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Taizong had the scholars write poems to praise the scene and then summoned Yan to paint a portrait of the scene. Yan was at the time already a mid-level official in the administration, but when he summoned Yan, the imperial attendants called out, "Summon the imperial painter, Yan Liben!" When Yan heard the order, he became ashamed for being known only as the painter, and he commented to his son, "I had studied well when I was young, and it was fortunate of me to have avoided being turned away from official service and to be known for my abilities. However, now I am only known for my painting skills, and I end up serving like a servant. This is shameful. Do not learn this skill." However, as he still favored painting, he continued to do so even after this incident.
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Although the
Chinese aristocracy counted painting as one of their accepted pastimes, the profession of the painter was not a highly venerated vocation. On one occasion, when Emperor Taizong was rowing a boat with his attendant scholars at the imperial pond, there were birds flying by. Emperor
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288:(d. 649) were designed by Yan Liben, and the relief is so flat and linear that it seems likely they were carved after drawings or paintings. Yan Liben is documented as producing other works for the tomb, a portrait series that is now lost, and perhaps designed the whole structure.
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Both were also painters and successful administrators at court, and trained Yan Liben in succession; his father died suddenly at 49. He grew up in Chang'an, and initially collaborated with his elder brother on two works whose titles are recorded.
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established his fame over a canvass." In 670, Yan became officially the head of the legislative bureau, now with the title changed to
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is "the first that is generally accepted as being partly original", though much of it seems later. A similar figure of an emperor in
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Yan Liben was skilled in public work projects, but became particularly known for his artistic skills. It was for this reason that
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It is not known when Yan Liben was born. His ancestors were originally from Mayi (馬邑, in modern
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Fong, Mary H. "Tang Tomb Murals
Reviewed in the Light of Tang Texts on Painting,"
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and the 18 great scholars who served under him when he was the Prince of Qin. His
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273:(Cave 200), might be by the same hand, and carries the appropriate date of 642.
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is not among them. Only four
Buddhist subjects are listed, against 12
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A record of 1120 gives 42 titles of Yan's paintings, though the
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Works in the collection of the Boston Fine Arts Museum
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From the years 669 to 673, Yan Liben also served as a
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era (656–661) of the reign of
Emperor Taizong's son
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637:Orchid Pavilion Preface
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199:. He also painted the
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509:Emperor Xuan of Chen
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53:verification
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21:Chinese name
754:Chinese art
676:One of the
379:During the
320:Sui dynasty
271:Mogao Caves
237:One of the
213:Sui dynasty
209:Han dynasty
116:August 2020
75:"Yan Liben"
25:family name
989:673 deaths
984:600 births
978:Categories
910:0714820083
898:Loehr, Max
880:References
849:0351183345
407:chancellor
292:Background
224:chancellor
174:Yen Li-pen
169:Wade–Giles
86:newspapers
873:Loehr, 32
864:Loehr, 33
827:Loehr, 36
786:Xian'heng
423:You Xiang
419:Zuo Xiang
415:Zuo Xiang
393:You Xiang
306:Guanzhong
282:mausoleum
243:mausoleum
164:Yán Lìběn
147:Yan Liben
950:, vols.
940:vol. 100
738:See also
411:Jiang Ke
381:Xianqing
310:Chang'an
298:Shuozhou
203:, under
19:In this
928:vol. 77
916:Ancient
732:(歷代帝王圖)
439:Gallery
280:at the
269:in the
241:at the
151:Chinese
100:scholar
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885:Modern
847:
782:ren'wu
644:蕭翼賺蘭亭圖
403:Xi Tai
302:Shanxi
267:fresco
259:Daoist
171::
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159:pinyin
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23:, the
770:Notes
188:博陵文貞男
107:JSTOR
93:books
906:ISBN
845:ISBN
79:news
956:202
952:201
683:颯露紫
432:中書令
325:閻立德
284:of
245:of
177:) (
155:閻立本
62:by
30:Yan
27:is
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398:右相
315:閻毘
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