693:
555:), rebelled. Lu Qi had held a grudge against Yan Zhenqing for a long time, so he sent Yan Zhenqing to negotiate with Li Xilie in the hope that Yan Zhenqing would be killed. As expected, Li Xilie tried all means to coax or threaten Yan Zhenqing to surrender, but Yan Zhenqing never wavered. According to legend, Li Xilie set up a fire in the courtyard and told Yan Zhengqing he would be burnt to death if he did not surrender. Yet, Yan Zhenqing did not show the slightest fear and walked towards the fire determinedly. Li Xilie could not help but to show respect to him, and on 23 August, Yan Zhenqing was secretly strangled at the Longxing Temple (
638:
792:) Scripts into his own style, making the start and ending of his brushline gentler. For individual strokes, he adopted the rule of “thin horizontal and thick vertical strokes”; strokes’ widths were varied to show the curvature and flow, and the dots and oblique strokes were finished with sharp edges. For character structure, Yan style displays squared shape and modest arrangement, with spacious center portion and tight outer strokes; this structure resembles more the more dated
395:
25:
732:
126:
354:). He then gained the rare opportunity of taking a special imperial examination that was set for candidates with extraordinary talents, again excelling in it. With his outstanding academic background, Yan Zhengqing rose rapidly through the bureaucratic ladder: he was appointed vice-magistrate of Liquan District (
715:
t. The style of the calligraphy was close to that of the early Tang calligraphers, who emphasized elegance and "fancifulness"; yet it also pursued composure and firmness in its brush strokes, structuring characters on powerful frames with tender management on brushline. In 758, he also wrote the
624:顏體), brought Chinese calligraphy to a new realm, emphasizing strength, boldness, and grandness. Like most of the master calligraphers, Yan Zhenqing learned his skill from various calligraphers, and the development of his personal style can be basically divided into three stages.
701:
699:
692:
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Most calligraphers agree Yan
Zhenqing's early stage lasted until his fifties. During these years, Yan Zhenqing tried out different techniques and started to develop his personal genre. When he was young, he studied calligraphy under the famous calligraphers
804:
style had abandoned the sumptuous trend of early Tang calligraphers: it is rather upright, muscular, fitting, rich and controlled; compared to the style of the early Tang which was sloped, feminine, pretty, slim and capricious.
493:). Due to poor military deployment by the Tang government, An Lushan managed to attack Hebei by surprise, and Yan Zhenqing reluctantly abandoned his command, returning to the court in 757. He was then appointed Minister of Law (
843:
Yan
Zhenqing's style assimilated the essence of the previous five hundred years, and almost all the calligraphers after him were more or less influenced by him. In his contemporary period, another great master calligrapher,
900:
After the Song, the popularity of Yan
Zhenqing declined slightly, as calligraphers tended towards more abstract ways of expression. However, he still held important status, and many renowned calligraphers, such as
768:). Having experienced the An Lushan Rebellion and frequent vicissitudes in his civil career, Yan Zhenqing's style was maturing. He increased waist force while wielding the brush, and blended techniques from the
813:
In the ten years before his death, Yan
Zhenqing's calligraphy accomplishment peaked. His style was now established and he continuously improved on each of his works, and completed his magnum opus, the
517:) on Yan Zhenqing in recognition of his firm loyalty to the government and bravery during the An Lushan Rebellion. However, his unbending character was resented by the incumbent Grand Councilor,
483:
Thereafter Yan's force won several major battles over the rebels, including successfully cutting the rebel supply lines and regaining control over seventeen commanderies in Heshuo area. In 756,
411:
was imminent. With his political sensitivity, Yan
Zhenqing immediately started preparing for war by fortifying the city wall and stocking up provisions. He also sent emergency memorial to
770:
823:). At this stage, he was able to fully exhibit his style at will even through a single stroke, and liveliness and passion bubbles under his modest and stately style. He also wrote
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rebelled under the name of removing Yang
Guozhong. The ill-prepared Tang government troops retreated with little resistance from all the prefectures in Heshuo (
361:
800:
Scripts. From the point of view of spacing, his characters are compact vertically, leaving relatively more space in between lines. Hence, the emerging
1161:
371:
853:
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711:). The stele has 34 lines, each containing 66 characters, and it was written for Emperor Xuanzong who at the time was an extremely pious
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327:
princes' and a great calligrapher himself. Under the influence of family tradition and the strict instruction of his mother, Lady Yin (
670:
Script, which emphasizes the overall composition and flow; Chu
Suiliang, on the other hand, was renowned for his graceful and refined
676:
464:, Hebei), fighting the rebels at their rear. The government in its desperation, promoted Yan Zhenqing to Deputy Minister of Finance (
499:), but his outspokenness against corrupt higher-ranking officials resulted in himself being constantly demoted and re-promoted.
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266:. His artistic accomplishment in Chinese calligraphy is equal to that of the greatest master calligraphers of history, and his
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This period ranges from Yan
Zhenqing's fifties to sixty-five. During these years, he wrote some famous pieces like
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The trend of imitating Yan
Zhenqing peaked during the Song dynasty. The "Four Grand Masters of the Song" –
582:. He was also widely mourned by the army and the people, and a temple was constructed to commemorate him. In the
306:
1235:
568:
Upon hearing of his death, Emperor
Daizong closed the assembly for five days and conferred the posthumous title
229:
46:
258:; 709 – 23 August 784) was a Chinese calligrapher, military general, and politician. He was a leading Chinese
75:
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620:草書) scripts, though he also mastered other styles. His style of regular script, often called Yan script (
57:
835:), which was revolutionary for his time, as multiple script styles were presented within the same work.
