . 6866:"Top Pop Albums of 1975" 6772:, pp. 374, 502–503. 6114:(2011). "Bowie, David". 3929:Erlewine, Stephen Thomas 3127: 2502: – piano, clavinet 2487: – vocals, guitar, 1788:Christgau's Record Guide 1312:June in the US and on 25 1201:February 1975, with the 935: 639:Sly and the Family Stone 374:and then-unknown singer 311:by the English musician 8786:Symphony No. 4 "Heroes" 8285:The Platinum Collection 7418:Visconti, Tony (2007). 7335:Sounes, Howard (2015). 7310:; Marks, Craig (eds.). 7281:Bowie: Loving the Alien 7193:O'Leary, Chris (2015). 7149:Griffin, Roger (2016). 7026:Buckley, David (1999). 5937:(subscription required) 5743:(subscription required) 5699:(subscription required) 5658:(subscription required) 5480:(subscription required) 4942:Official Charts Company 4912:Official Charts Company 4124:(subscription required) 3595:(subscription required) 2799:Suomen virallinen lista 2635: – backing vocals 1985:Stephen Thomas Erlewine 1675:argued that "Fame" and 1558:. After completing the 1041:" is the only track on 764:and performed "1984", " 323:. A departure from the 8614:Serious Moonlight Tour 8334:Clareville Grove Demos 8299:Five Years (1969–1973) 8169:The Singles Collection 8039:BBC Sessions 1969–1972 7683:The Buddha of Suburbia 7513:Awards and nominations 7375:Crown Publishing Group 7174:Nite, Norm N. (1978). 7098:Clerc, Benoît (2021). 7001:Bennett, Andy (2020). 5756:Carr & Murray 1981 4725:, Partial Discography. 4212:Easlea, Daryl (2007). 3344:"'1984' – David Bowie" 2566: – backing vocals 2560: – backing vocals 2475:, except where noted. 2194:was first released on 1262: 1080: 836: 784:new songs. Apart from 744:John, I'm Only Dancing 718: 669:, then-unknown singer 614: 531: 68:7 March 1975 8991:Virgin Records albums 8884:Heteropoda davidbowie 8758:Statue of David Bowie 8713:The Spiders from Mars 8563:Black Tie White Noise 8496:Black Tie White Noise 8468:Jazzin' for Blue Jean 8454:Love You till Tuesday 8046:Earthling in the City 7993:Love You till Tuesday 7831:Live Santa Monica '72 7676:Black Tie White Noise 7276:Sandford, Christopher 7073:Murray, Charles Shaar 7009:Bloomsbury Publishing 6471:Murray, Charles Shaar 6323:Ultimate Classic Rock 5833:Ultimate Classic Rock 1694:Retrospective reviews 1250: 1219:and number 28 on the 1078: 894:Electric Lady Studios 830: 716: 677:Philadelphia sessions 605: 519: 466:Rock 'n' Roll with Me 400:Electric Lady Studios 8779:Symphony No. 1 "Low" 8162:Early On (1964–1966) 6351:"Thin White Spook — 6161:Simon & Schuster 5783:Cann, Kevin (2010). 4665:Classic Rock History 3976:Consequence of Sound 3696:on 10 September 2011 3544:, pp. 367, 374. 2833:New Zealand Albums ( 2787:Årets Singlehitliste 2543:Additional musicians 2520: – bass guitar 2255:, except where noted 2217:The Dick Cavett Show 2073:Charles Shaar Murray 2014:". Mark Beaumont of 1652:Saturday Night Fever 1459:, Jack Lloyd called 1255:on the variety show 1228:The Dick Cavett Show 1104:contemporary R&B 975:Christopher Sandford 958:Consequence of Sound 857:the album title was 761:The Dick Cavett Show 8703:The Thin White Duke 8594:Ziggy Stardust Tour 8380:The 1980 Floor Show 8341:The 'Mercury' Demos 8253:Nothing Has Changed 6800:cite AV media notes 6718:on 11 February 2017 6657:cite AV media notes 6596:cite AV media notes 6554:Krause Publications 6447:. 25 October 2013. 6415:. 16 January 2013. 5899:New Musical Express 5873:, pp. 384–389. 5773:, pp. 381–382. 5500:. 10 October 2016. 5236:on 24 February 2014 5184:norwegiancharts.com 4587:, pp. 143–144. 4575:, pp. 134–135. 4563:, pp. 262–266. 4536:, pp. 228–229. 4524:, pp. 275–278. 4509:, pp. 215–217. 4422:, pp. 249–250. 4371:, pp. 267–269. 4344:, pp. 270–271. 4305:, pp. 220–221. 4272:, pp. 259–261. 4056:(22 January 2016). 3841:, pp. 222–224. 3814:, pp. 322–324. 3785:, pp. 562–565. 3773:, pp. 135–136. 3761:, pp. 639–640. 3668:, pp. 208–217. 3532:, pp. 190–205. 3515:, pp. 216–221. 3342:Guarisco, David A. 3332:, pp. 198–199. 3320:, pp. 187–189. 3308:, pp. 373–379. 3026: 3022:Certifications for 3007:Top LPs & Tape 2983: 2960:Schweizer Hitparade 2932: 2904: 2759:Australian Albums ( 2745: 2620: – percussion 2395:Across the Universe 2356: 2260: 2097: 1838:New Musical Express 1700: 1667:riff verbatim for " 1355: 1345:a few weeks later. 1093:Across the Universe 900:" and a new song, " 898:Across the Universe 768:" and a version of 565:Sigma Sound Studios 392:Across the Universe 348:Sigma Sound Studios 319:March 1975 through 8981:RCA Records albums 8976:EMI Records albums 8971:David Bowie albums 8834:Duncan Jones (son) 8531:The Next Day Extra 8348:Conversation Piece 8067:The Next Day Extra 7620:Station to Station 7457:(list of releases) 7370:Bowie: A Biography 7320:. pp. 55–57. 6824:Danskehitlister.dk 6820:"Danske Hitlister" 6751:on 23 October 2020 6357:Station to Station 6076:Ticknor and Fields 5894:Station to Station 5785:Station to Station 5147:on 7 November 2011 5022:hitsallertijden.nl 4908:officialcharts.com 4834:Album is 40 Today" 4005:(18 August 2016). 3021: 2978: 2927: 2899: 2889:Top LPs & Tape 2845:Norwegian Albums ( 2740: 2706:mastering engineer 2354: 2258: 2213:5.1 surround sound 2095: 2012:Station to Station 1981:Station to Station 1698: 1615:the Rolling Stones 1556:Station to Station 1552:Station to Station 1543:Station to Station 1353: 1349:Critical reception 1281:Top LPs & Tape 1263: 1197:to the album on 21 1081: 837: 805:Shilling the Rubes 719: 651:the Isley Brothers 615: 557:Live at the Apollo 532: 528:(pictured in 1974) 425:Station to Station 233:Station to Station 8996:Parlophone albums 8933: 8932: 8891:342843 Davidbowie 8686: 8685: 8678:It's My Life Tour 8624:Sound+Vision Tour 8619:Glass Spider Tour 8599:Diamond Dogs Tour 8422:Reality: Tour Ed. 8394:Serious Moonlight 8204:Bowie at the Beeb 8120:The Best of Bowie 8081:Is It Any Wonder? 7973: 7972: 7845:Bowie at the Beeb 7776: 7775: 7669:Never Let Me Down 7433:978-0-007-22945-1 7422:. New York City: 7410:978-0-31603-225-4 7399:. New York City: 7384:978-0-307-71699-6 7373:. New York City: 7356:978-1-63576-641-7 7327:978-0-679-75574-6 7316:. New York City: 7295:978-0-306-80854-8 7267:978-0-27599-245-3 7238:978-1-78565-365-0 7210:978-1-78099-244-0 7185:978-0-690-01196-8 7166:978-0-85712-875-1 7141:978-0-06-202466-4 7130:. New York City: 7113:978-0-7624-7471-4 7102:. New York City: 7090:978-0-380-77966-6 7079:. New York City: 7060:978-0-75351-002-5 7041:978-1-85227-784-0 7018:978-1-50133-664-5 7007:. New York City: 6830:on 11 April 2016. 6525:978-1-78840-080-0 6174:978-0-7432-0169-8 6131:978-0-85712-595-8 6085:978-0-89919-026-6 6058:Christgau, Robert 5758:, pp. 78–80. 5715:(15 March 1975). 5682:Phonograph Record 5571:(15 March 1975). 5458:(RCA APL 1-0998)" 5373:"Top Album Picks" 5346:The Village Voice 5337:Christgau, Robert 5299:, pp. 87–88. 5276:978-4-87131-077-2 5082:978-0-646-11917-5 4844:on 15 August 2016 4701:on 15 August 2016 4611:, pp. 16–17. 4485:, pp. 86–88. 4437:, pp. 54–55. 4398:, pp. 14–15. 4260:, pp. 46–50. 