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William Oxley

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Oxley met Patricia Holmes through the Manchester Shakespeare Players, and they married in 1963. They had two daughters, Elizabeth Helen (b. 1966) and Katie Sarah (b. 1969). After originally settling in London, they moved to Brixham in South Devon with Patricia's mother in 1976. He died in February
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Oxley began his career working as a messenger boy in Salford. He then became an articled clerk at Willett, Son & Garner, and qualified as a chartered accountant there. He began to write poetry after moving to London and working in the city, first for Deloitte and then Lazard.
401:. In 2008, he received the Torbay ArtsBase Award for Literature. His work is featured on various websites, including, from its beginning, Anne Stewart's prestigious www.poetrypf.co.uk and www.creativetorbay.com. His archive was acquired by the 247:(1939 – February 4, 2020) was an English poet. In addition to 31 poetry publications, he was also responsible for a range of books covering literary criticism, philosophy, fiction, plays and biography. 1003:
Virvescu, Catalina Stefania; ‘Interview with William Oxley’, Bucharest, University of Bucharest, Romania, 2011. www.agonia.net.
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Perman, David; ‘William Oxley: the Interviewer interviewed’, Devon, Acumen Literary Journal, No. 79, May 2014, pp. 14–20.
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Greening, John; 'Reclaiming the Lyre, Selected Poems', review, London, The London Magazine, June/July 2002, pp. 112/113.
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McCaffery, Richie; 'Collected and New Poems', review, London, on-line magazine The London Grip, 2012. www.londongrip.co.uk.
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Sharma, Yuyutsu R.D.; 'Namaste', ‘And the Leaves Fall in Silence’, review, Kathmandu, The Kathmandu Post, 13th Feb. 2005.
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Steffen, Jonathan; ‘Profile of William Oxley and bibliography’, Falcon Editions website, issue 4, Windsor, October 2005.
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No Accounting For Paradise', (Autobiography); Edge City Review no 15, review, Reston, VA, USA 2004, pp. 39/40.
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Dordi, Barbara; 'Poems Antibes', review, Aude, France, The French Literary Review, No. 11, April 2009, p. 47.
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In 1976, he moved to Devon with his family, and focused on poetry. His wife Patricia founded the literary journal
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Loydell, Stride; 'ISCA: Exeter Moments', review, Truro, on-line magazine, Stride, 2013. www.stridemagazine.co.uk.
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Harpur James; 'Sunlight in a Champagne Glass', review, London, Temenos Academy Review, review, 2010, p. 220.
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Pursglove, Glyn; ‘William Oxley: a profile’. Contemporary Poets, Detroit, St. James Press, 1996, pp. 831/2.
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Greacen, Robert; 'No Accounting For Paradise (Autobiography)', review, Dublin, Irish Independent, 17 July 1999.
382:, where he had moved to. This led to him and Patricia organising the Torbay Poetry Festival from 2001 to 2019. 311:. Following the publication of a number of his works on the Continent in the 1980s and 1990s, Oxley was dubbed 180: 151: 147: 40: 1015:
Taylor-Whiffer, Peter; ‘Poetic Licence’, profile of William Oxley, London Economia, February 2015, p. 98.
1018:'ISCA: Exeter Moments', Plymouth, Literature Works, Book of the Month, May 2015. www.literatureworks.org.uk. 1000:
Holliday, S.J.; 'Sunlight in a Champagne Glass', review, West Kirby, Orbis 151,Spring 2010, pp. 53/54.
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to use, with appropriate illustration, in their Annual Broadsheet for 2002. Another of his long poems,
315:. He read his work on UK and European radio and was said to be the only British poet to have read in 76: 259:
Oxley's poems were widely published throughout the world, in magazines and journals as diverse as
390: 140: 93: 945:"William Oxley's Salzburg publications are still in print and available from Poetry Salzburg" 1021:
Palmer, Richard; 'Collected and New Poems', review, Maidenhead, South, May 2015, p. 56.
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Myddleton-Evans, Cathryn; 'Namaste', review, Chelmsford, Seam 22, 2005, pp. 58/62.
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Michaels, Mary; 'London Visions', review, London, 'Sofia', November 2006, p. 22.
