Knowledge

Xoanon

Source 📝

79: 27: 299: 230:
Pausanias noted that "The sanctuary of Athena Chalinitis is by the theater, and near it is a naked xoanon of Herakles, said to be by Daidalos. All the works of this artist, though somewhat uncouth to look at, nevertheless have a touch of the divine in them."
239:
at Olous and an Athena at Knossos. ... At Delos, too, there is a small xoanon of Aphrodite, its right hand damaged by time, and instead of feet its lower part is square. I am persuaded that Ariadne got this image from
80: 347:διάθεσις) — was re-exported to Massiliote sub-colonies, "where they keep the diathesis of the xoanon the same, and all the other usages precisely the same as is customary in the mother-city". 391: 141:. Many such cult images were preserved into historical times, though none are known to have survived to the modern day, except as copies in stone or marble. In the 2nd century CE, 366:, "Among the others, the Romans have consecrated Artemis' xoanon on the Aventine, taking the same model from the Massiliotes" (Strabo, 4.1.5). So the cult image of the 310:
The importance of the xoanon in local cult ensured that it would be carefully copied when colonies were founded, and sent out with the colonists from the mother-city.
379: 235:
Of the works of Daidalos there are two in Boeotia, a Herakles in Thebes and the Trophonios at Lebadeia. There are also two other xoana in Crete, a
184: 302:
Synthesizing the Lady of Ephesus as Diana Aventina: a Roman marble copy of a Greek replica of a lost Geometric period xoanon (18th-century
198:
A different type of cult figure in which the face, hands, and feet were carved of marble and the rest of the body made of wood is called
454: 704: 664: 31: 791: 167:
was ruler, it was humanized in form". In Pausanias' travels he never mentions seeing a xoanon of a "mortal man".
467: 806: 258:
that was woven and ceremonially delivered to Athena on the Acropolis of Athens into historic times.
796: 175:
Some types of archaic xoana may be reflected in archaic marble versions, such as the pillar-like "
250:
Similar xoana were ascribed by the Greeks to the contemporary of Daedalus, the equally legendary
696: 142: 678: 616: 176: 278:
was preserved. The Athenians believed it had fallen to earth from the heavens, as a gift to
801: 375: 8: 761: 589: 581: 367: 263: 643: 593: 332: 30:"Plank figure" of chalk, Early Cypriot III to Middle Cypriot I, 1900-1800 BCE in the 573: 442: 45: 20: 749: 542: 344: 261:
The wood of which a xoanon was carved was often symbolic: olivewood, pearwood,
126: 108: 95: 87: 785: 511: 339:
by a dream, and the artistic design of the cult image — Strabo uses the term
336: 180: 537: 466:
Compare the image of the "Lady of Ephesus" whom the Greeks called Artemis:
401: 450: 236: 355: 320: 317: 271: 122: 585: 324: 303: 203: 392:
Anthropomorphic wooden cult figurines of Central and Northern Europe
382:
at Rome, of whom marble copies survive (see illustration at right).
577: 564:
Bennett, Florence M. (January 1917). "A study of the word ΞΟΑΝΟΝ".
199: 138: 130: 282:; it was still to be seen in the 2nd century CE. On the island of 446: 396: 371: 359: 351: 328: 298: 287: 227: 164: 254:. Such figures were often clothed in real textiles, such as the 717: 639: 501: 438: 313: 283: 279: 275: 255: 251: 215: 192: 188: 134: 26: 219: 163:] says, was a wooden beam at first, but afterwards, when 154: 768:. Translated by Frazer, James George. II, pages 69–70. 742:
One Hundred Greek Sculptors: Their Careers and Extant Works
506: 497: 363: 202:. The wooden part was usually covered either with cloth or 150: 60: 54: 66: 724:
Strabo's Cultural Geography: The Making of a Kolossourgia
424:
in the available text is thought to be a mis-spelling of
159: 129:. Classical Greeks associated such cult objects, whether 722:
Dueck, Daniela; Lindsay, Hugh; Pothecary, Sarah (2005).
157:. "The statue of the Samian Hera, as Aethilos [ 286:
a rustic piece of wood was venerated for the spirit of
602:
mentioned by Pausanias, who sometimes uses the phrase
721: 69: 63: 51: 530: 191:-type figures that may have been used to represent 116: 102: 48: 335:was transferred with the colony, justified in the 226:in its strict sense, to denote a wooden image; at 766:Description of Greece, translation and commentary 615: 783: 350:Similarly, cementing cultural ties between the 772: 453:Hera as xoana, and even the marble Nemesis at 293: 634: 632: 630: 57: 16:Archaic wooden cult image of Ancient Greece 627: 504:numerous wooden images are to be seen in 775:Xoana and the Origins of Greek Sculpture 598:Bennett appends a list of the sixty-six 297: 25: 748: 677: 563: 290:it contained or represented (Burkert). 267:, oak, are all specifically mentioned. 218:, the "carved" xoanon might also be of 784: 638: 760: 695: 658: 488:The oak is especially sacred to Zeus. 209: 121:, to carve or scrape ) was a wooden 739: 13: 222:; Pausanias, however, always uses 19:For the Doctor Who character, see 14: 818: 274:, an ancient olivewood effigy of 170: 32:Goulandris Museum of Cycladic Art 505: 457:, as Frazer noted (Frazer 1897). 145:described numerous xoana in his 44: 756:. II.5.3 Temple and Cult Image. 711: 689: 671: 566:American Journal of Archaeology 491: 482: 652: 609: 557: 479:The olive is sacred to Athena. 473: 460: 431: 414: 1: 500:describes how in the cave of 606:, "sculptured image of wood" 524: 468:Temple of Artemis at Ephesus 7: 623:. 40, 41, cited in Stewart. 385: 117: 103: 10: 823: 733: 294:Copies of venerable images 18: 543:Dictionary.com Unabridged 112: 99: 91: 407: 773:Donohue, A. A. (1988). 316:(4.1) reports that the 149:, notably the image of 792:Ancient Greek religion 307: 248: 35: 701:Description of Greece 661:Description of Greece 617:Clement of Alexandria 378:, was established as 301: 233: 147:Description of Greece 137:, with the legendary 29: 376:Greek understanding 333:Artemis of Ephesus 308: 270:In Athens, in the 210:Woods and textiles 187:" or some archaic 36: 807:Wooden sculptures 740:Stewart, Andrew. 515:. 10.693 ff. 327:) was founded by 245:Pausanias, 9.40.3 153:in her temple at 814: 778: 769: 757: 745: 728: 727: 715: 709: 708: 693: 687: 686: 675: 669: 668: 656: 650: 649: 636: 625: 624: 613: 607: 597: 561: 555: 554: 552: 551: 534: 518: 516: 495: 489: 486: 480: 477: 471: 464: 458: 443:chryselephantine 435: 429: 418: 370:, identified as 331:. Their cult of 246: 120: 114: 107:, from the verb 106: 101: 93: 85: 84: 83: 82: 75: 72: 71: 68: 65: 62: 59: 56: 53: 50: 21:The Face of Evil 822: 821: 817: 816: 815: 813: 812: 811: 797:Greek mythology 782: 781: 750:Burkert, Walter 736: 731: 720:, as quoted in 716: 712: 694: 690: 676: 672: 657: 653: 637: 628: 614: 610: 562: 558: 549: 547: 536: 535: 531: 527: 522: 521: 496: 492: 487: 483: 478: 474: 465: 461: 436: 432: 419: 415: 410: 388: 368:Lady of Ephesus 296: 247: 244: 212: 173: 78: 77: 47: 43: 24: 17: 12: 11: 5: 820: 810: 809: 804: 799: 794: 780: 779: 770: 758: 754:Greek Religion 746: 735: 732: 730: 729: 726:. p. 121. 