3124: 3123: 3117: 3116: 3112: 3108: 3014: 3013: 2969: 2968: 2925: 2924: 2897: 2896: 2859:Sverigetopplistan 2821:Japanese Albums ( 2771:Canadian Albums ( 2761:Kent Music Report 2722: 2721: 2463: 2462: 2350: 2349: 2189: 2188: 1959: 1958: 1524:Subsequent events 1488:Phonograph Record 1469:The Village Voice 1395: 1394: 1386:The Village Voice 1047:call and response 1007:A Day in the Life 823:New York sessions 752:Bruce Springsteen 623:session musicians 598:Recording history 577:Philadelphia soul 504:that yielded the 486:Diamond Dogs Tour 356:Diamond Dogs Tour 300: 299: 288:25 July 1975 (UK) 241: 240: 9003: 8923: 8922: 8752:Phillip Jeffries 8673:Tin Machine Tour 8660: 8659: 8577:Moonage Daydream 8570:Sound and Vision 8436:Glastonbury 2000 8415:VH1 Storytellers 8148:Fame and Fashion 8106:Images 1966–1967 8014:Moonage Daydream 7943: 7942: 7887:Glastonbury 2000 7838:VH1 Storytellers 7810:Santa Monica '72 7746: 7745: 7485: 7478: 7471: 7462: 7461: 7437: 7414: 7388: 7360: 7331: 7299: 7271: 7242: 7214: 7189: 7170: 7145: 7117: 7094: 7064: 7045: 7022: 6987: 6986: 6984: 6982: 6967: 6961: 6960: 6958: 6956: 6942: 6936: 6935: 6933: 6931: 6917: 6911: 6910: 6908: 6906: 6892: 6886: 6885: 6883: 6881: 6862: 6856: 6850: 6844: 6838: 6832: 6831: 6826:. Archived from 6816: 6810: 6809: 6803: 6795: 6794:. 1975. RS 1006. 6784: 6773: 6767: 6761: 6760: 6758: 6756: 6747:. Archived from 6734: 6728: 6727: 6725: 6723: 6714:. Archived from 6704: 6698: 6697: 6695: 6693: 6673: 6667: 6666: 6660: 6652: 6641: 6635: 6634: 6632: 6630: 6615: 6606: 6605: 6599: 6591: 6580: 6574: 6573: 6539: 6530: 6529: 6507: 6501: 6500: 6467: 6461: 6460: 6458: 6456: 6435: 6429: 6428: 6426: 6424: 6405: 6399: 6398: 6392: 6390: 6346: 6340: 6339: 6337: 6335: 6313: 6307: 6306: 6304: 6302: 6278: 6265: 6259: 6253: 6252: 6238: 6232: 6226: 6220: 6219: 6217: 6215: 6190: 6179: 6178: 6151:Hoard, Christian 6147:Brackett, Nathan 6142: 6136: 6135: 6108: 6102: 6101: 6099: 6097: 6054: 6048: 6047: 6045: 6043: 6024:(10 June 1990). 6018: 6012: 6011: 6009: 6007: 6002:on 18 April 2021 5998:. Archived from 5987: 5981: 5980: 5978: 5976: 5947: 5941: 5940: 5938: 5934: 5932: 5910: 5904: 5903: 5885: 5874: 5868: 5862: 5856: 5850: 5849: 5847: 5845: 5823: 5817: 5811: 5805: 5799: 5793: 5792: 5780: 5774: 5768: 5759: 5753: 5747: 5746: 5744: 5740: 5738: 5709: 5703: 5702: 5700: 5696: 5694: 5668: 5662: 5661: 5659: 5655: 5653: 5631: 5625: 5624: 5622: 5620: 5593: 5587: 5586: 5565: 5556: 5555: 5553: 5551: 5545: 5532: 5523: 5514: 5513: 5511: 5509: 5490: 5484: 5483: 5481: 5477: 5475: 5449: 5443: 5442: 5440: 5438: 5432: 5419: 5407: 5401: 5400: 5398: 5396: 5390: 5377: 5369: 5363: 5362: 5360: 5358: 5333: 5324: 5318: 5312: 5306: 5300: 5294: 5281: 5280: 5255: 5246: 5245: 5243: 5241: 5235: 5217:"Top Albums/CDs" 5213: 5204: 5203: 5201: 5199: 5181: 5169: 5160: 5156: 5154: 5152: 5146: 5134: 5125: 5124: 5122: 5120: 5114: 5107: 5096: 5087: 5086: 5063: 5052: 5040: 5038: 5036: 5030: 5019: 5011: 5002: 5001: 4999: 4997: 4979: 4967: 4958: 4957: 4955: 4953: 4934: 4928: 4927: 4925: 4923: 4900: 4891: 4890: 4888: 4886: 4863: 4854: 4853: 4851: 4849: 4840:. Archived from 4826: 4820: 4819: 4817: 4815: 4809: 4796: 4784: 4775: 4769: 4756: 4750: 4741: 4735: 4726: 4720: 4711: 4710: 4708: 4706: 4697:. Archived from 4687: 4681: 4680: 4678: 4676: 4656: 4647: 4646: 4644: 4642: 4618: 4612: 4606: 4600: 4594: 4588: 4582: 4576: 4570: 4564: 4558: 4549: 4543: 4537: 4531: 4525: 4519: 4510: 4504: 4498: 4492: 4486: 4480: 4471: 4470: 4468: 4466: 4444: 4438: 4432: 4423: 4417: 4411: 4405: 4399: 4393: 4384: 4378: 4372: 4366: 4357: 4351: 4345: 4339: 4333: 4327: 4321: 4315: 4306: 4300: 4285: 4279: 4273: 4267: 4261: 4255: 4240: 4239: 4237: 4235: 4209: 4198: 4192: 4183: 4177: 4171: 4165: 4159: 4158: 4156: 4154: 4134: 4128: 4127: 4125: 4121: 4119: 4097: 4084: 4083: 4081: 4079: 4050: 4029: 4028: 4026: 4024: 3999: 3993: 3992: 3990: 3988: 3962: 3953: 3952: 3950: 3948: 3925: 3912: 3906: 3891: 3890: 3888: 3886: 3866: 3857: 3851: 3842: 3836: 3827: 3821: 3815: 3809: 3798: 3792: 3786: 3780: 3774: 3768: 3762: 3756: 3750: 3749: 3747: 3745: 3723: 3706: 3705: 3703: 3701: 3692:. Archived from 3675: 3669: 3663: 3657: 3651: 3645: 3644: 3626: 3599: 3598: 3596: 3592: 3590: 3568: 3557: 3551: 3545: 3539: 3533: 3527: 3516: 3510: 3491: 3485: 3479: 3473: 3467: 3466: 3464: 3462: 3453:. No. 332. 3450:Record Collector 3440: 3417: 3411: 3364: 3363: 3361: 3359: 3350:. Archived from 3339: 3333: 3327: 3321: 3315: 3309: 3303: 3231: 3228: 3222: 3219: 3213: 3211: 3200: 3194: 3185: 3179: 3170: 3164: 3155: 3149: 3138: 3110: 3106: 3059:United Kingdom ( 3027: 3020: 2984: 2977: 2946:Italian Albums ( 2933: 2926: 2918:UK Albums (OCC) 2905: 2898: 2857:Swedish Albums ( 2797:Finnish Albums ( 2746: 2739: 2731: 2698: 2692: 2686: 2680: 2674: 2668: 2662: 2638: 2629: 2623: 2614: 2605: 2599: 2590: 2549:Larry Washington 2532: 2523: 2505: 2479: 2456: 2419:Can You Hear Me? 2362: 2357: 2353: 2266: 2261: 2257: 2185: 2184: 2183: 2179: 2178: 2174: 2173: 2169: 2168: 2164: 2163: 2147: 2146: 2145: 2141: 2140: 2136: 2135: 2131: 2130: 2126: 2125: 2098: 2094: 1955: 1954: 1953: 1949: 1948: 1944: 1943: 1939: 1938: 1934: 1933: 1893: 1892: 1891: 1887: 1886: 1882: 1881: 1877: 1876: 1872: 1871: 1831: 1830: 1829: 1825: 1824: 1820: 1819: 1815: 1814: 1810: 1809: 1781: 1780: 1779: 1775: 1774: 1770: 1769: 1765: 1764: 1748: 1747: 1746: 1742: 1741: 1737: 1736: 1732: 1731: 1727: 1726: 1701: 1697: 1683:artists and the 1666: 1659:" (1976), while 1598:Record Collector 1474:Robert Christgau 1441: 1356: 1352: 1315: 1311: 1294:20 Greatest Hits 1275: 1271: 1243: 1217:UK Singles Chart 1209:Suffragette City 1200: 1170: 1124: 1100:Can You Hear Me? 1085:of the same name 1030:The Occult Reich 922: 793: 775: 688: 684: 318: 289: 284: 274: 271: 255:Young Americans 210: 209: 160: 159: 155: 75: 73: 47: 35: 34: 9011: 9010: 9006: 9005: 9004: 9002: 9001: 9000: 8986:Rykodisc albums 8936: 8935: 8934: 8929: 8911: 8897:Tao Jones Index 8812: 8725: 8719: 8682: 8658: 8582: 8536: 8441: 8367: 8265: 8127:Changestwobowie 8113:Changesonebowie 8086: 8019: 7969: 7941: 7894:ChangesNowBowie 7817:LiveAndWell.com 7772: 7744: 7613:Young Americans 7542: 7494: 7489: 7450:Young Americans 7445: 7440: 7434: 7411: 7385: 7357: 7328: 7296: 7268: 7239: 7211: 7186: 7167: 7142: 7114: 7091: 7061: 7042: 7019: 6996: 6991: 6990: 6980: 6978: 6968: 6964: 6954: 6952: 6944: 6943: 6939: 6929: 6927: 6919: 6918: 6914: 6904: 6902: 6894: 6893: 6889: 6879: 6877: 6864: 6863: 6859: 6851: 6847: 6839: 6835: 6818: 6817: 6813: 6797: 6796: 6788:Young Americans 6786: 6785: 6776: 6768: 6764: 6754: 6752: 6735: 6731: 6721: 6719: 6706: 6705: 6701: 6691: 6689: 6674: 6670: 6654: 6653: 6647:(liner notes). 6645:Young Americans 6643: 6642: 6638: 6628: 6626: 6617: 6616: 6609: 6593: 6592: 6586:(liner notes). 6584:Young Americans 6582: 6581: 6577: 6540: 6533: 6526: 6508: 6504: 6468: 6464: 6454: 6452: 6437: 6436: 6432: 6422: 6420: 6407: 6406: 6402: 6388: 6386: 6359:by David Bowie" 6353:Young Americans 6347: 6343: 6333: 6331: 6314: 6310: 6300: 6298: 6285:Young Americans 6279: 6268: 6260: 6256: 6251:. No. 119. 6243:Young Americans 6239: 6235: 6227: 6223: 6213: 6211: 6194:Cavanagh, David 6191: 6182: 6175: 6143: 6139: 6132: 6109: 6105: 6095: 6093: 6086: 6064:Young Americans 6055: 6051: 6041: 6039: 6031:Chicago Tribune 6019: 6015: 6005: 6003: 5988: 5984: 5974: 5972: 5967:. No. 43. 5948: 5944: 5936: 5930: 5928: 5911: 5907: 5890:Young Americans 5886: 5877: 5869: 5865: 5857: 5853: 5843: 5841: 5824: 5820: 5812: 5808: 5800: 5796: 5781: 5777: 5769: 5762: 5754: 5750: 5742: 5736: 5734: 5719:Young Americans 5710: 5706: 5698: 5692: 5690: 5675:Young Americans 5669: 5665: 5657: 5651: 5649: 5632: 5628: 5618: 5616: 5603:Young Americans 5599:(22 May 1975). 