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Wow/Grape Jam

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533:. "Bitter Wind", written and sung by Bob Mosley, has remained one of the group's most popular songs. The acoustic version here contains an ending that includes harsh wind noises and backward vocals. Other stand-out tracks include Jerry Miller's rocking shuffle "Can't Be So Bad", Skip Spence's darkly comedic roots rocker "Motorcycle Irene" and Peter Lewis's lush ballad "He". The album also includes an electrified re-arranged version of "Naked, If I Want To", which was on the first album as an acoustic track. "Just Like Gene Autry: A Foxtrot" is the most unusual song on the album, a 1930s-style tune written and sung by Spence. It was given a spoken introduction from 809:
and songwriting chops are still in solid shape." Deming praises the "tough, funky blues" of "Murder in My Heart for the Judge" and the "horn-driven boogie" of "Can't Be So Bad" and refers to "Bitter Wind", "He," and "Rose Colored Eyes" as "lovely folk-rock tunes with shimmering harmonies." His colleague, Matthew Greenwald, calls "Bitter Wind" "a beautifully written ballad" and "one of Bob Mosley's finest early period compositions", also praising the songs "He", "Rose Colored Eyes" and "Miller’s Blues" and calling "Murder In My Heart For The Judge" “a fabulously hilarious story of being dressed down in a court by a judge while paying parking tickets.”
22: 455: 745: 740: 735: 710: 705: 648: 730: 725: 700: 695: 690: 643: 638: 633: 628: 559:. This studio album was recorded in New York City in January and February 1968. Skip Spence plays guitar on "Never" and piano on "Boysenberry Jam". Peter Lewis does not appear on this album. "The Lake" is a strange combination of poetry submitted by a fan (Michael Hayworth, the winner of a KFRC San Francisco songwriting contest) and avant-garde psychedelic 808:
is mostly positive, arguing that it is "a far more ambitious album" than the band’s debut, that it "has plenty of strengths despite the excess gingerbread" and that while it lacks the "rev-it-up spirit" of the debut, the "guitar work is just as impressive and richly layered, and the group's harmonies
825:. It has edited versions of "Bitter Wind" and "Marmalade," while also omitting "Just Like Gene Autry: A Foxtrot" and "The Lake" entirely. This edition has been criticized for its mediocre sound quality and poor packaging. The group has never been properly compensated for this CD release. 874:
for reasons that were not officially specified. It has been widely circulated on the Moby Grape mailing list that Katz, whom the band has been in legal battles with since the late 1960s, threatened to file a lawsuit against Sundazed claiming ownership of the albums' artwork.
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as "a disjointed affair," but "hardly a disaster," highlighting "Bitter Wind," the "creepily-hypnotic Rose Colored Eyes," the "funked-up Murder In My Heart For The Judge" and "Spence’s clap of dirty thunder, Motorcycle Irene" as "classic Grape". A retrospective review of
577:", the opening lyrics, bluesy arrangement and some melodic elements are virtually identical. The album was the inspiration for a number of other studio "jam" albums during the late 1960s and early 1970s. Later examples of this trend included Al Kooper's 939:
Complete LP and CD versions of the album conclude with a brief, spoken message from David Rubinson reminding the listener to change the turntable speed to 78 RPM for the next track.
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on October 9, 2007 featuring a number of bonus tracks, most of which were previously unreleased. At the same time Sundazed also released separately the CD debut of
775:" because of how worthy songs such as "Can't Be So Bad" and "Murder in My Heart for the Judge" were diminished by superfluous effects such as horns, strings, stereo 383:
releases in that it was released as two different albums in separate covers, but packaged together and sold for only one dollar more than price of a single LP.
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Original US copies of the two-album package had a large blue sticker on the front of shrink wrap which identified the albums and showed the songs of
521:"Murder in My Heart for the Judge" is a blues rock tune written by drummer Don Stevenson that was later recorded by other rock musicians such as 1286: 514:
has a more heavily produced sound than the first Moby Grape album. String and horn arrangements were added to many of the songs by producer
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has been criticized for its rather loose and mostly improvised performances, which contrast sharply with the heavily produced material on
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released in 1993. This collection includes "Foxtrot" and the complete acoustic version of "Bitter Wind". It also includes a few
518:. Recording started in Los Angeles in late 1967, but most of the album was recorded in New York City in late 1967 and early 1968. 907: 86: 58: 1693: 1536: 834: 906:
the title was left off the cover because "What was in the box was more important than the box." It was nominated for the
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were only shown on the back of that album and were not visible on the outside of the sealed package. The back cover of
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out-takes, notably an alternate earlier version of "Bitter Wind" in a completely different rock arrangement.
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also showed the song titles in an incorrect order, and again, this was not visible on the sealed package.