710: 688: 670: 651: 626: 608: 578:10.2307/497155 556: 528: 526: 523: 520: 519: 490: 481: 472: 459: 445:sculptures of 441:describes the 430: 412: 411: 409: 406: 405: 404: 399: 394: 387: 384: 380:Diana Aventina 295: 292: 242: 211: 208: 172: 171:Types of xoana 169: 127:Archaic Greece 15: 9: 6: 4: 3: 2: 819: 808: 805: 803: 800: 798: 795: 793: 790: 789: 787: 776: 771: 767: 763: 759: 755: 751: 747: 743: 738: 737: 725: 719: 714: 706: 702: 698: 692: 684: 680: 674: 666: 662: 655: 647: 646: 641: 635: 633: 631: 622: 618: 612: 605: 601: 595: 591: 587: 583: 579: 575: 571: 567: 560: 546:(Online). n.d 545: 544: 539: 533: 529: 514: 513: 512:Metamorphoses 508: 503: 499: 494: 485: 476: 469: 463: 456: 452: 448: 444: 440: 434: 427: 423: 417: 413: 403: 400: 398: 395: 393: 390: 389: 383: 381: 377: 373: 369: 365: 362:community in 361: 357: 353: 348: 346: 342: 338: 337:founding myth 334: 330: 326: 322: 319: 315: 311: 305: 300: 291: 289: 285: 281: 277: 273: 268: 266: 265: 259: 257: 253: 241: 238: 232: 229: 225: 221: 217: 207: 205: 201: 196: 194: 190: 186: 185:Hera of Delos 183:), the flat " 182: 181:Louvre Museum 178: 177:Hera of Samos 168: 166: 162: 161: 156: 152: 148: 144: 140: 136: 132: 128: 124: 119: 110: 105: 97: 89: 81: 74: 41: 33: 28: 22: 774: 765: 753: 741: 723: 713: 700: 691: 682: 673: 660: 654: 644: 621:Protrepticus 620: 611: 604:xylon agalma 603: 599: 569: 565: 559: 548:. Retrieved 541: 532: 510: 493: 484: 475: 462: 433: 425: 421: 416: 402:Cycladic art 349: 340: 312: 309: 269: 262: 260: 249: 234: 223: 213: 197: 174: 158: 146: 39: 37: 802:Cult images 679:Athenagoras 659:Pausanias. 572:(1): 8–21. 237:Britomartis 786:Categories 550:2014-11-13 451:Polyclitan 354:colony at 318:metropolis 272:Erechtheum 123:cult image 94:; plural: 34:, Athens). 762:Pausanias 697:Pausanias 645:Geography 594:193009224 525:Citations 449:Zeus and 420:The name 341:diathesis 329:Phocaeans 325:Marseille 304:engraving 240:Daidalos. 204:gold leaf 143:Pausanias 752:(1985). 642:(1917). 538:"xoanon" 426:Aethlios 422:Aethilos 386:See also 360:Phocaean 358:and the 356:Massilia 352:Phocaean 323:(modern 321:Massilia 243:—  200:acrolith 139:Daedalus 131:aniconic 734:Sources 683:Legatio 455:Rhamnus 447:Phidian 397:Daidala 372:Artemis 288:Artemis 228:Corinth 165:Prokles 718:Strabo 705:1.26.6 640:Strabo 592:  586:497155 584:  502:Cybele 439:Strabo 314:Strabo 284:Icaria 280:Athens 276:Athena 256:peplos 252:Smilis 224:xoanon 216:Strabo 193:Apollo 189:kouros 135:effigy 92:ξόανον 40:xoanon 685:. 17. 665:2.4.5 600:xoana 590:S2CID 582:JSTOR 437:Thus 408:Notes 345:Greek 264:Vitex 220:ivory 155:Samos 118:xeein 113:ξέειν 109:Greek 104:xoana 100:ξόανα 96:Greek 88:Greek 76: 507:Ovid 498:Ovid 364:Rome 214:For 151:Hera 574:doi 374:in 179:" ( 160:sic 133:or 125:of 788:: 764:. 703:. 699:. 681:. 663:. 629:^ 619:. 588:. 580:. 570:21 568:. 540:. 509:. 306:). 206:. 195:. 115:, 111:: 98:: 90:: 86:, 55:oʊ 38:A 777:. 744:. 707:. 667:. 648:. 596:. 576:: 553:. 517:. 470:. 428:. 343:( 73:/ 70:n 67:ɒ 64:n 61:ə 58:. 52:z 49:ˈ 46:/ 42:( 23:.

Index

The Face of Evil

Goulandris Museum of Cycladic Art
/ˈz.ənɒn/

Greek
Greek
Greek
cult image
Archaic Greece
aniconic
effigy
Daedalus
Pausanias
Hera
Samos
sic
Prokles
Hera of Samos
Louvre Museum
Hera of Delos
kouros
Apollo
acrolith
gold leaf
Strabo
ivory
Corinth
Britomartis
Smilis

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.