5594: 5590: 5575:Young Americans 5566: 5559: 5549: 5547: 5543: 5530: 5528:"Album Reviews" 5524: 5517: 5507: 5505: 5492: 5491: 5487: 5479: 5473: 5471: 5456:Young Americans 5450: 5446: 5436: 5434: 5430: 5417: 5413:Young Americans 5409: 5408: 5404: 5394: 5392: 5388: 5375: 5371: 5370: 5366: 5356: 5354: 5339:(12 May 1975). 5334: 5327: 5319: 5315: 5307: 5303: 5295: 5284: 5277: 5257: 5256: 5249: 5239: 5237: 5233: 5215: 5214: 5207: 5197: 5195: 5179: 5175:Young Americans 5173:"David Bowie – 5171: 5170: 5163: 5150: 5148: 5144: 5136: 5135: 5128: 5118: 5116: 5112: 5105: 5097: 5090: 5083: 5064: 5055: 5048:Young Americans 5034: 5032: 5028: 5017: 5013: 5012: 5005: 4995: 4993: 4977: 4973:Young Americans 4971:"David Bowie – 4969: 4968: 4961: 4951: 4949: 4936: 4935: 4931: 4921: 4919: 4902: 4901: 4894: 4884: 4882: 4869:Young Americans 4865: 4864: 4857: 4847: 4845: 4832:Young Americans 4828: 4827: 4823: 4813: 4811: 4807: 4794: 4790:Young Americans 4786: 4785: 4778: 4770: 4759: 4751: 4744: 4736: 4729: 4721: 4714: 4704: 4702: 4689: 4688: 4684: 4674: 4672: 4657: 4650: 4640: 4638: 4625:Young Americans 4619: 4615: 4607: 4603: 4595: 4591: 4583: 4579: 4571: 4567: 4559: 4552: 4544: 4540: 4532: 4528: 4520: 4513: 4505: 4501: 4493: 4489: 4481: 4474: 4464: 4462: 4445: 4441: 4433: 4426: 4418: 4414: 4406: 4402: 4394: 4387: 4379: 4375: 4367: 4360: 4352: 4348: 4340: 4336: 4328: 4324: 4316: 4309: 4301: 4288: 4280: 4276: 4268: 4264: 4256: 4243: 4233: 4231: 4216:Young Americans 4210: 4201: 4193: 4186: 4178: 4174: 4166: 4162: 4152: 4150: 4135: 4131: 4123: 4117: 4115: 4098: 4087: 4077: 4075: 4060:Young Americans 4051: 4032: 4022: 4020: 4000: 3996: 3986: 3984: 3969:Young Americans 3963: 3956: 3946: 3944: 3935:Young Americans 3926: 3915: 3907: 3894: 3884: 3882: 3867: 3860: 3852: 3845: 3837: 3830: 3822: 3818: 3810: 3801: 3793: 3789: 3781: 3777: 3769: 3765: 3757: 3753: 3743: 3741: 3724: 3709: 3699: 3697: 3684:at Sigma Sound" 3682:Young Americans 3676: 3672: 3664: 3660: 3652: 3648: 3632:The Independent 3627: 3602: 3594: 3588: 3586: 3569: 3560: 3552: 3548: 3540: 3536: 3528: 3519: 3511: 3494: 3486: 3482: 3474: 3470: 3460: 3458: 3441: 3420: 3412: 3367: 3357: 3355: 3340: 3336: 3328: 3324: 3316: 3312: 3304: 3245: 3240: 3235: 3234: 3229: 3225: 3220: 3216: 3209: 3201: 3197: 3186: 3182: 3171: 3167: 3156: 3152: 3139: 3135: 3130: 3125: 3109: 3074:United States ( 3037:Certified units 3024:Young Americans 3019: 2981:Young Americans 2976: 2974:Year-end charts 2940: 2930:Young Americans 2912: 2902:Young Americans 2809:French Albums ( 2753: 2743:Young Americans 2738: 2728: 2723: 2696: 2690: 2685:(Electric Lady) 2684: 2679:(Electric Lady) 2678: 2672: 2666: 2660: 2636: 2633:Jean Millington 2627: 2621: 2618:Ralph MacDonald 2612: 2603: 2597: 2588: 2570:Luther Vandross 2538: – guitars 2530: 2521: 2503: 2496: – guitars 2469: 2464: 2454: 2351: 2324:Luther Vandross 2285:Young Americans 2248: 2192:Young Americans 2181: 2176: 2171: 2166: 2143: 2138: 2133: 2128: 2093: 2055:Young Americans 2049:Young Americans 2041:Young Americans 2033:Young Americans 2023:Young Americans 2017:The Independent 2004:Thin White Duke 2000:Young Americans 1993:Young Americans 1962:Young Americans 1951: 1946: 1941: 1936: 1889: 1884: 1879: 1874: 1827: 1822: 1817: 1812: 1777: 1772: 1767: 1755:Chicago Tribune 1744: 1739: 1734: 1729: 1696: 1677:Young Americans 1664: 1592:Young Americans 1589: 1567:Young Americans 1548:Young Americans 1530:Young Americans 1526: 1521: 1461:Young Americans 1439: 1428:Young Americans 1398:Young Americans 1354:Initial reviews 1351: 1313: 1309: 1299:Young Americans 1285:UK Albums Chart 1273: 1269: 1266:Young Americans 1244:February 1975. 1241: 1237:Top of the Pops 1198: 1191: 1168: 1160:Norman Rockwell 1152: 1135: 1122: 1073: 1043:Young Americans 991:Young Americans 987: 979:Aretha Franklin 941:Young Americans 938: 920: 917:Young Americans 910:Ralph MacDonald 825: 801:One Damned Song 791: 773: 766:Young Americans 695:Trident Studios 686: 682: 679: 671:Luther Vandross 611:Luther Vandross 607:Young Americans 600: 521:Young Americans 449: 430:Young Americans 410:Young Americans 376:Luther Vandross 316: 315:, released on 7 304:Young Americans 292: 287: 285: 278: 277: 272: 268:Young Americans 265: 264: 236: 227: 224:Young Americans 218: 157: 153: 152: 111:, New York City 71: 69: 60: 38:Young Americans 31: 24: 17: 12: 11: 5: 9009: 8999: 8998: 8993: 8988: 8983: 8978: 8973: 8968: 8963: 8958: 8953: 8948: 8931: 8930: 8928: 8927: 8916: 8913: 8912: 8910: 8909: 8904: 8899: 8894: 8887: 8880: 8873: 8870:The Nomad Soul 8866: 8861: 8856: 8854:Berlin Trilogy 8851: 8846: 8841: 8836: 8831: 8826: 8820: 8818: 8814: 8813: 8811: 8810: 8803: 8796: 8789: 8782: 8775: 8768: 8761: 8754: 8749: 8744: 8741:David Bowie Is 8737: 8729: 8727: 8721: 8720: 8718: 8717: 8716: 8715: 8708:Ziggy Stardust 8705: 8700: 8694: 8692: 8688: 8687: 8684: 8683: 8681: 8680: 8675: 8669: 8667: 8657: 8656: 8654:A Reality Tour 8651: 8646: 8641: 8636: 8634:Earthling Tour 8631: 8626: 8621: 8616: 8611: 8606: 8601: 8596: 8590: 8588: 8584: 8583: 8581: 8580: 8573: 8566: 8559: 8552: 8544: 8542: 8538: 8537: 8535: 8534: 8527: 8520: 8513: 8506: 8499: 8492: 8485: 8478: 8475:Day-In Day-Out 8471: 8464: 8457: 8449: 8447: 8443: 8442: 8440: 8439: 8432: 8429:A Reality Tour 8425: 8418: 8411: 8404: 8397: 8390: 8383: 8375: 8373: 8372:Concert videos 8369: 8368: 8366: 8365: 8358: 8351: 8344: 8337: 8330: 8323: 8316: 8309: 8302: 8295: 8288: 8281: 8278:Sound + Vision 8273: 8271: 8267: 8266: 8264: 8263: 8256: 8249: 8242: 8235: 8232:The Collection 8228: 8221: 8214: 8207: 8200: 8193: 8186: 8179: 8176:Rarestonebowie 8172: 8165: 8158: 8151: 8144: 8137: 8130: 8123: 8116: 8109: 8102: 8094: 8092: 8088: 8087: 8085: 8084: 8077: 8070: 8063: 8056: 8049: 8042: 8035: 8027: 8025: 8021: 8020: 8018: 8017: 8010: 8003: 7996: 7989: 7981: 7979: 7975: 7974: 7971: 7970: 7968: 7967: 7960: 7952: 7950: 7940: 7939: 7932: 7925: 7918: 7911: 7904: 7897: 7890: 7883: 7876: 7869: 7862: 7855: 7852:A Reality Tour 7848: 7841: 7834: 7827: 7820: 7813: 7806: 7799: 7792: 7784: 7782: 7778: 7777: 7774: 7773: 7771: 7770: 7767:Tin Machine II 7763: 7755: 7753: 7743: 7742: 7735: 7728: 7721: 7714: 7707: 7700: 7693: 7686: 7679: 7672: 7665: 7658: 7651: 7644: 7637: 7630: 7623: 7616: 7609: 7602: 7595: 7588: 7581: 7574: 7567: 7559: 7550: 7548: 7544: 7543: 7541: 7540: 7538:Art collection 7535: 7530: 7525: 7520: 7515: 7510: 7505: 7499: 7496: 7495: 7488: 7487: 7480: 7473: 7465: 7459: 7458: 7444: 7443:External links 7441: 7439: 7438: 7432: 7415: 7409: 7389: 7383: 7361: 7355: 7332: 7326: 7308:Weisbard, Eric 7304:Sheffield, Rob 7300: 7294: 7272: 7266: 7243: 7237: 7219:Pegg, Nicholas 7215: 7209: 7199:. Winchester: 7190: 7184: 7171: 7165: 7146: 7140: 7122:Doggett, Peter 7118: 7112: 7095: 7089: 7065: 7059: 7046: 7040: 7023: 7017: 6997: 6995: 6992: 6989: 6988: 6962: 6937: 6912: 6887: 6857: 6845: 6833: 6811: 6774: 6762: 6729: 6699: 6682:– David Bowie" 6668: 6636: 6607: 6575: 6531: 6524: 6502: 6462: 6430: 6400: 6365:. p. 37. 6341: 6308: 6266: 6264:, p. 486. 6254: 6233: 6229:Sheffield 1995 6221: 6180: 6173: 6137: 6130: 6103: 6084: 6062:"David Bowie: 6049: 6013: 5982: 5953:(April 1990). 5951:Du Noyer, Paul 5942: 5905: 5875: 5863: 5861:, p. 257. 