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style, which then regained its popularity. Nowadays almost every Chinese calligraphy learner imitates
412:
686:) Style, which originated from Northern nomad minorities and focused on strength and simplicity.
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Style; Su Shi even claimed Yan Zhenqing's calligraphy to be "peerless" throughout history.
518:
440:); only Yan Zhenqing's Pingyuan sustained through. He then combined force with his cousin,
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ascended the throne from Emperor Xuanzong and promoted Yan Zhenqing to Minister of Works (
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style when they first pick up the brush, and Yan Zhenqing's influence has also spread to
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Yan Clan, 琅邪颜氏) which served the court for many generations. One of his ancestors was
1174:
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380:). His uprightness and outspoken style were hailed by the common people, but angered
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739:, Yan Zhenqing's masterpiece (the stele is on permanent display in Bei Lin, Xi'an)
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In 773, Yan Zhenqing and a group of friends began work on compiling the (c. 780)
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1095:"The Upright Brush: Yan Zhenqing's Calligraphy and Song Literati Politics"
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The Upright Brush: Yan Zhenqing's Calligraphy and Song Literati Politics
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The Upright Brush: Yan Zhenqing's Calligraphy and Song Literati Politics
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The Upright Brush: Yan Zhenqing's Calligraphy and Song Literati Politics
578:) on Yan Zhenqing on 2 March 785, along with the posthumous position of
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Yan Zhenqing is popularly held as the only calligrapher who paralleled
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By the time Yan Zhenqing took up the post of governor of Pingyuan, the
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In 734, at the age of 22, Yan Zhenqing qualified at the national wide
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862:) thoroughly inherited Yan Zhenqing's style and made it even bolder.
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In contemporary China, the leading calligraphers like
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Chinese calligrapher, military general, and politician
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Chinese Calligraphy: Images of steles and manuscripts
674:
Script. Yan Zhenqing also drew inspiration from the
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Tang dynasty's territory before An Lushan Rebellion
49:. Unsourced material may be challenged and removed.
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921:) are said to have been inspired by Yan Zhenqing.
1206:A model of Yan Zhenqing's "A Poem of General Pei"
1119:A Dictionary of Official Titles in Imperial China
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848:, studied under him, and the much-respected
1138:Zhong Guo Shu Hua Ming Jia Jing Pin Da Dian
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109:Learn how and when to remove this message
1195:Yan Zhenqing and his Calligraphy Gallery
1173:. Honolulu: University of Hawaii Press.
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1121:. Stanford: Stanford University Press.
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480:) in the suppression of the rebellion.
313:was a famous linguist while his father
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350:(a rough equivalent of the modern day
1136:Yao Jinming; Ed. Zhu Boxiong (1998).
47:adding citations to reliable sources
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511:conferred the title of Duke of Lu (
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1251:Tang dynasty generals from Shaanxi
287:Yan Zhenqing was born in Wannian (
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1231:8th-century Chinese calligraphers
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305:, a scholar-official during the
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1073:. University of Hawai'i Press.
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719:Draft of a Requiem to My Nephew
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34:needs additional citations for
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1099:Association for Asian Studies
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1044:"A Poem of General Pei 裴將軍詩"
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262:and a loyal governor of the
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1261:Taizi taishi (Tang dynasty)
1117:Hucker, Charles O. (1985).
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450:), who was the governor of
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1246:Tang dynasty calligraphers
666:. Zhang Xu was skilled in
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1241:Politicians from Xi'an
1197:at China Online Museum
1140:. Zhejiang Edu Press.
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1169:McNair, Amy. (1998).
1048:Vincent's Calligraphy
852:Period calligrapher,
826:A Poem to General Pei
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1067:McNair, Amy (1998).
1030:era, per vol.231 of
1011:era, per vol.231 of
760:Magu Shan Xiantan Ji
744:Consolidating period
362:Investigating Censor
342:imperial examination
43:improve this article
809:Consummating period
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389:Pingyuan Commandery
230:traditional Chinese
1236:Artists from Xi'an
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750:Guojia Miao Stele
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202:Chinese name
171:Yan Lugong (
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41:Please help
36:verification
33:
926:Sha Menghai
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536:lost work
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452:Changshan
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403:Civil war
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278:Biography
1024:gui'chou
970:See also
735:Part of
660:Zhang Xu
612:楷書) and
570:Wenzhong
543:Li Xilie
541:In 784,
507:In 764,
295:Chang'an
200:In this
1005:ren'yin
944:the Yan
940:the Yan
713:Buddhis
677:Wei Bei
614:cursive
606:regular
563:Caizhou
270:style,
83:scholar
1177:
1144:
1125:
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911:) and
867:Su Shi
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765:痲姑山仙墰記
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652:, 758
618:caoshu
610:kaishu
545:, the
462:Quyang
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347:Jinshi
299:Langya
250::
240::
238:pinyin
232::
224::
204:, the
85:
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952:Japan
948:Korea
881:Mi Fu
794:Zhuan
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561:) in
552:淮西節度使
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377:殿中侍御史
158:Alias
90:JSTOR
76:books
1175:ISBN
1162:link
1142:ISBN
1123:ISBN
1075:ISBN
954:and
832:裴將軍詩
820:顏勤禮碑
796:and
755:郭傢廟碑
725:祭姪文稿
708:多寶塔碑
662:and
580:situ
496:刑部尚書
490:工部尚書
467:户部侍郎
457:常山太守
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