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recorded on several songs on the album, most notably, "Never", which has been cited as a source for the
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and cut onto the LP at 78 RPM with added scratchy sound effects to give it an authentic period effect.
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was a single-disc edition on the San Francisco Sound label, owned by Moby Grape's former manager
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plays piano on "Marmalade". Michael Hayworth wrote the lyrics and sings on "The Lake".
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was first released on CD in Japan in 1997. A newly remastered version was released by
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This was Moby Grape's highest charting release in the U.S., peaking at #20 on the
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and his orchestra - backing track for "Just Like Gene Autry: a Foxtrot".
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image without any input from the band. Cato was influenced by various
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is also notable in that it features guest appearances on piano by
379:. It was first released in April 1968. It is different from most 1434:"Rose Colored Eyes - Moby Grape | Song Info | AllMusic" 1374:"Wow - Moby Grape | Songs, Reviews, Credits | AllMusic" 1123: 960: 899: 411:
omit the band's name from the record label, for unknown reasons.
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in its entirety, with three previously unreleased bonus tracks.
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were taken out of print on November 3, 2007, along with
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100 Best Album Covers: The Stories Behind the Sleeves
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Billboard Magazine, April 20, 1968, advertisement, p5
930:"Murder in My Heart for the Judge" (Stevenson) - 2:58 1072: 1004:"The Place and the Time" (Miller, Stevenson) - 2:27 927:"The Place and the Time" (Miller, Stevenson) - 2:07 46:. Unsourced material may be challenged and removed. 1414:"He - Moby Grape | Song Info | AllMusic" 996: 407:had a color non-gatefold sleeve. Early copies of 1758: 1068:"The Lake" (Michael Hayworth, Moby Grape) - 4:01 944:(On a separate band of the LP, cut at 78 RPM) 722: 687: 1530: 936:"Can't Be So Bad" (Miller, Stevenson) - 3:41 887:album (design and illustration) was done by 625: 1283:"Robert Christgau: Online Exchange, part 3" 1081:"Grape Jam #9" (previously unissued) - 9:14 1078:"Grape Jam #2" (previously unissued) - 9:24 1537: 1523: 1486: 1035: 955:This track includes a guest appearance by 418:in the correct order. The song titles for 345: 129: 1708:Listen My Friends! The Best of Moby Grape 1493:Thorgerson, Storm; Powell,Aubrey (1999). 1327: 1013:"Miller's Blues" (Miller, Mosley) - 5:23 563:sound effects somewhat like side four of 499:Learn how and when to remove this message 106:Learn how and when to remove this message 989:"Miller's Blues" (Miller, Mosley) - 5:22 959:, who reads the introduction and plays 908:Grammy Award for Best Recording Package 1759: 1313:, San Francisco, 25 May 1968. page 20. 1289:from the original on December 20, 2017 1258:"7 Songs That Led Zeppelin Ripped off" 1518: 1271:https://www.allmusic.com/album/r44916 992:"Naked, If I Want To" (Miller) - 0:52 832:also appear on the two-CD collection 606: 596: 375:is the second album by the rock band 1694:Vintage: The Very Best of Moby Grape 1323: 1321: 1319: 1102:plays piano on "Black Currant Jam". 1010:"Loosely Remembered" (Mosley) - 3:27 913: 835:Vintage: The Very Best of Moby Grape 448: 168:August 30, 1967 – February 5, 1968 ( 44:adding citations to reliable sources 15: 1497:. Dorling Kindersley. p. 153. 