5851: 5818: 5806: 5794: 5775: 5760: 5748: 5717:"David Bowie: 5713:MacDonald, Ian 5704: 5673:"David Bowie: 5663: 5644:. p. 80. 5626: 5588: 5573:"David Bowie: 5569:Watts, Michael 5557: 5539:. p. 27. 5515: 5485: 5454:"David Bowie: 5444: 5411:"David Bowie: 5402: 5364: 5325: 5323:, p. 244. 5313: 5311:, p. 223. 5301: 5282: 5275: 5247: 5205: 5161: 5126: 5088: 5081: 5053: 5031:on 29 May 2017 5003: 4959: 4929: 4892: 4871:Chart History" 4855: 4821: 4788:"David Bowie: 4776: 4774:, p. 219. 4757: 4755:, p. 323. 4742: 4727: 4712: 4682: 4648: 4613: 4601: 4599:, p. 231. 4589: 4577: 4565: 4550: 4548:, p. 312. 4538: 4526: 4511: 4499: 4497:, p. 249. 4487: 4472: 4439: 4424: 4412: 4410:, p. 274. 4400: 4385: 4383:, p. 250. 4373: 4358: 4356:, p. 226. 4346: 4334: 4332:, p. 224. 4322: 4307: 4286: 4284:, p. 315. 4274: 4262: 4241: 4199: 4197:, p. 253. 4184: 4182:, p. 135. 4172: 4170:, p. 179. 4160: 4129: 4110:. p. 49. 4085: 4058:"David Bowie: 4030: 4003:Sheffield, Rob 3994: 3954: 3937:– David Bowie" 3913: 3911:, p. 138. 3892: 3858: 3856:, p. 230. 3843: 3828: 3826:, p. 227. 3816: 3799: 3797:, p. 212. 3787: 3775: 3763: 3751: 3707: 3670: 3658: 3656:, p. 320. 3646: 3600: 3558: 3556:, p. 178. 3546: 3534: 3517: 3492: 3490:, p. 147. 3480: 3478:, p. 109. 3468: 3418: 3365: 3354:on 31 May 2019 3334: 3322: 3310: 3242: 3241: 3239: 3236: 3233: 3232: 3223: 3214: 3205:Sound + Vision 3195: 3180: 3175:Sound + Vision 3165: 3150: 3132: 3131: 3129: 3126: 3122: 3121: 3115: 3114: 3102: 3101: 3098: 3095: 3091: 3090: 3086: 3085: 3082: 3079: 3071: 3070: 3067: 3064: 3056: 3055: 3052: 3049: 3041: 3040: 3034: 3031: 3018: 3017:Certifications 3015: 3012: 3011: 3008: 3000: 2999: 2996: 2992: 2991: 2988: 2975: 2972: 2970: 2967: 2966: 2963: 2958:Swiss Albums ( 2955: 2954: 2951: 2943: 2942: 2937: 2923: 2922: 2919: 2915: 2914: 2909: 2895: 2894: 2891: 2881: 2880: 2877: 2866: 2865: 2862: 2854: 2853: 2850: 2842: 2841: 2838: 2830: 2829: 2826: 2818: 2817: 2814: 2806: 2805: 2802: 2794: 2793: 2790: 2782: 2781: 2778: 2768: 2767: 2764: 2756: 2755: 2750: 2737: 2734: 2729: 2727: 2724: 2720: 2719: 2715: 2714: 2711: 2708: 2699: 2697:(Record Plant) 2693: 2691:(Record Plant) 2687: 2681: 2675: 2669: 2663: 2661:(Record Plant) 2654: 2651: 2641: 2640: 2639: 2630: 2624: 2615: 2611: – drums 2606: 2600: 2591: 2585: 2579: 2576: 2573: 2567: 2561: 2555: 2540: 2539: 2533: 2529: – drums 2524: 2515: 2506: 2497: 2491: 2477: 2468: 2465: 2461: 2460: 2457: 2451: 2450: 2447: 2440: 2433: 2429: 2428: 2425: 2422: 2415: 2411: 2410: 2407: 2405:Paul McCartney 2398: 2391: 2387: 2386: 2383: 2380: 2377: 2373: 2372: 2369: 2366: 2363: 2352: 2348: 2347: 2344: 2341: 2334: 2330: 2329: 2326: 2320: 2313: 2309: 2308: 2305: 2302: 2299: 2295: 2294: 2291: 2288: 2281: 2277: 2276: 2273: 2270: 2267: 2249: 2247: 2244: 2239:Sound + Vision 2187: 2186: 2157: 2149: 2148: 2119: 2111: 2110: 2107: 2103: 2102: 2092: 2089: 1957: 1956: 1927: 1919: 1918: 1915: 1907: 1906: 1903: 1895: 1894: 1865: 1857: 1856: 1853: 1845: 1844: 1841: 1833: 1832: 1803: 1795: 1794: 1791: 1783: 1782: 1758: 1750: 1749: 1720: 1714: 1713: 1710: 1706: 1705: 1695: 1692: 1639:George Clinton 1627:Spandau Ballet 1588: 1585: 1571:Ziggy Stardust 1525: 1522: 1520: 1517: 1414:Ziggy Stardust 1393: 1392: 1389: 1381: 1380: 1377: 1369: 1368: 1365: 1361: 1360: 1350: 1347: 1204:Ziggy Stardust 1190: 1187: 1154:For the album 1151: 1148: 1134: 1131: 1072: 1069: 986: 983: 945:blue-eyed soul 937: 934: 831:Former Beatle 824: 821: 772:' "Footstompin 678: 675: 659:Herbie Flowers 629:, saxophonist 599: 596: 552:Wilson Pickett 540:Apollo Theater 448: 445: 402:, produced by 337:blue-eyed soul 298: 297: 294: 293: 291: 290: 275: 261: 258: 257: 247: 246: 243: 242: 239: 238: 229: 220: 206: 205: 198: 197: 196: 195: 190: 185: 180: 174: 173: 168: 162: 161: 150: 146: 145: 144: 143: 138: 133: 128: 126:Blue-eyed soul 121: 115: 114: 113: 112: 106: 97: 96:, Philadelphia 89: 85: 84: 81: 77: 76: 66: 62: 61: 56: 49: 48: 40: 39: 15: 9: 6: 4: 3: 2: 9008: 8997: 8994: 8992: 8989: 8987: 8984: 8982: 8979: 8977: 8974: 8972: 8969: 8967: 8964: 8962: 8959: 8957: 8954: 8952: 8949: 8947: 8944: 8943: 8941: 8926: 8918: 8917: 8914: 8908: 8905: 8903: 8900: 8898: 8895: 8893: 8892: 8888: 8886: 8885: 8881: 8879: 8878: 8874: 8872: 8871: 8867: 8865: 8862: 8860: 8857: 8855: 8852: 8850: 8847: 8845: 8844:Junior's Eyes 8842: 8840: 8837: 8835: 8832: 8830: 8827: 8825: 8822: 8821: 8819: 8815: 8809: 8808: 8804: 8802: 8801: 8797: 8795: 8794: 8790: 8788: 8787: 8783: 8781: 8780: 8776: 8774: 8773: 8769: 8767: 8766: 8762: 8760: 8759: 8755: 8753: 8750: 8748: 8745: 8743: 8742: 8738: 8735: 8731: 8730: 8728: 8722: 8714: 8711: 8710: 8709: 8706: 8704: 8701: 8699: 8696: 8695: 8693: 8689: 8679: 8676: 8674: 8671: 8670: 8668: 8666: 8661: 8655: 8652: 8650: 8647: 8645: 8642: 8640: 8637: 8635: 8632: 8630: 8627: 8625: 8622: 8620: 8617: 8615: 8612: 8610: 8607: 8605: 8602: 8600: 8597: 8595: 8592: 8591: 8589: 8585: 8579: 8578: 8574: 8572: 8571: 8567: 8565: 8564: 8560: 8558: 8557: 8553: 8551: 8550: 8549:Cracked Actor 8546: 8545: 8543: 8541:Documentaries 8539: 8533: 8532: 8528: 8526: 8525: 8521: 8519: 8518: 8514: 8512: 8511: 8510:Best of Bowie 8507: 8505: 8504: 8500: 8498: 8497: 8493: 8491: 8490: 8486: 8484: 8483: 8479: 8477: 8476: 8472: 8470: 8469: 8465: 8463: 8462: 8458: 8456: 8455: 8451: 8450: 8448: 8444: 8438: 8437: 8433: 8431: 8430: 8426: 8424: 8423: 8419: 8417: 8416: 8412: 8410: 8409: 8405: 8403: 8402: 8398: 8396: 8395: 8391: 8389: 8388: 8384: 8382: 8381: 8377: 8376: 8374: 8370: 8364: 8363: 8359: 8357: 8356: 8352: 8350: 8349: 8345: 8343: 8342: 8338: 8336: 8335: 8331: 8329: 8328: 8324: 8322: 8321: 8317: 8315: 8314: 8310: 8308: 8307: 8303: 8301: 8300: 8296: 8294: 8293: 8289: 8287: 8286: 8282: 8280: 8279: 8275: 8274: 8272: 8268: 8262: 8261: 8257: 8255: 8254: 8250: 8248: 8247: 8243: 8241: 8240: 8236: 8234: 8233: 8229: 8227: 8226: 8222: 8220: 8219: 8218:Best of Bowie 8215: 8213: 8212: 8208: 8206: 8205: 8201: 8199: 8198: 8194: 8192: 8191: 8187: 8185: 8184: 8180: 8178: 8177: 8173: 8171: 8170: 8166: 8164: 8163: 8159: 8157: 8156: 8152: 8150: 8149: 8145: 8143: 8142: 8138: 8136: 8135: 8131: 8129: 8128: 8124: 8122: 8121: 8117: 8115: 8114: 8110: 8108: 8107: 8103: 8101: 8100: 8096: 8095: 8093: 8089: 8083: 8082: 8078: 8076: 8075: 8071: 8069: 8068: 8064: 8062: 8061: 8057: 8055: 8054: 8050: 8048: 8047: 8043: 8041: 8040: 8036: 8034: 8033: 8029: 8028: 8026: 8022: 8016: 8015: 8011: 8009: 8008: 8004: 8002: 8001: 7997: 7995: 7994: 7990: 7988: 7987: 7986:Christiane F. 7983: 7982: 7980: 7976: 7966: 7965: 7961: 7959: 7958: 7954: 7953: 7951: 7949: 7944: 7938: 7937: 7933: 7931: 7930: 7926: 7924: 7923: 7919: 7917: 7916: 7912: 7910: 7909: 7905: 7903: 7902: 7898: 7896: 7895: 7891: 7889: 7888: 7884: 7882: 7881: 7877: 7875: 7874: 7870: 7868: 7867: 7863: 7861: 7860: 7856: 7854: 7853: 7849: 7847: 7846: 7842: 7840: 7839: 7835: 7833: 7832: 7828: 7826: 7825: 7821: 7819: 7818: 7814: 7812: 7811: 7807: 7805: 7804: 7800: 7798: 7797: 7793: 7791: 7790: 7786: 7785: 7783: 7779: 7769: 7768: 7764: 7762: 7761: 7757: 7756: 7754: 7752: 7747: 7741: 7740: 7736: 7734: 7733: 7729: 7727: 7726: 7722: 7720: 7719: 7715: 7713: 7712: 7708: 7706: 7705: 7701: 7699: 7698: 7694: 7692: 7691: 7687: 7685: 7684: 7680: 7678: 7677: 7673: 7671: 7670: 7666: 7664: 7663: 7659: 7657: 7656: 7652: 7650: 7649: 7645: 7643: 7642: 7638: 7636: 7635: 7631: 7629: 7628: 7624: 7622: 7621: 7617: 