881: 639:, with Harry Oxley, edited by Patricia Oxley, Salzburg, University of Salzburg, 1988. 363: 729: 713: 374:
in 1990, and opposed its commercialisation. In 2000, William was poet laureate for
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Vitalism and Celebration. Salzburg 1987. Salzburg University Press. Preface, p.7
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Blythe, Martin; 'London Visions', review, Poole, South, 2006, p. 59.
965:‘Ted Slade interviews William Oxley’; UK, August 2000, www.poetrykit.org. 326:(Literature Attack) in 1972, and also edited the poetry publications 129: 645:, edited by Glyn Pursglove, Salzburg, University of Salzburg, 1989. 944: 379: 762:, Wolfgang Gortschacher, Salzburg, University of Salzburg, 1992. 375: 738:(with Patricia Oxley), Kathmandu, Nepal, Spiny Babbler, 2004. 397:, was awarded first prize by the online long poem magazine, 385:
A limited edition print employing lines from his epic poem,
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Görtschacher, Wolfgang & Schachermayr, Andreas (Eds): "
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A Glass of New Made Wine – a Festschrift for William Oxley
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in 1985, with William as treasurer and interviews editor.
596:, (with Parvin Loloi), Torbay, Acumen Publications, 2013. 722:(Nos 1–2 only) Torbay, Acumen Publications, 2000 – 2001. 776:", Aylesbury, Buckinghamshire, The Writer, April 1975. 756:, James Hogg, Salzburg, University of Salzburg, 1984. 637:
On Poets and Poetry: Letters Between a Father and Son
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Görtschacher, Wolfgang & Pursglove, Glyn (Ed): "
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William Oxley. A Survey of his Poetry and Philosophy
354:(1977–78). He also co-edited the newsletter of the 154:. Unsourced material may be challenged and removed. 834:The Romantic Imagination: a William Oxley Casebook 655:No Accounting for Paradise : an autobiography 706:– (Anthology), Exeter, Stride Publications, 1995. 587:, Leopold S. Senghor, London, Menard Press, 1986. 581:, Leopold S. Senghor, London, Menard Press, 1981. 370:He became a member of the general council of the 1026: 808:", Salzburg, University of Salzburg, 1984, 1987. 820:The Role of Nature in William Oxley's Poetry 790:", Malta, Bulletin and Times of Malta, 1976. 716:), Torbay, Acumen Publications, 1995 – 2002. 474:, Brixham, Devon, Acumen Publications, 1991. 514:Reclaiming the Lyre, New and Selected Poems 55:Learn how and when to remove these messages 867: 865: 863: 861: 859: 857: 822:", Salzburg, University of Salzburg, 1989. 797:", Salzburg, University of Salzburg, 1984. 436:The Notebook of Hephaestus and Other Poems 651:, Salzburg, University of Salzburg, 1996. 633:, Salzburg, University of Salzburg, 1985. 627:, Salzburg, University of Salzburg, 1983. 621:, Salzburg, University of Salzburg, 1982. 615:, Salzburg, University of Salzburg, 1982. 504:, Salzburg, University of Salzburg, 1994. 456:, Richmond, Surrey, Keepsake Press, 1988. 450:, Salzburg, University of Salzburg, 1984. 444:, Salzburg, University of Salzburg, 1984. 232:Learn how and when to remove this message 214:Learn how and when to remove this message 112:Learn how and when to remove this message 935:William Oxley's archive: British Library 75:This article includes a list of general 854: 661:Firework Planet : children's novel 1027: 871: 783:", The Statesman, Karachi, April 1975. 