986:"Rose Colored Eyes" (Mosley) - 4:00 771:felt that the album suffered from " 724: 689: 441:song "Since I've Been Loving You". 118:1968 studio album by Moby Grape 13: 1022:Tracks 14–18 previously unreleased 977:"Motorcycle Irene" (Spence) - 2:24 14: 1798: 1701:Crosstalk: The Best of Moby Grape 1316: 1016:"What's to Choose" (Lewis) - 2:03 627: 1772:Albums produced by Dave Rubinson 743: 738: 733: 728: 723: 708: 703: 698: 693: 688: 646: 641: 636: 631: 626: 453: 20: 1466: 1446: 1426: 1406: 1386: 1366: 1307:Miller, Jim. "Wow; Grape Jam", 1088:" (previously unissued) - 13:24 1073:Bonus tracks on 2007 CD edition 997:Bonus tracks on 2007 CD edition 31:needs additional citations for 1544: 1352: 1301: 1275: 1264: 1250: 1237: 1224: 1215: 812: 761:In a retrospective review for 174:January 16 – February 13, 1968 1: 1208: 1059: 1043: 952:: A Foxtrot" (Spence) - 3:05 933:"Bitter Wind" (Mosley) - 3:09 793:, meanwhile, has referred to 444: 1109: 983:"Funky-Tunk" (Spence) - 2:11 980:"Three-Four" (Mosley) - 5:01 783:. Christgau went further on 7: 968: 921: 479:the claims made and adding 10: 1803: 1333:"Mixed Grapes: Moby Grape" 1192: 1055:"Black Currant Jam" - 7:11 878: 575:Since I've Been Loving You 1724: 1678: 1653: 1593: 1552: 1171: 1019:"Seeing" (Spence) - 5:11 614: 611: 364: 360: 344: 340: 335: 331: 294: 286: 274: 244: 217: 184: 164: 156: 143: 128: 123: 1232:Top Pop Albums 1955–2001 1052:"Boysenberry Jam" - 6:03 1003: 845:The complete version of 1787:Sundazed Records albums 1777:Columbia Records albums 1151:- rhythm guitar, vocals 1049:"Never" (Mosley) - 6:16 828:Many of the songs from 767:magazine, music critic 1715:The Place and the Time 1007:"Stop" (Lewis) - 2:24 1362:. 16 September 2016. 1331:(October 18, 2007). 602:Professional ratings 590:All Things Must Pass 583:and the third LP of 40:improve this article 1285:. RockCritics.com. 1092:(total CD time for 1065:"Marmalade" - 14:05 1028:(total CD time for 974:"He" (Lewis) - 3:36 603: 1623:Truly Fine Citizen 891:. Cato proposed a 802:by Mark Deming of 601: 597:Critical reception 464:possibly contains 1782:Moby Grape albums 1754: 1753: 1329:Christgau, Robert 1206: 1205: 759: 758: 755: 720: 509: 508: 501: 466:original research 368: 367: 336:Alternative cover 327: 326: 116: 115: 108: 90: 1794: 1725:Related articles 1630:20 Granite Creek 1539: 1532: 1525: 1516: 1515: 1509: 1508: 1490: 1484: 1483: 1470: 1464: 1463: 1450: 1444: 1443: 1430: 1424: 1423: 1410: 1404: 1403: 1390: 1384: 1383: 1370: 1364: 1363: 1356: 1350: 1349: 1347: 1345: 1325: 1314: 1305: 1299: 1298: 1296: 1294: 1279: 1273: 1268: 1262: 1261: 1254: 1248: 1243:The back of the 1241: 1235: 1230:Whitburn, Joel. 1228: 1222: 1219: 1176: 1175: 851:Sundazed Records 817:The first CD of 781:musique concrète 769:Robert Christgau 749: 748: 747: 746: 742: 741: 737: 736: 732: 731: 727: 726: 714: 713: 712: 711: 707: 706: 702: 701: 697: 696: 692: 691: 657:Robert Christgau 651: 650: 649: 645: 644: 640: 639: 635: 634: 630: 629: 604: 600: 561:Musique concrète 504: 497: 493: 490: 484: 481:inline citations 457: 456: 449: 433:and keyboardist 349: 296: 295: 229: 228: 224: 194:Psychedelic rock 133: 121: 120: 111: 104: 100: 97: 91: 89: 48: 24: 16: 1802: 1801: 1797: 1796: 1795: 1793: 1792: 1791: 1757: 1756: 1755: 1750: 1720: 1674: 1669:Moby Grape Live 1649: 1644:Legendary Grape 1589: 1548: 1543: 1513: 1512: 1505: 1491: 1487: 1472: 1471: 1467: 1452: 1451: 1447: 1432: 1431: 1427: 1412: 1411: 1407: 1392: 1391: 1387: 1372: 1371: 1367: 1358: 1357: 1353: 1343: 1341: 1326: 1317: 1306: 1302: 1292: 1290: 1281: 1280: 1276: 1269: 1265: 1256: 1255: 1251: 1242: 1238: 1229: 1225: 1220: 1216: 1211: 1174: 1112: 1104:Mike Bloomfield 1075: 1062: 1046: 1041: 999: 971: 953: 937: 924: 919: 902:. According to 883:Artwork of the 881: 815: 744: 739: 734: 729: 721: 709: 704: 699: 694: 647: 642: 637: 632: 599: 585:George Harrison 557:Mike Bloomfield 527:Three Dog Night 505: 494: 488: 485: 470: 458: 454: 