7615: 7614: 7610: 7608: 7607: 7603: 7601: 7600: 7596: 7594: 7593: 7589: 7587: 7586: 7582: 7580: 7579: 7575: 7573: 7572: 7568: 7566: 7564: 7560: 7558: 7556: 7552: 7551: 7549: 7547:Studio albums 7545: 7539: 7536: 7534: 7531: 7529: 7526: 7524: 7521: 7519: 7516: 7514: 7511: 7509: 7506: 7504: 7501: 7500: 7497: 7493: 7486: 7481: 7479: 7474: 7472: 7467: 7466: 7463: 7456: 7452: 7451: 7447: 7446: 7435: 7429: 7425: 7421: 7416: 7412: 7406: 7402: 7398: 7394: 7390: 7386: 7380: 7376: 7372: 7371: 7366: 7362: 7358: 7352: 7348: 7344: 7340: 7339: 7333: 7329: 7323: 7319: 7318:Vintage Books 7315: 7314: 7309: 7305: 7301: 7297: 7291: 7287: 7286:Da Capo Press 7283: 7282: 7277: 7273: 7269: 7263: 7259: 7255: 7254:Santa Barbara 7251: 7250: 7244: 7240: 7234: 7230: 7226: 7225: 7220: 7216: 7212: 7206: 7202: 7198: 7197: 7191: 7187: 7181: 7177: 7172: 7168: 7162: 7158: 7157:Omnibus Press 7154: 7153: 7147: 7143: 7137: 7133: 7129: 7128: 7123: 7119: 7115: 7109: 7105: 7101: 7096: 7092: 7086: 7082: 7078: 7074: 7070: 7066: 7062: 7056: 7052: 7047: 7043: 7037: 7033: 7029: 7024: 7020: 7014: 7010: 7006: 7005: 6999: 6998: 6977: 6973: 6966: 6951: 6947: 6941: 6926: 6922: 6916: 6901: 6897: 6891: 6875: 6871: 6867: 6861: 6854: 6849: 6842: 6837: 6829: 6825: 6821: 6815: 6807: 6801: 6793: 6789: 6783: 6781: 6779: 6771: 6766: 6750: 6746: 6745: 6740: 6733: 6717: 6713: 6709: 6703: 6687: 6683: 6681: 6672: 6664: 6658: 6650: 6646: 6640: 6624: 6620: 6614: 6612: 6603: 6597: 6589: 6585: 6579: 6571: 6567: 6563: 6559: 6555: 6551: 6547: 6546: 6538: 6536: 6527: 6521: 6517: 6513: 6506: 6498: 6494: 6490: 6486: 6482: 6478: 6477: 6472: 6466: 6450: 6446: 6445: 6440: 6434: 6418: 6414: 6413:Rolling Stone 6410: 6404: 6396: 6384: 6380: 6376: 6372: 6368: 6364: 6360: 6358: 6354: 6345: 6329: 6325: 6324: 6319: 6312: 6296: 6292: 6291:Rolling Stone 6288: 6286: 6277: 6275: 6273: 6271: 6263: 6258: 6250: 6249: 6244: 6237: 6231:, p. 55. 6230: 6225: 6209: 6205: 6204: 6199: 6195: 6189: 6187: 6185: 6176: 6170: 6166: 6162: 6158: 6157: 6152: 6148: 6141: 6133: 6127: 6123: 6122:Omnibus Press 6119: 6118: 6113: 6112:Larkin, Colin 6107: 6091: 6087: 6081: 6077: 6073: 6072: 6067: 6065: 6059: 6053: 6037: 6033: 6032: 6027: 6023: 6017: 6001: 5997: 5993: 5986: 5970: 5966: 5965: 5960: 5958: 5952: 5946: 5926: 5922: 5921: 5916: 5909: 5902:. p. 37. 5901: 5900: 5895: 5891: 5884: 5882: 5880: 5872: 5867: 5860: 5855: 5839: 5835: 5834: 5829: 5822: 5815: 5810: 5803: 5798: 5790: 5786: 5779: 5772: 5767: 5765: 5757: 5752: 5732: 5728: 5727: 5722: 5720: 5714: 5708: 5688: 5684: 5683: 5678: 5676: 5667: 5647: 5643: 5642: 5637: 5630: 5614: 5610: 5609:Rolling Stone 5606: 5604: 5598: 5592: 5584: 5583: 5578: 5576: 5570: 5564: 5562: 5542: 5538: 5537: 5536:Record Mirror 5529: 5522: 5520: 5503: 5499: 5495: 5489: 5469: 5465: 5464: 5459: 5457: 5448: 5429: 5425: 5424: 5416: 5414: 5406: 5387: 5383: 5382: 5374: 5368: 5352: 5348: 5347: 5342: 5338: 5332: 5330: 5322: 5317: 5310: 5305: 5298: 5293: 5291: 5289: 5287: 5278: 5272: 5268: 5264: 5260: 5254: 5252: 5232: 5228: 5224: 5223: 5218: 5212: 5210: 5193: 5189: 5185: 5178: 5176: 5168: 5166: 5159: 5143: 5139: 5133: 5131: 5111: 5104: 5103: 5095: 5093: 5084: 5078: 5074: 5073: 5068: 5062: 5060: 5058: 5051: 5047: 5045: 5027: 5023: 5016: 5010: 5008: 4991: 4987: 4983: 4976: 4974: 4966: 4964: 4947: 4943: 4939: 4933: 4917: 4913: 4909: 4905: 4899: 4897: 4880: 4876: 4872: 4870: 4862: 4860: 4843: 4839: 4835: 4833: 4825: 4806: 4802: 4801: 4793: 4791: 4783: 4781: 4773: 4768: 4766: 4764: 4762: 4754: 4749: 4747: 4739: 4734: 4732: 4724: 4719: 4717: 4700: 4696: 4692: 4686: 4670: 4666: 4662: 4655: 4653: 4636: 4632: 4628: 4626: 4617: 4610: 4605: 4598: 4593: 4586: 4581: 4574: 4569: 4562: 4557: 4555: 4547: 4542: 4535: 4530: 4523: 4518: 4516: 4508: 4503: 4496: 4491: 4484: 4479: 4477: 4460: 4456: 4455: 4450: 4443: 4436: 4431: 4429: 4421: 4416: 4409: 4404: 4397: 4392: 4390: 4382: 4377: 4370: 4365: 4363: 4355: 4350: 4343: 4338: 4331: 4326: 4320:, p. 89. 4319: 4314: 4312: 4304: 4299: 4297: 4295: 4293: 4291: 4283: 4278: 4271: 4266: 4259: 4254: 4252: 4250: 4248: 4246: 4229: 4225: 4224: 4219: 4217: 4214:"David Bowie 4208: 4206: 4204: 4196: 4191: 4189: 4181: 4176: 4169: 4164: 4148: 4144: 4140: 4133: 4113: 4109: 4108: 4103: 4096: 4094: 4092: 4090: 4073: 4069: 4068: 4063: 4062:Album Review" 4061: 4055: 4054:Wolk, Douglas 4049: 4047: 4045: 4043: 4041: 4039: 4037: 4035: 4018: 4014: 4013: 4012:Rolling Stone 4008: 4004: 3998: 3982: 3978: 3977: 3972: 3970: 3961: 3959: 3942: 3938: 3936: 3930: 3924: 3922: 3920: 3918: 3910: 3909:Sandford 1997 3905: 3903: 3901: 3899: 3897: 3880: 3876: 3875:Rolling Stone 3872: 3865: 3863: 3855: 3850: 3848: 3840: 3839:Visconti 2007 3835: 3833: 3825: 3820: 3813: 3808: 3806: 3804: 3796: 3791: 3784: 3779: 3772: 3767: 3760: 3755: 3739: 3735: 3734: 3729: 3722: 3720: 3718: 3716: 3714: 3712: 3695: 3691: 3690: 3689:The A.V. Club 3685: 3683: 3674: 3667: 3662: 3655: 3650: 3642: 3638: 3634: 3633: 3625: 3623: 3621: 3619: 3617: 3615: 3613: 3611: 3609: 3607: 3605: 3584: 3580: 3579: 3574: 3567: 3565: 3563: 3555: 3550: 3543: 3538: 3531: 3526: 3524: 3522: 3514: 3509: 3507: 3505: 3503: 3501: 3499: 3497: 3489: 3484: 3477: 3472: 3456: 3452: 3451: 3446: 3439: 3437: 3435: 3433: 3431: 3429: 3427: 3425: 3423: 3415: 3410: 3408: 3406: 3404: 3402: 3400: 3398: 3396: 3394: 3392: 3390: 3388: 3386: 3384: 3382: 3380: 3378: 3376: 3374: 3372: 3370: 3353: 3349: 3345: 3338: 3331: 3326: 3319: 3314: 3307: 3302: 3300: 3298: 3296: 3294: 3292: 3290: 3288: 3286: 3284: 3282: 3280: 3278: 3276: 3274: 3272: 3270: 3268: 3266: 3264: 3262: 3260: 3258: 3256: 3254: 3252: 3250: 3248: 3243: 3227: 3218: 3207: 3206: 3199: 3192: 3191: 3184: 3177: 3176: 3169: 3162: 3161: 3160:Cracked Actor 3154: 3147: 3143: 3137: 3133: 3120: 3113: 3103: 3099: 3092: 3087: 3083: 3080: 3077: 3072: 3068: 3065: 3062: 3057: 3053: 3050: 3047: 3042: 3038: 3033:Certification 3028: 3025: 3009: 3006: 3001: 2997: 2993: 2987:Chart (1975) 2985: 2982: 2971: 2961: 2957: 2956: 2949: 2945: 2944: 2936:Chart (2016) 2934: 2931: 2917: 2916: 2908:Chart (1991) 2906: 2903: 2890: 2888: 2882: 2875: 2871: 2867: 2860: 2855: 2848: 2843: 2836: 2831: 2824: 2819: 2812: 2807: 2800: 2795: 2788: 2784: 2783: 2776: 2775: 2769: 2762: 2757: 2749:Chart (1975) 2747: 2744: 2736:Weekly charts 2733: 2732: 2718: 2712: 2709: 2707: 2703: 2700: 2694: 2688: 2682: 2676: 2673:(Sigma Sound) 2670: 2667:(Sigma Sound) 2664: 2658: 2655: 2652: 2649: 2648: 2647: 2646: 2642: 2634: 2631: 2625: 2619: 2616: 2610: 2607: 2601: 2595: 2592: 2586: 2583: 2582:Tony Visconti 2580: 2577: 2574: 2571: 2568: 2565: 2562: 2559: 2556: 2554: 2550: 2547: 2546: 2545: 2544: 2537: 2534: 2528: 2525: 2519: 2516: 2514: 2510: 2509:David Sanborn 2507: 2501: 2498: 2495: 2494:Carlos Alomar 2492: 2490: 2486: 2483: 2482: 2481: 2480: 2476: 2474: 2473:Nicholas Pegg 2458: 2455:Total length: 2452: 2448: 2445: 2444:Carlos Alomar 2441: 2438: 2434: 2430: 2426: 2423: 2420: 2416: 2412: 2408: 2406: 2402: 2399: 2396: 2392: 2388: 2384: 2381: 2378: 2374: 2358: 2345: 2342: 2339: 2335: 2331: 2327: 2325: 2321: 2318: 2314: 2310: 2306: 2303: 2300: 2296: 2292: 2289: 2286: 2282: 2278: 2262: 2256: 2254: 2246:Track listing 2243: 2241: 2240: 2233: 2231: 2227: 2224: 2223: 2218: 2214: 2211:, containing 2210: 2205: 2201: 2197: 2193: 2158: 2156: 2155: 2154:Rolling Stone 2151: 2150: 2120: 2118: 2117: 2113: 2112: 