472:The Patient Reconstruction of Paradise 843:", Swansea, Swansea University, 2013. 732:), Torbay, Acumen Publications, 2001. 600: 953: 667:Working Backwards: A Poet's Notebook 663:, Torbay, Acumen Publications, 2000. 609:, Brixham, Devon, Ember Press, 1981. 152:adding citations to reliable sources 123: 61: 20: 929: 836:", Salzburg, Poetry Salzburg, 2005. 766: 358:for several years, as its founder. 13: 872:Perman, David (21 February 2020). 829:" Salzburg, Poetry Salzburg, 1999. 742: 81:it lacks sufficient corresponding 14: 1056: 747: 728:, prize-winners' anthology (with 712:Newsletter – (issues 1–12) (with 558:, Beaworthy, Indigo Dreams, 2015. 36:This article has multiple issues. 841:A Study of William Oxley 1939 – 556:Walking Sequence and Other Poems 408: 313:one of Britain's first Europoets 128: 66: 25: 693:, Ware, Rockingham Press, 2018. 687:, Brixham, Beugger Books, 2012. 681:, Brixham, Beugger Books, 2011. 675:, Brixham, Beugger Books, 2010. 562: 552:, Ware, Rockingham Press, 2014. 540:, Ware, Rockingham Press, 2009. 534:, Ware, Rockingham Press, 2006. 516:, Ware, Rockingham Press, 2000. 510:, Ware, Rockingham Press, 1997. 486:, Ware, Rockingham Press, 1992. 480:, University of Salzburg, 1992. 417: 139:needs additional citations for 44:or discuss these issues on the 938: 908: 899: 774:Poet in Profile: William Oxley 685:The Language Game and Children 657:, Ware, Rockingham Press 1999. 438:, Kinross, Lomond Press, 1981. 1: 847: 760:William Oxley: A Bibliography 754:William Oxley: A Bibliography 575:, London, Menard Press, 1981. 538:Sunlight in a Champagne Glass 448:The Triviad and Other Satires 432:, London, Quarto Press, 1973. 813:William Oxley: Retrospective 669:, Acumen Publications, 2008. 546:, Brixham, Ember Press 2013. 528:, Bristol, Bluechrome, 2005. 522:, London, Hearing Eye, 2004. 498:, Plymouth, Westwords, 1993. 426:, London, Mitre Press, 1967. 250: 7: 788:Through Littack to Vitalism 625:The Cauldron of Inspiration 468:, Bath, Mammon Press, 1991. 395:Over the Hills of Hampstead 10: 1061: 815:" Bath, Poets Voice, 1987. 613:The Idea and its Imminence 585:She Chases Me Relentlessly 916:"Our team :: Acumen" 697: 874:"William Oxley obituary" 806:Vitalism and Celebration 607:Synopthegms of a Prophet 569:Poems of a Black Orpheus 378:, the district covering 322:He founded the magazine 16:English poet (1939–2020) 550:Collected and New Poems 492:, Exeter, Stride, 1993. 462:, Exeter, Stride, 1989. 391:University of Wisconsin 96:more precise citations. 781:Littack: On the Attack 736:Modern Poets of Europe 704:Completing the Picture 619:Of Human Consciousness 502:Collected Longer Poems 348:The Littack Supplement 643:Distinguishing Poetry 544:ISCA ‒ Exeter Moments 496:The Hallsands Tragedy 484:In The Drift of Words 460:Mad Tom on Tower Hill 802:The Vitalist Seminar 691:On and Off Parnassus 673:Everyman His Own God 520:Namaste, Nepal Poems 508:The Green Crayon Man 478:The Playboy Salzburg 454:The Mansands Trilogy 148:improve this article 424:The Dark Structures 399:Echoes of Gilgamesh 286:The London Magazine 1035:English male poets 779:Stanford, Derek: " 631:The Inner Tapestry 601:Other publications 593:the Divan of Hafez 573:Leopold S. Senghor 430:Mirrors of the Sea 340:The Village Review 262:The New York Times 344:Poetry Newsletter 242: 241: 234: 224: 223: 216: 198: 122: 121: 