447: 431:Mike Bloomfield 356: 322: 313: 304: 266: 260: 254: 235: 226: 222: 221: 213: 175: 173: 152: 139: 119: 112: 101: 95: 92: 55:"Wow/Grape Jam" 49: 47: 37: 25: 12: 11: 5: 1800: 1790: 1789: 1784: 1779: 1774: 1769: 1752: 1751: 1749: 1748: 1743: 1736: 1728: 1726: 1722: 1721: 1719: 1718: 1711: 1704: 1697: 1690: 1682: 1680: 1676: 1675: 1673: 1672: 1665: 1657: 1655: 1651: 1650: 1648: 1647: 1640: 1637:Moby Grape '84 1633: 1626: 1619: 1616:Moby Grape '69 1612: 1605: 1597: 1595: 1591: 1590: 1588: 1587: 1582: 1576: 1575: 1568: 1561: 1553: 1550: 1549: 1542: 1541: 1534: 1527: 1519: 1511: 1510: 1503: 1485: 1465: 1445: 1425: 1405: 1385: 1365: 1351: 1315: 1300: 1274: 1263: 1260:. 20 May 2014. 1249: 1236: 1223: 1213: 1212: 1210: 1207: 1204: 1203: 1200: 1191: 1187: 1186: 1183: 1180: 1173: 1170: 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However, 544: 540: 539: 523:Lee Michaels 520: 511: 510: 495: 486: 463: 439:Led Zeppelin 428: 423: 419: 415: 413: 408: 404: 399:had a color 396: 395: 388: 385: 381:double album 371: 370: 369: 352: 317: 309: 308: 299: 262: 256: 237: 231: 177: 169: 145:Studio album 136: 102: 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 1767:1968 albums 1687:Great Grape 1654:Live albums 1580:Skip Spence 1558:Peter Lewis 1234:(2001): 595 1149:Skip Spence 1133:lead guitar 1116:Peter Lewis 948:"Just Like 904:Peter Lewis 813:CD editions 777:separations 773:Pepper-itis 1761:Categories 1662:Live Grape 1602:Moby Grape 1572:Bob Mosley 1546:Moby Grape 1209:References 1165:Lou Waxman 1139:Bob Mosley 950:Gene Autry 871:Moby Grape 566:Freak Out! 473:improve it 445:The albums 429:Guitarist 377:Moby Grape 301:Moby Grape 290:chronology 288:Moby Grape 204:blues rock 150:Moby Grape 66:newspapers 1746:The Ducks 1733:Fine Wine 1245:Grape Jam 1196:Billboard 1185:Position 1110:Personnel 1100:Al Kooper 1094:Grape Jam 1038:Grape Jam 910:in 1969. 897:Victorian 866:Grape Jam 855:Grape Jam 785:Grape Jam 752:Grape Jam 553:Al Kooper 549:Grape Jam 541:Grape Jam 477:verifying 435:Al Kooper 420:Grape Jam 405:Grape Jam 389:Billboard 353:Grape Jam 263:Grape Jam 255:CS 9613 ( 238:Grape Jam 199:folk rock 178:Grape Jam 96:June 2014 1479:AllMusic 1459:AllMusic 1439:AllMusic 1419:AllMusic 1399:AllMusic 1379:AllMusic 1293:July 26, 1287:Archived 1161:, vocals 1145:, vocals 1135:, vocals 1060:Side two 1044:Side one 969:Side two 922:Side one 900:woodcuts 889:Bob Cato 805:AllMusic 674:negative 621:Allmusic 401:gatefold 276:Producer 268:Sundazed 251:Columbia 209:jam band 165:Recorded 157:Released 147: by 1096:69:30) 1032:59:04) 961:ukulele 893:surreal 879:Artwork 471:Please 323:(1969) 314:(1968) 305:(1967) 261:MGS 1 ( 236:37:31 ( 80:scholar 1501:  1182:Chart 1172:Charts 1124:vocals 779:, and 684:(2007) 671:(1968) 615:Rating 612:Source 218:Length 82:  75:  68:  61:  53:  1190:1968 1179:Year 1159:drums 860:Both 246:Label 234:) LP, 186:Genre 87:JSTOR 73:books 1499:ISBN 1346:2013 1295:2015 1143:bass 864:and 569:or " 555:and 529:and 240:) LP 59:news 1740:Oar 1202:20 1198:200 1193:US 1030:Wow 916:Wow 885:Wow 862:Wow 847:Wow 840:Wow 830:Wow 800:Wow 795:Wow 717:Wow 587:'s 545:Wow 512:Wow 475:by 424:Wow 416:Wow 409:Wow 397:Wow 391:200 257:Wow 232:Wow 170:Wow 137:Wow 42:by 1763:: 1476:. 1456:. 1436:. 1416:. 1396:. 1376:. 1335:. 1318:^ 1157:- 1141:- 1131:- 1122:, 1118:- 661:B+ 593:. 525:, 270:CD 253:LP 227:23 223:38 1538:e 1531:t 1524:v 1507:. 1482:. 1462:. 1442:. 1422:. 1402:. 1382:. 1348:. 1297:. 1084:" 963:. 754:) 750:( 719:) 715:( 502:) 496:( 491:) 487:( 469:. 355:. 265:) 259:) 230:( 225:: 180:) 176:( 172:) 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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Studio album
Moby Grape
Genre
Psychedelic rock
folk rock
blues rock
jam band
Label
Columbia
Sundazed
Producer
David Rubinson
Moby Grape
Moby Grape
Moby Grape '69

Moby Grape
double album

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