2104: 2101:Review scores 2099: 2088: 2086: 2085: 2080: 2079: 2074: 2070: 2066: 2065: 2060: 2059:Rolling Stone 2056: 2052: 2050: 2046: 2042: 2038: 2034: 2030: 2029: 2024: 2019: 2018: 2013: 2009: 2008:Rob Sheffield 2005: 2001: 1996: 1994: 1990: 1986: 1982: 1978: 1974: 1973: 1968: 1963: 1928: 1926: 1925: 1921: 1920: 1916: 1914: 1913: 1909: 1908: 1904: 1902: 1901: 1897: 1896: 1866: 1864: 1863: 1859: 1858: 1854: 1852: 1851: 1847: 1846: 1842: 1840: 1839: 1835: 1834: 1804: 1802: 1801: 1797: 1796: 1792: 1790: 1789: 1785: 1784: 1759: 1757: 1756: 1752: 1751: 1721: 1719: 1716: 1715: 1707: 1704:Review scores 1702: 1691: 1689: 1686: 1682: 1678: 1674: 1670: 1662: 1658: 1654: 1653: 1648: 1644: 1640: 1636: 1632: 1628: 1624: 1623:Talking Heads 1620: 1616: 1612: 1608: 1604: 1600: 1599: 1593: 1584: 1582: 1581: 1576: 1572: 1568: 1563: 1561: 1557: 1553: 1549: 1545: 1544: 1539: 1535: 1531: 1516: 1514: 1513: 1508: 1507:Michael Watts 1504: 1503: 1498: 1497:Ian MacDonald 1494: 1490: 1489: 1484: 1480: 1475: 1471: 1470: 1464: 1462: 1458: 1457: 1452: 1451: 1450:Record Mirror 1445: 1438: 1437: 1436:Rolling Stone 1431: 1429: 1425: 1421: 1420: 1415: 1411: 1410: 1405: 1404: 1399: 1390: 1388: 1387: 1383: 1382: 1378: 1376: 1375: 1371: 1370: 1362: 1359:Review scores 1357: 1346: 1344: 1343: 1339:variety show 1338: 1334: 1330: 1329: 1324: 1320: 1306: 1304: 1300: 1297:. Elsewhere, 1296: 1295: 1290: 1286: 1282: 1280: 1267: 1260: 1259: 1254: 1249: 1245: 1239: 1238: 1233: 1229: 1225: 1223: 1218: 1214: 1210: 1206: 1205: 1196: 1186: 1184: 1180: 1179: 1174: 1166: 1161: 1157: 1156:cover artwork 1147: 1144: 1140: 1130: 1128: 1127:Stevie Wonder 1120: 1116: 1111: 1109: 1105: 1101: 1096: 1094: 1090: 1086: 1077: 1068: 1066: 1065: 1064:Cracked Actor 1060: 1056: 1052: 1051:Nicholas Pegg 1048: 1044: 1040: 1036: 1032: 1031: 1026: 1025: 1024:City of Night 1020: 1015: 1012: 1011:Peter Doggett 1008: 1004: 1003:Richard Nixon 1001:of president 1000: 996: 992: 982: 980: 976: 972: 968: 964: 960: 959: 954: 950: 946: 942: 933: 931: 927: 918: 913: 911: 907: 903: 899: 895: 891: 887: 886: 885:Rock 'n' Roll 882: 878: 875: 870: 868: 864: 860: 856: 855: 850: 846: 845:New York City 842: 834: 829: 820: 818: 814: 810: 806: 802: 798: 794: 787: 782: 777: 771: 767: 763: 762: 757: 753: 749: 745: 741: 736: 733: 727: 725: 715: 711: 708: 704: 700: 696: 692: 674: 672: 668: 664: 663:Tony Visconti 660: 656: 652: 648: 644: 640: 636: 632: 631:David Sanborn 628: 624: 620: 612: 608: 604: 595: 593: 590: 586: 582: 578: 574: 570: 566: 561: 559: 558: 553: 549: 545: 541: 537: 536:Carlos Alomar 529: 526: 525:Carlos Alomar 522: 518: 514: 512: 511: 507: 503: 500:for shows in 499: 495: 491: 490:Knock on Wood 487: 483: 479: 475: 471: 467: 463: 459: 458: 453: 444: 442: 441: 436: 431: 427: 426: 421: 417: 416: 411: 407: 405: 401: 397: 393: 389: 385: 381: 377: 373: 369: 365: 364:Carlos Alomar 361: 360:Tony Visconti 357: 353: 349: 344: 342: 338: 334: 330: 326: 322: 314: 310: 307:is the ninth 306: 305: 295: 282: 276: 269: 263: 262: 259: 256: 252: 248: 244: 235: 234: 230: 226: 225: 221: 217: 216: 212: 211: 207: 203: 199: 194: 193:Tony Visconti 191: 189: 186: 183: 182: 181: 179: 175: 172: 169: 167: 163: 151: 147: 142: 139: 137: 134: 132: 129: 127: 124: 123: 122: 120: 116: 110: 109:Electric Lady 107: 105: 104:New York City 101: 98: 95: 92: 91: 90: 86: 82: 78: 67: 63: 59: 54: 50: 46: 41: 36: 33: 29: 22: 8889: 8882: 8875: 8868: 8859:Arnold Corns 8849:BBC Sessions 8805: 8798: 8791: 8784: 8777: 8770: 8763: 8756: 8739: 8649:Heathen Tour 8629:Outside Tour 8575: 8568: 8561: 8554: 8547: 8529: 8522: 8515: 8508: 8501: 8494: 8487: 8480: 8473: 8466: 8459: 8452: 8446:Video albums 8434: 8427: 8420: 8413: 8406: 8401:Glass Spider 8399: 8392: 8385: 8378: 8360: 8353: 8346: 8339: 8332: 8325: 8318: 8311: 8304: 8297: 8290: 8283: 8276: 8258: 8251: 8244: 8237: 8230: 8223: 8216: 8209: 8202: 8195: 8188: 8181: 8174: 8167: 8160: 8155:Changesbowie 8153: 8146: 8141:Golden Years 8139: 8132: 8125: 8118: 8111: 8104: 8097: 8091:Compilations 8079: 8072: 8065: 8060:Space Oddity 8058: 8051: 8044: 8037: 8030: 8012: 8005: 7998: 7991: 7984: 7962: 7955: 7934: 7927: 7920: 7913: 7906: 7899: 7892: 7885: 7878: 7871: 7864: 7857: 7850: 7843: 7836: 7829: 7824:Glass Spider 7822: 7815: 7808: 7801: 7794: 7787: 7765: 7758: 7737: 7730: 7725:The Next Day 7723: 7716: 7709: 7702: 7695: 7688: 7681: 7674: 7667: 7660: 7653: 7646: 7639: 7632: 7625: 7618: 7612: 7611: 7606:Diamond Dogs 7604: 7597: 7592:Aladdin Sane 7590: 7583: 7576: 7569: 7562: 7554: 7528:Band members 7448: 7419: 7396: 7393:Trynka, Paul 7368: 7337: 7312: 7280: 7248: 7223: 7195: 7175: 7151: 7126: 7099: 7076: 7050: 7032:Virgin Books 7027: 7003: 6979:. Retrieved 6975: 6965: 6953:. Retrieved 6940: 6928:. Retrieved 6915: 6903:. Retrieved 6900:Music Canada 6890: 6878:. Retrieved 6869: 6860: 6848: 6836: 6828:the original 6823: 6814: 6787: 6765: 6753:. Retrieved 6749:the original 6742: 6732: 6722:12 September 6720:. Retrieved 6716:the original 6711: 6702: 6690:. Retrieved 6684:. AllMusic. 6679: 6671: 6644: 6639: 6627:. Retrieved 6583: 6578: 6552:(17). Iola: 6549: 6543: 6511: 6505: 6480: 6476:The Observer 6474: 6465: 6455:19 September 6453:. Retrieved 6442: 6433: 6421:. Retrieved 6412: 6403: 6393:– via 6387:. Retrieved 6363:Melody Maker 6362: 6356: 6352: 6344: 6334:11 September 6332:. Retrieved 6321: 6311: 6299:. Retrieved 6290: 6284: 6257: 6246: 6242: 6236: 6224: 6214:11 September 6212:. Retrieved 6201: 6196:(May 1991). 6155: 6140: 6116: 6106: 6094:. Retrieved 6070: 6063: 6052: 6040:. Retrieved 6029: 6016: 6004:. Retrieved 6000:the original 5995: 5985: 5973:. Retrieved 5962: 5956: 5945: 5931:19 September 5929:. Retrieved 5920:Melody Maker 5918: 5908: 5897: 5893: 5889: 5866: 5859:Buckley 2005 5854: 5842:. Retrieved 5831: 5821: 5809: 5802:O'Leary 2015 5797: 5784: 5778: 5751: 5735:. Retrieved 5724: 5718: 5707: 5691:. Retrieved 5680: 5674: 5666: 5650:. Retrieved 5639: 5629: 5617:. Retrieved 5608: 5602: 5591: 5582:Melody Maker 5580: 5574: 5548:. Retrieved 5534: 5506:. Retrieved 5497: 5488: 5472:. Retrieved 5461: 5455: 5447: 5435:. Retrieved 5423:Record World 5421: 5412: 5405: 5393:. Retrieved 5379: 5367: 5355:. Retrieved 5344: 5321:Buckley 2005 5316: 5309:Buckley 2005 5304: 5258: 5238:. Retrieved 5231:the original 5220: 5196:. Retrieved 5183: 5174: 5157: 5149:. Retrieved 5142:the original 5117:. Retrieved 5101: 5070: 5049: 5044:Kvällstoppen 5041: 5033:. Retrieved 5026:the original 5021: 4994:. Retrieved 4981: 4972: 4950:. Retrieved 4932: 4920:. Retrieved 4907: 4883:. Retrieved 4874: 4868: 4846:. Retrieved 4842:the original 4837: 4831: 4824: 4812:. Retrieved 4798: 4789: 4772:Buckley 2005 4738:Griffin 2016 4723:O'Leary 2015 4703:. Retrieved 4699:the original 4694: 4685: 4673:. Retrieved 4664: 4641:13 September 4639:. Retrieved 4630: 4624: 4616: 4604: 4592: 4580: 4568: 4561:Doggett 2012 4541: 4529: 4522:Doggett 2012 4507:Buckley 2005 4502: 4490: 4463:. Retrieved 4454:Classic Rock 4452: 4442: 4420:Doggett 2012 4415: 4408:Doggett 2012 4403: 4376: 4369:Doggett 2012 4349: 4342:Doggett 2012 4337: 4325: 4303:Buckley 2005 4277: 4270:Doggett 2012 4265: 4232:. Retrieved 4221: 4215: 4180:Bennett 2020 4175: 4163: 4151:. Retrieved 4142: 4132: 4116:. Retrieved 4105: 4076:. Retrieved 4065: 4059: 4021:. Retrieved 4010: 3997: 3985:. Retrieved 3974: 3968: 3945:. Retrieved 3939:. AllMusic. 