114: 59: 1052: 947: 942: 936: 933: 927: 926: 924: 922: 912: 906: 903: 897: 896: 894: 892: 869: 839:Jeffery, Lucy: " 811:Poets Voice 3: " 772:Shields, Mike: " 767:Critical studies 730:Penelope Shuttle 714:Sebastian Barker 237: 230: 219: 212: 208: 205: 199: 197: 156: 132: 124: 117: 110: 106: 103: 97: 92:this article by 83:inline citations 70: 69: 62: 51: 29: 28: 21: 1060: 1059: 1055: 1054: 1053: 1051: 1050: 1049: 1025: 1024: 956: 954:Further reading 951: 950: 943: 939: 934: 930: 920: 918: 914: 913: 909: 904: 900: 890: 888: 870: 855: 850: 818:Mörwald, Eva: " 769: 750: 745: 743:Further reading 726:Making a Splash 710:Long Poem Group 700: 603: 565: 466:Forest Sequence 420: 414:2020, aged 80. 411: 403:British Library 356:Long Poem Group 296:The Independent 253: 238: 227: 226: 225: 220: 209: 203: 200: 163:"William Oxley" 157: 155: 145: 133: 118: 107: 101: 98: 88:Please help to 87: 71: 67: 30: 26: 17: 12: 11: 5: 1058: 1048: 1047: 1042: 1037: 1023: 1022: 1019: 1016: 1013: 1010: 1007: 1004: 1001: 998: 995: 992: 989: 986: 983: 980: 977: 974: 969: 966: 963: 960: 955: 952: 949: 948: 937: 928: 907: 898: 852: 851: 849: 846: 845: 844: 837: 830: 823: 816: 809: 800:Hogg, James: " 798: 791: 784: 777: 768: 765: 764: 763: 757: 749: 748:Bibliographies 746: 744: 741: 740: 739: 733: 723: 717: 707: 699: 696: 695: 694: 688: 682: 676: 670: 664: 658: 652: 646: 640: 634: 628: 622: 616: 610: 602: 599: 598: 597: 588: 582: 576: 564: 561: 560: 559: 553: 547: 541: 535: 529: 526:London Visions 523: 517: 511: 505: 499: 493: 490:Cardboard Troy 487: 481: 475: 469: 463: 457: 451: 445: 439: 433: 427: 419: 416: 410: 407: 372:Poetry Society 350:(1976–80) and 252: 249: 240: 239: 222: 221: 136: 134: 127: 120: 119: 74: 72: 65: 60: 34: 33: 31: 24: 15: 9: 6: 4: 3: 2: 1057: 1046: 1043: 1041: 1038: 1036: 1033: 1032: 1030: 1020: 1017: 1014: 1011: 1008: 1005: 1002: 999: 996: 993: 990: 987: 984: 981: 978: 975: 973: 970: 967: 964: 961: 958: 957: 946: 941: 932: 917: 911: 902: 887: 883: 879: 875: 868: 866: 864: 862: 860: 858: 853: 842: 838: 835: 831: 828: 824: 821: 817: 814: 810: 807: 803: 799: 796: 792: 789: 785: 782: 778: 775: 771: 770: 761: 758: 755: 752: 751: 737: 734: 731: 727: 724: 721: 720:The Residency 718: 715: 711: 708: 705: 702: 701: 692: 689: 686: 683: 680: 677: 674: 671: 668: 665: 662: 659: 656: 653: 650: 647: 644: 641: 638: 635: 632: 629: 626: 623: 620: 617: 614: 611: 608: 605: 604: 595: 594: 589: 586: 583: 580: 577: 574: 570: 567: 566: 557: 554: 551: 548: 545: 542: 539: 536: 533: 532:Poems Antibes 530: 527: 524: 521: 518: 515: 512: 509: 506: 503: 500: 497: 494: 491: 488: 485: 482: 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 446: 443: 442:A Map of Time 440: 437: 434: 431: 428: 425: 422: 421: 415: 409:Personal life 406: 404: 400: 396: 392: 388: 387:A Map of Time 383: 381: 377: 373: 368: 366: 365: 359: 357: 353: 349: 345: 341: 337: 333: 332:Laissez-Faire 329: 325: 320: 318: 314: 310: 309: 304: 303: 302:The Spectator 298: 297: 292: 288: 287: 282: 281: 280:New Statesman 276: 275: 270: 269: 268:The Formalist 264: 263: 257: 248: 246: 245:William Oxley 236: 233: 218: 215: 207: 196: 193: 189: 186: 182: 179: 175: 172: 168: 165: –  164: 160: 159:Find sources: 153: 149: 143: 142: 137:This article 135: 131: 126: 125: 116: 113: 105: 102:December 2016 95: 91: 85: 84: 78: 73: 64: 63: 58: 56: 49: 48: 43: 42: 37: 32: 23: 22: 19: 971: 940: 931: 919:. 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