3934: 3883:. Retrieved 3874: 3819: 3795:Buckley 2005 3790: 3778: 3766: 3754: 3742:. Retrieved 3731: 3698:. Retrieved 3694:the original 3687: 3681: 3673: 3666:Buckley 1999 3661: 3649: 3630: 3587:. Retrieved 3576: 3554:Buckley 2005 3549: 3537: 3530:Buckley 2005 3483: 3471: 3459:. Retrieved 3448: 3414:O'Leary 2015 3356:. Retrieved 3352:the original 3337: 3325: 3318:Buckley 2005 3313: 3226: 3217: 3203: 3198: 3188: 3183: 3173: 3168: 3158: 3153: 3145: 3141: 3136: 3118: 3105: 3046:Music Canada 3023: 3004: 2980: 2929: 2901: 2886: 2772: 2742: 2716: 2657:Harry Maslin 2644: 2643: 2609:Dennis Davis 2542: 2541: 2527:Andy Newmark 2518:Willie Weeks 2470: 2250: 2237: 2234: 2229: 2220: 2216: 2191: 2190: 2152: 2114: 2096:2007 reissue 2082: 2078:The Observer 2076: 2062: 2058: 2054: 2053: 2048: 2040: 2037:Melody Maker 2036: 2032: 2026: 2022: 2015: 2011: 1999: 1997: 1992: 1980: 1977:Diamond Dogs 1976: 1970: 1967:Douglas Wolk 1961: 1960: 1922: 1910: 1898: 1860: 1848: 1836: 1798: 1786: 1753: 1676: 1672: 1650: 1596: 1591: 1590: 1578: 1575:Melody Maker 1574: 1566: 1564: 1555: 1551: 1547: 1541: 1529: 1527: 1510: 1502:Melody Maker 1500: 1492: 1486: 1482: 1479:Diamond Dogs 1478: 1467: 1465: 1460: 1454: 1448: 1434: 1432: 1427: 1423: 1417: 1413: 1409:Record World 1407: 1401: 1397: 1396: 1384: 1372: 1340: 1333:Golden Years 1326: 1307: 1303:Diamond Dogs 1302: 1298: 1292: 1278: 1265: 1264: 1256: 1235: 1227: 1221: 1202: 1192: 1176: 1153: 1136: 1112: 1097: 1082: 1062: 1061:documentary 1042: 1028: 1022: 1016: 988: 963:artsy rocker 956: 953:plastic soul 940: 939: 928:by engineer 916: 914: 906:Dennis Davis 890:Lost weekend 883: 881:covers album 871: 867:Harry Maslin 858: 852: 841:Record Plant 838: 816: 808: 804: 800: 796: 789: 785: 778: 759: 737: 728: 724:jam sessions 720: 697:in Britain, 680: 647:Willie Weeks 645:and bassist 643:Andy Newmark 616: 606: 591: 569:Philadelphia 562: 555: 533: 527: 520: 508: 498:Ohio Players 457:Diamond Dogs 455: 450: 438: 429: 423: 414: 409: 408: 404:Harry Maslin 380:Record Plant 352:Philadelphia 345: 341:plastic soul 309:studio album 303: 302: 301: 254: 231: 223: 222: 213: 188:Harry Maslin 100:Record Plant 53:Studio album 32: 8946:1975 albums 8907:Bowie Bonds 8824:Iman (wife) 8724:In popular 8665:Tin Machine 8482:Tin Machine 8292:David Bowie 7978:Soundtracks 7948:Tin Machine 7781:Live albums 7760:Tin Machine 7751:Tin Machine 7655:Let's Dance 7563:David Bowie 7555:David Bowie 7523:Videography 7518:Filmography 7503:Discography 7492:David Bowie 7365:Spitz, Marc 7229:Titan Books 6880:11 February 6792:RCA Records 6649:David Bowie 6588:David Bowie 6262:Trynka 2011 6163:. pp. 6042:11 November 6006:3 September 5804:, chap. 10. 5619:14 November 5597:Landau, Jon 5550:12 November 5395:12 December 5067:Kent, David 4258:Perone 2007 4168:Sounes 2015 4107:The Gazette 4078:5 September 3987:6 September 3700:14 November 2594:John Lennon 2564:Robin Clark 2500:Mike Garson 2485:David Bowie 2401:John Lennon 2317:Fascination 2253:David Bowie 2230:The Gouster 2071:. In 2004, 1663:used "Fame" 1661:James Brown 1611:Rod Stewart 1560:Isolar Tour 1536:and German 1512:The Gazette 1374:The Gazette 1319:Let's Dance 1251:Bowie with 1195:lead single 1183:RCA Records 1165:Los Angeles 1027:(1963) and 1019:Fascination 999:resignation 995:McCarthyism 971:black music 915:Mixing for 877:John Lennon 863:AIR Studios 859:Fascination 849:Fascination 833:John Lennon 817:The Gouster 811:. An early 809:Fascination 786:The Gouster 667:Robin Clark 655:Tony Newman 653:to replace 627:Mike Garson 548:Chuck Berry 544:James Brown 494:Eddie Floyd 452:David Bowie 418:chart; the 384:John Lennon 372:Robin Clark 321:RCA Records 313:David Bowie 202:David Bowie 184:David Bowie 94:Sigma Sound 58:David Bowie 8940:Categories 8864:Ava Cherry 8691:Characters 8639:Hours Tour 8225:Club Bowie 8211:All Saints 7789:David Live 7578:Hunky Dory 7347:Transworld 7284:. London: 7201:Zero Books 7155:. London: 7030:. London: 6981:11 January 6955:31 January 6930:31 January 6905:31 January 6755:6 December 6744:PopMatters 6692:23 October 6389:27 October 6301:22 October 6287:(Reissue)" 6074:. Boston: 5975:24 October 5844:5 November 5652:20 October 5508:25 October 5474:21 October 5240:31 January 5198:31 January 5151:31 January 5119:21 October 5035:31 January 4996:31 January 4952:15 October 4922:31 January 4740:, chap. 6. 4705:8 December 4675:13 October 4631:A Pop Life 4597:Clerc 2021 4534:Clerc 2021 4495:Spitz 2009 4465:22 October 4330:Clerc 2021 4234:23 October 4195:Spitz 2009 4153:20 October 4118:20 October 3947:23 October 3885:24 January 3854:Clerc 2021 3824:Clerc 2021 3744:23 October 3641:2360500141 3589:21 October 3513:Clerc 2021 3461:23 October 3416:, chap. 9. 3238:References 3146:David Live 3142:David Live 3100:3,300,000 3094:Worldwide 3089:Summaries 2702:Greg Calbi 2558:Ava Cherry 2536:Earl Slick 2045:Bob Geldof 2039:said that 1991:said that 1969:stated in 1685:West Coast 1643:Parliament 1607:Roxy Music 1603:Elton John 1534:electronic 1483:David Live 1444:Jon Landau 1328:Soul Train 1178:After Dark 1173:Toni Basil 967:Marc Spitz 930:Greg Calbi 770:the Flairs 746:" titled " 703:equalisers 635:Earl Slick 592:David Live 573:Ava Cherry 510:David Live 506:live album 368:Ava Cherry 215:David Live 204:chronology 72:1975-03-07 8698:Major Tom 8644:Mini Tour 8609:Isolar II 8000:Labyrinth 7732:Blackstar 7697:Earthling 7278:(1997) . 7069:Carr, Roy 6870:Billboard 6770:Pegg 2016 6629:26 August 6570:275138209 6562:1055-2685 6497:250458769 6489:0029-7712 6423:5 October 6379:223545951 6371:0025-9012 6096:13 August 6022:Kot, Greg 5996:Billboard 5959:Magazine" 5871:Pegg 2016 5814:Pegg 2016 5771:Pegg 2016 5463:Crawdaddy 5381:Billboard 5357:13 August 5297:Pegg 2016 4982:charts.nz 4885:22 August 4875:Billboard 4753:Pegg 2016 4609:Pegg 2016 4585:Pegg 2016 4573:Pegg 2016 4546:Pegg 2016 4483:Pegg 2016 4435:Pegg 2016 4396:Pegg 2016 4381:Pegg 2016 4354:Pegg 2016 4318:Pegg 2016 4282:Pegg 2016 4223:BBC Music 4143:Billboard 4067:Pitchfork 3812:Pegg 2016 3783:Pegg 2016 3771:Pegg 2016 3759:Pegg 2016 3654:Nite 1978 3542:Pegg 2016 3488:Pegg 2016 3476:Pegg 2016 3358:15 August 3330:Pegg 2016 3306:Pegg 2016 3005:Billboard 2990:Position 2941:Position 2913:Position 2887:Billboard 2870:UK Albums 2785:Denmark ( 2754:Position 2645:Technical 2513:saxophone 2489:keyboards 2467:Personnel 2368:Writer(s) 2272:Writer(s) 2006:periods. 1972:Pitchfork 1850:Pitchfork 1673:Billboard 1587:Influence 1538:krautrock 1403:Billboard 1305:overall. 1289:Tom Jones 1279:Billboard 1222:Billboard 1211:" as the 1143:glam rock 1119:funk rock 699:engineers 462:glam rock 443:box set. 415:Billboard 325:glam rock 8925:Category 8902:BowieNet 8839:The Hype 8772:Stardust 8556:Ricochet 8461:Video EP 8270:Box sets 7634:"Heroes" 7395:(2011). 7367:(2009). 7221:(2016). 7124:(2012). 7075:(1981). 6976:Le Monde 6874:Archived 6686:Archived 6623:Archived 6566:ProQuest 6545:Goldmine 6493:ProQuest 6449:Archived 6417:Archived 6383:Archived 6375:ProQuest 6328:Archived 6295:Archived 6208:Archived 6153:(eds.). 6090:Archived 6060:(1981). 6036:Archived 5969:Archived 5925:Archived 5838:Archived 5731:Archived 5687:Archived 5646:Archived 5613:Archived 5541:Archived 5502:Archived 5468:Archived 5428:Archived 5386:Archived 5351:Archived 5263:Roppongi 5192:Archived 5188:VG-lista 5110:Archived 5069:(1993). 4990:Archived 4946:Archived 4916:Archived 4879:Archived 4805:Archived 4669:Archived 4635:Archived 4459:Archived 4228:Archived 4147:Archived 4112:Archived 4072:Archived 4023:27 March 4017:Archived 3981:Archived 3941:Archived 3879:Archived 3738:Archived 3637:ProQuest 3583:Archived 3455:Archived 3348:AllMusic 3084:500,000 3069:100,000 3044:Canada ( 2847:VG-lista 2704: – 2551: – 2511: – 2446:, Lennon 2355:Side two 2259:Side one 2200:Rykodisc 2116:Goldmine 2091:Reissues 1989:AllMusic 1718:AllMusic 1619:Bee Gees 1416:, while 1146:tracks. 1133:Outtakes 1108:Al Green 1089:Hitler's 1071:Side two 1067:(1975). 997:and the 985:Side one 926:mastered 781:overdubs 740:outtakes 710:years." 701:applied 641:drummer 435:outtakes 428:(1976). 178:Producer 80:Recorded 65:Released 55: by 8817:Related 8765:Lazarus 8726:culture 8517:Reality 8246:iSelect 8074:No Plan 8007:Lazarus 7718:Reality 7711:Heathen 7690:Outside 7662:Tonight 7599:Pin Ups 7455:Discogs 6994:Sources 6516:Cassell 6395:Twitter 5737:2 March 5693:2 March 5577:Review" 4848:7 March 4800:Cashbox 4218:Review" 3733:Far Out 3578:Blender 3054:50,000 3039:/sales 3030:Region 2442:Bowie, 2322:Bowie, 2226:box set 2047:said: " 2028:Far Out 1681:hip hop 1641:in the 1532:, with 1426:ranked 1419:Cashbox 1224:Hot 100 1207:track " 1189:Release 1150:Artwork 1117:" is a 1035:Changes 949:R&B 813:acetate 732:cocaine 691:Olympic 468:" and " 394:" and " 388:Beatles 333:R&B 251:Singles 237:(1976) 228:(1975) 219:(1974) 131:R&B 70: ( 8747:Jareth 8604:Isolar 8260:Legacy 7641:Lodger 7565:(1969) 7557:(1967) 7430: 7424:Harper 7407: 7381: 7353: 7343:Ealing 7324: 7292: 7264: 7235: 7207: 7182: 7163: 7138: 7110: 7087: 7057: 7038: 7015: 6568: 6560: 6556:: 60. 6522: 6495: 6487: 6377: 6369: 6203:Select 6171: 6128: 6082: 5677:(RCA)" 5437:30 May 5273: 5079: 5042:Note: 4814:30 May 3639: 3210: 3190:Luther 3119: 2823:Oricon 2717: 2553:congas 2424: 2382: 2371:Length 2343: 2304: 2290: 2275:Length 2109:Rating 2106:Source 1900:Select 1855:8.7/10 1712:Rating 1709:Source 1688:G-funk 1665:'s 1645:song " 1519:Legacy 1367:Rating 1364:Source 1314: 1310: 1274: 1270: 1242: 1213:B-side 1199: 1169: 1055:mantra 921: 874:Beatle 790:Dancin 707:reverb 687: 683: 420:single 390:song " 317: 149:Length 88:Studio 8734:Bowie 8663:With 8587:Tours 7946:With 7796:Stage 7749:With 7704:Hours 7533:Death 7508:Songs 6248:Uncut 6165:97–99 5544:(PDF) 5531:(PDF) 5431:(PDF) 5418:(PDF) 5389:(PDF) 5376:(PDF) 5267:Tokyo 5234:(PHP) 5180:(ASP) 5145:(PHP) 5113:(PDF) 5106:(PDF) 5029:(PDF) 5018:(PDF) 4978:(ASP) 4808:(PDF) 4795:(PDF) 3128:Notes 3081:Gold 3066:Gold 3051:Gold 2835:RIANZ 2459:40:00 2365:Title 2338:Right 2301:"Win" 2269:Title 1924:Uncut 1631:Japan 1440:' 1325:TV's 1240:on 21 1167:on 30 1139:disco 1039:Right 936:Songs 792:' 538:, an 492:" by 253:from 166:Label 119:Genre 8134:Rare 8032:Baal 7428:ISBN 7405:ISBN 7379:ISBN 7351:ISBN 7322:ISBN 7290:ISBN 7262:ISBN 7233:ISBN 7205:ISBN 7180:ISBN 7161:ISBN 7136:ISBN 7108:ISBN 7085:ISBN 7081:Avon 7055:ISBN 7036:ISBN 7013:ISBN 6983:2016 6957:2014 6932:2014 6907:2014 6882:2011 6806:link 6757:2020 6724:2020 6694:2023 6663:link 6631:2021 6602:link 6558:ISSN 6520:ISBN 6485:ISSN 6457:2020 6425:2021 6391:2023 6367:ISSN 6336:2020 6303:2023 6216:2017 6169:ISBN 6126:ISBN 6098:2016 6080:ISBN 6044:2020 6008:2021 5977:2023 5933:2020 5846:2019 5739:2021 5695:2021 5654:2023 5621:2011 5552:2022 5510:2023 5476:2023 5439:2022 5397:2020 5359:2016 5271:ISBN 5242:2014 5200:2014 5153:2014 5121:2023 5077:ISBN 5037:2014 4998:2014 4954:2021 4924:2014 4887:2020 4850:2015 4816:2022 4707:2014 4677:2023 4643:2021 4467:2023 4236:2023 4155:2023 4120:2023 4080:2020 4025:2018 3989:2020 3949:2023 3887:2024 3746:2023 3702:2011 3591:2023 3463:2023 3360:2020 3076:RIAA 2948:FIMI 2939:Peak 2911:Peak 2811:SNEP 2752:Peak 2449:4:12 2437:Fame 2427:5:04 2409:4:30 2385:6:30 2346:4:13 2328:5:43 2307:4:44 2293:5:10 1917:6/10 1843:7/10 1633:and 1481:and 1342:Cher 1258:Cher 1253:Cher 1115:Fame 1037:". " 947:and 902:Fame 854:Disc 807:and 754:'s " 705:and 693:and 657:and 619:MFSB 550:and 478:soul 476:and 474:funk 470:1984 396:Fame 343:". 331:and 329:soul 281:Fame 141:rock 136:funk 8024:EPs 7739:Toy 7627:Low 7453:at 6444:NME 6245:". 5896:". 5789:EMI 5726:NME 5498:NME 5222:RPM 3061:BPI 3010:20 3003:US 2998:44 2965:92 2953:92 2921:54 2884:US 2874:OCC 2852:13 2828:82 2816:12 2780:17 2774:RPM 2361:No. 2265:No. 2209:DVD 2204:EMI 2064:NME 1987:of 1905:5/5 1635:ABC 1493:NME 1424:NME 1337:CBS 1323:ABC 1291:'s 1234:'s 1232:BBC 1059:BBC 843:in 815:of 803:, 649:of 589:mix 567:in 482:mod 350:in 171:RCA 8942:: 7426:. 7403:. 7377:. 7349:. 7345:: 7341:. 7288:. 7260:. 7256:: 7252:. 7231:. 7203:. 7159:. 7134:. 7106:. 7083:. 7071:; 7034:. 7011:. 6974:. 6948:. 6923:. 6898:. 6872:. 6868:. 6822:. 6802:}} 6798:{{ 6777:^ 6741:. 6710:. 6659:}} 6655:{{ 6610:^ 6598:}} 6594:{{ 6564:. 6550:33 6548:. 6534:^ 6518:. 6491:. 6481:49 6479:. 6441:. 6411:. 6381:. 6373:. 6361:. 6355:/ 6326:. 6320:. 6293:. 6289:. 6269:^ 6200:. 6183:^ 6167:. 6149:; 6124:. 6088:. 6078:. 6068:. 6034:. 6028:. 5994:. 5961:. 5923:. 5917:. 5892:/ 5878:^ 5836:. 5830:. 5763:^ 5729:. 5723:. 5685:. 5679:. 5638:. 5611:. 5607:. 5579:. 5560:^ 5533:. 5518:^ 5496:. 5466:. 5460:. 5420:. 5378:. 5349:. 5343:. 5328:^ 5285:^ 5265:, 5261:. 5250:^ 5219:. 5208:^ 5190:. 5186:. 5182:. 5164:^ 5129:^ 5091:^ 5056:^ 5020:. 5006:^ 4988:. 4984:. 4980:. 4962:^ 4944:. 4940:. 4914:. 4910:. 4906:. 4895:^ 4877:. 4873:. 4858:^ 4836:. 4797:. 4779:^ 4760:^ 4745:^ 4730:^ 4715:^ 4693:. 4667:. 4663:. 4651:^ 4633:. 4629:. 4553:^ 4514:^ 4475:^ 4457:. 4451:. 4427:^ 4388:^ 4361:^ 4310:^ 4289:^ 4244:^ 4226:. 4220:. 4202:^ 4187:^ 4145:. 4141:. 4104:. 4088:^ 4070:. 4064:. 4033:^ 4015:. 4009:. 3979:. 3973:. 3957:^ 3931:. 3916:^ 3895:^ 3877:. 3873:. 3861:^ 3846:^ 3831:^ 3802:^ 3736:. 3730:. 3710:^ 3686:. 3603:^ 3581:. 3575:. 3561:^ 3520:^ 3495:^ 3447:. 3421:^ 3368:^ 3346:. 3246:^ 3097:— 3078:) 3063:) 3048:) 2962:) 2950:) 2893:9 2879:2 2876:) 2864:5 2861:) 2849:) 2840:3 2837:) 2825:) 2813:) 2804:8 2801:) 2792:1 2789:) 2777:) 2766:9 2763:) 2432:4. 2414:3. 2403:, 2390:2. 2376:1. 2333:4. 2312:3. 2298:2. 2280:1. 2196:CD 2087:. 1793:B− 1629:, 1625:, 1621:, 1617:, 1613:, 1609:, 1605:, 1505:, 1495:, 1472:, 1442:s 1391:C+ 981:. 932:. 869:. 799:, 795:, 546:, 370:, 158:00 154:40 102:, 8736:" 8732:" 7484:e 7477:t 7470:v 7436:. 7413:. 7387:. 7359:. 7330:. 7298:. 7270:. 7241:. 7213:. 7188:. 7169:. 7144:. 7116:. 7093:. 7063:. 7044:. 7021:. 6985:. 6959:. 6934:. 6909:. 6884:. 6808:) 6759:. 6726:. 6696:. 6678:" 6665:) 6633:. 6604:) 6572:. 6528:. 6499:. 6459:. 6427:. 6397:. 6338:. 6305:. 6283:" 6218:. 6177:. 6134:. 6100:. 6066:" 6046:. 6010:. 5964:Q 5957:Q 5939:. 5848:. 5791:. 5745:. 5721:" 5701:. 5660:. 5623:. 5605:" 5601:" 5512:. 5482:. 5415:" 5361:. 5279:. 5244:. 5202:. 5177:" 5155:. 5123:. 5085:. 5039:. 5000:. 4975:" 4956:. 4926:. 4889:. 4867:" 4852:. 4830:" 4792:" 4709:. 4679:. 4645:. 4627:" 4469:. 4238:. 4157:. 4126:. 4082:. 4027:. 3991:. 3971:" 3951:. 3933:" 3889:. 3748:. 3704:. 3643:. 3597:. 3465:. 3362:. 3193:. 3148:. 2872:( 2439:" 2435:" 2421:" 2417:" 2397:" 2393:" 2340:" 2336:" 2319:" 2315:" 2287:" 2283:" 2202:/ 1580:Q 1379:B 1317:' 1123:' 1113:" 1098:" 1017:" 989:" 774:' 530:. 283:" 279:" 270:" 266:" 156:: 74:) 30:. 23:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.